"Fresco" Quotes from Famous Books
 ... by reverent and loving word-painting such as others have achieved, and such as I may strive to attain to, that you may be in a sort early familiar with these paintings, before you see them in engravings and photographs, and on canvas and in fresco, as I trust you may be privileged to see many of them, when you may hail them not only for what they are, the glories of art, but for what they have been to you in thoughts of beauty ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... about our being invited to a scientific meeting which was to be held at Pisa. We were presented to the Grand Duchess, who was very civil. We spent the summer at Siena, and had a cheerful airy apartment with a fine view of the hills of Santa Fiora, and with very pretty arabesques in fresco on the walls of all the rooms, some so very artistic that I made sketches of them. In these old cities many of the palaces and houses are decorated with that artistic taste which formerly prevailed to such an extent in Italy, and, which has now yielded, here as elsewhere, to commonplace ...
— Personal Recollections, from Early Life to Old Age, of Mary Somerville • Mary Somerville
... discouraged, but must not abandon my efforts to speak a new language. Visited the Pantheon—wondrous structure—a sovereign's pride, and a nation's monument. Visited the tombs of the dead; ascended to the dome—magnificent view; fine paintings in fresco. My impressions will never be effaced. This evening was in company with Count Gasparin and his noble father, and Mr. Monod, one of the principal Protestant ministers in Paris. Mr. Monod spoke strongly of Puseyism; mentioned ...
— The Story of My Life - Being Reminiscences of Sixty Years' Public Service in Canada • Egerton Ryerson
... right in the busiest, most bustling part of the town, its fresco and bronze and iron quaintly suggestive of mediaeval times. Within, all was cool and dim and restful, with the faintest whiff of lingering incense rising and pervading the gray arches. Yes, the Virgin would know and have pity; the sweet, white-robed Virgin ...
— The Goodness of St. Rocque and Other Stories • Alice Dunbar
... the long college corridors, the eyes fall upon palm and statue, upon frieze and fresco, and the carbon copies of immortal paintings. Everywhere there are the inspirations of sculpture and architecture, of music, literature, and art. Beauty is in and about the place in which one thinks and works. This is the undying charm of Oxford—the gathering traditions of ...
— The Warriors • Lindsay, Anna Robertson Brown
... she turned from Calvary. The dancers still kept the position of the figures, the men with their arms about their partners' waists, the women stepping forward; they were like the painted figures of dancers in a fresco. And among them stood Judith, waiting to play her part, waiting to show her world that she could dance and be merry because all was well with her and hers. But the bronzed sons of the saddle hung back, they who a day before would have quarrelled for ...
— Judith Of The Plains • Marie Manning
... hair, who stands facing the spectator and arranging her draperies over her right arm; there are marble columns and a fountain in the background. The Light of the Harem is a version of one of the groups in the fresco of The Industrial Arts of Peace at South Kensington. The picture now known as the Nymph of the Dargle was also exhibited this year under the title of Crenaia. It represents a small full-length figure facing the spectator; the river Dargle flows through Powerscourt, and forms the waterfall ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... still remained. And they have preserved too, in an extraordinary degree, the brightness of their antique paintings, the fresh tints of their costumes, of their robes of turquoise blue, or lapis, or emerald-green, or golden-yellow. It is an artless kind of fresco-work, which nevertheless amazes us by remaining perfect after thirty-five centuries. All that these people did seems as if made for immortality. It is true, however, that such brilliant colours are ...
— Egypt (La Mort De Philae) • Pierre Loti
... chain-men, intelligent and obedient. I drove for George his stakes, or I cut away his brush, or I raised and lowered the shield at which he sighted and at noon Polly appeared with her baskets, and we would dine al fresco, on a pretty point which, not many months after, was wholly covered by the eastern end of the dam. When the field- work was finished we retired to the cabin for days, and calculated and drew, and drew and calculated. Estimates for ...
— The Brick Moon, et. al. • Edward Everett Hale
... not one of the pictures which are now being painted for the salons of Paris and London can possibly last a hundred years. I recently visited that Palace of Art, the South Kensington Museum, in London, and saw there a large fresco by Sir Frederick Leighton. It had just been completed, I was informed. It was already fading! Within a few years it will be a blur of indistinct outlines. I compared its condition with the cartoons ...
— A Romance of Two Worlds • Marie Corelli
... another great arch, rising, with a vaulted half-dome, over the high altar. The pillars supporting these arches are Corinthian, with richly sculptured capitals; and wherever gilding might adorn the church, it is lavished like sunshine; and within the sweeps of the arches there are fresco paintings of sacred subjects, and a beautiful picture covers the hollow of the vault over the altar; all this, besides much sculpture; and especially a group above and around the high altar, representing the Magdalen smiling down upon angels and archangels, some of whom are kneeling, and shadowing ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... later, in the pictures of the last judgment which exist in several states of Italy, each a little historic satire with its own peculiarities, we find Averroes depicted as the type of incredulity and blasphemy. In a fresco of the Campo Santo of Pisa, executed about 1335, when perhaps the recent canonization of Aquinas as an opponent of Averroes had directed attention to the influence of the Arabic philosopher, Orcagna has placed a ...
— History of Free Thought in Reference to The Christian Religion • Adam Storey Farrar
... the severest and most elegant taste. The broken furniture was heavy and elaborately carved; the remnants of carpet of sumptuous velvet; the walls, ceiling, doorways, and deep windows were one mass of the richest chiselling and most elaborate fresco-painting. ...
— Mohun, or, The Last Days of Lee • John Esten Cooke
... reminding us that at some time or other the monks found it needful to arm their solitude against a force descending from Chiusure. There is an avenue of slender cypresses; and over the gate, protected by a jutting roof, shines a fresco of Madonna and Child. Passing rapidly downwards, we are in the courtyard of the monastery, among its stables, barns, and out-houses, with the forlorn bulk of the huge red building spreading wide, and towering up above us. As good luck ruled our arrival, ...
— New Italian sketches • John Addington Symonds
... the poster; and that Perugino or Wagner would have died of despair if his suggestion of the Madonna's sorrows or of Isolde's love-agonies had been so efficacious as to prevent anybody from looking twice at the fresco or listening to the end of the opera. This inversion of the question is worth inquiring into, because, like the analogous paradox about the pictorial "realisation" of cubic existence, it affords an illustration of some of the psychological intricacies of the relation between Art and the ...
— The Beautiful - An Introduction to Psychological Aesthetics • Vernon Lee
... description. Most of theses ornamentations, as well as the paintings, were the work of brothers of the order, who must have spent half a life-time in their consummation. The cloisters are surrounded by a wretched series of life-size paintings in fresco of the mystic type, also the work of brothers attached to the convent, representing Carthusians tormented by the English in the time of Henry VIII. But here and there was seen the work of an artistic hand shining out ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou
... to be seen "craning" their necks as heretofore (much to the amusement of the chorister boys) though with a kind of veil upon them. Doubtless, in a future generation, when the plaster begins to blister, some antiquarian will discover this "wonderful mediaeval fresco," and call the attention of ...
— From Death into Life - or, twenty years of my ministry • William Haslam
... the young. There are gangs of lad thieves in the low Whitechapel lodging-houses, varying in age from thirteen to fifteen, who live by thieving eatables and other easily obtained goods from shop fronts. In addition to the Embankment, al fresco lodgings are found in the seats outside Spitalfields Church, and many homeless wanderers have their own little nooks and corners of resort in many sheltered yards, vans, etc., all over London. Two poor women I observed making their home in ...
— "In Darkest England and The Way Out" • General William Booth
... takes us back, then, into that old Greek life of the vineyards, as we see it on many painted vases, with much there as we should find it now, as we see it in Bennozzo Gozzoli's mediaeval fresco of the Invention of Wine in the Campo Santo at Pisa- -the family of Noah presented among all the circumstances of a Tuscan vineyard, around the press from which the first wine is flowing, a painted idyll, with its vintage ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... Borromeo. It was over this gateway as well as over the gateway of Fenis (no. 53), that he told me there ought to be a fresco of Fortune with her Wheel (Memoir, ch. xx.) The Rocca Borromeo, Angera, and Arona are mentioned in Alps and Sanctuaries, ch. xxiv. (new edn., ch. xxiii.), and several times in the Memoir, e.g. ...
— The Samuel Butler Collection - at Saint John's College Cambridge • Henry Festing Jones
... outstanding; extrinsic &c. 6; ecdemic[Med], exomorphic[obs3]. Adv. externally &c. adj.; out, with out, over, outwards, ab extra, out of doors; extra muros[Lat]. in the open air; sub Jove, sub dio[Lat]; a la belle etoile[Fr], al fresco. ...
— Roget's Thesaurus
... green valley of the Apennines, close to the sea-coast between Genoa and Spezzia, is a marine villa, that once belonged to the Malaspina family, in olden time the friends and patrons of Dante. It is rather a fantastic pile, painted in fresco, but spacious, in good repair, and convenient. Although little more than a mile from Spezzia, a glimpse of the blue sea can only be caught from one particular spot, so completely is the land locked with hills, ...
— Venetia • Benjamin Disraeli
... some evil spirit's workshop?— 'Tis no evil spirit's workshop. Frescoes here are being painted, And the legs which there are dangling From the lofty wooden scaffold, Are the legs of the illustrious Fresco-painter Fludribus, Who returning from Italia Had been living in the Rhine-land. He was pleased with the fair country, And the rosy happy faces, And the cellars full of wine. All the people wondered at him As they ...
— The Trumpeter of Saekkingen - A Song from the Upper Rhine. • Joseph Victor von Scheffel
... consists of a great hall with a vaulted roof, and over the altar is a large painting in fresco, the subject of which I did not trouble myself to make out. More appropriate adornments of the place, dedicated as well to martial reminiscences as religious worship, are the long ranges of dusty and tattered banners that hang from their staves alt round the ceiling ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... number of six, were each ornamented by a cupola painted in fresco, and statues in marble by the greatest masters, which, after being left for some time exposed to the injuries of the air in the court looking towards the country, are at length deposited in the MUSEUM ...
— Paris As It Was and As It Is • Francis W. Blagdon
... Agony in the Garden, etched on iron, contains a tree tortured by the wind (see illustration), as marvellous for rhythm, power, and invention as the blast-whipped brambles and naked bushes that crest a scarped brow above the jealous husband who stabs his wife, in Titian's fresco at Padua. Again, the unspeakable tragedy of the stooping figure of Jesus, who is being dragged by His hair up the steps to Annas' throne, in the Little Passion, is rendered by lines instinct with the highest dramatic power. These are a draughtsman's creations; though they ...
— Albert Durer • T. Sturge Moore
... called the Morning Chapel, from its original use for morning prayer on weekdays. The mosaic above the altar is in imitation of a fresco by Raphael. That at the west end, by Salviati, is in memory of William Hale Hale, a voluminous writer and editor of the "Domesday of St. Paul's," who was a Residentiary, Archdeacon of London and Master of the Charterhouse. He died in 1870. The stained-glass window is in memory of ...
— Bell's Cathedrals: The Cathedral Church of St. Paul - An Account of the Old and New Buildings with a Short Historical Sketch • Arthur Dimock
... the street fluttered the dusty curtains, which were carefully drawn so as to hide the window bay, where former tenants had testified to their presence by various ornamental additions—a sort of domestic fresco. ...
— The Purse • Honore de Balzac
... frames hang on the walls. Vice can see her own image all over the establishment. The ceiling is superbly decorated with bas-reliefs in carton-pierre, like those in Mr Barry's new Covent Garden Theatre; and fresco paintings, executed by Viotti, of Milan, and Conti, of Munich; whilst the whole is lighted up by enormous and gorgeous chandeliers. The apartment to the right is called the Salle Japanese, and is used as a dining-room ...
— The Gaming Table: Its Votaries and Victims - Volume I (of II) • Andrew Steinmetz
... guard, received them in an antechamber. And then they passed into a room which ran nearly the whole length of the kiosk, opening on one side to the gardens, and on the other supported by an ivory wall, with niches painted in green fresco, and in each niche a rose-tree. Each niche, also, was covered with an almost invisible golden grate, which confined a nightingale, and made him constant to the rose he loved. At the foot of each niche was a fountain, but, instead of water, each basin was replenished with the purest quicksilver.[31] ...
— Alroy - The Prince Of The Captivity • Benjamin Disraeli
... himself. It consists of an altar tomb surmounted by a recumbent effigy of the bishop, in richly-worked robes, beneath a canopy, richly groined, with foliated bosses at the intersections of the ribs. On the walls at the east and west ends may still be seen the remains of fresco painting, representing in each case two angels. Beneath the staircase leading up to the throne is a very fine decorated arcade, containing several shields bearing the bishop's and other arms. The whole structure was originally richly coloured and gilded, and remains of this work can still be made ...
— Bell's Cathedrals: The Cathedral Church of Durham - A Description of Its Fabric and A Brief History of the Episcopal See • J. E. Bygate
... outstretched left leg is raised high in air. We have several similar representations on objects of the Mycenaean period, the most interesting of which will be presently described (see page 67). The comparison of these with one another leaves little room for doubt that the Tirynthian fresco was intended to portray the chase of a wild bull. But what does the man's position signify? Has he been tossed into the air by the infuriated animal? Has he adventurously vaulted upon the creature's back? Or did the painter mean him to be running on the ground, and, finding the problem of ...
— A History Of Greek Art • F. B. Tarbell
... dressed in light, vaporous black that completes the resemblance. The house, the rooms, are almost absolutely the same; there may be changes of detail, but they don't modify the general effect. There are the same precious pictures on the walls of the salon—the same great dusky fresco in the concave ceiling. The daughter is not rich, I suppose, any more than the mother. The furniture is worn and faded, and I was admitted by a solitary servant, who carried a twinkling taper before me up ...
— The Diary of a Man of Fifty • Henry James
... Italian painter, was born at Urbino, where the genius of Raphael inspired him. In his early youth he travelled to Rome, where he painted in fresco and was warmly commended by Michelangelo. He then returned to Urbino, where, with the exception of some short visits to Rome, he continued to reside till his death. He acquired great fame by his paintings of religious subjects, in the style of which he to some extent ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... as columns, friezes and various mouldings; mural decoration, such as fresco-paintings, coloured reliefs and ...
— Project Gutenberg Encyclopedia
... patience and thought that have gone to its making and beautifying, inside and out. No other church has had much more than a tithe of such toil. The Sistine Chapel in Rome is wonderful enough, with its frescoes; but what is the labour on a fresco compared with that on a mosaic? Before every mosaic there must be the artist and the glass-maker; and then think of the labour of translating the artist's picture into this exacting and difficult medium and absolutely covering every inch of the building ...
— A Wanderer in Venice • E.V. Lucas
... court, upon a filthy canal, you chance on a house, the curiously frescoed front of which tempts you within. A building which has a lady and gentleman painted in fresco, and making love from balcony to balcony, on the facade, as well as Arlecchino depicted in the act of leaping from the second to the third story, promises something. Promises something, but does not fulfill the promise. The interior is fresh, clean, and new, and cold and ...
— Venetian Life • W. D. Howells
... he had started as a fresco for Mrs. Abbey's bedroom. But it would not answer this purpose at all, although he confessed he would rather paint it than any subject in the realm of all literature ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... man took up interior decorating just because he happened to have been an upholsterer or fresco painter. I never knew there was any studying to be done, ...
— Polly and Eleanor • Lillian Elizabeth Roy
... are exquisite in their simple proportion, and the delicate charm of the fresco of their vaulted passages. The quality of this interior decoration is enhanced by the beauty of the staff work, which throughout this court is the most successful found in the Exposition. Here this plaster is soft, rich and warm, and looks more real ...
— The Jewel City • Ben Macomber
... inside of these old churches. I went in one the other day, and I was looking up at the rafters, and I saw a sort o' picture there, and I said, "Ullo—they've been advertising Pears' Soap here, or something." But when I looked again, it was only an old fresco. I was so little interested I walked out without tipping ...
— Punch, or the London Charivari, Vol. 103, October 1, 1892 • Various
... its production. A few days later he returned again with a valuable old Italian print. "I want you to make a bas-relief in baked clay," he said to Gibson, "from this print for the centre of my mantelpiece." Gibson was overjoyed. The print was taken from a fresco of Raphael's in the Vatican at Rome, and Gibson's work was to reproduce it in clay in low relief, as a sculpture picture. He did so entirely to his new patron's satisfaction, and this his first serious work is now duly preserved in the Liverpool Institution which ...
— Biographies of Working Men • Grant Allen
... friend suggested. And from his tone, at once modestly content and artificially careless, I knew that that nursery-rhyme fresco was one of the sights of the pleasure quarter of New York, and that I ought to admire it. Well, I did admire it. I found it rather fine and apposite. But the free-luncheon counter, as a sight, took my fancy more. Here it was, the free-luncheon counter of which the European ...
— Your United States - Impressions of a first visit • Arnold Bennett
... unconcern. You wore a long blue apron that came all round you and a bodice of the same colour. In that blue faded by the sun, with your hair a pale cloud in the gold of the sunset, you looked like an archangel taken from some Italian fresco. ...
— The Choice of Life • Georgette Leblanc
... head in any of his works which can be compared with it for carefulness of finish and truth of drawing; the crudeness of the material vanquished by dexterous hatching; the color not only pure, but deep—a rare virtue with Giotto; the eye soft and thoughtful, the brow nobly modeled. In the fresco of the Death of the Baptist, in Santa Croce, which we agree with Lord Lindsay in attributing to the same early period, the face of the musician is drawn with great refinement, and considerable power of rounding surfaces—(though in ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... of decorating the outside whitewashed walls of their temples and houses with mural paintings. They often present a quaint mixture of hunting-scenes, and animals and gods, and soldiers and Indians and Europeans. One such fresco, on the wall of the house of the headman of Yerandawana village, is a most comical reproduction of the garden front of Windsor Castle, taken from an Illustrated London News, but embellished with many Indian characteristics. The purely decorative part of these wall pictures is often graceful ...
— India and the Indians • Edward F. Elwin
... and a flying Mercury which according to Vasari became the talk of the town.[25] Here, at any rate, was a field in which even Titian himself, seeing that he had only at long intervals practised in fresco painting, could not hope to rival Pordenone. The Friulan, indeed, in this his special branch, stood entirely alone among ...
— The Later works of Titian • Claude Phillips
... is a halting-place by a low wall where the country women (whom one may meet riding in the plain—dignified, cloaked and hooded figures, startlingly suggestive of a sacred picture) on mule or donkey, stop to descend from their perch between the saddle-bags or panniers. It is a sort of al fresco cloakroom where these ladies repair the ravages of wind or storm, where they assemble in the evening to pack their purchases on their beasts of burden, and finally climb to the top of all themselves. For it is not etiquette to ride ...
— The Velvet Glove • Henry Seton Merriman
... with Rev. Isaac Hall's church, which with paint and fresco had put its house of worship into beautiful condition. Dr. W. S. Alexander was elected Moderator for the eighth year. A member of his church, a converted Catholic, was licensed that he might preach among the French-speaking colored people in the city of New Orleans. The account of his conversion ...
— The American Missionary — Volume 38, No. 06, June, 1884 • Various
... round him all that makes life full-toned and harmonious, from the grand timbre of draught-ale and the organ-thunder of hunting, to the piccolo and tintinnabulum of Poker and maraschino. His life is a fresco-painting, on which some Cyclopaean Raphaelite has poured his rainbows from a fire-engine ...
— Twenty-One Days in India; and, the Teapot Series • George Robert Aberigh-Mackay
... to our hotel in the soft twilight, with the air so balmy one wished to rise and float in it. This was the hour for the Cathedral; therefore, leaving Leonardo and his fresco for the to-morrow, I conducted my uncomplaining ward forth, and through that big arcade of which the people are so proud, to the Duomo. Poor Jr. showed few signs of life as we stood before that immenseness; he said patiently that it resembled the postals, ...
— The Beautiful Lady • Booth Tarkington
... little phrase-book, they found it must mean "To-morrow." They had come the wrong day. He was very much distressed about it. To make up, if possible, for the disappointment, he showed them all over the church and sacristy; he did not miss one memorial tablet, not one disappearing fresco, and knowing the taste of the English, he said, as each new item ...
— The Third Miss Symons • Flora Macdonald Mayor
... Her thoughts had drifted away, back through her weary past, to a little village church where a fresco painting stood on the wall, sketched in days long before, of a company of guests at a feast, clad in Saxon robes; and of One, behind whom knelt a woman weeping and kissing His feet, while her flowing hair almost hid them from sight. And back to her memory, along with the scene, ...
— The White Rose of Langley - A Story of the Olden Time • Emily Sarah Holt
... she-devil well paid, no doubt, to guard this delicious creature.... Ah, then the duenna made me deeper in love. I grew curious. On Saturday, nobody. And here I am to-day waiting for this girl whose chimera I am, asking nothing better than to pose as the monster in the fresco." ...
— The Thirteen • Honore de Balzac
... noble his mind must have been! it seems but to receive, and his eye seems only to rest on, what is great, and generous, and lovely. You walk through crowded galleries, where are pictures ever so large and pretentious; and come upon a grey paper, or a little fresco, bearing his mark-and over all the brawl and the throng recognise his sweet presence. 'I would like to have you been Giulio Romano,' J. J. says (who does not care for Giulio's pictures), 'because then I would have been Raphael's ...
— The Newcomes • William Makepeace Thackeray
... For observe this choice of subjects. It is indeed possible that the walls of the nave and aisles, which are now whitewashed, may have been covered with fresco or mosaic, and thus have supplied a series of subjects, on the choice of which we cannot speculate. I do not, however, find record of the destruction of any such works; and I am rather inclined to believe that at any rate the central division of the building was originally, decorated, ...
— Stones of Venice [introductions] • John Ruskin
... "Hallo! al fresco Euclid!" exclaimed Uncle John, as Sam with a blush ran after his blotted diagrams, as a sudden gust of wind blew them dancing over the garden. Captain Merrifield caught one, and restored it to Sam, with a pat on the back that made his teeth rattle in his head, but which made him as happy ...
— The Stokesley Secret • Charlotte M. Yonge
... Jan, insomuch as that he was rather given to assure his patients they would soon be strong enough to enjoy the al fresco delights of a gipsy party, even though he knew that they had not an hour's prolonged life left in them. Not so Jan. Never did a more cheering doctor enter a sick-room than Jan, so long as there was the faintest shade of hope. But, when the closing scene was actually come, the spirit all but ...
— Verner's Pride • Mrs. Henry Wood
... khaki fresco on the cab and sides of the giant commissary trucks that raise the dust along the winding white road over the hills. Snorting motorcycles with two men over the motor and an officer in the side car skim over the ground, passing ...
— "And they thought we wouldn't fight" • Floyd Gibbons
... very beautiful goose called the Egyptian Goose, or goose of the Nile. Its feathers are very handsomely marked with black, brown, green, and white. It is the goose so often represented, in old fresco paintings of heathen temples, by the ancients. This goose is famous for its devotion to its young. The old birds will remain with their offspring during times of most imminent danger, refusing to save themselves and leave their young ...
— Mamma's Stories about Birds • Anonymous (AKA the author of "Chickseed without Chickweed")
... face in its ethereal delicacy of feature and brilliant coloring looked almost too beautiful to be human. Dr. Dean did not reply for a moment; he was thinking what a singular resemblance there was between Armand Gervase and one of the figures on a certain Egyptian fresco in the ...
— Ziska - The Problem of a Wicked Soul • Marie Corelli
... next reach the great saloon, which is finely ornamented with fresco paintings by Baptiste. Here are a variety of Roman remains, such as dice, tickets for the Roman theatres, mirrors, seals for the wine casks, lamps, &c. and a beautiful bronze head of Homer, ...
— Real Life In London, Volumes I. and II. • Pierce Egan
... delicate one. His lines, as the story of the circle would lead us to expect, are always firm, but they are never fine. Even in his smallest tempera pictures the touch is bold and somewhat heavy: in his fresco work the handling is much broader than that of contemporary painters, corresponding somewhat to the character of many of the figures, representing plain, masculine kind of people, and never reaching any thing like the ideal ...
— Giotto and his works in Padua • John Ruskin
... stiff gold blazing pall 140 From some black coffin-lid. Or, best of all, I love to think The leaving us was just a feint; Back here to London did he slink, And now works on without a wink Of sleep, and we are on the brink Of something great in fresco-paint: Some garret's ceiling, walls and floor, Up and down and o'er and o'er 150 He splashes, as none splashed before Since great Caldara Polidore. Or Music means this land of ours Some favour yet, to pity won ...
— Dramatic Romances • Robert Browning
... Saviour, crowned with thorns and frightfully dashed with streaks and drops of red paint, to represent the blood that flowed from his wounds. The outer walls of the better kind of houses were ornamented with paintings in fresco, and the subjects of these were mostly sacred, such as the Virgin and Child, the Crucifixion, and the Ascension. The number of houses of worship was surprising; I do not mean spacious or stately churches ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... prison, with its tottering weather beaten projections, apparently ready to fall from their resting places, presented an appearance still more gloomy and forbidding. Dampness, and mould of a hundred years growth had obliterated all traces of the fresco paintings that had formerly ornamented the ceiling, on which the moisture had gathered and fell at regular intervals with a hollow patter ...
— The Home in the Valley • Emilie F. Carlen
... painted by any human hands whatever, and in so far resembles a certain old image of the Magna Mater, her prototype, which was also of divine origin. It is generally supposed that this picture is painted on wood. Not so, says Diehl; it is a fragment of a fresco ...
— Old Calabria • Norman Douglas
... affairs were settled. An heiress must, of course, have a carriage; but this clever person was not content with doing things in an ordinary way, but set up three. While her house was being prepared,—which she ordered to be done by the first artists in their way, the walls being painted in fresco,—she drove down to Brighton in her travelling carriage, with four horses and two outriders. She gave an order for the furnishing of her house to the amount of L4000, and commissioned from Hatchett, the celebrated coachmaker, a first-rate chariot, ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various
... wish about you. I have not much hope of his success. The scent of the roses will not depart, though the many are scattered. I hardly hope to say directly how very beautiful it lies in my memory. What a heart-fresco it has become! All the dignity, the strength, the devotion will be preserved by you; that graceful "aimlessness" comes no more. And yet that was necessary. Long before I knew of the changes I perceived that the growth of the place would overshadow the spots where the sunlight ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... that Maestro Biaggio, master of ceremonies to Paul III., having accompanied the Pope on a visit that His Holiness made to see Michael Angelo's fresco when it was about half finished, allowed himself to express his own ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... faded from my remembrance, but this presentment of the youthful student, sitting there entranced over the page of his text-book,—the child-father of the distinguished scholar that was to be,—is not a picture framed and hung up in my mind's gallery, but a fresco on its walls, there to remain so long as ...
— Pages From an Old Volume of Life - A Collection Of Essays • Oliver Wendell Holmes, Sr.
... matter what happens. Perhaps he may look like a Sphinx when he is carrying through what he calls 'a deal,' but I remember very well seeing lightning in his eye when an Italian prince was rude to me one day. We were at Pompeii, and this Prince Monte-something induced me to look at a horrid fresco under the pretense that it was very artistic. Without thinking what I was doing, I ran to father and complained about it. My goodness! I wonder the lava didn't melt again before he got through with his ...
— Cynthia's Chauffeur • Louis Tracy
... What did he do in thought compared with St. Thomas, or in art compared with the builders of Chartres or Bourges? He filled notebooks with sketches and conjectures; he modelled a statue that was never cast; he painted a fresco on a wall, and with a medium so unsuited to fresco that it was a ruin in a few years. Even in his own day there was a doubt about him; it is expressed in the young Michelangelo's sudden taunt that he could not cast the statue he had modelled. Michelangelo was one of those who see in life always ...
— Essays on Art • A. Clutton-Brock
... the quadro, which was the usual reception-room; and beyond it were the dining and sleeping rooms, and the nursery. They all opened into an inner court-yard, the walls of which were ornamented with fresco paintings; and part of it was laid out as a flower-garden, with a fountain in the centre. From it one door led to the kitchen, and another to the stable. The windows were mostly in the roof, as were those in Pompeii and many ancient cities; indeed it was very similar to the plan of building followed ...
— Manco, the Peruvian Chief - An Englishman's Adventures in the Country of the Incas • W.H.G. Kingston
... estimate of the rank of water-color amongst the fine arts has steadily risen as the true technical relations of the graphic arts have become clearer to me. Water-color is quite as great an art as fresco, whilst ...
— Philip Gilbert Hamerton • Philip Gilbert Hamerton et al
... respects, suggests that the modern custom of making a whole scene, act or even drama into a single, unbroken movement without subdivision is like making a book without chapters, or a picture, like Bernardino Luini's great Lugano fresco in which a long subject is treated within the compass of a single piece. Better advised, as it seems to me, Gaudenzio Ferrari broke up a space of the same shape and size at Varallo into many compartments, each more or less complete in itself, grouped round ...
— The Note-Books of Samuel Butler • Samuel Butler
... greatest genius of the Italian Renaissance has worn the ill-fitting disguise prepared for him by a literary 'breeches-maker.' In fact, Michael Angelo the poet suffered no less from his grandnephew than Michael Angelo the fresco painter from his follower Daniele ...
— Sonnets • Michael Angelo Buonarroti & Tommaso Campanella
... village as I once saw him, his great bare arms upholding a huge white pillar, while blue figures hung above and set the acanthus capital.... Some day we shall see these things in their own surprising values and fresco our village libraries with them." [Footnote: Zona Gale, "Friendship Village Love Stories," p. 47.] That appreciation and expression of the beautiful is something that the French explorers in that other world—the valley reached of the pioneers of the seeing eyes ...
— The French in the Heart of America • John Finley
... roadside. Then we all sat gracefully about, while Sir Lionel and the chauffeur worked—Young Nick under the car, looking sometimes like a contortionist tying himself into lover's knots, sometimes like a miniature Michelangelo lying on his back to paint a fresco. I hope, though, that Michael never had half the trouble finding his paints and brushes that Nick had to get at his tommies and jemmies, and dozens of strange little instruments. He lay with his mouth bristling with giant pins, and had the air of a ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson
... lands, and taking long walks alone: during which (as well as when I was in Ireland) I made such sketches as will make you throw down your brush in despair. I wish you would ask at Molteno's or Colnaghi's for a new Lithographic print of a head of Dante, after a fresco by Giotto, lately discovered in some chapel {90b} at Florence. It is the most wonderful head that ever was seen—Dante at about twenty-seven years old: rather younger. The Edgeworths had a print in Ireland: got by great interest in Florence before the legitimate publication: ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... conveniences. Of this, Fig. 4 shows the front side;—covered first with strong canvas, stretched and nailed on. Over this is pasted panel-paper, and the upper part is made to resemble an ornamental cornice by fresco-paper. Pictures can be hung in the panels, or be pasted on and varnished with white varnish. To prevent the absorption of the varnish, a wash of gum isinglass (fish-glue) must ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... indeed, in our latitude, the pledge of May. It comes when the grass is short, and the fresh turf sets off its "ring of gold" with admirable effect; hence we know the poet is a month or more out of the season when, in "Al Fresco," he makes it bloom with the ...
— The Writings of John Burroughs • John Burroughs
... being too robust. If people would believe me, they would not form the highest idea of Wagner from that which pleases them in him to-day. All that was only devised for convincing the masses, and people like ourselves recoil from it just as one would recoil from too garish a fresco. What concern have we with the irritating brutality of the overture to the "Tannhauser"? Or with the Walkyrie Circus? Whatever has become popular in Wagner's art, including that which has become so outside the theatre, is in bad taste and spoils taste. The "Tannhauser" March seems to me ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... occupants. Like all the French people we met, their little home was to them a source of endless joy. Everything was bright and clean, and they took great pleasure in showing off its beauties. There was a large room with glass roof and sides, like a conservatory. On the wall was the fresco of a landscape, drawn by some strolling artist, which gave my hosts infinite delight. There was a river flowing out of some very green woods, with a brilliant blue sky overhead. We used to sit ...
— The Great War As I Saw It • Frederick George Scott
... that they have to show you, at Greenwich Hospital, is the Painted Hall. It is a splendid and spacious room, at least a hundred feet long and half as high, with a ceiling painted in fresco by Sir James Thornhill. As a work of art, I presume, this frescoed canopy has little merit, though it produces an exceedingly rich effect by its brilliant coloring and as a specimen of magnificent upholstery. The walls of the grand apartment are entirely covered with pictures, ...
— Atlantic Monthly, Vol. 11, No. 65, March, 1863 • Various
... significant form. A change in the mechanical methods of painting, also, had its influence on a change in the conception of the function of art. With a very few exceptions, the works of Giotto were executed in fresco as wall decorations. The principles of mural painting require that the composition shall be subordinated to the architectural conditions of the space it is to fill and that the color shall be kept flat. The fresco method meets these requirements admirably, ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... men have gathered together. There are companies and droves of men, with watchmen, in the vapors of dawn; and in the middle one makes out the children and the women, crowding together like fallow deer. To eastward I see, in the silence of a great fresco, the diverging beams of morning gleaming, through the intervening and somber statues of two hunters, whose long hair is tangled like briars, and who hold each other's hand, ...
— Light • Henri Barbusse
... of the storm of vengeance. You were, as you read, Eusebius, in honest rage. I could see you as in a picture, like the figure with the scourge in hand flying off the very ground, in Raffaelle's noble fresco, the Heliodorus; and now are you far more like a merryandrew in your mirth, and the quaint sly humour of the tale in verse has made you blind to the delinquencies of the quaffing Joan. Blind to their delinquencies! Stay your mirth a moment, ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 348 • Various
... greeting, except upon sure ground of observation. Soon, however, his look grew kindly and genial (not that it had ever been in the least degree repulsive, but only reserved), and Leutze allowed us to gaze at the cartoon of his great fresco, and talked about it unaffectedly, as only a man of true genius can speak of his own works. Meanwhile the noble design spoke for itself upon the wall. A sketch in color, which we saw afterwards, helped us to form some distant and flickering notion of what the picture will be, a ...
— Sketches and Studies • Nathaniel Hawthorne
... May the 26th, as you perceive by the date; but I am writing to you by the fire-side, instead of going to Vauxhall. If we have one warm day in seven, "we bless our stars, and think it luxury." And yet we have as much water-works and fresco diversions, as if we lay ten degrees nearer warmth. Two nights ago Ranelagh-gardens were opened at Chelsea; the Prince, Princess, Duke, much nobility, and much mob besides, were there. There is ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... air with a long shell to its mouth. It seemed that in old days it might have been a fountain. At the end of the plot the blind side of a house offered a high wall which had once been painted in fresco. Though much of the coloured plaster had cracked and peeled away, and all that remained was stained and faded, still some traces of the original design might yet be detected: festive wreaths, the colonnades ...
— Sybil - or the Two Nations • Benjamin Disraeli
... seated on the couch near Countess Martin, talked of Dante with enthusiasm as the best sculptor among the poets. He recalled to Therese the painting they had seen together two days before, on the door of the Servi, a fresco almost obliterated, where one hardly divined the presence of the poet wearing a laurel wreath, Florence, and the seven circles. This was enough to exalt the artist. But she had distinguished nothing, she had not been moved. And then she confessed that Dante ...
— The Red Lily, Complete • Anatole France
... the "Cathedral Trees"—that group of some half-dozen forest giants that arch overhead with such superb loftiness. But in all the world there is no cathedral whose marble or onyx columns can vie with those straight, clean, brown tree-boles that teem with the sap and blood of life. There is no fresco that can rival the delicacy of lace-work they have festooned between you and the far skies. No tiles, no mosaic or inlaid marbles, are as fascinating as the bare, russet, fragrant floor outspreading about their feet. ...
— Legends of Vancouver • E. Pauline Johnson
... misfortune, however, that those works of Carrache which I would recommend to the student are not often found out of Bologna. The "St. Francis in the midst of his Friars," "The Transfiguration," "The Birth of St. John the Baptist," "The Calling of St. Matthew," the "St. Jerome," the fresco paintings in the Zampieri Palace, are all worthy the attention of the student. And I think those who travel would do well to allot a much greater portion of their time to that city than it has been hitherto the custom ...
— Seven Discourses on Art • Joshua Reynolds
... on my Brow? dost not see the little wanton God there all gay and smiling? have I not an Air about my Face and Eyes, that distinguish me from the Croud of common Lovers? By Heav'n, Cupid's Quiver has not half so many Darts as her Eyes— Oh such a Bona Rota, to sleep in her Arms is lying in Fresco, ...
— The Works of Aphra Behn, Vol. I (of 6) • Aphra Behn
... of main interest is the palace; and the only way to recover the plan was by baring the ground, and tracing the bedding of the stones which are gone. For this I have cleared all the site of the buildings, and in course of the work several rooms with portions of painted fresco pavements have been found. One room which was nearly entire, about 51 by 16 feet, and two others more injured, have now been entirely exposed to view, and protected by a substantial house, well lighted, and accessible ...
— The American Journal of Archaeology, 1893-1 • Various
... Hall, also of white granite, and of Gothic architecture. It has seats for 2,500 people, and is most remarkable for the costly fresco work on the ceiling, which illustrates scenes from Mormon history, including the alleged discovery of the golden plates and their delivery to Prophet ...
— My Native Land • James Cox
... snow-white table without a cloth, in the inn-parlor, kitchen, laundry, and dining-room, all in one, just over against the end of the lake; and enjoy a rasher of bacon and eggs with as much gusto as if we were in the midst of a palace of fresco. Ornamental eating has become with us a species of gaudy, ostentatious vulgarity; and a dining-room a sort of fool's paradise. I never think of the little simple meal at St. Peter's ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... interest was the Serra Palace, now inhabited by one of that family, who, we understood, was insane. After stopping a moment in the anteroom, the ceiling of which is painted in fresco by Somnio, we were ushered into the room called the most splendid in Europe, and, if carving and gilding and mirrors and chandeliers and costly colors can make a splendid room, this is certainly that room. The chandeliers and mirrored ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume I. • Samuel F. B. Morse
... the young ladies" out into the woods, fern-hunting and flower-gathering, the vicar frequently popping upon the little picnickers unawares, whilst they were watching the rabbits and rabbitikins combing out their whiskers under the fir-trees, and Jupp and Mary getting an al fresco ...
— Teddy - The Story of a Little Pickle • J. C. Hutcheson
... that her gladness is to be without subtlety,—that is to say, without the slightest pleasure in any form of advantage-taking, or any shrewd or mocking wit: "she was simple as dove on tree;" and you will find that the color-painting, both in the fresco and in the poem, is in the very highest degree didactic and intellectual; and distinguished, as being so, from all inferior forms of art. Farther, that it requires you yourself first to understand the nature of simplicity, and to like simplicity in young ladies better than subtlety; and to ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... calm bosom of some Eastern bay, And all the spray-moist rocks and waves that rolled Up the white sand-slopes flashed with ruddy gold.) Something it has—a flavor of the sea, And the sea's freedom—which reminds of thee. Its faded picture, dimly smiling down From the blurred fresco of the ancient town, I have not touched with warmer tints in vain, If, in this dark, sad year, it steals one ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... palace on this hill, Horace, Propertius and Tibullus dwelt there also. Not far from here are the ruins of the Thermae of Titus, and of Trajan. It is believed that Raphael took the model of his arabesques from the fresco paintings of the Thermae of Titus. It is there, also, that was discovered the group of the Laocoon. The freshness of water affords such pleasure in hot countries that delight is taken in assembling together all the pomp of luxury, and every enjoyment of the imagination, in the places appropriated ...
— Corinne, Volume 1 (of 2) - Or Italy • Mme de Stael
... short, the grace and dignity that characterize the Procuratie in the piazetta at Venice. Stone walls, admirably decorated, keep the rooms at a pleasantly cool temperature. Verandas outside, painted in fresco, screen off the glare. The flooring throughout is the old Venetian inlay of marbles, cut into ...
— Massimilla Doni • Honore de Balzac
... Durazzo palace, for ought I know, is finer; and marble here seems like what one reads of silver in King Solomon's time, which, says the Scripture, "was nothing counted on in the days of Solomon" Casa Brignoli too is splendid and commodious; the terraces and gardens on the house-tops, and the fresco paintings outside, give one new ideas of human life; and exhibits a degree of luxury unthought-on in colder climates. But here we live on green pease and figs the first day of November, while orange and lemon trees flaunt over the walls ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... and strange ocean-shapes wave their homage and yet more unearthly forms dart up with tribute of coral and pearls to the feet of the Sea Queen as she sits in the silken state of the time with the divine halo around her. But if from this picture in the roof the eye falls suddenly on the fresco which fills the close of the room, we can hardly help reading the deeper comment of Tintoret on the glory of the State. The Sala del Consiglio is the very heart of Venice. In the double row of plain seats running round it sat her nobles; on the raised dais ...
— Stray Studies from England and Italy • John Richard Green
... a background or as a decoration in themselves. In the latter case any pictures should be set in specially arranged panels and should be pictures of importance, or fresco painting. The walls of the great periods were of this decorative order. They were treated architecturally and the feeling of absolute support which they gave was most satisfactory. The pilasters ran from base or dado to the cornice ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop
... the discussion of association of ideas, very frequently represented the states of consciousness as fixed elements that approach one another, cohere, separate, come together anew, but always unalterable, like atoms. It is not so at all. Consciousness, says Titchener, resembles a fresco in which the transition between colors is made through all kinds of intermediate stages of light and shade.... The idea of a pen or of an inkwell is not a stable thing clearly pictured like the pen or inkwell itself. More than any one else, William James has insisted on this point in his theory ...
— Essay on the Creative Imagination • Th. Ribot
... I found save solitude. I stood to-day before the mutilated fresco of Morone, my rapture of six years ago, and hated it with unreasoning hatred. The Madonna belied the wreath-supported inscription above her head, "Miseratrix virginum Regina nostri miserere," and greeted me with a pitiless simper. ...
— The Morals of Marcus Ordeyne • William J. Locke
... todas las casas son de piedra. Muchas casas en nuestro pais son de madera. El tejado de nuestra casa es plano. No son planos todos los tejados. Los tejados de las iglesias son generalmente en declive. En el verano subimos al tejado por la noche, porque alli hace mas fresco que en la casa. En frente de la casa esta un pequeno parque. Alli jugamos a la pelota en la primavera y en el verano. Jugamos tambien al tenis y en ...
— A First Spanish Reader • Erwin W. Roessler and Alfred Remy
... a way filled with delight, one reaches Shorwell, a little village beautifully placed, and with a curious old church full of interest. Upon one of the walls is an old fresco illustrating the life and adventures of St. Christopher, and there is a quaint memorial brass erected by Barnabas Leigh in honor of his two deceased wives, and with a flattering allusion to wife No. 3, then living! One wife is followed ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873 • Various
... The interior of the little house was just such a dainty box as the art of the eighteenth century devised for the pretty profligacy of a fine gentleman. The dining-room, on the ground floor, was painted in fresco, with garlands of flowers, admirably and marvelously executed. The staircase was charmingly decorated in monochrome. The little drawing-room, opposite the dining-room, was very much faded; but the Countess had hung it with panels of tapestry of ...
— Honorine • Honore de Balzac
... grease that thing?" I asked, as he tum-tummed in vain, for the eggs had glued into a fresco showing a rising and setting sun on opposite ...
— Cupid's Middleman • Edward B. Lent
... of art were all applied. Stone carving was applied to architecture, thus colored stones, called mosaics, as wall decorations; from these to the fresco; from the fresco to the pictorial form of painting. To-day the final degeneration of art is in the easel picture, which as an object detached and disassociated from its surroundings, takes refuge in the story-telling phase to justify its raison d'etre. But, alas for the ...
— Mother Earth, Vol. 1 No. 3, May 1906 - Monthly Magazine Devoted to Social Science and Literature • Various
... 'prince of painters.' He was born on Good Friday, 1483, and lived exactly thirty-seven years. He was of slight build, sallow, and had brown eyes. Over nine hundred prints of his works are known. Besides his works in fresco at the Vatican, for a time he had charge of the construction of St. Peter's, and he also painted masterpieces now at Bologna, Dresden, Madrid, Hampton Court, and executed numerous commissions for Leo X.; and Madonnas, holy families, portraits, etc., for others. Raphael stands ...
— The Harris-Ingram Experiment • Charles E. Bolton
... there is the place where Tasso died, seventy-five years after Raphael was gone. The small monastery of Sant' Onofrio, where he spent the last short month of his life, used to be a lonely and beautiful place, and is remembered only for his sake, though it has treasures of its own—the one fresco painted in Rome by Lionardo da Vinci, and paintings by Domenichino and Pinturicchio in its portico and little church, as well as memories of Saint Philip Neri, the Roman-born patron saint of Rome. All these things barely sufficed to restrain the government ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... crooked and legs slightly bent, the said billiard players were taking the most careful aim, but succeeding only in making abortive strokes in the air. Each emporium of the sort had written over it: "This is the best establishment of its kind in the town." Also, al fresco in the streets there stood tables heaped with nuts, soap, and gingerbread (the latter but little distinguishable from the soap), and at an eating-house there was displayed the sign of a plump fish transfixed with a gaff. But the ...
— Dead Souls • Nikolai Vasilievich Gogol
... Schermerhorn one-third; James J. Jones one-sixth; William Moore one-sixth. Our box is fitted up with great taste with light blue hangings, gilded panels and cornice, armchairs, and a sofa. Some of the others have rich silk ornaments, some are painted in fresco, and each proprietor seems to have tried to outdo the rest in comfort and magnificence. The scenery is beautiful. The dome and the fronts of the boxes are painted in the most superb classical designs, and the sofa seats are exceedingly commodious. Will this splendid and refined amusement ...
— Chapters of Opera • Henry Edward Krehbiel
... requires four orchestras to obtain a pianissimo, this strange man of genius has quietly gone back a few centuries and discovered for himself an exquisite lost world, which was disappearing like a fresco peeling off a wall. He has burrowed in libraries and found unknown manuscripts like a savant, he has worked at misunderstood notations and found out a way of reading them like a cryptogrammatist, he has first found out how to restore ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... not think it meet to see A dame of lengthy pedigree, A Baronet and K.C.B. A Doctor of Divinity, And that respectable Q.C., All fast asleep, al-fresco-ly, And so I had them taken home And put to bed respectably! I trust my conduct meets ...
— The Complete Plays of Gilbert and Sullivan - The 14 Gilbert And Sullivan Plays • William Schwenk Gilbert and Arthur Sullivan
... escaping "the artist's sorrow." So Raphael, the painter, wrote a volume of sonnets to be seen only by one. Dante, poet of the "Inferno," drew an angel in memory of the one (of Beatrice). He—Mr. Browning—has only his verse to offer. But as the fresco painter steals a camel's hair brush to paint flowerets on his lady's missal—as he who blows through bronze may also breathe through silver for the purpose of a serenade, so may he lend his talent ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... apse of the old cathedral of Salamanca is a fresco of the Last Judgment, perhaps by the Castilian painter Gallegos. Over the retablo on a black ground a tremendous figure of the avenging angel brandishes a sword while behind him unrolls the scroll of the Dies Irae and huddled clusters ...
— Rosinante to the Road Again • John Dos Passos
... the church people who were in good standing, and who had plenty of money, into the company, and when the mine begun to return dividends by the car load, they could give largely to the church and pay the debts of all the churches, and put down carpets and fresco the ceiling. The man said he felt that he had been steered on to that silver mine by a higher power, and his idea was to work it for the glory of the cause. He said he liked Pa, and would make him vice president of the company. Pa, he bit like a bass, ...
— The Grocery Man And Peck's Bad Boy - Peck's Bad Boy and His Pa, No. 2 - 1883 • George W. Peck
... such moments of despondency in the face of a great task? In such moments I have often called to mind one of those parables of Nature which are everywhere around us, unseen and unheeded, like those exquisite fresco angels of the old masters, in dim corners of ancient churches, blowing silent trumpets of praise and adoration and touching mute viols into mystic melodies which are lost to us. So thin has the material veil grown under the touch of modern ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins
... vino la partiero por medio, y el vno benio la vna mitad, y el otro la otra mitad: y aquello dizen q haze la amistad inuiolable. Co todo esto tuuiero ciertas passiones, y robaro vn lugarejo: y en vna casa pobre hallaron vn nino Iesus, destos que traen de Flandes, con su velo, y pomo enla mano, tan fresco como si se acabara de hazer entonces. En aquella isla qui sieron poblar, porq es muy abundate de todos los mantenimientos, y comencaron a hazer vn fuerte, y hiziero fuera del vna yglesia, dopusieron el nino Iesus, y la llamaro del nombre de Iesus: y la isla ...
— The Philippine Islands, 1493-1803, Volume II, 1521-1569 • Emma Helen Blair
... prayer had been answered, he absolutely refused to alter a touch his brush had made; and of the old tradition that he never painted Christ or the Virgin Mary save on his knees, nor a crucifixion save through blinding tears; and their voices grew very quiet, and they looked upon each fresco almost ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... lecture by explaining more fully what he meant by literary art, and pointed out the difference between an ordinary illustration to a book and such creative and original works as Michael Angelo's fresco of The Expulsion from Eden and Rossetti's Beata Beatrix. In the latter case the artist treats literature as if it were life itself, and gives a new and delightful form to what seer or singer has shown ...
— Miscellanies • Oscar Wilde
... after the horrible execution of Savonarola, and must have learned through his friend Bartolomeo to mourn the fate and revere the memory of that remarkable man, whom he placed afterwards in the grand fresco of the "Theologia," among the doctors and teachers of the Church. (Rome, Vatican.) Of the numerous Virgins painted by Raphael in after times, not one is supposed to have been a portrait: he says himself, in a letter to Count Castiglione, ...
— Legends of the Madonna • Mrs. Jameson
... are likewise injured by lime and fire, and cannot therefore be employed in fresco, or ...
— Field's Chromatography - or Treatise on Colours and Pigments as Used by Artists • George Field
... flight to the coast in a bullock-cart, and perhaps for this reason he is now regarded as the patron of cattle. Should a bullock fall sick, his owner purchases an image of St Cornely and hangs it up in the stable until the animal recovers. The church at Carnac contains a series of fresco paintings which outline events in the life of the Saint, and in the churchyard there is a representation of the holy man between two bullocks. The head of St Cornely is said to be preserved within the edifice as a relic. ...
— Legends & Romances of Brittany • Lewis Spence
... high-swung carriages, and young bloods dashing by in their curricles. The tables before the coffee-houses were thronged with idlers taking their chocolate and reading the gazettes; and here and there the arched doorway of a palace showed some gay party supping al fresco in a garden hung ...
— The Valley of Decision • Edith Wharton
... have reached perfection in the pictures and sculptures of Greece and Rome. Yet now those master-pieces are not only equalled on canvas and in fresco, but reproduced by tens of thousands from graven sheets of copper, steel, and even blocks of wood,—or, if modelled in marble or bronze, are remodelled by hundreds, and set up in countless households as the household gods. It is the glory of to-day that the sun himself has come down to ...
— Atlantic Monthly, Vol. 9, No. 55, May, 1862 • Various
... who for the most part lived in palaces, surrounded with art and luxury. Here in Rome on every side was to be found the Cult of the Beautiful. Wonderful temples, gems of classical sculpture, masterpieces of colour in oil and fresco—the genius and the aspirations of men rendered permanent for us by Art; but the Temples, those silent emblems of man's worship of an Unknown God, with their surroundings of lovely nature, affected me far the most deeply: indeed, I do not pretend that sculptures and pictures affected ...
— The Prodigal Returns • Lilian Staveley
... thirty or so little tables covered by red cloths with a white design stood ranged at right angles to the deep brown wainscoting of the underground hall. Bronze chandeliers with many globes depended from the low, slightly vaulted ceiling, and the fresco paintings ran flat and dull all round the walls without windows, representing scenes of the chase and of outdoor revelry in mediaeval costumes. Varlets in green jerkins brandished hunting knives and raised on ...
— The Secret Agent - A Simple Tale • Joseph Conrad
... wall, and his tennis racquet with one string broken (he had always meant to have that racquet re-strung) and his track shoes, relics of high school days, flung in one corner, and his gay-colored school pennants draped to form a fresco, and the cushion that Josie Morenouse had made for him two years ago, at Christmas time, and the dainty white bedspread that he, fussed about because he said it was too sissy for a boy's room—oh, I can't ...
— Buttered Side Down • Edna Ferber
... the last ten years, in the study of Italian art, has been the rediscovery of an all but forgotten great master, Pietro Cavallini. The study of his fresco at S. Cecilia in Rome, and of the other works that readily group themselves with it, has illuminated with an unhoped-for light the problem of Giotto's origin and development. I felt stimulated to a fresh consideration of the subject. The results will be noted here in the inclusion, ...
— The Florentine Painters of the Renaissance - With An Index To Their Works • Bernhard Berenson
... favorite ideals were drawn from youth and womanhood, it was not because he did not understand the purely masculine. The AEneas of the Borgo fresco, the Paul of the Cecilia altar-piece, and the Sixtus of the Sistine Madonna show, in three ages, what is best and ...
— Raphael - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... presented to them the Papist by him chosen to be their Warden, instead of the Protestant whom they had elected. They were not of so stern a stuff as the Fellows of Magdalen, who, despite His Majesty's menaces, had just rejected Bishop Farmer. The Papist was elected, there and then, al fresco, without dissent. Cannot one see them, these Fellows of Judas, huddled together round the sun-dial, like so many sheep in a storm? The King's wrath, according to a contemporary record, was so appeased by ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm
... cross, resembled the disc-like wafers of the Christian Mass. Whether this was so or not, it is noteworthy that a cross is said to appear upon the representation of a circular wafer used in the mysteries of Mithras which occurs upon an ancient fresco ...
— The Non-Christian Cross - An Enquiry Into the Origin and History of the Symbol Eventually Adopted as That of Our Religion • John Denham Parsons
... White's sewing-machines the only marks of civilization. On the outside, at one end of the terrace, burns the cooking-fire under a shed; at the other there is perhaps a pen for pigs; the remainder is the evening lounge and al fresco banquet-hall of the inhabitants. To some houses water is brought down the mountains in bamboo pipes, perforated for the sake of sweetness. With the Highland comparison in my mind, I was struck to remember the sluttish mounds of turf and stone in which ...
— In the South Seas • Robert Louis Stevenson
... These pictures, which, like most monumental works, represent funeral feasts and games, according to Braun, are valuable for a mass of details relating to antique athletic art, which were before unknown. A Pompeiian fresco, representing the twelve gods, hitherto little esteemed, is made the subject of a profound investigation by E. Gerhard. Among the essays on vases, a long one by Welcker deserves especial mention. It discusses all the known representations of the Death of Troilus. The sphere of numismatics ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... the scene of Raphael's fresco of a battle, in the Vatican, saw again a fierce struggle last Friday. More than fifty were brought wounded ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... direction of universal peace. We meet in a famous hall, and looking down upon us from these walls are pictures that illustrate not only the glory that is to be won in war, but the horrors that follow war. There is a picture of one of the great figures in English history (pointing to the fresco by Maclise of the death of Nelson). Lord Nelson is represented as dying, and around him are the mangled forms of others. I understand that war brings out certain virtues. I am aware that it gives opportunity for the display of great patriotism; I am aware that the example ...
— America First - Patriotic Readings • Various
... were adorned with a profusion of precious marbles, mosaics, columns, and statues. Parts of the demolished palace of Nero were incorporated in the substructions of the Baths of Titus. The beautiful arabesques and plaster reliefs which adorned them were the inspiration of much of the fresco and stucco decoration of the Italian Renaissance. At Spalato, in Dalmatia, are the extensive ruins of the great Palace of Diocletian, which was laid out on the plan of a Roman camp, with two intersecting avenues (Fig. 64). It ...
— A Text-Book of the History of Architecture - Seventh Edition, revised • Alfred D. F. Hamlin
... any hour of the day or evening, but he may not meet her by gaslight alone, nor may he exhibit his passion in a demonstrative manner, save in the presence of others. Warned by these objections, Cachita and I have agreed to keep our own counsel, and court in this al fresco way. Besides, it is the Cuban custom for a lady to sit before her window, in the cool of the evening, and converse with a passing acquaintance, without infringing the rules ...
— The Pearl of the Antilles, or An Artist in Cuba • Walter Goodman
... years of age. Poussin was seventy when he painted "The Deluge," which is the most poetically great of all his noble pictures. Michael Angelo counted more than sixty years when he encrusted his incomparable fresco, "The Last Judgment," upon the walls of the Sistine Chapel; and he was eighty-seven when he raised the cupola of St. Peter's to the heavens. And our own Milton was sixty-three ...
— Sketch of Handel and Beethoven • Thomas Hanly Ball |
