"Arabesque" Quotes from Famous Books
 ... further need be said in commendation of it. Admitting every degree of merit to our present fashionable binders, and frankly allowing them the superiority over De Rome, Padaloup, and the old school of binding, I cannot but wish to see revived those beautiful portraits, arabesque borders, and sharp angular ornaments, that are often found on the outsides of books bound in the 16th century, with calf leather, upon oaken boards. These brilliant decorations almost make us forget the ivory crucifix, guarded with silver doors, ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... the arabesque of shining hair that lay coiled so submissively against either glowing cheek. "Oh, my, no! I just thought I'd dress up in case Angie Hatton drove past in her auto and picked me up for a little ride. So's not ...
— Half Portions • Edna Ferber
... soup. It was excellently well-brewed, and it seemed to me almost worth while to sup the soup for the sake of sipping the punch. The rest of the dinner was catalogued in a bill-of-fare printed on delicate white paper within an arabesque border of green and gold. It looked very good, not only in the English and French names of the numerous dishes, but also in the positive reality of the dishes themselves, which were all set on the table ...
— Our Old Home - A Series of English Sketches • Nathaniel Hawthorne
... again. Slowly she realized where she was and what had happened. The blue door in the wall—this the house that adjoined the garden. She had slept—how long she did not know, but the beams of sunlight were orange in color and made a brilliant arabesque upon an embroidered hanging on the opposite wall. She must have slept long. Her dreams returned to her, fleeting and elusive, like the ignes fatui which had been a part of them. The whir of wheels, the vision of the vari-colored crowd, the murmur of voices speaking—these too had been a dream. ...
— The Secret Witness • George Gibbs
... surroundings. There are nine schools: the largest, which contains 130 pupils, was built by the father of the present Khan. These buildings are all constructed with high, coloured domes, and are ornamented with frescoes and arabesque work, the bright aspect of the cupolas first attracting the stranger's attention on ...
— Russia - As Seen and Described by Famous Writers • Various
... designed by giants, made by dwarfs, which gives to this wonderful facade the effect of a dream. The baluster of this staircase forms a spiral connecting itself by a square landing to five of the six sides of the tower, requiring at each landing transversal corbels which are decorated with arabesque carvings without and within. This bewildering creation of ingenious and delicate details, of marvels which give speech to stones, can be compared only to the deeply worked and crowded carving of ...
— Catherine de' Medici • Honore de Balzac
... mysterious way his wonders to perform." If the greatest of all his wonders be the human individual, the richness with which the specimens thereof are diversified, the limitless variety of outline, from gothic to classic or flowing arabesque, the contradictory nature of the filling, composed of little and great, of comic, heroic, and pathetic elements blended inextricably, in personalities all of whom can go, and go successfully, must surely be reckoned the supreme miracle of creative ingenuity. Rarely has Nature ...
— Memories and Studies • William James
... stories, poems, essays and critiques which the indefatigable Dreamer was putting out, he found time to publish a collection of his "Tales of the Grotesque and Arabesque," in book form. He was also (unfortunately for him) induced to prepare a work on sea-shells for the use of schools—"The Conchologist's First Book," it was called. This was unmistakably a mere "pot-boiler" and confessedly a compilation, but it set ...
— The Dreamer - A Romantic Rendering of the Life-Story of Edgar Allan Poe • Mary Newton Stanard
... on, surrounded by this arabesque work of his musing fancy, and no one understood him. Mrs Blimber thought him 'odd,' and sometimes the servants said among themselves that little Dombey ...
— Dombey and Son • Charles Dickens
... hundred dollars. Now they proceed to the carpet-stores, and there are thrown at their feet by obsequious clerks velvets and Axminsters, with flowery convolutions and medallion-centres, as if the flower-gardens of the tropics were whirling in waltzes, with graceful lines of arabesque,—roses, callas, lilies, knotted, wreathed, twined, with blue and crimson and golden ribbons, dazzling marvels of color and tracery. There, is no restraint in price,—four or six dollars a yard, it is all the same to them,—and soon a magic flower-garden blooms on the floors, at a cost of five ...
— The Atlantic Monthly, Vol. 13, No. 78, April, 1864 • Various
... Toutes ses graces font comme un faisceau qui tremble. Autour de cette enfant l'herbe est splendide et semble Pleine de vrais rubis et de diamants fins; Un jet de saphirs sort des bouches des dauphins. Elle se tient au bord de l'eau; sa fleur l'occupe. Sa basquine est en point de Genes; sur sa jupe Une arabesque, errant dans les plis du satin, Suit les mille detours d'un fil d'or florentin. La rose epanouie et toute grande ouverte, Sortant du frais bouton comme d'une urne ouverte, Charge la petitesse exquise de sa main; Quand l'enfant, allongeant ses levres de carmin, Fronce, en la ...
— La Legende des Siecles • Victor Hugo
... will be proved that I was either right or wrong. But after having been a poet, after having demonstrated an entire social system, I shall revert to science in an Essay on the Human Powers. And around the base of my palatial structure, with boyish glee I shall trace the immense arabesque of my Hundred ...
— Honor de Balzac • Albert Keim and Louis Lumet
... bizarre on all sides, Grant avenue, the main artery of Chinatown, stretching before you in a many-hued arabesque of shop fronts, no two quite alike in tone or in the stuff ...
— Fascinating San Francisco • Fred Brandt and Andrew Y. Wood
... fix that when we all get back to New York. And now you just sit down at that piano and play me Debussy's 'Arabesque.'... I know you love it just as much as I do. But first what's ...
— Three Soldiers • John Dos Passos
... her through the folding doors into a retiring apartment, set with arabesque designs, and adorned with inlaid tables bearing statues of alabaster and enamel. Purposely he waited before he replied, and was gratified to see how curiously she regarded him when again his ...
— Under the Rose • Frederic Stewart Isham
... accommodating to sight-seers than his predecessors, but because he was making very extensive and costly improvements in the buildings and grounds. I have seen nothing yet in England to compare, for ornate carving, with the new gate-way he is making to the park. It is of the finest kind of arabesque work done in stone that much resembles the Caen. This prevention barred me from even a distant view of the once famous residence of Lord Byron, as it could not be seen from the ...
— A Walk from London to John O'Groat's • Elihu Burritt
... wonder what they may be?) and sent to vie with the variegated carpet of the Turk, and glow upon the arabesque towers of Barbary![2] Was not this a phase of provincial Picard life which an intelligent English traveller might do well to inquire into? Why should this fountain of rainbows leap up suddenly here by Somme; and a little Frankish maid write ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin
... Scuola dei Battuti, built in 1451, has a door with a frescoed tympanum beneath a pointed arch on brackets, a good deal weather-worn—Madonna sheltering the penitents beneath her cloak—and pretty arabesque scrolls on ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... hominum cognoscere vultus, Area longa patet, sancto contermina Marco, Celsus ubi Adriacas, Venetus Leo despicit undas, Hic circum gentes cunctis e partibus orbis, AEthiopes, Turcos, Slavos, Arabesque, Syrosque, Inveniesque Cypri, Cretae, Macedumque colonos, Innumerosque alios varia regione profectos: Saepe etiam nec visa prius, nec cognita cernes, Quae si cuncta velim tenui describere versu, Heic omnes citius nautas celeresque ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... with other colors you hardly recognize it, and in different lights it is dark or light. Thus the Greek fables blend and cross curiously in different directions, till they knit themselves into an arabesque where sometimes you cannot tell black from purple, nor blue from emerald—they being all the truer for this, because the truths of emotion they represent are interwoven in the same way, but all the more difficult to read, and to explain in any order. Thus the Harpies, as they ...
— The Queen of the Air • John Ruskin
... street of palaces, all with an elusive family resemblance to one another, we paused for consultation. This was Vicenza, the birthplace and beloved town of Palladio; these palaces with fronts crusted with bas relief; these Corinthian pillars, these Arabesque balconies, these porticoes that might have been stolen from Greek temples, all had been designed by Palladio the Great. And the beautiful buildings seemed to say pensively, like lovely court ladies whose day is past, "We are not what we were. Time has changed and broken us, ...
— My Friend the Chauffeur • C. N. Williamson and A. M. Williamson
... southern influences, enhances the warm, sunny atmosphere of the court. The repeated figure of the flower-decked and garlanded "Flower Girl" is by A. Stirling Calder. A conventionalized frieze in delicately colored arabesque runs between the balcony and the columns, the prevailing motif of which is the griffin. The colonnade is broken by three portals, opening respectively into the Palace of Manufactures on the west, the Palace of Varied Industries on the ...
— The Architecture and Landscape Gardening of the Exposition • Louis Christian Mullgardt
... beautiful sight." The writer then goes on to describe the splendid architecture and tasteful furniture of the building and rooms. Most of the latter were decorated in white and gold, with myriads of mirrors, rich silk curtains and furniture with all the soft and brilliant colourings of the old Arabesque style. There were fountains everywhere, and the floors were ...
— The Life of King Edward VII - with a sketch of the career of King George V • J. Castell Hopkins
... Presence that makes many words unfitting. When we are on the mount of Transfiguration, we do not care much for Peter, James or John. And so, dear, I recommend you to do as I do—if the minister must give us a doctrinal disquisition, or a learned argument, or an elaborate arabesque of fancy work, or an impassioned appeal, let him go his way and do not heed him. I want silence that I may commune with the Real Presence. If the minister does not give it me, ...
— Laicus - The experiences of a Layman in a Country Parish • Lyman Abbott
... then launched forth in full tide, accompanying her sweet and mellow voice on that too much neglected instrument, the guitar. It was a wild, irregular sort of ditty, with one or two startling arabesque bursts in it. As near as may be, the following conveys the meaning, ...
— Tom Cringle's Log • Michael Scott
... decree had made inalienable! To live on a foundation of piles of campeachy wood worth nearly a million of francs, and have no furniture! To own sumptuous galleries, and live in an attic above the topmost arabesque cornice constructed of marble brought from the Morea—the land which a Memmius had marched over as conqueror in the time of the Romans! To see his ancestors in effigy on their tombs of precious marbles ...
— Massimilla Doni • Honore de Balzac
... architecture little under contribution to their own art, they made their own art a glorious gift to architecture, and the walls of Venice, which before, I believe, had received color only in arabesque patterns, were lighted with human life by Giorgione, Titian, Tintoret, and Veronese. Of the works of Tintoret and Titian, nothing now, I believe, remains; two figures of Giorgione's are still traceable on the Fondaco de' Tedeschi, one of which, singularly uninjured, is seen from far above and ...
— Modern Painters Volume I (of V) • John Ruskin
... by usage. Wherever the eye roved, it was fed as on a banquet of light and color. Nothing could be more exquisite, for depth of green swimming in a bath of shadow, than the meadows curled beneath the cliffs; nothing more tempting, to the painter's brush, than the arabesque of blossoms netted across the sky; and would you have the living eye of nature, bristling with animation, alive with winged sails, and steeped in the very soul of yellow sunshine, look out over the great sheet of the waters, and steep the senses in such a breadth of aqueous ...
— In and Out of Three Normady Inns • Anna Bowman Dodd
... you advance within four or five miles of the Black Sea, is almost uninterruptedly studded with fanciful and ornamental buildings: beautiful villages, and brilliant summer palaces, and bright kiosks, painted in arabesque, and often gilt. The green background to the scene is a sparkling screen of terraced gardens, rising up a chain of hills whose graceful undulations are crowned with groves of cypress and of chestnut, occasionally breaking into fair and delicate valleys, richly wooded, and crossed by a ...
— Sketches • Benjamin Disraeli
... he turned away from the record, but the book fell open of itself at a full-page insert of the Decalogue, illuminated by some artless printer with gaudy splotches of gold, red and blue and green initials, and silly curlicues of arabesque, as if the man had been ignorant of what they meant, those ten pillars ...
— In a Little Town • Rupert Hughes
... ultramarine and costly minerals. Then they set up for the latticed windows colonnettes of gold and silver and noble ores, and the doors of the sitting chamber were made of chaunders-wood alternating with ebony which they studded with jewels and arabesque'd with gold and silver. Also they placed in each sitting-room a pillar of Comorin lign-aloes and the best of sandal-wood encrusted with gems; and over the speak-room they threw cupolas supported upon arches and connecting columns and lighted in the upper part by skylights of crystal and carnelian ...
— Supplemental Nights, Volume 5 • Richard F. Burton
... saffron-papered room, in which a dozen card-tables were arranged, and thence into the receiving room. This was a large room, with a splendidly inlaid and polished floor, the walls covered with crimson satin, the cornices heavily incrusted with gold, and the ceiling beautifully painted in arabesque. The massive fauteuils and sofas, as also the drapery, were of crimson satin with a profusion of gilding. The ubiquitous portrait of the Emperor was the only picture, and was the same you see everywhere. This crimson room had two doors upon the side facing the three ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.
... confused, realising how impossible it would be to convince anybody with the tale of her intention merely to borrow the clothing for a single night of arabesque adventure, finding it difficult now to believe in on her own part, and hurried breathlessly on to cover ...
— Nobody • Louis Joseph Vance
... has always seemed to us, was the cleverest writer in his way that has ever contributed to the English periodicals. His fugitive lyrics and arabesque romances, half sardonic and half sentimental, published with Hookham Frere's "Whistlecraft" and Macaulay's Roundhead Ballads, in Knight's Quarterly Magazine, and after the suspension of that work, for the most part in the annual souvenirs, are altogether unequaled in the class ...
— The International Weekly Miscellany, Volume I. No. 8 - Of Literature, Art, and Science, August 19, 1850 • Various
... in the middle of which was a fountain, with a lion of massy gold at each angle: water issued from the mouths of the four lions; and as it fell, formed diamonds and pearls, resembling a jet d'eau, which springing from the middle of the fountain, rose nearly to the top of a cupola painted in Arabesque. ...
— The Arabian Nights Entertainments vol. 1 • Anon.
... over difficulties. By the way," said he, "speaking of authors, what an exquisite poem Tom Moore would have written, had he visited Chapel Island, which you have seen no doubt? (here he gave a little nod with the big hat) and what a rich volume would have dropped from the arabesque pen of your own Irving (another nod), had he written the life of the Baron de St. Castine, chief of the Abenaquis, as he did ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... is pronounced Corteho, with an aspirate, according to the Arabesque guttural. It means what there is as yet no precise name for in England, though the practice is as common as in ...
— The Works of Lord Byron, Volume 4 • Lord Byron
... himself with a book till school was over; so he sat down in a corner and looked on with an absent mind. It was a sort of scene which Adam had beheld almost weekly for years; he knew by heart every arabesque flourish in the framed specimen of Bartle Massey's handwriting which hung over the schoolmaster's head, by way of keeping a lofty ideal before the minds of his pupils; he knew the backs of all the books on the shelf running along the whitewashed wall ...
— Adam Bede • George Eliot
... see also a corner of the moat with its running stream, a moat much older than the building it encircled, and beneath her eyes lay a small formal garden planned in the days of John Evelyn—with its fountain and its sundial, and its beds in arabesque. The cold light of December lay upon it all; there was no special beauty in the landscape, and no magnificence in the house or its surroundings. But every detail of what she saw pleased the girl's taste, and satisfied her heart. ...
— The Testing of Diana Mallory • Mrs. Humphry Ward
... a gilt frame surmounted the mantelpiece, on which stood two or three little blue vases. Paper of a light colour and a large flowing arabesque pattern with a broad frieze covered the walls. There was not a single picture of any kind in the room, neither steel engraving, nor lithograph, nor chromo; and remembering what pictures usually are, even in the best of hotels, it was perhaps just as well that there ...
— With Zola in England • Ernest Alfred Vizetelly
... moralizing immoral anecdote gossiping of Boccaccio and Sacchetti. Such is the stuff. The conception, though rarely comic, and sometimes bond fide serious, is never earnest. All this is a purely artistic world, a world of decorative arabesque incident, intended to please, scarcely ever to move, or to move, at most, like some Decameronian tale of Isabella and the Basil Plant, or Constance and Martuccio. On the other hand, there is none of the grotesque irreverence of Pulci. Boiardo and Ariosto ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. II • Vernon Lee
... made." To them, as first leaders of ornamental design, belongs, of right, the praise of glistenings in gold, piercings in ivory, stainings in purple, burnishings in dark blue steel; of the fantasy of the Arabian roof—quartering of the Christian shield,—rubric and arabesque of Christian scripture; in fine, all enlargement, and all diminution of adorning thought, from the temple to the toy, and from the mountainous pillars of Agrigentum to the last fineness of fretwork in the Pisan Chapel ...
— The Crown of Wild Olive • John Ruskin
... alluded to Venetian architecture as being parallel in origin and tendency to our own, and much can be gained, we believe, by a careful examination of what it accomplished. Not that we ought to copy, line for line, the doge's palace or the Casa d'Oro—the arabesque arcade, or the Gothic balcony—that would only be following the well-worn rut of imitation. We are not to study the result, but the cause. For the causes that produced the style in question were not unlike what we find at home to-day. A commercial republic, there was the same ...
— Continental Monthly, Volume 5, Issue 4 • Various
... painter urged Mr. Irving to write something that should illustrate those peculiarities, "something in the Haroun Alrasched style" that should have a dash of that Arabian spice which pervades every thing in Spain. The author set to work, con amore, and has produced two goodly volumes, with a few "Arabesque" sketches and tales founded on popular traditions. His study was THE ALHAMBRA, which must have inspired him for his task. To quote his own words: "how many legends and traditions, true and fabulous; how many songs and romances, Spanish ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 19, - Issue 549 (Supplementary issue) • Various
... taste of his countrymen, everything like comic intermixture. He has been censured for an occasional play on language in the expression of feeling. But is it just to exact the severity of the tragical cothurnus in light works of this description? Why should not Poetry also be allowed her arabesque? No person can be more an enemy to mannerism than I am; but to censure it aright, we ought first to understand the degree of nature and truth which we have a right to expect from each species, and what is alone compatible with it. The verses of Quinault have ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... to his father. [We have here a suggestion of the tempo rubato as played by Chopin according to the testimony of Mikuli, who said that no matter how free Chopin was either in melody or arabesque with his right hand, the left always adhered strictly to the time. Mozart learned the principle from his father who in his method for the violin condemned the accompanists who spoiled the tempo rubato of an artist by ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... with rings, reliquaries, lockets, crucifixes, brooches, and such like. The diamonds set in among variously colored stones flashed out brightly and shimmered among golden flowers of varied hues, with petals of enamel, all of peculiar designs and rare Arabesque workmanship. ...
— The Reign of Greed - Complete English Version of 'El Filibusterismo' • Jose Rizal
... the purchase of pictures by the old masters. Under Augustus, Marcus Ludius painted marine subjects, landscape decorations, and historic landscape as ornamentation for the apartments of villas and country houses. He invented that style of decoration which we now call arabesque or grotesque. It spread rapidly, insomuch that the baths of Titus and Livia, the remains discovered at Cumae, Pozzuoli, Herculaneum, Stabiae, Pompeii, in short, whatever buildings about that date have been found in good preservation, afford numerous and beautiful ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... through an arched gateway. The court, in the inside, had evidently been arranged to gratify a picturesque and voluptuous ideality. Wide galleries ran all around the four sides, whose Moorish arches, slender pillars, and arabesque ornaments, carried the mind back, as in a dream, to the reign of oriental romance in Spain. In the middle of the court, a fountain threw high its silvery water, falling in a never-ceasing spray into ...
— Uncle Tom's Cabin • Harriet Beecher Stowe
... adopted for morning walking dresses, redingote form, open down the front, and embroidered in arabesque pattern, in silk braid and other trimming; the sleeves are worked at bottom, and open, to admit underneath cambric or muslin sleeves tight at the wrist; the body is embroidered to match the skirts. With this redingote ...
— The International Magazine, Volume 2, No. 2, January, 1851 • Various
... Lincoln we had a character of very marked and lofty type, the most suggestive study or sketch of the future American man that has yet appeared in our history. How broad, unconventional, and humane! How democratic! how adhesive! No fine arabesque carvings, but strong, unhewn, native traits, and deep lines of care, toil, and human sympathy. Lincoln's Gettysburg speech is one of the most genuine and characteristic utterances in our annals. It has the true antique simplicity and impressiveness. It came straight from ...
— Birds and Poets • John Burroughs
... harmonies. It was a new art, and one for the peoples of the earth. Never had the hues of the universe been so assembled, grouped, and modulated. And the human eye, adapting itself to the new synthesis of arabesque and rhythm, evoked order and symbolism from these novel chords of colour. There were solemn mountains of opalescent fire which burst and faded into flaming colonnades, and in an enchanting turquoise ...
— Visionaries • James Huneker
... it Mars-al-Kabia. In fact the Street in Cairo was all the curiosities of Egyptian Cairo's streets crowded into one Chicago Cairo Street. It was a splendid sight with its gardens and squares, its temples, its towers and minaret made in the most Arabesque architecture and ornamented with the most fantastic draperies. The inhabitants had been directly transported from old Cairo across the sea to Midway Plaisance. There were the importunate street venders, the donkey boys begging and pulling ...
— The Adventures of Uncle Jeremiah and Family at the Great Fair - Their Observations and Triumphs • Charles McCellan Stevens (AKA 'Quondam')
... two cathedral towers these stately pines Uplift their fretted summits tipped with cones; The arch beneath them is not built with stones, Not Art but Nature traced these lovely lines, And carved this graceful arabesque of vines; No organ but the wind here sighs and moans, No sepulchre conceals a martyr's bones, No marble bishop on his tomb reclines. Enter! the pavement, carpeted with leaves, Gives back a softened echo to thy tread! Listen! the choir is singing; all the ...
— The World's Best Poetry — Volume 10 • Various
... life, everything. Well, in the old days thoughts and ideas commenced to make themselves felt in me, to crop up in my work. I would start on a picture with a clear settled design; when it was finished, I would notice that by some unconscious freak I had introduced a figure, an arabesque, always something which made the whole incongruous and bizarre. I discovered the cause during the week after I received your last letter. The thoughts, the ideas were yours; better than mine perhaps, but none the ...
— Ensign Knightley and Other Stories • A. E. W. Mason
... Madame S. de R——d is not more distinguished by its profuse decoration, than by the fine taste which has guided the vast expenditure. Its halls of arabesque are almost without a rival; there is not the slightest embellishment in which the hand and feeling of art are not recognised. The rooms were very crowded; everybody distinguished in Paris was there: the lady of the Court, the duchess of the Faubourg, ...
— Coningsby • Benjamin Disraeli
... Filmot followed their guide into a room fitted up in Eastern style. Divans made of cushions piled one upon another were placed all around the room, with small carpets spread before them. Light stands of beautiful arabesque work were tastefully distributed in various places, and in the centre played a small fountain fed by aromatic water. The lower part of the room contained a recess, the interior of which was concealed by a semi-transparent screen, which permitted ...
— Godey's Lady's Book, Vol. 42, January, 1851 • Various
... most generally found on canvas-bound books; the Symbolical figures, and Portraits, on satin, rarely on velvet. The Floral and Arabesque designs are most common on small and unimportant works bound in satin, but they occur now and then on both canvas and velvet books. The true arabesques have no animal or insect forms among them, the prophet Mohammed having forbidden his followers ...
— English Embroidered Bookbindings • Cyril James Humphries Davenport
... be as narrow as your neckcloth, and hung loose and straight over the back; the ephod was cut straight and as close and short as might be,—I believe there was a little trimming of lace to the narrow sleeves, and a slight arabesque of tape, or other substance, round the edge of the surplice. As for the curl on the forehead, it was no more visible than the Maypole in the Strand, or the Cross at Charing. Honeyman's hair was parted down the middle, short ...
— The Newcomes • William Makepeace Thackeray
... the sword from its scabbard and laid it across his knee. He felt its edge; he drew his finger down the long groove that ran along the center of the blade; his gaze rested almost passionately on the floral arabesque that fringed that bed of the river of blood. Not a spot of rust from hilt to point; the scabbard, too, was ...
— The Tysons - (Mr. and Mrs. Nevill Tyson) • May Sinclair
... perceptible gold threads of light through the dress, the flesh, the atmosphere, in Titian's Lace-girl—the staining of the whole fabric of the thing with a new, delightful physical quality. This drawing, then—the arabesque traced in the air by Tintoret's flying figures, by Titian's forest branches; this colouring—the magic conditions of light and hue in the atmosphere of Titian's Lace-girl, or Rubens's Descent from the Cross—these essential ...
— The Renaissance - Studies in Art and Poetry • Walter Pater
... several places on the frame of the mirror over the mantel, where the gold had fallen away and had been replaced by an inferior sort of gilding. By some subtle trickery with the lace curtain that hung at the open window, it laid an arabesque of delicate shadow upon the polished floor. In the room beyond, where Madame's crystal ball lay on the mahogany table, with a bit of black velvet beneath it, the sun had made a living rainbow that carried colour and light into the hall and even ...
— Master of the Vineyard • Myrtle Reed
... insufficiency of the English effort. The English soldier is very likely to say something like, 'Oh, you'll be wanting to get home to your old woman before that, and asking for a kipper with your tea.' And it is quite likely that the American will be offended in his turn at having his arabesque of abstract beauty answered in so personal a fashion. Being an American, he will probably have a fine and chivalrous respect for his wife; and may object to her being called an old woman. Possibly he in turn may ...
— What I Saw in America • G. K. Chesterton
... of limpid water moved through my mind, cleansing it, washing away the horror, soothing and comforting me. I was lying on my back looking up at an arabesque pattern of blue and saffron; gray-silver light filtered through a lacy, filigree. I was still weak but the blind terror no ...
— Where the World is Quiet • Henry Kuttner
... and side, and fully a third was curtained off by a calico curtain, with a gorgeous Cretonne pattern upon it. I was delighted to see a four-post bed, with mosquito bars, and a clean pulu mattrass, with a linen sheet over it, covered with a beautiful quilt with a quaint arabesque pattern on a white ground running round it, and a wreath of green leaves in the centre. The native women exercise the utmost ingenuity in the patterns and colours of these quilts. Some of them are quite works of art. The materials, which are plain and ...
— The Hawaiian Archipelago • Isabella L. Bird
... vaults, richly painted, and the more valuable because few ceilings have been found in existence. We should attempt in vain to describe the complicated subjects, the intricate and varied patterns with which the fertile fancy of the arabesque painter has clothed the walls and ceilings, without the aid of drawings, which we are unable to give; and, indeed, colored plates would be requisite to convey an adequate notion of their effect. ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... appeared to be verging on eighty, and, afflicted with gout, was sitting in the corner of the divan at his ease, in the old Turkish ample costume. The white beard, the dress of the pasha, the rich but faded carpet which covered the floor, the roof of elaborate but dingy wooden arabesque, were all in perfect keeping, and the dubious light of two thick wax candles rising two or three feet from the floor, but seemed to bring out the picture, which carried me back, a generation at least, to the pashas of the old school. Hussein smoked a narghile of dark ...
— Servia, Youngest Member of the European Family • Andrew Archibald Paton
... haunts of the baroque and arabesque, there is the restaurant of the Hotel Vier Jahreszeiten, a masterpiece of the Munich glass cutters and upholsterers. It is in the very heart of things, with the royal riding school directly opposite, the palace a block away and the green of the ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... principles which I have set forth very summarily, Claude Monet arrived at painting by means of the infinitely varied juxtaposition of a quantity of colour spots which dissociate the tones of the spectrum and draw the forms of objects through the arabesque of their vibrations. A landscape thus conceived becomes a kind of symphony, starting from one theme (the most luminous point, f.i.), and developing all over the canvas the variations of this theme. This investigation ...
— The French Impressionists (1860-1900) • Camille Mauclair
... pointed arches. The door-way is at the side, and is Gothic, with a dash of Saracenic in the ornamental mouldings above it. The large window at the extremity of the nave is remarkable for having round arches, which circumstance, together with the traces of arabesque painted ornaments on the columns, led me to think it might have been a mosque; but Dr. Robinson, who is now here, considers it a Christian church, of the time of the Crusaders. The village of Aboo 'l Ghosh is said to be the site of the birth-place of the Prophet Jeremiah, and I can well ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor
... the place of brackets. The rich burnt-sienna tint of the carvings contrasts finely with the golden-brown of the massive marble walls,—a combination which is shown in no other building of the Middle Ages. The sunken rosettes, surrounded by raised arabesque borders, between the caryatides, are sculptured with such a careful reference to the distance at which they must be seen, that they appear as firm and delicate as if near ...
— The Atlantic Monthly, Volume 20, No. 122, December, 1867 • Various
... peculiar feature as one of the most prominent, and to see, in the multitude of trunks darkened above by clouds of foliage, that rise upon him in the prospect, the slim columns of an elder Alhambra, roughened with arabesque tracery and exquisite ...
— The Testimony of the Rocks - or, Geology in Its Bearings on the Two Theologies, Natural and Revealed • Hugh Miller
... books in the bookcase, which my consciousness made no account of, and I speak only of those I remember. Fiction there was none at all that I can recall, except Poe's 'Tales of the Grotesque and the Arabesque' (I long afflicted myself as to what those words meant, when I might easily have asked and found out) and Bulwer's Last Days of Pompeii, all in the same kind of binding. History is known, to my young remembrance of that library, by a History of the United States, whose ...
— Henry James, Jr. • William Dean Howells
... servants, gives tokens of increasing splendors in the richer decorations of the walls and the more elaborate mosaic of the floor. We next entered the audience chamber, in which the court-marshal receives the guests. The ceiling is of arabesque sculpture profusely painted ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various
... of cut work, for instance, that known as renaissance embroidery, which is usually composed of an arabesque design from which the background is cut away, leaving the pattern in the linen; the cut edges are outlined and protected by an overcast stitch. The pattern has to be specially planned with the idea of holding strongly together, but, if necessary, buttonholed bars ...
— Embroidery and Tapestry Weaving • Grace Christie
... a swaying, cantabile theme for the left hand very characteristic of Liszt, which stands out in relief against some beautifully placed arabesque figures in the upper register of the instrument—the whole to be played una corda, dolce con grazia. It really is a poetic picture, in terms of music, of the delicious murmur of the woods. In the 15th measure the theme is ...
— Music: An Art and a Language • Walter Raymond Spalding
... soldier—who, in the earlier crusades, fixed their wild homes amidst the sands and caves of Palestine. The stranger supported his steps by a long staff. His hair and beard hung long and matted over his broad shoulders. A rusted mail, once splendid with arabesque enrichments, protected his breast; but the loose gown—a sort of tartan, which descended below the cuirass—was rent and tattered, and his feet bare; in his girdle was a short curved cimiter, a ...
— Leila, Complete - The Siege of Granada • Edward Bulwer-Lytton
... seven-branched tree, generally of bronze bedecked with gold. These same nuns' balconies are not confined to the interior of churches, but form a distinct and picturesque feature in the long line of the Toledo. Projecting in a bold curve whose undersurface is gaily painted in arabesque, their thick bars and narrow openings nevertheless leave a gloomy impression on the mind, while they add to the Oriental character of the city. A somewhat unsuccessful effort to identify the church ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various
... but the Arab rapidly introduces characters half Persepolitan, half Egyptian, into the shafts and capitals: in his intense love of excitement he points the arch and writhes it into extravagant foliations; he banishes the animal imagery, and invents an ornamentation of his own (called Arabesque) to replace it: this not being adapted for covering large surfaces, he concentrates it on features of interest, and bars his surfaces with horizontal lines of color, the expression of the level of the Desert. He retains the dome, and adds the minaret. All ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... young man who, according to custom, begins to read the end of his letters first finds an arabesque of this style at the bottom of a lady's letter, he ought to arm himself with patience and resignation before he ...
— Gerfaut, Complete • Charles de Bernard
... ancient palace of the Czars, called the Terema. It is complete as a residence in itself, but the halls and sleeping-rooms are remarkably small compared to those of the huge modern edifice by its side. The walls from top to bottom are covered with the most strange arabesque devices which imagination could design—birds, beasts, and fish, interwoven with leaves and sea-weed of every description. In each room a different tint predominates, although the same style of ornament is carried ...
— Fred Markham in Russia - The Boy Travellers in the Land of the Czar • W. H. G. Kingston
... So much the more unanimously must have grown the agitation of the feasters; so much the more wild must have been the scene to any European who could have beheld them there, in the strong sun and the strong shadow of the banyan, rubbed with saffron to throw in a more high relief the arabesque of the tattoo; the women bleached by days of confinement to a complexion almost European; the chiefs crowned with silver plumes of old men's beards and girt with kirtles of the hair of dead women. All manner of island food was meanwhile spread for the women and the commons; and, for those ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 18 (of 25) • Robert Louis Stevenson
... elaborate, gives us 'Burke and Hare! As they were loving friends in life, so in death are they undivided! Erected by their affectionate disciples, Bishop and May.' Besides these there are many others all bearing names of mark and fame. The whole is surrounded by a pretty arabesque composed of crowbars and other implements of burglary, pistols, knives, death's heads and cross-bones, halters, handcuffs, and fetters, ingeniously disposed and prettily ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt
... and the ice being now fairly broken, we chatted away gaily as we passed through the handsome dining room, the ancient salle des gardes of Queen Catherine, where our new cicerone pointed out to us in the painted ceiling her own personal cipher interwoven with an arabesque. From the great dining room a door, on which are carved the arms of the Bohiers, leads directly, one might say abruptly, into a chapel, "as if," said Monsieur Crapaud, "to remind those who sit at meat here that the things of the spirit ...
— In Chteau Land • Anne Hollingsworth Wharton
... premisses and the conclusion, and that to them geometry is pure science. So I think it may be said that mechanics and osteology are pure science. On the other hand, melody in music is pure art. You cannot reason about it; there is no proposition involved in it. So, again, in the pictorial art, an arabesque, or a "harmony in grey,"[80] touches none but the aesthetic faculty. But a great mathematician, and even many persons who are not great mathematicians, will tell you that they derive immense pleasure from geometrical reasonings. Everybody knows mathematicians speak of solutions ...
— Autobiography and Selected Essays • Thomas Henry Huxley
... in D is Chopin at his happiest. Its arabesque pattern conveys a most charming content; and there is a dewy freshness, a joy in life, that puts to flight much of the morbid tittle-tattle about Chopin's sickly soul. The few bars of this prelude, so seldom heard in public, reveal musicianship ...
— Chopin: The Man and His Music • James Huneker
... that had really come from France. There were some square, heavy pieces of furniture that we should call Eastlake now. And the extravagant thing was a Brussels carpet with a scroll centerpiece and a border in arabesque. ...
— A Little Girl in Old Boston • Amanda Millie Douglas
... swings at the top of its beauty; and those hills where we shall live, what robes of color fold them! Tawny filemot gilding the valleys, each seam and rut a scroll or arabesque, and all the year pouring out her heart's blood to flush the maples, the great impurpled granites warm with the sunshine they have drunk all summer! So I am to be married to-day, at noon. I like it best so; it is my hour. There is my veil, ...
— The Atlantic Monthly, Volume 5, No. 28, February, 1860 • Various
... by that unchanging race, Are themes for minstrelsy more high than thine; Of strange tradition many a mystic trace, Legend and vision, prophecy and sign; Where wonders wild of Arabesque combine With Gothic imagery of darker shade, Forming a model meet for minstrel line. Go, seek such theme!"—the Mountain Spirit said. With filial awe I ...
— Some Poems by Sir Walter Scott • Sir Walter Scott
... specimens of Oriental armor—Turcoman cimeters, Damascus swords, Bedouin lances, and a crimson silk flag, with heavy gold fringe, surmounted by a crescent. The cornice of the lofty arched ceiling was elaborately arabesque, and as Edna looked up she saw through the glass roof the flickering of stars in the summer sky. In the centre of the room, immediately under the dome, stretched a billiard-table, and near it was a circular ...
— St. Elmo • Augusta J. Evans
... the fanciful domed shrine. Upon the facade are mingled, in the true Renaissance spirit of genial acceptance, motives Christian and Pagan with supreme impartiality. Medallions of emperors and gods alternate with virtues, angels, and cupids in a maze of loveliest arabesque; and round the base of the building are told two stories—the one of Adam from his creation to his fall, the other of Hercules and his labors. Italian craftsmen of the quattrocento were not averse to setting thus together, in one frame-work, the ...
— New Italian sketches • John Addington Symonds
... studies was set forth in a style as gloomy and majestic as the thoughts and aspirations with which it was to harmonise. Both walls and ceilings were covered with a paper of the richest and glossiest black, on which was traced a lurid and arabesque pattern of dead gold. A black velvet curtain covered the single diamond-paned window; while a thick, yielding carpet of the same material prevented the sound of my own footfalls, as I paced backward and forward, from breaking the current of my thought. Along the cornices ran gold rods, from which ...
— Danger! and Other Stories • Arthur Conan Doyle
... and invented that form known as pietra-dura—polished bits of marble, agates, pebbles and lapis lazuli. Ivory was carved and used as bas-reliefs and ivory and tortoise shell, brass and mother-of-pearl used as inlay. Elaborate Arabesque designs inlaid were souvenirs of the Orient, and where the cabinetmaker's saw left a line, the cuts were filled in with black wood or stained glue, which brought out the design and so gave an added decorative effect. Skilled artisans had other designs bitten into wood by acids, and shading ...
— The Art of Interior Decoration • Grace Wood
... was evidently inspired by Raphael's classic figures and arabesques, but the column of design is naively broken by the far perspective of a formal garden. The Italian cartoonist would have built his border, figure and arabesque, one above another like a fantastic column (vide Mr. Blumenthal's Mercury border). The Fleming saw the intricacy, the multiplied detail, but missed the intellectual harmony. But, such trifles apart, the Flemish examples of this style that have come to us are ...
— The Tapestry Book • Helen Churchill Candee
... fairly come, and now the moon was rising, a full moon, and all the world looked white in the silver light. Every bough of every tree sparkled with a delicate coating of frost, the pines and cedars were great shapes of dazzling snow, even the ivy on the gothic tower hung a glittering arabesque on the gray wall. Never was ...
— Christmas - Its Origin, Celebration and Significance as Related in Prose and Verse • Various
... of transformed motion in music has been well brought out in a suggestive essay by Goblot ("La Musique Descriptive," Revue Philosophique, July, 1901): "Sung or played, melody figures to the ear a successive design, a moving arabesque. We talk of ascending and descending the gamut, of high notes or low notes; the; higher voice of woman is called soprano, or above, the deeper voice of man is called bass. Grave tones were so called ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... vicinity is a monastery containing a most beautiful cathedral, around which cluster many interesting historical associations, and whereof we propose to give a brief description.[41] It is of the Byzantine order, but the architect has employed in its decoration a large amount of Moorish or arabesque ornament, and the whole building resembles a beautiful large mausoleum. The stone with which the cathedral is faced has usually been called marble, but it is a whitish grey limestone somewhat resembling lithographic stone,[42] which is very easily workable with ...
— Roumania Past and Present • James Samuelson
... straw; and that, if such were her wish, he would forever be as silent as the grave, and last no scandal would besmear her virtue. And the lewd fellow, perceiving that the lady did not stop her ears, commenced to describe to her, after the fashion of arabesque pictures, which at that time were much esteemed, the wanton inventions of debauchery. Then did his eyes shoot flame, his words burn, and his voice ring, and he himself took great pleasure in calling to mind the ...
— Droll Stories, Complete - Collected From The Abbeys Of Touraine • Honore de Balzac
... is authentic evidence of such symbols being used in ecclesiastical inscriptions, the forms of them will tell nothing. For generally in such cases an antique form of symbol would be assumed, if it were the alteration of a "learned clerk;" or the arabesque taste of the carver of the inscription would be displayed in grotesque forms. We would rather look for genuine than coeval symbols of this kind upon tombs and monuments, and the altar, than upon the building itself; and these will furnish ...
— Notes & Queries, No. 18. Saturday, March 2, 1850 • Various
... and looked at it. A button. Gold, intricately engraved in an Arabesque pattern, and set in the center with a single diamond. How long had it lain there? Where had it come from? Not from the Count's clothing, for his buttons were smaller, engraved with his arms, and had no gems. Had a man or a woman dropped it? There was ...
— The Eyes Have It • Gordon Randall Garrett
... magnificence challenges all description. It might be said that there was a quantity of fairy flower and kitchen gardens in the sea, full of gigantic flowers, blossoms, and leaves, varied by fungi and pulse of every description, like open arabesque work, the whole interspersed with pretty groups of rocks of every hue. The most lovely shell-fish were clinging to these rocks, or lying scattered on the ground, while endless shoals of variegated fish darted in and out ...
— A Woman's Journey Round the World • Ida Pfeiffer |
