"Tempo" Quotes from Famous Books
 ... beautiful girl Biancofiore had learned their letters, sets them to study the Holy Book, Ovid's Art of Love. 'Incominci Racheo a mettere il suo [officio] in esecuzione con intera sollecitudine. E loro, in breve tempo, insegnato a conoscer le lettere, fece leggere il santo libro d'Ovvidio, [!! S. T. C.] nel quale il sommo poeta mostra, come i santi fuochi di Venere si debbano ne' freddi cuori con sollecitudine accendere.' ['Deeply interesting—but observe, ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... movement, "A Serenade in the Royal Pear Garden," begins with a luxurious tone-poem of moonlight and shadow, out of which, after a preliminary tuning of the Chinese lute (or sam-yin), wails a lyric caterwaul (alternately in 2-4 and 3-4 tempo) which the Chinese translate as a love-song. Its amorous grotesque at length subsides into the majestic night. A part of this altogether fascinating movement came ...
— Contemporary American Composers • Rupert Hughes
... My God, can't they pick it up?" Like an echo came LaChaise's "Plus vite! Stringendo, jusque au bout!" and with a gasp the composer greeted the quickened tempo. Then as the song swept to its first tempestuous climax he clutched Mary's arm. "That's it," he cried. "Can't you ...
— Mary Wollaston • Henry Kitchell Webster
... The second movement, if played in a very singing but not dragging manner, will be found enjoyable, although by no means sensational. The ideas are musical and the spirit earnest. The finale, in the tempo of a minuet, is very pleasing indeed. Here, also, the purely musical idea rules everything. The problem with the composer is to treat an idea which pleased him, and to carry it through all the changes and modifications which occurred ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... stridulation troubled all the water, and the air, too, with the muffled, twanging, rip, rip, rip, rip. The two spines were tuned separately, the right being a full tone lower, and the backward drawing of the bow gave a higher note than its forward reach. So, alternately, at a full second tempo, the four tones rose and fell, carrying out some strange Silurian theme: a muffled cadence of undertones, which, thrilled with the mystery of their author and cause, yet merged smoothly with the cosmic orchestra of wind and ripples and ...
— Edge of the Jungle • William Beebe
... in "Locksley Hall," Tennyson says that "a sorrow's crown of sorrow is rememb'ring better things." The original is in Dante's words:- - "Nessun maggior dolore Che ricordarsi del tempo felice Nella miseria." — "Inferno," v. 121. ("There is no greater sorrow than to remember happy times ...
— The Canterbury Tales and Other Poems • Geoffrey Chaucer
... into the next, and scrappiness is avoided, and the music is of a high quality and full of vitality. Purcell frequently set a double bar at the end of a section, and makes two or more numbers where a modern composer would simply change the tempo and key-signature and go straight on, so that the scrappiness is only apparent. In this ode an instance occurs. There are fourteen numbers, but the last three are in reality one—a chorus, a quartet and a chorus repeating the opening bars of the first chorus. In a modern ...
— Purcell • John F. Runciman
... day would not tolerate. He, as well as his great compeers, was brought up in the school of Wagner, the essence of which lies in correctness, in rendering the work as the composer intended it, with conscientious attention to every detail, not only of notes, but of rhythm, tempo, phrasing, dynamics, instead of the slovenly muddling which then passed for breadth of style, and the substitution of the conductor's own subjectivity for that of the composer. It has been well expressed ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... "Yes, I hear you." Its toneless, mechanical voice droned the words. Then the tempo quickened; the grid of wires in the mouth aperture behind its parted lips vibrated with a faint jangle. "I hear you. I cannot answer that question. He controls me. There is chaos—here,"—one of the hands came up and struck its breastplate ...
— Astounding Stories, July, 1931 • Various
... you acted between your servant and Gamin:" which I did, as well as I could recollect it, and the royal audience were so much amused, that I had the honour to remain in the room and see them play at cards. At length, however, there came three gentle taps at the outer door. "Ora a tempo perche vene andata," exclaimed Her Highness at the sound, having ordered a person to call with this signal to see me out of the palace to the Rue Nicaise, where my carriage was in waiting to conduct ...
— Marguerite de Navarre - Memoirs of Marguerite de Valois Queen of Navarre • Marguerite de Navarre
... cum tucte le tue creature, Spetialimento messer lo frate sole, Lo quale jorna, et illumini per lui; Et ello e bello e radiante cum grande splendore. * * * * * Laudato si, me signore per frate Vento Et per aere et nubilo et sereno et omne tempo * * * * * Laudato, si, mi signore, per sor acqua La quale e multo utile et humele et pretiosa et casta; Laudato si, mi signore, per frate focu Per lo quale ennallumini la nocte Et ello e bello et jocundo ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... trees, seating themselves on the dry leaves and assembling like an orchestra. After all are ready, they begin beating the leaves with their hands, at first very slowly, like the quiet prelude to a symphony, and gradually increasing in tempo until the grand crescendo is reached. Then, as if by the direction of an invisible leader, the music suddenly ceases. To deny that this is to them a real concert would lead us into extreme absurdities. In this connection it is interesting to note that when a baby is expected in the ...
— The Human Side of Animals • Royal Dixon
... The Value of Stage Conventions. The Supernatural Drama. The Irish National Theatre. The Personality of the Playwright. Themes and Stories of the Stage. Plausibility in Plays. Infirmity of Purpose. Where to Begin a Play. Continuity of Structure. Rhythm and Tempo. The Plays of Yesteryear. A New Defense of Melodrama. The Art of the Moving-Picture Play. The One-Act Play in America. Organizing an Audience. The ...
— The Theory of the Theatre • Clayton Hamilton
... surprised at the measured tempo of her voice and the manner in which she permitted her eyebrows ...
— Star-Dust • Fannie Hurst
... Ammiraglio avendo cognizione delle dette scienze, comincio ad attendere al mare, e a fare alcuni viaggi in levante e in ponente; de' quali, e di molte altre cose di quei primi di io non ho piena notizia; perciocche egli venne a morte a tempo che io non aveva tanto ardire, o pratica, per la riverenza filiale, che io ardissi di richiederlo di cotali cose; o, per parlare piu veramente, allora mi ritrovava io, come giovane, molto lontano da cotal pensiero." Vita ...
— The Discovery of America Vol. 1 (of 2) - with some account of Ancient America and the Spanish Conquest • John Fiske
... heart throbbed with the quickening tempo of mingled expectation and fear. Now and then one of those chill gusts of air, which seem to be careering about aimlessly in the atmosphere during early summer, would strike into his face, and recall him to ...
— Short Story Classics (American) Vol. 2 • Various
... misuraste le strade del mare, colle mani batteste, e scivolaste sopra l'astato. Nelle onde del ghebbo 515 vagavano i cavalloni d'inverno: voi nel tenere dell' acqua sette notti appenstevi. Egli nel nuoto ti super, ebbe pi forza. Eal tempo mattutino lo port suso il flutto verso la marittima Ramia donde ei cerc la dolce patria, 520 cara a sue genti, la terra dei Brondinghi, il vago castel tranquillo, ov' egli popolo avea, rocche e gioie. Il vanto intero contro te il figlio di ...
— The Translations of Beowulf - A Critical Biography • Chauncey Brewster Tinker
... to me." Mr. Arthur Symons has recently said: "'Christabel' is composed like music; you might set at the side of each section, especially of the opening, 'largo vivacissimo', and as the general expressive signature, 'tempo rubato'." Tennyson realized the musical effect of "Paradise Lost" when he spoke of Milton as "England's God-gifted organ-voice"; and he himself in such lyrics as those in the "Princess" and the eighty-sixth canto of "In Memoriam" wrought musical effects ...
— Sidney Lanier • Edwin Mims
... se di bene acquisto, ch' esser non puo, ma perche suo splendore potesse risplendendo dir: subsisto. In sua eternita di tempo fuore, fuor d' ogni altro comprender, come i piacque, s'aperse in nuovi amor ...
— Hinduism and Buddhism, Vol I. (of 3) - An Historical Sketch • Charles Eliot
... The tempo was increasing to its highest pitch for the day. That highly complicated organism, a daily newspaper, which is apparently conceived in the wildest disorder, was about to "go to bed." Twenty typewriters were hammering out their finishing touches ...
— Death Points a Finger • Will Levinrew
... should have figured, my thoughts were coming through over a period that was, to them, equal to weeks. They recorded them, accelerated them, broadcast them all around, held elections and recorded replies to be played back to me at my own slow tempo by the time I had a new thought ready. No, they wouldn't take time to let me count the votes. And there is where you might say ...
— Inside John Barth • William W. Stuart
... Experimenting with the rolls, the stops and the power, he found there was nothing he could not do in time. Music answered—trombone, clarionet, horn, bassoon, hautboy, flute, 'cello answered. Volume and tempo were mere lever matters. On the rolls themselves were suggestions. Reaching this point, his exaltation knew no bounds. He looked upon the great array of rolls—symphonies, sonatas, concertos, fantasies, rhapsodies, overtures, prayers, requiems, meditations, ...
— Fate Knocks at the Door - A Novel • Will Levington Comfort
... and enter the tomb with her tender hand in his, before ever he thought of that cruel absence she tells of? "O donne pietose!" I hope so, and that this pilgrimage, half of love and half of letters, took place, "nel tempo nel quale la rivestita terra piu che tutto l'altro anno ...
— Italian Journeys • William Dean Howells
... Amadigi il nome Fa' incredibil' le proue Della forza dell' braccio, e del' valore: Dopo tante vittorie Tempo dunque che ascolti, Della vaga Melissa Gl' Innamorati pianti. Mira; come qui ride il fiore; e come Verdeggia il prato; e Limpido il ruscello, Qui come inriga il suolo: Tutto con l'arti sue forma d'Incanti, Per piacere t Sol', che sei ...
— Amadigi di Gaula - Amadis of Gaul • Nicola Francesco Haym
... Schumann's diary notes bearing on Chopin's first visit to Leipzig. The remaining additions concern early Polish music, the first performances of Chopin's works at the Leipzig Gewandhaus, his visit to Marienbad (remarks by Rebecca Dirichlet), the tempo rubato, and his portraits. To the names of Chopin's friends and acquaintances to whom I am indebted for valuable assistance, those of Madame Peruzzi and Madame Schumann have, therefore, to be added. My apologies as well as my ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... pointed out how quickly the tempo of modern warfare could bring into our very midst the physical attack which we must eventually expect if the dictator nations win ...
— Complete State of the Union Addresses from 1790 to the Present • Various
... figure of this fete should be a huge minuet, with the rose-dancers in the center of the sward, the other dancers joining in. After a figure or two, the tempo of the music should change, and the dancers, headed by those who have done the rose minuet, should march off the field into the background. First the pink group, then the blue group, then the green, yellow, and violet ...
— Patriotic Plays and Pageants for Young People • Constance D'Arcy Mackay
... di s'appressa, e non pote esser lunge; Si corre il tempo, e vola, Vergine unica, e sola; E'l cor' or conscienza, or morte punge. Raccommandami al tuo Figiluol, verace Uomo, e veraco Dio; Ch'accolga i mio spirto ...
— Woman in the Ninteenth Century - and Kindred Papers Relating to the Sphere, Condition - and Duties, of Woman. • Margaret Fuller Ossoli
... ben; ma teco Non tornano i sereni E fortunati di de le mie gioje: Tu torni ben, tu torni, Ma teco altro non torna Che del perduto mio caro tesoro La rimembranza misera e dolente: Tu quella sei, tu quella, Ch'era pur dianzi si vezzosa e bella; Ma non son io gia quel ch'un tempo fui, Si caro a gli ...
— Primavera - Poems by Four Authors • Stephen Phillips, Laurence Binyon, Manmohan Ghose and Arthur Shearly Cripps
... tempo is mostly 88, but varies at times and runs as-high as 92 per minute in the last half of ...
— The Tinguian - Social, Religious, and Economic Life of a Philippine Tribe • Fay-Cooper Cole
... i nevosi ed alti monti Apollo spande il suo bel lume adorno, Tal' i crin suoi sopra la bianca gonna! Il tempo e'l luogo non ch'io conti, Che dov'e si bel sole e sempre giorno; E Paradiso, ov'e si ...
— Women of the Romance Countries • John R. Effinger
... hand through his hair, smiled his timidly conciliatory smile, and tried his best to look brave; but his hand trembled and his heart thumped away at an alarmingly quickened tempo. ...
— Tales From Two Hemispheres • Hjalmar Hjorth Boyesen
... right-thinking (which has at least the advantage that it will secure for this 'epic of fox-hunting' a place in the library of every country house), is as deeply debilitated by reaction as any of our time. Its colour is hectic; its tempo feverish. He has sought the healing virtue where he believed it undefiled, in that miraculous English country whose magic (as Mr Masefield so well knows) is in Shakespeare, and whose strong rhythm is in Hardy. But the virtue eludes ...
— Aspects of Literature • J. Middleton Murry
... of Italy he married Barrere's mistress. You should have waited, got yourself elected deputy, followed the politics of a party, sometimes down in the depths, at other times on the crest of the wave, and you should have taken, like Monsieur de Villele, the Italian motto 'Col tempo,' in other words, 'All things are given to him who knows how to wait.' That great orator worked for seven years to get into power; he began in 1814 by protesting against the Charter when he was the same age that you are now. Here's your fault; you have allowed yourself to be kept subordinate, ...
— Bureaucracy • Honore de Balzac
... strength and length of bow, otherwise the notes are swallowed. In light spiccato and staccato the detached notes should be played always with a single stroke of the bow. Some players, strange to say, find staccato notes more difficult to play at a moderate tempo than fast. I believe it to be altogether a matter of control—if proper control be there the tempo makes no difference. Wieniawski, I have read, could only play his staccati at a high rate of speed. Spiccato is generally held to be more ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... without a certain enjoyment. The slowness of the tempo made it possible for Keith to keep in tune by leaning very close to the boy sitting next to him. Even the reading of the gospels and other recurring features of the service could be borne. But when the sermon began, Keith ...
— The Soul of a Child • Edwin Bjorkman
... the Quai du Midi, renamed Quai des Etats-Unis in the short-lived burst of enthusiasm of 1918. At least, the aldermen of Nice were more cautious than those of most French cities, and did not call it Quai du President-Wilson nel dolce tempo de la prima etade! Following the quay and keeping the Old Town on the left, you come to the castle hill, still called the Chateau, although the great fortress of the Savoyards was destroyed by the Duke of Berwick in the siege of 1706. The ...
— Riviera Towns • Herbert Adams Gibbons
... be part of a train of events having a definite trend; some deep-laid plan must be behind it. It takes a degree of intellectual patience added to time and experience to make one realize that even when there is a rhythm in events the tempo is so retarded that one must wait a long time to judge what is really going on. Most political events are like daily changes in the weather, fluctuations back and forth which may seriously affect individuals but which taken ...
— China, Japan and the U.S.A. - Present-Day Conditions in the Far East and Their Bearing - on the Washington Conference • John Dewey
... priests gave me a theme. I took it on a promenade and in the middle (the fugue was in G minor) I began in the major, with something jocose but in the same tempo; finally the theme again, but backwards. Finally I wondered if I might not use the playful melody as a theme for a fugue. I did not question long, but made it at once, and it went as accurately as if Daser had measured it for the purpose. The dean ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... tempo si riservo tale esecuzione per alcuni sospetti, che apparivano negli Ugonotti, e per difficolta di condurvegli tutti, e ancora perche piu sicuro luogo era Parigi che Molino." Giovambatista Adriani, Istoria de' suoi ...
— History of the Rise of the Huguenots - Volume 2 • Henry Baird
... a certain person there were laid down a white cloth, eight feet square, and on that a quilt of light green cotton, six feet square, and on that a cloth of white hemp, six feet square, and on that two rugs. On the third day of the ninth month of the ninth year of the period Tempo (A.D. 1838), at the hara-kiri of a certain person it is said that there were spread a large double cloth of white cotton, and on that two rugs. But, of these two occasions, the first must be commended for its careful preparation. If the execution ...
— Tales of Old Japan • Algernon Bertram Freeman-Mitford
... the impromptu element, to the wild ardour of first embraces that must perforce flee from the sight of fellow creatures, than to the kind of graduated passion which begins with conversation, proceeds to a public engagement with staring people all about you, and ends with the still more measured tempo of a Church wedding. All the waiting, all the temporising, all the toadlike deliberation that these various slow steps involved, ran counter to her deepest feeling, that her love must be a matter of touch and go, a sudden kindling of two fires, the burning not of green ...
— Too Old for Dolls - A Novel • Anthony Mario Ludovici
... had done away with it. Youth, in the wake of commerce, had ebbed from Kings Port, had flowed out from the silent, mourning houses, and sought life North and West, and wherever else life was to be found. Into my revery floated a phrase from a melodious and once favorite song: O tempo passato perche ...
— Lady Baltimore • Owen Wister
... sapesse lejere li antichi pataffii. Tutte scritture antiche vulgarizzava; quesse fiure di marmo justamente interpretava. On come spesso diceva, "Dove suono quelli buoni Romani? dove ene loro somma justitia? poleramme trovare in tempo che quessi fiuriano!"] ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... arrivato il tempo in cui il fiore della reale nostro gioventu deve maturare i Frutti della nostra vecchiezza, e confortare con quell i desiderii dei populi nostri divoti, e propogare il seme di quella pianta che deve proteggerli, habbiamo ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... nostro terrore. O Visnu, nasce da un Racsaso per nome Ravano, spavento dell' universo. Vestendo umano corpo, tu debbi esterminar costui. Nessuno fra i Celesti, fuorche tu solo, e valevole ad uccidere quell' iniquo. Egli, O domator de' tuoi nemici, sostenne per lungo tempo acerbissime macerazioni: per esse fu di lui contento l'augusto sommo Genitore: e un di gli accordo propizio la sicurezza da tutti gli esseri, eccettutine gli uomini. Per questo favore a lui concesso nou ha egli a temere offesa ...
— The Ramayana • VALMIKI
... yen is a note representing a dollar, or about 3s. 7d. of our money; a sen is something less than a halfpenny; a rin is a thin round coin of iron or bronze, with a square hole in the middle, of which 10 make a sen, and 1000 a yen; and a tempo is a handsome oval bronze coin with a hole in the centre, of which 5 make 4 sen. Distances are measured by ri, cho, and ken. Six feet make one ken, sixty ken one cho, and thirty-six cho one ri, or nearly 2.5 English miles. When I write of a road ...
— Unbeaten Tracks in Japan • Isabella L. Bird
... splendore; de te, altissimo, porta significatione. Laudato si, mi signore, per sora luna e le stelle, in celu l' ai formate clarite et pretiose et belle. Laudato si, mi signore, per frate vento et per aere et nubilo et sereno et onne tempo, per le quale a le tue creature dai sustentamento. Laudato si, mi signore, per sor acqua, la quale e multo utile et humele et pretiosa et casta. Laudato si, mi signore, per frate focu, per lo quale ennallumini la nocte, ed ello e bello et jucundo et robustoso et forte. Laudato si, mi signore, ...
— Life of St. Francis of Assisi • Paul Sabatier
... Dio. Mta. d' incaminar nel principio del suo pontificato si felicemente e honoratamente le cose di questo regno, havendo talmente havuto in protettione il Re e Regina Madre che hanno saputo e potuto sbarrare queste pestifere radici con tanta prudenza, in tempo tanto opportuno, che tutti lor ribelli erano sotto chiave in gabbia (Salviati, Desp. Aug. 24; Theiner, i. ...
— The History of Freedom • John Emerich Edward Dalberg-Acton
... a steady line of stretchers going out, yet the station was so full that hardly a bit of the vast floor space was unoccupied. One walked down a narrow path between a sea of bandaged bodies. Shouldering what baggage they had, those able to walk plodded in a strange, slow tempo to the waiting automobiles. All by themselves were about a hundred poor, ragged Germans, wounded prisoners, brothers of the French in this ...
— A Volunteer Poilu • Henry Sheahan
... "Ed un tempo propizio la accompagna: la ricostituzione dell' Epiro nei suoi quattro vilayet autonomi quale e nei propri consigli e nei propri desideri; ricostituzione, che pel suo Giornale, quello dell' ottimo A. Lorecchio—cui precede il principe Nazionale Kastriota, ...
— Old Calabria • Norman Douglas
... probably have had recourse to a long and elaborately worked-up "messenger-speech," a pathetic recitation. That was the method best suited to the conditions, and to what may be called the prevailing tempo, of the Greek theatre. I am far from saying that it was a bad method: no method is bad which holds and moves an audience. But in this case it would have had the disadvantage of concentrating attention on the narrator instead of on the child's ...
— Play-Making - A Manual of Craftsmanship • William Archer
... al calcolar de' punti, Par ch' Asinina Stella a noi predomini, E'l Somaro e'l Castron si sian congiunti. Il tempo d'Apuleio piu non si nomini: Che se allora un sol huom sembrava un Asino, Mille Asini a' miei ...
— Biographia Literaria • Samuel Taylor Coleridge
... will. "Perfectly so," said the woman. Whereupon the attorney set out again for London, and the Colonel resumed his journey with Lady Cathcart to Ireland, where, on his arrival at his own house at Tempo, in Fermanagh, his wife was imprisoned for many years." During this period the Colonel was visited by the neighbouring gentry, "and it was his regular custom at dinner to send his compliments to Lady Cathcart, informing her that the company had the honour ...
— Strange Pages from Family Papers • T. F. Thiselton Dyer
... of the play. It is a night scene in a wood near Athens; mossy banks and green trees; clouds and twinkling stars in the heavens; forms of fairies sitting about like humming birds, or resting in nodding fern leaves. They sing in quick, short rhymes, suiting the tempo to their actions:— ...
— Shakespeare's Christmas Gift to Queen Bess • Anna Benneson McMahan
... Handel seems to have returned to the patronage of Cardinal Ottoboni, in whose palace he produced a serenata (i.e. an allegorical cantata) called Il Trionfa del Tempo e del Disinganno, which he remodelled fifty years afterwards as The Triumph of Time and Truth. The libretto was by Cardinal Pamphilij. It was the overture to this work which caused so much difficulty to Corelli. Handel, irritated ...
— Handel • Edward J. Dent
... your accurate fingering of the piano," she observed irrelevantly, surveying his work with her lips pursed. "A pair of calipers would prove every piece exactly, the same width; and even when you play a Meditation? I'm sure the metronome would waggle in perfect unison with your tempo. I wonder—" She glanced up at him speculatively. "—I wonder if you think with such mathematical precision. Do you always find that two ...
— Cow-Country • B. M. Bower
... news. Either he would recover completely or he would die. He would not be crippled permanently. Another factor in his favor was the sonic accelerator. By finding the natural resonance of the one-celled creature and gradually increasing the tempo of the sound field, the doctor could grow and test ten generations in the laboratory while one generation was breeding in the body. Bolden was the first patient actually being observed with the disease, but the time element wasn't as ...
— Bolden's Pets • F. L. Wallace
... But the tempo changed abruptly. The desperado's back brought up against the swinging kitchen door; it gave to his weight and decision was born of that instant. With a cry he flung himself backward, the spring door snapped to and swallowed him up with the speed of a camera ...
— Flowing Gold • Rex Beach
... very slow on the emphatic word. If you have been talking on a low pitch, jump to a high one on the emphatic word. If you have been talking on a high pitch, take a low one on your emphatic ideas. Read the chapters on "Inflection," "Feeling," "Pause," "Change of Pitch," "Change of Tempo." Each of these will explain in detail how to get emphasis through the ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein
... I saw the idea coming into his head as he stood there, thinking what new joke he'd have with me. Yes, sir: that's the sort he is: very pleasant, ve—ry off hand and affable indeed, sir. (Again changing his tempo to say to Valentine, who is putting his stick down against the corner of the garden seat) If you'll allow me, sir? (Taking Valentine's stick.) Thank you, sir. (Valentine strolls up to the luncheon table and looks at the menu. ...
— You Never Can Tell • [George] Bernard Shaw
... nasce a morte arriva Nel fuggir del tempo, e'l sole Niuna cosa lascia viva.... Come voi, uomini fummo, Lieti e tristi, come siete; E or siam, come vedete, Terra ...
— Musicians of To-Day • Romain Rolland
... without destroying the tonality. Jean de Muris was born in Normandy. He was a doctor in the Sorbonne, and from 1330 a deacon and a canon. He died in 1370. He was a learned man of an active mind. He speaks of three kinds of tempo—lively, moderate and slow. He says that Pierre sometimes set against a breve four, six, seven and even nine semibreves—a license followed to this day in the small notes of the fioratura. This ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews
... Simplify simpligi. Simply (adv.) simple, nur. Simultaneous samtempa. Sin peko. Sin peki. Sinapis sinapo. Sinapism sinapa kataplasmo. Since (conjunction) tial ke, cxar. Since then de tiu tempo. Since (adv.) antaux ne longe. Sincere sincera. Sincerity sincereco. Sinecure senlaborofico. Sinew tendeno. Sinful pekema. Sing kanti. Singing (the art) kantarto. Single (alone) sola. ...
— English-Esperanto Dictionary • John Charles O'Connor and Charles Frederic Hayes
... Joedy were thrilled. They adored the tales of his twelve battles and the hole in his knee, even more than their mother had before them, being younger and boys. It was as lovely a land as I had remembered it, only, of course, there were changes. The motor showed that. I should not say that the tempo of life had been quickened so much as that its radius had been widened, or that the focus was different; the old spell was the same. To reconcile the past and the present, I have thought of a beautiful ...
— The Smiling Hill-Top - And Other California Sketches • Julia M. Sloane
... he appreciated the importance of giving consideration to the peculiarities of instrumental media he illustrated once when at a private rehearsal of music for one of my Wagnerian lectures, at which he had intended to play, but had been prevented by a sudden duty-call at the opera, he quickened the tempo considerably for the pianist beyond that heard at his own readings of the opera, and added in explanation: "Nie langweilig werden am Clavier!" ("One must never be tedious ...
— Chapters of Opera • Henry Edward Krehbiel
... Naval Personnel also stepped up the tempo of its reforms. In March 1944 it had already made black cooks and bakers eligible for duty in all commissary branches of the Navy.[3-110] In June it got Forrestal's approval for putting all rated cooks and stewards in chief petty officer uniforms.[3-111] (While providing finally for the ...
— Integration of the Armed Forces, 1940-1965 • Morris J. MacGregor Jr.
... hypnosis, her surface senses dulled by the potent "wine of China." And watching her closely, Victor permitted himself a smile of satisfaction as he noted the rapidity with which she yielded to the hypnogenic spell of the translucent quartz; how her breathing quickened, then took on a measured tempo like that of a sleeper; how a faint flush warmed the unnatural pallor of her cheeks, how her dilate eyes grew fixed in an ...
— Red Masquerade • Louis Joseph Vance
... knives.'—'Mazza ben,' excessive attachment,—literally, 'I wish you well even to killing.' Then they say (instead of our way, 'Do you think I would do you so much harm?') 'Do you think I would assassinate you in such a manner?'—'Tempo perfido,' bad weather; 'Strade perfide,' bad roads,—with a thousand other allusions and metaphors, taken from the state of society and habits in ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore
... lithograph of the portrait of "Giorgio Byron," by G.H. Harlow. A translation, "Al Tempo," "Time on whose arbitrary wing," pp. [129], 131, follows the Notes to the Corsair. The translation includes the four additional lines at the end of Canto I. stanza xi., but not the Note on ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... up the dishes as usual, but Miss Mehitable pushed her out of the room with a violence indicative of suppressed passion. So, humming a hymn at an irreverent tempo, Araminta went out and sat down on the front porch, spreading down the best rug in the house that she might not soil her ...
— A Spinner in the Sun • Myrtle Reed
... indistinguishable; all of them talk in the same strained, throaty whisper. Between their remarks they pause, clear their throats, blow their noses, and shuffle in their chairs. They are intensely uncomfortable. Tempo: Adagio lamentoso, with occasionally a rise ...
— A Book of Burlesques • H. L. Mencken
... brusk person who strode through the reception-hall. He was radiantly and boyishly happy. He was clasping the girl tenderly. He directed her steps in a small circle outside the throng of dancers, and waltzed as slowly as the tempo would allow. ...
— All-Wool Morrison • Holman Day
... The conductor graduated the tempo so as to include the rhythmic beat of the hammer with the other instruments in his band. The blacksmith looked, smiled and let his hammer fall in consonance with the beat of the boy's hand, and for some moments there was glorious harmony between anvil ...
— The Major • Ralph Connor
... From a back corner he brought out a small machine with an especially meditative tempo in its standby-lamp flicker. The tempo accelerated a little when he put it ...
— The Machine That Saved The World • William Fitzgerald Jenkins
... season, interval, interim, lapse, interregnum, period; season, opportunity, leisure; tense; (Mus.) measure, tempo; perpetuity; usance; age, date, eon, epoch, era, term. Associated Words: horology, horography, horometry, chronology, chronological, anachronism, anachronistic, synchronology, synchronal, synchronous, synchronism, ...
— Putnam's Word Book • Louis A. Flemming
... voice of the justice of the peace sounded out as the pair—or rather the trio—stood before him at the foot of the great walnut, the astonishment which had been simmering in the crowd broke into audible being again and with a rising tempo. ...
— The Roof Tree • Charles Neville Buck
... spare, and grizzled. The torpor of the little town had taken the light from his eyes and reduced the tempo of his movements, but, in spite of all, he had preserved certain vivid features of his personality. He had the long, educated hands of the surgeon and the tyrannical aspect of the physician who has struggled all his life with disobedience and perversity. He returned Kate's ardent ...
— The Precipice • Elia Wilkinson Peattie
... faritaj por doni similan ilon. Unu post la alia, ili malgrandigxadis gxis la nuna tempo, kiam Esperanto venkis. Estas kredeble ke, je kuro de agxoj, homara sagxeco povus elpensi lingvon pli idealan ol Esperanto, sed ni ne povas atendi. Ni bezonas helpantan lingvon, kaj ni tuj bezonas gxin. Kaj, cxar per unanima ...
— The Esperantist, Vol. 1, No. 1 • Various
... costume della natura sua quasi smarrita. Le dimostrazioni del Duca di Guisa furono piene d' affettuosa umilta e di profonda sommissione: le parole della Reina ambigue, dicendoli; che lo vedeva volentieri, ma che molto piu volontieri l' arebbe veduto in altro tempo; alla quale egli rispose con sembiante modestissimo ma con parole altiere: Ch' egli era buon servitore del Re, e che avendo intese le calunnie date all' innocenza sua, e le cose che si trattavano contra la religione e contra gli uomini dabbene di quel popolo, ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... sense involves the responsibility of having the music performed at the correct tempo, with appropriate dynamic effects, with precise attacks and releases, and in a fitting spirit. This in turn implies that many details have been worked out in rehearsal, these including such items as making certain ...
— Essentials in Conducting • Karl Wilson Gehrkens
... Protinus, abducto patuerunt temple Metello. Tunc rupes Tarpeia sonat: magnoque reclusas Testatur stridore fores: tune conditus imo Eruitur tempo multis intactus ab annnis Romani census populi, &c. Lucan. Ph. ...
— The Divine Comedy • Dante
... with it. It crept into the workroom—into the shipping-room. It penetrated the frowsy head of Jake, the elevator-man. As the days went on and the tempo of the front office slackened with that of the two bright little inner offices, only one member of the whole staff remained unmoved, incurious, taciturn. Pop Henderson listened, one scant old eyebrow raised knowingly, a whimsical half-smile screwing ...
— Emma McChesney & Co. • Edna Ferber
... along to the next one, continually exchanging their partners. As the dancers passed me by, one after another, they noticed me, and many among them scowled and looked angry and displeased. Suddenly the drum stopped for a few minutes. Then it began in a faster tempo. Now the men remained stationary, while the ladies made the circuit of the room and each one in her turn passed in front of me. They looked lovely in their costumes of finely embroidered snow-white single garments, trimmed with many silver ...
— Tales of Aztlan • George Hartmann
... few notes fell under the desks at the back of the orchestra. Lamoureux had laboriously rehearsed every inch of his repertory until it was note-perfect, and each of his men knew the precise bowing, phrasing, degree of piano or forte, and tempo of every minutest phrase. Now I do not mean by this that the orchestras on which Richter and Mottl performed played many wrong notes, while the Lamoureux orchestra played none; and still less do I mean that Lamoureux ...
— Old Scores and New Readings • John F. Runciman
... orchestra will interest you; they play with a snap and fire and a tempo that is irresistible. They have played together so long that they have become known as the best of all the ...
— The Real Latin Quarter • F. Berkeley Smith
... glad soil, the tender clusters grow With purple ripeness, and invest each hill As with the blushes of an evening sky? Or wilt thou rather stoop thy vagrant plume, Where gliding through his daughters honour'd shades, The smooth Peneus from his glassy flood Reflects purpureal Tempo's pleasant scene? Fair Tempe! haunt beloved of sylvan Powers, Of Nymphs and Fauns; where in the golden age 300 They play'd in secret on the shady brink With ancient Pan: while round their choral steps Young Hours and genial Gales with constant hand Shower'd blossoms, odours, shower'd ...
— Poetical Works of Akenside - [Edited by George Gilfillan] • Mark Akenside
... the play began to get real good, the fast tempo and exaggerated facial expressions actually helping it. By the time the Dagger Scene came along I was digging my fingernails into my sweaty palms. Which was a good thing—my eating up the play, I mean—because it kept me from looking ...
— No Great Magic • Fritz Reuter Leiber
... donna, onde sia colto Nella sua rete alcun novello amante; Ne con tutti, ne sempre un stesso volto Serba; ma cangia a tempo atto e sembiante." Tasso, Jerus. Del., c. iv., ...
— Emile • Jean-Jacques Rousseau
... first place the process of disintegration was a slow one, for the whole tempo of life was slow and what might take decades in our own time took centuries then. It is only because we can look back from the vantage point of a much later age that we can see the inexorable pattern ...
— Medieval People • Eileen Edna Power
... mouth like that of a greyhound merely flashed now and then in the wild tempo of the waltz she was performing. She danced with such temperament and skill that a storm of applause greeted her. Someone even threw her a bouquet. She picked it up and, retreating from the stage, smiled coquettishly like a veteran actress, sniffing in with distended nostrils ...
— The Comedienne • Wladyslaw Reymont
... Independence. Under this head may be placed his various instructions relative to tempo, expression, and the like. The signature, three sharps, was set down by the editor, as the result of an answer to his inquiry. But the time—six-eight—was written in (on the editor's request) by the Composer himself. It was a ...
— The Shadow World • Hamlin Garland
... and fortified in body and spirit, he turned face to the wall, composed himself as if to sleep, shut his eyes, adjusted the tempo of his respiration, and lay quite still, wide awake ...
— The False Faces • Vance, Louis Joseph
... in that hurried tempo of five ticks to the second which has been the habit of clocks since time immemorial. Very small and trivial noises came from the background tape, preventing utter silence from hanging intolerably in the ship. They were traffic-sounds, ...
— Pariah Planet • Murray Leinster
... mondo aver tesoro, O diletto, e piacere, honore, e stato, Ponga la mano a questa chioma d'oro, Ch'lo porto in fronte, e lo faro beato; Ma quando ha in destro si fatto lavoro Non prenda indugio, che'l tempo passato Perduto e tutto, e non ritorna mai, Ed io mi volto, e lui lascio ...
— The History Of The Conquest Of Peru • William H. Prescott
... and the celli began to sigh the mournful phrase which ushers in the symphony. Milton leaned back luxuriously as the woodwind commenced the next phrase; and then, while the introduction ended with a sweeping crescendo and the tempo suddenly increased, Elkan sat up and his eyes became fixed on the trombone and ...
— Elkan Lubliner, American • Montague Glass
... another roses, why the many can get along with maples when elms and beeches are to be had, why one man will exchange a roomful of man-fired porcelain for one bowl of sunlit alabaster. No chance anywhere. We call unto ourselves that which corresponds to our own key and tempo; and so long as we live, there is a continual re-adjustment without, the more unerringly to meet ...
— Child and Country - A Book of the Younger Generation • Will Levington Comfort
... is greatest at the slowest tempo included in the series, namely, one beat per second, and it declines as the rate of succession increases. It is impossible from this curve to say, however, that the subjective rhythmization of uniform material becomes more pronounced in proportion as the intervals between the successive stimulations ...
— Harvard Psychological Studies, Volume 1 • Various
... We had a little difficulty over the Russian National Hymn, which they, naturally, wanted to play. The Chef de Fanfare came to see me one day and we looked over the music together. I had it only for the piano, but I explained the tempo and repetitions to him and he arranged it very well for his men. They made quite an imposing entrance. Half the population of La Ferte escorted them (all much excited by the idea of seeing the Russian Ambassador), and they were ...
— Chateau and Country Life in France • Mary King Waddington
... en la nuna tempo neniu 2. Because at the present time no esploranto en la tuta mondo one who looks out over the whole jam dubas pri tio, ke lingvo world any longer doubts that internacia povas esti nur lingvo an international language can arta, kaj cxar, el cxiuj ...
— International Language - Past, Present and Future: With Specimens of Esperanto and Grammar • Walter J. Clark
... whereto Mr. Stevens sang in a high-pitched and rather shaky tenor the latest musical success yclept "Sammy." Thus, Mr. Jenkins strummed, Mr. Stevens trilled, and Mr. Brimberly alternately beat the tempo with a plump white finger and sipped his master's champagne until, having emptied his glass, he turned to the bottle on the table beside him, found that empty also, crossed to the two bottles on the mantel, found them likewise ...
— The Definite Object - A Romance of New York • Jeffery Farnol
... and Greene and Marlowe. Its childlike grasping after sensuous pleasure is often shadowed by the sword, and by quick-coming thoughts of the brevity of mortal things. Yet it is always spontaneous, swift, alive. Its individual voices caught the tempo and cadence of the race and epoch, so that men as unlike personally as Spenser, Marlowe and Donne are each truly "Elizabethan." Spenser's "vine-like" luxuriance, Marlowe's soaring energy, Donne's grave realistic subtleties, illustrate indeed that note of individualism ...
— A Study of Poetry • Bliss Perry
... little "Berceuse," which has found a place in the "Nuptial Album" of Haslinger. Perhaps the continuous pedal D-flat will amuse you. The thing ought properly to be played in an American rocking- chair with a Nargileh for accompaniment, in tempo comodissimo con sentimento, so that the player may, willy-nilly, give himself up to a dreamy condition, rocked by the regular movement of the chair-rhythm. It is only when the B-flat minor comes in that there are a couple of painful accents...But why am I ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... lost in the viewports when a sort of upswept tempo began to run through the ship, an undercurrent of increased activity. Cargo was checked, inventoried and strapped in. Ringg was given four extra men to help him, made an extra tour of the ship, and came back buzzing like a frantic cricket. Bart's computers told him they were forging ...
— The Colors of Space • Marion Zimmer Bradley
... should never dare offer them anything more wildly exciting than a church service or a lecture on psychology, with perhaps a band concert hinted at, provided the band could be properly instructed beforehand as to tempo and selections. But now—really, Billy, why do you suppose they have taken such a fancy to these kiddish stunts—those ...
— Miss Billy • Eleanor H. Porter
... the vexed question of the interpretation of music by children. An interesting point can be noted about the practice of the early classical composers. They were accustomed to give the minimum amount of indication as to tempo and general detail for the performance of ...
— Music As A Language - Lectures to Music Students • Ethel Home
... Bianca and Pizzicato repaired to their father's brother-in-law, who was well known as a lavish entertainer. He was one Rapidamente Tempo di Valse, a widower, living with his two sons, Lento and Comprino, handsome lads both in the first flush of manhood, and both destined to fall victims to Bianca's compelling attractions. Contemporary history informs us that Bianca stayed in ...
— Terribly Intimate Portraits • Noel Coward
... The tempo quickened and the rhythm; and the tones grew higher and richer, ringing, more passionate. Such acting—such singing! It was as if the Walkuere herself had come out of the trance back to life, and the audience saw Bruennhilde in the flesh. The House ...
— The Black Cross • Olive M. Briggs
... the stage. The applause died away, and the contralto once more sang the aria. The melody was simple, the tempo easily followed; it was not a very high order of music. But to Laura it was ...
— The Pit • Frank Norris
... Goffstown Muster was a quicker tempo and had a better climax. 'Twas the great occasion of the annual military reviews. He graphically described boys driving colts hardly broken; mothers nursing babies, very squally; girls and their beaux sitting in the best wagon holding hands and staring about (as Warner said to me, ...
— Memories and Anecdotes • Kate Sanborn
... serenely than Mrs. Prichard, per contra, could mention Phoebe. But, then, think how differently the forty-five years had been filled out in either case. Maisie had been forced to ricordarsi del tempo felice through so many years of miseria. Phoebe's journey across the desert of Life had paused at many an oasis, and their images remained in her mind to blunt the tooth of Memory. The two ladies at least heard nothing in the old woman's voice that one does not hear in any human ...
— When Ghost Meets Ghost • William Frend De Morgan
... Molti disegni di gruppi. VASARI in his life of Leonardo (IV, 21, ed. MILANESI 1880) says: "Oltrech perse tempo fino a disegnare gruppi di corde fatti con ordine, e che da un capo seguissi tutto il resto fino all' altro, tanto che s'empiessi un tondo; che se ne vede in istampa uno difficilissimo e molto bello, e nel mezzo vi sono queste parole: ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... unwholesome melancholy, than wine, which, I suppose, was Horace's sentiment, when he said, With wine drive away care. The words in the original are, Ma sono in qualche parte scusabili, per che essendo l'aria del paese il pui del tempo humida et malinconica, non potrieno peraventura trovar instromento piu idoneo a scacciare et battere la malinconia odiosa et mal sana che il vino, si come pare che accerni Horatio dicendo. ...
— Ebrietatis Encomium - or, the Praise of Drunkenness • Boniface Oinophilus
... tempo in order, in some way, to manage the recitative of the double basses; but it was utterly hopeless. Pohlenz was in a bath of perspiration, the recitative did not come off, and I really began to think that Beethoven must have written nonsense; the double bass ...
— My Life, Volume I • Richard Wagner
... conceded in individual instances, but which have failed permanently to affect the symphonic form. Schumann has two trios in his symphony in B-flat, and his E-flat, the so-called "Rhenish," has five movements instead of four, there being two slow movements, one in moderate tempo (Nicht schnell), and the other in slow (Feierlich). In this symphony, also, Schumann exercises the license which has been recognized since Beethoven's time, of changing the places in the scheme of the second and third movements, giving the second place ...
— How to Listen to Music, 7th ed. - Hints and Suggestions to Untaught Lovers of the Art • Henry Edward Krehbiel
... temendo, se parimente i Re di Castiglia non assentissero alla sua impresa, non gli bisognasse proporla di nuouo a qualche alto principe, e cosi in cio passasse lungo tempo; mando in Inghilterra vn suo fratello, che haueua appresso di se, chiantato Bartholomeo Colon: il qual, quantunque non hauesse lettere Latine, era pero huomo prattico, e giudicioso nelle cose del mare, e sapea molto bene far carte da nauigare, e sphere, et altri instrumenti di ...
— The Principal Navigations, Voyages, Traffiques, and Discoveries of The English Nation, Vol. XII., America, Part I. • Richard Hakluyt
... finger, molded to the precise proportions of a woman, and costumed after the bizarre fashion of the Ardcarran dancing girls. Evarin touched no button or key that I could see, but when he set the figure on its feet, it executed a whirling, armtossing dance in a fast, tricky tempo. ...
— The Door Through Space • Marion Zimmer Bradley
... succession; and you would suppose I was acquainted with its contents. But the commissioner (worthy man) spends his days in doing little else; and when we bear in mind the parallel case of the irreverent curate, we need not be surprised that he took the passage tempo prestissimo, in one roulade of gabble—that I, with the trained attention of an educated man, could gather but a fraction of its import—and the sailors nothing. No profanity in giving orders, no sheath-knives, Midway Island and any other port the master may direct, not to exceed six calendar ...
— The Wrecker • Robert Louis Stevenson and Lloyd Osbourne
... me also for a few metronomical indications of the tempo. I consider this quite unnecessary, because I rely in all things on your artistic sympathy so thoroughly as to know that you need only be in a good humour with my work to find out the right thing everywhere; for the right thing consists in this only: that the effect corresponds ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... it is!" Thurmon raised himself again, with an effort. "Your study of history should have taught you one thing, if nothing else. The tempo is quickening. While it took mankind thousands of years to move from the bow and arrow to the rifle, it took only a few hundred to move from the rifle to the thermonuclear weapon. It took ages before men mastered flight, and then in two generations they developed satellites; ...
— This Crowded Earth • Robert Bloch
... redoubled energy, to pause in his turn, however, when the landau took, a little beyond the Tomb of Caecilia, a transverse road in the direction of the Ardeatine Way. It was there that 'l'Osteria del tempo perso' was built, upon the ground belonging to Cibo, on which the duel ...
— Serge Panine • Georges Ohnet
... statement. In content the younger child keeps her attention on one point, so to speak, while the older child allows a slight movement like an embryonic narrative. The pattern of the three-year-old's is considerably more complex. The phrases shorten, the tempo quickens, until the whole swings off into wordless melody. The fourth probably started from some remembered lullaby but quickly became the child's own. I give two more examples of stories. In the first, does not ...
— Here and Now Story Book - Two- to seven-year-olds • Lucy Sprague Mitchell
... could only keep an eye open for me. Thank you, sir. I am glad to see that men of letters are still considerate of their fellow craftsmen. Ah, you would have liked Jack London. Did you know him? You know, we live in an age of jazz. Yes, sir, the tempo is fast. Life has lost its andante. Materialism has triumphed. There is no longer room for the spirit to expand. Machines are in the way. Noises invade the sanctity of ...
— A Thousand and One Afternoons in Chicago • Ben Hecht
... quick tempo, with the staccato clangor of the kettle drums of the dynamite when he burst the icy sheathing of the waters in order to ...
— Joan of Arc of the North Woods • Holman Day
... of notice, that Vespucci commences his first letter to Lorenzo de Medici in 1500, within a month after his return from the voyage he had actually made to Paria, and apologizes for his long silence, by saying that nothing had occurred worthy of mention, ("e gran tempo che non ho scritto a vostra magnifizensa, e non lo ha causato altra cosa ne nessuna salvo non mi essere occorso cosa degna di memoria,") and proceeds eagerly to tell him the wonders he had witnessed in the expedition from which he had but ...
— The Life and Voyages of Christopher Columbus (Vol. II) • Washington Irving
... untrained successful dancer; there never has been; there never will be. Given that one has the ability requisite to a knowledge of the dance, the rest comes from active training, and nothing else. And by "ability" I do not mean experience, but rather that natural talent to step to music and observe tempo and rhythm that every dancer must possess. It is a talent inborn in the dancer, and needs only proper development under competent instruction to bring out all the possibilities that are in one. Beyond that, and after the days of instruction are over, ...
— The Art of Stage Dancing - The Story of a Beautiful and Profitable Profession • Ned Wayburn
... course, is not to be measured in terms of the past, and the tempo of the present and of the calculable future is in many bearings very different from that which has ruled even in the recent historical past. But then, on the other hand, habituation always requires time; more particularly such habituation as is to take effect throughout a populous nation and ...
— An Inquiry Into The Nature Of Peace And The Terms Of Its Perpetuation • Thorstein Veblen
... paterno; e che le carni, e l' erbe, e l' altre cose tutte putrefatte, o putrefattibili non facciano altra parte, ne abbiano altro ufizio nella generazione degl' insetti, se non d'apprestare un luogo o un nido proporzionato, in cui dagli animali nel tempo della figliatura sieno portati, e partoriti i vermi, o l' uova o l' altre semenze dei vermi, i quali tosto che nati sono, trovano in esso nido un sufficiente alimento abilissimo per nutricarsi: e se in quello non son portate dalle madri queste suddette semenze, niente mai, e replicatamente niente, ...
— Discourses - Biological and Geological Essays • Thomas H. Huxley
... Tristan, King Marke's speech at the end of Act II., and I may say at once that after all that has been said the objections cannot be entirely set aside. It numbers nearly two hundred bars in slow tempo, and takes about ten minutes. The argument generally used in defending it is that the action is laid within, and the interest is in the music. But the objection—to me at least—is not that the action is at a standstill, but that the scene is undramatic, and much of it unmitigated prose. ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... no doubt, and can imagine the tempo of these cries, the cumulative rush of the spelled out letters, the booming roar at the end. The voice of Bertie beat back from the wind-shield with devastating effect upon our ears; and then our car rolled on, and the clamor died away, and I answered the questions of ...
— They Call Me Carpenter • Upton Sinclair
... narrative becomes heroic, and it might be in order for you, O capable and delectable one, to switch from humble stating to loud singing. Only don't do it. State on. State how the rage into which he had fallen served to lend precision to the major's eye, steel to his wrist, rhythm to his tempo, and fiery ambition to his gentle and retiring soul. He is filled with memories of daring: of other battles in other days. He remembers what times he sought the bubble reputation in the cannon's mouth, and spiked the aforementioned cannon's touch-hole into the bargain. And he remembers ...
— IT and Other Stories • Gouverneur Morris
... the monastery of Aughadurcher (now Aughalurcher). But at the time, when Cromwell was in this country, the monastery was destroyed, and this Ark of the Covenant hid by some of the faithful at a small lake, named Lough Eye, between Lisbellaw and Tempo. It was removed thence when peace was restored, and again placed in some one of the neighboring chapels, when, as before in Aughalurcher, the oaths were administered with all the superstition that a depraved imagination could, invent, as "that their thighs might rot off," "that they might go ...
— The Hedge School; The Midnight Mass; The Donagh • William Carleton
... God's Spirit, and he sang: 'Laudato sia Dio mio Signore, con tutte le creature, specialmente messer lo frate sole; per suor luna, e per le stelle; per frate vento e per l'aire, e nuvolo, e sereno e ogni tempo.' Half the value of this hymn would be lost were we to forget how it was written, in what solitudes and mountains far from men, or to ticket it with some abstract word like Pantheism. Pantheism it is not; but ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... disse: 'O bella dama, Conosci l'ora de la tua ventura, Dapoi che un tal Baron piu the che se t'ama, Che non ha il Ciel piu vaga creatura. Forse anco avrai di questo tempo brama, Che'l felice destin sempre non dura; Prendi diletto, mentre sei su 'l verde, Che l'avuto piacer mai non si perde. Questa eta giovenil, ch' e si gioiosa, Tutta in diletto consumar si deve, Perche quasi in un punto ci e nas cosa: Como dissolve 'l ...
— History of Friedrich II. of Prussia, Vol. XXI. (of XXI.) • Thomas Carlyle
... lights, nobles granting trinkets, bravos from a thousand throats, Nathan surrounded by endless wreaths of laurel,—Oh, it is all too much,—"Nathan! Nathan! you are playing far too fast. One, two, three, four,—one, two, three, four,—there, that is the tempo Clementi would have had it. Fine! Some day, Nathan, you will be a great pianist ...
— Great Pianists on Piano Playing • James Francis Cooke
... was simple, but formal: a herald sounds a trumpet—another herald knocks—a parley—the gates are thrown open and the lord mayor, pro tempo., hands over the sword of the City to the sovereign. It was thus in Elizabeth's time, and it had changed but little ...
— Dickens' London • Francis Miltoun
... none; I have therefore been obliged to send them after all by post. I beg you will ask Herr v. Kees to have a rehearsal of both these symphonies, as they are very delicate, particularly the last movement in D, which I recommend to be given as pianissimo as possible, and the tempo very quick. I will write to you again in a few days. Nota bene, I was obliged to enclose both the symphonies to you, not knowing the ...
— Haydn • J. Cuthbert Hadden
... weren't waiting around till they could be photographed. Every day the tempo and confusion were ...
— The Report on Unidentified Flying Objects • Edward Ruppelt
... to a timely end, if that which is without tempo may be said to have any relation with time, and the trio of Chopin's "Funeral March" was already in uneven progress. The legless man sat on the bare pavement, his back against the handsome area railing of No. 1 Fifth Avenue, and ...
— The Penalty • Gouverneur Morris |
