"Classic" Quotes from Famous Books
 ... intellectual splendour of the Attic Academe. The only character in English history that would, in some respects, draw near to him is Sir Philip Sidney: the same high tone, the same universal accomplishments, the same blended tenderness and vigour, the same rare combination of romantic energy and classic repose." As for his own acquaintance with the Prince, it had been, he said, "one of the most satisfactory incidents of his life: full of refined and beautiful memories, and exercising, as he hopes, ...
— Queen Victoria • Lytton Strachey
... where he pastured his flock, Professor Sayce sees in Tammuz "Daonus or Daos, the shepherd of Pantibibla," who, according to Berosus, ruled in Babylonia for 10 /sari/, or 36,000 years, and was the sixth king of the mythical period. According to the classic story, the mother of Tammuz had unnatural intercourse with her own father, being urged thereto by Aphrodite whom she had offended, and who had decided thus to avenge herself. Being pursued by her father, who wished to kill her for this crime, she ...
— The Religion of Babylonia and Assyria • Theophilus G. Pinches
... pronounced harsh and illiberal. It did not, however, stop the progress of the young student's education. He was placed at another school, at Stourbridge in Worcestershire, under the care of Mr. Wentworth. Having gone through the rudiments of classic literature, he returned to his father's house, and was probably intended for the trade of a bookseller. He has been heard to say that he could bind a book. At the end of two years, being then about nineteen, he went to assist ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson
... worship, or wholly worship? She pitied the youth: she fancied that he would not continue so ingenuously true to his brother's love of Adiante after seeing it; unless one might hope that the light above beauty distinguishing its noble classic lines, and the energy of radiance, like a morning of chivalrous promise, in the eyes, would subdue him to distant admiration. These were her flitting thoughts under the spell of her queenly cousin's visage. ...
— The Shaving of Shagpat • George Meredith
... else in literature; perhaps in the cadences charged with the magic and irony of Chopin, or in the half-dreams of Watteau, colour and golden sadness intermingled, may evoke the spiritual parodies of Laforgue, but in literature there is no analogue, though Pan is of classic flavour despite his very modern Weltanschauung. Syrinx is a woodland creature nebulous and exquisite. Pursued by Pan—the Eternal Male in rut—she does not succumb to his pipes, and after she has vanished in the ...
— Ivory Apes and Peacocks • James Huneker
... and its recess are most interesting, the rear wall of the former being decorated in classic design. ...
— The Old Franciscan Missions Of California • George Wharton James
... ought to have been so. Perhaps by no other method could England, and, with England, Scotland, and in due time Ireland, have become partakers of that classic civilization and learning, the fount whereof, for good and for evil, was Rome and the Pope of Rome: but the method was at least wicked; the actors in it tyrannous, brutal, treacherous, hypocritical; and the conquest of England by William will remain to ...
— Hereward, The Last of the English • Charles Kingsley
... classic made since the thirteenth century, is definitely a dessert cheese whose excellence is brought out best by a sound ...
— The Complete Book of Cheese • Robert Carlton Brown
... Faciles give but a small part. If you wish to know more of the subject, you should read Gayley's The Classic Myths in English Literature, Guerber's Myths of Greece and Rome, or the books by Kingsiey, Cox, Church, ...
— Ritchie's Fabulae Faciles - A First Latin Reader • John Kirtland, ed.
... reading everything, imitating what struck his fancy, attempting the effect of the classic meters in English verse, trying his hand at a masque, a Restoration comedy, forming impossible plans for books which rarely got beyond half a dozen lines on a sheet of paper; beset with splendid fancies which refused to abide before the pen. But the vain joy of conception was not altogether ...
— The Hill of Dreams • Arthur Machen
... of reprobation taught in the Bible. The word, as we have seen, is several times used in the sacred writings. It means, according to classic Greek, "not standing the test," "spurious, base, properly (1.) of coin, (2.) of persons," "ignoble, mean" (Liddell and Scott). In the Bible it signifies the same thing, "disapproved," "rejected," "undiscerning," ...
— The Doctrines of Predestination, Reprobation, and Election • Robert Wallace
... Recumbent Cleopatra, and Dying Warrior, whose classic outlines (reproduced in the calcined mineral of Lutetia) crown my loaded shelves! Welcome, ye triumphs of pictorial art (repeated by the magic graver) that look down upon me from the walls of my sacred cell! Vesalius, ...
— The Professor at the Breakfast Table • Oliver Wendell Holmes (Sr.)
... alongside the brig as her anchor was let go, and a tall swarthy man with the unmistakable classic features of a Greek stepped on board. He would have been a strikingly handsome man but for the expression of cunning and cruelty which glittered in ...
— The Pirate Island - A Story of the South Pacific • Harry Collingwood
... will be found several of the most popular of the creations of Dickens, notably, The Marchioness, Little Nell, Jenny Wren, and Florence Dombey, and it is hoped that in this presentation as simple stories of girlhood, their classic form and beauty may arouse in the young people of our day a new interest in the novels from which they ...
— Ten Girls from Dickens • Kate Dickinson Sweetser
... possession a copy of the text of Barbour, as given in the valuable quarto edition of my learned friend Dr. Jamieson, as furnishing on the whole a favourable specimen of the style and manner of a venerable classic, who wrote when Scotland was still full of the fame and glory of her liberators from the yoke of Plantagenet, and especially of Sir James Douglas, "of whom," says Godscroft, "we will not omit here, (to shut up all,) the judgment of those times concerning him, in a rude verse ...
— Waverley Volume XII • Sir Walter Scott
... understood between us, and yet . . . language does not express the dumb feelings of the mind any more than the flower can speak. I want to know the soul of the flowers! . . . All these life-laboured monographs, these classifications, works of Linnaeus, and our own classic Darwin, microscope, physiology - and the flower has not given us its message ...
— Wild Flowers, An Aid to Knowledge of Our Wild Flowers and - Their Insect Visitors - - Title: Nature's Garden • Neltje Blanchan
... classicism; while in Lowell, as Lowell appears in the later, more protracted, phase of his genius, romanticism is represented. The "Thanatopsis" of Bryant and the "Cathedral" of Lowell may stand for individual examples respectively of the classic and the romantic styles in poetry. Compare these two productions, and in the difference between the chaste, well-pruned severity of the one, and the indulged, perhaps stimulated, luxuriance of the other, ...
— Classic French Course in English • William Cleaver Wilkinson
... spread of the Saracenic powers, has exerted its action on the elements of modern civilization by this powerful though indirect channel, as well as by the more obvious effects of the remnants of classic civilization which survived in Italy, Gaul, Britain, and Spain, after the irruption of ...
— The Great Events by Famous Historians, Vol. 2 • Various
... this difficulty, the author of this book has prepared a version of the story of Robinson Crusoe which contains a large proportion of the common words which offer difficulty in spelling. Unluckily it is not easy to produce classic English when one is writing under the necessity of using a vocabulary previously selected. However, if we concentrate our attention on the word-forms, we are not likely to be much injured by the ungraceful ...
— The Art Of Writing & Speaking The English Language - Word-Study and Composition & Rhetoric • Sherwin Cody
... facilities on a crowded transport can never be all that might be desired. The first military burial at sea was deeply impressive. There was a lane of Tommies drawn up with their rifles reversed and heads bowed; the short, classic burial service was read, and the body, wrapped in the Union Jack, slid down over the stern of the ship. Then the bugles rang out in the haunting, mournful strains of the "Last Post," and the service ended with all ...
— War in the Garden of Eden • Kermit Roosevelt
... am otherwise than he is now. I can not imagine that he will ever become a pilous adult, with harvests for the razor on that downy chin. Will those golden locks become the brown auburn? Will that forehead rise as a varied and shade-changing record of pleasure or care? Will the classic little lips, now colored as by the radiance of a ruby, ever be fitfully bitten in the glow of literary composition!—and will those sun-bright locks, which hang about his temples like the soft lining of a summer cloud, become meshes where hurried fingers shall thread themselves ...
— The Knickerbocker, or New-York Monthly Magazine, June 1844 - Volume 23, Number 6 • Various
... nor think the Muse will stain Her classic fingers with the dust profane Of Bulls, Decrees and all those thundering scrolls Which took such freedom once with royal souls,[1] When heaven was yet the pope's exclusive trade, And kings were damned as fast as now they're made, No, no—let Duigenan search the papal chair For fragrant ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... completely by surprise. The three had imitated to perfection the classic example of Scipio's soldiers in the Carthaginian camp. The confusion was terrible as French and Indians rushed for their lives from the burning huts and lodges into the blinding snow, where they saw ...
— The Shadow of the North - A Story of Old New York and a Lost Campaign • Joseph A. Altsheler
... half grown girls it would be hard to find; some of the same lessons that proved so helpful in that classic of the last generation 'An Old Fashioned Girl' are brought home to the youthful readers of this sweet and sensible ...
— Hester's Counterpart - A Story of Boarding School Life • Jean K. Baird
... and beautifully built, his bones were small and finely jointed, his features chiseled with classic regularity—later on his lips might grow coarse, but as yet they were merely full. The chief characteristic of his expression was its mobility, but it was the mobility of an actor who knows every emotion that the muscles of a face can command. Sansevero's face, also changeable ...
— The Title Market • Emily Post
... of that day was foreshadowed in the ferocious cannibal of classic mythology—a monster, horrific, hideous in mien, and gigantic in stature. It involved the same fate. The eye of the intellect was burned out, the light of ...
— Salem Witchcraft and Cotton Mather - A Reply • Charles W. Upham
... refuge in the example of classic lore. "You haven't offended me," he said, patterning his response upon the White Queen. "Perhaps you're going to," ...
— Little Miss Grouch - A Narrative Based on the Log of Alexander Forsyth Smith's - Maiden Transatlantic Voyage • Samuel Hopkins Adams
... with men and things, rather than books. At present, however well versed he may be in the principles of the Latin language (which is not to be wondered at, as he began the study of it as soon as he could speak), he is unacquainted with several of the classic authors that might be useful to him. He is ignorant of Greek, the advantages of learning which I do not pretend to judge of; and he knows nothing of French, which is absolutely necessary to him as a traveller. He has little ...
— The Life of George Washington, Volume I • Washington Irving
... terrorists and their organizations. The shadowy nature of terrorist organizations precludes an easy analysis of their capabilities or intent. The classic net assessment of the enemy based on the number of tanks, airplanes, or ships does not apply to these non-state actors. For intelligence to succeed in this war on terrorism, the United States must not only rely on technical ...
— National Strategy for Combating Terrorism - February 2003 • United States
... place later on in time. The issue was that the hooded windows, simple string-courses, and random masonry of the Gothic workman, stood elbow to elbow with the equal-spaced ashlar, architraves, and fasciae of the Classic addition, each telling its distinct tale as to stage of thought and domestic habit without any of those artifices of blending or restoration by which the seeker for history in stones will be utterly ...
— The Hand of Ethelberta • Thomas Hardy
... accomplishments Sie far excelled her young sweetheart. Whenever they played at chess, it was always Ming-Y's general, Ming-Y's tsiang, who was surrounded and vanquished; when they composed verses, Sie's poems were ever superior to his in harmony of word-coloring, in elegance of form, in classic loftiness of thought. And the themes they selected were always the most difficult,—those of the poets of the Thang dynasty; the songs they sang were also the songs of five hundred years before,—the songs of Youen-tchin, of Thou-mou, ...
— Some Chinese Ghosts • Lafcadio Hearn
... singing; indeed the part-song was often arranged without alteration for instruments, and so instrumental technique grew out of vocal technique, but—and this is important—retaining important rhythmic characteristics from the dance. Exactly as all stone architecture—Gothic, Classic, Saracenic—bears the features of its wooden parent, so does our modern instrumental music reproduce the physiognomy of its origin, uniting the flowing cantilene of the voice with the marked rhythm ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... the failure of any such experiment anywhere conducted can best be made plain by a crude paraphrase of a classic proposition from Relativity. Suppose it is required to determine the same moment of time at two different places on the earth's surface, as must be attempted in finding their difference in longitude. Take the Observatory at Greenwich for one place, and the observatory at Washington for the ...
— Four-Dimensional Vistas • Claude Fayette Bragdon
... broken-hearted, who inclines her countenance graciously to the petitions of womanly anguish, for the voluptuous Aphrodite, the haughty Juno, the Di-Vernonish Artemis, and the lewd and wanton nymphs of forest, mountain, ocean, lake, and river. Ceres alone, of the old female classic daemons, seemed to be endowed with a truly womanly tenderness and regard for humankind. She, like the Mater Dolorosa, is represented in the myths to have known bereavement and sorrow, and she, therefore, could sympathize with the grief of mothers sprung from Pyrrha's ...
— Atlantic Monthly, Volume 3, Issue 15, January, 1859 • Various
... to recount the many other poems of Rhineland akin to those mustered above, and enough has been said to indicate their general characteristics; while an ancient Rhine classic of yet a different kind, The Mouse Tower, given elsewhere, is so familiar owing to Southey's English version that it were superfluous to offer any synopsis or criticism of it here. Then a class of poems of which the great river's early ...
— Hero Tales and Legends of the Rhine • Lewis Spence
... Aristotle's philosophy. Verborum explicatio: this is quite a different thing from those definitiones nominum just referred to; it is derivation, which does not necessitate definition. [Greek: etymologian]: this is almost entirely Stoic. The word is foreign to the Classic Greek Prose, as are [Greek: etymos] and all its derivatives. ([Greek: Etymos] means "etymologically" in the De Mundo, which however is not Aristotle's). The word [Greek: etymologia] is itself not frequent in the older Stoics, ...
— Academica • Marcus Tullius Cicero
... Justinian (A.D. 527-565) mosaics began to be less artistic, and those of the later time degenerated, as did everything else during the Middle or Dark Ages, and at last all works of art show less and less of the Greek or Classic influence. ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... In doing so he took a second and closer look at the artificial temple, and noted some curious things about it. Most of these theatrical things were as thin as theatrical scenery, and he expected the classic shrine to be a shallow thing, a mere shell or mask. But there was some substantial bulk of it behind, buried in the trees, which had a gray, labyrinthian look, like serpents of stone, and lifted a load of leafy towers to the sky. But what arrested ...
— The Man Who Knew Too Much • G.K. Chesterton
... stable heart will be a fruitful heart. 'In every good word and work.' Ah! how fragmentary is our goodness, like the broken torsos of the statues of fair gods dug up in some classic land. There is no reason why each of us should not appropriate and make our own the forms of goodness to which we are least naturally inclined, and cultivate and possess a symmetrical, fully-developed, all-round goodness, in ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... his father's village taught him his letters, and pronounced him a dunce: Paddy Byrne, the hedge-schoolmaster, took him in hand; and from Paddy Byrne, he was transmitted to a clergyman at Elphin. When a child was sent to school in those days, the classic phrase was that he was placed under Mr. So-and-so's ferule. Poor little ancestors! It is hard to think how ruthlessly you were birched; and how much of needless whipping and tears our small forefathers had to undergo! A relative—kind Uncle Contarine, took the main ...
— Henry Esmond; The English Humourists; The Four Georges • William Makepeace Thackeray
... Duke of Somerset is printed off too; besides, I should imagine the letter you mention not to be of his own composition, for, though not illiterate, he certainly could not write anything like classic Latin. I may, too, possibly have inclusively mentioned the very letter; I have not Ascham's book, to see from what copy the letter was taken, but probably from one of those which I have said ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... was at the height of his fame. His mission had been successful beyond the dreams of the most sanguine. His quick dramatic temper thrilled to the core at his reception. 'The father, in classic story, whose three sons had gained three Olympic prizes in the same day, felt it was time to die. But, {111} having gained the confidence of three noble provinces, I feel it is ...
— The Tribune of Nova Scotia - A Chronicle of Joseph Howe • W. L. (William Lawson) Grant
... in a more academical manner. He was second wrangler in 1806, and a Fellow of St. John's. Nor was he only a mathematician; for in June 1813 Jane Austen met a young man named Wilkes, an undergraduate of St. John's, who spoke very highly of Walter as a scholar; he said he was considered the best classic at Cambridge. She adds: 'How such a report would have interested my father!' Henry Walter was at one time tutor at Haileybury, and was also a beneficed clergyman. He was known at Court; indeed, it is said that, while he declined ...
— Jane Austen, Her Life and Letters - A Family Record • William Austen-Leigh and Richard Arthur Austen-Leigh
... s[)o]ap for s[o]ap; Her edict exiles from her fair abode The clownish voice that utters r[)o]ad for r[o]ad; Less stern to him who calls his c[o]at, a c[)o]at And steers his b[o]at believing it a b[)o]at. She pardoned one, our classic city's boast. Who said at Cambridge, m[)o]st instead of m[o]st, But knit her brows and stamped her angry foot To hear a Teacher ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein
... of the entrance, separated by a large, high mirror which faced the fireplace, two other canvases, signed by Geffroy, represent the foyer itself, in costumes of the classic repertoire, the greater part of the eminent modern 'societaires', colleagues and contemporaries of ...
— Serge Panine • Georges Ohnet
... foaming and roaring in an everlasting cascade. Before you may be a hillside, green with luxuriant pasturage, where flocks and herds graze quietly through the day, while the shepherd, with his crook and harmonic pipe, reminds you of classic scenes. Turn aside—and you may look down into cavernous recesses, whose gloomy, depths you cannot measure. Scenes fair and fearful meet in the same horizon. So, in life, the gentle charities, that, like the face of Una, make ...
— Continental Monthly, Vol. 5, Issue 2, February, 1864 • Various
... heard rumors about the cooks of Bangletop, and he was wary. Finally the stipulation was accepted by the baron, with what result the reader need hardly be told. The prince stayed two weeks, listened to one sermon in classic university Greek by the youthful Bangletop, was deserted by his cook, and ...
— The Water Ghost and Others • John Kendrick Bangs
... enter the hall. Once within the hall, the, house widens magically. Surely this cool black and white apartment cannot be a part of restless New York! Have you ever come suddenly upon an old Southern house, and thrilled at the classic purity of white columns in a black-green forest? This entrance hall gives you the same thrill; the elements of formality, of tranquillity, of coolness, are so evident. The walls and ceiling are a deep, flat cream, and the floor is laid in large ...
— The House in Good Taste • Elsie de Wolfe
... think that as a whole this book is equal to "The Young Visiters." Only once in a decade or so is it vouchsafed the writing craft that one among us shall create a masterpiece, destined in time to become a classic and a thing immortal. Only once in an eon or so is it vouchsafed a writer to write a masterpiece at the age of nine years. Very few among us ever produce a second perfect work on top of a first one. But this I will say—every ...
— Daisy Ashford: Her Book • Daisy Ashford
... monkey's nose. Long are mUs, crUs, and thUs and sUs All monosyllables in Us, And Grecian nouns by diphthong ous, Translated us by men of nous. Lastly, all words in u are long, And so we end our classic song. ...
— The Comic Latin Grammar - A new and facetious introduction to the Latin tongue • Percival Leigh
... specious argument: The first is that the Germans in early times wore, in imitation of the Romans, "a wide belt ornamented with bosses of metal," a baldric, by which their swords were suspended on the left side; and the second is that the chroniclers of old days, who wrote in Latin and affected the classic style, very naturally adopted the word cingulum in all its acceptations, and made use of this Latin paraphrasis—cingulo militari decorare—to express this solemn adoption of the sword. This evidently German ...
— The Great Events by Famous Historians, Volume 5 • Various
... Germany is the classic ground of the Magnesian Limestone now called Permian. The formation was well studied by the miners of that country a century ago as containing a thin band of dark-coloured cupriferous shale, characterised ...
— The Student's Elements of Geology • Sir Charles Lyell
... built. It is a part of their life work and nature, as a flower produces its own colours and shapes; it is amusing to know that it has only been about one hundred and fifty years since it was discovered not to be a plant but an animal! Even Ovid states the popular belief of the classic period when he speaks of the coral as a seaweed "which existed in a soft state as long as it remained in the sea, but had the curious property of becoming hard on exposure to ...
— The Human Side of Animals • Royal Dixon
... should not dream of putting books like Schiller's dramas into their hands, as is the ordinary course, before they were able to translate pretty fluently, gathering the sense of what they read without the aid of a dictionary. I say nothing against the masterpieces of the great German classic. I like Schiller, myself. But, what boy or girl can appreciate the poetry of his descriptions, and the grandeur of his verse, when every second word they meet with is a stumbling-block, that has to be sought out diligently in the lexicon ere they can understand the context? Instead of this ...
— She and I, Volume 1 • John Conroy Hutcheson
... toil-worn man and woman renewed the brighter memories of earlier years as the preacher brought them glimpses of the outer world, or read from some well-worn volume carried in his saddle-bags pages of some much-prized English classic. ...
— Neville Trueman the Pioneer Preacher • William Henry Withrow
... the high and decided preference which Dryden has given to this story, although somewhat censured by Trapp, enables us to judge how much the poet held an accurate combination of parts, and coherence of narrative, essentials of epic poetry.[10] That a classic scholar like Trapp should think the plan of the "Knight's Tale" equal to that of the Iliad, is a degree of candour not to be hoped for; but surely to an unprejudiced reader, a story which exhausts in its conclusion all the interest which it has excited in its progress, ...
— The Dramatic Works of John Dryden Vol. I. - With a Life of the Author • Sir Walter Scott
... never-failing persimmon tree, were objects of curiosity. It was hard to realize that we were marching through a country once considered the Garden of America, whose bountiful supplies and large plantations had become classic through the pen of an Irving and other famous writers. Fields princely in size, but barren as Sahara; buildings, once comfortable residences, but now tottering into ruin, are still there, but "all else how changed." ...
— Red-Tape and Pigeon-Hole Generals - As Seen From the Ranks During a Campaign in the Army of the Potomac • William H. Armstrong
... were of vapour, coming forth from the top of his head and broadening out as it goes, until wide enough to contain the representation of a man, in feature like himself, surrounded by an admiring crowd, who acclaim him Senior Classic. With a start the illusion is dispelled, and the dreamer awakes to ...
— China and the Chinese • Herbert Allen Giles
... Thorpedyke would go over the brilliantly colored plans of the Incas' Grove, admire what had been proposed, and suggest things which they thought would be desirable. Miss Thorpedyke, who had a vivid recollection of the gardens of Luxemburg, spoke of many of their beautiful and classic features which she would recommend for the new park if it were not that they would cost so much money. All these were noted down with great care by Mrs. Cliff, and mentioned to the ...
— Mrs. Cliff's Yacht • Frank R. Stockton
... most romantic and tragical story of love and faith that the early annals of America have to show, and the fate of the faithful Miranda has become a classic in the love-lore of ...
— Historical Tales - The Romance of Reality - Volume III • Charles Morris
... a little, but they find a solace in quoting "Plebs plebis," or "Semper mutabile," or some such other classic witticism. ...
— Skipper Worse • Alexander Lange Kielland
... fellow spoke the truth. He sought from Louise more than the poor girl could give him. An oaten pipe, she had not the strains of a lyre. She spoke to, so to say, the jargon of love, and Rodolphe insisted upon speaking the classic language. Thus they scarcely ...
— Bohemians of the Latin Quarter • Henry Murger
... bespectacled mold, Everett O'Toole featured jowls wider than Cam's natural shoulders; and his gut threatened to thrust their tiny table into the houris' concourse. Manhattan innkeepers often confused Everett with Ralph Kramden, a classic comic character of the Sixties still ...
— Telempathy • Vance Simonds
... Tybar. Told her who I was and what I knew. Ordered some tea there (which we didn't touch) and she began to talk to me. Talk to me ... I tell you what I thought about that woman while she talked. I thought, leaving out limelight beauty, and classic beauty and all the beauty you can see in a frame presented as such; leaving out that, because it wasn't there, I thought she was the most beautiful woman I had ever seen. Yes, and I told my wife so. That shows you! You couldn't say where it was or how it was. You could only say that beauty ...
— If Winter Comes • A.S.M. Hutchinson
... powers and properties of these unfamiliar things and served to identify them more closely as members of the chemistry family. My mother was a natural teacher, very proficient in botany, and in history, with its flower and fruitage of classic prose and inspiring poetry. She entered into my father's 'block-signal-system' of education with an enthusiasm as zealous and childish as my own, therefore her contributions to the rapidly increasing store of blocks ...
— Solaris Farm - A Story of the Twentieth Century • Milan C. Edson
... ravine forms the dividing line between the two countries, spanned by the bridge of St. Louis. Mentone is a favorite resort for persons suffering with pulmonary affections, and has about ten thousand inhabitants. It is characterized by very beautiful scenery bordering the great classic sea, and lying at the base of the Maritime Alps. Adjoining the town is the principality of Monaco, an independent state covering an area of less than fifty square miles. It is a curious fact that the independence of this spot has been respected by Europe for so many years, and ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... to-morrow. Drawers had been emptied and dusted, loose papers and memoranda sorted and either burnt or arranged and docketed, ledgers entered up to the last item in his firm handwriting, and finally closed. The history of his manhood lay shut between their covers, written in figures terser than a Roman classic: his grand coup in Nunsasee goods, Abdul Guffere's debt commuted for 500,000 rupees, the salvage of the Ramillies wreck, his commercial duel with Viltul Parrak . . . And the record had no loose ends. He owed no ...
— Hetty Wesley • Sir Arthur Thomas Quiller-Couch
... a map of Greece and the AEgean, he will notice the island of Euboea lying along the classic coast like a rampart against Asia, leaving a channel between it and the continent quite a hundred and twenty miles in length, and scarcely an average of eight in width. The inlet on the north had admitted the fleet of Xerxes, and now it received the bold raiders from the Euxine. The towns ...
— Ben-Hur: A Tale of the Christ • Lew Wallace
... and the drama the presence, the cogent and undeniable power of those same abiding elements of mysticism and mystery, which underlie all human experience, and repeated in myriad forms find their classic expression in the queries of the "Weird Sisters," "those elemental ...
— The Witchcraft Delusion In Colonial Connecticut (1647-1697) • John M. Taylor
... the wild throng that stood hand in hand about the Maypole? It could not be that the fauns and nymphs, when driven from their classic groves and homes of ancient fable, had sought refuge, as all the persecuted did, in the fresh woods of the West. These were Gothic monsters, though perhaps of Grecian ancestry. On the shoulders of a comely youth uprose the head and branching ...
— Twice Told Tales • Nathaniel Hawthorne
... singer and composer in the sixties, made his first great hit in Jolly Dogs; or Slap-bang! here we are again. This was followed by The Chickaleary Cove: a classic in its way. ...
— Musa Pedestris - Three Centuries of Canting Songs - and Slang Rhymes [1536 - 1896] • John S. Farmer
... allegorical in style, illustrating with homely simplicity, yet with classic charm, Tolstoy's theories of non-resistance and the essential unity of ...
— Parsifal - Story and Analysis of Wagner's Great Opera • H. R. Haweis
... of Versailles, to Hugo Grotius, one of the most distinguished scholars and philosophic thinkers of his age. From Paris Milton journeyed to Nice, where he first beheld the beauty of Italian scenery and the classic shores of the Mediterranean Sea. From Nice he sailed to Genoa and Leghorn, and after a short stay at those places continued his journey to Florence, one of the most interesting and picturesque of Italian cities. Situated in ...
— The Astronomy of Milton's 'Paradise Lost' • Thomas Orchard
... so barren of immediate result.... That there is a bridge connecting the past glory of Hellas and Rome with the prouder fabric of modern history; that western Europe is Romanic, and Germanic Europe classic; that the names of Themistocles and Scipio have to us a very different sound from those of Asoka and Salmanassar; that Homer and Sophocles are not merely like the Vedas and Kalidasa, attractive to the literary botanist, but bloom for us in ...
— The Interest of America in Sea Power, Present and Future • A. T. Mahan
... popular literature that the Waverley Novels are still among the books most frequently bought at railway stations, and scarcely surpassed even by 'Pickwick,' or 'David Copperfield.' A writer, it is said, is entitled to be called a classic when his books have been read for a century after his death. The number of books which fairly satisfies that condition is remarkably small. There are certain books, of course, which we are all bound to read if we make any claim to be decently educated. ...
— Hours in a Library, Volume I. (of III.) • Leslie Stephen
... tend to illustrate in a very striking manner the correctness of the classic and poetical description of the "dangers of the sea," contained in that passage of Scripture, which the Author has often observed to be listened to with great interest, when read in its course, in the churches of our seaports, ...
— The Wreck on the Andamans • Joseph Darvall
... unity of impression. In a far more exact and precise use of the word, a short-story has unity as a novel cannot have it. Often, it may be noted by the way, the short-story fulfills the three false unities of the French classic drama: it shows one action, in one place, on one day. A short-story deals with a single character, a single event, a single emotion, or the series of emotions called forth by a single situation. Poe's paradox ...
— A Manual of the Art of Fiction • Clayton Hamilton
... Castor and Pollux. Brothers, like the twins of Leda, they had been bred in the blue-grass region of Kentucky and the vicinity of Ashland, and were worthy of their ancient pedigree, their perfect training and classic names, the last bestowed when he first became their owner, by Major Favraud, who, with a touch of the whip or a turn of the hand, controlled them to subjection, ...
— Miriam Monfort - A Novel • Catherine A. Warfield
... not;—yet much the POET found, To swell Imagination's golden store, On Arno's bank, and on that bloomy shore, Warbling Parthenope; in the wide bound, Where Rome's forlorn Campania stretches round Her ruin'd towers and temples;—classic lore Breathing sublimer spirit from the power Of local consciousness.—Thrice happy wound, Given by his sleeping graces, as the Fair "Hung over them enamour'd," the desire Thy fond result inspir'd, that wing'd him there, Where breath'd each Roman and each ...
— Original sonnets on various subjects; and odes paraphrased from Horace • Anna Seward
... elder sister's husband, Theodore Crane, endorsed him fully. He had long before read some of the Mark Twain sketches that had traveled eastward in advance of their author, and had recognized, even in the crudest of them, a classic charm. As for Olivia Langdon's mother and sister, their happiness lay in hers. Where her heart went theirs went also, and it would appear that her heart, in spite of herself, had found its rightful keeper. Only young Langdon was irreconciled, and eventually ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... present king disowns indeed all knowledge of a dangerous aitu; he declares the souls of the unburied were only wanderers in limbo, lacking an entrance to the proper country of the dead, unhappy, nowise hurtful. And this severely classic opinion doubtless represents the views of the enlightened. But the flight of my Lafaele marks the grosser terrors of ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 18 (of 25) • Robert Louis Stevenson
... already raised to a high ideal of beauty. This school has consequently the merit, as Kugler points out, of applying the rich results of an earlier, long-forgotten excellence in art to modern practice. Of a real comprehension of the idealising principle of classic art there does not appear any trace; what the Paduans borrowed from the antique was limited primarily to mere outward beauty. Accordingly in the earliest examples we find the drapery treated according ...
— Six Centuries of Painting • Randall Davies
... development thus indicated she steadily advanced. Her affiliations were with grandeur, purity, and loveliness. An inherent and passionate tendency toward classic stateliness increased in her more and more. Characters of the statuesque order attracted her imagination—Ion, Galatea, Hermione—but she did not leave them soulless. In the interpretation of passion and the presentation of its results she revealed the ...
— Shadows of the Stage • William Winter
... that when he was returned he declared that he would never sit at Westminster, the reason assigned for this eccentricity being that he recognised no Parliament in which the member for County Meath might sit other than one meeting of the classic ground of College Green. But Chiltern says that was only a poetical flight, the truth lying at the bottom ...
— Faces and Places • Henry William Lucy
... afterwards, Monsieur Vincent failed to connect cause and effect. When we parted he gave me a neatly bound copy of La Bruyere as a prize - for his own proficiency, I presume. Many a pleasant half-hour have I since spent with the witty classic. ...
— Tracks of a Rolling Stone • Henry J. Coke
... was to murder his rival. The murder was done, and its story is recorded in clumsy bas-relief over Thynne's tomb in Westminster Abbey. Koenigsmark's accomplices were executed, but Koenigsmark got off, and died years later fighting for the Venetians at the siege of classic Argos. The soldier in Virgil falls on a foreign field, and, dying, remembers sweet Argos. The elder Koenigsmark, dying before sweet Argos, ought of right to remember that spot where St. Albans Street joins Pall Mall, and where Thynne was ...
— A History of the Four Georges, Volume I (of 4) • Justin McCarthy
... stop. An astounding vision appeared before him. Standing by the old stone fountain, scarcely ten yards away, he saw the figure of a youth. The slender form was partly draped in a loose tunic of some dim, pale, reddish hue, descending halfway to his knees; on his feet were sandals of the old classic type; his golden hair was bound by a narrow fillet, and in his right hand he held a round, shallow cup, apparently of gold, towards which he was bending his head as though to drink from it. Austin stood transfixed. So exquisite a being he had never dreamt of or conceived. The contour of the ...
— Austin and His Friends • Frederic H. Balfour
... probably killed more human beings than all the wars that have ever devastated the globe. Some day the epic of medicine will be written, and will show what a large and unexpected part it has played in the progress of civilization. Valuable and essential to that progress as were the classic great discoveries of fire, ships, wheeled carriages, steam, gunpowder, and electricity, they are almost paralleled by the victories of sanitary science and medicine in the cure and prevention of that greatest disrupter of the social organism—disease. No sooner ...
— Preventable Diseases • Woods Hutchinson
... name, in a manner, suggestive of the departed glories of Greece, associated with one of the most engaging and most famous of Greek women. On this point, Mr. Goodchild continued at intervals to breathe a vein of classic fancy and eloquence exceedingly irksome to Mr. Idle, until it appeared that the honest English pronunciation of that Cumberland country shortened Aspatria into 'Spatter.' After this supplementary discovery, Mr. Goodchild said no more ...
— The Lazy Tour of Two Idle Apprentices • Charles Dickens
... people (you had evidently added a volume on folk-lore to that heap of half-cut, dog's-eared books that litter about among the Chineseries and mediaeval brocades of your rooms) any trace of Pagan myths. I explained to you then that all our fairy mythology, classic gods, and demons and heroes, teemed with fairies, ogres, and princes. Last night I had a curious proof of this. Going to see the Waldemar, I found Dionea seated under the oleander at the top of the old Genoese fort, telling stories to the two little blonde children ...
— Hauntings • Vernon Lee
... the weather was, in good old stage coach days, The driver with his ruddy face and spanking team of bays Would spin along the turnpike road, o'er level stretch and hill, That wound away from "Idleburg" to classic Nicholasville. ...
— The Old Hanging Fork and Other Poems • George W. Doneghy
... they had lain at Okazaki town, Dentatsu incapable of movement after the mad run along the classic highway in the darkness of that fearful night. As refugees from the stricken town they met with kind reception. The greater part of Yoshida town lay in ashes; and so great the disaster, so unsuspected the cause, that men looked rather to the ...
— Bakemono Yashiki (The Haunted House) - Tales of the Tokugawa, Volume 2 (of 2) • James S. De Benneville
... age and health from joining the army of attack, he threw himself into the task—a labour of love—of tending the sick and wounded of that country which he knows so well and of whose greatest modern hero he is the classic biographer. That the eulogist of GARIBALDI should hasten to the succour of Italian soldiers was fitting, and how well he performed the task the records of the Villa Trenta Hospital, near Udine, and of ...
— Punch, Volume 156, 26 March 1919 • Various
... place of Marquette's landing—which should be classic ground—from his description of the country, and the distance he specifies, could not have been far from the spot where the city of Keokuk now stands, a short distance above the mouth of the Des Moines. The locality ...
— Western Characters - or Types of Border Life in the Western States • J. L. McConnel
... a moment, and then, reaching over to the cruet, took out the spoon, and with a pale, determined face, indignantly daubed the classic features of the provision dealer. His indignation was not lessened by the behaviour of the temptress, who, instead of fawning upon him for his bravery, crammed her handkerchief to her mouth and ...
— Many Cargoes • W.W. Jacobs
... gubernatorial armchair of our state when this century was born happened to be an admirer of classic lore and the ...
— The Ways of Men • Eliot Gregory
... miscellaneous pile from being shaken out on the road. His eye glittered with a new interest as it rested on the many-colored bindings; and he recognized in the pile the peculiar brown covers of the "Bohn" edition of classic translations, that were scattered like so many turnips over the top of this ridge of literature. He rubbed his eyes to make sure he was not dreaming. How came a farmer's boy to be driving a wagon load of books in the wilds of the country as nonchalantly as if they were ...
— In the Midst of Alarms • Robert Barr
... Chinese scholar and traveller, E. Colborne Baber, who wrote the classic book of travel in Western China, was formerly British Resident in Bhamo. He spoke Chinese unusually well and was naturally proud of his accomplishment. Now the ordinary Chinaman has this feature in common with many of the European races, that, if he thinks you ...
— An Australian in China - Being the Narrative of a Quiet Journey Across China to Burma • George Ernest Morrison
... fellow knights of the reporters' room introduced me in a certain Fleet Street wine-bar to one of the characters of that classic highway—a man named Clement Blaine, who edited and owned a weekly publication called The Mass. I hasten to add that this journal had nothing whatever to do with any kind of religious observance. Its title referred to the people, or rather, to the ...
— The Message • Alec John Dawson
... them, these youth-tormenting Shades. Homer! how I wished the fishermen had asked him that absurd riddle earlier. Horace! why could not that shipwreck have succeeded: it would have in the case of any one but a classic. ...
— Paul Kelver • Jerome Klapka, AKA Jerome K. Jerome
... chiefly as were better unlearned." We quote the words of Milton rather than those of other eminent men to the same effect, because the poet cannot be accused of objecting to Latin and Greek taught at the right time and in the right way. A man whose mighty English was always fast anchored to classic bottoms had surely no sentimental preference for modern sciences. Indeed, in this very essay he seems to demand what at present we must consider as a too early initiation into the ancient languages, no longer the exclusive keys to knowledge. But Milton realized that there was a natural development ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... and pleasantly enough; but his red-letter day was the Saturday afternoon that brought him to his darling. And she, buried among her dry-as-dust school-books and classic lore—how she looked forward to the weekly day of grace no words of mine ...
— The Baronet's Bride • May Agnes Fleming
... up among the Ionian Isles, and she heard Agamemnon and Elizabeth Eliza and their Russian friend (who was accompanying them to Constantinople) talking of the old gods of Greece, she fancied that they were living still, and that Neptune and the classic waves were wreaking their vengeance on them, and pounding and punishing them for venturing to rule them with steam. She was fairly terrified. As they entered Smyrna she declared she would never enter any kind of a boat again, and that ...
— The Last of the Peterkins - With Others of Their Kin • Lucretia P. Hale
... hardly a line of them which has not its value, and the whole taken together are to be placed at the head of Spanish lyric poetry. They are chiefly religious, and the source of their inspiration is the Hebrew Scriptures. Herrera (1534-1597) is the earliest classic ode writer in modern literature, and his poems are characterized by dignity of language, harmony of versification, and elevation of ideas. Luis de Leon and Herrera are considered the two great masters of Spanish ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... stern. He was naturally a good-hearted, gentlemanly, and scholarly man. He thoroughly understood the subjects he professed to teach. In fact, the ordinary routine of classic and mathematical study had, by long practice, grown so simple to him, that he was accustomed to look with astonishment upon a boy who stumbled over ...
— Quicksilver - The Boy With No Skid To His Wheel • George Manville Fenn |
