"Cello" Quotes from Famous Books
 ... dwelling upon the refrain at the end of each stanza, "Juchhe, Juchhe, Juchheise, heise, he, so ging der Fiedelbogen!" This he recited with such effect that one imagined he heard the touch of the bow upon the strings of the 'cello with the mellow, long-drawn cadence. He read to us, too, with great feeling, the simple lyric, Die wandelnde Glocke; upon me at least this made so deep an impression that soon after having the class poem to write, I based upon it my composition, devoting to it far too assiduously the best part ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer
... silence and fear—a circle whose periphery began at once to contract; and after a few minutes the gorge again accepted me as a part of its harmless self. A huge bee zoomed past, and just behind my head a hummingbird beat the air into a froth of sound, as vibrant as the richest tones of a cello. My concentrated interest seemed to become known to the life of the surrounding glade, and I was bombarded with sight, sound, and odor, as if on purpose to distract my attention. But I remained unmoved, and indications of rare ...
— Edge of the Jungle • William Beebe
... Ronnie, sitting up and turning towards her as he spoke. "When I think of a 'cello I seem as if I know exactly how it would feel to hold it between my knees, press my fingers up and down the yielding strings, and draw the bow across them. Helen—if I had a 'cello here to-night, you would listen to sounds of such exquisite throbbing beauty, ...
— The Upas Tree - A Christmas Story for all the Year • Florence L. Barclay
... from the station with four men inside, she leaped to the conclusion that these were four musicians for the music. A second motor followed with luggage, and she quite distinctly saw the unmistakable shape of a 'cello against the window. After that no more guessing was necessary, for it was clear that poor Olga had hired the awful string-quartet from Brinton, that played in the lounge at the Royal Hotel after dinner. The Brinton string-quartet! She had heard them once at a distance and that was quite ...
— Queen Lucia • E. F. Benson
... intellectual pleasures, and we spent many hours each week, when alone, in reading the books which pleased us and in playing duets, in which I, being an indifferent player of the piano, contrasted my cold technique with the warmth and expression of her performances upon the 'cello. Indeed, we showed ourselves in these duets as in our companionship, for though I loved her, I believe I may have fallen short in those attentions, those little demonstrations and caresses, upon which some women seem to be nourished. ...
— The Blue Wall - A Story of Strangeness and Struggle • Richard Washburn Child
... better and clearer judgments on literary matters than I was, for all that I refused to recognise the fact. In knowledge of music, too, I could not beat them, and was astonished to find that Operoff played the violin, and another student the cello and piano, while both of them were members of the University orchestra, and possessed a wide knowledge of and appreciation of good music. In short, with the exception of the French and German languages, my companions were better posted at every point than I was, yet not the ...
— Youth • Leo Tolstoy
... in particular, will welcome the latest volume of 'THE STRAD' Library, 'Chats to 'Cello Students,' by Arthur Broadley.... Mr. Broadley not only knows what he is talking about, but has practised what he says. From the choice of an instrument to finished delivery and orchestral playing, 'Chats to 'Cello Students' ...
— Violin Making - 'The Strad' Library, No. IX. • Walter H. Mayson
... art-world, confessing himself unable to bear the society of those who did not dress for dinner; but while repudiating, he continued to spy the art-world from a distance. An audience is, however, necessary to a 'cello player, and the Turf Club and the Royal Yacht Club contained not a dozen members, he said, who would recognise the Heroica Symphony if they happened to hear it, which was not likely. Lately he had declared openly that he was afraid of entering any of his clubs, ...
— Evelyn Innes • George Moore
... symphony "An das Vaterland," and Beethoven's Triple Concerto, for piano, violin and cello, given in New York City ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... movement is a brief lyric with one main melody, sung at first by a solo cello amidst a weaving of muted strings; later it is taken up by the first violins. The solo cello returns for a further song in duet with the violins, where the violas, too, entwine their melody, or the cello ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... were a musical family. Nancy always went to the piano and played for her father after dinner, sometimes Mrs. Nairn joined in with her violin, and to-night Tim appeared with his 'cello. ...
— Judy of York Hill • Ethel Hume Patterson Bennett
... it is. Way he sits in to it, like one together, mutual understanding. Tiresome shapers scraping fiddles, eye on the bowend, sawing the cello, remind you of toothache. Her high long snore. Night we were in the box. Trombone under blowing like a grampus, between the acts, other brass chap unscrewing, emptying spittle. Conductor's legs too, bagstrousers, jiggedy jiggedy. ...
— Ulysses • James Joyce
... that the play was the "Moon Princess," and that Afrid, a genie, figured in the cast. It was then, at least, Oriental, though it could hardly be Malay, and our spirits rose. But the orchestra quickly damped them; there was a piano, a violin, a 'cello, a clarionet, and a cornet, and from beginning to end of the performance they were never in tune with themselves or with the singers. And the music? It was sometimes Italian, sometimes Spanish, never, as far as I could detect, Oriental, ...
— Appearances - Being Notes of Travel • Goldsworthy Lowes Dickinson
... form, and in the "Huntsman and Hounds" the third. A most original and commendable arrangement of three figures by W. L. Hollinger appears in "The Pose in Portraiture," the members of a trio, violin, cello and piano. The pianist is designated by the suggestion of her action which is completed out of the picture. In her position however she accomplishes the balancing of ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... American parentage, on April 8, 1879. He studied at Northwestern University, but took his degree of B.A. from Princeton in 1902, and afterwards spent a year in study at the University of Berlin. Mr. Schauffler was a musician before he took up literature and was a pupil of many famous masters of the 'cello. He has written upon musical subjects, notably in his volume, "The Musical Amateur". He has also written several books of travel, such as "Romantic Germany" and "Romantic America". He attracted wide attention by his poem upon immigration, "The Scum o' the Earth", which is the title poem ...
— The Little Book of Modern Verse • Jessie B. Rittenhouse
... that he looks back on them in later life as never-to-be-forgotten? He remembers the good dinners at the little restaurant near his studio, where they dined among the old crowd. There were Lavaud the sculptor and Francine, with the figure of a goddess; Moreau, who played the cello at the opera; little Louise Dumont, who posed at Julian's, and old Jacquemart, the very soul of good fellowship, who would set them roaring with his ...
— The Real Latin Quarter • F. Berkeley Smith
... sister-in-law, Alma Grenou. If you had seen her you would not have wondered at what happened. Eyes like a deer, face like a mayflower, voice like the "D" string in a 'cello,—she was the picture of ...
— The Ruling Passion • Henry van Dyke
... serious rite with the Bremers. The father played the piano, and the next oldest son to Friedrich was struggling with a 'cello; and when they played, the whole family sat in the parlor, even the tiny tots, round-eyed ...
— Samuel the Seeker • Upton Sinclair
... again the dear home of that blessed year: the kindly housemother; the chubby Maedchen who knitted her a silk purse, and cried when she left; the father with his beloved 'cello and his ...
— A Reversion To Type • Josephine Daskam
... period of the empire was called the Tuscanic and was regarded as a kind of style co-ordinate with the various Greek temple-structures, not only generally resembled the Greek temple in being an enclosed space (-cello-) usually quadrangular, over which walls and columns raised aloft a sloping roof, but was also in details, especially in the column itself and its architectural features, thoroughly dependent on the Greek system. ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... very different, now. The trees had burst forth again into leaf, the spiraea bushes seemed weighted down with snow, and with a note like that of the quivering bass string of a 'cello the bees hummed among the fruit blossoms. And there beside me in her filmy dress was Maude, a part of it all—the meaning of all that set my being clamouring. She was like some ripened, delicious flower ready to be picked.... One of those pernicious, ...
— The Crossing • Winston Churchill
... very sociable man; and, when on a sketching tour, liked to have a young artist or two with him. Jack Nisbett played the violin, and Sam the 'cello, etc. Jack was fond of telling that Sam used to let them all choose the best views, and then he would take what was left; and Jack, with mild astonishment, would say, that 'it generally turned out to be the ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... accentual points of a passage may be given by notes struck in the bass register while unaccented elements are supplied from the upper octaves; in orchestral compositions a like opposition of heavy to light brasses, of cello to violin, of cymbals to triangle, is employed to produce rhythmical effects, the change being one in timbre, combined or uncombined with pitch variations; and in all percussive instruments, such as the drum and cymbals, the rhythmic impression depends solely on intensive variations. ...
— Harvard Psychological Studies, Volume 1 • Various
... and fire is what they're both wanting in. Though Priscy has Concert-pathos in her voice:—couldn't act a bit! And Pempton's 'cello tones now and then have gone through me—simply from his fiddle-bow, I believe. Don't talk to me of feeling in a couple, within reach of one another and sniffing objections.—Good, then, for a ...
— The Shaving of Shagpat • George Meredith
... boys said to another. "At the opera every night unless serious affairs keep him away! There you may see him nodding his old head and bursting his gloves with applauding when a good thing is done. He ought to have led an orchestra or played a 'cello. He is too ...
— The Lost Prince • Frances Hodgson Burnett
... falling off common to most composers of standing at some time or other. The technical side of the work is fair, the tone quality of the violoncello having been evidently considered. The piece is dedicated to Popper, whose name is familiar to all 'cello players. ...
— Edward MacDowell • John F. Porte
... cramped orchestra. In both directions the strictest limits were imposed, yet I contrived to introduce considerable reinforcements into an orchestra which was really only calculated for a string quartette, two first and two second violins, two violas, and one 'cello. These successful exertions of mine were the first cause of the dislike Holtei evinced towards me later on. After this we were able to get good concerted music for the opera. I found the thorough study of Mehul's opera, Joseph in Aegypten, very ...
— My Life, Volume I • Richard Wagner
... the wide-flung door Stand mute as men of wood. Gleams like a pool the ballroom floor— A burnished solitude. A hundred waxen tapers shine From silver sconces; softly pine 'Cello, fiddle, mandoline, To music deftly wooed— And dancers in cambric, satin, silk, With glancing hair and cheeks ...
— Georgian Poetry 1920-22 • Various
... logical consecutiveness of its fugues, the indisputableness of its well-classified statements, the swift pertinence of the repartees of the first violin to the second, the apt resume and orderly reorganization of their epigrammatic interchanges by the 'cello and the double-bass, the steady typewritten report and summary of the whole by the pianoforte, and the regretful exception to so many points taken by the clarionet. If so, you have no doubt felt, ...
— Somehow Good • William de Morgan
... leaves, to where processions of rosy globes hung floating in the blue night. The mild breeze trembled to the silver patterings of a harp, to the sweet, barbaric chirping of plucked strings of violin and 'cello—and swooned among the maple leaves to the rhythmic crooning of a flute. And, all the while, from the platform came the sounds of little cries in girlish voices, and the cadenced shuffling of young feet, where the witching dancemusic had its way, as ever ...
— Seventeen - A Tale Of Youth And Summer Time And The Baxter Family Especially William • Booth Tarkington
... know when the wedding's going to be, but I'm mighty sure that I have met the one girl. Max, there never was a girl like her. Witty she is, and wise; as beautiful as a summer's dawn; merry and brave; rides, drives, plays the 'cello, dances like a moon-shadow; and all that,"—with a ...
— The Princess Elopes • Harold MacGrath
... the voices of the wood instruments began to break out. The contest between the two came quickly to its climax. The strings were forced back and back, wailing an ineffective protest against the shrilling advance of the woods. A solitary 'cello made dogged resistance, knowing its cause hopeless, but determined to sell life as dearly as possible. But the 'cello, too, went down and for a bar or two the flutes and oboes sang a paean of victory. Too soon. Upon them, like a tidal wave, swept down ...
— The Patient Observer - And His Friends • Simeon Strunsky
... the men had left the starboard side, I saw a bandsman—the 'cellist—come round the vestibule corner from the staircase entrance and run down the now deserted starboard deck, his 'cello trailing behind him, the spike dragging along the floor. This must have been about 12.40 A.M. I suppose the band must have begun to play soon after this and gone on until after 2 A.M. Many brave things were done ...
— The Loss of the SS. Titanic • Lawrence Beesley
... Uncle showed me the "Leader" there, With his pale, bleak forehead and long, black hair; Showed me the "Second," and "'Cello," and "Bass," And the "B-Flat," pouting and puffing his face At the little end of the horn he blew Silvery bubbles of music through; And he coined me names of them, each in turn, Some comical name that I laughed to learn, Clean on down to the last ...
— Songs of Friendship • James Whitcomb Riley
... a kitchen metamorphosed with decorations of crinkled paper, they found, buttressed into a corner by the freshly tuned piano, the Rye Quartet, consisting of the piano-tuner himself, his wife, who played the 'cello, and his two daughters with fiddles and white pique frocks. At first the music was rather an embarrassment, for while it played eating and conversation were alike suspended, and the guests stood with open mouths and cooling cups of ...
— Joanna Godden • Sheila Kaye-Smith
... Wheaton, and he was said to be a frequent caller at Mrs. Wells', and she played his accompaniments, and Mr. Wells was often detained in New York until the late train. Then there was another young man who played the 'cello, and he called often. And there was Ellis Bainbridge, who had a fine tenor voice, and he called. It was delightful to have a woman of that sort, of whom nothing distinctly culpable could be affirmed, ...
— The Butterfly House • Mary E. Wilkins Freeman
... upon what you want to learn. There are so many: violin, Clavier, that is piano, flute, 'cello, everything." ...
— The First Violin - A Novel • Jessie Fothergill
... guess they just scraped acquaintance in the Alley after dinner, like they sometimes do. A man with eyelashes like his always speaks to any woman alone who isn't pockmarked and toothless. Two minutes after he's met a girl his voice takes on the 'cello note. I know his kind. Why, say, he even tried waving those eyelashes of his at me first time he turned in his key; and goodness knows I'm so homely that pretty soon I'll be ripe for bachelor floor thirteen. You know as well as ...
— Cheerful—By Request • Edna Ferber
... done it, though why she had chosen a 'cello, which also needed some lugging, no one knew but herself. Sitting with it between her heavy boots and breeched legs, the eternal cigarette drooping from her mouth, she looked more than ever like Galahad, her blue austere gaze seeming to search beyond the noble mountain tops of her own pictures ...
— Blue Aloes - Stories of South Africa • Cynthia Stockley
... concert in my garden every day, When the breezes find by grove and lawn some instrument to play; They shake the shiny laurel with the clatter of the 'bones,' And from the lofty sycamore draw deeper 'cello tones, And giving thus the signal that the concert should begin, The brook beside the pebbled path strikes ...
— Chatterbox, 1905. • Various |
