"Copyright" Quotes from Famous Books
 ... of Bath as it is. Among the anecdotical notes to the Poem it is stated that Dodsley acknowledged about ten years after he had purchased the "Bath Guide," that the profits from its sale were greater than on any other book he had published. He generously gave up the copyright to the author in 1777, who had 200l. for the copyright after the second edition. Yet Dodsley, with all his liberality lived to be rich, though he originally was footman to the Hon. Mrs. Lowther; so true is it that genius and perseverance will find their ...
— The Mirror of Literature, Amusement, and Instruction - Volume 19, No. 533, Saturday, February 11, 1832. • Various
... Cruelty to Children, Custody of Compensation for Injuries Compensation for Accident Compensation for Defamation Compensation for Loss of Employment, &c., &c. Confiscation by Landlords Contracts, Breach of Copyright, Infringement of County ...
— "In Darkest England and The Way Out" • General William Booth
... all these facts into consideration, it is apparent that the patent, trade-mark and copyright laws should be so interpreted and administered by the court that they will secure the greatest good to the greatest number, and aid in attaining the end of government, viz., 'moral, intellectual and physical perfection.' It is not the object of these ...
— Alcohol: A Dangerous and Unnecessary Medicine, How and Why - What Medical Writers Say • Martha M. Allen
... the same God' stuff on me. It isn't the same God that simply hones for candles and music in an Episcopal Church and gives the Plymouth Brotherhood a private copyright revelation that organs and ...
— The Job - An American Novel • Sinclair Lewis
... Transcriber's Note | | | | There is no evidence that the U.S. copyright on this | | publication was ...
— Men Called Him Master • Elwyn Allen Smith
... the period the question of copyright affects our scheme to a certain extent, because it affects prices. Fortunately it is the fact that no single book of recognised first-rate general importance is conspicuously dear. Nevertheless, I have encountered difficulties in the second rank; I have dealt with them ...
— Literary Taste: How to Form It • Arnold Bennett
... what may broadly be called the new movement in literature. The intention is to publish uniformly the best of the decadent writings of various countries, done into English and consistently brought together for the first time. The volumes are all copyright, and are issued in a uniform binding—The ...
— Black Spirits and White - A Book of Ghost Stories • Ralph Adams Cram
... Scott are published solely by A. and C. Black, who purchased along with the copyright the interleaved set of the Waverley Novels in which Sir Walter Scott noted corrections and improvements almost to the day of his death. The under-noted editions have been collated word for word with this set, and many inaccuracies, some of ...
— Peeps at Many Lands: Egypt • R. Talbot Kelly
... said that honours might be desirable to scientific men, as they were so considered on the Continent, and Newton and Davy had been titled, but for himself, if a Guelphic distinction was adopted, 'he should be a Ghibelline.' He ended by saying that all he asked for was a repeal of the Copyright Act which took from the families of literary men the only property they had to give them, and this 'I ask for with the earnestness of one who is conscious that he has laboured for posterity.' It is ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William IV, Vol. II • Charles C. F. Greville
... a grey tweed suit,'" repeated Spargo. "Good line. You haven't any copyright in it, remember. It would make ...
— The Middle Temple Murder • J.S. Fletcher
... Copyright, 1915, by Doubleday, Page & Company All rights reserved, including that of translation into foreign languages, ...
— Quilts - Their Story and How to Make Them • Marie D. Webster
... risk—and, alas! My poor copyright too—into other hands pass; And my friend, the Head Devil of the "County Gazette" (The only Mecaenas I've ever had yet), He who set up in type my first juvenile lays, Is now see up by them for the rest of his days; And while Gods ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... play, has gone out in Low's parcel. If the managers will be quick, you can make this copyright by not calling it 'Honor before Titles'" (the sub-title under which it had been copyrighted in England). "Then, to bind the thing together, I write a different conclusion to the second act, and send it you enclosed. ...
— Lippincott's Magazine, December, 1885 • Various
... English book world, but L5 in Dutch currency presses heavily on the budget of a Dutch translation, of which only some hundred or so copies can be sold at a retail price of not quite five shillings, and is an almost prohibitive price to pay for the copyright of a novel which is only used as the feuilleton of a local paper with an edition of under a thousand copies a week. As a fact, many Dutch publishers pay royalties to their foreign colleagues as soon as the publication is important enough to bear the ...
— Dutch Life in Town and Country • P. M. Hough
... W. Burgess; Copyright renewed 1946 by Thornton W. Burgess All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief ...
— The Adventures of Jimmy Skunk • Thornton W. Burgess
... the copyright of this volume sanction the issue of this edition as a paper-covered book, to be sold at fifty cents; but, while not wishing to interfere with any purchaser binding his own copy, they do not sanction placing on the market any volumes of this ...
— In Connection with the De Willoughby Claim • Frances Hodgson Burnett
... Copyright, 1917, by Joseph G. Butler, Jr., Youngstown, O. One hundred copies of this edition have been printed of which ...
— A Journey Through France in War Time • Joseph G. Butler, Jr.
... series are standard copyright works, issued in similar style at a uniform price, and are eminently suitable for the library and as prize volumes for ...
— Amaryllis at the Fair • Richard Jefferies
... This etext was produced from Weird Tales March 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication ...
— Each Man Kills • Victoria Glad
... Lector, patience! I will tell it well. Besides which I promise you it shall never be told again. I will copyright it. ...
— The Path to Rome • Hilaire Belloc
... OF ROBERT BROWNING. (The Tauchnitz selection). Two vols., 8vo. Leipzig; "Collection of British Authors." As this is a "copyright edition," the selection must have been either made or sanctioned ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... the book, that of a small, intimate collection, representative rather than exhaustive, it has been impossible to include all of the poets who would naturally be included in a more ambitious anthology. In certain instances, also, matters of copyright have deterred me from including those whom I had originally intended to represent, but with isolated exceptions the little book covers the work of our later poets and gives a hint of ...
— The Little Book of Modern Verse • Jessie B. Rittenhouse
... user's printout from the next. 2. A similar printout generated (typically on multiple pages of fan-fold paper) from user-specified text, e.g., by a program such as Unix's 'banner({1,6})'. 3. On interactive software, a first screen containing a logo and/or author credits and/or a copyright notice. ...
— The Jargon File, Version 4.0.0
... opportunity of swearing to me by all his gods that your name was mentioned lately in the House of Commons—is that true? or untrue? He forgot to tell me at the time, he says,—and you were named with others and in relation to copyright matters. Is it true? ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... since 'Jane Eyre'; but probably she is a little or a good deal too emphatic in her representation of the matter. At any rate, she advises that the sheets of any future book be sent to Moxon, and such an arrangement made that a copyright may be secured in England as well as here. Could this be done with the Wonder-Book? And do you think it would be worth while? I must see the proof-sheets of this book. It is a cursed bore; for I want to be done with it from this moment. ...
— Yesterdays with Authors • James T. Fields
... this volume, where previously published, are used by arrangement with the owners of the copyrights (as specified at the beginning of each story). Translations made especially for the series are covered by its general copyright. All rights ...
— Stories by Foreign Authors: German (V.2) • Various
... him I will not now. It was delayed ... delayed. He cut the plan up into scenes ... I mean into a list of scenes ... a sort of ground-map to work on—and there it lies. Nothing more was done. It all lies in one sheet—and I have offered to give up my copyright of idea in it—if he likes to use it alone—or I should not object to work it out alone on my own side, since it comes from me: only I will not consent now to a double work in it. There are objections—none, be it well understood, in Mr. Horne's disfavour,—for ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... decided to publish a revised octavo edition is not known, nor do we know when Rowe accepted the commission and began his work. McKerrow has plausibly suggested that Tonson may have been anxious to call attention to his rights in Shakespeare on the eve of the passage of the copyright law which went into effect in April, 1710.[2] Certainly Tonson must have felt that he was adding to the prestige which his publishing house had gained by the publication ...
— Some Account of the Life of Mr. William Shakespear (1709) • Nicholas Rowe
... Joseph E. Loewenstein, M.D. This Introduction to Nina Balatka is protected by copyright and/or other applicable law. Any use of the work other than as authorized in "The Legal Small Print" section (found at the end of the book) ...
— Nina Balatka • Anthony Trollope
... performing or representing any dramatic or musical composition for which copyright has been obtained, without the consent of the proprietor of said dramatic or musical composition, or his heirs and assigns, shall be liable for damages thereof, such damages, in all cases to be assessed at such sum, not less than one hundred dollars for the first ...
— Wappin' Wharf - A Frightful Comedy of Pirates • Charles S. Brooks
... volume, dated 1805. The title-page is succeeded by an anonymous address to the reader, at the foot of which occurs a peremptory warning to pilferers of dishes or parts thereof; in other words, to piratical invaders of the copyright of Monsieur Barba. There is a preface equally unclaimed by signatures or initials, but as it is in the singular number the two hommes de bouche can scarcely have written it; perchance it was M. Barba aforesaid, lord-proprietor of these not-to-be-touched treasures; but anyhow the writer had a very ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... he imported foreign goods he had to pay duties to the collector of a Federal Custom-house. If he invented something, or wrote a book, he had to apply to the Department of the Interior for a patent or a copyright. But how few there were in the first seventy years of American history who had any of these experiences! No one supposes, or has ever supposed, that had the Federalists demanded any very large sacrifice of ...
— Handbook of Home Rule (1887) • W. E. Gladstone et al.
... twelve copies of the work, and 'the cuts of the first impression,' that is, a set of proof impressions of the fanciful engravings that professed to illustrate the first edition, as the price of the entire copyright. This curious document was sold to John Wilks, Esq., M.P. on ...
— Notes and Queries, Number 62, January 4, 1851 • Various
... by G. W. Dillingham Company All rights reserved The author reserves all stage rights, which includes moving pictures. Any infringement of copyright will be dealt with according ...
— You Should Worry Says John Henry • George V. Hobart
... about this time too that Haydn opened a correspondence with William Forster of London, who had added to his business of violin-maker that of a music-seller and publisher. Forster entered into an agreement with him for the English copyright of his compositions, and between 1781 and 1787 he published eighty-two symphonies, twenty-four quartets, twenty-four solos, duets and trios, and the "Seven Last Words," of which we have yet to speak. Nothing of the Forster ...
— Haydn • J. Cuthbert Hadden
... the publishers, Houghton Mifflin Company, for the use of selections from the copyright books of Mrs. Agassiz and Professor Shaler; these and all other obligations are, I trust, indicated in the proper places by footnotes. I owe a special debt of gratitude to Professor Burt G. Wilder for his interest and ...
— Louis Agassiz as a Teacher • Lane Cooper
... The copyright of the poem, which was purchased by Mr. Murray for 600l., he presented, in the most delicate and unostentatious manner, to Mr. Dallas[46], saying, at the same time, that he "never would receive money for his writings;"—a resolution, ...
— Life of Lord Byron, Vol. II - With His Letters and Journals • Thomas Moore
... thought that our march about the pole would make such a sensation!" said Mrs. Jones. "Your North Pole March will make your fortune, Fred. You should immediately copyright and publish it. You could sell ...
— Doctor Jones' Picnic • S. E. Chapman
... attentive audience's sympathy are better than any writing in the closet for the purpose of educating the many as readers, and of remunerating the publisher and author. I would lose no time in considering well what steps to take to rescue the copyright of ...
— The Life and Letters of Thomas Henry Huxley Volume 1 • Leonard Huxley
... reaction from Victorian Liberalism to Collectivism which has perceptibly strengthened the State Churches. Yet the fact remains that whereas Byron's Cain, published a century ago, is a leading case on the point that there is no copyright in a blasphemous book, the Salvation Army might now include it among its publications without ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... to the decision of the public, since we cannot be umpires in our own cause, we proceed to detail such circumstances attending the writing and publication of our little work, as may literally meet the wishes of the present proprietor of the copyright, who has applied to us for a gossiping Preface. Were we disposed to be grave and didactic, which is as foreign to our mood as it was twenty years ago, we might draw the attention of the reader, in a fine sententious paragraph, to the trifles upon which ...
— Rejected Addresses: or, The New Theatrum Poetarum • James and Horace Smith
... house of Peter Whitmer, who, with his sons, David, John, and Peter, Jr., lived at Fayette, Seneca County, New York, the Whitmers promising his board free and their assistance in the work of translation. There, Smith says, they resided "until the translation was finished and the copyright secured." ...
— The Story of the Mormons: • William Alexander Linn
... the form of a Dictionary (and of which he gives a specimen sheet), entitled Sententiae Variorum. Can any of your Bath friends say if the manuscript is still in existence, as he states that it is ready for the press; or that he would treat with any party disposed to buy the copyright? ...
— Notes and Queries, Number 65, January 25, 1851 • Various
... inability of Canadians to amend their own constitution and in the appeal from the decisions of Canadian courts to the Judicial Committee of the Privy Council—limitations which had been wholly or mainly removed in the case of the newer Commonwealth of Australia. But the long-contested control over copyright was finally conceded, and the Hutton and Dundonald incidents led to the clearer recognition that if imperial officers entered the military service of the Dominion they were, precisely as in the United Kingdom, under the control of the responsible civil ministers. The provision that the commander ...
— The Day of Sir Wilfrid Laurier - A Chronicle of Our Own Time • Oscar D. Skelton
... purchased the copyright of the debate, and pledged himself to issue a correct edition, in accordance with the notes of the reporter. Instead of doing so, besides making unlimited alterations in his own speeches, he altered every speech of mine. Some things he left out. In one case, to prevent an exposure of one of his more ...
— Modern Skepticism: A Journey Through the Land of Doubt and Back Again - A Life Story • Joseph Barker
... Your Culture to Me Equality Literature and Life Literary Copyright Indeterminate Sentence Education of the Negro Causes of Discontent Pilgrim and American Diversities of American Life American Newspaper Fashions ...
— Quotes and Images From The Works of Charles Dudley Warner • Charles Dudley Warner
... matter was being discussed on another portion of the cliff by the curate and Constance. It referred to the tale she had written, which he had submitted to a publisher, who had offered a small sum for the copyright. The book, the publisher had said, was moderately good, but it formed only one volume; readers preferred their novels in three volumes, even if they had to put up with inferior quality. Besides, there was always a considerable risk in bringing out a book ...
— Fan • Henry Harford
... once advised him to write the particulars of it, and had promised him half-a-crown if he would do so. He had written some of them, but had never seen the gentleman again, so he did not get the half-crown; and now he would take sixpence for the copyright of his work. I gave him sixpence, and he drew out a manuscript from an inside pocket of his coat, and handed it to me. It was composed of small sheets of whitey-brown wrapping paper sewn together. He had ruled lines on it, and had written his biography ...
— The Book of the Bush • George Dunderdale
... that the author was Robert Paltock of Clement's Inn, and that he received for the copyright 20L., twelve copies of the book, and "the cuts of the first impression"(proof impressions of the illustrations). The writer's name shows him to have been, like his hero, of Cornish origin; but the authors of the admirable ...
— Life And Adventures Of Peter Wilkins, Vol. I. (of II.) • Robert Paltock
... gallery joined. The excitement of the House was such that no other speaker could obtain a hearing; and the debate was adjourned. The ferment spread fast through the town. Within four and twenty hours, Sheridan was offered a thousand pounds for the copyright of the speech, if he would himself correct it for the press. The impression made by this remarkable display of eloquence on severe and experienced critics, whose discernment may be supposed to have been quickened by ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... our first step Shall be to fix the right of publication In you alone. Expect from me no praise,— For I'm no judge of art. Fine points of law, Not fine points in a picture, have engaged My thoughts these twenty years. While you wait here, I'll send my clerk to copyright this painting. What shall we call it?"—"Call it, if you please, 'The Prospect of the Flowers.'"—"That will do. Entered according to—et cetera. Your name is—" "Linda Percival."—"I thought so. Here, Edward, go and take a copyright Out for this work, 'The Prospect of the ...
— The Woman Who Dared • Epes Sargent
... Extensive research did not uncover any evidence that the U. S. copyright on this publication ...
— The Virginia Company Of London, 1606-1624 • Wesley Frank Craven
... Alden's story is published with permission of the Bobbs-Merrill Company of Indianapolis, Indiana, the publishers of Professor Alden's story and the holders of the copyright. ...
— Why the Chimes Rang: A Play in One Act • Elizabeth Apthorp McFadden
... the reviews so great, that their progress to oblivion, notwithstanding the merit which I was quite sure they possessed, seemed ordained to be as rapid as it was certain. I had given thirty guineas for the copyright, as detailed in the preceding letters; but the heavy sale induced me at length, to part with, at a loss, the largest proportion of the impression of five hundred, to Mr. Arch, a London bookseller. After this transaction ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle
... predecessors in this field, for as early as 1622 the Coranto, or journal of "current" foreign news, appeared. In 1641, on the eve of the civil war, the Diurnall of domestic news was issued. In 1643, when Parliament appointed a licenser, who gave copyright protection to the "catchword" or newspaper title, journalists became a "recognized body." "Newsbooks" and especially "newsletters" grew in popularity. Only a few years after the Restoration, there appeared The London Gazette, which has been continued to the present time as the medium through ...
— Halleck's New English Literature • Reuben P. Halleck
... worthily was the chief relaxation and delight of those sad later years. When he died, he had contributed to Thomson's work sixty songs, but of these only six had then appeared, as only one half-volume of Thomson's work had then been published. Burns had given Thomson the copyright of all the sixty songs; but as soon as a posthumous edition of the poet's works was proposed, Thomson returned all the songs to the poet's family, to be included in the forthcoming edition, along with (p. 154) the interesting letters which had accompanied the songs. Thomson's collection ...
— Robert Burns • Principal Shairp
... | Transcriber's Note | | | | The DP team has failed to uncover any evidence that the | | copyright on this work was ...
— The Revolt on Venus • Carey Rockwell
... America, omit an opportunity of referring to a topic in which I and all others of my class on both sides of the water are equally interested—equally interested, there is no difference between us, I would beg leave to whisper in your ear two words: INTERNATIONAL COPYRIGHT. I use them in no sordid sense, believe me, and those who know me best, best know that. For myself, I would rather that my children, coming after me, trudged in the mud, and knew by the general feeling of society that their father ...
— Speeches: Literary and Social • Charles Dickens
... will scarcely be questioned. The copyright of authors has been solemnly adjudged, in Great Britain, to be a right of common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases with the claims ...
— The Federalist Papers • Alexander Hamilton, John Jay, and James Madison
... punctually paid until the old lady's demise in 1854. Buisson the tailor, Dablin, Madame Delannoy, and the rest of the creditors, one after the other, were reimbursed the sums they had also advanced, the profits on unexhausted copyright aiding largely in the liberation of the estate. Before Eve's own death, every centime ...
— Balzac • Frederick Lawton
... of Polite Learning in Europe." As the work grew on his hands his sanguine temper ran ahead of his labors. Feeling secure of success in England, he was anxious to forestall the piracy of the Irish press; for as yet, the Union not having taken place, the English law of copyright did not extend to the other side of the Irish Channel. He wrote, therefore, to his friends in Ireland, urging them to circulate his proposals for his contemplated work, and obtain subscriptions payable in advance; the money to be transmitted to a Mr. Bradley, an eminent ...
— Oliver Goldsmith • Washington Irving
... Luther all that makes him man, and the rest will not be worth selling to the Jews. Individuality is an accompaniment, an accessory, a red line on the map, a fence about the field, a copyright on the book. It is like the particular flavors of fruits,—of no account but in relation to their saccharine, acid, and other staple elements. It must therefore keep its place, or become an impertinence. If it ...
— Atlantic Monthly, Vol. 9, No. 54, April, 1862 • Various
... Articles of the Copyright Convention of the Pan-American Republics and the United States, ...
— The Training of a Public Speaker • Grenville Kleiser
... "are not as badly off as they were before they had the copyright. Their stories can no longer be stolen with impunity as in the past. They are better paid, too. Many an olden-time author received very scant remuneration for his labor; sometimes he received none at all. Many had to beg the patronage of the rich in order to get their works printed; contracts ...
— Paul and the Printing Press • Sara Ware Bassett
... Copyright, 1915, by Charles Scribner's Sons, Harper and Brothers, The Century Company, The Masses Publishing Company, P.F. Collier & Son, Incorporated, Margaret C. Anderson, Mitchell Kennerley, The Ridgway Company, Illustrated ...
— The Best Short Stories of 1915 - And the Yearbook of the American Short Story • Various
... little volume of poems, we believe, has not been reprinted since the year 1701, nor has it ever been inserted in any edition or catalogue of Bunyan's works. This may have arisen from the author's having sold his entire copyright—a fact which prevented Charles Doe from publishing many other of Bunyan's treatises, when he projected his edition of the entire works, of which the first volume only was printed. With some other of Bunyan's rarest tracts, ...
— The Works of John Bunyan • John Bunyan
... courtesies generously extended by the following authors, periodicals, and publishers in granting permission for the use of the poems indicated, rights in which are in each case reserved by the owner of the copyright:— ...
— A Treasury of War Poetry - British and American Poems of the World War 1914-1917 • Edited, with Introduction and Notes, by George Herbert Clarke
... Dickens married Miss Catherine Hogarth when he was only twenty-four. He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for the Morning Chronicle." Willis ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... must be made of my obligation to the proprietors of the EncyclopoediaBritannica for allowing me to reproduce the essays on 'Sea-Power' and 'The Command of the Sea.' They are the owners of the copyright of both essays, and their courtesy to me is the more marked because they are about to republish them themselves in the ...
— Sea-Power and Other Studies • Admiral Sir Cyprian Bridge
... protected under the copyright laws of the United States, is subject to royalty, and any one presenting the play without the consent of the author or his agents, will be liable to penalty under the law. All applications for amateur performances ...
— Dolly Reforming Herself - A Comedy in Four Acts • Henry Arthur Jones
... rapid sale. The copyright he sold to Dilly for one hundred guineas. The publisher must have made no small gain by the bargain, for a third edition was called for within a year. "My book," writes Boswell, "has amazing celebrity: Lord Lyttelton, Mr. Walpole, Mrs. Macaulay, Mr. Garrick have all written ...
— Boswell's Correspondence with the Honourable Andrew Erskine, and His Journal of a Tour to Corsica • James Boswell
... in this Volume are protected by copyright, and are printed here by authority of the ...
— Stories by American Authors, Volume 7 • Various
... asking me to entrust him with the translation of my Tannhauser, as the manager of the Theatre Lyrique, M. Carvalho, was taking steps to produce that opera in Paris. I was alarmed at this, as I was afraid that the copyright of my works had not been secured in France, and that they might dispose of them there at their own sweet will. To this I most strongly objected. I was well aware how this undertaking would be carried out, ...
— My Life, Volume II • Richard Wagner
... have grown steadily since his death in 1850. Crabbe's reputation was apparently at its height in 1819, for it was then, on occasion of his publishing his Tales of the Hall, that Mr. John Murray paid him three thousand pounds for the copyright of this work, and its predecessors. But after that date Crabbe's popularity may be said to have continuously declined. Other poets, with other and more purely poetical gifts, arose to claim men's attention. Besides Wordsworth, as already pointed out, Scott, Byron, Coleridge, ...
— Crabbe, (George) - English Men of Letters Series • Alfred Ainger
... the mention of another crying abuse connected with this subject. In the year 1811 or 1810 came under parliamentary notice and revision the law of copyright. In some excellent pamphlets drawn forth by the occasion, from Mr. Duppa, for instance, and several others, the whole subject was well probed, and many aspects, little noticed by the public, were exposed of that extreme injustice ...
— Autobiographic Sketches • Thomas de Quincey
... that nature has any cunning devices by which she may hide seeds away where they will remain "almost imperishable" for ages, is not entirely new with Professor Marsh, nor is it any suggestion that would be protected by copyright. In finding the winds, birds, quadrupeds, and other assumed agencies of distribution improbable, he seeks, with Dr. Dwight, for "the seeds of an ancient vegetation," and, finding none by actual observation, concludes that nature has some occult, and thoroughly ...
— Life: Its True Genesis • R. W. Wright
... "A Tour Through the Pyrenees." By special arrangement with, and by permission of, the publishers, Henry Holt & Co. Copyright, 1873.] ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... from the charge that has been brought against him of servility in accepting it. He points out that it was only after the invention of printing that literature became a money-making profession, and that, as there was no copyright law at Rome to prevent books being pirated, patrons had to take the place that publishers hold, or should hold, nowadays. The Roman patron, in fact, kept the Roman poet alive, and we fancy that many of our modern bards rather regret ...
— Reviews • Oscar Wilde
... of this work has been researched and no indications were found that the U.S. copyright ...
— A Portrait of Old George Town • Grace Dunlop Ecker
... plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every ...
— The Gorgon's Head - (From: "A Wonder-Book For Girls and Boys") • Nathaniel Hawthorne
... the devil, and my replete citizen sucking at his cigar in the National Liberal Club, Willie Crampton discussing the care and management of the stomach over a specially hygienic lemonade, and Dr. Tumpany in his aggressive frock-coat pegging out a sort of copyright in Socialism, were the centre and wings of the angelic side. It was nonsense. But how was I to ...
— The New Machiavelli • Herbert George Wells
... shows how much better the subject of cookery[20-] may be treated by a philosopher;[20-] but you shall see what a book of cookery I shall make, and shall agree with Mr. Dilly for the copyright." ...
— The Cook's Oracle; and Housekeeper's Manual • William Kitchiner
... editors of Good Housekeeping Magazine, Little, Brown & Company and Mrs. Velma Swanston Howard for her translation of "The Legend of the Christmas Rose," by Selma Lagerloef, taken from Good Housekeeping Magazine, copyright, 1907. Copyright, 1910, by Little, ...
— Christmas in Legend and Story - A Book for Boys and Girls • Elva S. Smith
... some agreement has been concluded with Mr. Murray about 'Werner.' Although the copyright should only be worth two or three hundred pounds, I will tell you what can be done with them. For three hundred pounds I can maintain in Greece, at more than the fullest pay of the Provisional Government, ...
— Life of Lord Byron, Vol. 6 (of 6) - With his Letters and Journals • Thomas Moore
... endeavored to give full credit to every author quoted, and to accompany every citation with ample notice of copyright ownership. At the close of the work it is their purpose to express in a more formal way their sense of obligation to the many publishers who have so courteously given permission for this use of their property, and whose rights of ownership it is ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... to you, it is true; but the copyright is still mine. The copyright of letters that I wrote to you is mine; and I believe the law of copyright is the same with regard to hearts ...
— The Farringdons • Ellen Thorneycroft Fowler
... Walsh, Limited British Empire and Continental Copyright Excepting Scandinavian Countries by ...
— Indiscreet Letters From Peking • B. L. Putman Weale
... anxious to have published an edition of all her writings, including "Idomen," before leaving New York, and she authorized me to offer gratuitously her copyrights to an eminent publishing house for that purpose. In the existing condition of the copyright laws, which should have been entitled acts for the discouragement of a native literature, she was not surprised that the offer was declined, though indignant that the reason assigned should have been that they were "of too elevated a character ...
— Graham's Magazine Vol XXXIII No. 2 August 1848 • Various
... From an article by Mr. Winsor in "The Narrative and Critical History of America," of which he was editor. By arrangement with the publishers, Houghton, Mifflin Co., Copyright 1889. For a long period Mr. Winsor was librarian of Harvard University. He wrote "From Cartier to Frontenac," "Christopher Columbus," "The Mississippi Basin," and made other important ...
— Great Epochs in American History, Volume I. - Voyages Of Discovery And Early Explorations: 1000 A.D.-1682 • Various
... was then forty-five years old; he was a Cambridge man, and intimate with Tennyson, Hallam, and other men of literary mark, and he was himself a minor poet, and warm in the cause of literature. During his parliamentary career, in 1837, he was instrumental in passing the copyright act. He had travelled in Greece and Italy in his twenties; was fond of society, and society of him. A more urbane and attractive English gentleman did not exist; everything that a civilized man could care for was at his disposal, and he made the most ...
— Hawthorne and His Circle • Julian Hawthorne
... From "A Winter in Russia." By permission of, and by arrangement with, the publishers, Henry Holt & Co. Copyright, 1874. Since Gautier wrote, Berlin has greatly increased in population and in general importance. What is known as "Greater Berlin" now embraces about 3,250,000 souls. Many of the quaint two-story houses, which formerly ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various
... Jim, "has taken none of us into her confidence. She has, I presume, strong opinions on the subject of copyright, and is determined to give no opportunity of ...
— Belles and Ringers • Hawley Smart
... publisher's privilege to present to the reading public. In short, he was advised not to print. That was the net total of the matter, and it was a pang to the susceptible heart of the poet. He had hoped to have come home enriched by the sale of his copyright, and with the prospect of seeing his name before long on the back of ...
— The Atlantic Monthly, Volume 20, No. 121, November, 1867 • Various
... probably originally a series of columns in a newspaper or a magazine like Harper's, as the chapters on weddings in the different seasons refer to how the fashions have changed since the last one—by the original copyright, 1884, though the book version appeared in 1887. Notable features among the usual: how to dance the German, or Cotillon; remarks and four chapters on English, French, or others in contrast to American customs, making it a guide to European manners; proper behavior for the single woman past girlhood; ...
— Manners and Social Usages • Mrs. John M. E. W. Sherwood
... booksellers and the public, were as unsatisfactory as can be imagined. The sum received by Milton for "Paradise Lost" indicates the usage of an earlier day. Things had not much improved. Newbery gave five guineas for the copyright of The Citizen of the World and fourteen guineas for The Life of Beau Nash. A struggle consequent upon the combination of very little means, and still less practical prudence, soon began in Goldsmith's case. His mode of life, if not luxurious, was easier than it had been. ...
— Oliver Goldsmith • E. S. Lang Buckland
... relating to copyright belong naturally to the sphere of political economy. They have to do with the laws governing production, and with the principles regulating supply and demand; and they are directly dependent upon a due determining of the proper functions of legislation, and of the relations which legislation, ...
— International Copyright - Considered in some of its Relations to Ethics and Political Economy • George Haven Putnam
... of this volume as a book of ready reference would not have been achieved. But the difficulty has been to define the exact meaning of a pirate and of a buccaneer. In the dictionary a pirate is defined as "a sea-robber, marauder, one who infringes another's copyright"; while a buccaneer is described as "a sea-robber, a pirate, especially of the Spanish-American coasts." This seems explicit, but a pirate was not a pirate from the cradle to the gallows. He usually began his life at sea as an honest mariner in the merchant service. He ...
— The Pirates' Who's Who - Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers • Philip Gosse
... abroad (with a barmaid) when his father died in 1773. In January 1774 he took his seat in the Lords. Though Fox thought him a bad man, his first speech was in favour of securing to authors a perpetual copyright in their own works. He repeated his arguments some months later; so authors, at least, have ...
— The Valet's Tragedy and Other Stories • Andrew Lang
... reveal all the clues to you now; partly because I might be infringing the copyright of another, partly because I have forgotten them. But the idea roughly is that if a man holds his cigar between his finger and thumb, he is courageous and kind to animals (or whatever it may be), and if he holds it between his first and second fingers ...
— Not that it Matters • A. A. Milne
... no international copyright, but Mr. Browning's Boston publishers needed no legal constraint to act with ideal honor. So on the appointed morning, a partie carre of artists—two poets, one sculptor, one painter—drove gayly through the Porta ...
— The Brownings - Their Life and Art • Lilian Whiting
... own the copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much less the subject ...
— The Voice on the Wire • Eustace Hale Ball
... NEPHEW so many times removed. Preussen is now far enough from mutiny; subdued, with all its Kalksteins, into a respectful silence, not lightly using the right even of petition, or submissive remonstrance, which it may still have. Nor, except on the score of parliamentary eloquence and newspaper copyright, does it appear that Preussen ...
— History Of Friedrich II. of Prussia, Volume IV. (of XXI.) - Frederick The Great—Friedrich's Apprenticeship, First Stage—1713-1728 • Thomas Carlyle
... under the 5th & 6th Vic. c. 100, and the Public are hereby cautioned against making any of them for the purpose of Sale, without permission from the Authoress. Any person infringing upon the Copyright will be proceeded against, and, by sect. 8, they are liable to a penalty of from L5 to L30 ...
— Golden Stars in Tatting and Crochet • Eleonore Riego de la Branchardiere
... period (February, 1806) at work upon a farce, to be called "Mr. H.;" from which he says, "if it has a 'good run' I shall get two hundred pounds, and I hope one hundred pounds for the copyright." "Mr. H." (which rested solely upon the absurdity of a name, which after all was not irresistibly absurd) was accepted at the theatre, but unfortunately it had not "a good run." It failed, not quite undeservedly perhaps, for (although it has since had some ...
— Charles Lamb • Barry Cornwall
... way, for any expression about America in an English review attracted ten times the attention in America that the same article would attract in the North American. Habitually the American dailies reprinted such articles in full. Adams wanted to escape the terrors of copyright, his highest ambition was to be pirated and advertised free of charge, since in any case, his pay was nothing. Under the excitement of chase he was becoming a ...
— The Education of Henry Adams • Henry Adams
... to be a serious if not insuperable obstacle. He was unable to get any one concerned in the book trade to assume the risk of bringing out "The Spy." That had to be taken by the author himself. In the case of this novel, we know positively that Cooper was not only the owner of the copyright, but of all the edition; that he gave (p. 066) directions as to the terms on which the work was to be furnished to the booksellers, while the publishers, Wiley & Halsted, had no direct interest in it, and received their reward by a commission. It is evident that under this arrangement ...
— James Fenimore Cooper - American Men of Letters • Thomas R. Lounsbury
... & Hall and Henry Frowde). A serviceable edition is that published by the Macmillans, with Introductions by Charles Dickens's son, but that edition still fails of Our Mutual Friend and The Mystery of Edwin Drood, of which the copyright ...
— Immortal Memories • Clement Shorter |
