"Epic" Quotes from Famous Books
 ... be sung another golden age, The rise of empire and of arts, The good and great inspiring epic rage, The ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 4 • Charles Dudley Warner
... of poets, England's glory, Mr. Hayley, that is you!" "Ma'am, you carry all before you, Lichfield swan, indeed you do!" "In epic, elegy, or sonnet, Mr. Hayley, you're divine!" "Madam, take my word upon it, You yourself are ...
— The Life And Letters Of Maria Edgeworth, Vol. 1 • Maria Edgeworth
... course, nothing ideal or heroic, and that the world of thought and passion lay beyond his horizon; but that, with his artificial performers and his feeble-witted audiences, "all the resources of the bourgeois epic were in his grasp; the joys and pains of childhood, the petty tyrannies of ignoble natures, the genial pleasantries of happy natures, the life of the poor, the struggles of the street and back parlour, the insolence of office, the sharp social contrasts, east wind and Christmas jollity, ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... the romance of the forests with the romance of a man's heart, making a story that is big and elemental, while not lacking in sweetness and tenderness. It is an epic of the life of the lumbermen in the great forests of the Northwest, permeated in every line by out-of-door freshness and the glory of the labor of the struggle with nature. It will appeal to everyone who cares for trees, the forests ...
— Red Saunders • Henry Wallace Phillips
... epic was called by him a comedy because its ending was not tragical, but "happy"; and admiration gave it the epithet "divine." It is in three parts—Inferno (hell), Purgatorio (purgatory), and Paradiso (paradise). It has been made accessible to English readers in the metrical translations ...
— The Great Events by Famous Historians, Volume 07 • Various
... poetry;—and that splendour of particular lines, which would be worthy of admiration in an impassioned elegy, or a short indignant satire, would be a blemish and proof of vile taste in a tragedy or an epic poem. ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... Epic events have a stunning quality. They paralyse the faculties. For a moment there was a pause. The world stood still. Mr. Brewster bubbled inarticulately. Mr. Gossett dried himself sketchily with a ...
— Indiscretions of Archie • P. G. Wodehouse
... abstained from his pencil, a singular circumstance seems explained by an extraordinary occurrence. TASSO, with feverish anxiety pondered on five different subjects before he could decide in the choice of his epic; the same embarrassment was long the fate of GIBBON on the subject of his history. Some have sunk into a deplorable state of utter languishment, from the circumstance of being deprived of the means of pursuing their beloved study, ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... The Roman Epic abounds in moral and poetical defects; nevertheless it remains the most complete picture of the national mind at its highest elevation, the most precious document of national history, if the history of an age is revealed in its ideas, ...
— English Literature, Considered as an Interpreter of English History - Designed as a Manual of Instruction • Henry Coppee
... [1068-1156]). The somewhat obscure Finn episode in Beowulf appears to be part of a Finn epic, of which only the merest fragment, called the Fight at Finnsburg, is extant. The following conjectured outline of the whole story is based on this fragment and on the Beowulf episode; Finn, king of the Frisians, had carried off Hildeburh, daughter of Hoc, probably with her ...
— The Tale of Beowulf - Sometime King of the Folk of the Weder Geats • Anonymous
... myself to the country printer and newspaper at 13—great disappointment to the family, my mother having dreams of my becoming a preacher—[hell of a preacher I would have made]. I had meantime begun and finished as much as a page apiece of many stories and books, several epic poems—but one day the Old Man went home to dinner and left me only a scrap of "reprint" to set during his hour and a half of absence. It was six or eight lines nonpareil about the Russian gentleman who started ...
— The Dead Men's Song - Being the Story of a Poem and a Reminiscent Sketch of its - Author Young Ewing Allison • Champion Ingraham Hitchcock
... small doubt that the fifth act offered the greatest difficulties to be overcome, because here the poet is face to face with the essentially epic nature of his subject matter and was certainly put to it to overcome this handicap. This is the state of affairs: The enraged chieftain is prevented by his implacable wife from yielding. The allies do all in their power to obtain peace. If Old Norse conceptions are adhered ...
— Poet Lore, Volume XXIV, Number IV, 1912 • Various
... near, Albano's scarce divided waves Shine from a sister valley; and afar The Tiber winds, and the broad ocean laves The Latian coast, where sprung the Epic war, "Arms and the man," whose reascending star Rose o'er an empire; but beneath thy right Fully reposed from Rome; and where yon bar Of girdling mountains intercepts thy sight, The Sabine farm was tilled, the weary ...
— Among the Brigands • James de Mille
... Highland minstrelsy admit of simple classification. The Duan Mor is the epic song; its subdivisions are termed duana or duanaga. Strings of verse and incidents ([Greek: Rhapsodia]) were intended to form an epic history, and were combined by successive bards for that purpose. The battle-song (Prosnuchadh-catha) was the next ...
— The Modern Scottish Minstrel, Volume II. - The Songs of Scotland of the past half century • Various
... those of the Book of Songs, romances, and scorching political satires. The Romanzero (1851) is not unfairly represented by such a masterpiece as The Battlefield of Hastings. And from this last period we have two quasi-epic poems: Atta Troll (1847; written in 1842) and Germany (1844), the fruit of the first of Heine's two trips ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... thoughts he studied. He had read parts of Homer, parts of Thucydides, parts of Tacitus, parts of the tragedians, at school, but now he had it in his power to study a great author entire, and as a whole. Never before did he fully appreciate the "thunderous lilt" of Greek epic, the touching and voluptuous tenderness of Latin elegy, the regal pomp of history, the gorgeous and philosophic mystery of the old dramatic fables. Never before had he learnt to gaze on "the bright countenance ...
— Julian Home • Dean Frederic W. Farrar
... expression and to the structure of sentences, as well as to the meaning of the Author. At the same time it is conceived that the freedom and variety of Herodotus is not always best reproduced by such severe consistency of rendering as is perhaps desirable in the case of the Epic writers before and the philosophical writers after his time: nor again must his simplicity of thought and occasional quaintness be reproduced in the form of archaisms of language; and that not only because the affectation of an archaic style would necessarily be offensive to the reader, but ...
— The History Of Herodotus - Volume 1(of 2) • Herodotus
... spreading of hands to protect it, and the stern opposition to it which shall never cease till it ceases, or the speaking of tongues and the moving of lips cease. For such the expression of the American poet is to be transcendent and new. It is to be indirect, and not direct or descriptive or epic. Its quality goes through these to much more. Let the age and wars of other nations be chanted, and their eras and characters be illustrated, and that finish the verse. Not so the great psalm of the republic. Here the ...
— Poems By Walt Whitman • Walt Whitman
... produce a particular effect of humour by the use of a foreign convention, the Chinese convention, in the English tongue. It was meant to produce a certain effect of philosophy and at the same time it was meant to produce a certain completed interest of fiction, of relation, of a short epic. ...
— Kai Lung's Golden Hours • Ernest Bramah
... many minor passions in the Garden. It sees and passes on, embodying none of them in deathless epic as His passion was embodied.... Men and women have cried out to listening Heaven that the cup might pass from their lips, and it has not been permitted to pass, as His was not permitted to pass. In the souls of men and of women is something ...
— Youth Challenges • Clarence B Kelland
... Chaldeo-Assyrians we find mention made of a great serpent called the "enemy of the gods," aiub-ilani. We need not introduce here the myth of the great cosmogonic struggle between Tiamat, the personification of Chaos, and the god Masuduk, related in a portion of the epic fragments, in cuneiform character, discovered by George Smith. Tiamat assumes the form of a monster often repeated on monuments, but this form is not that of the serpent. We are distinctly told that it was from Phenician mythology that ...
— The Contemporary Review, Volume 36, September 1879 • Various
... Hebrew poetry, epic and lyrical, was thus antagonistic to the drama. So, also, Dr. Chrysander contends, was the Hebrew himself. Not only had he no predilection for plastic creation, his life was not dramatic in the sense illustrated in Greek tragedy. He lived a care-free, sensuous existence, ...
— A Second Book of Operas • Henry Edward Krehbiel
... who in the romances had taken the place of Modred in Geoffrey's history, as the paramour of Queen Guenever. In like manner the love-story of Tristan and Isolde was joined by other romancers to the Arthur-Saga. This came probably from Brittany or Cornwall. Thus there grew up a great epic cycle of Arthurian romance, with a fixed shape and a unity and vitality which have prolonged it to our own day and rendered it capable of a deeper and more spiritual treatment and a more artistic {24} handling by such modern English poets as Tennyson in his Idyls of the ...
— Brief History of English and American Literature • Henry A. Beers
... papers upon 'Paradise Lost'. But it was from the religious side that he first entered into the perception of its grandeur. His sympathy with its high purpose caused him to praise, in the same pages that commended 'Paradise Lost' to his countrymen, another 'epic,' Blackmore's 'Creation', a dull metrical treatise against atheism, as a work which deserved ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... is the story of Beowulf, the earliest and the greatest epic, or heroic poem, in our literature. It begins with a prologue, which is not an essential part of the story, but which we review gladly for the sake of the splendid poetical conception that produced Scyld, king of ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... thrown indeed into a temporary frenzy, by the epic poetry of Sir Walter Scott, my stepmother asked my Father whether I might not start reading the Waverley Novels. But he refused to permit this, on the ground that those tales gave false and disturbing pictures of life, ...
— Father and Son • Edmund Gosse
... celebration of the ratification of the Fifteenth Amendment to the Constitution. Whitman published his first volume of poems, a book of 253 pages, in 1877; but in 1884 he published "The Rape of Florida," an epic poem written in four cantos and done in the Spenserian stanza, and which ran to 97 closely printed pages. The poetry of both Mrs. Harper and of Whitman had a large degree of popularity; one of Mrs. Harper's books went ...
— The Book of American Negro Poetry • Edited by James Weldon Johnson
... to give to him spontaneously the perfection to which great men like Virgil and Milton had to attain only by effort intense and sustained. In the high office of drawing human character in its multitude of forms and colors he seems to have no serious rival except Shakespeare. We call him an epic poet, but he is instinct from beginning to end with the spirit of the drama, while we find in him the seeds and rudiments even of its form. His function as a reciting minstrel greatly aided him herein. Again, he had ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... do not seem to have led the same reputable lives. They were divided into two classes, one of which was called the "Wailers," from the lamentations with which each year they mourned the death of the god Tammuz, the stricken favorite of Istar. The Chaldean Epic of Gilgames speaks of the "troops" of them that were gathered together in the city of Erech. Here Istar had her temple along with her father, Anu, the Sky-god, and here accordingly her devotees were assembled. Like the goddess they served, it would appear that ...
— Babylonians and Assyrians, Life and Customs • Rev. A. H. Sayce
... of the Cosmos, evoked when the "Spirit of God moved upon the face of the waters"—an epic printed in stars on blue abysses of illimitable space; in illuminated type of rose leaf, primrose petal, scarlet berry on the great greenery of field and forest; in the rainbows that glow on tropical humming birds, on Himalayan pheasants, on dying ...
— At the Mercy of Tiberius • August Evans Wilson
... University College, 1829-30; chooses his career, at the age of twenty; earliest record of his utterances concerning his youthful life printed in Century Magazine, 1881; he plans a series of monodramatic epics; Browning's life-work, collectively one monodramatic "epic"; Shakspere's and Browning's methods compared; Browning writes "Pauline" in 1832; his own criticism on it; his parents' opinions; his aunt's generous gift; the poem published in January 1833; description of the poem; written under the inspiring stimulus of Shelley; its autopsychical significance; ...
— Life of Robert Browning • William Sharp
... an epic poem brought Schiller back to his art; he first thought of Gustavus Adolphus, then of Frederick the Great of Prussia, for his hero, and intended to adopt the ottave rime, and in general construction to follow the model of the ...
— The World's Greatest Books, Vol IX. • Edited by Arthur Mee and J.A. Hammerton
... has quite absorbed the spirit of the ancient world; he moves about in it with freedom, and thus creates a new form of poetry which, in all its parts, breathes only such a spirit. The two poems, however, are in striking contrast with each other. The Cranes of Ibycus permitted a thoroughly epic development; what made the subject of intrinsic value to the poet was the idea which sprung from it of the power of artistic representation upon the human soul. This power of poetry, of an invisible force created ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. IV • Editor-in-Chief: Kuno Francke
... But there was a marked difference between the two tides of popular emotion. The wave of alarm which swept over the South after the surrender of Fort Donelson was quickly translated into such a high passion for battle that the march of events until the day of Antietam resounded like an epic. The failure of the triple offensive which closed this period was followed in very many minds by the appearance of a new temper, often as valiant as the old but far more grim and deeply seamed with distrust. And how is this distrust, of which the Confederate Administration was ...
— The Day of the Confederacy - A Chronicle of the Embattled South, Volume 30 In The - Chronicles Of America Series • Nathaniel W. Stephenson
... most pathetic, King Lear the most terrible, Hamlet the subtlest and deepest work of Shakespeare, the highest in abrupt and steep simplicity of epic tragedy is Macbeth. There needs no ghost come from the grave, any reader may too probably remark, to tell us this. But in the present generation such novelties have been unearthed regarding Shakespeare that the reassertion of ...
— A Study of Shakespeare • Algernon Charles Swinburne
... cannot be determined beforehand. By the study of painting and etching and drawing merely, we could not foresee that there is also possible an art like sculpture, and by studying epic and lyric poetry we could not construct beforehand the forms of the drama. The genius of mankind had to discover ever new forms in which the interest in reality is conserved and yet the things and events are so completely changed that they are separated from all possible ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... These epic moments are best related swiftly. Roland took the paper, and the first thing that met his sleepy eye and effectually drove the sleep from it was ...
— A Man of Means • P. G. Wodehouse and C. H. Bovill
... Court. He died at Brindisi in the spring of 19 B.C. whilst returning from a journey to Greece, leaving his greatest work, the Aeneid, written but unrevised. It was published by his executors, and immediately took its place as the great national Epic of the Roman people. Virgil seems to have been a man of simple, pure, and loveable character, and the references to him in the works of Horace clearly show the affection with which he ...
— The Aeneid of Virgil - Translated into English Verse by E. Fairfax Taylor • Virgil
... had any piety, revered in the world had been hazarded in those legendary adventures. It was not AEneas's own life or private ambition that was at stake to justify his emotion. His tenderness, like Virgil's own, was ennobled and made heroic by its magnificent and impersonal object. It was truly an epic destiny that inspired both ...
— The Life of Reason • George Santayana
... deserved to have an epic written about it. The car was good, and I handled her well, though I say it who shouldn't. The road in that big central plain was fair, and often I knocked fifty miles an hour out of her. We passed troops ...
— Greenmantle • John Buchan
... influence of strong passions, and who can calmly enter into an analysis of their own feelings; but the actors labour to give you the impression, that they are agitated by present, violent, and sudden emotions; the tragedies are composed with as much regularity as epic poems in heroic verse, but the best actors do all in their power, by varied intonation, by irregular pauses, and frequent bursts of passion, to conceal the rhymes, and break ...
— Travels in France during the years 1814-1815 • Archibald Alison
... does not clash with our sense of your native greatness, that for our particular Iliad you prove a very nutshell Homer indeed. For I must not disguise it from you that this is exactly the case. It was Homerus in nuce first; and the pitiful purport of the epic results less from any smallness in the action celebrated than from that important law, not, perhaps, wholly new to your own observation, which forbids a pint-measure to contain more than a pint, though you dip it ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... with his sword as afterwards with his pen, Don Carlos Coloma, captain of cavalry, afterwards financier, envoy, and historian. For it was thus that those writers prepared themselves for their work. They were all actors in the great epic, the episodes of which they have preserved. They lived and fought, and wrought and suffered and wrote. Rude in tongue; aflame with passion, twisted all awry by prejudice, violent in love and hate, they have left us narratives ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... his eyes. "I must keep the impression of it for my Columbiad";—and drawing out his tablet, he proceeded to write on the spot an apostrophe to Freedom, which afterwards found a place in his great epic. ...
— Our Young Folks—Vol. I, No. II, February 1865 - An Illustrated Magazine for Boys and Girls • Various
... whom he had a very handsome fortune.' Hill was then appointed manager of Drury Lane, and he wrote a number of plays, the very names of which are now forgotten. Few men indeed so well known in his own day have sunk into such insignificance in ours. He wrote eight books of a long and unfinished epic called Gideon, which I suppose no one in the present century has had the hardihood to read; like Young he wrote a poem on The Judgment Day, a theme attempted also, shortly before his death, by John Philips, and that, after his kind, ...
— The Age of Pope - (1700-1744) • John Dennis
... masters, the property of private persons. Every one of them, no doubt, was worth studying for a long, long time; and I suppose I may have given, on an average, a minute to each. What an absurdity it would seem, to pretend to read two or three hundred poems, of all degrees between an epic and a ballad, in an hour or two! And a picture is a poem, only requiring the greater study to be felt and comprehended; because the spectator must necessarily do much for himself towards that end. I saw many beautiful things,—among them some landscapes ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... were decorated with antimacassars wrought with glass beads, and these, in the light of one dip, shone fitfully with a frosty lustre. On the round table in the middle were volumes of "The Mothers of England," "The Grandmothers of the Bible," Blair "On the Grave," and "The Epic of Hades," the latter copiously and appropriately illustrated. In addition to these cheerful volumes there were large tomes of lake and river scenery, with gilt edges and faded magenta bindings, shrouded from the garish light of day in drab ...
— The Mark Of Cain • Andrew Lang
... that this Hindoo Triad was the result of an ingenious and successful attempt, on the part of the Brahmans, to unite all classes of worshippers in India against the Buddhists. In this sense the Brahmans edited anew the Mahabharata, inserting in that epic passages extolling Vischnu in the form of Krishna. The Greek accounts of India which followed the invasion of Alexander speak of the worship of Hercules as prevalent in the East, and by Hercules they apparently mean the god Krishna.[78] ...
— Ten Great Religions - An Essay in Comparative Theology • James Freeman Clarke
... West, and were all covered with snow and ice, like soldiers with the dust of battle upon them. They had massed their forces, and were now moving with augmented speed, and with a resolution that was epic and grand. Talk about the railroad dispelling the romance from the landscape; if it does, it brings the heroic element in. The moving train is a proud spectacle, especially on stormy and tempestuous nights. When I look out and see its light, steady and ...
— Birds and Poets • John Burroughs
... on well-bred tongues prevail, And I the little hero of each tale. Sick with the love of fame, what throngs pour in, Unpeople court, and leave the senate thin! My glowing subject seems but just begun, And, chariot-like, I kindle as I run. Aid me, great Homer! with thy epic rules, To take a catalogue of British fools. Satire! had I thy Dorset's force divine, A knave or fool should perish in each line; Tho' for the first all Westminster should plead, And for the last, all Gresham intercede. Begin. Who first the catalogue shall grace? ...
— The Poetical Works of Edward Young, Volume 2 • Edward Young
... complete outline of the founder of the Teutonic race we have in our notes given all the Heimskringla sketch of the Black Sea Odin. We have done this, not only on account of the material it furnishes as the groundwork of a Teutonic epic, which we trust the muses will ere long direct some one to write, but also on account of the vivid picture it gives of Teutonic life as shaped and controlled by the ...
— The Younger Edda - Also called Snorre's Edda, or The Prose Edda • Snorre
... think - profess to think - the barbarism of the 'Iliad' the highest flight of epic poetry; if Homer had sung this great battle, how glorious we should have thought it! Beyond a doubt, man 'yet partially retains the characteristics that adapted ...
— Tracks of a Rolling Stone • Henry J. Coke
... further revelation some day—towards some ampler vision, which [220] should take up into itself and explain this world's delightful shows, as the scattered fragments of a poetry, till then but half-understood, might be taken up into the text of a lost epic, recovered at last. At this moment, his unclouded receptivity of soul, grown so steadily through all those years, from experience to experience, was at its height; the house ready for the possible guest; the tablet ...
— Marius the Epicurean, Volume Two • Walter Horatio Pater
... ache, thy soul would long, To move the world, to sway the throng, Or be the hero of the song Of some great epic pen. 'Tis well O bird that thou art free To soar the air, 'tis well with thee, 'Tis well that thou hast eyes to see, But not ...
— The Loom of Life • Cotton Noe
... it interests the public. I find character and life in it. There is no poem or novel that is worth the Memoirs of Saint Helena, although it is written in ridiculous fashion. What I think of Napoleon, if you wish to know, is that, made for glory, he had the brilliant simplicity of the hero of an epic poem. A hero must be ...
— The Red Lily, Complete • Anatole France
... like a Parisian. King George the Second quite liked Voltaire, because Voltaire quite liked Lady Sandon, his mistress. Only a Frenchman could have successfully paid court to the King, Queen and Lady Sandon at the same time, as Voltaire did. His great epic poem, "Henriade," that he had been sandpapering for ten years, was now published, dedicated to the Queen. The King headed the subscription-list with more copies than he needed, at five guineas each, on agreement. Voltaire afterward said ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... had entirely recovered Nero commanded his presence at Antium, whither the court was going for the hot summer months. Nero was ambitious to write an immortal epic poem which should rival the "Odyssey," and in order that he might describe realistically a burning city, gave a secret command while he was in Antium that Rome should be set ...
— Standard Selections • Various
... description of a blue-stocking lady, executed with all his happiest point. Of this dense, epigrammatic style, in which every line is a cartridge of wit in itself, Sheridan was, both in prose and verse, a consummate master; and if any one could hope to succeed, after Pope, in a Mock Epic, founded upon fashionable life, it would have been, we should think, the writer of this epilogue. There are some verses, written on the "Immortelle Emilie" of Voltaire, in which her employments, as a savante and a woman of the world, ...
— Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan V1 • Thomas Moore
... other epic souvenirs which awakened Georges Guynemer's curiosity in childhood. He was shown the sword and snuffbox of General Count de Songis, brother of his paternal grandmother. This sword of honor had been presented to the general by the Convention when he was ...
— Georges Guynemer - Knight of the Air • Henry Bordeaux
... duly interested in the psychology and experience of persons so extraordinary, both for their genius in society, and for the quantity and quality of their private experience full of solid instruction and romantic interest. The inner life of Madame Swetchine was a sacred epic: the outer career of Lacordaire, an electrifying drama. This double interest of a private, spiritual ascent, and of a chivalrous gallantry in the thick of battle, is clearly unfolded ...
— The Friendships of Women • William Rounseville Alger
... of modern times is but a small fraction of the long epic of human history. If, as seems highly probable, the conservative estimates of recent scientists that mankind has inhabited the earth more than fifty thousand years [Footnote: Professor James Geikie, of the University of Edinburgh, suggests, in his Antiquity of ...
— A Political and Social History of Modern Europe V.1. • Carlton J. H. Hayes
... all that men could do. It has fifty roofs, it has a gigantic signal tower, it has blank walls like precipices, and round arch after round arch, and architrave after architrave. It is like a good and settled epic; or, better still, it is like the life of a healthy and adventurous man who, having accomplished all his journeys and taken the Fleece of Gold, comes home to tell his stories at evening, and to pass among ...
— On Something • H. Belloc
... the learned, too; and as for poetry, why, your house is literally eloquent with AEschylus and Homer, the epic and the drama.' ...
— The Last Days of Pompeii • Edward George Bulwer-Lytton
... to have been an example of sustained invective such as one rarely encounters in this degenerate age. Well, her next essay in creative composition is my supper, which will be an equally spirited impromptu. To-morrow she will darn and sew me an epic; and her desserts will continue to be in the richest lyric vein. Such, sir, are the poems of Lisa, all addressed to me, who came so near ...
— Jurgen - A Comedy of Justice • James Branch Cabell
... master and a model; and the people finally embalmed him in their folk-lore as a mysterious conjurer and necromancer. His neid, written in imitation of the great Greek poem on the fall of Troy, is a patriotic epic, tracing the wanderings, the struggles, and the death of neas, and vaunting the glories of Rome and the greatness of the ...
— The Story of Rome From the Earliest Times to the End of the Republic • Arthur Gilman
... scholars were not at all agreed as to the site of the town which was so long besieged by the Greeks; and certain sceptical spirits even went so far as to deny that there ever was such a person as Homer at all, or that if there were, he wrote the epic poem which has borne his . name so long. Tradition, however, was pretty constant in pointing to the hill of Hissarlik as the site on which Troy was built. Strabo was quite an exception in relegating the town to the lower end of the bay; where the miserable little village of ...
— Manners and Monuments of Prehistoric Peoples • The Marquis de Nadaillac
... invented his Inferno in order to put his enemies there, all roasting, boiling, baking or freezing. It was pure personal spite—and it is the very force of his vindictiveness that makes the Inferno the best part of hid epic. The portraits of Dante alone are enough to show you the sort of man he was. WHAT a creature to meet in a dark ...
— God's Good Man • Marie Corelli
... the oldest poem in the English language. It is our "old English epic"; and, like much of our ancient verse, it is a war poem. The author of it is unknown. It was probably composed in the fifth century— not in England, but on the Continent— and brought over to this island— ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... nobler branches of our art. Upon this principle the Roman, the Florentine, the Bolognese schools, have formed their practice; and by this they have deservedly obtained the highest praise. These are the three great schools of the world in the epic style. The best of the French school, Poussin, Le Sueur, and Le Brun, have formed themselves upon these models, and consequently may be said, though Frenchmen, to be a colony from the Roman school. Next to these, but in a very different style of excellence, we may rank the Venetian, together with ...
— Seven Discourses on Art • Joshua Reynolds
... part, that penetrating apprehension of human life and character, and that power of touching sympathies common to all ages and nations, which surprises us so much in the unlettered authors of the old epic. Such periodical intercommunion of brethren habitually isolated from each other was the only means then open of procuring for the bard a diversified range of experience and a many-colored audience; and ...
— Introduction to the Science of Sociology • Robert E. Park
... humanity from his own experience, he rose to a melody ‘stronger and statelier.’ He celebrated the glory of ‘human love and of human heroism’ and of human thought, and began what he had already devised, his epic of King Arthur, ‘typifying above all things the life of man,’ wherein he had intended to represent some of the great religions of the world. He had purposed that this was to be the chief work of his manhood. Yet the death of his friend, Arthur Hallam, and the consequent darkening ...
— Old Familiar Faces • Theodore Watts-Dunton
... interesting epic literature of Ireland remained practically inaccessible to English readers till within the last sixty years. In 1853, Nicholas O'Kearney published the Irish text and an English translation of "The Battle of Gabra," and since that date the volume of printed texts and English versions ...
— The Harvard Classics, Volume 49, Epic and Saga - With Introductions And Notes • Various
... agriculture, and furnish his mind with an entirely new class of facts. The result is a book whose merit can hardly be overpraised. It should be in every farmer's library, as a volume full of practical advice to aid his daily work, and full of ennobling suggestions to lift his calling into a kind of epic dignity. As a book for the generality of readers, it far exceeds any previous work of the author in force, naturalness, and beauty, in vividness of description and richness of style, and in that indefinable element of genius which ...
— The Atlantic Monthly, Volume 13, No. 75, January, 1864 • Various
... divided waves Shine from a sister valley;—and afar The Tiber winds, and the broad ocean laves The Latian coast where sprang the Epic War.' ...
— The House of Cobwebs and Other Stories • George Gissing
... yet deterred from heroic poetry. There was another monarch of this island (for he did not fetch his heroes from foreign countries) whom he considered as worthy the epic muse, and he dignified "Alfred" (1723) with twelve books. But the opinion of the nation was now settled; a hero introduced by Blackmore was not likely to find either respect or kindness; "Alfred" took his place by "Eliza" in silence and darkness. Benevolence was ashamed ...
— Lives of the English Poets: Prior, Congreve, Blackmore, Pope • Samuel Johnson
... singer has sung his lays, and the epic resumes its story. The time-relations are not altogether good in this long passage which describes the rejoicings of "the day after"; but the present shift from the riders on the road to the folk at the hall is not very violent, and is ...
— Beowulf • Anonymous
... seemed hurt, as an author would who had looked up from reading the finest passage in his epic only to perceive that his auditor was asleep and not spellbound. Jawkins believed in the "idee" Jawkins as Napoleon did ...
— The King's Men - A Tale of To-morrow • Robert Grant, John Boyle O'Reilly, J. S. Dale, and John T.
... or other events of thrilling interest, are the theme of song, and the personal emotion of the bard is out of sight through his absorption in the subject. Description flows on, the narrator himself being in the background. This epic poetry culminates in the Iliad and Odyssey (900-700 B.C.). Their verse is the hexameter. These poems move on in a swift current, yet without abruptness or monotony. They are marked by a simplicity and a nobleness, a refinement and a pathos, which have charmed all subsequent ages. Homer, ...
— Outline of Universal History • George Park Fisher
... rest of the Trojans fall victims to the swords of the Greeks in a scene of indescribable carnage and terror. Cassandra and the Trojan women, driven to take shelter in the temple of Cybele, slay themselves rather than fall into the hands of their captors. 'La Prise de Troie' is perhaps epic rather than dramatic, but as a whole it leaves an impression of severe and spacious grandeur, which can only be paralleled in the finest inspirations of Gluck. In the second division of the work, 'Les Troyens a Carthage,' human interest is paramount. Berlioz was an enthusiastic ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... and vigorous. Perhaps he repented his distrust of me. My silver chain was on his neck, and he fingered it. He said that where I led the Malhominis would follow. His wild imagery swept like the torrent of an epic. The man was warrior, dreamer, fatalist. He called on the chiefs of the tribes to witness what I was, what I had done. Water could not drown me, arrows could not harm me. I wore the French garb and my face was white, but I was something more universal than ...
— Montlivet • Alice Prescott Smith
... chief Meng-ts'u under the Sung Dynasty; the Mongols made of their country the kingdom of Chaghan-djang. Li-kiang is the territory of Yue-si Chao, called also Mo-sie (Moso), one of the six Chao of Nan-Chao. The Moso of Li-kiang call themselves Ho. They have an epic styled Djiung-Ling (Moso Division) recounting the invasion of part of Tibet by the Moso. The Moso were submitted during the 8th century, by the King of Nan-Chao. They have a special hieroglyphic scrip, a specimen of which has been given by Deveria. (Frontiere, p. 166.) A manuscript was secured ...
— The Travels of Marco Polo, Volume 2 • Marco Polo and Rustichello of Pisa
... nobody has made before me. You know very well that I write verses sometimes, because I have read some of them at this table. (The company assented,—two or three of them in a resigned sort of way, as I thought, as if they supposed I had an epic in my pocket, and was going to read half a dozen books or so for their benefit.)—I continued. Of course I write some lines or passages which are better than others; some which, compared with the others, might be called relatively excellent. It is in the nature of things ...
— The Atlantic Monthly, Volume 1, Issue 2, December, 1857 • Various
... poetry. It is here that an inordinate love of decoration finds its opportunity and its snare. To keep the most elaborate comparison in harmony with its occasion, so that when it is completed it shall fall back easily into the emotional key of the narrative, has been the study of the great epic poets. Milton's description of the rebel legions adrift on the flaming sea is a fine instance of the difficulty ...
— Style • Walter Raleigh
... this time the Drama was recognized throughout Europe as the poetic form most suitable to modern times and races. As it occupied the place of the epic poem, and did not merely, like the ancient drama, stand side by side with it, so, along with the office of replacing it, it inherited also the task of showing itself capable of managing, like the epopee, any matter however extended. The materials presented to it were not common ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... life in Homer's manner, we cannot see why this passage, and indeed the whole poem, should not be thought as good as any one of the episodes in the "AEneid." We are not comparing Mr. Arnold with Virgil: for it is one thing to have written an epic and another to have written a small fragment; but as a working up of a single incident it may rank by the side of Nisus and Euryalus, and deeper chords of feeling are touched in it than Virgil has ...
— Froude's Essays in Literature and History - With Introduction by Hilaire Belloc • James Froude
... muse of epic poetry and eloquence, is represented with a tablet and stylus, and sometimes with a ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... Great encouraged a poet and reformer named Tulsi Dasa (1532-1623) to point a surer way to salvation. He adored Krishna, the preserving influence incarnate as Rama, and rehandled Valmiki's great epic, the Ramayana, in the faint rays of Christian light which penetrated India during that age of transition. Buddha had proclaimed the brotherhood of man; Tulsi Dasa deduced it from the fatherhood of God. The Preserver, ...
— Tales of Bengal • S. B. Banerjea
... years; Heaven and hell rolled into one, glory and blood and tears; Life's pattern picked with a scarlet thread, where once we wove with a grey To remind us all how we played our part in the shock of an epic day? ...
— Rhymes of a Red Cross Man • Robert W. Service
... between philosophers and poets has been anticipated. Plato was essentially a poet—the truth and splendour of his imagery, and the melody of his language, are the most intense that it is possible to conceive. He rejected the measure of the epic, dramatic, and lyrical forms, because he sought to kindle a harmony in thoughts divested of shape and action, and he forbore to invent any regular plan of rhythm which would include, under determinate forms, the varied pauses ...
— A Defence of Poetry and Other Essays • Percy Bysshe Shelley
... storm still moaned far up over their heads, Roscoe Cummins listened to the old, old story of the First People—the story of starvation and of death. To him it was epic. It was terrible. But to the other it was the mere coming and going of a natural thing, of a thing that had existed for him and for his kind since life began, and he spoke of it quietly and without a gesture. There had been a camp ...
— The Grizzly King • James Oliver Curwood
... probably more full-flavoured, more soul-satisfying, than those of Mr. Herdman, who, being a practical man of business, and having a sense of responsibility, would only talk common-sense, and would promise no more than he could hope to perform. Mr. O'Connor speaks in the epic style. He reminds you of Bombastes Furioso, or Ancient Pistol, with a subtle admixture of Falstaff and Parolles. He belongs to the lime-light and blue fire school of oratory, and backs up a vivid imagination with a virulent hatred of England. The raging sea of sedition which ...
— Ireland as It Is - And as It Would be Under Home Rule • Robert John Buckley (AKA R.J.B.)
... delight in hyperbole, the Eastern fertility of invention: Portuguese literature is completely classic in spirit, avoiding all exaggeration, all offences against taste, and confining itself to classic forms, such as the pastoral, the epic and the sonnet. Many Moorish customs survive in Portugal to this day, but they have not become so closely assimilated there as in Spain to the character of the people. The cruelty which has always marked the Spanish race is no part of the Portuguese national character, which is conspicuous ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, October, 1880 • Various
... ardent. For there is a poetry in wildness, and every alligator basking in the slime is in himself an Epic, self-contained. I aspirate for fame. It is ...
— Life And Adventures Of Martin Chuzzlewit • Charles Dickens
... this group are epic; rather than lyric as are those in VII, above. They are recitals of local tragedies—murders, ...
— A Syllabus of Kentucky Folk-Songs • Hubert G. Shearin
... unworthy of his function. If he sinned it was unadvisedly and unconsciously; if he failed it was because he knew no better. You feel that as you read. The freshness and fun of Pickwick—a comic middle- class epic, so to speak—seem mainly due to high spirits; and perhaps that immortal book should be described as a first improvisation by a young man of genius not yet sure of either expression or ambition and with only vague and momentary ideas about the duties and necessities of art. But from ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... the water; the very range of rocks, behind which the danger is shown to come, tends to excite our curiosity; we form conjectures of the enemy, their number, nearness of approach, and from among the manly warriors before us form episodes of heroism in the great intimated epic: and have we not seen pictures by Rembrandt, where "curiosity" delights to search unsatisfied and unsatiated into the mysteries of colour and chiaro-scuro, receding further as we look into an atmosphere pregnant with all uncertain things? We think we have not mistaken the President's ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... fragments, in fact, pieced together—belongs to the epic of Pele. As her little sister, Hiiaka, is about to start on her adventurous journey to bring the handsome Prince Lohiau from the distant island of Kauai she is overcome by a premonition of Pole's jealousy and vengeance, and she ...
— Unwritten Literature of Hawaii - The Sacred Songs of the Hula • Nathaniel Bright Emerson
... heel glides over ice, leaving its mark as it goes, yet breaking no crust of frost; and there was the poetic dreamer Dartmore, with his large, dark eyes, and moonlight face, and manner of suffering serenity, on his way to put forth for fame, as he fondly believed, his manuscript epic on the ...
— Miriam Monfort - A Novel • Catherine A. Warfield
... imaginative works of genius, the sovereign of modern poets has detected the same touch of terror wherever the deepest note possible has been struck, the fullest sense possible of genuine and peculiar power conveyed to the student of lyric or dramatic, epic or ...
— The Age of Shakespeare • Algernon Charles Swinburne
... be the private taste of a stranger, his slight and superficial knowledge should humbly acquiesce in the judgment of a learned nation; yet I may hope or presume, that the Italians do not compare the tedious uniformity of sonnets and elegies with the sublime compositions of their epic muse, the original wildness of Dante, the regular beauties of Tasso, and the boundless variety of the incomparable Ariosto. The merits of the lover I am still less qualified to appreciate: nor am I deeply interested in a metaphysical passion for a nymph so shadowy, that her existence ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... said little save to guide Beatrice and warn her of unusual difficulties, felt the somber magic of the place. No poet, he; only a man of hard and practical details. Yet he realized that, were he dowered with the faculty, here lay matter for an Epic of Death such as no Homer ever dreamed, no Virgil ever could ...
— Darkness and Dawn • George Allan England
... of poetical composition chiefly cultivated by the Alexandrians were epic and lyric, or elegiac. Great epics are wanting; but in their place, as might almost have been expected, are found the historical and the didactic or expository epics. The subjects of the historical epics were generally some of the well-known myths, in the ...
— Project Gutenberg Encyclopedia
... with the great epic opened pretty nearly to the place, and very soon found the passage: He read, aloud with grand scholastic intonation and in a deep voice that silenced the table as if a prophet had just uttered Thus saith ...
— The Poet at the Breakfast Table • Oliver Wendell Holmes, Sr.
... epic history sit lightly on paper; easy words for Sewell, once the collection of data was over, to write; not very significant words for the uninitiated and casual reader who does not see the irresistible forces beneath them. But consider the full meaning of these words, and glance for a moment ...
— The Passing of Ku Sui • Anthony Gilmore
... was assumed to be a given conclusion. Even so speculative a thinker as Frederik Paludan-Mueller called the question absolutely meaningless. It looked as though its author had imagined Shakespeare's dramas and Dante's epic were produced by a kind of artistic commingling of pathetic with symbolic elements, and as though he wished to call attention to the danger of reversing the correct proportions, for instance, by the symbolic obtaining the preponderance in tragedy, or pathos in the epopee, ...
— Recollections Of My Childhood And Youth • George Brandes
... shuddering comprehension of English-speaking people. One is a history that is more than a history; the other a tale that is more than a tale. Dickens, no doubt, owed much of his inspiration to Carlyle's tremendous prose epic. But the genius that depicted a moving and tragic story upon the red background of the Terror was Dickens's own, and the "Tale of Two Cities" was final proof that its author could handle a great theme in a manner ...
— The World's Greatest Books, Vol III • Arthur Mee and J.A. Hammerton, Eds.
... he is wont to call it. 'Men,' he says, 'may overlade a ship or barge, and therefore I will skip at once to the effect, and let all the rest slip.' And he unconsciously suggests a striking difference between himself and the great Elizabethan epic poet who owes so much to him, when he declines to make as long a tale of the chaff or of the straw as of the corn, and to describe all the details of a ...
— Adventures in Criticism • Sir Arthur Thomas Quiller-Couch
... that no one can safely be pronounced happy while he lives, if that event which terminates life can alone crown its honors and its glory, what felicity is here! The great epic of their lives, how happily concluded! Poetry itself has hardly closed illustrious lives, and finished the career of earthly renown, by such a consummation. If we had the power, we could not wish to reverse this dispensation of the Divine Providence. The great objects ...
— Thomas Jefferson • Edward S. Ellis et. al.
... Purgatory, Canto XI. His "Canzone sopra il Terreno Amore" was thought worthy of being illustrated by numerous and ample commentaries. Crescimbeni Ist. della Volg. Poes. l. v. For a playful sonnet which Dante addressed to him, and a spirited translation of it, see Hayley's Essay on Epic Poetry, ...
— The Divine Comedy • Dante
... manifestations of the German mind in the cathedrals of Paris, Cologne, Antwerp are undimmed and unrivalled. The early German architecture in the actual realms of Germany is as romantic, energetic, and edifying as its poetry at the same epoch. A great German cathedral is a religious epic in stone. All the ornaments, all the episodes, spring from and cluster around ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... bewildering whiteness had turned our heads a little. That, or something else, started us off, making rhymes. After great efforts, amidst much laughter and profound knitting of brows, we produced what, in the innocence of youth, we called a poem!—an epic, on our adventure. I still preserve the old scrawl of it, in several different youthful hands, on crumpled sheets of yellowed paper. It has little value as poesy, but I would not part with it for autograph copies of the masterpieces of Kipling, ...
— When Life Was Young - At the Old Farm in Maine • C. A. Stephens
... might; and therefore I dismiss the worm With all dry things but one. Figures away, Do you begin to see this man a little? Do you begin to see him in the air, With all the vacant horrors of his outline For you to fill with more than it will hold? If so, you needn't crown yourself at once With epic laurel if you seem to fill it. Horrors, I say, for in the fires and forks Of a new hell — if one were not enough — I doubt if a new horror would have held him With a malignant ingenuity More to be feared than ...
— The Three Taverns • Edwin Arlington Robinson
... of Jeypore, is one of the most interesting persons in India, and he represents the one hundred and twenty-third of his family, descendants of the hero of a great Sanskrit epic called the Ramayana, while the emperor of Japan represents only the one hundred and twenty-third of his family, which is reckoned the oldest of royal blood. The poem consists of 24,000 stanzas, arranged in seven books, and describes the adventures and sets forth the philosophy ...
— Modern India • William Eleroy Curtis
... early performances and when not satisfied, sent him back with the phrase, "These are not good rhymes." He translated any passages that struck him in his reading, excited by the examples of Ogilby's Homer and Sandys' Ovid. His boyish ambition prompted him before he was fifteen to attempt an epic poem; the subject was Alcander, Prince of Rhodes, driven from his home by Deucalion, father of Minos; and the work was modestly intended to emulate in different passages the beauties of Milton, Cowley, Spenser, Statius, Homer, Virgil, Ovid, and Claudian. Four books of this poem survived ...
— Alexander Pope - English Men of Letters Series • Leslie Stephen
... pleasures. Wagner began again to feel more and more his isolated position. The complete misunderstanding of Tannhaeuser, which he began to write when he first arrived in Dresden, and the refusals of the work by other cities, Berlin among them, declaring it "too epic," rendered this sense of isolation complete. The recurrence of such experiences as these showed him how far his art was still removed from its ideal and his contemporaries from the comprehension of their own ...
— Life of Wagner - Biographies of Musicians • Louis Nohl
... had listened to the stupendous epic of a long-lost world. Now I found speech to voice the question ever with me, the thing that lay as close to my heart as did the welfare of Larry, indeed the whole object of my quest—the fate of Throckmartin and those who had passed ...
— The Moon Pool • A. Merritt
... that all these questions may be answered in the affirmative; that the great age and universal diffusion of the ballad may be proved; and that its birth, from the lips and heart of the people, may be contrasted with the origin of an artistic poetry in the demand of an aristocracy for a separate epic literature destined to be its own possession, and to be the first development of a poetry of personality,—a record of individual passions and emotions. After bringing forward examples of the identity ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... and His Successors in Epic Poetry,' and 'Prospects Political and Financial' in Quarterly. " 31. At Stepney, on ...
— The Life of William Ewart Gladstone, Vol. 1 (of 3) - 1809-1859 • John Morley
... and strength; but I have no doubt all Grecians have a secret envy for such a career. The Old-World charm of the "Odyssey" is one of the priceless possessions of every fresh student, and to feel it for the first time is like discovering the sea anew. It is, indeed, the Epic of the Sea; the only poem in all literature which gives the breadth, the movement, the mighty sweep of sky belted with stars, the unspeakable splendours of sunrise and sunset,—the grand, free life of the sea. I would place the "Odyssey" in every collection of modern ...
— Under the Trees and Elsewhere • Hamilton Wright Mabie
... of the siege of Ladysmith was that which witnessed the repulse of the great attack. The epic should have ended at that dramatic instant. But instead of doing so the story falls back to an anticlimax of crowded hospitals, slaughtered horses, and sporadic shell fire. For another six weeks of inactivity ...
— The Great Boer War • Arthur Conan Doyle
... Tasso's immortal epic are apt to overlook the immense influence exercised on its author by his early Sorrentine days and surroundings. The Gerusalemme Liberata contains, as we know, a full account of the First Crusade and constitutes an apotheosis ...
— The Naples Riviera • Herbert M. Vaughan
... his proper name. Of all Jock Mo-ghoal's stories Jock Mo-ghoal was himself the hero; and certainly most wonderful was the invention of the man. As recorded in his narratives, his life was one long epic poem, filled with strange and startling adventure, and furnished with an extraordinary machinery of the wild and supernatural; and though all knew that Jock made imagination supply, in his histories, the place of memory, ...
— My Schools and Schoolmasters - or The Story of my Education. • Hugh Miller
... symbols, significant of a primitive monotheism; these, at a later period, being translated into symbolical or allegorical language, were by the poets transformed into epic or narrative myths, in which the original subject symbolized was almost effaced, whilst the allegorical expressions were received generally in a literal sense. Hence, to the many, the meaning of the ancient doctrine ...
— The God-Idea of the Ancients - or Sex in Religion • Eliza Burt Gamble
... that is work for epic poets or reciters, and I am no good at poetry. I should be sure to put in too many feet, or leave out some, and spoil the thing; they would only laugh at my rude verses. Why, I've known Apollo himself laughed at for some of his oracles; and prophecy has the advantage of obscurity, which gives the ...
— Works, V3 • Lucian of Samosata
... back to the Sun and Moon, which to the popular mind were well justified by their warlike prowess and splendid chivalry. I need only recall the name of Prithvi-Raja, the lord of Sambhar, Delhi, and Ajmer, whose epic fame rests not less on his abduction of the Kanauj princess who loved him than on his gallant losing fight against the Mahomedan invaders of India. But fierce clan jealousies and intense dynastic pride made the Rajputs incapable of uniting into a single paramount state, or even into an ...
— India, Old and New • Sir Valentine Chirol
... the story of Ross Murdock's escape from those aliens in the far past of Europe, and he shivered. Murdock was tough, steel tough, yet his own description of that epic chase and the final meeting had carried with it his terror. What could a handful of primitively armed and almost primitively minded Terrans do now if they had to dispute Topaz ...
— The Defiant Agents • Andre Alice Norton
... there with his ancient comrades, and how he was now wedded to Helen of Troy. Yet the local tradition of Lacedaemon showed the sepulchre of Helen in Therapnae. According to a Rhodian legend (adopted by the author of the "Epic of Hades"), Helen was banished from Sparta by the sons of Menelaus, came wandering to Rhodes, and was there strangled by the servants of the queen Polyxo, who thus avenged the death of her husband ...
— Helen of Troy • Andrew Lang
... of this great navigator is an epic of the ocean, which will stir the brave heart for many ages ...
— Brave Men and Women - Their Struggles, Failures, And Triumphs • O.E. Fuller
... disaster, all the possibilities of horror, the depths of shame and agony, are heaped upon these unhappy voyagers. The accumulation is mathematically complete and emotionally unforgettable. The tale has well been called the "imperishable epic ...
— The Survivors of the Chancellor • Jules Verne
... at last opened to him, though in what measure, and by what gradations, must remain undecided. Before him lay both the tragedies and the comedies, as he would have called them, of the learned and brilliant Boccaccio—both his epic poems and that inexhaustible treasure-house of stories which Petrarch praised for its pious and grave contents, albeit they were mingled with others of undeniable jocoseness—the immortal "Decamerone." He could examine the ...
— Chaucer • Adolphus William Ward
... which should present us, page about, with a theorem of Euclid, a scene from Shakspeare, and a section from Gibbon? Unity of effect, identity of train of thought, similarity of ideas, are as necessary in a book of travels as in an epic poem, a tragedy, or a painting. There is no such thing as one set of rules for the fine arts, and another for works of thought or reflection. The Iliad is constructed on the same principles as the Principia of Newton, or the ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... perceive that it is not necessary to consider Hell and the Devil as supernatural machinery. The whole scene of my epic is in 'this world which is'—so Peter informed us before his ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... you, and talk on so fast, from pure good-nature, to give you time to recollect yourself; for I know you've the worst of memories, especially for what Clarence Hervey says. But come, my dear, dash into the middle of things at once, in the true Epic style." ...
— Tales and Novels, Vol. III - Belinda • Maria Edgeworth
... in, and he had already begun to tell again at full length the story of the Lieutenant-Governor's visit with still further adornments of a most fantastic kind. The interview was already becoming an epic, both in ...
— The Hungry Stones And Other Stories • Rabindranath Tagore
... The moment was epic in its possibilities, to two of the men present. Cobbens might interpret an expression of approval on her part as a sign that she forgave him for humiliating her protege and had outgrown her fancy, but to Leigh such an expression would mean infinitely more. Thus they waited, each ...
— The Mayor of Warwick • Herbert M. Hopkins
... genuine, so convincing, so majestic that it induced in Edwin a blank humility. He was astounded, mystified; but he was also humbled. He himself was never told, and he never learnt, the explanation of that epic tear. ...
— Clayhanger • Arnold Bennett
... it—and he had said nothing about it! But not least extraordinary was the way the bounder, whom after all Matthews had only seen twice, seemed to color the whole adventure. In fact, he had been the first speck in the blue, the forerunner—if Matthews had only seen it—of the more epic adventure into which he was ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... undoubtedly the note of humanity. In his introduction to, "The Rise of the Greek Epic,"(21) Gilbert Murray emphasizes the idea of service to the community as more deeply rooted in the Greeks than in us. The question they asked about each writer was, "Does he help to make better men?" or "Does he make life a better thing?" Their aim was to be useful, to be helpful, to make ...
— The Evolution of Modern Medicine • William Osler
... of everyday life! When Poetry is hounded from every other nook of the earth which the Maker of it meant should be one vast, sublime epic, she will find an inviolable retreat under the Lares and Penates guarding the ingleside, and crown as priestess forever the wife and mother who makes and keeps ...
— The Secret of a Happy Home (1896) • Marion Harland
... they are many. Even the embryologist, when he follows the DEVELOPMENT of his object, has to treat the history of each single organ in turn. ABSOLUTE aesthetic union is thus another barely abstract ideal. The world appears as something more epic than dramatic. ...
— Pragmatism - A New Name for Some Old Ways of Thinking • William James
... children!" and, rushing forward, grasped several spears and buried them in his breast,—a large, strong man, he bore the soldiers down with him as he fell, and his companions pushed forward over his dead body into the midst of the host, and the victory was won, and another book was added to the epic story of the men of Schwyz and Uri and Unterwalden;—and how Duke Leopold fell fighting bravely, as became his house, and six hundred and fifty nobles with him, so that there was mourning at the Court of Austria for many a year, and men said it ...
— Atlantic Monthly, Volume 7, Issue 41, March, 1861 • Various
... he is not the last, of our picturesque historians. It was in 1837 that Carlyle, who four years before had startled the English-reading public by his strangely worded, bewildering "Sartor Resartus," brought out his astonishing "History of the French Revolution"—a prose poem, an epic without a hero, revealing as by "flashes of lightning" the ghastly tragedy and comedy of that tremendous upheaval; and in 1845 he followed up the vein thus opened by his lifelike study of "Oliver Cromwell," which was better received by his English readers than the later "History of Friedrich II," ...
— Great Britain and Her Queen • Anne E. Keeling
... sort of portico to 'The Recluse', part of the same building, which I hope to be able, ere long, to begin with in earnest; and if I am permitted to bring it to a conclusion, and to write, further, a narrative poem of the epic kind, I shall consider the task of my life as over. I ought to add, that I have the satisfaction of finding the present poem not quite of so alarming a length ...
— The Poetical Works of William Wordsworth, Vol. III • William Wordsworth
... There they did their work. They made their calling and election sure. Greek architecture—one birth of beauty after another—was born. Athens was crowned with marvellous temples, whose exquisite proportions amaze and charm us to-day—inimitable creations of beauty. Homer came, and then epic poetry was born. AEschylus and tragedy came; Pindar and the lyric song; Theophrastus and pastoral music; Anacreon and the strain which bears his special name. And so Phidias and his companions created sculpture, Herodotus history, Demosthenes oratory, ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... that the European forms have been influenced by the Indian. The "Egyptian" form is found in Burmah (Smeaton, l. c., p. 128), as well as the Indian, a fact of which Prof. K. Krohn was unaware though it turns his whole argument. The evidence we have of other folk-tales of the beast-epic emanating from India improves the chances of this also coming from that source. One thing at least is certain: all these hundred variants come ultimately from one source. The incident "Inside again" of the Arabian Nights (the Djinn and the ...
— Indian Fairy Tales • Collected by Joseph Jacobs
... which Gods and Angels wage, Are they not shown in Milton's sacred page? His strain will teach what numbers best belong To themes celestial told in Epic ...
— Byron's Poetical Works, Vol. 1 • Byron
... keen a relish as the most devout Christian does the hymns of Dr. WATTS. Melody comes of Heaven, and is a gift vouchsafed to all generations, and all kinds of men. In proof of this, let us adduce a single extract from the great epic of the Hawaiian poet, POPPOOFI, entitled ...
— Punchinello, Vol. 1, No. 18, July 30, 1870 • Various
... nothing of the Calmuck Tartars; they hold (see Bergmann's 'Streifereien') that their 'Dschangariade' is the finest of all epic poems, past or coming; and, therefore, the Calmuck Lives of the Poets will naturally be inimitable. But confining our view to the unhappy literatures of Europe, ancient or modern, this is what we think of Dr. Johnson's efforts as a biographer. ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey
... age, and learned to polish some rudeness in his verses; had he enjoyed better fortune, and possessed leisure to watch the returns of genius in himself; he had attained the pinnacle of perfection, and borne away the palm of epic poetry. ...
— The History of England in Three Volumes, Vol.I., Part E. - From Charles I. to Cromwell • David Hume
... painting than in any other way. For as some poets excel in the different species of poetry and stand at the head of their different kinds, in the same manner do painters have their particular branch of their art; and as epic poetry excels all other kinds of poetry, because it addresses itself to the sublimer feelings of our nature, so does historical painting stand preeminent in our art, because it calls forth the same feelings. For poets' and painters' minds are the same, and ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume I. • Samuel F. B. Morse
... that a hill affords, or by the wind, or by the solitude; but whatever be its origin, the impression of riding along is vivid and abiding. The poetry of motion is a phrase much in use, and to enjoy the epic form of that gratification it is necessary to stand on a hill at a small hour of the night, and, having first expanded with a sense of difference from the mass of civilised mankind, who are dreamwrapt and disregardful of all ...
— Far from the Madding Crowd • Thomas Hardy
... reading, turn attention to Trimalchion's feast. As to verses, they have disgusted me, since Nero is writing an epic. Vitelius, when he wishes to relieve himself, uses ivory fingers to thrust down his throat; others serve themselves with flamingo feathers steeped in olive oil or in a decoction of wild thyme. I read ...
— Quo Vadis - A Narrative of the Time of Nero • Henryk Sienkiewicz
... little provincial beauty and a famous toast of the country-side,—the Cressida of our Morristown epic, who led our ...
— Thankful Blossom • Bret Harte
... I've closed my epic strain, I tremble as I show it, Lest this same Warrior-Drover Wayne Should ever catch ...
— The Hudson - Three Centuries of History, Romance and Invention • Wallace Bruce
... acquirement seems only valued by its possessor as it may delight others, so the dress seems worn, not so much to gratify her own vanity as to please her friends' tastes. Genius is her idol; and with her genius is found in everything. She speaks in equal ruptures of an opera dancer and an epic poet. Her ambition is to converse on all subjects; and by a judicious management of a great mass of miscellaneous reading, and by indefatigable exertions to render herself mistress of the prominent points of the topics of the day, she appears to converse on all subjects with ability. She takes ...
— Vivian Grey • The Earl of Beaconsfield
... of the Gunnings is as romantic as any ever wrought into imaginative narrative or incorporated in epic poem. The notorious damsels were daughters of John Gunning of Castle Coote, County Roscommon, Ireland, by the Hon. Bridget Bourke, daughter of Theobald, sixth Viscount Bourke of Mayo, whom he married in 1731. The family was wofully impecunious; so when the ...
— Some Old Time Beauties - After Portraits by the English Masters, with Embellishment and Comment • Thomson Willing
... lines, from Bulwer's learned and ornate epic of King Arthur, the dire severity of the Etruscan doctrine of a future life is well indicated, with the local imagery of some parts of it, and the impenetrable obscurity which enwraps ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger |
