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Arabesque   Listen
noun
Arabesque  n.  A style of ornamentation either painted, inlaid, or carved in low relief. It consists of a pattern in which plants, fruits, foliage, etc., as well as figures of men and animals, real or imaginary, are fantastically interlaced or put together. Note: It was employed in Roman imperial ornamentation, and appeared, without the animal figures, in Moorish and Arabic decorative art. (See Moresque.) The arabesques of the Renaissance were founded on Greco-Roman work.






Collaborative International Dictionary of English 0.48








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"Arabesque" Quotes from Famous Books



... Gothic, with a dash of Saracenic in the ornamental mouldings above it. The large window at the extremity of the nave is remarkable for having round arches, which circumstance, together with the traces of arabesque painted ornaments on the columns, led me to think it might have been a mosque; but Dr. Robinson, who is now here, considers it a Christian church, of the time of the Crusaders. The village of Aboo 'l Ghosh is said to be the site of the birth-place of the Prophet Jeremiah, ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor

... are coarse, long wooden desks and benches, with places all numbered, cut up and disfigured to an extent which will soon convince one that whittling is not a trait of American destructiveness exclusively. Here are carved names and intertwined lettering, arabesque masterpieces of penknife-ingenuity, with a general preponderance of feminine appellatives, bold incisures, at times, of some worthy professor in profile,—the whole besmutched with ink, and dotted with countless punctures, the ...
— Atlantic Monthly, Volume 7, Issue 41, March, 1861 • Various

... having been a poet, after having demonstrated an entire social system, I shall revert to science in an Essay on the Human Powers. And around the base of my palatial structure, with boyish glee I shall trace the immense arabesque of my ...
— Honor de Balzac • Albert Keim and Louis Lumet

... to the stories, poems, essays and critiques which the indefatigable Dreamer was putting out, he found time to publish a collection of his "Tales of the Grotesque and Arabesque," in book form. He was also (unfortunately for him) induced to prepare a work on sea-shells for the use of schools—"The Conchologist's First Book," it was called. This was unmistakably a mere "pot-boiler" and confessedly a compilation, but it set the ...
— The Dreamer - A Romantic Rendering of the Life-Story of Edgar Allan Poe • Mary Newton Stanard

... autumn he published all the prose stories he had then written, in two volumes, under the title of "Tales of the Grotesque and the Arabesque." The work was not salable, perhaps because its contents were too familiar from recent separate publication in magazines; and it was not so warmly praised, generally, as I think it should have been, though in point of style the pieces which it embraced ...
— International Miscellany of Literature, Art and Science, Vol. 1, - No. 3, Oct. 1, 1850 • Various

... courts of Europe who were there told us that nowhere in Europe was there anything as fine as the hall and grand staircase where the Duchess received her guests. It exceeded my utmost conceptions of magnificence and beauty. The vast size of the apartment, the vaulted ceilings, the arabesque ornaments, the fine pictures, the profusion of flowers, the music, the flourish of trumpets, as the Queen passed backward and forward, the superb dresses and diamonds of the women, the parti-colored full dress of the gentlemen all contributed to make up a scene not to be forgotten. ...
— Letters from England 1846-1849 • Elizabeth Davis Bancroft (Mrs. George Bancroft)

... sight-seers than his predecessors, but because he was making very extensive and costly improvements in the buildings and grounds. I have seen nothing yet in England to compare, for ornate carving, with the new gate-way he is making to the park. It is of the finest kind of arabesque work done in stone that much resembles the Caen. This prevention barred me from even a distant view of the once famous residence of Lord Byron, as it could not be seen from ...
— A Walk from London to John O'Groat's • Elihu Burritt

... silver stream of the Hudson. The river, lonely as the sky, seemed to drift oily and sluggish down to plunge beneath the city at the lower end of the Tappan Zee. Allan Dane came over New York, gazed down at the ruin of its soaring towers, at the leaping arabesque of its street bridges. He peered into vast rifts of tumbled, chaotic concrete and steel. Nothing moved in all that spreading wonder that had housed twenty millions ...
— When the Sleepers Woke • Arthur Leo Zagat

... maroons or deep reds. Plain tinted walls and ceilings in fresco or wainscot are also frequently used. The latest shades of wall paper come in wood colors, dark olive-greens, stone color, and grays, in tile, arabesque and landscape designs, and with these are used a corresponding dado ...
— The Ladies Book of Useful Information - Compiled from many sources • Anonymous

... "stem stitch" (wrongly called also, "crewel stitch," as it has no claim to being used exclusively in crewel embroidery). It is most useful in work done in the hand, and especially in outlines of flowers, unshaded leaves, and arabesque, and all conventional designs. ...
— Handbook of Embroidery • L. Higgin

... ceiling. The scattered blues and crimsons of the carpets (repeated in duller tones in the old morocco bindings), the gilded tracery of the tooling, and here and there a blood-red lettering-piece, gave an effect as of some dim rich arabesque flung on to the darkness. At this hour the sunlight made the most of all it found there; it washed the faded carpet with a new dye; it licked every jutting angle, every polished surface, every patch of vellum; it streamed out of the great golden white ...
— The Divine Fire • May Sinclair

... evidently inspired by Raphael's classic figures and arabesques, but the column of design is naively broken by the far perspective of a formal garden. The Italian cartoonist would have built his border, figure and arabesque, one above another like a fantastic column (vide Mr. Blumenthal's Mercury border). The Fleming saw the intricacy, the multiplied detail, but missed the intellectual harmony. But, such trifles apart, the Flemish examples of this style that have come to us are thrilling in their ...
— The Tapestry Book • Helen Churchill Candee

... of the stone they cherish, until it is charged with color so that it can receive no more; and instead of looking rugged, or cold, or stern, as anything that a rock is held to be at heart, it seems to be clothed with a soft, dark leopard skin, embroidered with arabesque of purple and silver. But in the lower ranges this is not so. The mosses grow in more independent spots, not in such a clinging and tender way over the whole surface; the lichens are far poorer and fewer; and the color of the stone itself ...
— Modern Painters, Volume IV (of V) • John Ruskin

... gallery, or arcade or colonnade, the whole extent of which was once beautifully adorned by Raphael. These pictures are almost worn away, and so defaced as to be untraceable and unintelligible, along the side wall of the gallery; although traceries of Arabesque, and compartments where there seem to have been rich paintings, but now only an indistinguishable waste of dull color, are still to be seen. In the coved ceiling, however, there are still some bright frescos, in better preservation than any others; not particularly ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne

... as visible scene or image: it is the colouring—that weaving of light, as of just perceptible gold threads, through the dress, the flesh, the atmosphere, in Titian's Lace-girl, that staining of the whole fabric of the thing with a new, delightful physical quality. This drawing, then—the arabesque traced in the air by Tintoret's flying figures, by Titian's forest branches; this colouring—the magic conditions of light and hue in the atmosphere of Titian's Lace-girl, or Rubens's Descent from the Cross:—these essential pictorial qualities ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater

... not too near the wave, and on a sylvan declivity, was along, pavilion-looking building, painted in white and arabesque. It was backed by the forest, which had a park-like character from its partial clearance, and which, after a convenient slip of even land, ascended the steeper country and took the form of wooded hills, backed ...
— Lothair • Benjamin Disraeli

... by remaining much longer than any one else ever did, in admiring the pillar, and rummaging the drawers of the cabinets. At last, the musk with which they are impregnated obliged me to desist, and I moved on to a suite of saloons, with low arched roofs, glittering with arabesque, in azure and gold. Several medallions appear amongst the wreaths of foliage, tolerably well painted, with representations of splendid feasts and tournaments for which Florence ...
— Dreams, Waking Thoughts, and Incidents • William Beckford

... silken damask: the same thread runs through the web, but it makes part of different figures. Joined with other colors you hardly recognize it, and in different lights it is dark or light. Thus the Greek fables blend and cross curiously in different directions, till they knit themselves into an arabesque where sometimes you cannot tell black from purple, nor blue from emerald—they being all the truer for this, because the truths of emotion they represent are interwoven in the same way, but all the more difficult ...
— The Queen of the Air • John Ruskin

... white, was ornamented with a bold arabesque of gilding which seemed to flow naturally in graceful lines from the garment of a golden image of Victory mounted high on ...
— The Panchronicon • Harold Steele Mackaye

... of classical design; but being no longer in touch with natural and popular interests, nor stimulated by mutual cooperation with their brother craftsmen, the mason builders, they adopted the fashionable mode of expression invented by the new architects and the painters of the time. Elaborate "arabesque" and other formal designs gave employment to the carvers, in making an infinite repetition of fiddles, festoons, and ribbons, in the execution of which they became so proficient, that their work is more often admired ...
— Wood-Carving - Design and Workmanship • George Jack

... palace of the Czars, called the Terema. It is complete as a residence in itself, but the halls and sleeping-rooms are remarkably small compared to those of the huge modern edifice by its side. The walls from top to bottom are covered with the most strange arabesque devices which imagination could design—birds, beasts, and fish, interwoven with leaves and sea-weed of every description. In each room a different tint predominates, although the same style of ...
— Fred Markham in Russia - The Boy Travellers in the Land of the Czar • W. H. G. Kingston

... with an angular top, of green glazed tiles, having four windows, one in each side; in the centre of the square is the palace, surrounded by a colonnade one or two stories high. The pavement is either tessellated or of chequered marble; some of the walls of the rooms are also tessellated with arabesque, borders, the ceilings are painted with gay colours, viz. scarlet, sky-blue, green, yellow, and orange, in arabesque, and some of them are very elegant. The houses of the opulent are diminutive imitations of the palaces. The house of (the Talb Caduse) the minister of the Sultan Seedi Muhamed ...
— An Account of Timbuctoo and Housa Territories in the Interior of Africa • Abd Salam Shabeeny

... mutually appreciative. Their next meeting took place in Lady Everington's drawing-room, where Barrington had already heard fair ladies praising the gifts and graces of the young diplomat. He heard him play the piano; and he also heard the appreciation of discerning judgment. He heard him talking with arabesque agility. It was Geoffrey's turn to feel on the wrong side of a vast superiority, and in his turn he repaid the old debt of admiration; generosity filled the gulf and the two became firm friends. Reggie's intelligence flicked the inertia ...
— Kimono • John Paris

... receiving room. This was a large room, with a splendidly inlaid and polished floor, the walls covered with crimson satin, the cornices heavily incrusted with gold, and the ceiling beautifully painted in arabesque. The massive fauteuils and sofas, as also the drapery, were of crimson satin with a profusion of gilding. The ubiquitous portrait of the Emperor was the only picture, and was the same you see everywhere. ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.

... a florid arabesque, reminding one of a fungus. If you can imagine a toadstool in joints, an interminable string of toadstools, budding and sprouting in endless convolutions—why, that ...
— The Yellow Wallpaper • Charlotte Perkins Gilman

... calico curtain, with a gorgeous Cretonne pattern upon it. I was delighted to see a four-post bed, with mosquito bars, and a clean pulu mattrass, with a linen sheet over it, covered with a beautiful quilt with a quaint arabesque pattern on a white ground running round it, and a wreath of green leaves in the centre. The native women exercise the utmost ingenuity in the patterns and colours of these quilts. Some of them are quite works of art. The ...
— The Hawaiian Archipelago • Isabella L. Bird

... Real Presence that makes many words unfitting. When we are on the mount of Transfiguration, we do not care much for Peter, James or John. And so, dear, I recommend you to do as I do—if the minister must give us a doctrinal disquisition, or a learned argument, or an elaborate arabesque of fancy work, or an impassioned appeal, let him go his way and do not heed him. I want silence that I may commune with the Real Presence. If the minister does not give ...
— Laicus - The experiences of a Layman in a Country Parish • Lyman Abbott

... of the book-covers almost always follow certain styles. These are either heraldic, scriptural, symbolical, floral, or arabesque. ...
— Chats on Old Lace and Needlework • Emily Leigh Lowes

... any ornamental or other desired form, these portions will retain their ordinary appearance, and will show the form of the design very strongly outlined beside the crackled surface. In this manner, letters, arabesque, and other patterns in white or colored glass can be produced with great ease ...
— Scientific American Supplement, No. 358, November 11, 1882 • Various

... which have ceased "discoursing most eloquent music" for the last two hundred years. The third room (a view of which we engrave) is a boudoir, containing the large antique German stove, built up with ornamental tiles cast in relief, with stories from bible history of saints, and arabesque. Beside it is a bronze receptacle for water, shaped like a huge acorn, the tap having a grotesque head, and the spigot being a small seated figure; this was gently turned when wanted, and a thin stream of water trickled over the hands into the basin beneath; an embroidered ...
— Rambles of an Archaeologist Among Old Books and in Old Places • Frederick William Fairholt

... the fountain springs of that happiness which is so essential to her. Merely external emancipation has made of the modern woman an artificial being, who reminds one of the products of French arboriculture with its arabesque trees and shrubs, pyramids, wheels, and wreaths; anything, except the forms which would be reached by the expression of her own inner qualities. Such artificially grown plants of the female sex are to be found in large numbers, especially in the so-called intellectual ...
— Anarchism and Other Essays • Emma Goldman

... all the world looked white in the silver light. Every bough of every tree sparkled with a delicate coating of frost, the pines and cedars were great shapes of dazzling snow, even the ivy on the gothic tower hung a glittering arabesque on the gray wall. Never was there a ...
— Christmas - Its Origin, Celebration and Significance as Related in Prose and Verse • Various

... quite into the shade. The Alhambra was nothing to it! The floor was yellow ochre; the ceiling was sky-blue; the cornices were scarlet, with flutings of blue and yellow, and, underneath, a broad belt of fruit and foliage, executed in an extremely arabesque style. The walls were light green, with narrow bands of red down the sides of each plank. The table was yellow, the chairs blue, and their bottoms red, by way of harmonious variety. But the grand point—the great masterpiece in the ornamentation ...
— The Wild Man of the West - A Tale of the Rocky Mountains • R.M. Ballantyne

... love's converse now seems So tender to my dreams As he, discursive at our mutual desk, Most fervid and most ripe, When dreaming at his pipe, He made the opiate nights grow Arabesque. ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend

... As they were loving friends in life, so in death are they undivided! Erected by their affectionate disciples, Bishop and May.' Besides these there are many others all bearing names of mark and fame. The whole is surrounded by a pretty arabesque composed of crowbars and other implements of burglary, pistols, knives, death's heads and cross-bones, halters, handcuffs, and fetters, ingeniously disposed and prettily intertwined with ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt

... form of the whole great French school of rounded architecture. And where has that French school its origin? Wholly in the rich conditions of sculpture, which, rising first out of imitations of the Roman bas-reliefs, covered all the facades of the French early churches with one continuous arabesque of floral or animal life. If you want to study round-arched buildings, do not go to Durham, but go to Poictiers, and there you will see how all the simple decorations which give you so much pleasure even in their isolated ...
— The Two Paths • John Ruskin

... carved windows cut in arabesque-work of marble. (India) or basalt (the Hauran) and provided with small panes of glass set in emeralds where tin would be used by ...
— The Book of the Thousand Nights and a Night, Volume 6 • Richard F. Burton

... great heap of jewels on the buhl top of the table, above the intricate arabesque of ...
— The Sleuth of St. James's Square • Melville Davisson Post

... to think clearly again. Slowly she realized where she was and what had happened. The blue door in the wall—this the house that adjoined the garden. She had slept—how long she did not know, but the beams of sunlight were orange in color and made a brilliant arabesque upon an embroidered hanging on the opposite wall. She must have slept long. Her dreams returned to her, fleeting and elusive, like the ignes fatui which had been a part of them. The whir of wheels, the vision of the vari-colored crowd, the ...
— The Secret Witness • George Gibbs

... colombettes! (I wonder what they may be?) and sent to vie with the variegated carpet of the Turk, and glow upon the arabesque towers of Barbary![2] Was not this a phase of provincial Picard life which an intelligent English traveller might do well to inquire into? Why should this fountain of rainbows leap up suddenly here by Somme; and a little Frankish maid write herself the sister of Venice, ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin

... apply for it; but you would have me lay before you such ideas as may occur to me, in order that you may have the picking and choosing amongst them, with the chance of finding something to your mind—something which may assist you to a decision. Artists in arabesque get an idea by watching the shifting forms of the kaleidoscope; in the same manner you hope—if I will but turn my mind about a little—that some lucky adjustment of its fragments of observation may help you to a serviceable thought or two. At all events, ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various

... before her mother had time to change her mind, and John-James began slowly to rinse the china through the darkened water, on whose surface the grease lay in a shimmering arabesque. Annie went round the kitchen rasping the chairs over the stone floor and making futile dabs at their seats with her apron. She had that curious uncertainty of aim usually seen in dogs, who never seem to be sure of touching the ...
— Secret Bread • F. Tennyson Jesse

... notwithstanding his many aberrations, until her death in 1847. The Narrative of Arthur Gordon Pym appeared in 1838, and in 1839 P. became ed. of the Gentleman's Magazine, in which appeared as Tales of the Arabesque and Grotesque many of his best stories. In 1845 his famous poem, The Raven, came out, and in 1848 Eureka, a Prose Poem, a pseudo-scientific lucubration. The death of his wife gave a severe shock to his constitution, and a violent drinking bout on a visit to Baltimore led to his death from ...
— A Short Biographical Dictionary of English Literature • John W. Cousin

... appearance, should have had a purely sporting character, and exhibited Mr. Pickwick sleepily fishing in a punt, and Mr. Winkle shooting at what looks like a cock-sparrow, the whole surrounded by a chaste arabesque of guns, rods, and landing-nets. To Seymour, too, we owe the portrait of Mr. Pickwick, which has impressed that excellent old gentleman's face and figure upon all our memories. But to return to Dickens' interview with Mr. Hall. They seem to have parted in mutual satisfaction. At least it is certain ...
— Life of Charles Dickens • Frank Marzials

... but now things in the province were growing less Dutch and more English,—like the Philipse name and blood themselves,—and so the new embellishments were English. The second lord imported marble mantels from England, had the walls beautifully wainscoted, adorned the ceilings richly with arabesque work in wood. He laid out, in the best English fashion, a lawn between the eastern front and the Albany post-road. He it was who married Joanna, daughter of Governor Anthony Brockholst, of a very ancient family of Lancashire, England; ...
— The Continental Dragoon - A Love Story of Philipse Manor-House in 1778 • Robert Neilson Stephens

... the caliphs; but the Arab rapidly introduces characters half Persepolitan, half Egyptian, into the shafts and capitals: in his intense love of excitement he points the arch and writhes it into extravagant foliations; he banishes the animal imagery, and invents an ornamentation of his own (called Arabesque) to replace it: this not being adapted for covering large surfaces, he concentrates it on features of interest, and bars his surfaces with horizontal lines of color, the expression of the level of the Desert. ...
— The Stones of Venice, Volume I (of 3) • John Ruskin

... Madame S. de R——d is not more distinguished by its profuse decoration, than by the fine taste which has guided the vast expenditure. Its halls of arabesque are almost without a rival; there is not the slightest embellishment in which the hand and feeling of art are not recognised. The rooms were very crowded; everybody distinguished in Paris was there: the lady of the Court, the duchess of the Faubourg, the wife of the financier, the ...
— Coningsby • Benjamin Disraeli

... in bright blurs of light upon the primrose-tinted wall. A large arm-chair stood by the side of the burnt-out fire, shadowed over by the huge marble mantel-piece, the back of which was carried up twining and curving into a thousand arabesque and armorial devices until it blended with the richly painted ceiling. In one corner a narrow couch with a rug thrown across it showed where the faithful Bontems ...
— The Refugees • Arthur Conan Doyle

... this wonderful facade the effect of a dream. The baluster of this staircase forms a spiral connecting itself by a square landing to five of the six sides of the tower, requiring at each landing transversal corbels which are decorated with arabesque carvings without and within. This bewildering creation of ingenious and delicate details, of marvels which give speech to stones, can be compared only to the deeply worked and crowded carving of the Chinese ivories. Stone is made to look like lace-work. The flowers, the ...
— Catherine de' Medici • Honore de Balzac

... he turned away from the record, but the book fell open of itself at a full-page insert of the Decalogue, illuminated by some artless printer with gaudy splotches of gold, red and blue and green initials, and silly curlicues of arabesque, as if the man had been ignorant of what they meant, those ten ...
— In a Little Town • Rupert Hughes

... dentelled, waved, and scalloped; spider's webs of gold and silver; mists of silk embroidered by fairy fingers; plumes colored by the fire of the tropics drooping from haughty heads; pearls twined in braided hair; shot or ribbed or brocaded silks, as though the genius of arabesque had presided over French manufactures,—all this luxury was in harmony with the beauties collected there as if to realize a "Keepsake." The eye received there an impression of the whitest shoulders, some amber-tinted, others so polished as to seem colandered, some dewy, ...
— A Daughter of Eve • Honore de Balzac

... fell in one. So much the more unanimously must have grown the agitation of the feasters; so much the more wild must have been the scene to any European who could have beheld them there, in the strong sun and the strong shadow of the banyan, rubbed with saffron to throw in a more high relief the arabesque of the tattoo; the women bleached by days of confinement to a complexion almost European; the chiefs crowned with silver plumes of old men's beards and girt with kirtles of the hair of dead women. All manner of island food was meanwhile spread for the women and the commons; and, for those who ...
— In the South Seas • Robert Louis Stevenson

... "perhaps Bret Harte may be accounted the most puissant master among our contemporary American writers. Of wit, we see next to none. Mark Twain, while lacking the subtilty and pathos of the other, has more breadth, variety, and ease. His sketches of life are arabesque in their strange combinations. Bits of bright, serious description, both of landscape and society, carry us along till suddenly we stumble on some master-stroke of grotesque and irresistible fun. He understands ...
— Mark Twain • Archibald Henderson

... brown diversified with moss and lichen, it stood with one wall to the street in the angle of the Doctor's property. It was roomy, draughty, and inconvenient. The large rafters were here and there engraven with rude marks and patterns; the handrail of the stair was carved in countrified arabesque; a stout timber pillar, which did duty to support the dining-room roof, bore mysterious characters on its darker side, runes, according to the Doctor; nor did he fail, when he ran over the legendary history of the house and its possessors, to dwell upon the Scandinavian scholar who had left them. ...
— The Merry Men - and Other Tales and Fables • Robert Louis Stevenson

... arch twinkle of her eye towards me, and then launched forth in full tide, accompanying her sweet and mellow voice on that too much neglected instrument, the guitar. It was a wild, irregular sort of ditty, with one or two startling arabesque bursts in it. As near as may be, the following conveys the meaning, but ...
— Tom Cringle's Log • Michael Scott

... Countess and Margaret were away for the day, on a visit to the Abbess of Thetford; Eva and Marie were out on the leads; Hawise was busy in her own apartments. Belasez had been unusually silent that morning. She worked on in a hurried, nervous way, never speaking nor looking up, and a lovely arabesque pattern grew into beauty under her deft fingers. ...
— Earl Hubert's Daughter - The Polishing of the Pearl - A Tale of the 13th Century • Emily Sarah Holt

... saloon, in the middle of which was a fountain, with a lion of massy gold at each angle: water issued from the mouths of the four lions; and as it fell, formed diamonds and pearls, resembling a jet d'eau, which springing from the middle of the fountain, rose nearly to the top of a cupola painted in Arabesque. ...
— The Arabian Nights Entertainments Complete • Anonymous

... a donkey to a mosque in the bazaar, of what we call Arabesque style, like the Alhambra, very handsome. The Kibleh was very beautiful, and as I was admiring it Omar pulled a lemon out of his breast and smeared it on the porphyry pillar on one side of the arch, and ...
— Letters from Egypt • Lucie Duff Gordon

... knowledge of French history to him, and the ice being now fairly broken, we chatted away gaily as we passed through the handsome dining room, the ancient salle des gardes of Queen Catherine, where our new cicerone pointed out to us in the painted ceiling her own personal cipher interwoven with an arabesque. From the great dining room a door, on which are carved the arms of the Bohiers, leads directly, one might say abruptly, into a chapel, "as if," said Monsieur Crapaud, "to remind those who sit at meat here that the things of the ...
— In Chteau Land • Anne Hollingsworth Wharton

... John had copied out for me some sweet quaint rhymes which were favourites of his and mine, and because I had thought the writing and the writer could never be glorified enough, I had wrought round the margin of the pages a border of fanciful arabesque, which I had filled ...
— The Late Miss Hollingford • Rosa Mulholland

... versification of the 'Silver Veil,' and a little embarrassed with his horrors; but the conception of the character of the impostor is fine, and the plan of great scope for his genius,—and I doubt not that, as a whole, it will be very Arabesque and beautiful. ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore

... above the tiles runs a decorative mosaic frieze, by Walter Crane, of an arabesque design on a gold ground. It is a beautiful and fanciful piece of work in itself, and it serves moreover to blend the prevailing colour of the tiles with the gilding of the upper regions. But it does not continue round the fourth side, because over the entrance, above ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys

... on, surrounded by this arabesque work of his musing fancy, and no one understood him. Mrs Blimber thought him 'odd,' and sometimes the servants said among themselves that little Dombey ...
— Dombey and Son • Charles Dickens

... opening chords, they were by this time not merely musical sounds. They had become something within her, of her own being, rich with a thousand clustered nameless associations, something that thrilled and sang and lived a full harmonious life of its own. That first pearling down-dropping arabesque of treble notes, not only her fingers played those, but every fiber in her, answering like the vibrating wood of a violin, its very cells rearranged in the pattern which the notes had so many times called into existence . . . by the ...
— The Brimming Cup • Dorothy Canfield Fisher

... triumph of genius over difficulties. By the way," said he, "speaking of authors, what an exquisite poem Tom Moore would have written, had he visited Chapel Island, which you have seen no doubt? (here he gave a little nod with the big hat) and what a rich volume would have dropped from the arabesque pen of your own Irving (another nod), had he written the life of the Baron de St. Castine, chief of the Abenaquis, as he did that ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens

... altar of the west, paled, flickered, died out in ashen grey; and a moon more gold than silver hung in shimmering splendour among the cloud ships, lending a dazzling fringe to their edges, and making quaint arabesque patterns of gilt embroidery on the verandah floor, where the soft light fell through interlacing vines of woodbine and honeysuckle. With the night came silence, broken only by the subdued plaint of the pigeons in the neighbouring yard, and the ...
— Infelice • Augusta Jane Evans Wilson

... mysterious way his wonders to perform." If the greatest of all his wonders be the human individual, the richness with which the specimens thereof are diversified, the limitless variety of outline, from gothic to classic or flowing arabesque, the contradictory nature of the filling, composed of little and great, of comic, heroic, and pathetic elements blended inextricably, in personalities all of whom can go, and go successfully, must ...
— Memories and Studies • William James

... arabesque border, at the foot of which are the initials T C, probably those of Thomas Creede the printer. Ornament at head and foot of each page. Collation: A-F^8, unpaged. A 1 blank but for signature, and F 8 blank. Epistle dedicatory ...
— Catalogue of the Books Presented by Edward Capell to the Library of Trinity College in Cambridge • W. W. Greg

... constantly exercised upon and around great thoughts, and their influence may be felt in the austerity and intensity of his noblest portraits and other creations. But "great thoughts" in respect of works of art either means the communication of a profound emotion by the creation of a suitable arabesque for a deeply significant subject, as in the flowing masses of Michael Angelo's Creation of Man, or it means the pictorial enhancing of the telling incidents of a dramatic situation such as we find it in Rembrandt's treatment of the Crucifixion, ...
— Albert Durer • T. Sturge Moore

... madrepore- stone, whose magnificence challenges all description. It might be said that there was a quantity of fairy flower and kitchen gardens in the sea, full of gigantic flowers, blossoms, and leaves, varied by fungi and pulse of every description, like open arabesque work, the whole interspersed with pretty groups of rocks of every hue. The most lovely shell-fish were clinging to these rocks, or lying scattered on the ground, while endless shoals of variegated fish darted in and out between them, like so many ...
— A Woman's Journey Round the World • Ida Pfeiffer

... of transformed motion in music has been well brought out in a suggestive essay by Goblot ("La Musique Descriptive," Revue Philosophique, July, 1901): "Sung or played, melody figures to the ear a successive design, a moving arabesque. We talk of ascending and descending the gamut, of high notes or low notes; the; higher voice of woman is called soprano, or above, the deeper voice of man is called bass. Grave tones were so ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis

... the schooner's rail was the convulsed countenance of Captain Candage. Choler seemed to be consuming him. The freakish light painted everything with patterns in arabesque; the captain's face looked like the countenance ...
— Blow The Man Down - A Romance Of The Coast - 1916 • Holman Day

... top of the tower is very pleasing, and overlooks the whole of the town. Fee, fr. Opposite the tower is the Chapel of the Dukes of Savoy, 14th cent. Fee, fr. The three tall windows are filled with beautiful old glass. The roof is covered with stone groining, with cleverly-executed arabesque painting between the nervures. The roof of the cathedral is similarly painted, but on a blue ground. It is situated near the Rue de Boigne, and was built in the 14th, 15th, and ...
— The South of France—East Half • Charles Bertram Black

... highly finished, graceful and truly classical. It would be hard to find a living author who had displayed such varied powers. As an example of his style we would refer to one of his tales, "The House of Usher," in the first volume of his "Tales of the Grotesque and Arabesque." It has a singular charm for us, and we think that no one could read it without being strongly moved by its serene and sombre beauty. Had its author written nothing else, it would alone have been enough to stamp him as a man of genius, and the master ...
— The Function Of The Poet And Other Essays • James Russell Lowell

... was spread, the walls were hung, with silken fabrics fine, And arabesque and lotus-flower bore each the broidered sign Of jewels plucked from land and sea, and red gold from ...
— The Mistress of the Manse • J. G. Holland

... enfant l'herbe est splendide et semble Pleine de vrais rubis et de diamants fins; Un jet de saphirs sort des bouches des dauphins. Elle se tient au bord de l'eau; sa fleur l'occupe. Sa basquine est en point de Genes; sur sa jupe Une arabesque, errant dans les plis du satin, Suit les mille detours d'un fil d'or florentin. La rose epanouie et toute grande ouverte, Sortant du frais bouton comme d'une urne ouverte, Charge la petitesse exquise de sa main; Quand l'enfant, allongeant ses levres de ...
— La Legende des Siecles • Victor Hugo

... occasional play on language in the expression of feeling. But is it just to exact the severity of the tragical cothurnus in light works of this description? Why should not Poetry also be allowed her arabesque? No person can be more an enemy to mannerism than I am; but to censure it aright, we ought first to understand the degree of nature and truth which we have a right to expect from each species, and what is alone compatible with it. The verses of Quinault have no other navet ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black

... varios hominum cognoscere vultus, Area longa patet, sancto contermina Marco, Celsus ubi Adriacas, Venetus Leo despicit undas, Hic circum gentes cunctis e partibus orbis, AEthiopes, Turcos, Slavos, Arabesque, Syrosque, Inveniesque Cypri, Cretae, Macedumque colonos, Innumerosque alios varia regione profectos: Saepe etiam nec visa prius, nec cognita cernes, Quae si cuncta velim tenui describere versu, Heic omnes citius nautas celeresque Phaselos, Et simul ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi

... other chief rooms were wainscoted in oak; and as to their upper walls, some were bright with French paper, while some shone white with smooth plaster; their ceilings and borders were decorated with arabesque woodwork. There were tiled fireplaces, with carved mantels, white, like the rectangular window-frames and panelled doors. Well, well, 'twas but a house like countless others, and why should I so closely describe it?—save that I ...
— Philip Winwood • Robert Neilson Stephens

... according to custom, begins to read the end of his letters first finds an arabesque of this style at the bottom of a lady's letter, he ought to arm himself with patience and resignation before he ...
— Gerfaut, Complete • Charles de Bernard

... perhaps the freedom as well, was newspaper arabesque. It was certain, however, that the prince wore a green coat with gold frogs; and upon his head he had a big plume. It was, therefore, quite proper for the crowd to cry occasionally "Long live the Prince ...
— Walter Pieterse - A Story of Holland • Multatuli

... the arabesque of shining hair that lay coiled so submissively against either glowing cheek. "Oh, my, no! I just thought I'd dress up in case Angie Hatton drove past in her auto and picked me up for a little ride. So's not to ...
— Half Portions • Edna Ferber

... and the now miraculous lustre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its arabesque expression with any idea ...
— Selections From Poe • J. Montgomery Gambrill

... up carefully and looked at it. A button. Gold, intricately engraved in an Arabesque pattern, and set in the center with a single diamond. How long had it lain there? Where had it come from? Not from the Count's clothing, for his buttons were smaller, engraved with his arms, and had no gems. Had a man ...
— The Eyes Have It • Gordon Randall Garrett

... its astronomy lessons, without feeling. She saw Siegmund and Sieglinde entwined in that wondrous Song of Spring, and would have laughed in your face if you hinted that all this was anything but many-colored arabesque. It was her daily bread and butter, and like one of those pudic creatures of the Eleusinian mysteries she lived in the very tropics of passion, yet without one pulse-throb of its feverishness. It was the ritual of Wagner she worshipped; the nerves of his score ...
— Melomaniacs • James Huneker

... insufficiency of the English effort. The English soldier is very likely to say something like, 'Oh, you'll be wanting to get home to your old woman before that, and asking for a kipper with your tea.' And it is quite likely that the American will be offended in his turn at having his arabesque of abstract beauty answered in so personal a fashion. Being an American, he will probably have a fine and chivalrous respect for his wife; and may object to her being called an old woman. Possibly he in turn may ...
— What I Saw in America • G. K. Chesterton

... man, his soul, his life, everything. Well, in the old days thoughts and ideas commenced to make themselves felt in me, to crop up in my work. I would start on a picture with a clear settled design; when it was finished, I would notice that by some unconscious freak I had introduced a figure, an arabesque, always something which made the whole incongruous and bizarre. I discovered the cause during the week after I received your last letter. The thoughts, the ideas were yours; better than mine perhaps, but none ...
— Ensign Knightley and Other Stories • A. E. W. Mason

... him through the strangest succession of rooms, full of curious barbaric splendour which impressed me as being very rich and wonderful, though perhaps I should think differently now. Gold and scarlet in arabesque designs gleamed upon the walls, with gilt dragons and monsters writhing along cornices and out of corners. Look where I would, on panel or ceiling, a score of mirrors flashed back the picture of the tall, proud, white-faced man, and the youth who walked so demurely at his ...
— Rodney Stone • Arthur Conan Doyle

... yet obtained. Florence, the actor, made his first appearance at the National Theatre in Philadelphia, while Fanny Ellsler appeared at the Park Theatre in New York City. Ralph Waldo Emerson published the "Dial." Other notable publications in American letters were Poe's "Tales of the Arabesque and Grotesque," Willis's "Loiterings of Travel," Cooper's "Pathfinder," and Dana's "Two ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson

... I have set forth very summarily, Claude Monet arrived at painting by means of the infinitely varied juxtaposition of a quantity of colour spots which dissociate the tones of the spectrum and draw the forms of objects through the arabesque of their vibrations. A landscape thus conceived becomes a kind of symphony, starting from one theme (the most luminous point, f.i.), and developing all over the canvas the variations of this theme. This investigation is added to the habitual preoccupations ...
— The French Impressionists (1860-1900) • Camille Mauclair

... ornamental design, belongs, of right, the praise of glistenings in gold, piercings in ivory, stainings in purple, burnishings in dark blue steel; of the fantasy of the Arabian roof,—quartering of the Christian shield,—rubric and arabesque of Christian scripture; in fine, all enlargement, and all diminution of adorning thought, from the temple to the toy, and from the mountainous pillars of Agrigentum to the last fineness of fretwork in the ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin

... memory should be unfaithful. When the third cover is unclosed, in the lowest part of the recess on the right hand, beneath a sliding panel, is a spring, on touching which the whole flies back, and discovers a rare device, beautifully wrought in arabesque relief. So far, in all likelihood, you being his confidential ...
— Traditions of Lancashire, Volume 1 (of 2) • John Roby

... causes son les coulisses et les machines, et les principes c'est l'auteur." When this great palace is at last completed, he will write the science of it in "L'Essai sur les Forces Humaines"; and on the base, he, a child and a laugher, will trace the immense arabesque of the "Contes Drolatiques," those Rabelaisian stories in old French tracing the progress of the language, which he often declared would be his principal claim to fame. In 1842 the name "La Comedie Humaine" was ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars

... interesting historical associations, and whereof we propose to give a brief description.[41] It is of the Byzantine order, but the architect has employed in its decoration a large amount of Moorish or arabesque ornament, and the whole building resembles a beautiful large mausoleum. The stone with which the cathedral is faced has usually been called marble, but it is a whitish grey limestone somewhat resembling lithographic stone,[42] which is very ...
— Roumania Past and Present • James Samuelson

... lady's prior proceedings were now explained in the simplest manner. In the midst of her breast, like an island in a sea of pearl, reclined an exquisite little gold locket, embellished with arabesque work of blue, red, and white enamel. That was undoubtedly what Miss Aldclyffe had been contemplating; and, moreover, not having been put off with her other ornaments, it was to be retained during the night—a slight departure from the custom of ladies which Miss Aldclyffe had ...
— Desperate Remedies • Thomas Hardy

... find in Webster the following definition: "A species of painting or carving done after the Moorish manner, consisting of grotesque pieces and compartments promiscuously interspersed; arabesque. Gwilt." (The Italics are our own.) We have not Mr. Gwilt's Encyclopaedia at hand; but if this be a fair representation of one of its definitions, it is a very untrustworthy authority. The last term to be applied to arabesque-work ...
— Atlantic Monthly, Vol. 5, No. 31, May, 1860 • Various

... it all, she adored this mood of London: its nights of rain were sheer enchantment, arabesque, nights of secrecy and stealth, mystery, and romance under the rose. On nights such as this lovers prospered, adventures were to the venturesome, ...
— Red Masquerade • Louis Joseph Vance

... many pleasant hours, is an extremely agreeable man, possessed of no small talent for poetry, music, and painting. At his house I really saw for the first time flower-painting elevated by a poetical idea. In one of his rooms he has introduced an arabesque of flowers which presents us with the flora of the whole year. It commences with the first spring flowers, the crocus, the snow drop, and so on; then come the summer flowers, then the autumn, and at length the garland ends with the red berries ...
— The True Story of My Life • Hans Christian Andersen

... stage looked somewhat dim. The wooden partition which was built up in place of the drop-curtain, is covered with a painting representing the combined standards of America and Sweden, below which are arabesque ornaments in white and gold. Considering the short time allowed for these improvements, the change was remarkable. The only instance of bad taste which we noticed was a large motto, worked in flowers, suspended over the pillars of the balcony directly in front of the stage. ...
— A Unique Story of a Marvellous Career. Life of Hon. Phineas T. • Joel Benton

... survey his place of refuge. It was a huge dismal cavern with branching tunnels around that disappeared in thick obscurity, and heights above that lost themselves in gloom; holes in the sides and floor that were of invisible depth, and curious irregular ledges, that formed a sort of arabesque ...
— Charlie to the Rescue • R.M. Ballantyne

... beauty was neglected. Animals, real and fictitious, flowers, leaves, fruit, the human form, etc., were conventionalized and made to contribute their part to enhance the beauty of the whole. Some of the principal characteristics of the Cinquecento style are the delicate arabesque scroll work, the profusion and beauty of the curves, its admirable variations of standard classic ornaments, such as the anthemion and scroll. The coloring, also, was one of its most pleasing features. This style flourished principally in Italy and France. Farnese Palace and the tombs ...
— Scientific American Supplement, No. 598, June 18, 1887 • Various

... "Very vivid and arabesque this, don't you think? ... And now this movement; isn't it reckless and capricious, like a woman who hesitates and then takes the leap? Yet there's a certain nobility there, a feeling for ideals. You see it, of course.... And all the while this undercurrent of the sensual, and that ...
— The Pit • Frank Norris

... answered all inquiries concerning the school, hours of classes, tuition fees, remunerative rates paid for designs for carpets, wall papers and decorative upholstering. Unrolling from a wooden cylinder a strip of thick paper, two yards long and twenty inches wide, she displayed an elaborate arabesque pattern done in sepia for a sgraffito frieze, sixteenth century, which had been ordered by the architect of the new "Museum ...
— At the Mercy of Tiberius • August Evans Wilson

... room, where we always sit; for the great music-room that opens on the verandah and fronts the sea is shut when my guardian is not here. This room looks over the sea, too, but from the side of the house and through an arabesque of trees. The walls are filled with books and flowering bulbs stand in the windows. We have had our tea and the sunlight slants in over the white freesia and white hyacinths. There are primroses everywhere, too, and they make the room seem more full of sunlight. You could hardly ...
— Tante • Anne Douglas Sedgwick

... bedecked with gold. These same nuns' balconies are not confined to the interior of churches, but form a distinct and picturesque feature in the long line of the Toledo. Projecting in a bold curve whose undersurface is gaily painted in arabesque, their thick bars and narrow openings nevertheless leave a gloomy impression on the mind, while they add to the Oriental character of the city. A somewhat unsuccessful effort to identify the church whose bell gave signal ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various

... Lord Byron, engr. by J.T. Wedgwood from a painting by W.E. West, in arabesque frame, rests on miniatures of Newstead Abbey and Missolunghi (sic) designed by F. Sieurac. The Title-vignette is tomb, harp, willows, etc. A lithograph of letter, April 27, 1819, to the Editor of Galignani's Messenger, is inserted between the ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron

... by that unchanging race, Are themes for minstrelsy more high than thine; Of strange tradition many a mystic trace, Legend and vision, prophecy and sign; Where wonders wild of Arabesque combine With Gothic imagery of darker shade, Forming a model meet for minstrel line. Go, seek such theme!"—the Mountain Spirit said. With filial awe I heard—I ...
— Some Poems by Sir Walter Scott • Sir Walter Scott

... threaded swiftly, in shifting arabesque, in Gothic traceries, in lace-like fantasies; utterly ...
— The Metal Monster • A. Merritt



Words linked to "Arabesque" :   ornamentation, ballet position, decoration



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