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Classical   Listen
adjective
Classical, Classic  adj.  
1.
Of or relating to the first class or rank, especially in literature or art. "Give, as thy last memorial to the age, One classic drama, and reform the stage." "Mr. Greaves may justly be reckoned a classical author on this subject (Roman weights and coins)."
2.
Of or pertaining to the ancient Greeks and Romans, esp. to Greek or Roman authors of the highest rank, or of the period when their best literature was produced; of or pertaining to places inhabited by the ancient Greeks and Romans, or rendered famous by their deeds. "Though throned midst Latium's classic plains." "The epithet classical, as applied to ancient authors, is determined less by the purity of their style than by the period at which they wrote." "He (Atterbury) directed the classical studies of the undergraduates of his college."
3.
Conforming to the best authority in literature and art; chaste; pure; refined; as, a classical style. "Classical, provincial, and national synods."
Classicals orders. (Arch.) See under Order.






Collaborative International Dictionary of English 0.48








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"Classical" Quotes from Famous Books



... like to know the address of State Veterinary Surgeon Dr. Paaren, and I should be pleased if you will give it in THE PRAIRIE FARMER.[A] I have often thought, Why is it that so many sons of wealthy farmers leave their homes for the purpose of either studying in some classical college, to learn a trade, or to become book-keepers and clerks in mercantile business. I think if farmers would take more interest in agricultural papers, instead of having their children fooling away their ...
— Prairie Farmer, Vol. 56: No. 1, January 5, 1884. - A Weekly Journal for the Farm, Orchard and Fireside • Various

... at once sent to the English and Classical School of Joseph H. Clarke, where he prepared for college. He did not study very hard, but was bright and quick, and at one time stood at the head of his class with but one rival. He was a great athlete, too, being a good runner and jumper and boxer. ...
— Four Famous American Writers: Washington Irving, Edgar Allan Poe, • Sherwin Cody

... of diction. The beauties of Homer are therefore difficult to be lost, and those of Virgil difficult to be retained.' Mr. E.J. Payne, in his edition of Burke's Select Works, i. xxxviii, says:— 'Most writers have constantly beside them some favourite classical author from whom they endeavour to take their prevailing tone. Burke, according to Butler, always had a "ragged Delphin Virgil" not far from his elbow.' See Boswell's Hebrides, Aug. ...
— Life Of Johnson, Vol. 3 • Boswell, Edited by Birkbeck Hill

... whose adjective for shortness is "Fariki": the place is often mentioned in The Nights as the then capital of Diyar Bakr, thirty parasangs from Nasibin, the classical Nisibis, between the upper Euphrates ...
— The Book of the Thousand Nights and a Night, Volume 7 • Richard F. Burton

... and spirit-lifting vision more wildly divine than the phantasies which hovered about the slumbering souls of the daughters of Delos. Yet her features were not of that regular mold which we have been falsely taught to worship in the classical labors of the heathen. "There is no exquisite beauty," says Bacon, Lord Verulam, speaking truly of all the forms and genera of beauty, "without some strangeness in the proportion." Yet, although I saw that the features of Ligeia were not of a classic regularity—although ...
— Famous Modern Ghost Stories • Various

... returned laden with books. He certainly came back from his fourth journey with a great number of books of all kinds.[2] He also obtained books at Vienne. His sixth and last journey to Rome was wholly devoted to collecting books, classical as well as theological. When he died he left instructions for the preservation of the most noble and rich library he had gathered together.[3] "If we consider how difficult, fatiguing, . . . even dangerous a journey between the British Islands ...
— Old English Libraries, The Making, Collection, and Use of Books • Ernest A. Savage

... back to the Greek Corinthian capital, through examples in early French architecture, of which a tolerably complete series of modifications could be collected, showing the gradual change from the first deviations of the early Gothic capital from its classical model, while it still retained the square abacus and the scroll under the angle and the symmetrical disposition of the leaves, down to the free and unconstrained treatment of the later Gothic capital. Yet with these decided relations ...
— Scientific American Supplement, No. 647, May 26, 1888 • Various

... a muffin, by Jove!' called Josie after him, exulting in an opportunity to use the classical exclamation forbidden to ...
— Jo's Boys • Louisa May Alcott

... themselves, and speculation concerning them is useless. Whatever their form of numeration may have been, it has left no perceptible trace on the languages by which they were succeeded. Even the languages of northern and central Europe which were contemporary with the Greek and Latin of classical times have, with the exception of the Celtic tongues of the extreme North-west, left behind them but meagre traces for the modern student to work on. We presume that the ancient Gauls and Goths, Huns and Scythians, and other barbarian tribes had the same method of ...
— The Number Concept - Its Origin and Development • Levi Leonard Conant

... to see that fine unity of the west which lent the latter seventeenth and eighteenth centuries their classical repose. No common rule of verse or prose will satisfy men's permanent desire for harmony: no common rule of manners, of honour, of international ethics, of war. We shall not live to see, though ...
— Avril - Being Essays on the Poetry of the French Renaissance • H. Belloc

... on the bridge, of Hector before the walls. I always make it a point to think of something classical at such times. ...
— The Luck of Roaring Camp and Other Tales • Bret Harte

... idea that they are posing. The girl has a Greek face, and a very fine pair of legs heedlessly displayed. The man is as thin as a gypsy. Out of the dark in which his face is hidden gleam his white teeth. A classical, rather than romantic scene. The absence of draperies suggest it; but the absence of self-consciousness ...
— Rest Harrow - A Comedy of Resolution • Maurice Hewlett

... the sky in which stars were sprinkled like carelessly flung dust motes. "What is a 'man'?" he returned, repeating the classical question which was a debating point in ...
— Star Born • Andre Norton

... still regularly put to use for combats between men and wild beasts—but the wild beasts, instead of lions and tigers, are bulls. At Orange is a Roman theater of colossal proportions, in which a company from the Thtre Franais annually presents classical dramas. The magnificent fortress city of Carcassonne has foundation walls that were laid by Romans. Notre Dame of Paris occupies the site of ...
— Seeing Europe with Famous Authors, Volume 3 • Various

... we find frequently observed in the most classical compositions. The following is a martial dance of the gypsies, but the most elaborate notation would only be the skeleton of any example: the best parts of all their performances are those they improvise ...
— Lippincott's Magazine, Vol. 26, August, 1880 - of Popular Literature and Science • Various

... never can keep true away from its father. It is never true full obedience except it have the throbbing heart of love in it. This is the unfailing mark. It's so easy to fail here. Yet "love never faileth." The classical Thirteenth of First Corinthians becomes an indictment. We know it better in the Book than in life. "Love suffereth long, ... envieth not ... is not puffed up; doth not behave itself unbecomingly or inconsistently, seeketh not even its own, is not provoked." Love ...
— Quiet Talks on Following the Christ • S. D. Gordon

... he'd done th' chaps had begun tawkin, some abaat politics an some abaat Knursticks, an' when he sat daan th' cheerman wor th' only quiet chap i' th' lot, an' he wor ommost asleep; but Mosslump comforted hissen wi' whisperin to me 'at classical mewsic wor varry little thowt on, an' after a sigh, a sup, a shake ov his head, an' another leet for his pipe, he sat daan evidently detarmined not to be suited wi' owt i' th' singin way that neet. After th' cheerman had wakken'd up, two or three called for "Cocky," an' this time he gate up withaat ...
— Yorksher Puddin' - A Collection of the Most Popular Dialect Stories from the - Pen of John Hartley • John Hartley

... see it as I see it? Will they thank me for my high opinion of their culture, in assuming that it will be quite as plain to them as to me? If there should accidentally be an allusion to classical or scientific literature, which they do not understand at the first hasty, careless, novel-reading glance, will they inform themselves, and then appreciate my reason for employing it, and thank me for the ...
— St. Elmo • Augusta J. Evans

... suggestive. The first question was as to the division of the offerings of the faithful. The second as to differences of "Use" in the celebration of Mass and other divine offices. The answer of Gregory is almost classical, and may well be repeated here: "You know, my brother," he says, "the custom of the Roman Church.... But it pleases me that if you have found anything, whether in the Roman Church, or the church of the ...
— Great Men and Famous Women. Vol. 3 of 8 • Various

... contiguous to the campanile, and chapels added at each side. The memorial of the Gens Barbia was sawn in two and used as jambs for the west door, and inscriptions from the pedestals of statues and classical ornamental fragments were used in the campanile, both round the openings and close to the niche which encloses the statue of S. Giusto holding a model of the cathedral and castle. The consecration took ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson

... him compensated to Kalliope Henderson for much that was distressing to both in Maura's choice. The seven years that had passed had made him into a noble-looking man, with a handsome classical countenance, lighted up by earnestness and devotion, a fine voice and much musical skill, together with a bright attractive manner that, all unconsciously on his part, had turned the heads of half the young womanhood of Coalham, and soon had the ...
— Modern Broods • Charlotte Mary Yonge

... of the best of the very few good poems which Burns composed in classical English, is no mere sentimental effusion, but expresses what in him was a real part of his nature—his tender feeling towards his lower fellow-creatures. The same feeling finds (p. 108) expression in the lines on The Mouse, The Auld ...
— Robert Burns • Principal Shairp

... not the history of arts, or of sciences, or of literature, or even of nations. It is the history of the attainment of self-conscious freedom by the human spirit manifested in the European races. It is no mere political mutation, no new fashion of art, no restoration of classical standards of taste. The arts and the inventions, the knowledge and the books, which suddenly became vital at the time of the Renaissance, had long lain neglected on the shores of the Dead Sea which we call ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds

... accuse the critic who demurs to his deductions of captiousness. In this way the antiquity of the oldest Chinese annals is invalidated: in this way the date of the Indian Vedas (1400 B.C.). But the great classical literatures stand the test, and from the present time to Claudian, from Claudian to Ennius, and from Ennius to Archilochus we trace a classical literature with all its works in continuity; each pointing to some one older than itself. Even this ...
— The Ethnology of the British Islands • Robert Gordon Latham

... naturalist, W.J. Burchell, in his classical work shows the same recognition of adaptation in nature at a still earlier date. Upon the subject of collections he wrote ("Travels in the Interior of Southern Africa", London, Vol. I. 1822, page 505. The references to Burchell's observations in the present essay are adapted from the ...
— Darwin and Modern Science • A.C. Seward and Others

... affectionate boy, full of real chivalry and true nobility. Being next in age, I was his constant companion, and his kind, loving consideration of me is deeply impressed upon me. When for some years Cincinnati was our home, he attended a classical school in that city, taught by Alexander Kinmont, a Scotchman, somewhat celebrated as an educator of boys, and by his high sense of honor and his engaging manners he endeared himself to his teacher and fellow pupils. He had a real reverence for his female associates; ...
— 'Three Score Years and Ten' - Life-Long Memories of Fort Snelling, Minnesota, and Other - Parts of the West • Charlotte Ouisconsin Van Cleve

... tribes from the northwest infiltrated onto the Indian subcontinent about 1500 B.C.; their merger with the earlier Dravidian inhabitants created the classical Indian culture. The Maurya Empire of the 4th and 3rd centuries B.C. - which reached its zenith under ASHOKA - united much of South Asia. The Golden Age ushered in by the Gupta dynasty (4th to 6th centuries A.D.) saw a flowering of Indian ...
— The 2008 CIA World Factbook • United States. Central Intelligence Agency.

... the only course given really serious attention in the high school was that of Ancient History in the classical course. The courses in General History, English History and American History were, for the most ...
— A Guide to Methods and Observation in History - Studies in High School Observation • Calvin Olin Davis

... friendship the ideal of the state, where all have common interests and mutual confidence. And apart from its place of prominence in systems of thought, perhaps a finer list of beautiful sayings about friendship could be culled from ancient writers than from modern. Classical mythology also is full of instances of great friendship, which almost assumed the place ...
— Friendship • Hugh Black

... don't think!" was Tom Leslie's not very classical comment, as he took the double-barrelled telescope finally down from his eye, after a second inspection. (It may be mentioned, in a parenthesis, that the Third Avenue car had some time since rumbled by, and that the very existence of that entire line of communication had been forgotten by the ...
— Shoulder-Straps - A Novel of New York and the Army, 1862 • Henry Morford

... of which the study was therefore gradually introduced into the greater part of universities; both of those which embraced, and of those which rejected, the doctrines of the reformation. The Greek language was connected with every part of that classical learning, which, though at first principally cultivated by catholics and Italians, happened to come into fashion much about the same time that the doctrines of the reformation were set on foot. In ...
— An Inquiry into the Nature and Causes of the Wealth of Nations • Adam Smith

... to the higher mathematics. However, I had to earn a little money, somehow, and I thought I'd try jam. And it went by itself, I really don't understand it, mere good luck, I suppose. I hear of fellows who have tried business, and come shocking croppers. Perhaps they were classical men nothing so hopeless as your classic. I beg your pardon; before saying that, I ought to have found out whether either of you is ...
— Will Warburton • George Gissing

... and to be invested with a peculiar interest; and regrets have often been expressed that it should be so difficult to know their contents. Many of them are mere fragments; and where complete works exist, the text is often so corrupt, and the style is so involved, that even a good classical scholar is repelled from their perusal. If the student of Latin and Greek meets with obstacles, the merely English reader is absolutely without the means of information. The greater part of the most important writings have never been translated; and those translations which have been ...
— Christology of the Old Testament: And a Commentary on the Messianic Predictions, v. 1 • Ernst Wilhelm Hengstenberg

... those strange shapes. To the young mind's eye they are wonders, and the tiny fingers have built monuments that deserve not to be thrown down so rudely, when a smile that costs nothing would have left them standing to be finished into finer shape and more classical proportions in the years that are to come. You do a positive injury to the dullest child when you reward his little efforts with contempt. It is a wrong that can never be repaired, for the disheartment that strikes the happy ...
— The Jericho Road • W. Bion Adkins

... their rock temples, is Mithras, who is identical with Noah. Sometimes this ancient mariner is represented as riding on the back of a fish, and again as floating in a boat. The God of Hindostan, like the classical Dionysos, was enclosed in an ark and driven into the sea. According to the Gothic traditions as recorded in the Eddas, there once existed a beautiful world, which was destroyed by fire. Another was created, which, with all its inhabitants save a giant and his three ...
— The God-Idea of the Ancients - or Sex in Religion • Eliza Burt Gamble

... possible, the verbal eccentricities of "butter blue beans" and other intricate verses of infantile memory, are scattered up and down the pages of the Port Folio, together with fresh versions of Horace and dissertations upon classical rhetoric. ...
— The Philadelphia Magazines and their Contributors 1741-1850 • Albert Smyth

... began the study of law, which he abandoned and entered the Andover Theological Seminary. In 1835 he was a tutor at Hanover; then Professor of Latin and Greek for two years, and later filled the chair of Latin alone from 1837 to 1859. Then he accepted the place of Professor of Latin and Classical Literature at Washington University, St. Louis, where he remained four years. In March, 1863, he returned to Hanover and became Professor of Rhetoric and Belles Lettres. In 1880 he took the Winkley chair. Since 1882 he had been Professor Emeritus, ...
— The New England Magazine, Volume 1, No. 2, February, 1886. - The Bay State Monthly, Volume 4, No. 2, February, 1886. • Various

... colored person in white gloves, and behold spread before you a great horde of those ladies and gentlemen whose rapt expressions and general air of eager expectancy stamp them as true devotees of whatever is most classical in the realm of music. You realize that in such a company as this you are no better than a rank outsider, and that it behooves you to attract as little attention as possible. There is nobody else here who will be interested in discussing ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb

... was more forcible than classical—had quite a piratical flavour, in fact; and my friend of "the wonderful works of God" looked up with a deprecating air. Its effect on George was nil, except perhaps to ...
— Pieces of Eight • Richard le Gallienne

... affirmative influence created on the mind in this respect by any class of studies; and that the only reason why we so generally find Theism and classics, &c., united, is because we so seldom find classics, &c., and physical science united; the negative influence of the latter, in the case of classical minds, being therefore ...
— A Candid Examination of Theism • George John Romanes

... boys, have any of you seen that illustrated classical dictionary of mine? I had it in school about ten days ago when I was showing you the prints of the dress and armor of the Romans, and I have not seen it since. I fancy I must have left it on my table, but I cannot be sure. I looked everywhere in my library for it last night ...
— Through the Fray - A Tale of the Luddite Riots • G. A. Henty

... likely to be in their attempt to capture and devour other insects. The merit of the poem is chiefly in its music and colour; as natural history it would not bear criticism. The most beautiful modern French poem about insects, beautiful because of its classical perfection, is I think a sonnet by Heredia, entitled "Epigramme Funeraire"—that is to say, "Inscription for a Tombstone." This is an exact imitation of Greek sentiment and expression, carefully studied after the poets ...
— Books and Habits from the Lectures of Lafcadio Hearn • Lafcadio Hearn

... at the epoch when the ancient classical romance which, after having been Clelie, was no longer anything but Lodoiska, still noble, but ever more and more vulgar, having fallen from Mademoiselle de Scuderi to Madame Bournon-Malarme, and from Madame de Lafayette to Madame Barthelemy-Hadot, ...
— Les Miserables - Complete in Five Volumes • Victor Hugo

... London the guns will have awakened both the echo of the old river Po and the classical Mincio. The whole of the troops, about 110,000 men, with which Cialdini intends to force the passage of the first-named river are already massed along the right bank of the Po, anxiously waiting that the last hour of to-morrow should strike, and that the order for action should ...
— The Shaving of Shagpat • George Meredith

... inner structure. As compared with all these rationalizing pictures, the pluralistic empiricism which I profess offers but a sorry appearance. It is a turbid, muddled, gothic sort of an affair, without a sweeping outline and with little pictorial nobility. Those of you who are accustomed to the classical constructions of reality may be excused if your first reaction upon it be absolute contempt—a shrug of the shoulders as if such ideas were unworthy of explicit refutation. But one must have lived some time with a system to appreciate its merits. Perhaps a little more familiarity may mitigate ...
— A Pluralistic Universe - Hibbert Lectures at Manchester College on the - Present Situation in Philosophy • William James

... they met with a classical scholar who said he had "travelled all over Europe, and had passed through all the societies in England to find a person whose life corresponded with the Gospels and with Paul's Epistles." Almost defiantly he demanded of Mr. Ireland if he knew a single clergyman ...
— Fletcher of Madeley • Brigadier Margaret Allen

... lilies, or lindens. This conclusion, a commonplace in folk-song, occurs also in a class of Romaic ballads, where a clump of reeds rises from one of the lovers, and a cypress or lemon-tree from the other, which bend to each other and mingle their leaves whenever the wind blows. Classical readers will recall the tale of ...
— Ballads of Romance and Chivalry - Popular Ballads of the Olden Times - First Series • Frank Sidgwick

... emotions of my heart. You now see before you an humble individual who has been educated in a parochial school. (Loud cheers.) I came to London in 1803, without a shilling—without a friend. I have not had the advantage of a classical education, therefore you will excuse my defects of language. (Cheers.) But this I will say, my Lord Mayor and gentlemen, that you witness in me what may be done by the earnest application of honest industry; and ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, - Issue 493, June 11, 1831 • Various

... anything he superintended that he refused to believe any improvement was possible. But this year Betteridge was honorary secretary and had tried to infuse a little life into the society. The subject for the first debate of the term was "Classical and Modern Education," and Ferrers was going to speak for the modern side. Ferrers was always writing to the papers, and was already well known in the common room as a feverish orator. A good deal had been rumoured about him, and the school were rather ...
— The Loom of Youth • Alec Waugh

... enough to be among the chestnuts; vineyards there were none. And at last we came to Renno, and found the villagers taking a sad holiday. I spoke to them in bad Italian, and found that it seemed good Corsican to them, perhaps even classical Corsican, if there be such a thing, and learnt that there had been a funeral of a little child that morning. They proposed to do no more work that day. Most of the men were loafing along a wall by their little inn, and they were soon reinforced by many women. In a few minutes ...
— A Tramp's Notebook • Morley Roberts

... a time apprenticed to the trade. As a youth he attracted the attention of the famous antiquary, William Camden, then usher at Westminster School, and there the poet laid the solid foundations of his classical learning. Jonson always held Camden in veneration, acknowledging that ...
— Epicoene - Or, The Silent Woman • Ben Jonson

... back to the earliest era in art for the origin of the style, if, indeed, the grotesque does not so intimately connect itself with the primeval art of all countries as to be almost inseparable. Indeed, it requires a considerable amount of classical education to see seriously the meaning, that ancient artists desired in all gravity to express, in works which now excite a smile by their inherent comicality. Hence the antiquary may be occasionally ruffled by the remarks of some irreverent spectator, on a work ...
— Rambles of an Archaeologist Among Old Books and in Old Places • Frederick William Fairholt

... reference in its derivation to the nude or semi-nude condition of those who exercised there. But in their proper classical interpretation the public gymnasia were, to a great extent, places set apart for physical education and training. Gymnastics, indeed, in the broadest sense of the word, have been cultivated in all ages. The spontaneous ...
— Atlantic Monthly, Volume 3, No. 19, May, 1859 • Various

... seen in America, when, in 1857, Justin S. Morrill, a young member of Congress from Vermont, presented the project of a law endowing from the public lands a broad national system of colleges in which scientific and technical studies should be placed on an equality with studies in classical literature, one such college to be established in every State of the Union. The bill, though opposed mainly by representatives from the Southern States, where doctrinaire politics and orthodox theology were in strong alliance with negro slavery, was passed ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White

... excellent example (readily accessible), popular by reason of its freedom of treatment, as well as for its inherent sparkle and dash, is the Finale of Weber's Sonata in C major, op. 24—the so-called Moto Perpetuo. The most famous example of this form in classical literature is undoubtedly the Finale of Beethoven's Waldstein Sonata, op. 53, with its melodious and ...
— Music: An Art and a Language • Walter Raymond Spalding

... old chap," said Nicholas Dillon, showing off his classical learning, "who said that dead animals always became something else?—maybe it's only in the course of nature for a dead fox to become ...
— The Kellys and the O'Kellys • Anthony Trollope

... extreme assertion of the value of the individual man, and of unregulated democracy; an outgrowth, it may be, of the robustness and originality of Browning's nature, and interesting—not as a clew to his life, which conformed to that of organized society—but as a clew to his independence of classical and conventional forms in the exercise ...
— Browning's Shorter Poems • Robert Browning

... She was classical mistress at L.'s, the then well-known dame school in Clifton, where for three years—prior to migrating to a Public School—I was well grounded in all the mysticisms of Kennedy's Latin Primer and Smith's First ...
— Animal Ghosts - Or, Animal Hauntings and the Hereafter • Elliott O'Donnell

... and that the varieties best fitted, through their habits, structure, or color, to maintain themselves in the struggle for existence, survived the species less favorably endowed, and hence persisted. (We have quoted in our initial chapter the classical illustration of the dipper-birds ...
— Evolution - An Investigation and a Critique • Theodore Graebner

... him their representative in the Legislative Assembly of South Australia. In this new character he seems to have achieved only a reputation for drawing humorous sketches. Having delivered a few speeches highly embellished with classical allusions which failed to make any impression upon the plain business men of the House, he subsided, and was afterwards seldom heard. And when his seat became vacant in due course, he did not seek re-election. He had been unable to take his Parliamentary experience seriously. ...
— Australian Writers • Desmond Byrne

... and by this same philosophical facility, a fresh and vigorous impulse was being given to that study of classical antiquity, which gave birth to a new learning, and ushered in a new era of intellectual culture in Germany. We have already had occasion to refer to the movement and influence of Humanism at the schools which Luther attended at Magdeburg and Eisenach. He now found himself at one ...
— Life of Luther • Julius Koestlin

... of St. Renny was an old-fashioned affair even for those days, but it had a certain name in a quiet way. It was run on classical lines, Greek and Latin being considered the only two subjects worth a gentleman's attention. Botany and entomology were the unofficial subjects that had won the school its name, but Ishmael soon found ...
— Secret Bread • F. Tennyson Jesse

... much prettier pattern and of mainly poetico-classical educated-class sentiment. I do not think there is a line of mine one of my old working-class audience would have boggled over. I would give a penny for John Burns' thoughts about it. (N.B.—Highly impartial and ...
— The Life and Letters of Thomas Henry Huxley Volume 3 • Leonard Huxley

... of your readers give me an instance from any one of our standard classical authors of a verb ...
— Notes and Queries, Number 69, February 22, 1851 • Various

... wholly different things'—Catholic as a technical, and Catholic as a general term. Centuries before the Christian era, the word Catholic [Greek: katholikos] is found in the sense of 'universal'; both before and after the age of Ignatius it is common in writers, classical and ecclesiastical. 'In this sense the word might have been used at any time, and by any writer, from the first moment that the Church began to spread, while yet the conception of its unity was present to the mind.' It was only later ...
— The Quarterly Review, Volume 162, No. 324, April, 1886 • Various

... sentiment of art, I should greedily seize upon the bloom of the tulip-tree. What a "craze" for tulip borders and screens, tulip wallpapers and tulip panel-carvings, I would set going in America! The colors, old gold, orange, vermilion, and green,—the forms, gentle curves and classical truncations, and all new and American, with a woodsy freshness and fragrance in them. The leaves and flowers of the tulip-tree are so simple and strong of outline that they need not be conventionalized for decorative ...
— Lippincott's Magazine, August, 1885 • Various

... Elizabethan book containing twelve classical love-stories— "Sinorex and Camma," "Tereus and Progne," etc.—in style the precursor of Euphues, now first reprinted under the editorship of Professor I. GOLLANCZ. Frontispieces, a reproduction of the original title, and of ...
— Sappho: One Hundred Lyrics • Bliss Carman

... of peaceful and careful contemplation, and lacked the buoyant heart without which assimilation of art is hardly less possible than creation. Ignorance had descended upon the world, and gross darkness covered the people. The classical authors were solid, the meat of vigorous minds. Their language, never the facile language of the people and the partially disciplined, now became a resisting medium that was foreign to the general run of men. Their syntax was archaic and crabbed, ...
— Horace and His Influence • Grant Showerman

... sense in interpretation which carries him over the many gaps in the story without any palpable difference in texture. How fragmentary the latter part of the Satyricon is you will see if you turn to the edition published last year in the Loeb Classical Library. The reading of fragments has a fascination for the curious mind: you also, I think, must have devoured those casual sheets of forgotten masterpieces in which book-sellers envelop their parcels, and have dignified the whole with an importance which it can never when in circulation have ...
— The Satyricon • Petronius Arbiter

... situated, and from which it receives an income of about $5000. Number of students about 200. Patronized by Presbyterians. The Cincinnati College was incorporated in 1819, continued to be sustained as a classical institution for some years, and then suspended operations. It has been revived and re-organized lately, and will probably be sustained. Kenyon College, at Gambier, Knox county, in a central part of the State, was established in 1828, through ...
— A New Guide for Emigrants to the West • J. M. Peck

... and even by Music! In France and Germany we are far from this—and classical Pharisaism swells its voice there to make a diversion to Mercantilism, that rich disgraceful one, who succeeds perfectly well in making the principal papers and their numerous readers dance to the sounds of his harsh flute, whilst his antagonist (Pharisaism) only ends in "Improperias" and ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated

... myself!" said the Fiddler Crab. "But it's highly classical, I admit. All really great ...
— The Sea Fairies • L. Frank Baum

... that most impressed him in college was his tussle with Latin and Greek. From the first these dead languages did not appeal to him. Again and again he pleaded with his parents to be permitted to drop these studies but they insisted on his taking the "Classical Course." ...
— Modern Americans - A Biographical School Reader for the Upper Grades • Chester Sanford

... sunny south. I recollected now that the Greeks were wont to represent Boreas as a chilly deity, and spoke of the Thracian breeze with the same deferentially deprecating adjectives which we ourselves apply to the east wind of our fatherland; but that apt classical memory somehow failed to console or warm me. A good-natured male passenger, however, volunteered to ask us, 'Will I get ye a rug, ladies?' The form of his courteous question suggested the probability of his ...
— Miss Cayley's Adventures • Grant Allen

... and his faithful lady—a happy relief after the monotonous repetition of matrimonial infidelities dealt out to us by the average novel. It will be a consolation also to many readers to discover that plain people are far more popular than handsome ones and that to "have features of classical beauty" is the most unfortunate of handicaps in the race for comfort and success. Mrs. PENROSE, like many other women novelists, is very cruel to her own sex and never misses an opportunity of exposing its shallow sentiments and transient ...
— Punch, or the London Charivari, Vol. 147, September 2nd, 1914 • Various

... permanente, qui en rsulte pour notre espce," (p. 111). Judged by this standard, the saints with their eyes fixed on another world have fallen far short. "Ils se flattrent de mriter le ciel en se rendant parfaitement inutile la terre" (p. xviii). Holbach much prefers the heroes of classical antiquity. The book is violent but learned throughout, and deals not only with the Jewish patriarchs from Moses on but with the church fathers and Christian Princes down to the contemporary defenders of the ...
— Baron d'Holbach - A Study of Eighteenth Century Radicalism in France • Max Pearson Cushing

... missionary for forty years among the various tribes of the Abenaqui. "His literary attainments were of a high order;" his knowledge of modern languages respectable; "his Latin," according to Haliburton, "was pure, classical and elegant;" and he was master of several of the Abenaqui dialects; indeed, a manuscript dictionary of the Abenaqui languages, in his handwriting, is still preserved in the library of the Harvard University. Of one of these ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens

... occupied a place amidst, and yet aloof from, the nations of the ancient classical world. The true centre of the former lay in the east, that of the latter in the region of the Mediterranean; and, however wars and migrations may have altered the line of demarcation and thrown the races across ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen

... may not be interrupted in a more important inquiry. Dennis once urged fair pretensions to the office of critic. Some of his "Original Letters," and particularly the "Remarks on Prince Arthur," written in his vigour, attain even to classical criticism.[37] Aristotle and Bossu lay open before him, and he developes and sometimes illustrates their principles with close reasoning. Passion had not yet blinded the young critic with rage; and in that happy moment, Virgil occupied his attention ...
— Calamities and Quarrels of Authors • Isaac D'Israeli

... well-meaning, earnest, and extremely nervous man, he displays a methodical antagonism. Our vicar is the worst of all possible rural vicars—unripe, a glaring modern, no classical scholar, no lover of nature, offensively young and yet not youthful, an indecent politician. He was meant to labour amid Urban Myriads, to deal with Social Evils, Home Rule, the Woman Question, and the Reunion of Christendom, attend Conferences and go with ...
— Certain Personal Matters • H. G. Wells

... patriarchs with their flocks and herds"—I am quoting Mr. Bagehot again—"the keen-eyed Greek, the stately Roman, the watching Jew, the uncouth Goth, the horrid Hun, the settled picture of the unchanging East, the restless shifting of the rapid West, the rise of the cold and classical civilization, its fall, the rough impetuous Middle Ages, the vague warm picture of ourselves and home. When did we learn these? Not yesterday nor today, but long ago, in the first dawn of reason, in the original flow of fancy." Books will not ...
— On Being Human • Woodrow Wilson

... total of thirty-eight is not far short of the forty traditional Midianite settlements preserved by the mediaeval Arab geographers. Many others are reported to exist in the central or inland region; and fifteen were added by the South Country, including the classical temple or shrine, found upon the bank of the Wady Hamz before mentioned. The most interesting sites were recommended to M. Lacaze, whose portfolio was soon filled with about two hundred illustrations, in oil and water-colours, pencil croquis and "sun-pictures." All, except the six coloured ...
— The Land of Midian, Vol. 1 • Richard Burton

... (Suddenly recollecting himself.) Stop: no. (He pulls himself piously together, and says, like a man conducting a religious service) I am only the servant of the French republic, following humbly in the footsteps of the heroes of classical antiquity. I win battles for humanity—for my ...
— The Man of Destiny • George Bernard Shaw

... new methods have been adroitly chosen, they claim to be those of nature and by implication stigmatise the Grammatical method as unnatural. They profess that they teach a foreign language as a child learns to speak its mother tongue. A very high classical authority coupled "ratio et oratio" reason and speech as complements and indubitably speech can only improve and develop as the mind unfolds and matures. Those who adopt the new method appear to think the limitations imposed ...
— The Aural System • Anonymous

... his own appearance with that of the Heraldic wild man of the woods as emblazoned in Armorial Bearings. Indeed this whole ceremony of initiation struck him as so whimsical, and so nearly resembling the classical equipment for the funeral regions dictated by the Sibyl to AEneas,[1] that he took the liberty—on assuming his place in the funeral train—to put a question to his next neighbour on the use and meaning of so singular a rite: "Was it an indigenous Welsh custom, or a custom adopted from France ...
— Walladmor: - And Now Freely Translated from the German into English. - In Two Volumes. Vol. I. • Thomas De Quincey

... preliminary 'dawn' of a new cycle of ages. This dawn lasts four hundred years, and is then followed by the real age (the first of four), which lasts four thousand years, and has again a twilight ending of four hundred years in addition. This first is the Krita age, corresponding to the classical Golden Age. Its characteristics are, that in it everything is perfect; right eternal now exists in full power. In this age there are neither gods nor demons (D[a]navas, Gandharvas, Yakshas, R[a]kshas, Serpents), neither buying nor selling. By a lucus a non the derivation of the name Krita ...
— The Religions of India - Handbooks On The History Of Religions, Volume 1, Edited By Morris Jastrow • Edward Washburn Hopkins

... is the Basilica of San Miniato, one of the earliest (1013) as well as one of the most perfect structures in the Byzantine style. Internally it is 165 feet long by 70 wide, and is divided longitudinally into aisles by pillars of classical design. The faade is faulty. The tower was erected in 1519. The floor of the nave is considerably under the level of the chancel, which terminates in a semi-dome, covered with mosaics executed in 1247, and of the same kind as those of St. Mark's at Venice. Behind the altar are five small ...
— The South of France—East Half • Charles Bertram Black

... the amber[3] of the truth. Last and chief, while literature, gagged with linsey-woolsey, can only deal with a fraction of the life of man, talk goes fancy free[4] and may call a spade a spade.[5] It cannot, even if it would, become merely aesthetic or merely classical like literature. A jest intervenes, the solemn humbug is dissolved in laughter, and speech runs forth out of the contemporary groove into the open fields of nature, cheery and cheering, like schoolboys out of school. ...
— Essays of Robert Louis Stevenson • Robert Louis Stevenson

... is really a kind of prophecy. For the appreciation of the classical past is an act of present perception, not a mere memory of popular verdicts. The classics live only because they still express the vital feeling of to-day. The new art must do more,—must speak for the morrow. And as the poet is a ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp

... of the French romancieres, who had successfully invaded the field of prose fiction when the passing of the precieuse fashion and Boileau's influential ridicule[1] had discredited the romance in the eyes of writers with classical predilections. Mme de La Fayette far outshines her rivals, but a host of obscure women, headed by Hortense Desjardins, better known as Mme de Villedieu, hastened to supply the popular demand for romantic stories. In drawing their subjects from the histories of more modern courts ...
— The Life and Romances of Mrs. Eliza Haywood • George Frisbie Whicher

... the date of his birth is not certainly known, and he was in the prime of life about 530. He is believed to have been the son of a peasant of Thrace, probably of Slavonian descent, as his name, stripped of its classical form, would belong to that language and would be Beli-than, or the White Prince. Apparently he began life as a common soldier, and gradually rose by courage and ability. His master, the Emperor Justinian, was an equally remarkable personage, ...
— Great Men and Famous Women. Vol. 1 of 8 • Various

... he, with something between a smile and a sneer. 'David and Jonathan—or, to be more classical and less scriptural, Damon and Pythias—eh?' These papers, then, are from the faithful abroad, the exiles in Holland, ye understand, who are thinking of making a move and of coming over to see King James in his own country ...
— Micah Clarke - His Statement as made to his three Grandchildren Joseph, - Gervas and Reuben During the Hard Winter of 1734 • Arthur Conan Doyle

... I have with me," explained the phonograph, "is one the Magician attached just before we had our quarrel. It's a highly classical composition." ...
— The Patchwork Girl of Oz • L. Frank Baum

... of the floor of the bay through the clear sea-water. I did not care to go up into the town and see the palaces and churches; I wanted to stay on the beach and hunt for shells—Italian shells—and classical or mediaeval sea-anemones. Of course, I had to go up into the town; and I saw, no doubt, the churches and the palaces, with their rooms radiant with the mellow brilliance of precious marbles and painted ceilings, and statues and pictures, under the personal conduct of no less an individual ...
— Hawthorne and His Circle • Julian Hawthorne

... be de rigueur for a person of his pretensions—was artistically beautiful enough to have been worth doing in marble by any sculptor not over-busy, and was hence devoid of those knotty irregularities which often mean power; while the double-cyma or classical curve of his mouth was not without a looseness in its close. Nevertheless, either from his readily appreciative mien, or his reflective manner, or the instinct towards profound things which was said to possess him, his presence bespoke the philosopher ...
— The Woodlanders • Thomas Hardy

... closely, line for line, with the original; because one may love and emulate classical terseness even while despairing to rival it. But it does not attempt to be literal; for even were it worth doing, I doubt if it be possible for anyone in our day to hit precisely the note intended ...
— The Vigil of Venus and Other Poems by "Q" • Q

... she said, "are called 'Foul Menial!'—From the earliest classical records of fairy tale and legend ...
— Fairy Prince and Other Stories • Eleanor Hallowell Abbott

... occurred to him in the course of his eager reading. An essay on the Seat of Government, and Observations concerning the Causes of the Magnificency and Opulency of Cities, show equal exuberance of learning, chiefly classical, though they cannot be said to be very conclusive. The former reads as if it had been meant for an introduction to a contemplated ampler view of polity. He must have studied not merely general, but economic ...
— Sir Walter Ralegh - A Biography • William Stebbing

... lack of fertility, not lack of enterprise, that's responsible for our decline. And I think your species must be an adaptable one, too; you just haven't really tried. Oh, James, let us reverse the classical roles—let me be the Apollo to your Daphne! Don't let Phyllis stand in our way. The Greek gods never let a little thing like marriage interfere ...
— The Venus Trap • Evelyn E. Smith

... has got it to take a step further . . . who has spoken to all in a style of his own, yet a style which finds itself the style of everybody, in a style that is at once new and antique, and is the contemporary of all the ages." Without doubt Sainte-Beuve has here touched the classical quality in literature as with a needle, for that book is a classic to be placed beside Homer and Virgil and Dante and Shakespeare—among the immortals—which has wisdom which we cannot find elsewhere, and whose ...
— Books and Bookmen • Ian Maclaren

... combines elements of continental European civil law systems, Anglo-American law, and Chinese classical thought; has not accepted ...
— The 1991 CIA World Factbook • United States. Central Intelligence Agency.

... with one kick and Orange with another, and then followed Parma with docility as he led her back to Philip. This seems not very "admirable fooling," but it was highly relished by the polite Parisians of the sixteenth century, and has been thought worthy of record by classical historians. ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley

... is not under constraint to avoid it. At the same time he is not ignorant of the arts of rhetoric, and especially in the speeches he is fond of introducing sounding phrases and sententious statements. He was a great admirer of the classical writers of prose, and their influence is everywhere apparent in his writing; in particular he is much indebted to the historians Herodotus and Thucydides, and he borrows from them many expressions and turns ...
— History of the Wars, Books I and II (of 8) - The Persian War • Procopius

... so arranged that the open portion might be cleared, and the stock- in-trade locked up if not carried away. Each stall had its own sign, most of them sacred, such as the Lamb and Flag, the Scallop Shell, or some patron saint, but classical emblems were oddly intermixed, such as Minerva's AEgis, Pegasus, and the Lyre of Apollo. The sellers, some middle-aged men, some lads, stretched out their arms with their wares to attract the passengers in the street, and did not fail to beset Ambrose. The more ...
— The Armourer's Prentices • Charlotte Mary Yonge

... have actual knowledge and has not received written notice from the copyright owner or its representative that the broadcast station publishes or induces or facilitates the publication of such advance program schedule, or if such advance program schedule is a schedule of classical music programming published by the broadcast station in the same manner as published by that broadcast station on or ...
— Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code, Circular 92 • Library of Congress. Copyright Office.

... represents Fortune and turns with the wind. The next building (with a green and shady garden on the Giudecca side) is the Seminario Patriarcale, a great bare schoolhouse, in which a few pictures are preserved, and, downstairs, a collection of ancient sculpture. Among the pictures is a much dam-aged classical scene supposed to represent Apollo and Daphne in a romantic landscape. Giorgione's name is often associated with it; I know not with what accuracy, but Signor Paoli, who has written so well upon Venice, is convinced, and the figure ...
— A Wanderer in Venice • E.V. Lucas

... he—the great humanist—was always doing; he the unscrupulous, indiscriminate and casual reader; and if we treat him in the same spirit as that in which he treated the classical authors he loved most, we shall at least be acting under the cloak of his approval, however much we annoy the Calvins and Scaligers ...
— Suspended Judgments - Essays on Books and Sensations • John Cowper Powys

... is founded on the old classical story of Apollo and Daphne. The sun-god, Apollo, was charmed by the beauty of the fair Daphne, the daughter of a river-god, and pursued her with base intent. Just as she was about to be overtaken she prayed for aid, and was immediately changed into a laurel-tree, ...
— Old English Sports • Peter Hampson Ditchfield

... forbidding, at least distant and repulsive. The noble outline of face in Edward Effingham had got to be cold severity in that of John; the aquiline nose of the latter, seeming to possess an eagle-like and hostile curvature,—his compressed lip, sarcastic and cold expression, and the fine classical chin, a feature in which so many of the Saxon race fail, a haughty scorn that caused strangers usually to avoid him. Eve drew with great facility and truth, and she had an eye, as her cousin had rightly said, "full of tints." Often and often had she sketched both of these loved faces, and ...
— Homeward Bound - or, The Chase • James Fenimore Cooper

... origin and nature of pastoral II. Greek pastoral poetry III. The bucolic eclogue in classical Latin IV. Medieval and humanistic eclogues V. Italian pastoral poetry VI. The Italian pastoral romance VII. Pastoral in Spain ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg

... present work in its English garb. Professor Ehrlich by his careful and extended observations on the blood has qualified himself to give a bird's-eye view of the subject, such as few if any are capable of offering; and his book now so well translated by Mr. Myers must remain one of the classical works on blood in disease and on blood diseases, and in introducing it to English readers Mr. Myers makes an important contribution to the accurate study of ...
— Histology of the Blood - Normal and Pathological • Paul Ehrlich

... "a standard text," now the classical text, of the ballads which he published. Ballad lovers, who are not specialists, go to The Minstrelsy for their favourite fare, and for historical elucidation ...
— Sir Walter Scott and the Border Minstrelsy • Andrew Lang

... mediaeval Europe had of India and Persia was mostly indirect, and, as might be expected, deficient both in correctness and extent, resting, as it did, on the statements of classical and patristic writers, on hearsay and on oral communication. In the accounts of the classic writers, especially in those of Pliny, Strabo, Ptolemy, truth and fiction were already strangely blended. Still more was this the case with such compilers and encyclopaedists as Solinus, ...
— The Influence of India and Persia on the Poetry of Germany • Arthur F. J. Remy

... same twofold impulse exists, though the mystic impulse is distinctly the stronger of the two, and secures ultimate victory whenever the conflict is sharp. His description of the cave is the classical statement of belief in a knowledge and reality truer and more real than ...
— Mysticism and Logic and Other Essays • Bertrand Russell

... as I entered the second stretch. The windows here were higher and smaller, and marble statuettes of classical subject lined the walls, watching me like figures of the dead. Their white and shining faces saw me, yet made no sign. I passed next between the second baize doors. They, too, had been fastened back with hooks against the wall. Thus all ...
— The Damned • Algernon Blackwood

... institutions of the higher learning, the growth of ritualistic ceremonial and paraphernalia and of elaborate scholastic "functions" goes hand in hand with the transition of the schools in question from the field of homely practicality into the higher, classical sphere. The initial purpose of these schools, and the work with which they have chiefly had to do at the earlier of these two stages of their evolution, has been that of fitting the young of the industrious classes for work. On the higher, classical plane of learning ...
— The Theory of the Leisure Class • Thorstein Veblen

... independence that nothing could subdue or damp. He was the undoubted ancestor of the Defoes, Swifts, Steeles, Juniuses, and Burkes, in whom this kind of authorship reached its perfection, ceased to be fugitive, and assumed classical rank. ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan

... before he became a professional Padre, he didn't know that such things as senses of humour existed. All that mattered in his life were Latin and Greek and Hebrew and the other pursuits of the classical scholar. However, during his wanderings with the Army he has somehow managed to acquire what he calls "an appreciation of the laughable." And that is the cause of ...
— Punch, or the London Charivari, Vol. 156, June 11, 1919 • Various

... the floor of the present Academy Hall. It was said to be the best school edifice in Essex County or even the state of Massachusetts. Thus it began its existence with an aspiration in fine architecture. The style of this edifice is not so classical now as it was fifty-six years ago. When the academy received its new telescope it was too poor to provide it a suitable place. Therefore a dome was erected on the roof, which disturbed the symmetry of the Grecian architecture. The telescope does good service under the dome; but ...
— The New England Magazine, Volume 1, No. 2, February, 1886. - The Bay State Monthly, Volume 4, No. 2, February, 1886. • Various

... she comes!" and Spencer Fiske the classical scholar of the camp with fervent admiration exclaimed "By ...
— A Daughter of the Middle Border • Hamlin Garland

... sage angler from Albany who saw the beauty of the situation, years ago, and built a habitation to match it. Since that time a number of gentlemen have bought land fronting on good pools, and put up little cottages of a less classical style than Charles Cotton's "Fisherman's Retreat" on the banks of the river Dove, but better suited to this wild scenery, and more convenient to live in. The prevailing pattern is a very simple one; it consists of a broad piazza with a small house in the middle of it. The house bears about ...
— Little Rivers - A Book Of Essays In Profitable Idleness • Henry van Dyke



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