"Sculptor" Quotes from Famous Books
 ... greatest of lyric artists; but when Malibran appeared as Norma, a part written by Bellini expressly for Pasta, she was proclaimed la cantante per eccelenza. A medal, executed by the distinguished sculptor Valerio Nesti, was struck in her honor. Her generosity of nature was signally instanced during these golden Italian days in many acts of beneficence, of which the following are instances: During her stay at Sinigaglia in the summer of 1834, she heard an exquisite voice singing ...
— Great Singers, Second Series - Malibran To Titiens • George T. Ferris
... fool we will pay him the thankful tribute not to enquire, chancing upon the crude embryonic mass in the poet's hand, traitorously pounced upon it, and betrayed it to the printers—therein serving the poet such an evil turn as if a sculptor's workman took a mould of the clay figure on which his master had been but a few days employed, and published casts of it as the sculptor's work.[1] To us not the less is the corpus delicti precious—and that unspeakably—for it enables us to see something of the ...
— The Tragedie of Hamlet, Prince of Denmark - A Study with the Text of the Folio of 1623 • George MacDonald
... the Champ de Mars there was a statue that attracted much attention from the visitors. It represented Goethe's Marguerite standing before a mirror. This latter gave by reflection the image of Faust. The artifice was well concealed by the sculptor. In reality, it was not a double statue, but the figure of Faust was skilfully obtained by means of ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various
... sentiment of the place was not destroyed by a few nibbling sheep that cropped the short grass on the graves where the rude forefathers of the hamlet slept. Can the sepulchral muses have found their way to so remote a district as this? Have "afflictions sore" and "vain physicians" obtained a sculptor among the headstones of this out-of-the-way place? We made a survey of the inscriptions, as a very sure guide to the state of education among the peasantry, and are compelled to confess that the schoolmaster ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... is at the present moment being executed in copper by Houwald, in Brunswick, is the work of a Frankfort sculptor, Herr Gustav Herold. In the arch itself, near the clock, we see two allegorical female figures, over life size, in a sitting posture, modeled by Prof. Gustav Kaupert in Frankfort, and representing Day and Night. In front of the pillars supporting the arch, two other female ...
— Scientific American Supplement, No. 664, September 22,1888 • Various
... for, as near as I can learn, that has never been the residence, but rather the hunting-ground of the Indian. The moose will perhaps one day become extinct; but how naturally then, when it exists only as a fossil relic, and unseen as that, may the poet or sculptor invent a fabulous animal with similar branching and leafy horns,—a sort of fucus or lichen in bone,—to be the inhabitant of such ...
— The Atlantic Monthly, Volume 2, Number 9, July, 1858 • Various
... passed since the sculptor of that marble laid down his chisel and gazed at his completed work. Little dreamt he that thousands of years later it would stand as a parable, representing civilization in the form of the python which he had carved with such ...
— The Pools of Silence • H. de Vere Stacpoole
... CHINCOEU, Sculptor, respectfully acquaints masters of ships trading from Canton to India that they may be furnished with figure-heads, any size, according to order, at one-fourth of the price charged in Europe. He also recommends, for private venture, the following idols, brass, gold and silver: ...
— Town and Country, or, Life at Home and Abroad • John S. Adams
... before Mirza Shah came back. His face was white as marble—every feature seemed set, as the sculptor's chisel fixes each line of the carved stone. He spoke to ...
— Tales of Destiny • Edmund Mitchell
... It will be painful. There will be a great deal pared off. The sculptor makes the marble image by chipping away the superfluous marble. Ah! and when you have to chip away superfluous flesh and blood it is bitter work, and the chisel is often deeply dyed in gore, and the mallet seems to be very cruel. Simon did not ...
— Expositions of Holy Scripture - St. John Chapters I to XIV • Alexander Maclaren
... not gone through this early experience: scores of things that an ordinary educated Englishman learns with considerable surprise were to him the merest matters of course. When an English composer resolves to write an opera, in the spirit in which a sculptor may decide to paint a picture or a flute-player to play the fiddle, he has to learn all, or as much as he can, about the requirements of the stage, and even then if his work comes to rehearsal he has to accept corrections and make alterations at ...
— Richard Wagner - Composer of Operas • John F. Runciman
... the bounding friezes in vase-pictures. The vase-painter employs them to frame and set off the central scene. Might not the same end have been served by the terracottas on the temple, with reference to the scene within the typanum? We must remember, also, that at this early time the sculptor's art was in its infancy while painting and the ceramic art had reached a considerable development. Even if all analogy did not lead the other way, an artist would shrink from trying to fill up a pediment ...
— The American Journal of Archaeology, 1893-1 • Various
... understood; at a glance would have named the sculptor who was silently chiselling those noble hollows in the finely modelled face,—that Pygmalion who turns all flesh to stone,—at a glance would have named the painter who was cunningly weighting the brows with darkness that the eyes might shine the more with an unaccustomed light. ...
— Prose Fancies (Second Series) • Richard Le Gallienne
... ails you?" asked Francois Souchet, the young sculptor who had just won the first prize, and was soon to set out ...
— The Purse • Honore de Balzac
... He looked exactly as a famous sculptor looked who, when a beautiful work of his hands was unveiled, wished me to publish a descriptive sonnet from his pen. I bluntly refused. He was an admirable sculptor, but a dreadful sonneteer. Yet in his secret heart he ...
— The Lost Naval Papers • Bennet Copplestone
... dollars. In more sober truth, education: Presentation Brothers Schools, Cork School of Art, Cork School of Music, Metropolitan School of Art, Dublin, and Royal College of Art, London. Profession: sculptor and dramatist. Chief interests: literature, art, and music. First magazine to publish his work, The Tatler. Author of "The Whale and the Grasshopper," "Duty, and Other Irish Comedies," and "The Knowledgeable Man." Lives in Brooklyn, ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... the filmy and amethyst haze that closed each forest vista, came a milk-white horse, stepping high over the fallen leaves. The rider, not tall, black-bearded, with a pale, handsome face, sat like a study for some great sculptor's equestrian masterpiece. In a land where all rode well, his was superb horsemanship. The cape of his grey coat was lined with scarlet, his soft wide hat had a black plume; he wore long boots and white gauntlets. The three beneath the beech saluted. He spoke in a pensive and musical ...
— The Long Roll • Mary Johnston
... course, to the colossal bronze Statue of Liberty by the French sculptor, Frederic Bartholdi, which stands in ...
— Modern Spanish Lyrics • Various
... 2 A sculptor's model from Tanis, now in the Gizeh Museum, drawn by Faucher-Gudin from a photograph by Emil Brugsch- Bey. The sacred marks, as given in the illustration, are copied from those of similar figures on ...
— History Of Egypt, Chaldaea, Syria, Babylonia, and Assyria, Volume 1 (of 12) • G. Maspero
... nearest to the borders of Cilicia in Asia Minor. He had in him by nature a quick flow of wit, with a bent towards Greek literature. It was thought at home that he showed as a boy the artist nature by his skill in making little waxen images. An uncle on his mother's side happened to be a sculptor. The home was poor, Lucian would have his bread to earn, and when he was fourteen he was apprenticed to his uncle that he might learn to become a sculptor. Before long, while polishing a marble tablet he pressed on it too heavily and broke it. His uncle thrashed him. Lucian's ...
— Trips to the Moon • Lucian
... John Gibson, sculptor, of Rome, as he loved to call himself, was a remarkable embodiment, in many ways, of this self-respecting, artistic, ideal Welsh peasant temperament. In a little village near Conway, in North Wales, there lived ...
— Biographies of Working Men • Grant Allen
... proportions of the human form, as revealed by lithe and graceful dancers, are to be viewed with an eye as purely artistic and critical as that with which one regards a Venus or other production of the sculptor's studio. ...
— Around the World on a Bicycle Volume II. - From Teheran To Yokohama • Thomas Stevens
... meshed in the thralls of some hateful nightmare, the girl crouched against her horse, her face so still and white and ghastly that it might well have been some clever sculptor's bizarre conception of "Horror" done in marble. Only her eyes seemed to live. Wide, dilated, glittering with an unnatural light, they shifted constantly, following the progress of those ...
— Shoe-Bar Stratton • Joseph Bushnell Ames
... thing, and he had not yet got his bearings in it. He had a desire to reform the world and he wanted to be a great painter or sculptor, or both; and he entered New York with a new sense developed. He was keen to see, to do, and to feel. He wanted to make the world ring with his name and fame, yet he wanted to do the world good also, if he could. It was a curious state of mind for the English boy, who talked French like a native ...
— The Judgment House • Gilbert Parker
... estate adjoined Mr. Graeme's; there was the Viscount Chambery, who had penned a pamphlet on finance—indited a folio on architecture—and astonished Europe with an elaborate dissertation on modern cookery; there was Charles Selby, the poet and essayist; Daintrey, the sculptor—a wonderful Ornithologist—a deep read Historian—a learned Orientalist—and a novelist, from France; whose works exhibited such unheard of horrors, and made man and woman so irremediably vicious, as to make this young gentleman celebrated, even in ...
— A Love Story • A Bushman
... the spit of land silent shapes appeared, white, sorrowful, holding out calm hands, knelt in grief, pointing. Fragments of shapes, hewn. In white silence: appealing. The best obtainable. Thos. H. Dennany, monumental builder and sculptor. ...
— Ulysses • James Joyce
... entrance into literature with small or large inventions, by carving cherry-stones or carving a colossus. Browning, the creator of men and women, the fashioner of minds, would be a sculptor of figures more than life-size rather than an exquisite jeweller; the attempt at a Perseus of this Cellini was to precede his brooches and buttons. He planned, Mr Gosse tells us, "a series of monodramatic epics, narratives of the life of typical souls." In a modification ...
— Robert Browning • Edward Dowden
... thenceforth the hard work of a man in his particular profession. To that end no part of fundamental study could be spared. He would as soon have judged that young men could be trained to excellence in the mechanic arts, while they disused any important organ of the body; or a sculptor elaborate a perfect model by chiseling only the limbs. He would not expect such a mechanic, or artist, or educators of the same school, to find either honorable or lucrative employment, when society, though temporarily blinded by ingenious but ...
— The History of Dartmouth College • Baxter Perry Smith
... Mr. Bullivant, the enthusiastic young sculptor, with the mangy flow of flaxen hair, and the plump, waxy face, who wrote poetry, and showed, by various sonnets, that he again differed completely about the young lady from the Dowager Countess of Brambledown and Mr. Gimble. This gentleman sang fluently, ...
— Hide and Seek • Wilkie Collins
... will the painter, sculptor, writer lose sight of his art. Even in the intervals of rest and diversion which are necessary to his health and growth, every thing he sees ministers to his passion. Consciously or unconsciously, he makes each shape, color, incident his own; sooner or later it ...
— Bits About Home Matters • Helen Hunt Jackson
... theatres, Astley's horse-riders, the tumblers and rope-dancers of Sadlers-Wells, nay, the PUNCH of a puppet-show, would be as useful and respectable as Garrick, Barry, Cooke, or Kemble, and the circus might successfully batter its head against the walls of that building in Chesnut-street which the sculptor has enriched with the wooden proxies of Melpomene and Thalia. But criticism will not allow this. For the sake of the stage it will exert all its might to support the actors—and for the sake of the stage ...
— The Mirror of Taste, and Dramatic Censor - Volume I, Number 1 • Stephen Cullen Carpenter
... plans is absurd, because they must still appear all equally near the eye; the sculptor has not adequate means of throwing them back; and, besides, the thus cutting up into minute parts, destroys grandeur. "Perhaps the only circumstance in which the modern have excelled the ancient sculptors, is the management ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... Mr. Leslie's letter from Copenhagen, with his account of your reception by the King of Denmark. How gratifying to me that the portrait of Thorwaldsen has given such pleasure to the king, and that he regards it as the best likeness of the great sculptor." ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume II • Samuel F. B. Morse
... this was all veiled by society's completest polish; but still by a close observer it could be seen, just as a skilful sculptor drapes a form, but leaves its ...
— What Can She Do? • Edward Payson Roe
... Nothing can express the pitying contempt or the lofty air of patronization with which the dominant commercial classes looked down upon the writer, the painter, the musician, the philosopher or the sculptor. Regarding these "sentimentalists" as easy, legitimate and defenseless objects of prey, and as incidental and impractical hangers-on in a world where trade was all in all, the commercial classes at all ...
— History of the Great American Fortunes, Vol. I - Conditions in Settlement and Colonial Times • Myers Gustavus
... turn into mud. As we slid down through it we met strings of Chasseurs Alpins coming up, splashed to the waist with wet red clay, and leading pack-mules so coated with it that they looked like studio models from which the sculptor has just pulled off the dripping sheet. Lower down we came on more "trapper" settlements, so saturated and reeking with wet that they gave us a glimpse of what the winter months on the front must be. No more cheerful polishing ...
— Fighting France - From Dunkerque to Belport • Edith Wharton
... lessons from a painter and a sculptor. For an actor to represent a Greek hero it is imperative he should have thoroughly studied those antique statues which have lasted to our day, and mastered the particular grace they exhibited in their postures, whether sitting, standing, or walking. Nor should he make attitude his only ...
— Pearls of Thought • Maturin M. Ballou
... from the rock the rough and rudest stone, It needs no sculptor, it is Washington; But if you chisel, let the strokes be rude, And on his ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... a flagged passage between. It stood in a hollow in the wall, and the knight lay under the arch of the recess, so silent, so patient, with folded palms, as if praying for some help which he could not name. From the presence of this labour of the sculptor came a certain element into the feeling of the place, which it could not otherwise have possessed: organ and chant were not altogether needful while that carved knight lay there with face upturned, as if looking ...
— Ranald Bannerman's Boyhood • George MacDonald
... during the Renaissance, when life was full of movement, and costume picturesque. But at this period in each of the two arts, skill was regarded as of more importance than the subject. In other words, the perfection of the sculptor's statue or the scene depicted by the painter was of more interest and importance than the object or scene itself. If the work were admirably executed, the story it told had relatively ...
— Style in Singing • W. E. Haslam
... ensure his election to office at Rome, Verres enjoyed a year at the Capitol, and then entered upon a still more outrageous career as governor of the island of Sicily. Taking with him a painter and a sculptor well versed in the values of works of art, he systematically gathered together all that was considered choice in the galleries and temples. Allowing his officers to make exorbitant exactions upon the farmers, he confiscated many estates to his own use, and ...
— The Story of Rome From the Earliest Times to the End of the Republic • Arthur Gilman
... large and strongly marked; but the expression was grievously marred, like that of Whitefield, by a squint that deduced much from his "apostolic" character, and must have operated prejudicially as regarded his mission. His mouth was exquisitely cut. It might have been a model for a sculptor who desired to portray strong will combined with generous sympathy. Yet he looked what he was,—a brave man, a man whom no abuse could humble, no injuries subdue, no oppression crush. To me he realized the idea of the Baptist St. ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... aim is shelter, to house man in nature,—and it forms, as it were, the connecting link between him and the outward world. Its results, therefore, are partly the free artistic production, and partly retain unmodified their material character. In the image carved by the sculptor, the stone or wood used derive little of their effect from the original material; the important character is that imparted to them by his skill. Still more the canvas and pigments of the painter. But in architecture the wood and stone still ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... details and general effect, a look of genuine satisfaction beamed from his face. He rang for an attendant and bade him call his son. 'Look here, Raphael,' he exclaimed, as the latter appeared; 'did I not always tell you that every painter could be a sculptor?' We may imagine the delight of the student at such commendation. The same day one of his fellow pupils called his attention to a notice issued by the Adelphi Society of Arts, offering a prize for the best single figure, ...
— Great Fortunes, and How They Were Made • James D. McCabe, Jr.
... is a cousin of Mrs. Ida McCormick, whose poetry may be found in this book, their mothers being sisters. Miss Biles was married November 20th, 1860, to Francis James Darlington, of West Chester, Pa., and spent the next five years of her life on a farm near Unionville, formerly the property of the sculptor, Marshall Swayne. The family then removed to their present residence near Westtown Friends' Boarding School, where they spend the Summer season. The Winters are spent with their seven children, in a quiet little home in the town of Melrose, on the banks of the beautiful Lake Santa Fe, in Florida. ...
— The Poets and Poetry of Cecil County, Maryland • Various
... the elaborately partitioned fields. Adjacent mud is therefore carefully plastered over the remains of the old dyke, which, to the credit of the former builders, is no small fraction of it, and the work then finished off with a sculptor's care. An easier-going peasantry might often forego renewal. Indeed, I cannot but think the farmers take a natural delight in this exalted form of mud pies; they work away on already passable specimens with such a will. But who does quite outgrow his ...
— Noto, An Unexplored Corner of Japan • Percival Lowell
... was a famous Greek sculptor who lived in the age of Pericles and beautified Athens with ...
— Essays • Ralph Waldo Emerson
... presiding genius of the cavern," said Mr Twigg, taking a torch and advancing a few steps towards an object which had a wonderful resemblance to a statue carved by the sculptor's hand. It was that of a venerable hermit, sitting in profound meditation, wrapped in a flowing robe, his arms folded and his beard descending to his waist. His head was bald, his forehead wrinkled with age, while his features were well defined, the eyes, ...
— The Missing Ship - The Log of the "Ouzel" Galley • W. H. G. Kingston
... the young sculptor, Adelaide Johnson, modeled busts of Miss Anthony and Mrs. Stanton which later were chiseled in marble and were exhibited with the bust of Lucretia Mott at the World's Fair in Chicago in 1893. They are now in the Capitol ...
— Susan B. Anthony - Rebel, Crusader, Humanitarian • Alma Lutz
... well illustrated by what occurred respecting an equestrian statue in the metropolis, with respect to which a legend existed that the sculptor hanged himself, because he had neglected to put a girth to the horse. This story was currently believed for many years, until it was inspected for altogether a different purpose, and it was found to have had a ...
— Speeches: Literary and Social • Charles Dickens
... was one of the many celebrities who lived there at one time or other; and Chopin had for neighbours the famous singer Pauline Viardot-Garcia, the distinguished pianoforte-professor Zimmermann, and the sculptor Dantan, from whose famous gallery of caricatures, or rather charges, the composer's portrait was not absent. Madame Marliani, the friend of George Sand and Chopin, who has already repeatedly been mentioned in this book, was the wife of Manuel Marliani, Spanish Consul in Paris, author, [FOOTNOTE: ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... room was a master-piece of the united arts of sculpture and painting. First, the hand of the sculptor had carved it into numerous medallions, on which the pencil of the painter had then delineated the most remarkable scenes in early Florentine history. Round the sides, or cornices, were beautifully sculptured in marble ...
— Wagner, the Wehr-Wolf • George W. M. Reynolds
... Simoni drew their blood from the high and puissant Counts of Canossa. Michelangelo himself believed in this pedigree, for which there is, however, no foundation in fact, and no heraldic corroboration. According to his friend and biographer Condivi, the sculptor's first Florentine ancestor was a Messer Simone dei Conti di Canossa, who came in 1250 as Podesta to Florence. "The eminent qualities of this man gained for him admission into the burghership of the city, and he was ...
— The Life of Michelangelo Buonarroti • John Addington Symonds
... of conversation. His whole story was told, and listened to with intense interest. It was agreed that Nono should, with Karin's permission, come for some hours every day to Ekero to wait upon the stranger, who was a sculptor, and was making a marble bust of the colonel's wife from the various likenesses of her, assisted by her husband's vivid descriptions of her ever-remembered face and her person ...
— The Golden House • Mrs. Woods Baker
... while Clutton with voracious appetite devoured the food that was set before him. Philip, smoking a cheap cigar, observed him closely. The ruggedness of the head, which looked as though it were carved from a stone refractory to the sculptor's chisel, the rough mane of dark hair, the great nose, and the massive bones of the jaw, suggested a man of strength; and yet Philip wondered whether perhaps the mask concealed a strange weakness. ...
— Of Human Bondage • W. Somerset Maugham
... The sculptor of this Last Judgment—a Benedictine monk, doubtless, like the architect of the church who has left this personal record, 'Bernardus me fecit,' upon a stone in a dim corner—died centuries ago, and although his bones or their dust may be near, his name will never be known. But how his mind ...
— Wanderings by southern waters, eastern Aquitaine • Edward Harrison Barker
... pyramid, one mile of beautifully carved decorations, with 2141 separate panels depicting the life of Buddha from the time he descended from the skies until he arrived at Nirvana, or perfect isolation from the world. A history of more than a thousand years is told in its stone tablets by the sculptor's chisel, told beautifully, told enduringly, ...
— Flash-lights from the Seven Seas • William L. Stidger
... soul—has it not been bestowed through suffering, through the discipline of great suffering? In man CREATURE and CREATOR are united: in man there is not only matter, shred, excess, clay, mire, folly, chaos; but there is also the creator, the sculptor, the hardness of the hammer, the divinity of the spectator, and the seventh day—do ye understand this contrast? And that YOUR sympathy for the "creature in man" applies to that which has to be fashioned, ...
— Beyond Good and Evil • Friedrich Nietzsche
... Violet and Peony—indeed, she looked more at them than at the image—she saw the two children still at work; Peony bringing fresh snow, and Violet applying it to the figure as scientifically as a sculptor adds clay to his model. Indistinctly as she discerned the snow-child, the mother thought to herself that never before was there a snow-figure so cunningly made, nor ever such a dear little girl and boy ...
— Famous Stories Every Child Should Know • Various
... other for more than seventeen years. They had often drifted apart and, somehow, had always met again. They had never been very intimate, they had merely respected each other for the work they had accomplished, each in his profession; although they differed largely in ideas. Morrison was a sculptor, and almost an ancient Greek in his feelings for the beauty of lines. The tall, lean man, on the other hand, was a strange mixture of a visionary and brutal realist. They both were cynics, however, ...
— Mother Earth, Vol. 1 No. 4, June 1906 - Monthly Magazine Devoted to Social Science and Literature • Various
... paint the great man's picture; the sculptor Houdon to take the great man's bust, arriving from Alexandria, by the way, after the family had gone to bed; the Marquis de Lafayette to visit his old friend; Mrs. Macaulay Graham to obtain material for her ...
— George Washington: Farmer • Paul Leland Haworth
... than of spirit; and at this time they evinced more than usual languor. She was in a rich undress, and was apparently an invalid. Her long raven locks hung with careless grace, partly behind, and partly over, a neck that might have served as a model for the sculptor. She was looking wistfully on a bunch of flowers in her hand, which I felt pleasure in recognising to be the same I had seen on the piece of embroidery. I feared to advance, lest I should give offence; but I felt also unable ...
— A Voyage to the Moon • George Tucker
... and women, and fancying herself they. These happy ones are four, each the object of a different love. Ottima, whose aged husband is the owner of the silk mills, has a lover in Sebald. Phene, betrothed to the French sculptor Jules, will be led this morning to her husband's home. Luigi (a conspiring patriot) meets his mother at eve in the turret. The Bishop, blessed by God, will sleep at Asolo to-night. Which love would she choose? The lover's? It gives cause for scandal. The husband's? It ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... to Arthur except young Raggles, who painted still life with a certain amount of skill, and Clayson, the American sculptor. Raggles stood for rank and fashion at the Chien Noir. He was very smartly dressed in a horsey way, and he walked with bowlegs, as though he spent most of his time in the saddle. He alone used scented pomade upon his neat smooth hair. His chief distinction was a greatcoat ...
— The Magician • Somerset Maugham
... art of Hellas but the conquest of the rock, the marble, and the fixing there in perennial beauty, perennial calm, the thought born from the travail of the sculptor's brain, or from the unrecorded struggle of dark forces in the past, which emerge now in a vision of transcendent rapture and light? By this conflict, multiplex or simple, the conquering energy of the form, the defeated energy of the material, the serenity of the statues of Phidias, of the tragedies ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb
... Ayesha's breath as roses, the odour of roses clung to her lovely hair; her sweet body gleamed like some white sea-pearl; a faint but palpable radiance crowned her head; no sculptor ever fashioned such a marvel as the arm with which she held her veil about her; no stars in heaven ever shone more purely bright than did ...
— Ayesha - The Further History of She-Who-Must-Be-Obeyed • H. Rider Haggard
... who tore his kingdom by tearing Mohammed's letter married the beautiful Maria or Irene (in Persian "Shrn the sweet) daughter of the Greek Emperor Maurice: their loves were sung by a host of poets; and likewise the passion of the sculptor Farhd for the same Shirin. Mr. Lyall writes "Parwz" and holds "Parwz" ...
— The Book of the Thousand Nights and a Night, Volume 5 • Richard F. Burton
... which boils an enormous kettle; while two gentlemen are attacking a cold saddle of mutton and West India pickles: hard by Mrs. Nokes the landlady's elbow—with mutual bows—we recognise Hickson, the sculptor, and Morgan, the intrepid Irish chieftain, chief of the reporters of the Morning Press newspaper. We pass through a passage into a back room, and are received with a roar of welcome from a crowd of men, almost invisible in ...
— The Newcomes • William Makepeace Thackeray
... (1630-1700), Danish sculptor, was born at Flensburg. He was the son of the king's cabinetmaker, and was sent to Rome at the royal charge while yet a youth. He came to England during the Protectorate, or during the first years of the Restoration. Besides the famous ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... modern Christendom, he might be honored through the government, patent office, privy council, the admiralty, the university, or the academy, as the case or worth might be. He might shine in a plastic representation by the sculptor or artist, or be known in the popular literature; but he would never receive religious worship, or aught beyond honor and praise. In this swamping of history in legend and of fact in dogma, we behold the fruit of ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis
... race, was delicate and narrow, with oval nostrils well set and open at the base. Her mouth, fresh and red, was a rose unblemished by a flaw, dissipation had left no trace there. Her chin, rounded as though some amorous sculptor had polished its fulness, was as white as milk. One thing only that she had not been able to remedy betrayed the courtesan fallen very low: her broken nails, which needed time to recover their shape, so much had they been spoiled by ...
— Scenes from a Courtesan's Life • Honore de Balzac
... produce four brighter contemporary names than Napier, Kepler, Descartes, and Galileo, let them be forthcoming. But when, still earlier by a century and a half, we behold a man who was not only architect, engineer, and sculptor, and in painting the rival of Angelo, but who, as Hallam proves, 'anticipated in the compass of a few pages the discoveries which made Galileo, Kepler, Maestlin, Maurolycus, and Castelli immortal,' it may well 'strike us,' he suggests 'with something like the awe of supernatural ...
— The History of Dartmouth College • Baxter Perry Smith
... was a proud consciousness of power in his every look and motion, which possessed for me an irresistible attraction: and now, as he stood, his noble figure drawn up to its fullest height, his arms folded across his ample chest in an attitude of defiance a sculptor would have rejoiced to imitate; his head thrown slightly back, and his handsome features marked by an expression of haughty indignation; when I reflected that it was a generous regard for my honour which excited that indignation, I felt that my affection for him was ...
— Frank Fairlegh - Scenes From The Life Of A Private Pupil • Frank E. Smedley
... will only be good, they shall have this power some day; for I do think that many things we call differences in kind, may in God's grand scale prove to be only differences in degree. And indeed the artist—by artist, I mean, of course, architect, musician, painter, poet, sculptor—in many things requires it just as much as the most helpless and dumb of his brethren, seeing in proportion to the things that he can do, he is aware of the things he cannot do, the thoughts he cannot express. Hence arises the enthusiasm with which people ...
— The Seaboard Parish Vol. 3 • George MacDonald
... for it, the sculptor is paid; That the figure is fine, pray believe your own eye; Yet credit but lightly what more may be said, For we flatter ourselves, and teach ...
— Book of English Verse • Bulchevy
... these facts of the statist we detect other facts which show that in the progress of civilisation the actual organic strength and build of the man and woman increases. As in the highest developments of the fine arts the sculptor and painter place before us the finest imaginative types of strength, grace, and beauty, so the silent artist, civilisation, approaches nearer and nearer to perfection, and by evolution of form and mind developes what is practically a new order ...
— Hygeia, a City of Health • Benjamin Ward Richardson
... with an ideal statue of the Minute Man, by Henry H. Kitson, sculptor, faces the line of approach of the British from the easterly end of the common. Behind it a granite pulpit marks the site of the old church past which Pitcairn led his men; a boulder to the left locates the position of the Old Belfry from which the alarm was sounded on its bell, April 19, 1775. ...
— See America First • Orville O. Hiestand
... knew herself to be a sculptor, she knew also that in all America was no school for her. She must leave home, she must live where art could live. She might model her busts in the clay of her own soil, but who should follow out in marble the delicate thought which the clay expressed? The workmen ...
— Maria Mitchell: Life, Letters, and Journals • Maria Mitchell
... in this direction. It is not the first time that an artist deficient in health and strength has made physical energy into a demigod. Men often, perhaps always, idealise what they have not. It was the wish of the sculptor to place a cast of "Physical Energy" on the grave of Cecil Rhodes on the Matoppo Hills in South Africa, indicating how Watts found it possible (by idealising what he wished to idealise), to include within the scope and patronage of his art, the activities, ...
— Watts (1817-1904) • William Loftus Hare
... some whose fine regularity of feature might have served as the model for a Greek sculptor. Yet those were not the faces on which the eye rested with the long and deep delight that "drinks in beauty." I saw some worthy or the sublime spell of Vandyke, more with the magnificence of style which Reynolds loved, and still more with the subdued ...
— Blackwood's Edinburgh Magazine—Vol. 54, No. 333, July 1843 • Various
... The Greek sculptor Praxiteles conceives a human form of perfect beauty, posed in an attitude of perfect grace, wearing an expression of perfect charm and serenity. It exists but as a picture in his brain; but he takes marble and hews it and chisels ...
— Platform Monologues • T. G. Tucker
... judge a work of art by its size. Thus the sculptor who does a "heroic figure" is the man who looms large to the average visitor ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... and the rock of Bahistun the Persians have associated one of those poetic romances so dear to the national genius. Ferhad, the most famous sculptor of his time, who was very likely employed by Chosroes II to execute these bas-reliefs, is said in the legend to have fallen madly in love with Shirin, and to have received a promise of her from the king, if he would cut through the rock ...
— Rambles and Recollections of an Indian Official • William Sleeman
... when his son came to know her, was leading the life of a harmless, necessary sempstress, and that only by long entreaty, and under every condition of decorum, had she been induced to sit for her bust to the enthusiastic sculptor. Very touching was the story of how, when the artist became adorer and offered marriage, dear Arabella would not hear of such a thing; how, when her heart began to soften, she one day burst into tears and implored Mr. Ogram to prove his love, not by wildly impossible sacrifice, but simply by sending ...
— Our Friend the Charlatan • George Gissing
... position beside his wife; but life at court did not suit Mlle. San-Gene. She left Mme. Bonaparte, who by mutual consent handed her over to Mme. Augereau to whom she became secretary and reader. The second lady companion of Mme. Augereau was the widow of the sculptor Adam, and in spite of her eighty years was the life and ...
— The Memoirs of General the Baron de Marbot, Translated by - Oliver C. Colt • Baron de Marbot
... "Perhaps the sculptor intended to typify life; the tragic face representing one side of existence and ...
— The Face And The Mask • Robert Barr
... an error. Although the lamantin is strictly herbivorous, feeding chiefly upon subaqueous plants and littoral herbs, yet upon one of the stone smoking-pipes, Fig. 66, this animal is represented with a fish in its mouth." Mr. Stevens apparently preferred to credit the mound sculptor with gross ignorance of the habits of the manatee, rather than to abate one jot or tittle of the claim possessed by the carving to be considered a representation of that animal. Stevens's fish-catching manatee is the same carving given ...
— Animal Carvings from Mounds of the Mississippi Valley • Henry W. Henshaw
... Cyprus a young sculptor, Pygmalion by name, who thought nothing on earth so beautiful as the white marble folk that live without faults and never grow old. Indeed, he said that he would never marry a mortal woman, and people began ...
— Old Greek Folk Stories Told Anew • Josephine Preston Peabody
... young girl was attracted to the Lowell mills through her own idealization of the life there, as it had been reported to her. Margaret Foley, who afterwards became distinguished as a sculptor, was one of these. She did not remain many months at her occupation,—which I think was weaving,—soon changing it for that of teaching and studying art. Those who came as she did were usually disappointed. Instead of an Arcadia, they found a place of matter-of-fact toil, filled ...
— A New England Girlhood • Lucy Larcom
... water through, his conch. There are two statues, the one of a general who fought in the Indian Mutiny and afterwards lived and died in the Square, the other of a mid-Victorian philanthropist whose stout figure and urbane self-satisfaction (as portrayed by the sculptor) bear witness to an easy conscience and an unimaginative mind. There is, round and about the fountain, a lovely green lawn, and there are many overhanging trees and shady corners. An air of peace the garden breathes, and that although children are ...
— The Golden Scarecrow • Hugh Walpole
... and then maybe you'll see. The story is that a Greek sculptor made a beautiful statue which he worshipped so desperately that the gods turned it into a living girl. Well, you can imagine just how much that girl knew about life, can't you? She looked grown up, and was dressed like other ...
— The Guests Of Hercules • C. N. Williamson and A. M. Williamson
... niche of which stands the small statue of Cupid; with his head inclined, and one hand raised to feel the supposed-blunted point of a dart which he holds in the other. This is called the Cupid-Room, out of compliment to DANNECKER the sculptor of the figure, who is much patronised by the Queen. A statue or two by Canova, with a tolerable portion of Gobeleine tapestry, form the principal remaining moveable pieces of furniture. A minuter ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin
... moved; above Jove's classic sway A place was won it: The rustic sculptor motioned; then "To-day" He ...
— Atlantic Monthly, Volume 10, Number 59, September, 1862 • Various
... the terms of the easiest of all intimacies, and although the great sculptor, even when he was more than usually silent, was at all times the most gravely cordial of hosts, yet, on that long remembered evening, as the sunlight died on the burnished brown of the horse-chestnuts below the windows, a perceptible ...
— A Collection of Stories, Reviews and Essays • Willa Cather
... of straight backs and high chests explained didactically: "The back is wonderfully expressive; indeed it is full of vital expression. Bernhardt knows this better than any other actress because she has studied statuary with the passion of a sculptor, and because she understands that, not only the face, but the entire physical structure, is capable of expressing dramatic emotions. Strong feeling and action may be strikingly revealed by the back. Imprecations, ...
— What Dress Makes of Us • Dorothy Quigley
... base as on an ideal ground, detaching from it as much as possible all foreign and accidental accessories, that the eye may rest wholly on the essential objects, the figures themselves. These figures the sculptor works out with their whole body and contour, and as he rejects the illusion of colours, announces by the solidity and uniformity of the mass in which they are constructed, a creation of no perishable existence, but endowed, with ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... for the chisel; and even the better blocks, which the native sculptors were careful to choose, are not free from these defects, and in no case offer a grain that is satisfactory. To meet these difficulties, the Phoenician sculptor occasionally imported his blocks either from Egypt or from the volcanic regions of Taurus and Amanus;[71] but it was not until he had transported himself to Cyprus, and found there an abundance of a soft, but fairly smooth, compact, and homogeneous ...
— History of Phoenicia • George Rawlinson
... dull, good-natured giants was found. The chief was a noble- looking man with an aquiline nose, and seemed to have them well under command, and some of the younger men, who had limbs which might have been a model for a sculptor, could have lifted an ordinary-sized Englishman as easily as a child. They were unluckily already acquainted with whalers, whom they thought the right sort of fellows, since they brought tobacco and spirits, did not interfere with ...
— Life of John Coleridge Patteson • Charlotte M. Yonge
... on the outside of the building was delivered by the sculptor Othmar Schimkowitz. The figurate frieze in the library was the work of the painter Josef Engerhart. The painter Ferdinand Andri executed the frescoes on the facade and Meinrich Tomec those in the department for waterways. The Emperor's ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... for going to St Petersburg, where she had a friend who was a sculptor like herself, and who lived with a wealthy Russian whose hobby was jewel-making. The emotional, rather rootless life of the Russians appealed to her. She did not want to go to Paris. Paris was dry, ...
— Women in Love • D. H. Lawrence
... M. Augustin Dumont, the celebrated sculptor,[16] and the godson of Augustin Dupre, the plate engraved from the plaster casts, and from him I learned that M. Narcisse Dupre, the son of Augustin, was still living in the south of France, at Montpellier. ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... Citadel of Athens, rose the magnificent Temple of Athena, called the Parthenon, built under the direction of Phidias, the most celebrated sculptor of that time, who adorned it with many of his works, and especially with the huge statue of Athena in ivory, forty-seven feet in height. The Acropolis was also enriched with another figure of Athena in bronze—also the ...
— The Junior Classics • Various
... have made a statue worthy of a sculptor as they stood there, the Indian girl in her splendid attire and the utmost beauty of her race, with the dagger in one hand; and the girl, pale now as a snow wreath, ...
— A Little Girl in Old Detroit • Amanda Minnie Douglas
... excite wonder in anybody, for he was one of those remarkable men who possess great beauty of countenance allied to unfortunate deformity of body. The face was that of a poet and a dreamer, the body that of a hunchback and a cripple. Painter or sculptor alike would have rejoiced to depict the face on canvas or carve it in marble—its perfect shape, fine tinting, the lines of the features, the beauty of the eyes, the wealth of the dark, clustering hair, were all as near artistic perfection as could be. But all else spoke of deformity—the ...
— The Rayner-Slade Amalgamation • J. S. Fletcher
... figures, but the gratuities bestowed by him whose largeness exceeded all that was known before were not capable of being counted by figures. And images of the goddess of speech were made of gold by the sculptor of the gods;—and the king gratified the members of the sacerdotal caste, who had arrived from all the cardinal points, by making presents to them of those images, of gold. O protector of men! when the high-souled Gaya performed his sacrificial rites, he erected sacrificial piles at so many different ...
— The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 1 • Kisari Mohan Ganguli
... ring by the people of Birmingham in grateful acknowledgment of his "varied and well-applied talents." After the presentation the company adjourned to the Old Royal Hotel (then Dee's Hotel), where a banquet took place with the Mayor, Henry Hawkes, in the chair, and Peter Hollins, the sculptor, in the vice-chair. ...
— The Inns and Taverns of "Pickwick" - With Some Observations on their Other Associations • B.W. Matz
... in the wall on my left hand a little gate which I did not remember to have ever noticed before. It looked low, but its pointed arch would have allowed the tallest man to enter. Arch and wall had been chiselled in the handsomest way, both by mason and sculptor; but it was the door itself which first properly attracted my attention. The old brown wood, though slightly ornamented, was crossed with broad bands of brass wrought both in relief and intaglio. The foliage on these, with the most natural birds sitting in it, I could not sufficiently ...
— Autobiography • Johann Wolfgang von Goethe
... They were unusually fine specimens and had the bulls been triplets they could not have been more alike even to the detail of their antlers. The cow paid little attention to us and went on feeding while the bulls, with heads held much higher than usual, stood as though in perfect pose for some sculptor. There wasn't a breath of wind and the wondrous spell must have lasted from eight to ten minutes; then a faint zephyr came and carried our tell-tale scent to them and they wheeled round and trotted away. Yet the head hunter from the city, who usually stands off at long range and fires ...
— The Drama of the Forests - Romance and Adventure • Arthur Heming
... capitals,) adorned by the figures of rams' horns carved on them. The Corinthian is very rich and delicate, with fluted pillars, and the tops beautifully ornamented with leaves, &c. The invention of this order is ascribed to Callimachus, a Corinthian sculptor. The Composite is compounded of the other four; it is very much like the Corinthian, and is also called the Roman or ...
— A Catechism of Familiar Things; Their History, and the Events Which Led to Their Discovery • Benziger Brothers
... which he does not clearly conceive. The artist must first see the picture on the white canvas, before he can paint it, and the sculptor must be able to see in the rough and uninviting stone, the outlines of the beautiful image which he is to carve. In writing, a clear idea of the formation of the different letters, and their various proportions, must become familiar by proper study, examination and analysis. Study precedes practice. ...
— Burroughs' Encyclopaedia of Astounding Facts and Useful Information, 1889 • Barkham Burroughs
... which was the general complexion among prairie folk. His mouth had the innocence of a babe's, and formed a perfect Cupid's bow, such as a girl might well be proud of. His eyes were large, inquiring and full of intelligence. His nose might have been chiseled by an old Greek sculptor, while his hair, long and wavy, was of the texture and color of ...
— The One-Way Trail - A story of the cattle country • Ridgwell Cullum
... 'Why, the sculptor always surrenders colour, and the painted form. Each has to give up something for the limitation of art. But the more modern artist gives up much more—likeness, beauty, a few features here and there—a limb now ...
— Love at Second Sight • Ada Leverson
... or rather partly behind, an alabaster column, at the foot of which arose the pellucid fountain which occupied the inmost recess of the twilight grotto. The classical mind of Elizabeth suggested the story of Numa and Egeria; and she doubted not that some Italian sculptor had here represented the Naiad whose inspirations gave laws to Rome. As she advanced, she became doubtful whether she beheld a statue or form of flesh and blood. The unfortunate Amy, indeed, remained motionless betwixt the desire which she had to make her condition known ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... a useful hint from a celebrated sculptor, who had come to the village in search of marble for the base of a soldiers' monument. Richard was laboriously copying a spray of fern, the delicacy of which eluded his pencil. The sculptor stood ...
— The Stillwater Tragedy • Thomas Bailey Aldrich
... on the top intended to represent the province of Nieuw Nederlandts destroying Great Britain, under the similitude of an eagle picking the little island of Old England out of the globe; but either through the unskillfulness of the sculptor, or his ill-timed waggery, it bore a striking resemblance to a goose vainly striving to get ...
— Knickerbocker's History of New York, Complete • Washington Irving
... One who was a sculptor, a Slav, a sometime resident in New York, an egoist, and impecunious, was to be found of an evening in June Forsyte's studio on the bank of the Thames at Chiswick. On the evening of July 6, Boris Strumolowski—several ...
— Forsyte Saga • John Galsworthy
... the greatest American sculptor, has yet achieved in his art the most American things ever done in it, is J. Q. A. Ward, the author of the "Indian Hunter," and many other noble if less native works. He was born at Urbana, in Champaign County, of the old pioneer stock; and in a region remote from artistic influences, ...
— Stories Of Ohio - 1897 • William Dean Howells
... enforced a certain calmness and continence in the statue. As soon as the statue was begun for itself, and with no reference to the temple or palace, the art began to decline: freak, extravagance, and exhibition took the place of the old temperance. This balance-wheel, which the sculptor found in architecture, the perilous irritability of poetic talent found in the accumulated dramatic materials to which the people were already wonted, and which had a certain excellence which no single genius, however extraordinary, ...
— Beacon Lights of History, Volume XIII • John Lord
... know, boy, you have it in you to be a great sculptor, a great man?—do you understand?" (talking down to the capacity of his hearer: it is a way people have with children, and men like Wolfe,)—"to live a better, stronger life than I, or Mr. Kirby here? A man may make himself anything ...
— Atlantic Monthly, Volume 7, Issue 42, April, 1861 • Various
... to the artist would bring back that ancient reverence which regards the artist of the Beautiful as one of the chief God-revealers to the race of which he is a portion; which sees in the great musical artist, or the sculptor, or the painter, a God-inspired man, bringing down the grace of heaven to illuminate the dull grey planes of earth. The artists should be the prophets of our time, the revealers of the Divine smothered under the material; and were they this, they ...
— London Lectures of 1907 • Annie Besant
... in the sculptor's art. It is doubtless needful that this art should be studied for the sake of its science. Artists, however, may be glad that Winckelmann has analyzed the Apollo Belvedere, and has given them the laws of proportion deduced from this human form divine; leaving ...
— The Right and Wrong Uses of the Bible • R. Heber Newton
... permanent tint as the Roman empress strove to procure by bathing every day in milk. Colour she had none, and thrilling must have been the emotions that could call it into her placid and pensive cheeks. Her features were not chiselled, and had any sculptor striven to imitate them on the purest marble, he would have discovered that chiselling would not do. They were at once formed and informed by the Deity. It is of no use talking about her luxurious and night-emulating hair, her lips, ...
— Rattlin the Reefer • Edward Howard
... be wounded by such an act: and, as for his rights, if he can be said to have any, we may surely reckon among them the right of not being supposed to possess such objectionable personal defects as may have been imputed to him by the malice of critics or by the incapacity of sculptor or painter, and which his remains may be sufficiently unchanged to rebut: in a word we owe him something more than refraining from disturbing his remains until they are undistinguishable from the earth in which they lie, a debt which no supposed inviolable sanctity ...
— Shakespeare's Bones • C. M. Ingleby
... and other tongues. She had always felt assured that the Dictator was there—had felt certain that he must be there—and now at last she knew that he was there. She had faith in him as one may have faith in some sculptor whose masterpiece one has not yet seen. We believe in the work because we know the man, although we have not yet seen him in his work. We know that he has won fame, and we know that he is not a man likely to put up with a fame ...
— The Dictator • Justin McCarthy
... wondrous sculptor once, a genius in his way, Named Phidias Praxiteles Canova Merryday. He sat within his studio and said, "I really must Begin a Rhodian anaglyptic ...
— The Jingle Book • Carolyn Wells
... still air the music lies unheard; In the rough marble beauty hides unseen: To make the music and the beauty, needs The master's touch, the sculptor's chisel keen. ...
— The World's Best Poetry Volume IV. • Bliss Carman
... mark— I like you, and I like not everyone! I say a wife, sir, can I help you to, The pearly texture of whose dainty skin Alone were worth thy baronetcy! Form And feature has she, wherein move and glow The charms, that in the marble, cold and still, Culled by the sculptor's jealous skill and joined there, Inspire us! Sir, a maid, before whose feet, A duke—a duke might lay his coronet, To lift her to his state, and partner her! A fresh heart too!—a young fresh heart, sir; one That Cupid has not ...
— The Hunchback • James Sheridan Knowles
... marked by the hand of Time and Endeaver. But every mark wuz a good one. The Soul, which is the best sculptor after all, had chiselled into his features the marks of a deathless endeavor and struggle toward goodness, which is God. Had marked it with the divine sweetness and passion of livin' and toilin' for the ...
— Samantha Among the Brethren, Complete • Josiah Allen's Wife (Marietta Holley)
... other relation of life the man who thinks himself wronged tries to right himself, violently, if he is a mistaken man, and lawfully if he is a wise man or a rich one, which is practically the same thing. But the author, dramatist, painter, sculptor, whose book, play, picture, statue, has been unfairly dealt with, as he believes, must make no effort to right himself with the public; he must bear his wrong in silence; he is even expected to grin and bear it, as if it were funny. ...
— Henry James, Jr. • William Dean Howells |
