"Sculptural" Quotes from Famous Books
 ... Limitations on exclusive rights: Exemption of certain performances and displays 111. Limitations on exclusive rights: Secondary transmissions 112. Limitations on exclusive rights: Ephemeral recordings 113. Scope of exclusive rights in pictorial, graphic, and sculptural works 114. Scope of exclusive rights in sound recordings 115. Scope of exclusive rights in nondramatic musical works: Compulsory license for making and distributing phonorecords 116. Negotiated licenses for public performances by ...
— Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code, Circular 92 • Library of Congress. Copyright Office.
... features of Rome is its numerous beautiful fountains, generally to be found in the piazzas, sometimes surrounded by fine architectural and sculptural groupings. It seems as if the great men of every age in this city "have found no better way of immortalizing their memories than by the shifting, indestructible, ever-new, ever-changing upgush and downfall of water. They have written their names in that unstable element, and ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux
... of the construction of Louis XIV coincided with the first sculptural decoration of Versailles. A great number of works of art were ordered for the adornment of the walks and gardens. Many statues and busts of mythological subjects that were made at Rome to the order of Fouquet, after models by Nicolas Poussin, were removed from Vaux to Versailles. ...
— The Story of Versailles • Francis Loring Payne
... Luzerne, carved into the solid rock of the Alps. When he modelled this monument, Thorvaldsen had never seen a live lion. From Luzerne, Thorvaldsen proceeded straight to Copenhagen. He was received like a royal sovereign. At Copenhagen the artist began his great series of sculptural embellishments for the Cathedral. As completed, they comprised almost all his works on religious subjects, among them the colossal "Christ and the Twelve Apostles," the grand frieze of "Christ on the ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... of figures up to Dionysos indicate rather that his place of repose is some elevation near the seashore. The contrast between the more peaceful and luxurious surroundings of the god and the violent contest with the Page 54 pirates, is thus carried out and enforced by the sculptural indications of landscape, as well as by the leading lines of the composition. Though I would not imply that the composition of this frieze was in any way governed by the laws which rule similar compositions in pediments, it is interesting and instructive to note that the general principles ...
— The American Journal of Archaeology, 1893-1 • Various
... Feast at Solhoug. It was at this low and miserable moment that Ibsen's talent suddenly took wings; he conceived, in the summer of 1858, what finally became, five years later, his first acknowledged masterpiece, and perhaps the most finished of all his writings, the sculptural tragedy of ...
— Henrik Ibsen • Edmund Gosse |
