"Chiaroscuro" Quotes from Famous Books
 ... and chromatics, Music, painting, sculpture—she knew all the tricks of speech; Bas-relief and chiaroscuro, and at last the Indian Bureau— She discussed it quite serenely, as she trifled ...
— The Wit of Women - Fourth Edition • Kate Sanborn
... Had followed two weeks with cousins fifty miles away near Lida, Ohio, and a day's stop-over in Cincinnati allowed by her railroad ticket. But six months after, in the circle of glow from a tablelamp that left the corners of the room in a chiaroscuro kind of gloom, there were again noises of wings rustling and of water lapping and the old stricture of the throat. Across the table, a Paisley cover between them, Mr. John Burkhardt, his short spade of beard already down over ...
— Gaslight Sonatas • Fannie Hurst
... men of dominant ambition, far more than he lived in his present. It was a future brilliant, secure, brightening in its lustre, and strengthening in its power, with each successive year; a future which was not to him as to most wrapped in a chiaroscuro, with but points of luminance gleaming through the mist, but in whose cold glimmering light he seemed to see clear and distinct, as we see each object of the far-off landscape stand out in the air of a winter's noon, every thread that he should gather up, every distant point ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... entering Venice by this water-path from Mestre, before the Austrians built their causeway for the trains. Some of the rare scraps of fresco upon house fronts, still to be seen in Venice, are left in Cannaregio. They are chiaroscuro allegories in a bold bravura manner of the sixteenth century. From these and from a few rosy fragments on the Fondaco dei Tedeschi, the Fabbriche Nuove, and precious fading figures in a certain courtyard ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... no paintings in the world more difficult to reproduce satisfactorily in black and white than those of Rembrandt. His marvelous effects of chiaroscuro leave in darkness portions of the composition, which appear in the photograph as unintelligible blurs. With these difficulties to meet, great pains have been taken to select for the reproductions of this book the best photographs made direct from the original paintings. A comparative study ...
— Rembrandt - A Collection Of Fifteen Pictures and a Portrait of the - Painter with Introduction and Interpretation • Estelle M. Hurll
... Fra Angelico in Florence, probably in recognition of the benefits bestowed by Cosimo on the monks of San Marco; moreover, we do not think the work could have been done at Fiesole after the first visit to Rome in 1452, because the figures, weak in chiaroscuro, are still treated as if they were enlarged miniatures, and do not show the character of his later works. On the other hand the picture of the Osservanza in Mugello displays the whole power of the artist, and may be compared, as Rio says, to the panel at San Marco both ...
— Fra Angelico • J. B. Supino
... that altitude—and stroked his eyelids with touches as bland as caresses of a pretty woman's fingers. He was sensible of drowsiness, a surrender to fatigue, to which the motion of the motor car, swung seemingly on velvet springs, and the shifting, blending chiaroscuro of the magic night were likewise conducive. So that there came a lessening of the tension of resentment ...
— Alias The Lone Wolf • Louis Joseph Vance
... one of his lazy days, I'm afraid. He's hardly added a touch—just a little heightened the chiaroscuro, sharpened the nose a trifle, deepened some little the shadows ...
— Prose Fancies (Second Series) • Richard Le Gallienne
... colouring, which claim the attention and engage the skill of the colourist. Of the contrast of hues, upon which depend the brilliancy, force, and harmony of colouring, we have just spoken; but there is, secondly, the contrast of shades. To this belong all the powers of chiaroscuro, by which term the painter denotes the harmonious effects of light and shade; and though they form the simplest part of colouring, yet they cannot be separated from it—light and shade, the chiaroscuro, being a distinct and important branch of painting. A third mode of contrast ...
— Field's Chromatography - or Treatise on Colours and Pigments as Used by Artists • George Field
... for which purpose sheep and cattle and household utensils are introduced. He confines himself to a bold, straightforward imitation of familiar objects, united, however, with pleasing composition, colour, and chiaroscuro. His colours, indeed, sparkle like gems, particularly the greens, in which he displays a brilliancy quite peculiar to himself. His lights are boldly infringed on the objects, and are seldom introduced except on prominent parts of the figures. ...
— Six Centuries of Painting • Randall Davies
... of Parenzo, who was much employed in his day; pictures by him are preserved in the Accademia at Venice, the Doria Gallery, Rome, in the Louvre, and at Modena. He studied at Padua with Mantegna, under Squarcione, and executed frescoes and chiaroscuro arabesques in the cloister of S. Giustina in that city. When the Austrians converted the convent to military uses the paintings were plastered over, and, although again uncovered in 1895, they were found to be in a much damaged ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson |
