"Sepia" Quotes from Famous Books
 ... his corrections in pencil and in a modern hand, and then he had copied them over in ink, and in a forged ancient hand. The same word sometimes recurred in both handwritings. The ink, which looked old, was really no English ink at all, not even Ireland's mixture. It seemed to be sepia, sometimes mixed with a little Indian ink. Mr. Hamilton made many other sad discoveries. He pointed out that Mr. Collier had published, from a Dulwich MS., a letter of Mrs. Alleyne's (the actor's wife), referring to Shakespeare ...
— Books and Bookmen • Andrew Lang
... eyed his canvases, large, small, and medium-sized, and, in direct contravention of their professed object in life, had refused to deal. Only one of them, a man with grimy hands but a moderately golden heart, after passing a sepia thumb over some of the more ambitious works, had offered him fifteen dollars for a little sketch which he had made in an energetic moment of William Bannister crawling on the floor. This, the dealer asserted, was the sort of "darned mushy stuff" the public fell for, and he held it to be worth ...
— The Coming of Bill • P. G. Wodehouse
... point of the island, and the next instant that same clump became swallowed up and lost in a great, dazzling, palpitating blaze of golden light, which was the body of the rising sun; the colour of the island changed from neutral tint to deep sepia, and from that to innumerable subtle tones of olive and green, as the light grew stronger, and the masses of foliage separated themselves from each other and became distinct, until the shape of each became perfectly defined and took its proper place in the picture. ...
— Turned Adrift • Harry Collingwood
... make an exhibit of objects of beauty or ornament presented to the city by its citizens. We felt that San Francisco had been kindly dealt with, but were surprised at the extent and variety of the gifts. Enlarged sepia photographs of structures, monuments, bronzes, statuary, and memorials of all kinds were gathered and framed uniformly. There were very many, and they reflected great credit and taste. Properly ...
— A Backward Glance at Eighty • Charles A. Murdock
... which the portfolio contained, were the children most affected and enchanted by one in sepia, which represented a girl kneeling before a rose-bush, from which she was gathering roses, whilst a lyre lay against ...
— The Home • Fredrika Bremer
... mean, his thoughts jumped. Could Brydges have done it? Back in the Cabin, the face in the picture seemed sentient and shining in the gloom. It was an absurd notion, of course; for the picture was a shadowy thing in dark sepia; and there was no light but the silver reflection of the moon from the Holy Cross. The Holy Cross,—what was it she had said? Nothing worth while ever won without someone being crucified? How absurdly small, ...
— The Freebooters of the Wilderness • Agnes C. Laut
... waned with the earlier hours, and heavy blue-black clouds palled the heavens. Not one hundred yards apart lay the two tugs, rolling and pitching in the seaway; the Fledgling trim and stanch, the Sovereign big and cumbersome, the funnel belching thunderclouds of sepia, her derrick booms creaking and rattling and ...
— Dan Merrithew • Lawrence Perry
... marked, here and there, by touches so felicitous and inimitable in their way, that we hardly find the like in the artist's more highly elaborated and ambitious productions. Not that one would speak of it, however, as of a drawing upon toned paper in neutral tint, or as of a picture pencilled in sepia or with crayons; one would rather liken it to a radiant water-colour, chequered with mingled storm and sunshine, sparkling with lifelike effects, and glowing with brilliancy. And yet the little work is one, when you come ...
— Charles Dickens as a Reader • Charles Kent
... pen and ink, or sepia sketch we have a deposit of a dark, non-reflecting substance, which gives the outline of a figure on a lighter background. The different gradations of shade are acquired by a more or less deposit of lead, ink, or sepia. In photography—at least in the ordinary ...
— Scientific American Supplement, No. 288 - July 9, 1881 • Various
... in a warm place. The solution, at first colourless, becomes brown, and ultimately quite opaque; in this state it is fit for use, and the longer kept the better it becomes. I generally use French paper for this process, and, according to the time of immersion, obtain fine sepia or black tints; the latter requiring long over-exposure to the light, and proportionately long exposure to the action of the liquid; which however will be found, particularly when old, to have a more rapid action than most other setting liquids, and has the merit of always affording ...
— Notes and Queries, Number 187, May 28, 1853 • Various
... fancied at first that it was paraffin wax, and smashed the glass accordingly. But the odour of camphor was unmistakable. In the universal decay this volatile substance had chanced to survive, perhaps through many thousands of centuries. It reminded me of a sepia painting I had once seen done from the ink of a fossil Belemnite that must have perished and become fossilized millions of years ago. I was about to throw it away, but I remembered that it was inflammable and burned with a good bright flame—was, in fact, an excellent ...
— The Time Machine • H. G. (Herbert George) Wells
... pharmacopoeia of medicine and not the practice of medicine. Now consider the personal means which nature has put into your hands for self-defence; for Providence has forgotten no one; if to the sepia (that fish of the Adriatic) has been given the black dye by which he produces a cloud in which he disappears from his enemy, you should believe that a husband has not been left without a weapon; and now the time has come for you ...
— Analytical Studies • Honore de Balzac
... de Sevres) was brought in on a camel fresh from the jungle of the Jardin des Plantes, and followed by quantities of natives of every variety of shade, from sepia to chocolate, as near to nature as they dared go without spoiling their beauty. Some of the costumes were very fantastic. Ladies dressed in skirts made of feathers, and beads hanging everywhere, copied after well-known ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone
... moods, but in Paul's case there was reason why he should take a gloomy view of things. His masterpiece. "The Shot Tower from Battersea Bridge," together with the companion picture "Battersea Bridge from the Shot Tower," had been purchased by a dealer for seventeen and sixpence. His sepia monochrome, "Night," had brought him an I.O.U. for five shillings. These were his sole earnings for the last six weeks, and starvation stared ...
— Happy Days • Alan Alexander Milne |
