"Allegro" Quotes from Famous Books
 ... in London, son of a scrivener; graduated at Cambridge, and settled to study and write poetry in his father's house at Horton, 1632; in 1638 he visited Italy, being already known at home as the author of the "Hymn on the Nativity," "Allegro," "Penseroso," "Comus," a mask, and "Lycidas," an elegy on his friend King, who was drowned in the Irish Sea in 1637, besides much excellent Latin verse; the outbreak of the Civil War recalled him, and silenced ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... the secretary of the Protector, Oliver Cromwell. When only forty-six, he became totally blind, yet his greatest work was done after this misfortune overtook him. As a poet he stands second only to Shakespeare. His early poems, "Comus," "L'Allegro," "Il Penseroso," and "Lycidas," are very beautiful, and his "Paradise Lost" is the finest epic poem in the English language. ...
— Graded Poetry: Seventh Year - Edited by Katherine D. Blake and Georgia Alexander • Various
... adagio went quite successfully, although Panshin made more than one mistake. He played his own compositions and those which he had practised very prettily, but he read music badly. On the other hand, the second part of the sonata—a rather brisk allegro—did not go at all: at the twentieth measure, Panshin, who had got two measures behind, could hold out no longer, and pushed back his ...
— A Nobleman's Nest • Ivan Turgenieff
... or even like Hamlet himself—always soliloquising, tearing a passion to rags. And what mean these outbursts and objurgations of his, you will ask; these suggestions, fugitive, rhapsodical, mystical; this furibund allegro about Money, Mediums, and Bohemia; these sobs and tears and asseverations, in which our Lady of the Studio and Shakib are both expunged with great billahs;—the force and significance of these subliminal uprushes, dear Reader, we confess we are, like yourself, unable to understand, ...
— The Book of Khalid • Ameen Rihani
... of Thomson; or of characters, manners, and sentiments, as are Shenstone's 'Schoolmistress,' 'The Cotter's Saturday Night' of Burns, 'The Twa Dogs' of the same Author; or of these in conjunction with the appearances of Nature, as most of the pieces of Theocritus, the 'Allegro' and 'Penseroso' of Milton, Beattie's 'Minstrel,' Goldsmith's 'Deserted Village.' The Epitaph, the Inscription, the Sonnet, most of the epistles of poets writing in their own persons, and all loco-descriptive poetry, ...
— The Prose Works of William Wordsworth • William Wordsworth
... observation, "that the description of the external beauties of nature, is usually the first effort of a young genius, before he hath studied nature and passions. Some of Milton's most early, as well as mos't exquisite pieces, are his Lycidas, l'Allegro, and il Penseroso, if we may except his ode on the Nativity of Christ, which is, indeed, prior in order of time, and in which a penetrating critick might have observed the seeds of that boundless imagination, which was, one day, to produce the ...
— The Works of Samuel Johnson, Vol. 6 - Reviews, Political Tracts, and Lives of Eminent Persons • Samuel Johnson
... purpose, he retired to Horton, in Buckinghamshire, where his father had bought a small country seat. Between the years 1632 and 1638 he studied all the best Greek and Latin authors, mathematics, and science; and he also wrote L'Allegro and Il Penseroso, Comus, Lycidas, and some shorter poems. These were preludes, or exercises, towards the great poetical work which it was the mission of his life to produce. In 1638-39 he took ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... day grow, And the east wind not blow so; Soon, as of yore, L'Allegro Succeed Il Penseroso: Stick to your Magnall's Questions And Long Division sums; And come—with good digestions - ...
— Verses and Translations • C. S. C.
... consisted almost entirely of these unpopular peculiarities, the public treated him with respect, and actually sat out three performances in one season! In addition to these two great oratorios, our composer produced the beautiful music to Dryden's "St. Caecilia Ode," and Milton's "L'Allegro" and "Il Penseroso." Henceforth neither praise nor blame could turn Handel from his appointed course. He was not yet popular with the musical dilettanti, but we find no more catering to an absurd taste, no more ...
— The Great German Composers • George T. Ferris
... euphonic words, especially in the realm of music, have been given to us directly from the Italian. Of these are piano, violin, orchestra, canto, allegro, piazza, gazette, umbrella, gondola, ...
— How to Speak and Write Correctly • Joseph Devlin
... Academist Chopin performed the first Allegro of Moscheles' Pianoforte Concerto in F [G?] minor, and an improvisation on the aeolopantaleon. This instrument, invented by the cabinet-maker Dlugosz, of this town, combines the aeolomelodicon [FOOTNOTE: ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... the reed the dead musician dropped, With tuneful magic in its sheath still hidden; The prompt allegro of its music ...
— Starr King in California • William Day Simonds
... noisy allegro, during which the back scene opens, and discovers a grand illuminated saloon, many masks—dancing. At the side, drinking and playing ...
— The Works of Frederich Schiller in English • Frederich Schiller
... himself in all his productions. The Paradise Lost is almost in every page an imitation of Virgil, or Homer. The Lycidas treads closely in the steps of the Daphnis and Gallus of Virgil. The Sampson Agonistes is formed upon the model of Sophocles. Even the little pieces, L'Allegro and Il Penseroso have their source in a song of Fletcher, and two beautiful little ballads that are ascribed to Shakespeare. But the classical model upon which Comus was formed has not yet been discovered. It is ...
— Imogen - A Pastoral Romance • William Godwin
... Bryda's romance, and Milton fired her enthusiasm by his lofty strain. With the book on her knee, and some fine lace of Mrs Lambert's in her hand, which she was supposed to be darning, Bryda committed to heart 'Lycidas,' and 'L'Allegro,' while the faithful Abdiel in the larger poem became a living personage ...
— Bristol Bells - A Story of the Eighteenth Century • Emma Marshall
... the author of Paradise Lost has overshadowed that of the author of L'Allegro, Il Penseroso, and Lycidas. Yet had Paradise Lost never been written, these three poems, with Comus, would have sufficed to place their author in a class apart, and above all those who had used the English ...
— Milton • Mark Pattison
... next number is the long and showy instrumental march of the Israelites, followed by two very striking choruses,—the first ("Hold not Thy Peace and be not still, O God") of which appeals for divine help against the enemy, and the second, an allegro ("O God, make them like a Wheel"), leads into a fugue ("So persecute them"), which is very energetic in character, and closes with the martial hymn, "God and King of Jacob's Nation," sung to the melody ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... de Terra Rubra, dico medesimamente Io viddi alcune sotto scritioni dell'Ammiraglio, primo che acquistasse lo stato, ou' egli si sotto scriueua, Columbus de Terra Rubra. Ma, tornando al Re d'Inghilterra, dico, che, da lui il mappamondo veduto, et cio che i'Ammiraglio gli offeriua, con allegro volto accetto la sua offerta, e mandolo a chiamare. Ma, percioche Dio Phaueua per Cas. tiglia serbata, gia l'Ammiraglio in quel tempo era andato, e tornato con la vittoria della sua impresa, secondo che per ordine si raccontera. Lasciaro hora di raccontar ...
— The Principal Navigations, Voyages, Traffiques, and Discoveries of The English Nation, Vol. XII., America, Part I. • Richard Hakluyt
... angels, his Satan, and his Adam have as much dignity as the Apollo Belvidere, his Eve has all the delicacy and 'graces of the Venus of Medicis; as his description of Eden has the colouring of Albano. Milton's tenderness imprints ideas as graceful as Guido's Madonnas: and the Allegro, Penseroso, and Comus might be denominated from the three Graces; as the Italians gave similar titles to two or three of ...
— Letters of Horace Walpole, V4 • Horace Walpole
... lofty eloquence, moral purpose, the most moving pathos, alternating with the finest humor, and diction unequalled for strength and beauty of expression. Milton, too, in his minor poems, has given us some of the noblest verse in the language. There is poetry enough in his L'Allegro and Il Penseroso to furnish forth a ...
— A Book for All Readers • Ainsworth Rand Spofford
... the bad sense as well as in the good, though the doggerel of the "Sessions" and some other pieces is probably intentional. But in his own vein, that of coxcombry that is not quite cynical, and is quite intelligent, he is marvellously happy. The famous song in Aglaura, the Allegro to Lovelace's Penseroso, "Why so pale and wan, fond lover?" is scarcely better than "'Tis now since I sat down before That foolish fort a heart," or "Out upon it! I have loved Three whole days together." Nor in more serious veins is the ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... sage and solemn tones" of the "Faerie Queen," its "forests and enchantments drear, where more is meant than meets the ear." But of the weakness and affectation which characterized Spenser's successors he had not a trace. In the "Allegro" and "Penseroso," the first results of his retirement at Horton, we catch again the fancy and melody of the Elizabethan verse, the wealth of its imagery, its wide sympathy with nature and man. There is a loss perhaps of the older freedom and spontaneity of the Renascence, a rhetorical ...
— History of the English People, Volume V (of 8) - Puritan England, 1603-1660 • John Richard Green
... I'm Allegro da Capo, a very famous man; Just find another, high or low, to match me if you can. Some people try, but can't, to play And have to practice every day; But I've been musical alway, ...
— The Road to Oz • L. Frank Baum
... children to learn by heart; it cost at least a quarter of an hour to explain to intelligent children, the youngest of whom was at the time nine years old, the first stanza of that elegy. And we have heard it asserted by a gentleman not unacquainted with literature, that perfectly to understand l'Allegro and Il Penseroso, requires no inconsiderable portion of ancient and modern knowledge. It employed several hours on different days to read and explain Comus, so as to make it intelligible to a boy of ...
— Practical Education, Volume I • Maria Edgeworth
... better, and after the third performance the piece was withdrawn altogether. Fortunately, opinions have changed since then. These works were followed by his fine setting of Dryden's "Ode on St. Cecilia's Day," and Milton's "L'Allegro" and "Il Penseroso;" but it cannot be said that his pecuniary affairs were materially improved ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... and the fugued allegro, constructed with a skill that will never cease to be a wonder to the knowing, built up on ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... e il vero oro potabile, Che mandar suole in esilio Ogni male inrimediabile: Egli e d* Elena il Nepente, Che fa stare il mondo allegro, Dai pensieri Foschi e neri Sempre sciolto, e ...
— Gryll Grange • Thomas Love Peacock
... mallows, beside the crackling log-piled hearth. Even here he is not weaned from the tricks of mocking irony manifest in his early writings and born perhaps of his early struggles; for he puts this delicious pastoral, which tinkles through the page like Milton's "L'Allegro," into the mouth of a Roman capitalist, who, bitten by transient passion for a country life, calls in all his money that he may buy a farm, pines in country retirement for the Stock Exchange, sells his estate in quick disgust, ...
— Horace • William Tuckwell
... hear, became an enduring monument of genius, learning, and art. His early poems alone would indicate his superiority to all the poets of the period, except Shakspeare and Spenser. The most popular of them, "L'Allegro" and "Il Penseroso," are the best of their kind in any language. In the "Comus" there are passages exquisite for imagination, for sentiment, and for the musical flow of the rhythm, in which the majestic ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... caught by it, but he took the close of the introductory section, an allegro con brio, for the end, and she had to hush at him again, and could not resist smiling at her lullaby to the prattler. Patrick smiled in response. Exchanges of smiles upon an early acquaintance between two young people are peeps through the doorway of intimacy. ...
— The Shaving of Shagpat • George Meredith
... ALLEGRO (an Italian word, meaning "cheerful,'' as in Milton's poem), a term in music to indicate quick or lively time, coming between andante and presto; it is frequently modified by the addition of qualifying words. It is also used of a separate piece of music, or of a movement in a ...
— Project Gutenberg Encyclopedia
... faculty with sweet and rather deep melodies which, while perfectly simple in structure, nevertheless have in them the soul of the artist. The tone has to be full, round, singing, and never loud. There are parts of the fantasia which do not come up to the level of the others; particularly the allegro in G minor, which is inconvenient to play, and almost never played in a musical manner. It has, however, to be gotten over the best ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... lines are definitely iambic, the other eight are doubtful, but apparently trochaic. If it is read as iambic, eleven of the hundred feet in the long lines will be 'irregular'; if it is read as trochaic, eleven likewise will be 'irregular.' Milton's L'Allegro and Il Penseroso contain lines that are ...
— The Principles of English Versification • Paull Franklin Baum
... leading or guiding star, that is, the pole-star. The magnet is, for the same reason, called the lode-stone, either became it leads iron, or because it guides the sailor. Milton has the same thought in L'Allegro: ...
— Johnson's Notes to Shakespeare Vol. I Comedies • Samuel Johnson
... adhere to your music, though I cannot hope again to accompany your harp with my flute. My last andante movement was too forte for those whom it took by surprise. Let not your allegro vivace be damped by young Crotchet's desertion, which, though I have not heard it, I take for granted. He is, like myself, a scientific politician, and has an eye as keen as a needle to his own ...
— Crotchet Castle • Thomas Love Peacock
... theology, and music,—a curious combination. To his love of music we owe the melody of all his poetry, and we note it in the rhythm and balance which make even his mighty prose arguments harmonious. In "Lycidas," "L'Allegro," "Il Penseroso," "Arcades," "Comus," and a few "Sonnets," we have the poetic results of this retirement at Horton,—few, indeed, but the most perfect of their kind that ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... of daintiest lightness came running! ["Aline-Aline!"] So might Allegro have tripped it. The key rasped round, ["Aline-Aline!"] the portal drew in, and he found himself getting his first front view of Cupid, ...
— The Flower of the Chapdelaines • George W. Cable
... caught new pleasures While the landscape round it measures. * * * * * * * * Towers and battlements it sees Bosomed high in tufted trees, Where perhaps some beauty lies The Cynosure of neighboring eyes." L'Allegro. ...
— TITLE • AUTHOR
... raiment or food was left in his way and for his use, departed from the family in displeasure. Robin Goodfellow, on the contrary, must have both his food and his rest, as Milton informs us, amid his other notices of country superstitions, in the poem of L'Allegro. And it is to be noticed that he represents these tales of the fairies, told round the cottage hearth, as of a cheerful rather than a serious cast; which illustrates what I have said concerning the milder character of the southern superstitions, as compared with those of the same class in Scotland—the ...
— Letters On Demonology And Witchcraft • Sir Walter Scott
... years, having nothing to say in sincere praise. Nor do I mean that his Decay is all owing to London, etc. He is growing old: and I don't believe much in the Fine Arts thriving on an old Tree: I can't think Milton's Paradise Lost so good as his Allegro, etc.; one feels the strain of the Pump all through: only Shakespeare—the exception to all rule—struck out Macbeth ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald
... need not detain us long. Many groupings had been tried; but it seems natural to open with an allegro—preceded or not preceded by a few bars of slow introduction—to follow this with a slow movement of some sort; then to insert or not to insert a movement of medium rapidity as a change from the bustle of the first and the quiet ...
— Haydn • John F. Runciman
... the Duke's officers to the King's Provost Marshal, was by him placed in the hands of his two trusty aides de camp, Trois Eschelles and Petit Andre, to be dispatched without loss of time. One on either side of him, and followed by a few guards and a multitude of rabble—this playing the Allegro, that the Penseroso, [the mirthful and the serious. Cf. Milton's poems by these names.]—he was marched off (to use a modern comparison, like Garrick between Tragedy and Comedy) to the neighbouring forest; ...
— Quentin Durward • Sir Walter Scott
... are white, whereas the flowers of the true Sweet Brier are pink. In the earlier poets the name seems to have been given to any wild Rose, and Milton certainly did not consider the Eglantine and the Sweet Brier to be identical. He says ("L'Allegro")— ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... Trumtwang, and Muggledrone: harmony we must not call it; for, though they had agreed to a partnership in point of tune, each, like a true painstaking man, seemed determined to have his time to himself: Muggledrone played allegretto, Trumtwang allegro, Whistlerap presto, and Scrapesqueak prestissimo. There was a kind of mathematical proportion in their discrepancy: while Muggledrone played the tune four times, Trumtwang played it five, Whistlerap six, and ...
— Maid Marian • Thomas Love Peacock
... sopraogni altro frutto gradito Fu il volto allegro, e'l non bigiardo amore. E benchefosse pouero il conuito, Non fu la volonta ...
— Shakespeare's Lost Years in London, 1586-1592 • Arthur Acheson
... my guides, and their mules—on a road from Sciacca to Girgenti, at a tavern in the miserable village of Monte-Allegro, whose inhabitants, consumed by the mal aria, continually shiver in the sun. But nevertheless they are Greeks, and their gaiety triumphs over all circumstances. A few gather about the tavern, full of smiling curiosity. One good story would have sufficed, had I known how to ...
— The Crime of Sylvestre Bonnard • Anatole France
... tableau, their silken scarfs, of transparent texture and bright and varied colours, floating in the air like rainbows, behind which glanced the houri-like forms of the women. Presently the music glided from the adagio into the allegro; the steps of the dancers became quicker, their gestures more animated, the play of their limbs more voluptuous. With the exception of one couple, every glance and movement of the performers seemed directed or aimed at the Caliph. This couple ...
— Blackwood's Edinburgh Magazine - Volume 57, No. 352, February 1845 • Various |
