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Scala   Listen
noun
Scala  n.  (pl. scalae)  
1.
(Surg.) A machine formerly employed for reducing dislocations of the humerus.
2.
(Anat.) A term applied to any one of the three canals of the cochlea.






Collaborative International Dictionary of English 0.48








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"Scala" Quotes from Famous Books



... 'Madama Butterfly' (1904), Puccini's latest opera, is a strange one. At its production in Milan it was hissed off the stage and withdrawn after a single performance. No one seems to know why it failed to please the Scala audience, with whom Puccini had previously been a great favourite. Possibly the unfamiliar Japanese surroundings displeased the conservative Milanese, or the singers may have been inadequate. At any rate, when it was revived ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild

... ducal oath, and on which he was afterwards beheaded, led into the courtyard of the palace. It was erected by a decree of the Senate in 1340, and was pulled down to make room for Rizzo's facade, which was erected in 1484. The "Scala dei Giganti" (built by Antonio Rizzo, circ. 1483) does not occupy the site of ...
— The Works of Lord Byron, Volume 4 • Lord Byron

... was a wide-eyed, bourgeois Eva from die Meistersinger, photographed in Vienna; there a proud arrogant Brunhilde, with hostile, flashing eyes, that bore the imprint of St. Petersburg. And there were other souvenirs of seasons at Covent Garden, at the San Carlos of Lisbon, the Scala of Milan, and opera houses of New ...
— The Torrent - Entre Naranjos • Vicente Blasco Ibanez

... Investigation" had pronounced that he was son of a poor woman at Deptford. At Milan, as indeed wherever she wandered in Italy, the "vagabond Princess" was received as a Queen. Count di Bellegarde, the Austrian Governor, was the first to pay homage to her; at the Scala Theatre, the same evening, her entry was greeted with thunders of applause, and whenever she appeared in the Milan streets it was to an accompaniment ...
— Love affairs of the Courts of Europe • Thornton Hall

... route ensiemble...." I will translate: "I call myself Carlo Veronese—first barytone of the theatre of La Scala, Milan. The signora is my second wife; she is prima donna assoluta of the grand opera, Naples. The little ragazza is my daughter by my first wife. She is the greatest violinist of her age now living—un' prodige, ...
— The Martian • George Du Maurier

... would have acquainted us with every particular of the Lateran group, which for a thousand years before the Vatican was the home of the popes. We begged off from this and that, but even indolence like mine would not spare itself the sight of the Scala Santa. That was another of the things which I distinctly remembered from the year 1864, and I did not find the spectacle of the modern penitents covering the holy steps different in 1908. Now, as then, there was something incongruous in their ...
— Roman Holidays and Others • W. D. Howells

... a long while with the vicequeen, whose intelligence equaled her amiability and her beauty, but returned to Milan to dine; and immediately afterwards the ladies who were received at court were presented to him. In the evening, I followed his Majesty to the theater of la Scala. The Emperor did not remain throughout the play, but retired early to his apartment, and worked the greater part of the night; which did not, however, prevent our being on the road to Verona before ...
— The Private Life of Napoleon Bonaparte, Complete • Constant

... city of Verona was Aldigieri da Zevio, who was very much the friend of the Signori della Scala, and who, besides many other works, painted the Great Hall of their Palace (which is now the habitation of the Podesta), depicting therein the War of Jerusalem, according as it is described by Josephus. In this work Aldigieri showed great spirit ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari

... Francais for fauteuil d'orchestre Number 20, to Drury Lane in the same way, to the Operahaus, Berlin ("Open Haus" sounds so internationally hospitable) for Parquet Number 200 (so as to get a good view), to the Wallner Theater, Berlin, for something of the same sort, or to La Scala, Milan, for the sixth Sedie d'orchestra on the left (as the numbers are not given—why?) and you'll be accommodated. Then with ease the internationalist can learn when the Moon is full, Pleine Lune, Vollmond, Luna ...
— Punch, or the London Charivari Volume 98, January 4, 1890 • Various

... itself; but, of course, your execution is defective,—just as a young nightingale cannot warble all its strains before it is full-feathered. If you study faithfully, in one year, or certainly one and a half, you will be ready for your engagement at Della Scala. Hist! see if you ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson

... an actor from the Palais Royale showing a diction altogether remarkable, two well-known gymnasts doing wonderful stunts on horizontal bars, a prize pupil from the Conservatory at Nantes acting, as only the French can, in a well- known little comedy, two clever, comic monologists of the La Scala sort, and as good as I ever heard even there, and a regimental band which plays good music remarkably. There is even a Prix de Rome in the regiment, but he is en conge, so I 've not heard him yet. I wonder if you take it in? Do you realize that these are the soldiers in the ranks ...
— On the Edge of the War Zone - From the Battle of the Marne to the Entrance of the Stars and Stripes • Mildred Aldrich

... things which he brought away with him was the Pope's portrait, which he afterwards gave to Taddeo Gaddi, his pupil. The date of this return to Florence was the year 1316. But he was not long permitted to remain in Florence, as he was invited to Padua to do some work for the lords della Scala, for whom he painted a beautiful chapel in the Santo, a church built in those times. He thence proceeded to Verona, where he did some pictures for the palace of Messer Cane, particularly the portrait of that lord, and a picture for ...
— The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8) • Giorgio Vasari

... ritrouata, di due nolibi amanti, Con la loro pietosa morte: Interuenuta gi nella Citt di Verona. Nel tempo del Signor Bartolomeo della Scala. Nuouamente stampata. In Venetia Per Giouan. Griffio. [Colophon ...
— Catalogue of the Books Presented by Edward Capell to the Library of Trinity College in Cambridge • W. W. Greg

... Dante, edit. 1853. Can de la Scala, mentioned in the text, was one of the sons of Alberto de la Scala, Lord of Verona, and was born in 1292. Some account of Alberto de la Scala may be ...
— Shakespeare Jest-Books; - Reprints of the Early and Very Rare Jest-Books Supposed - to Have Been Used by Shakespeare • Unknown

... with a story of Primasso and the Abbot of Cluny, finely censures a sudden access of avarice in Messer Cane della Scala. ...
— The Decameron, Volume I • Giovanni Boccaccio

... proportioned exterior and the effective planning of its three octagonal vestibules, its ornate chapel and noble staircase. Staircases, indeed, were among the most successful features of late Italian architecture, as in the Scala Regia of the Vatican, and in the Corsini, Braschi, and Barberini palaces at Rome, the ...
— A Text-Book of the History of Architecture - Seventh Edition, revised • Alfred D. F. Hamlin

... during the performance of a piece. One of them, convinced that he is in Girolamo's renowned marionette-theatre, admires the art by which the director gets up the dolls and guides their movements. "Oh, you are quite mistaken," says the other, "we're in the Teatro della Scala; it is the manager and his troupe who are on the stage; they are the persons you see before you; the poet too is ...
— The Essays of Arthur Schopenhauer; Religion, A Dialogue, Etc. • Arthur Schopenhauer

... and Barendz least of all. They had kept accurate diaries ever since their imprisonment, and although the clocks sometimes had stopped, the hour-glasses had regularly noted the lapse of time. Moreover, Barendz knew from the Ephemerides for 1589 to 1600, published by Dr. Joseph Scala in Venice, a copy of which work he had brought with him, that on the 24th January, 1597, the moon would be seen at one o'clock A.M. at Venice, in conjunction with Jupiter. He accordingly took as good an observation as could be done with the naked eye and found that conjunction at ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley

... each of the principal cities, for the training of singers, and prizes are accorded to them out of funds especially set apart for the purpose by the government, which also grants large annual subsidies to the leading lyric theatres, such as the Scala at Milan, the San Carlo at Naples, the Fenice at Venice, the Pergola at Florence, the Carlo Felice at Genoa, the Communale at Bologna, and the Apollo at Rome. The dramatic stage has none of these aids, the various companies have to pay their own ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various

... their own city. The company was first announced as the Baggetto Grand Italian Opera Company, which was probably its official style in Mexico. In New York a hoary device of juggling with the name of Italy's chief opera house was resorted to, and it was called the Milan Royal Opera Company, of La Scala. Under either title the company proved itself capable of a deal of stressful and distressful singing, though a good impression was made by Giuseppe Agostini, a youthful tenor, and Luigi Francesconi, a barytone. "La ...
— Chapters of Opera • Henry Edward Krehbiel

... Paris. After breathing mysterious orders into the ear of the parlourmaid Mrs. Spatt began to talk at large about music in Paris, and Mr. Spatt made comparisons between the principal opera houses in Europe. He proclaimed for the Scala at Milan; but Mr. Ziegler, who had methodically according to a fixed plan lived in all European capitals except Paris—whither he was soon going, said that Mr. Spatt was quite wrong, and that Milan could not hold a candle to Munich. Mrs. Spatt inquired ...
— The Lion's Share • E. Arnold Bennett

... with the Santa Scala, or Holy Stairs, at Rome? They were brought from Jerusalem along with the true cross, by the Empress Helen, and were taken from the house which, according to popular tradition, was inhabited by Pontius Pilate. ...
— Memoirs of Extraordinary Popular Delusions - Vol. I • Charles Mackay



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