"Cellini" Quotes from Famous Books
 ... believe that in these luxurious creations of long-forgotten ages and races a strong witchcraft was pent, and that a man might grow to give his heart and soul to them. My uncle could give me the date of every object. This statuette is a Praxiteles; this picture a Guido Reni; Benvenuto Cellini was the owner of this goblet; and this sword was that of ...
— Dr. Dumany's Wife • Mr Jkai
... themselves have given to the world. The essays of Montaigne and Sir William Temple bring us home to the houses and bosoms of the authors: we smile without contempt at the headstrong passions of Benevenuto Cellini, and the gay follies of Colley Cibber. The confessions of St. Austin and Rousseau disclose the secrets of the human heart; the commentaries of the learned Huet have survived his evangelical demonstration; and the memoirs of Goldoni are more truly dramatic than ...
— Memoirs of My Life and Writings • Edward Gibbon
... luxurious, and debonnaire King she owes Chambord, Fontainebleau, St. Germain and the smaller chateaux of Azay-le-Rideau, Anet and Villers-Cotterets. Although Francis I brought from Italy, to beautify his palaces, Leonardo Da Vinci, Primaticcio, Benvenuto Cellini, Florentin Rosso and other foreign artists, it has been decided by those who know more about the matter than we do, that Chambord owes more to its first architect, Maitre Pierre le Nepvue, dit Trinqueau, than to anyone else. It seemed to us that this master hand was happier in the construction ...
— In Chteau Land • Anne Hollingsworth Wharton
... tied with a ribbon into a package not over a foot square. A comb and a brush of old ivory, which had set in its back a small mirror held in by a silver band, which father had purchased in Florence for me under a museum guaranty as a genuine Cellini work of art, were wrapped in a silk case, and a toothbrush and soap had occupied their respective oil-silk cases along with a tube of tooth paste and one of cold cream. Two pairs of soft, but strong, tan cotton stockings were tucked underneath the ribbon confining the lingerie, ...
— The Golden Bird • Maria Thompson Daviess
... his desk a little old-fashioned ivory coffer, yellow with age; it was richly carved with antique figures and foliage; and had Kenyon thought fit to say that Benvenuto Cellini wrought this precious box, the skill and elaborate fancy of the work would by no means have discredited his word, nor the old artist's fame. At least, it was evidently a production of Benvenuto's school and century, and might once have been the jewel-case of some ...
— The Marble Faun, Volume I. - The Romance of Monte Beni • Nathaniel Hawthorne
... has made me rich! It has given the proletariat the privilege of wearing yellow diamonds and riding about in flivvers. That must be admitted. But to have lived in those days when ambition thought only in beauty! To have been the boon companions of men like Da Vinci, Cellini, Michelangelo! Then there are the adventures of this concrete dream of the artist. I can trace it back to the bare studio in which it was conceived, follow its journeys, its abiding places, down to the hour ...
— The Pagan Madonna • Harold MacGrath
... the tetralogy. Berlioz, who looked us up during that time, endured these readings with quite admirable patience. We had lunch with him one morning before his departure, and he had already packed his music for his concert tour through Germany. Liszt played different selections from his Benvenuto Cellini, while Berlioz sang to them in his peculiarly monotonous style. I also met the journalist, Jules Janin, who was quite a celebrity in Paris, although it took me a long time to realise this; the only thing that impressed me about him was his colloquial ...
— My Life, Volume II • Richard Wagner
... These were Ariosto, Tasso, Berni, Sannazaro, Machiavelli, Bandello, Guicciardini. Below them were a hundred distinguished writers, among which must be cited Aretino, Folengo, Bembo, Baldi, Tansillo, Dolce, Benvenuto Cellini, Hannibal Caro, and Guarini. ...
— Initiation into Literature • Emile Faguet
... supremely shapely and graceful; gentle, almost, in spite of his holding out with his light nervous arm the snaky head of the slaughtered Gorgon. His name is Perseus, and you may read his story, not in the Greek mythology, but in the memoirs of Benvenuto Cellini. Glancing from one of these fine fellows to the other, I probably uttered some irrepressible commonplace of praise, for, as if provoked by my voice, a man rose from the steps of the loggia, where he had been sitting in the shadow, and addressed ...
— The Madonna of the Future • Henry James
... of storing in cellars, or bearing from fountains; of sacrificial libation, of Panathenaic treasure of oil, and sepulchral treasure of ashes,—and you have a resultant series of beautiful form and decoration, from the rude amphora of red earth up to Cellini's vases of gems and crystal, in which series, but especially in the more simple conditions of it, are developed the most beautiful lines and most perfect types of severe composition which have yet been ...
— Lectures on Art - Delivered before the University of Oxford in Hilary term, 1870 • John Ruskin
... be possessed by one living in the artist world now, to know who was dead and who alive, and Mr. Tom Taylor has done it admirably. I read the book twice over, so profound was my interest in it. In his early days, I used to be a sort of safety-valve to that ardent spirit most like Benvenuto Cellini both in pen and tongue and person. Our dear Mr. Bennoch was the providence of his later years. They tell me that that powerful work has entirely stopped the sale of Moore's Life, which, all tinsel and tawdry rags, might have been written by a court newsman ...
— Yesterdays with Authors • James T. Fields
... been worn by Castruccio, hung on either side of the mantelpiece. The whole had a republican tendency, but it was republicanism in gold and silver—mother-of-pearl republicanism—the Whig principle embalmed in Cellini chalices and porcelain of Frederic le Grand. Fortunately the conversation did not turn upon home politics. It wandered lightly through all the pleasanter topics of the day; slight ventilations of public character, dexterous allusions to anecdotes which none but the initiated could understand; ...
— Blackwood's Edinburgh Magazine — Volume 54, No. 335, September 1843 • Various
... terms are placed before it. On one side a fountain clung round with antique figures of bronze, by John of Bologna, so admirably wrought as to hold me several minutes in astonishment; on the other, three lofty Gothic arches, and under one of them the Perseus of Benvenuto Cellini, raised on a pedestal, incomparably designed and executed; which I could not behold uninterested, since its author has ever occupied a distinguished place in my kalendar of genius. Having examined some groups of sculptures, by Baccio Bandinelli and other mighty artists, I entered the court ...
— Dreams, Waking Thoughts, and Incidents • William Beckford
... a skilled workman and an artist. He was one of the last of those workers in metals who once sent their masterpieces from Rome to the great cathedrals of the world; one of the last of the artistic descendants of Caradosso, of Benvenuto Cellini, of Claude Ballin, and of all their successors; one of those men of rare talent who unite the imagination of the artist with the executive skill of the practised workman. They are hard to find nowadays. Of all the twenty chisellers of various ages who ...
— Marzio's Crucifix and Zoroaster • F. Marion Crawford
... antique cameos, sardonyx stones, carved by the old Greeks of Asia Minor, with mountings of Mysian gold; curious mosaics of ancient Alexandria, set in silver; massive Egyptian bracelets lay heaped on a large plate of Palissy ware, supported by a tripod of gilt bronze, sculptured by Benvenuto Cellini. The marquise turned pale, as she recognized what she had never expected to see again. A profound silence fell on every one of the restless and excited guests. Fouquet did not even make a sign in dismissal of the richly liveried servants who crowded like bees round ...
— Louise de la Valliere • Alexandre Dumas, Pere
... on the spot. Waylett's business might be called the higher tinkering. Sussex has some forty of his bells. He cast the Steyning peal in 1724, and earlier in the same year he had made a stay at Lewes, erecting a furnace there, as Benvenuto Cellini tells us he used to do, and remedying defective peals all around. Among others he recast the old treble and made a new treble for Mayfield. It seems to have been universally thirsty work: the churchwardens' papers contain an account for beer in ...
— Highways & Byways in Sussex • E.V. Lucas
... Titian, Raffaele Sanzio, Andrea del Sarto, Correggio, and many other great artists were raising up monuments of everlasting fame; Palladio was rebuilding the palaces of Italy, which were then the wonder of the world; Benvenuto Cellini and Lorenzo Ghiberti were designing those marvellous chef d'oeuvres in gold, silver, and bronze which are now so rare; and a host of illustrious artists were producing work which has made the sixteenth century famous for ...
— Illustrated History of Furniture - From the Earliest to the Present Time • Frederick Litchfield
... riches, freedom, liberty, welfare, and all prosperity? What comyn folk is so mighty, and so strong in the felde, as the comyns of England?" They may have been fed on "great shins of beef," till they became, as Benvenuto Cellini calls them, "the English wild beasts." But they increased in numbers slowly, if at all, for centuries. Those terrible laws of natural selection, which issue in "the survival of the fittest," cleared ...
— Sanitary and Social Lectures and Essays • Charles Kingsley
... hitherto been of much practical service, recurred to my mind. Stooping down, I drew a circle round myself and my old friend in the fragrant white blossoms which were strewn so thick that they quite hid the grass. This circle I fortified by the usual signs employed, as Benvenuto Cellini tells us, in the conjuration of evil spirits. I then proceeded to utter one of the common forms of exorcism. Instantly the myriad houris assumed the forms of irritated demons; the smoke from the uncounted narghiles burned thick and black; the cries of the frustrated ...
— In the Wrong Paradise • Andrew Lang
... There was nothing gaudy, profuse, or prominent in the decorations or furniture; everything had evidently been selected and arranged by a person of very refined taste. Among the very beautiful works of art was a collection of cameos, including some of Cellini's from the antique, which were ...
— The Englishwoman in America • Isabella Lucy Bird
... actual effect during eighteen hundred years has been to split them into a multitude of camps, and so set them to denouncing, damning, jailing and murdering one another. Again, consider the autobiography of Benvenuto Cellini. Ben wrote it to prove that he was an honest man, a mirror of all the virtues, an injured innocent; the world, reading it, hails him respectfully as the noblest, the boldest, the gaudiest liar that ever lived. Again, turn ...
— Damn! - A Book of Calumny • Henry Louis Mencken
... years before Corot's time there was a Fontainebleau school of artists, made up of the pathetic Andrea del Sarto, the wonderful Leonardo da Vinci, and Cellini. These painters had been summoned from their Italian homes by Francis I., to decorate the Palace of Fontainebleau. The second great group of painters who had studios in the forest and beside the stream were Rousseau, Dupre, Diaz, and Daubigny; Troyon, Van Marcke, Jacque; then ...
— Pictures Every Child Should Know • Dolores Bacon
... of the cannon of old times, especially the brass ones, unlike the more effective ordnance of the present day, were cast in shapes which Cellini might have designed, were gracefully enchased, generally with the arms of the country. A few of them—field-pieces—captured in our earlier wars, are ...
— Battle-Pieces and Aspects of the War • Herman Melville
... Benvenuto Cellini, when in captivity at Rome by order of the Pope, was dissuaded from suicide by the apparition of a young man who frequently visited and ...
— Real Ghost Stories • William T. Stead
... are certain Autobiographies: as, St. Augustine's Confessions; Benvenuto Cellini's Life; Montaigne's Essays; Lord Herbert of Cherbury's Memoirs; Memoirs of the Cardinal de Retz; Rousseau's Confessions; Linnaeus's Diary; Gibbon's, Hume's, Franklin's, Burns's, ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... contemporary authorities. A note to The Prophecy of Dante (Poetical Works, 1901, iv. 258) refers to the Sacco di Roma, descritto da Luigi Guicciardini, and the Ragguaglio Storico ... sacco di Roma dell' anno MDXXVII. of Jacopo Buonaparte; and it is evident that he was familiar with Cellini's story of the marvellous gests and exploits quorum maxima pars fuit, which were wrought at "the walls by the Campo Santo," or on the ramparts of the Castle ...
— The Works of Lord Byron - Poetry, Volume V. • Lord Byron
... except by a dry laugh and an assurance that the salamander was the very same which Benvenuto Cellini had seen in his father's household fire. He then proceeded to show me other rarities; for this closet appeared to be the receptacle of what he considered ...
— A Virtuoso's Collection (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... they should be the record of a noble character? Certainly not. We remember Pepys, who—well, never mind what he does. We call to mind Cellini; he runs behind a fellow-creature, and with 'admirable address' sticks a dagger in the nape of his neck, and long afterwards records the fact, almost with reverence, in his life's story. Can anything be more revolting than some ...
— Obiter Dicta • Augustine Birrell
... the same amount of consideration, that is all. An artist in crime is, in his way, well worthy of a certain sort of admiration. Who could drive a knife in a man's back with a braver air of deviltry than Benvenuto Cellini? And yet he could turn himself from the deed and devote himself to the producing of a Perseus, or to playing the flute well enough to attract the attention of a Pope. And his own countrymen, the Borgias, had as pretty a talent for assassination ...
— Ashton-Kirk, Criminologist • John T. McIntyre
... to see them merely at a distance, and did doting sires teach their children that it was an epoch-making event when a great poet or novelist visited the country; or when they passed afar, did they whip some favored boy, as the father of Benvenuto Cellini whipped him at sight of a salamander in the fire that he might not forget the prodigy? Now that the earth had been divided over again, and the poet in his actual guise of novelist had richly shared in its ...
— Imaginary Interviews • W. D. Howells
... an altogether animal life, except that I have renewed my old love for Italian. At present I am rejoicing in the Autobiography of that delightful sinner, Benvenuto Cellini. I have some notion that there is such a thing as science somewhere. In fact I am fitting myself ...
— The Life and Letters of Thomas Henry Huxley Volume 2 • Leonard Huxley
... a chair, the back of which was much higher than her head; at her side was a little table with writing materials, on which also was placed a magnificent bell, by Benvenuto Cellini, with which her ladyship summoned her page, who, in the meantime, ...
— Henrietta Temple - A Love Story • Benjamin Disraeli
... he said, "in honor of this day—thy maiden sword. So far as the handiwork of Cellini may make it worthy of a son of our house, it hath been worthily chosen for thee. Yet, unless thou leavest it to those who come after thee, enriched by the name of a Giustinian who hath wrought of his best for Venice, it will be ...
— A Golden Book of Venice • Mrs. Lawrence Turnbull
... symbolise the two other orders of music. The Riding Boys, of which Pliny speaks, like the mechanical stag on the hand of Apollo, which he also describes, were perhaps mechanical toys, as Benvenuto Cellini made toys. In the Beardless Aesculapius, again—the image of the god of healing, not merely as the son of Apollo, but as one ever young—it is the poetry of ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... would record in detail his long, weary struggle, his succession of attempts and failures, his past dreams and disappointments, along with his sins of omission and commission, it would make one of those priceless human documents such as have been left by Benvenuto Cellini, Cazenova, ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... although so many famous painters were goldsmiths, none of the very greatest were. Among the goldsmiths were Orcagna, Ghiberti, Ghirlandajo, Antonio del Pollaiuolo, Francia, Verrocchio, Andrea del Sarto. But Benvenuto Cellini, the greatest of goldsmiths, was never a painter, and the very greatest painters were never goldsmiths, for Cimabue, Giotto, Mantegna, Lionardo da Vinci, Perugino, Raphael, Michelangelo, all began in the profession that made them the greatest artists of their age. It is very hard to get ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... translates as follows: "And since I am almost persuaded by the praises and commendations of its author to imagine myself to be that which I am not, I must entreat you to convey to him some expressions from me appropriate to such love, affection, and courtesy."—Again, writing to Benvenuto Cellini, to express his pleasure in a portrait bust of his execution, which he had just seen, he says: "Bindo Altoviti took me to see it—I had great pleasure in it, but it vexed me much that it was put in a bad light." Mr. Harford renders: "Bindo Altoviti ...
— Atlantic Monthly, Vol. 1, No. 4, February, 1858 • Various
... rubies, emeralds, and sapphires; conjure up in your mind's eye a sequence of city blocks whose sides are lined by massive and exquisitely proportioned buildings, every inch of whose facade was fashioned, not by stone-cutters and sculptors, but by goldsmiths, whose genius a Cellini might envy; picture to yourself a street paved with golden asphalt, and a sidewalk built from huge slabs of rolled silver, the curb and gutters being of burnished copper, and you'll gain some idea of the thoroughfare along which I passed. And oh, the music that the band gave forth to ...
— Olympian Nights • John Kendrick Bangs
... de Sevigne. Whenever we come across it, and, strangely enough, it is rather rare, we cannot but welcome it, and do not easily forget it. Humanity will always love Rousseau for having confessed his sins, not to a priest, but to the world, and the couchant nymphs that Cellini wrought in bronze for the castle of King Francis, the green and gold Perseus, even, that in the open Loggia at Florence shows the moon the dead terror that once turned life to stone, have not given it more pleasure than has ...
— Selected Prose of Oscar Wilde - with a Preface by Robert Ross • Oscar Wilde
... sculptor, tried hard to rival Michael Angelo and Cellini; his work "Hercules and Cacus" is the most ambitious of his productions; did a "Descent from the Cross" in bas-relief, in Milan ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... drove him, in spite of himself, to set about explaining himself to other people, to the world in general. His anxiety to explain, not to justify, himself was after all a kind of cowardice before his own conscience. He felt the silent voices within him too acutely to keep silence. Cellini wrote his autobiography because he heard within him such trumpeting voices of praise, exultation, and the supreme satisfaction of a violent man who has conceived himself to be always in the right, that it shocked him to think of going down into his grave without having ...
— Figures of Several Centuries • Arthur Symons
... turn to the days of Gasparo da Salo, Maggini, and Andrea Amati, we find that while they were sending forth their Fiddles, Titian was painting his immortal works, and Benvenuto Cellini, the greatest goldsmith of his own or any age, was setting the jewels of popes and princes, and enamelling the bindings of their books. Whilst the master-minds of Antonio Stradivari and Giuseppe Guarneri del Gesu were ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... nine we were all assembled at prayers in the private chapel, then went to breakfast, headed by Lady Canning, after which Miss Stanley took the Countess Haach and me to see the collection of gold plate. Three works of Benvenuto Cellini, and a trophy from the Armada, an immense flagon or wine-fountain, like a gigantic old- fashioned smelling-bottle, and a modern Indian work—a box given to the Queen by an Indian potentate—were what interested me the most. Then I looked at many interesting ...
— Life of Her Most Gracious Majesty the Queen, (Victoria) Vol II • Sarah Tytler
... hang, mutilate or quarter their vassals at their pleasure,—when freedom was a word as unmeaning as it is now tinder his sacred majesty, Napoleon the Third, there came to the capital, from Touraine, an artizan, named Anseau, who was as cunning in his trade of goldsmith as Benvenuto Cellini, the half-mad artificer of Florence. He became a burgess of Paris, and a subject of the king, whose high protection he purchased by many presents, both of works of art and good red gold. He inhabited a house built by himself, near the church of St. Leu, in the Rue St. Denys, where ...
— The Sea-Witch - or, The African Quadroon A Story of the Slave Coast • Maturin Murray
... says that he never intended to subvert the laws of music, only to make a new and individual use of them. As he was no abstract maker of music, his autobiography—one of the most fascinating in the history of art, only to be compared with that of Benvenuto Cellini—should be familiar to all who would penetrate the secrets of his style. Berlioz's compositions, in fact, are more specifically autobiographic than those of any other notable musician. Both in his music and his literary works are the same notes of passionate insistence on his own point of ...
— Music: An Art and a Language • Walter Raymond Spalding
... later he undertook work there on his own account. They did half of the choir of La Badia in 1501-2, and the very elaborate lectern. The son of Mark was Giambattista, called Maestro Tasso, who was a fine carver in wood, and, in the opinion of Cellini, the best in his profession. He did many things both for ephemeral and lasting purposes, and became an architect, designing the door of the Church of S. Romolo and the Loggia of Mercato Nuovo, Florence, and superintending the construction of the latter between 1549 ...
— Intarsia and Marquetry • F. Hamilton Jackson
... Colonel, jolting some tobacco ash off the ledge made by his abdomen, which he did by pounding the side of his torso with a bulky volume of the "Autobiography of Benvenuto Cellini," "what is the theme of the most conspicuous portion of our fiction by feminine hands? In large measure it is a peevish criticism of husbands. We have the popular creator of a type of husband held up to the scorn and ...
— Walking-Stick Papers • Robert Cortes Holliday
... traditions and the actual utterances of Jesus must have been in Aramaic, the dialect of Palestine. These distinctions were important, as you will find if you read Holinshed or Froissart and then read Benvenuto Cellini. You do not blame Holinshed or Froissart for believing and repeating the things they had read or been told, though you cannot always believe these things yourself. But when Cellini tells you that he saw this or did ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... have now before me, an impression taken by him in wax, with a vermilion bed,—for in all such matters he was very particular,—were enough to establish any man's reputation as a seal engraver. It bears about the same relationship to what are called ciphers, that Benvenuto Cellini's flower-cups bore to the ...
— The Atlantic Monthly, Volume 18, No. 110, December, 1866 - A Magazine of Literature, Science, Art, and Politics • Various
... village some three miles from Blois, on the outskirts of a forest, dwelt an innkeeper called Antonio Cellini, who, as the name suggests, was of Italian origin. Antonio had only one child, Beatrice, a very pretty girl, who at the time of this story was about nineteen years of age. As might be expected, Beatrice ...
— Werwolves • Elliott O'Donnell
... little hall which—just as certain rooms are arranged by their owners to serve as the setting for a single work of art (from which they take their name), and, in their studied bareness, contain nothing else besides—displayed to him as he entered it, like some priceless effigy by Benvenuto Cellini of an armed watchman, a young footman, his body slightly bent forward, rearing above his crimson gorget an even more crimson face, from which seemed to burst forth torrents of fire, timidity and zeal, who, as he pierced the Aubusson tapestries that screened the door of the room in which ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust
... have come as popular education and not the culture of a club of aesthetics. The New Learning might have been as democratic as the old learning in the old days of mediaeval Paris and Oxford. The exquisite artistry of the school of Cellini might have been but the highest grade of the craft of a guild. The Shakespearean drama might have been acted by workmen on wooden stages set up in the street like Punch and Judy, the finer fulfilment of the miracle play ...
— A Short History of England • G. K. Chesterton
... impression be forever blasted. I am not a virtuous man according to theological standards. I have been a hardened sinner since birth. I gamble. Beer is my favourite drink. It has been flatteringly whispered into my ear that I dance beautifully. I read Cellini and Rabelais and Boccaccio with unfeigned delight. I am enchanted by the music of Charpentier and Wolf-Ferrari. I smoke strong cigars. And I do not flee at the sight of beautiful women. In short, I am a man of sin. Born in iniquity (according ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... up—"belonged to the Medici. Master Pory, who is a man of taste, will note the beauty of the graven maenads upon this side, and of the Bacchus and Ariadne upon this. It is the work of none other than Benvenuto Cellini. I pour for you, sir." He filled the gold cup with the ruby wine and set it before the Secretary, who eyed it with all the passion of a lover, and waited not for us, but raised it to his lips at once. My lord took up the other cup. ...
— To Have and To Hold • Mary Johnston
... of my friend. It is not yet too late for the rescue. Possibly we may even succeed in bringing back this miserable child within the limits of ordinary nature, from which her father's madness has estranged her. Behold this little silver vase! It was wrought by the hands of the renowned Benvenuto Cellini, and is well worthy to be a love gift to the fairest dame in Italy. But its contents are invaluable. One little sip of this antidote would have rendered the most virulent poisons of the Borgias innocuous. ...
— Mosses from an Old Manse and Other Stories • Nathaniel Hawthorne
... creating Versailles. The coincidence of two contemporary autocrats calling cities out of the wilderness has caused persons with a taste for analogy to describe Meknez as the Versailles of Morocco: an epithet which is about as instructive as it would be to call Phidias the Benvenuto Cellini of Greece. ...
— In Morocco • Edith Wharton
... merits of these paintings, the Brancacci chapel is especially interesting from the direct and unquestionable effect which it is known to have had upon younger painters. Here Raphael and Michel Angelo, in their youth, and Benvenuto Cellini passed many hours, copying and recopying what were then the first masterpieces of painting, the traces of which study are distinctly visible in their later productions; and here, too, according to Cellini, the famous punch in the nose befell Buonarotti, ...
— The Atlantic Monthly, Volume 1, Issue 2, December, 1857 • Various
... scarcely existed in Greece. The mason who had talent became a noted sculptor; and the sculptor, instead of making a model in wax or plaster, set to work, like Michelangelo, on the block of marble himself. Probably sometimes, like Benvenuto Cellini, he cast ...
— The Legacy of Greece • Various
... must be more blue than the skies of the north, and think that they see them so; whereas the sky of Italy is far more dull and grey in colour than the skies of the north, and is distinguished only by its intense repose of light." Benevenuto Cellini speaks of the mist of Italy. "Repose of light" is rather a novelty—he is fond of it. But then Turner paints with pure white—for ourselves we are with the generality of mankind who prefer the "repose" of shade. "Ask a connoisseur, ...
— Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV. • Various
... other and rarer treasures; some beautiful carved work, by Cellini, some ivory carving of the middle ages, and a few rare and costly cameos. Perhaps these may please the ...
— Frederick The Great and His Family • L. Muhlbach
... the good and the evil chances, striving to foresee the future and weighing its elements, Gabrielle was walking in the garden and gathering flowers for the vases of that illustrious potter, who did for glaze what Benvenuto Cellini did for metal. Gabrielle had put one of these vases, decorated with animals in relief, on a table in the middle of the hall, and was filling it with flowers to enliven her grandmother, and also, perhaps, to give form to her own ideas. The noble vase, of the pottery called Limoges, was filled, ...
— The Hated Son • Honore de Balzac
... Europe and regulated all crafts. In Florence even to-day evidences of its power are on every side, and the Guildhall in London attests its existence there. Moreover, the greatest artists belonged to the guilds, uniting themselves usually by work of the goldsmith, as Benvenuto Cellini so quaintly ...
— The Tapestry Book • Helen Churchill Candee
... paper, are not artists, are not connected with artists. And yet, upon the general principle of sympathy with native merit, and of disgust towards all affectation, we cannot but recall such anecdotes with scorn; and often we recollect the stories recorded by poor Benvenuto Cellini, that dissolute but brilliant vagabond, who (like our own British artists) was sometimes upbraided with the degeneracy of modern art, and, upon his humbly requesting some evidence, received, by way of practical answer, a sculptured ...
— The Uncollected Writings of Thomas de Quincey—Vol. 1 - With a Preface and Annotations by James Hogg • Thomas de Quincey
... mountains. Greek and Roman poets talk of them with disgust and dread. Nothing could have been more depressing to a courtier of Augustus than residence at Aosta, even though he found his theatres and triumphal arches there. Wherever classical feeling has predominated, this has been the case. Cellini's Memoirs, written in the height of pagan Renaissance, well express the aversion which a Florentine or Roman felt for the inhospitable wildernesses of Switzerland.[2] Dryden, in his dedication to 'The Indian Emperor,' says, 'High objects, it is true, ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... of men? It is too long since I heard from you. The rehearsals of Cellini, many visits from abroad, several pieces and transcriptions for the pianoforte, have much occupied my time during the last month. Of the performance of Berlioz's opera H. gives a most detailed account in Brendel's paper. This much I may add: that the motives ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator) |
