"Iambic" Quotes from Famous Books
 ... the Iambic poet, gave himself wholly to write impure and lascivious things: so SKELTON (I know not for what great worthiness, surnamed the Poet Laureate) applied his wit to scurrilities and ridiculous matters; ...
— An English Garner - Critical Essays & Literary Fragments • Edited by Professor Arber and Thomas Seccombe
... in Aulus Gellius, but is a fragment in iambic metre from the Papia papae [Greek: peri e)nkomi/on] of M. Terentius Varro, cited by the grammarian Nonius Marcellus (De Comp. Doct., ii. 135, lines 19-23). Sigilla is a variant of the word in the text, laculla, a diminutive ...
— The Works of Lord Byron, Volume 2 • George Gordon Byron
... first models, and had translated a great French poem; and Anglo-Saxon verse-methods were hardly usable any longer. So it may well have appeared to him that serious poetry was naturally French in meter and method. There was no model for what he wanted to do in English; the English five-iambic line had not been invented, and only the popular lyricists, of the proletariat, sang in stresses. And anyhow, as the upper classes, to which he belonged more or less, were only growing out of French into ...
— The Crest-Wave of Evolution • Kenneth Morris
... who were sentenced to be flung into the sea, tied up in a sack with a serpent, a monkey, and a cock. They exposed an infant in the Forum with a tablet on which was written, "I refuse to rear thee, lest thou shouldst slay thy mother." They scrawled upon the blank walls of Rome an iambic line which reminded all who read it that Nero, Orestes, and Alcmaeon were murderers of their mothers. Even Nero must have been well aware that he presented a hideous spectacle in the eyes of all who had the faintest shade of righteousness among the people ...
— Seekers after God • Frederic William Farrar
... front. At the same moment the Choral Ode is finished and the Chorus take up their usual position during the Episodes, drawn up in two lilies in front of the Altar facing the Stage. They speak only by their Foreman (or Corypliceus), and use the ordinary Iambic Metre (equivalent to ...
— Story of Orestes - A Condensation of the Trilogy • Richard G. Moulton
... poem shows accented followed by unaccented syllables or trochees as the prevalent foot, the first "mode" is indicated as providing the principle to be followed in transposing the Gregorian to modern notation. When these conditions are reversed the iambic foot will prevail and the melody will be in the second mode. It is not possible here to treat this complicated question in full detail for which reference must be made to the works of J. Beck. But it is clear that the system above outlined ...
— The Troubadours • H.J. Chaytor
... to your heroics; get off those iambic stilts, and tell me in plain prose what this get-up means; what did you want with the lower regions? It is a journey that needs a motive to make ...
— Works, V1 • Lucian of Samosata
... any particular kind, we do not mean that every foot in that line is necessarily of the same kind. Verse is named by stating first the prevailing foot which composes it, and second the number of feet in a line. A verse having four iambic feet is called iambic tetrameter. So we have dactylic hexameter, trochaic pentameter, iambic ...
— Composition-Rhetoric • Stratton D. Brooks
... hurrying anapaests, the verse returns to the strict iambic measure in the last couplet, the effect is a hush, in harmony with ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... unavoidably, because 'tis a part of a splendid religious celebration. It is involved in the solemn pomp of a festival. Therefore it dons its own solemn festival robes. The musical form is our key to the spirit. And in that varying musical form there are three degrees—first, the Iambic, nearest real speech—second, the Lyrical dialogue, farther off—third, the full Chorus—utmost removal. Pray, do not talk to us of the naturalness of the language. You never heard the like spoken in all your days. Natural it was on that stage—and over the roofless theatre the tutelary ...
— Blackwood's Edinburgh Magazine - Volume 57, No. 352, February 1845 • Various
... sentiment is found in one of the [Greek: monostichoi] of Menander ('Menandri et Philemonis reliquiae,' edidit Augustus Meineke, p. 48). It is thus quoted by Stobaeus ('Florilegium', cxx. 8) as an iambic: ...
— The Works of Lord Byron: Letters and Journals, Volume 2. • Lord Byron
... uniformity. Besides the infinite variety of the lyrical strophes, which the poet invented for each occasion, they have also a measure to suit the transition in the tone of mind from the dialogue to the lyric, the anapest; and two for the dialogue itself, one of which, by far the most usual, the iambic trimeter, denoted the regular progress of the action, and the other, the trochaic tetrameter, was expressive of the impetuousness of passion. It would lead us too far into the depths of metrical science, were we to venture at present on a more minute ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... (1)that each half-line contains two, and only two, feet; (2)that each foot contains one, and only one, primary stress; (3)that A is trochaic, Biambic; (4)that C is iambic-trochaic; (5)that D and E consist of the same feet but ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith |
