"Canto" Quotes from Famous Books
 ... chief merit is to span very gracefully the gulf between the Palace and the Prison. With the terrible cells of the Doges' Palace, to which we are about to descend, it has no connexion. When Byron says, in the famous line beginning the fourth canto of "Childe Harold," ...
— A Wanderer in Venice • E.V. Lucas
... iii. 247; also 285. And the note to the stanzas in the Third Canto,—a note curious for a slight admixture of transcendentalism, so rare a thing with Byron, who, sentimental though he was, usually rejoiced in a ...
— Rousseau - Volumes I. and II. • John Morley
... song[Lat], ballad, lay; love song, drinking song, war song, sea song; lullaby; music &c. 415; nursery rhymes. [Bad poetry] doggerel, Hudibrastic verse[obs3], prose run mad; macaronics[obs3]; macaronic verse[obs3], leonine verse; runes. canto, stanza, distich, verse, line, couplet, triplet, quatrain; strophe, antistrophe[obs3]. verse, rhyme, assonance, crambo[obs3], meter, measure, foot, numbers, strain, rhythm; accentuation &c. (voice) 580; dactyl, spondee, trochee, anapest &c.; hexameter, pentameter; Alexandrine; anacrusis[obs3], ...
— Roget's Thesaurus
... celebrated poets of Italy. They are preserved with reverential care at Ferrara, the poet's favourite residence, though not his birthplace. The Ferrarese, however, claim him "exclusively as their own" Lord Byron, in the Notes[1] to Childe Harold, canto 4, says, "the author of the Orlando is jealously claimed as the Homer, not of Italy, but Ferrara. The mother of Ariosto was of Reggio, and the house in which he was born is carefully distinguished by a tablet with these words:—'Qui nacque Ludovico Ariosto ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, No. - 481, March 19, 1831 • Various
... of a rival—a proud distinction, and unmerited; but which has not prevented me from feeling as a friend, nor him from more than corresponding to that sentiment. The article in question was written upon the third Canto of Childe Harold, and after many observations, which it would as ill become me to repeat as to forget, concluded with 'a hope that I might yet return to England.' How this expression was received in England itself I ...
— Life of Lord Byron, With His Letters And Journals, Vol. 5 (of 6) • (Lord Byron) George Gordon Byron
... the art of poetry, with the charm of line and colour, the medium of abstract painting. So he becomes the illustrator of Dante. In a few rare examples of the edition of 1481, the blank spaces, left at the beginning of every canto for the hand of the illuminator, have been filled, as far as the nineteenth canto of the Inferno, with impressions of engraved plates, seemingly by way of experiment, for in the copy in the Bodleian Library, one of the three impressions ...
— The Renaissance - Studies in Art and Poetry • Walter Pater
... his office for insulting one of the Sheriffs, and was succeeded by a butcher named Rose. But in four months Rose himself was hanged at Tyburn, and Ketch was reinstated. Luttrell's Diary, January 20, and May 28, 1686. See a curious note by Dr. Grey, on Hudibras, part iii. canto ii. line 1534.] ...
— The History of England from the Accession of James II. - Volume 1 (of 5) • Thomas Babington Macaulay
... events of the week last passed which had left their impress on his mind. But what pleased Custer best was when his father, ceasing to be gently discursive and becoming vigorously personal, added yet another canto to the ...
— The Just and the Unjust • Vaughan Kester
... notes associated with them have been numbered. The notes have been moved to the end of the canto.] ...
— The Atlantic Monthly, Volume 13, No. 75, January, 1864 • Various
... Canto I. Stanza 7. "New light new love, new love new life hath bred; A life that lives by love, and loves by light; A love to Him to whom all loves are wed; A light to whom the sun is darkest night: Eye's light, heart's ...
— Notes and Queries, Number 70, March 1, 1851 • Various
... which we may note in passing, is that Wordsworth, who clung fervently to the historic foundations of society as it stands, was wholly indifferent to history; while Byron, on the contrary, as the fourth canto of Childe Harold is enough to show, had at least the sentiment of history in as great a degree as any poet that ever lived, and has given to it by far the most magnificent expression. No doubt, it was history on its romantic, rather than its ...
— Studies in Literature • John Morley
... further disclosures, Margaret accordingly informed her brother of additional facts communicated to her, after oaths of secrecy had been exchanged, by Titelmann and his colleague del Canto. They had assured her, she said, that there were grave doubts touching the orthodoxy of Viglius. He had consorted with heretics during a large portion of his life, and had put many suspicious persons into office. As to his nepotism, simony, and fraud, ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... record and tradition. To write books in explanation of their system of instruction does not seem to have occurred to the earliest exponents of the art of Voice Culture. The first published work on the subject was that of Pietro Francesco Tosi, Osservazione sopra il Canto figurato, brought out in Bologna in 1723. This was translated into English by M. Galliard, and published in London in 1742; a German translation by J. F. Agricola was issued in 1757. The present work will call for several citations from Tosi, all taken from ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... almost word-for-word renderings of two of Rochefoucauld's Reflexions occur in the third and fourth stanzas of the third canto of Byron's Don Juan. I am not aware that any notice has been taken of them beyond a note appended to the first passage, in Moore's edition of Byron's Works, attributing the ...
— Notes and Queries, Number 233, April 15, 1854 • Various
... author of "The Siller Gun," a poem descriptive of burgher habits in Scotland towards the close of the century, was born at Dumfries, on the 26th of March 1759. At the grammar school of his native town, under Dr Chapman, the learned rector, whose memory he has celebrated in the third canto of his principal poem, he had the benefit of a respectable elementary education; and having chosen the profession of a printer, he entered at an early age the printing office of the Dumfries Journal. In 1782, when his parents removed to Glasgow, ...
— The Modern Scottish Minstrel , Volume I. - The Songs of Scotland of the past half century • Various
... from the Glenriddell MSS., and is the one on which Sir Walter Scott based the version given in the Border Minstrelsy. Byron notes in the preface to Childe Harold that 'the good-night in the beginning of the first canto was suggested by Lord Maxwell's Goodnight in the ...
— Ballads of Scottish Tradition and Romance - Popular Ballads of the Olden Times - Third Series • Various
... lines the poet styled, "Canto One." Cantos 2, 3, and 4 were much of the same excellence, and altogether the effusion was in one of Simon's happiest moods. Alas! as another poet said, "Art is long, time is fleeting." The clock pointed to three long before the bard had penned his fifth canto; and sadly and regretfully he and ...
— The Fifth Form at Saint Dominic's - A School Story • Talbot Baines Reed
... into its several stages, the judgment of the writer should emulate that of the experienced Jehu, who so proportions his work, that all and several of his required teams do their own share and no more—fifteen miles (or lengths) to a first canto, and five to a second, is as far from right as such a distribution of mile-stones would be to the overworked prads. The great fault of modern poetasters arises from their extreme love of spinning ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... pleasing euphonic words, especially in the realm of music, have been given to us directly from the Italian. Of these are piano, violin, orchestra, canto, allegro, piazza, gazette, umbrella, gondola, ...
— How to Speak and Write Correctly • Joseph Devlin
... fourth sections that the poem takes its name. At first sight such a work seems to be a miscellany of myths, technical advice, moral precepts, and folklore maxims without any unifying principle; and critics have readily taken the view that the whole is a canto of fragments or short poems worked up by a redactor. Very probably Hesiod used much material of a far older date, just as Shakespeare used the "Gesta Romanorum", old chronicles, and old plays; but close inspection will show that the "Works ...
— Hesiod, The Homeric Hymns, and Homerica • Homer and Hesiod
... passage is the first stanza of Canto VI of Scott's The Lay of the Last Minstrel (Poetical ...
— Types of Children's Literature • Edited by Walter Barnes
... describe the Trosachs after Walter Scott. Head what he says of them in the first canto of his poem. Loch Katrine, when we reached it, was crisped into little waves, by a fresh wind from the northwest, and a boat, with four brawny Highlanders, was waiting to convey us to the head of the lake. We launched upon the dark deep water, between craggy and shrubby steeps, the summits of ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... (so to speak), a source of humour in itself: but we cannot find that the author of these "Memories" intends anything of the kind. We agree with some of our brethren in finding the occasional lyrics good, and the opening lines of the seventh canto contain hints of genuine poetic quality. Altogether the book is a noticeable budget of gossip in verse, with not a few strong, pointed passages to relieve the effect of the flat or weak pages; which latter are, to speak the truth, ...
— The Contemporary Review, Volume 36, September 1879 • Various
... but why these two, the grave and gallant Knight and the sad and lovely Lady, are riding forth together we should not know until the middle of the seventh canto, were it not for a letter which Spenser wrote to Raleigh and printed in the beginning of his book. In it he tells us not only who these two are, but also his whole great design. He writes this letter, he says, "knowing how doubtfully ...
— English Literature For Boys And Girls • H.E. Marshall
... music in Northern and Central Italy. An antique character was communicated even to the recitative of Verdi by slight, almost indefinable, changes of rhythm and accent. There was no end to the singing. "Siamo appassionati per il canto," frequently repeated, was proved true by the profusion and variety of songs produced from inexhaustible memories, lightly tried over, brilliantly performed, rapidly succeeding each other. Nor were ...
— New Italian sketches • John Addington Symonds
... be expected of a first canto, are neither many nor important, and will admit of compression into a very ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... black Friar, He still retains his sway, For he is yet the Church's heir by right, Whoever may be the lay. Amundeville is lord by day, But the monk is lord by night, Nor wine nor wassel could raise a vassal To question that friar's right. Don Juan, CANTO XVII. ...
— Waverley Volume XII • Sir Walter Scott
... Canto, domino (os or oes), duodecimo, halo, junto, lasso, memento, octavo, piano, proviso, quarto, salvo, solo, two, ...
— Higher Lessons in English • Alonzo Reed and Brainerd Kellogg
... extract is taken from the first canto of Hudibras, and contains the complete portrait of the Knight, Butler's aim in the presentation of this character being to satirize those fanatics and pretenders to religion who flourished during ...
— English Satires • Various
... seems to me to contain more than the psychological content of these lines from the fifth canto of ...
— Contemporary American Composers • Rupert Hughes
... the satisfaction of returning the kindness he received from Mr Canto, the commandant, by attending him during a ...
— Great African Travellers - From Mungo Park to Livingstone and Stanley • W.H.G. Kingston
... of arts and industry, And his achievements fair." THOMSON'S Castle of Indolence: Explanatory Verse to Canto II. ...
— Night and Morning, Complete • Edward Bulwer-Lytton
... scientific, &c., cyclopaedia), ed. Chabaille, Paris, "Documents inedits," 1863, 4to. Dante cherished "the dear and sweet fatherly image" of his master, Brunetto, who recommended to the poet his "Tresor," for, he said, "in this book I still live." "Inferno," canto xv. ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... of Haltwhistle," a portion of which, "How the Thirlwalls and the Ridleys a'," &c., is interwoven with the text in the first canto of Marmion, is generally understood to have been composed by Mr. Surtees. He, however, succeeded in palming it upon Scott as a genuine old ballad; and states that he had it from the recitation of an ancient dame, mother of one of the miners of Alston Moor. Scott's taste for old legends ...
— Notes and Queries, Number 207, October 15, 1853 • Various
... feel that if Pope's rhyming couplets are sorry equivalents for the Homeric hexameter, blank verse is superior to them only in a negative way. The real equivalent, if any, is the romance metre of Scott, parts of whose poems, notably the last canto of Marmion and some passages in the Lay of the Last Minstrel, are about the most Homeric things in our language. Cowper brought such poetic gifts to his work that his failure might have deterred others from making the same hopeless attempt. But a failure his work is; the translation ...
— Cowper • Goldwin Smith
... poets he has sung most lyrically of that national theme, the sea, as witness among many other passages, the famous apostrophe to the ocean, which closes Childe Harold, and the opening of the third canto in ...
— Brief History of English and American Literature • Henry A. Beers
... Martin Noell [He had been a Farmer of the Excise and Customs before the Restoration. The messenger described in Hudibras, Part III. Canto II. 1407, as disturbing the Cabal with the account of the mobs burning Rumps, is said to have keen intended for Sir Martin Noell.] is this day dead of the ...
— The Diary of Samuel Pepys • Samuel Pepys
... A canto of salt, of the weight of about a quarter of a cantar, is now sold for 1200, because the salt-caravan has just arrived; but after two or three months it will ...
— Narrative of a Mission to Central Africa Performed in the Years 1850-51, Volume 2 • James Richardson
... FIG. 25.—FEAR AND AGONY. "Amid this dread exuberance of woe ran naked spirits wing'd with horrid fear."— Dante's "Inferno," Canto XXIV, lines 89, 90. all the stimuli reached the brain-cells simultaneously, the cells would find themselves in equilibrium and no motor act would be performed. But if all the pain receptors of the body but one were equally stimulated, and this one stimu-lated harder ...
— The Origin and Nature of Emotions • George W. Crile
... Orgoglio is a baser species of pride, born of the Earth and Eolus; that is to say, of sensual and vain conceits. His foster-father and the keeper of his castle is Ignorance. (Book I. canto viii.) ...
— Stones of Venice [introductions] • John Ruskin
... first canto begins with a description of a staghunt in the Highlands of Perthshire. As the chase lengthens, the sportsmen drop off; till at last the foremost horseman is left alone; and his horse, overcome with fatigue, stumbles and dies. The adventurer, climbing up a craggy eminence, ...
— Lady of the Lake • Sir Walter Scott
... conceived with his usual judgment. There is no analogy or resemblance whatever between the fairies of Spenser, and those of Shakespeare. The fairies of Spenser, as appears from his description of them in the second book of the Faerie Queene, Canto 10. were a race of mortals created by Prometheus, of the human size, shape, and affections, and subject to death. But those of Shakespeare, and of common tradition, as Johnson calls them, were a diminutive race of sportful beings, endowed with immortality and supernatural power, totally ...
— The Works of Samuel Johnson in Nine Volumes - Volume V: Miscellaneous Pieces • Samuel Johnson
... nothing for poetry. Virgil was too troublesome to be enjoyed; and in English he had met with nothing but the dried leaves and gum-flowers of the last century. Miss Letty once lent him The Lady of the Lake; but before he had read the first canto through, his grandmother laid her hands upon it, and, without saying a word, dropped it behind a loose skirting-board in the pantry, where the mice soon made it a ruin sad to behold. For Miss Letty, having heard from the woful Robert of its ...
— Robert Falconer • George MacDonald
... lost its meaning. Dante, in the Divina Commedia, not only plans his Inferno on the supposition of a spherical earth, but takes for granted the same conception, on the part of his readers. [Footnote: Inferno, canto 34, ...
— European Background Of American History - (Vol. I of The American Nation: A History) • Edward Potts Cheyney
... cure (?) wounds in a similar manner, being applied to the weapon with which the hurt had been inflicted. With reference to this ointment, readers will probably recall the passage in SCOTT'S Lay of the Last Minstrel (canto 3, stanza 23), respecting the magical cure of WILLIAM of DELORAINE'S wound by "the Ladye ...
— Bygone Beliefs • H. Stanley Redgrove
... compared," he adds, "to the geysers propelling a vast column of boiling water by the force of subterranean fire;" and he speaks of some one who after reading a book of the Dunciad, always soothes himself by a canto of the Faery Queen. Certainly a greater contrast could not easily be suggested; and yet, I think, that the remark requires at least modification. The Dunciad, indeed, is beyond all question full of coarse abuse. The second book, in particular, illustrates that strange delight ...
— Alexander Pope - English Men of Letters Series • Leslie Stephen
... as a profound thinker; he clothed deep feeling in the garb of the senses; he conceived a vast brood of new ideas, he arrayed them in a surprising manner in flesh and blood. He is ever clear and definite, at least in the Inferno. He exhibits in every canto of that wonderful poem a fresh image, but it is a clear one, of horror or anguish, which leaves nothing to the imagination to add or conceive. His ideal characters are real persons; they are present to our senses; we feel their ...
— Blackwood's Edinburgh Magazine — Volume 57, No. 351, January 1845 • Various
... fanaticism of the Crusader was mingled with the cruelty of the conqueror, and they are so germane to the present subject, that I would willingly quote the passage were it not too long. See La Araucana, Parte 2, canto 24.] I have already spoken of the person and the qualities of Atahuallpa. He had a handsome countenance, though with an expression somewhat too fierce to be pleasing. His frame was muscular and well-proportioned; ...
— The History Of The Conquest Of Peru • William H. Prescott
... 122-124 of Poliziano's Giostra, describing Venus in the lap of Mars; or stanzas 99-107, describing the birth of Venus; and from Boiardo's Orlando Innamorato, I might quote the episode of Rinaldo's punishment by Love (lib. ii. canto xv. 43), or the tale of Silvanella and Narcissus (lib. ii. canto ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... their advances. Midway through the book its alleged author—Henry Willobie—is introduced in his own person as an ardent admirer, and the last twenty-nine of the cantos rehearse his woes and Avisa's obduracy. To this section there is prefixed an argument in prose (canto xliv.) It is there stated that Willobie, 'being suddenly affected with the contagion of a fantastical wit at the first sight of Avisa, pineth a while in secret grief. At length, not able any longer to endure the burning heat of ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... Guatemala, en la parte que va por la Sierra, estaban ciudades de caba muy grandes, con maravillosos edificios de cal y canto, de los cuales yo vi muchos; y otros pueblos ...
— The Annals of the Cakchiquels • Daniel G. Brinton
... to it that Mrs. Beamish behaved properly. On the morrow Ma Tamby dumped in Cassy's astonished lap two hundred and fifty—less ten per cent., business is business—for samples of the bel canto which Mrs. Beamish was not to hear, and for an excellent reason, there ...
— The Paliser case • Edgar Saltus
... the second canto, he speaks of a child and its father's fondness, so often expressed by "you little rogue," " you little rascal," with an ...
— The Life of Samuel Taylor Coleridge - 1838 • James Gillman
... one bosom would seem at all adequately to account for the varieties, both of power and character, which the course of his conduct and writings during these few feverish years displayed. Without going back so far as the Fourth Canto of Childe Harold, which one of his bitterest and ablest assailants has pronounced to be, "in point of execution, the sublimest poetical achievement of mortal pen," we have, in a similar strain of strength and splendour, the Prophecy of Dante, Cain, the Mystery ...
— Life of Lord Byron, Vol. 6 (of 6) - With his Letters and Journals • Thomas Moore
... I wrote a question addressed to the supposed Intelligence, in which I ask in what canto of Ariosto I should find the day of my deliverance. I then made a reversed pyramid composed of the number formed from the words of the question, and by subtracting the number nine I obtained, finally, nine. This told me that I should find my fate in the ninth canto. I followed the same method ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... instituted a chair of the Divina Commedia, and Boccaccio was named first professor. He accordingly began his lectures on Sunday, October 3, following, but his comment was broken off abruptly at the 17th verse of the 17th canto of the Inferno by the illness which ended in his death, December 21, 1375. Among his successors were Filippo Villani and Filelfo. Bologna was the first to follow the example of Florence, Benvenuto da Imola ...
— Among My Books • James Russell Lowell
... was no need to plead for any extension of the infinite ("a contradiction," and also, it would seem, a fruitless inquiry); but he soon changed his mind. The preface to Democritus Platonissans reproduces those stanzas of the earlier poem which deny infinity (34 to the end of the canto) with a new (formerly concluding) stanza 39 and three further stanzas "for a more easie and naturall leading to the present Canto," i.e., Democritus Platonissans, which More clearly intended to be an addition, a fifth canto to Psychathanasia (Book III); and although Democritus ...
— Democritus Platonissans • Henry More
... Longfellow, the author's words form a necessary accompaniment of his idea, and must, wherever the idioms of the two languages admit of it, be rendered by their exact equivalents. The following passage, from the twenty-eighth canto of the Purgatorio, ...
— Atlantic Monthly, Volume 20, No. 118, August, 1867 • Various
... worthy use of riches, subordinate to other ends, are shown by Dante in the fifth and sixth orbs of Paradise; for the punishment of their unworthy use, three places are assigned; one for the avaricious and prodigal whose souls are lost, (Hell, canto 7); one for the avaricious and prodigal whose souls are capable of purification, (Purgatory, canto 19); and one for the usurers, of whom none can be redeemed (Hell, canto 17). The first group, the largest in all hell ("gente piu ...
— The Crown of Wild Olive • John Ruskin
... have been a proud memorial at any time, but at such a time, when "all the world and his wife," as the proverb goes, were trying to trample upon me, was something still higher to my self-esteem—I allude to the Quarterly Review of the Third Canto of "Childe Harold," which Murray told me was written by you—and, indeed, I should have known it without his information, as there could not be two who could and would have done this at the time. Had it been a common criticism, ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... and the English under the Earl of Surrey on the 9th of September 1513, which resulted in the crushing defeat of the Scots, who lost their king and the flower of their nobility, an event celebrated in Jean Elliot's "Flowers of the Forest"; a spirited account is given in the sixth canto of Scott's "Marmion." ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... the heliograph, and with it flashed the news to the Spanish stations on the Canto River, asking that reinforcements be sent him. He was surprised to receive no answer, and again and again the mirrors flashed his message across the ...
— The Great Round World and What Is Going On In It, Vol. 1, No. 47, September 30, 1897 - A Weekly Magazine for Boys and Girls • Various
... N. The translator could not please himself with the outset of his undertaking, and hence the recorded substitution; but it is not known that he carried his fastidiousness so far as to furnish a third version of the first stanza, as well as of the "Argument" of the introductory canto, differing from both the others. In the instance pointed out by T. N. the substitution was effected by pasting the approved stanza over the disapproved stanza; but the third version was given by reprinting the whole leaf, which contains other variations ...
— Notes and Queries, Number 52, October 26, 1850 • Various
... rocio semejantes a lagrimas, todas habreis visto en aquel santo lugar una tumba, una tumba humilde. Antes la componian una piedra tosca y una cruz de palo; la cruz ha desaparecido, y solo queda la piedra. En esa tumba, cuya inscripcion es el mote de mi canto, reposa en paz el ultimo baron de Fortcastell, Teobaldo de Montagut,[1] del cual voy a referiros la ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... plural, making the signification of the word 'painted ones' or 'painted men'. Demersay, in his 'Histoire du Paraguay',* thinks it probable that the word is an alteration of the word 'guaranai', i.e., numerous. Barco de la Centenera** ('Argentina', book i., canto i.) says the word means 'hornet', and was applied on account of their savageness. Be that as it may, it is certain that the Guaranis did not at the time of the conquest, and do not now, apply the word to themselves, except when talking Spanish or to ...
— A Vanished Arcadia, • R. B. Cunninghame Graham
... is situated much like Fontainbleau, in France, capable of being made a noble seat, accommodated as it is with brave woods and streams; it has yet remaining the front of a glorious abbey church." Lord Byron thus beautifully describes the family seat, in the thirteenth canto of Don Juan: ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole
... frontispiece to some dilettante work on classical antiquities. For the rest, perhaps the Aliscamps, or ancient Roman burial-ground, is the most interesting thing at Arles, not only because of Dante's celebrated lines in the canto of 'Farinata:'— ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... no, on the very words of God Himself. If we reject an argument as unconvincing or fallacious, it is on Virgil or Statius, Beatrice or Thomas Aquinas, that we sit in judgment. The Divine Mind, intensely and constantly felt as its presence is from the first canto of the poem to the last, is yet felt always as from behind a {158} curtain which can never be raised for ...
— Milton • John Bailey
... and St. Petersburg conservatories of dancing have already been engaged. Among other works they will dance the Psalms and Ecclesiastes, the second book of the Iliad, "Oedipus the King," the fifth Canto of Dante's "Inferno," Spinoza's "Ethics," "Hamlet," Rousseau's "Confessions," "Mother Goose," Tennyson's "Brook" and the "Charge of the Light Brigade," Burke's "Speech on Conciliation," "Alice in Wonderland," the "Pickwick Papers," ...
— The Patient Observer - And His Friends • Simeon Strunsky
... read to the others; and he read very well. Nobody in the circle knew a line of the poem, only it was all magic and Border chivalry, and was ten thousand years ago. Poor Nolan read steadily through the fifth canto without a thought of what ...
— Public Speaking • Irvah Lester Winter
... according to Mr. Warburton's phrase, in this vast sea of words. What reception I shall meet with on the shore, I know not; whether the sound of bells, and acclamations of the people, which Ariosto talks of in his last Canto[819], or a general murmur of dislike, I know not: whether I shall find upon the coast a Calypso that will court, or a Polypheme that will resist. But if Polypheme comes, have at his eye. I hope, however, the criticks will let me be at peace; for ...
— Life Of Johnson, Vol. 1 • Boswell, Edited by Birkbeck Hill
... unfortunate lady was born, Dante's poem had been composed." Some of his finest poems were also produced here, poems for which Venice is as grateful as Ravenna. Here he wrote "Marino Faliero," "The Two Foscari," "Morganti Maggiore," "Sardanapalus," "The Blues," "The fifth canto of Don Juan," "Cain," "Heaven and Earth," and "The Vision of Judgment." I looked in at the court of the palace,—a pleasant, quiet place,—where he used to work, and tried to guess which were the windows of his apartments. The sun was shining ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... instinct upon me. Assuredly, if I had had the faintest inkling of it last evening, I would have cut off my right hand sooner than sign that deed by which I have henceforth bound my fate to that of an unknown man whose past and future may be as gloomy as a canto of Dante's Hell, and who may drag me down with ...
— The Deputy of Arcis • Honore de Balzac
... and takes pleasure in quoting them. When Father Michael, the apostolic prefect to Erithrea, was taking his leave, with the other Franciscans who accompanied him to Africa, his Holiness recited to them, with great spirit, Dante's canto upon ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... preserved a few of its traditions. Who ever read that beautiful poem, "The Lady of the Lake," but knows something of Glenartney, Benvoirlich, and Uam-Var. Here the chase, which he sings in the first canto, begins:— ...
— Chronicles of Strathearn • Various
... answer to All questions, ere they let them go. Bombastus kept a devil's bird Shut in the pummel of his sword, And taught him all the cunning pranks Of past and future mountebanks. Hudibras, part ii. canto 3. ...
— Thaumaturgia • An Oxonian
... accomplishments of the great Italian poet. How well she succeeded her friends and her printers knew to their comfort! To Dante she dedicated some of her best efforts in this art. In 1826, when she was seventeen, she began to translate the Inferno into English verse. She made fair copies of each canto in exquisite writing, and dedicated them to various friends on covers which she illuminated. The most highly-finished was that dedicated to an old friend, Lord Tyrconnel, and the only plain one was the one dedicated to another friend, Sir Thomas Lawrence. The dedication was ...
— Miscellanea • Juliana Horatia Ewing
... final edition of 1849-50, is not conclusive evidence that he thought them unworthy of preservation, and reproduction. It must be remembered that 'The Prelude' itself was a posthumous publication; and also that the fragmentary canto of 'The Recluse', entitled "Home at Grasmere"—as well as the other canto published in 1886, and entitled (most prosaically) "Composed when a probability existed of our being obliged to quit Rydal Mount as a residence"—were not published by the poet himself. I am of opinion ...
— The Poetical Works of William Wordsworth - Volume 1 of 8 • Edited by William Knight
... differ entirely from the Portuguese officials as to the light in which we regard the slave-trade, we trust our exposure of the system, in which unfortunately they are engaged, will not be understood as indicating any want of kindly feeling and good will to them personally. Senhor Canto e Castro, who arrived at Mosambique two days after our departure to take the office of Governor-General, was well known to us in Angola. We lived two months in his house when he was Commandant of Golungo Alto; and, knowing him ...
— A Popular Account of Dr. Livingstone's Expedition to the Zambesi and Its Tributaries • David Livingstone
... that, of all causes to which failure might be attributed, this is at once the most disgraceful, and the most hopeless. In fact, Dante seems to me to have written almost prophetically, for the instruction of modern Italy, and chiefly so in the sixth canto ...
— The Stones of Venice, Volume II (of 3) • John Ruskin
... my dear James, call it not tea, but tay. That though obsolete, is the classical pronunciation. Thus Pope sings in the Rape of the Lock, canto i. ...
— The Mirror of Literature, Amusement, and Instruction - Volume 12, No. 339, Saturday, November 8, 1828. • Various
... in the agitation of the writer for the ancient glory of his degenerated country! The energetic personification of the close perhaps surpasses even his more celebrated sonnet, preserved in Lord Byron's notes to the fourth canto ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... principle this which leads one to suffer for another! Nothing so kindles enthusiasm or awakens eloquence, or chimes poetic canto, or moves nations. The principle is the dominant one in our religion—Christ the Martyr, Christ the celestial Hero, Christ the Defender, Christ the Substitute. No new principle, for it was as old as human nature; but now on a grander, wider, higher, deeper, and more world-resounding ...
— New Tabernacle Sermons • Thomas De Witt Talmage
... lately published an eighteen-penny pamphlet on the state of the stage, and offers his plan for building a new theatre. It is to be hoped his lordship will be permitted to bring forward anything for the stage—except his own tragedies.' In the third canto of Childe Harold Byron makes amends. In writing of the death of Lord Carlisle's youngest son at Waterloo, ...
— Life Of Johnson, Volume 4 (of 6) • Boswell
... of the Greek ideal of sculpture, I wish you to join the early Italian, summed in a single line by Dante—"non vide me' di me, chi vide 'l vero." Read the twelfth canto of the Purgatory, and learn that whole passage by heart; and if ever you chance to go to Pistoja, look at La Robbia's colored porcelain bas-reliefs of the seven works of Mercy on the front of the hospital there; and note especially the faces of the two sick men—one ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... to suppose that Dante had this passage in his mind when he wrote that bitter apostrophe to his own city with which the sixth canto of ...
— Dante: His Times and His Work • Arthur John Butler
... Vittoria da quel canto stia, Che vorra la divina providenza: Il cavalier non havra colpa alcuna, Ma il tutto ...
— Gomez Arias - The Moors of the Alpujarras, A Spanish Historical Romance. • Joaquin Telesforo de Trueba y Cosio
... without a guide, who trusts the word of a Pope." And what figure haunts Palazzo Altovite, the home of that fierce Ghibelline house loved by Frederick II, if not that hero who expelled the Duke of Athens. Palazzo Pazzi and Palazzo Nonfinito at the Canto de' Pazzi where the Borgo degli Albizzi meets Via del Proconsolo, brings back to me that madman who first set the Cross upon the walls of Jerusalem in 1099, and who for this cause was given some stones from Christ's sepulchre by Godfrey de Bouillon, which he brought to Florence and presented to the ...
— Florence and Northern Tuscany with Genoa • Edward Hutton
... dwelt, is rarely, if ever, at fault. Two illustrations of this gift in Chaucer must suffice, which shall be chosen in two quarters where he has worked with materials of the most widely different kind. Many readers must have compared with Dante's original (in canto 33 of the "Inferno") Chaucer's version in the "Monk's Tale" of the story of Ugolino. Chaucer, while he necessarily omits the ghastly introduction, expands the pathetic picture of the sufferings of the father and his sons in their dungeon, and closes, ...
— Chaucer • Adolphus William Ward
... VIII. in similar colors. "He was," says Petrarch (Epistoloe Ramiliares, bk. ii. letter 3), "an inexorable sovereign, whom it was very hard to break by force, and impossible to bend by humility and caresses; "and Dante (Inferno, canto xix. v. 45 57) makes Pope Nicholas III. say, "Already art thou here and proudly upstanding, O Boniface? Hast thou so soon been sated with that wealth for which thou didst not fear to deceive that fair dame (the Church) whom afterwards thou didst so disastrously govern? "Two men ...
— A Popular History of France From The Earliest Times - Volume II. of VI. • Francois Pierre Guillaume Guizot
... is a divine poem, of which the history of every nation is a canto and every man a word. Its strains have been pealing along down the centuries, and though there have been the discords of warring cannon and dying men, yet to the Christian, the philosopher, the historian and the humble listener, there has been a divine melody running through ...
— The Right Knock - A Story • Helen Van-Anderson
... it happened that in his turn Nolan took the book and read to the others; and he read very well, as I know. Nobody in the circle knew a line of the poem, only it was all magic and Border chivalry, and was ten thousand years ago. Poor Nolan read steadily through the fifth canto, stopped a minute and drank something, and then began, without a thought of ...
— The Man Without a Country and Other Tales • Edward E. Hale
... the press of your volumes? I hope 'The Corsair' is printed from the copy I corrected, with the additional lines in the first Canto, and some notes from Sismondi and Lavater, which I gave you to add thereto. The arrangement is ...
— Life of Lord Byron, Vol. III - With His Letters and Journals • Thomas Moore
... da l' un canto sola Dicendo 'Colui feese in grembo a Dio Lo cuor che'n su Tamigi ...
— The Prince and the Page • Charlotte M. Yonge
... fifteen, (Just beyond my canto's limits,) Saw the good work of improvement, Still progressing, moving forward, Still advancing, ever onward. In the suburbs of the city, Rose a noted house of worship, Large and generous in model, Called Republican and holy, Called Old Church in eras later, Where all Christian sects ...
— The Song of Lancaster, Kentucky - to the statesmen, soldiers, and citizens of Garrard County. • Eugenia Dunlap Potts
... peace; it is love considered not as a revolution but as a consummation; as a self-abandonment not to a laxer but to a sterner law; no longer as an invasive passion, but as the deliberate habit of the soul. It is that conception of love which springs into being in the last canto of Dante's Purgatory,—which finds in ...
— Wordsworth • F. W. H. Myers
... several other species of Cyclamen twist themselves into a spire, and according to Erasmus Darwin ('Botanic Garden,' Canto., iii. p. 126), the pods forcibly penetrate the earth. See also Grenier and Godron, 'Flore de France,' tom. ...
— The Power of Movement in Plants • Charles Darwin
... reader will remember the malediction which Sir Walter Scott, in the Fifth Canto of Marmion, pronounced on the dunces ...
— The History of England from the Accession of James II. - Volume 3 (of 5) • Thomas Babington Macaulay |
