"Classic" Quotes from Famous Books
 ... sturdy figures; their red beards, and yellow hair knotted fantastically above the head; their awkward dresses, half Roman or Egyptian, and half of foreign fur, soiled and stained in many a storm and fight, but tastelessly bedizened with classic jewels, brooches, and Roman coins, strung like necklaces. Only the steersman, who had come forward to wonder at the hippopotamus, and to help in dragging the unwieldy brute on board, seemed to keep ...
— Hypatia - or, New Foes with an Old Face • Charles Kingsley
... of government upon which the absolutism of Louis XIV was based received a classic expression in a celebrated book written by Bossuet (1627-1704), a learned and upright bishop of the time. Government, according to Bossuet, [Footnote: The statements of the arguments in favor of monarchy by divine right ...
— A Political and Social History of Modern Europe V.1. • Carlton J. H. Hayes
... leeches derived much of their knowledge directly from the Romans, and through them from the Greeks, but they also possessed a good deal of their own. The herbs they employed bespeak considerable acquaintance with botany and its application to medicine as understood at that day. The classic peony was administered as a remedy for insanity, and mugwort was regarded as useful in putting to flight what this Saxon book calls "devil sickness," that is, a mental malady arising from a demon. Here is a recipe for "a ...
— Chapters in the History of the Insane in the British Isles • Daniel Hack Tuke
... of the educational system of the present and of the recent past, it is quite safe to say, have their place primarily in the higher, liberal, and classic institutions and grades of learning, rather than in the lower, technological, or practical grades, and branches of the system. So far as they possess them, the lower and less reputable branches of the educational scheme ...
— The Theory of the Leisure Class • Thorstein Veblen
... overwhelmed him to such an extent that he found it impossible to submit silently to the nagging of the navigating officer. One word borrowed another until diplomatic relations were severed and, in the language of the classic, they "mixed it." They were fairly well matched, and, to the credit of Captain Scraggs be it said, whenever he believed himself to have a fighting chance Scraggs would fight and fight well, under ...
— Captain Scraggs - or, The Green-Pea Pirates • Peter B. Kyne
... generosity, but it is a generosity which is necessitated by the fact that Romance is a quality or function not so much of nature essentially—though happily it is sometimes so by accident—as of Art, the essence of which is to require, whether it be art classic or art romantic, art of literature or art of design, art of sight or art of sound, something added to the truth—as that truth exists ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury
... however, Shakespeare is hardly a case in point, his "Venus and Adonis" having been published, we believe, in his twenty-sixth year. Milton's Latin verses show tenderness, a fine eye for nature, and a delicate appreciation of classic models, but give no hint of the author of a new style in poetry. Pope's youthful pieces have all the sing-song, wholly unrelieved by the glittering malignity and eloquent irreligion of his later productions. Collins' callow namby-pamby died and gave no sign of the vigorous ...
— The Works of Edgar Allan Poe - Volume 1 (of 5) of the Raven Edition • Edgar Allan Poe
... his spare time he worked at sculpture, and before 1772, when he obtained a travelling studentship and proceeded to Rome, he had already exhibited several fine works. Returning to England in 1779 he found that the taste for classic poetry, ever the source of his inspiration, no longer existed, and he spent two years in St Petersburg, being employed by the empress Catherine, who purchased his "Cupid tormenting a Butterfly." ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... and cheerfulness. Prof. Masson says, "Milton's Comus is a creation of his own, for which he was as little indebted intrinsically to Puteanus as to Ben Jonson. For the purpose of his masque at Ludlow Castle he was bold enough to add a brand-new god, no less, to the classic Pantheon, and to import him into Britain." Bacchus, the god who taught men the preparation of wine. He is the Greek Dionysus, who, on one of his voyages, hired a vessel belonging to some Tyrrhenian pirates: ...
— Milton's Comus • John Milton
... learning, mastery, and art displayed in it is beyond the power of language. Its more exquisite beauties could not be discovered by the sight, but only by the touch of the hand passed over it." Of another classic marble at Padua he says, "This statue, when the Christian faith triumphed, was hidden in that place by some gentle soul, who, seeing it so perfect, fashioned with art so wonderful, and with such power of genius, and being moved to reverent pity, caused a sepulchre of bricks to be built, and there ...
— The World I Live In • Helen Keller
... of Wilson's classic compositions of captivating loveliness, proving the painter, as Mr. Cunningham observes, to have wrought under ...
— The Mirror of Literature, Amusement, and Instruction, No. 576 - Vol. 20 No. 576., Saturday, November 17, 1832 • Various
... Oestgaard's sketches of peasant life and humors in the mountains (1852)—all this was a direct menace to the popularity of the national stage, offering an easy and alluring alternative for home-loving citizens. Was it certain that the classic Danish, which alone Ibsen cared to write, would continue to be the language of the cultivated classes in Norway? Here was Ivar Aasen (in 1853) showing that the irritating landsmaal could be used for ...
— Henrik Ibsen • Edmund Gosse
... know the classic example of Queen Marie Antoinette, who, when told that the people were rioting for want of bread, exclaimed, "Why, let them eat cake instead!" Brought up in luxury, she could not realize what absolute want means. She had ...
— Your Child: Today and Tomorrow • Sidonie Matzner Gruenberg
... W——; a stranger with a mystery. Now, then, I wish to show that it is possible for a stranger to W—— to be an honorable man, with an unblemished past; and that it is equally possible for a dweller in this classic and hitherto unpolluted town, to be a liar and to perjure himself ...
— The Diamond Coterie • Lawrence L. Lynch
... convulsions have left much purity of Greek blood in south Italy, although emotional travellers, fresh from the north, are for ever discovering "classic Hellenic profiles" among the people. There is certainly a scarce type which, for want of a better hypothesis, might be called Greek: of delicate build and below the average height, small-eared and straight-nosed, with curly hair ...
— Old Calabria • Norman Douglas
... out his usual classic," chuckled Nelson Haley. "I hear him at it morning, noon, and night. Seems to me 'Silver Threads Among the Gold' is ...
— Janice Day at Poketown • Helen Beecher Long
... as a commentary on Light on the Path. The reader would do well to bear this in mind. Many things in that book will be made clear by the reading of this one, and one will be constantly reminded of that work, which has already become a classic in our literature. Through the Gates of Gold is a work to be kept constantly at hand for reference and study. It will surely take rank as one of the standard ...
— Light On The Path and Through the Gates of Gold • Mabel Collins
... Wingfield was ambitious. Finding, as he told me, that he could never be a great artist, he preferred not to be one at all. On his walls were large classic paintings, not likely ever to find their way to the walls of anyone else. But he tried his hand at popular art as well. A scene in a circus, for instance, was one subject. A pretty little child was engaged ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... the early history of the leading instrument have not been more multiform than remote. The Violin has been made to figure in history sacred and profane, and in lore classic and barbaric. That an instrument which is at once the most perfect and the most difficult, and withal the most beautiful and the most strangely interesting, should have been thus glorified, hardly admits of wonder. Enthusiasm is a noble passion, when tempered with reason. It cannot be said, ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... the Leonville school-house sharply outlined against the sky, upon the summit of a high, rising ground. It stands quite alone as though in proud distinction for its classic vocation. Its flat, uninteresting sides; its staring windows; its high-pitched roof of warped shingles; its weather-boarding, innocent of paint; its general air of neglect; these things strike one forcibly in that region ...
— The Hound From The North • Ridgwell Cullum
... pursuit of the sombre goddess of learning to be the most profitable—entirely the most profitable. I myself, though a young man,—being still on the right side of forty,—have reaped the richest harvest from my labours in the classic shades. Twenty years ago, young gentlemen, I, like you, left my ancestral estates to sip at the Pierian spring. In point of fact, I attended the institution founded by Thomas Jefferson, the father of the American ...
— A Certain Rich Man • William Allen White
... which was a shade too long, a thought too retrousse, Miss Haviland would have been beautiful after the Greek type. (Audrey's own type, as she had once described it in a moment of introspection, was the "Roman piquante," therefore she made that admission the more readily.) There was a touch of classic grace, too, in the girl's figure and her dress. She had rolled up the sleeves of her long blue overall, and bound it below her breasts and waist with a girdle of tape—not for the sake of effect, as Audrey supposed, but to give her greater freedom as she worked and moved about the studio. At ...
— Audrey Craven • May Sinclair
... and classic at once, full of the ideal, and so positive that it seemed to seek support in an intense grasp of things and beings—two gifts well-nigh incompatible, and often mutually destructive—already it knew, not only the love of study and ...
— Fabre, Poet of Science • Dr. G.V. (C.V.) Legros
... to find classic lore in Harrie Dugdale, and she gave most cordial admiration to Duke. "He is a magnificent rider; he sits the horse just as if he were ...
— Agatha's Husband - A Novel • Dinah Maria Craik (AKA: Dinah Maria Mulock)
... not only a translator of the classic epics, but projected an epic of his own about Arthur. Almost at the same time Pope was planning to write one on Brut, but he too failed to carry out his intentions, and is best known as the translator of the Iliad, although some authorities claim the "Rape of the Lock" is a unique ...
— The Book of the Epic • Helene A. Guerber
... judicial fairness and shall be umpire in this question. And now, Mr. De Forrest, there is a celebrated and greatly admired picture in a certain gallery, representing a scene from the Roman Saturnalia. You do not object to that, with its classic accessories, as a ...
— From Jest to Earnest • E. P. Roe
... acquaintance of other friends and admirers further along the line. Llanbrynmair was soon to be reached, and another writer in the local Press is moved to compare its former remoteness, "verging close upon the classic 'Ultima Thule' of the first Roman," with the new conditions. "The railway," he says, "with its snorting, puffing and Vesuvian volumes of clouds, now to a certain extent breaks upon the whilom monotony of this valley among mountains; its aptly termed iron-horse (Mars-like, ...
— The Story of the Cambrian - A Biography of a Railway • C. P. Gasquoine
... hustling real-estate speculators, and millionaires, and labor leaders, and ward politicians, who were working for the prosperity of the city and, incidentally, for themselves. It was all very different from our notions of classic times which we had imbibed from our Latin lessons in school. But it is the impression which Rome ...
— Humanly Speaking • Samuel McChord Crothers
... girl of twelve years' growth steadied a pail of water on her head, with both dimpled arms thrown up, in ancient classic Caryatides attitude; and, pausing a moment beside the spring, stood fronting the great golden dawn—watching for the first level ray of the coming sun, and chanting the prayer of Habakkuk. Behind her in silent grandeur towered the huge outline of Lookout Mountain, shrouded ...
— St. Elmo • Augusta J. Evans
... Museum." From Oxford, which he visited in 1803, he brought away only "a grand but indistinct picture of towers and chapels and oriels and vaulted halls", having met there a reception which, as he modestly acknowledges, "was more than such a truant to the classic page as myself was entitled to expect at the source of classic learning." Finally, in his last illness, when sent to Rome to recover from the effects of a paralytic stroke, his ruling passion was strong in death. He examined with eagerness the remains of the mediaeval ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... character had shocked him, and served effectually to kill his growing attachment. Beauty of face could not make up for deformity of character. On the other hand, he was beginning to be attracted by Ruth. She lacked Luella's regular features and cold, classic beauty, but her sweet face revealed a disposition warm, kindly, and sympathetic; and when her deep, serious eyes rested upon him, he felt that she was far more attractive than her ...
— The Erie Train Boy • Horatio Alger
... fruitful of immortal lays, Where the soft season and inviting clime Conspire to trouble your repose with rhyme. For wheresoe'er I turn my ravished eyes, Gay gilded scenes and shining prospects rise, 10 Poetic fields encompass me around And still I seem to tread on classic ground; For here the Muse so oft her harp has strung, That not a mountain rears its head unsung, Renowned in verse each shady thicket grows, And every stream in heavenly numbers flows. How am I pleased to search the hills ...
— The Poetical Works of Addison; Gay's Fables; and Somerville's Chase • Joseph Addison, John Gay, William Sommerville
... rapidly down the road toward the house. So rapidly that she did not know how flushed and beautiful she had become. She was swinging her hat impatiently in her hand, her fine hair half falling and loose behind, shadowing her face as rosy sunset clouds the temple on Mt. Ida. A face of more classic beauty, a skin of more exquisite fairness, flushed with the bloom of youth, Richard Travis ...
— The Bishop of Cottontown - A Story of the Southern Cotton Mills • John Trotwood Moore
... back with me, or, finally, whether some daring explorer, coming upon our tracks with the advantage, perhaps, of a perfected monoplane, should find this bundle of manuscript, in any case I can see that what I am writing is destined to immortality as a classic of ...
— The Lost World • Arthur Conan Doyle
... opponents of the scheme. Some organs coldly inquired what Priam Farll had done for England, and particularly for the higher life of England. He had not been a moral painter like Hogarth or Sir Noel Paton, nor a worshipper of classic legend and beauty like the unique Leighton. He had openly scorned England. He had never lived in England. He had avoided the Royal Academy, honouring every country save his own. And was he such a great painter, after all? Was he anything but a clever dauber whose work had ...
— Buried Alive: A Tale of These Days • Arnold Bennett
... Biblical one would have insured Milton universal popularity among his countrymen, for his style is that of an ancient classic transplanted, like Aladdin's palace set down with all its magnificence in the heart of Africa; and his diction, the delight of the educated, is the despair of the ignorant man. Not that this diction ...
— Life of John Milton • Richard Garnett
... not quite eighteen, was a good deal taller, and more slender. She had dark brown eyes, smooth dark hair, parted in the middle, a rather bright colour and features of the classic type. Her chin was rather long, and she had a brilliant, sudden smile, and all the attractive freshness and slight abruptness of her age, with an occasionally subdued air, caused by the shadow that had fallen on their youth ...
— The Limit • Ada Leverson
... gave her a look of dominance—was it her regular features and her classic head? Does beauty in itself express authority, just because it has the transcendent thing in it? Does the perfect form convey something of the same thing that physical force—an army in arms, a battleship—conveys? In any case it was there, that inherent masterfulness, though not in its highest ...
— The Judgment House • Gilbert Parker
... an odd chance; my nephew Henry Parker, an Oxford Classic, and Fellow of Oriel, came here this evening; and I asked him whether he knew who had written the little article in the "Saturday", smashing the [Edinburgh reviewer], which we liked; and after a little hesitation he owned he had. I never knew that ...
— The Life and Letters of Charles Darwin, Volume II • Francis Darwin
... of the services of journalism. When on June 29,1793, publication began of a series of eight articles signed "Pacificus," it was well known that Hamilton was the author. The acute analysis and cogent reasoning of these articles have given them classic rank as an exposition of national rights and duties. Upon minds open to reason their effect was marked. Jefferson wrote to Madison, "For God's sake, my dear Sir, take up your pen, select the most striking heresies, and cut him to pieces in the face of the public." Madison did take ...
— Washington and His Colleagues • Henry Jones Ford
... be it worse, When Pelhams reigned in George's name Poets were safe from sneer or curse Who gave a patriot classic fame, And goodness, void of passion, knit The ...
— Ionica • William Cory (AKA William Johnson)
... nowhere have more of the institutions of the Middle Ages been retained than in England; nowhere did the spiritual power link itself more closely with the temporal. Here less depends on the conflict of doctrines, for which Germany is the classic ground: the main interest lies in the political transformation, accomplished amidst manifold variations of opinions, tendencies, and events, and attended at last by a war for the very existence of the nation. For it was against England that the sacerdotal reaction ...
— A History of England Principally in the Seventeenth Century, Volume I (of 6) • Leopold von Ranke
... ground than the Abbey House, and was altogether different from that good old relic of a bygone civilisation. Briarwood was distinctly modern. Its decorations savoured of the Regency: its furniture was old-fashioned, without being antique. The classic stiffness and straightness of the First French Empire distinguished the gilded chairs and tables in the drawing-room. There were statues by Chantrey and Canova in the spacious lofty hall; portraits by Lawrence and Romney ...
— Vixen, Volume I. • M. E. Braddon
... lines by an unknown writer, discovered by M. Paul Meyer in the library of Sir Thomas Phillipps. "The masterpiece of Anglo-Norman historiography," writes M. Langlois, "is assuredly this anonymous poem, so long forgotten, and henceforth classic." ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... with stiff Vowes renounc'd his Liturgie To seise the widdow'd whore Pluralitie From them whose sin ye envi'd, not abhor'd, Dare ye for this adjure the Civill Sword To force our Consciences that Christ set free, And ride us with a classic Hierarchy Taught ye by meer A. S. and Rotherford? Men whose Life, Learning, Faith and pure intent Would have been held in high esteem with Paul 10 Must now he nam'd and printed Hereticks By shallow Edwards and Scotch what d'ye call: But we do ...
— The Poetical Works of John Milton • John Milton
... primarily intended to exhibit the letter shapes, have in most cases been so arranged as to show also how the letters compose into words, except in those instances where they are intended to be used only as initials. The application of classic and medieval letters to modern usages has been, as far as possible, suggested by showing modern designs in which similar ...
— Letters and Lettering - A Treatise With 200 Examples • Frank Chouteau Brown
... as they always were called by the Groby Park people, had been christened Diana, Creusa, and Penelope, their mother having a passion for classic literature, which she indulged by a use of Lempriere's dictionary. They were not especially pretty, nor were they especially plain. They were well grown and healthy, and quite capable of enjoying themselves in any of the amusements customary to young ladies,—if ...
— Orley Farm • Anthony Trollope
... 1901, with preface by the author to the edition of 18991. This is a reprint of the edition published in 1857 under the title "Prairie and Rocky Mountain Life," or "The California and Oregon Trail," and has always been held as a classic in the literature of the West. It holds a certain amount of information regarding life on the Plains at the middle of the last century. The original title is more accurate than the more usual one "The Oregon Trail," as the book ...
— The Passing of the Frontier - A Chronicle of the Old West, Volume 26 in The Chronicles - Of America Series • Emerson Hough
... there are hundreds of these Pythagorean sayings that have vexed our classic friends for over two thousand years. All Greek scholars who really pride themselves on their scholarship have taken a hand at them, and agitated the ether just as the members of the Kokomo Woman's Club discuss obscure passages in Bliss Carman or Ella Wheeler Wilcox. ...
— Little Journeys To The Homes Of Great Teachers • Elbert Hubbard
... progressed by great strides by such rude yet able help as well as by the purer methods of religion. The priests, however, do not seem to have made war on the balladmakers, as the great King of England would have had his nephew do. Buchanan, indeed, whose classic weapons had been brought into this literary crusade, and who also had his fling at the Franciscans as well as his coarser and more popular brethren, was imprisoned for a time, and had to withdraw from his country, but the poets of the people, ...
— Royal Edinburgh - Her Saints, Kings, Prophets and Poets • Margaret Oliphant
... plaited masses, quite black in the moonlight, hung down and coiled upon the bench, by her side. Her chaste drapery was of that revived classic order which the world of fashion was again laying aside to re-assume the medaeval bondage of the staylace; for New Orleans was behind the fashionable world, and Madame Delphine and her daughter were behind New Orleans. ...
— Old Creole Days • George Washington Cable
... the memory of childhood are seldom forgotten. Things learned later in life, not only are learned with greater difficulty, but more rapidly disappear. I recall instantly and without effort, texts of Scripture, hymns, catechisms, rules of grammar and arithmetic, and scraps of poetry and of classic authors, with which I became familiar when a boy. But it is a labor of Hercules for me to repeat by memory anything acquired since attaining the age of manhood. The Creator seems to have arranged an order in the natural development of the faculties ...
— In the School-Room - Chapters in the Philosophy of Education • John S. Hart
... who sang some Hudson's Bay songs, Richards sang a jolly college song or two, Stanton a "classic," and then all who could sing ...
— The Long Labrador Trail • Dillon Wallace
... famous scenes and portraits by the aid and guidance of historic documents and antiquarian research. The modern romantic school, of whom the master, if not the founder, is Scott, represented a clear step forward to what is now called Realism, and a proportionate abandonment of the classic convention, or the method of drawing from traditional or imaginary models. To Scott may be ascribed the authoritative introduction of descriptions of landscape, of storms, sunsets, and picturesque effects; ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... Alexandria, Philammon heard praises of Hypatia from a fruit porter who showed him the way to the archbishop's house. Hypatia, according to his guide, was the queen of Alexandria, a very unique and wonderful person, the fountain of classic wisdom. ...
— The World's Greatest Books, Volume V. • Arthur Mee and J.A. Hammerton, Eds.
... all knowledge of a dangerous aitu; he declares the souls of the unburied were only wanderers in limbo, lacking an entrance to the proper country of the dead, unhappy, nowise hurtful. And this severely classic opinion doubtless represents the views of the enlightened. But the flight of my Lafaele marks the ...
— In the South Seas • Robert Louis Stevenson
... proceeded to preside over the operations of the siege. To render the blockade effectual, it was requisite to stop up the port. The military officers whom he employed could suggest no means of doing this. Richelieu took counsel of his classic reading, and having learned from Quintus Curtius how Alexander the Great reduced Tyre, by carrying out a mole against it through the sea, he was encouraged to undertake a similar work. The great mound was accordingly ...
— Great Men and Famous Women. Vol. 3 of 8 • Various
... probably the first book printed in Fleet Street, afterwards a gathering-place for the ink-stained craft. A copy of this book, "Dives and Pauper," was sold a few years since for no less than L49. In 1497 the same busy Frenchman published an edition of "Terence," the first Latin classic printed in England. In 1508 he became printer to King Henry VII., and after this produced editions of Fabyan's and Froissart's "Chronicles." He seems to have had a bitter feud with a rival printer, named Robert Rudman, who pirated his trade-mark. In one of his books he thus quaintly ...
— Old and New London - Volume I • Walter Thornbury
... exercises and lessons. She also took up the study of Greek in order to assist me with my lessons in that language. When I studied my Greek I always led my aunt Claire to the stairway and I sprawled there upon the steps, my feet higher than my head; for two or three years that was the classic pose I took for the study of the Iliad, ...
— The Story of a Child • Pierre Loti
... Greek is somewhat of a sailor to this day, and in many a Mediterranean port lie sharp and smartly-rigged brigantines with classic names of old Heathendom gilt in pure ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... meantime been offered the chair of history and astronomy at Fernbridge Seminary for Young Ladies at Lover's Leap in the State of New Jersey I have accepted and am departing on the morrow for my new post, trusting, in the classic shades and congenial atmosphere of that well-established academy of learning, to forget the unhappy memories now indissolubly associated in my mind with the first and last camping expedition of the Young ...
— Fibble, D. D. • Irvin Shrewsbury Cobb
... printed books, and 2800 volumes of manuscripts. The valuable library that formerly belonged to Count Beurau forms part of this noble collection, which is most complete in general history, and in Greek and Latin classic authors. Amongst the printed books are some of the rarest specimens of early typography, including 600 of the Aldine editions, and many on vellum, besides a copy of the first edition of the "Orlando Furioso," printed by ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various
... from a Roman cantor whom Pope Vilalian sent in the train of Benedict Biscop. Little by little the young scholar thus made himself master of the whole range of the science of his time; he became, as Burke rightly styled him, "the father of English learning." The tradition of the older classic culture was first revived for England in his quotations of Plato and Aristotle, of Seneca and Cicero, of Lucretius and Ovid. Virgil cast over him the same spell that he cast over Dante; verses from the. Aeneid break his narratives ...
— MacMillan's Reading Books - Book V • Anonymous
... nineteenth century, men have always worn precious stuffs and beautiful colors as well as women. A hundred years ago a gentleman in pink silk was a gentleman properly dressed. Fifteen hundred years ago the patricians of the classic times wore bracelets exactly like mine. I despise the brutish contempt for beauty and the mean dread of expense which degrade a gentleman's costume to black cloth, and limit a gentleman's ornaments to a finger-ring, in the age I live ...
— The Law and the Lady • Wilkie Collins
... collective bargaining were scarcely dreamed of, though anticipated in the philosophy of Karl Marx, as yet not transplanted to America. Socialism, as expressed by Henry George, whose "Progress and Poverty" was a classic in King's college days, was the most radical element with which the young Deputy had to deal. But the Government's policy of foreign labour nationals being gradually absorbed into labour unions made Canada, in proportion ...
— The Masques of Ottawa • Domino
... pass up to Constantinople, even though we run away afterwards. I repeat, therefore, the plan is feasible. As to its cheapness, it would not cost a tithe of what we spent in destroying the tea-tray fortifications of Satsuma; and as we have a classic turn for monuments, a pyramid of barrel-organs in Charing Cross might record to a late ...
— Cornelius O'Dowd Upon Men And Women And Other Things In General - Originally Published In Blackwood's Magazine - 1864 • Charles Lever
... of the American versus the English school has been too much discussed. The good got from a school depends, after all, on the schoolboy chiefly, and I'm afraid the average schoolboy is well reflected in that classic schoolboy letter ...
— Toaster's Handbook - Jokes, Stories, and Quotations • Peggy Edmund & Harold W. Williams, compilers
... been known since the voyage of Hanno of Carthage in the sixth century B.C., but it has not got into general literature to any great extent since Pliny. The only later classic who has noticed it is Milton, who in a very suitable portion of Paradise Lost says of Notus and Afer, "black with thunderous clouds from Sierra Lona." Our occupation of it dates ...
— Travels in West Africa • Mary H. Kingsley
... book by teachers and children, both in school and out of school, has tempted me carefully to revise the stories, omitting some and adding others, in the hope of making the book still more welcome and more helpful. The illustrations in the present edition are all from classic sources, and reproduce for the reader something of the classic idea and the ...
— Classic Myths • Retold by Mary Catherine Judd
... work received a little more attention in our high schools to-day, we should be less likely to hear the statement of a political creed neutralized by the omission of an important word. We should be less likely to see the classic words of Lincoln mangled beyond recognition ...
— The Teaching of History • Ernest C. Hartwell
... rooms we were taken to the top of the Hound Tower, where we gained a magnificent view of the Park of Windsor, with its regal avenue, miles in length, of ancient oaks; its sweeps of greensward; clumps of trees; its old Herne oak, of classic memory; in short, all that constitutes the idea of a perfect English landscape. The English tree is shorter and stouter than ours; its foliage dense and deep, lying with a full, rounding outline against the sky. Every thing here conveys the ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... outset I may mention it's my sovereign intention To revive the classic memories of Athens at its best, For my company possesses all the necessary dresses, And a course of quiet cramming will supply us with the rest. We've a choir hyporchematic (that is, ballet-operatic) Who respond ...
— Songs of a Savoyard • W. S. Gilbert
... no classic temple order'd round With massy pillars of the Doric mood Broad-fluted, nor with shafts acanthus-crown'd, Pourtray'd along the frieze with Titan's brood That battled Gods for heaven; brilliant-hued, With golden fillets and rich blazonry, Wherein beneath the cornice, horsemen ...
— Poems of Gerard Manley Hopkins - Now First Published • Gerard Manley Hopkins
... are, indeed, classic soil, trodden by the footsteps of many of the most remarkable men in American History: Cartier, Champlain, Phipps, d'Iberville, Laval, Frontenac, La Galissonnere, Wolfe, Montcalm, Levis, Amherst, Murray, Guy Carleton, Nelson, Cook, Bougainville, Jervis, Montgomery, Arnold, DeSalaberry, Brock and ...
— Picturesque Quebec • James MacPherson Le Moine
... the ablest of his contemporaries. He developed the somewhat bombastic type of drama known as the heroic play, and brought it to its height in his "Conquest of Granada"; then, becoming dissatisfied with this form, he cultivated the French classic tragedy on the model of Racine. This he modified by combining with the regularity of the French treatment of dramatic action a richness of characterization in which he showed himself a disciple ...
— All for Love • John Dryden
... classic Menotomy in the tinsel ring of Arlington? The good old Indian name, the very speaking of which is a pleasure, has given place to the first-class apartments, —steam-heated, electric-lights, hot and cold water, all improvements —in appellations of Arlington and Arlington Heights. A tablet marks the ...
— Two Thousand Miles On An Automobile • Arthur Jerome Eddy
... this prosperous way, gaining in favour with the theatre-goers, and increasing his artistic resources. During this period he married the daughter of a baronet, and she lived for six years, but not long enough to witness his triumphs in the "Distressed Mother" and the classic "Cato." As Chetwood well said, "Pyrrhus in the 'Distressed Mother' placed him in the seat of Tragedy, and Cato fixed him there." We have already read something of the "Distressed Mother," and of the ...
— The Palmy Days of Nance Oldfield • Edward Robins
... Northern Europe, which make up one of the great myth cycles of Western civilization, spring to life in The Children of Odin. This classic volume, first published in 1920 and reissued in 1962, is now available for the first time in paperback, illustrated with the original line drawings by Willy Pogany, to inspire ...
— The Children of Odin - The Book of Northern Myths • Padraic Colum
... figuring, uttered the last word of human experience. To certain smoke-dried spirits matter and motion and elastic aethers, and the hypothesis of this or that other spectacled professor, tell a speaking story; but for youth and all ductile and congenial minds, Pan is not dead, but of all the classic hierarchy alone survives in triumph; goat-footed, with a gleeful and an angry look, the type of the shaggy world: and in every wood, if you go with a spirit properly prepared, you shall hear ...
— Virginibus Puerisque • Robert Louis Stevenson
... prose, proved himself the most inspired of all the textual critics of Shakespeare. Pope savagely avenged himself on his censor by holding him up to ridicule as the hero of the 'Dunciad.' Theobald first displayed his critical skill in 1726 in a volume which deserves to rank as a classic in English literature. The title runs 'Shakespeare Restored, or a specimen of the many errors as well committed as unamended by Mr. Pope in his late edition of this poet, designed not only to correct the said edition but to restore ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... triumphs of her darling son; and she brought with her her daughter Pauline, while the youngest, Caroline, remained behind in Madame Campan's boarding-school. It could not be otherwise than that the sisters of the commander-in-chief, whose true beauty reminded one of the classic features of ancient Greece, should find among the officers of the army of Italy most enthusiastic admirers and worshippers, and that many should long for the favor of being more intimately connected by the ties of affection ...
— The Empress Josephine • Louise Muhlbach
... La Cumbre, from which the view is almost as wonderful, and your driver may tell you about the splendid homes that used to grace its slopes in the golden days when Cuba had an aristocracy. They were classic Roman villas, such as once lined the Via Appia— little palaces, with mosaics and marbles and precious woods imported from Europe, and furnished with the rarest treasures—for in those days the Cuban planters were rich and spent their money lavishly. Melancholy reminders of this splendor ...
— Rainbow's End • Rex Beach
... Although the classic ear may be offended by the "barbarous adjunct of rhyme," and by the solecisms and false quantities which sometimes occur, "et alia multa damna atque outragia," others may be amused with these emulations of the cloistered ...
— Notes and Queries, Number 82, May 24, 1851 • Various
... you. But I see that if the book had previously to this point been differently written it would have been impossible to have rendered this scene so remarkably impressive. The story of "Eric" is extremely quaint and charming; it is a vein I am not familiar with in your writings. It is a little classic. This quaint child's story and the death of Mrs. Grey affect me as a fine work of art affects one, whenever I recall them. The trite saying is still true, "A thing of ...
— The Life and Letters of Elizabeth Prentiss • George L. Prentiss
... was necessary with the "Froissart". It is probably quite safe to say that a thousand persons are familiar with at least the name of Froissart to one who ever heard of Malory; and the facts (1) that this book is an English classic written in the fifteenth century; (2) that it is the very first piece of melodious English prose ever written, though melodious English POETRY had been common for seven hundred years before, — a fact which seems astonishing to those who are not familiar with the circumstance ...
— Sidney Lanier • Edwin Mims
... of Naples possess many attractions for the classic tourist, as well as for the strange flies of fashion. Among these is Virgil's Tomb, which is, indeed, holy ground. The temples, aqueducts, and arches of olden time are likewise stupendous records of the sumptuousness ...
— The Mirror of Literature, Amusement, and Instruction. - Volume XII, No. 347, Saturday, December 20, 1828. • Various
... it would be sweet to do it sort of Grecian," she cried in her sentimental fashion, "with a classic knot at the nape of your neck, and little curls hanging ...
— Elsie Marley, Honey • Joslyn Gray
... appears that within the limits of one group diverse forms occupy different islands, evolved in different ways in their own neighborhoods; while in one and the same island, the populations of the different valleys show marked effects of divergence in later evolution, precisely as in the case of the classic ...
— The Doctrine of Evolution - Its Basis and Its Scope • Henry Edward Crampton
... conch shells united in one vessel, the bases being turned inward and the apexes outward. Now it is only necessary to suppose the addition of the spiral lines, always associated with the nodes, to have the result shown in b, and by a still higher degree of convention we have the classic scroll ornament given in c. Of course, no such result as this could come about adventitiously, as successful combination calls for the exercise of judgment and taste; but the initiatory steps could be ...
— Origin and Development of Form and Ornament in Ceramic Art. • William Henry Holmes
... Change we are led on to a consideration of the problems connected with our perception of the external world, which has its roots in change. These problems have given rise to some very opposing views—the classic warfare between Realism and Idealism. Bergson is of neither school, but holds that they each rest on misconceptions, a wrong emphasis on certain facts. He invites us to follow him closely while he investigates the problems of Perception ...
— Bergson and His Philosophy • J. Alexander Gunn
... century, and in one series of these, representing the creation, the Almighty is shown as working, day after day, like an artisan, and finally, on the seventh day, as "resting,"—seated in almost the exact attitude of the "weary Mercury" of classic sculpture, with a marked expression of fatigue upon his countenance and in the whole ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... Infantry Brigade and the 2/4th Oxford and Bucks Light Infantry found themselves, as the narrative shows, on classic ground near Mouquet Farm. Here I was first thrown into close contact with the Battalion and learned to know and value it. The work was, if you like, mere routine, mere holding the line. But what a line! Shall we ever forget Regina and Desire trenches, with their phenomenal mud and ...
— The Story of the 2/4th Oxfordshire and Buckinghamshire Light Infantry • G. K. Rose
... true Short-story differs from the Novel chiefly in its essential unity of impression. In a far more exact and precise use of the word a Short-story has unity as a Novel cannot have it. Often, it may be noted by the way, the Short-story fulfills the three false unities of the French classic drama: it shows one action in one place on one day. A Short-story deals with a single character, a single event, a single emotion, or the series of emotions called forth by a single situation. Poe's ...
— Lippincott's Magazine, October 1885 • Various
... bumptious fellow, fond of quoting the classics, etc. One day a learned classic scholar attended his service, and was heard to say, after each quotation, "That's Horace," "That's Plato," and such-like, until the preacher was at his "wits' ends" how to quiet the man. At last, leaning over the pulpit, he looked the man in the face, and is reported to have said, ...
— The Parish Clerk (1907) • Peter Hampson Ditchfield
... community with which they are identified. If this book comes to be forgotten as a novel (which is not likely), it will have a fair chance of being remembered, along with 'Levana' and 'Emile,' as a sort of educational classic. 'Paa Gud's Veje,' the last great work of Bjoernson, is also strongly didactic in tone, yet it attains at its highest to a tranquillity of which the author seemed for many years to have lost the ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... competent hands are beautiful in themselves and beautifully executed, and, altogether, the 'Border Edition' of the Waverley Novels bids fair to become the classical edition of the great Scottish classic." ...
— Lover or Friend • Rosa Nouchette Carey
... when medieval winter was receding, and the summer sun of civilization was bringing into leaf and flower a thousand forms of luxurious enjoyment; when a new world of thought and beauty had opened upon the human mind, in the discovery of the treasures of classic literature and art. He saw the great and the gifted, dazzled by the Enchantress, and drinking in the magic of her song; he saw the high and the wise, the student and the artist, painting, and poetry and sculpture, and music, and architecture, drawn within her range, ...
— The Idea of a University Defined and Illustrated: In Nine - Discourses Delivered to the Catholics of Dublin • John Henry Newman
... Double Basses. Gasparo's Violins are less harmonious in design, and evince his unsettled views as to the form they should take; a perfectly natural circumstance when the infantile state of the Violin in his day is considered. The outline of Maggini is broad, but lacks the classic symmetry of the rare old Brescian maker. The form is flat, and the means which he adopted in order to obtain a full and telling tone were very complete. The sides are frequently shallow, and in accordance with the outline. With others who followed him, he ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... from out the plain Heaves like a long-swept wave about to break, And on the curl hangs pausing: not in vain May he who will his recollections rake, And quote in classic raptures, and awake The hills with Latian echoes; I abhorred Too much, to conquer for the poet's sake, The drilled dull lesson, forced down word by word In my repugnant ...
— Childe Harold's Pilgrimage • Lord Byron
... absorbed in the role he had so carefully thought out, did not note his unconscious father-in-law's face. He extended both his hands and advanced grandly upon fat, round Peter. "My father!" he exclaimed in his classic German. "Forgive my unseemly haste in plucking without your permission the beautiful ...
— The Fortune Hunter • David Graham Phillips
... husband and son; into office, store and farm, called there by no ambitious desire to wander out of their sphere, but by the same dire military necessity that called our men to the front stepped orphaned daughter and widowed wife. Anna Dickinson captured the lyceum and platform. The almost classic scene of "Corinne at the Capitol" is not more remarkable than that historic scene of the Quaker girl at Washington, called there to receive the plaudits of the highest officials of our nation, for services rendered in the then vital political campaigns ...
— History of Woman Suffrage, Volume III (of III) • Various
... of classic literature upon the Middle Ages and modern times has not only endured, but has gone on increasing with the centuries; so that we must know the position reached by Greece and Rome as to feeling for Nature, in order to discover whether the line of advance ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... clear pallor, like the white rose beloved by her ancestors; her features were all but classic, with the charm of romance; but what made her unique was her mouth. It was faintly upturned at the corners, as in archaic Greek art; she had, in the slightest and most gracious degree, what Logan, describing her once, called 'the AEginetan ...
— The Disentanglers • Andrew Lang
... environment, dressed him up, thought out a scheme—in a word, painted his idea without concerning himself in the least with the model. Mark you, I deny that I am urging any fault or flaw; I am merely contending that Whistler's art is not modern art, but classic art—yes, and severely classical, far more classical than Titian's or Velasquez;—from an opposite pole as classical as Ingres. No Greek dramatist ever sought the synthesis of things more uncompromisingly than Whistler. And he is right. Art is not nature. Art is nature digested. Zola and ...
— Confessions of a Young Man • George Moore
... erstwhile florid face paled. An ugly look invaded his features of normally classic beauty. Flinging off his braided morning-coat he flew at his opponent. Parrying with his right he brought his left well home with a middle-and-off jab, tapping the claret—a pretty blow, whose only defect was that ...
— Punch, or the London Charivari, Volume 159, December 1, 1920 • Various
... the Fabulae Faciles give but a small part. If you wish to know more of the subject, you should read Gayley's The Classic Myths in English Literature, Guerber's Myths of Greece and Rome, or the books by Kingsiey, Cox, Church, and ...
— Ritchie's Fabulae Faciles - A First Latin Reader • John Kirtland, ed.
... example the kind of human excellence which a political and social democracy may and should fashion; and its most grateful and hopeful aspect is, not merely that there is something partially American about the manner of his excellence, but that it can be fairly compared with the classic types ...
— The Promise Of American Life • Herbert David Croly
... figure and speech. Some of our best comedians found attraction in the ri?1/2le, yet, though Charles Burke and James A. Herne are recalled, by those who remember back so far, for the very Dutch lifelikeness of the genial old drunkard, Joseph Jefferson overtops all memories by his classic portrayal. ...
— Representative Plays by American Dramatists: 1856-1911: Rip van - Winkle • Charles Burke
... first appeared in 1855. In it Mr. Longfellow has woven together the beautiful traditions of the American Indians into one grand and delightful epic poem. The melodies of its rhythm and measure flow from his classic pen in unison with the hoof-beats of the bison, the tremulous thunder of the Falls of Minnehaha, the paddle strokes of the Indian canoeist, and he has done more to immortalize in song and story the life and environments of the red man of America than any other writer, ...
— The Song of Hiawatha - An Epic Poem • Henry Wadsworth Longfellow
... is not given to every new age. The cogs in the wheels of time slip back, at times. The classic revival may be permeated with enthusiasm, but it is a second edition of an old work—not a virile essay at expression of living thought. The later Renaissance was but half modern in its spirit; the classic period of the eighteenth century in England was ...
— The Love Sonnets of a Hoodlum • Wallace Irwin
... Carson, and she has passed too far on the journey homeward for mortal recognitions. Mrs. Grant moves a little back from the bed, and the two ladies stand in her place, leaning forward, with half-suspended breathing. The almost classic beauty of Miss Carson's face; the exquisite cutting of every feature; the purity of its tone—are all at once so apparent to Mrs. Lowe that she gazes down, wonder and admiration mingling with awe ...
— All's for the Best • T. S. Arthur
... 'Federalist,' from the circumstances under which it was written, the influence it exerted, the events with which it is associated, the character of the writers, and the ability manifest both in their arguments and the style—has long been regarded as a political classic. It was the text book of a large and intelligent party at the time of and long subsequent to the adoption of the Constitution; and few works of political philosophy, written to meet an exigency and prepare the way for a governmental change, have attained so high and permanent a rank ...
— The Continental Monthly, Vol. 6, No 3, September 1864 - Devoted To Literature And National Policy • Various
... modern kingdom, is one of the countries that for centuries were politically included within the limits of the Turkish Empire. In its present form it represents but a portion of that country, famous in history, as the Greece of the Ancients—that classic land which holds the most conspicuous place in the pages of ancient history—but still it is inclusive of the greatest names belonging to the glorious past. It is the country of Athens, Sparta, Corinth, Thebes and Argos. It is separated from Turkey by a winding boundary, ...
— Kelly Miller's History of the World War for Human Rights • Kelly Miller
... he was, met us at the door, and escorted us upstairs to see his treasures. The room was tapestried with all manner of works of art, of which he was justly proud, while the house itself stood copied from a Chinese model, for he was very classic. But I was pleased to find that above all his heart was given to the view. It was shared, as I also discovered, by the tea-ceremonies, in which he was a proficient; such a mixture is man. But I believe the view to have been the deeper affection. While I was admiring ...
— Noto, An Unexplored Corner of Japan • Percival Lowell
... intellect and intellectuality—sadly lacking in the place referred to) could not in addition be annexed and trained to the hereditary art of commanding and obeying—for both of which the country in question has now a classic reputation But here it is expedient to break off my festal discourse and my sprightly Teutonomania for I have already reached my SERIOUS TOPIC, the "European problem," as I understand it, the rearing of a new ruling ...
— Beyond Good and Evil • Friedrich Nietzsche
... "unalterable" or "hereditary." Possibly, further light may be thrown upon the hereditary quality of ancient Heraldry: but, Icertainly do not expect to see any evidence adduced, which would establish a line of descent connecting the Medival Heraldry of England with any heraldic system of classic antiquity.] ...
— The Handbook to English Heraldry • Charles Boutell
... This classic statement of the position of the United States in the New World, therefore, applied an old tendency on the part of this country to a particular exigency. Its authorship can hardly be attributed to any single individual, but its peculiar significance ...
— Rise of the New West, 1819-1829 - Volume 14 in the series American Nation: A History • Frederick Jackson Turner
... deep-seated instincts. For this use of the voice to take on the character of melody, as distinguished from ordinary speech, is also purely instinctive. Singing was one of the most zealously cultivated arts in early Egypt, in ancient Israel, and in classic Greece and Rome. Throughout all the centuries of European history singing has always had its recognized place, both in the services of the various churches and in the daily life ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... Chisholm Trail. I know how it was sung from Mexico north on the old cattle-trails, and how every ambitious puncher who had enough imagination and could make a rhyme, added a verse or so, till it's really a—a classic ...
— The Ranch at the Wolverine • B. M. Bower
... the production of the works of the best English writers of the past, that we can hardly realize what our position would have been had the right to produce Shakespeare, or Milton, or Goldsmith, or any of our great classic writers, been monopolized by any one publishing-house,—certainly we should never have seen a shilling Shakespeare, or a half-crown Milton; and Shakespeare, instead of being, as he is,' familiar in our mouths as household ...
— Letters on International Copyright; Second Edition • Henry C. Carey
... epilepsy, from their fathers, who received them from the women without husbands.) A taste for the marvellous, and a wish to invest the descriptions of the New Continent with some of the colouring of classic antiquity, no doubt contributed to give great importance to the first narratives of Orellana. In perusing the works of Vespucci, Fernando Columbus, Geraldini, Oviedo, and Pietro Martyr, we recognize ...
— Equinoctial Regions of America V2 • Alexander von Humboldt
... in the minds of their students, have clustered stories which have become almost classic. Sharply contrasted in particular characteristics, they have lived as vivid personalities for future college generations in the memories of those students, "who studied syllogisms under the noble Whedon, who polished Greek roots for the elegant Agnew, ...
— The University of Michigan • Wilfred Shaw
... experience, to prove that Rousseau, my friends the Encyclopeadists, or even the great M. de Voltaire, were really wiser in their generation, truer lovers of the people and safer guides, than St. Benedict—of blessed memory, since patron of learning and incidentally saviour of classic literature—whose pious sons raised this most delectable edifice to God's glory seven hundred years ago?—The tower is considerably later than the transepts and the nave—fifteenth century I take it,—Upon my soul, I am half tempted to renounce my allegiance and ...
— Deadham Hard • Lucas Malet
... was no portent in the sky, No cry, like Pan's, along the seas, Nor hovered round his baby mouth The swarm of classic bees. ...
— Happy Days for Boys and Girls • Various
... that vague, leveling word propriety (convenances), which you people fling out every chance you get. It is an invention of fools who want to pass for clever men; a kind of social muzzle which annoys the strong and is useful only to the mediocre... Ah, good taste! Another classic expression which I do not accept." "It is your personal enemy"; says Talleyrand to him, one day, "if you could have shot it away with bullets, it would have disappeared long ago!"—It is because good taste is the highest attainment of civilization, the innermost ...
— The Origins of Contemporary France, Volume 5 (of 6) - The Modern Regime, Volume 1 (of 2)(Napoleon I.) • Hippolyte A. Taine
... noble head seemed as if it must be drawn backward by the weight of her hair; which she wore without any of the elaborate side-curls then in fashion, but parted, and coiled low upon her neck, in unconscious harmony with her classic type. Her creamy skin, her great, blue eyes, and generously-moulded features, gave one the impression of a soul similar in size. And, indeed, at this period of her career, there was little in Irina Petrovna to suggest ...
— The Genius • Margaret Horton Potter
... Thoreau, "A Plea for Captain John Brown," should be a classic in American history. We do not always realize that the time of American history is now. The dates of the settlement of Jamestown, and Plymouth, and St. Augustine do not constitute our history. Columbus did not discover us. In ...
— The Story of the Innumerable Company, and Other Sketches • David Starr Jordan
... the classic ground of the Magnesian Limestone now called Permian. The formation was well studied by the miners of that country a century ago as containing a thin band of dark-coloured cupriferous shale, characterised at Mansfield in Thuringia by numerous fossil fish. Beneath some variegated sandstones (not ...
— The Student's Elements of Geology • Sir Charles Lyell
... Hammads. Both of these latter towns were rich and prosperous communities in the tenth century and both were destroyed in the eleventh, so that they survive as mediaeval Pompeiis of a quite exceptional interest, since their architecture appears to have been almost unaffected by classic or Byzantine influences. ...
— In Morocco • Edith Wharton
... pour wine; and, when 'tis new, all decry it; But, once let it be old, every trifler must try it. And Polonius, who praises no wine that's not Massic, Complains of my verse, that my verse is not classic. And Miss Tilburina, who sings, and not badly, My earlier verses, ...
— Lucile • Owen Meredith
... a classic in the full meaning of the word. Not only was the story a masterpiece of fantastic adventure but also of short story craft. By all means secure more of ...
— Astounding Stories of Super-Science January 1931 • Various
... miniature Paradise was an artificial cascade, which fell over a large rock into a lake o'er whose glassy waters several swans with snow white plumage were gliding; and on the brink of this crystal expanse, romantic grottos and classic temples formed convenient retreats for the weary dancers from the crowded halls. In short, this magnificent conservatory was furnished with every beautiful rarity which the proprietor's immense wealth could procure, and every classic and graceful adornment which ...
— City Crimes - or Life in New York and Boston • Greenhorn
... with EMMA, slackly at first, but soon with the enthusiasm that Miss Austen invariably gave her. She held the volume and read away at it, commenting briefly, and then, finishing a chapter of the sprightly classic, found her pupil slumbering peacefully. There was no ...
— The Virginian - A Horseman Of The Plains • Owen Wister
... uniformity, parallelism; bilateral symmetry, trilateral symmetry, multilateral symmetry; centrality &c. 222. arborescence[obs3], branching, ramification; arbor vitae. Adj. symmetrical, shapely, well set, finished; beautiful &c. 845; classic, chaste, severe. regular, uniform, balanced; equal &c. 27; parallel, coextensive. arborescent[obs3], arboriform[obs3]; dendriform[obs3], dendroid[obs3]; branching; ramous[obs3], ramose; filiciform[obs3], filicoid[obs3]; subarborescent[obs3]; ...
— Roget's Thesaurus • Peter Mark Roget
... the other end of the flat, separated from the parlor by the dining-room. The hangings adorning it were yellow; and a bedstead, a washstand, and a wardrobe, all of thuya, had been crowded into it. Finally the classic "old carved oak" triumphed in the dining-room, where a heavily gilded hanging lamp flashed like fire above the table, dazzling in ...
— Fruitfulness - Fecondite • Emile Zola
... all very well in pictures, but they would never do for our streets: we must build in some regular style, you know.' The same old error again, the same servile imitation of a vague something or other, which we call classic. Do you think the old German burghers built in any regular style? Not a bit of it. They built just what they wanted, in the most natural and plain-spoken manner. If they wanted a porch over the door, or a bay window at a certain corner, or a turret to enjoy some favorite view—they made them, put ...
— Continental Monthly, Volume 5, Issue 4 • Various
... point Landor and Browning stood at opposite poles. Landor, far beyond any contemporary English example, had the classic sense and mastery of style; Browning's individuality of manner rested on a robust indifference to all the traditional conventions of poetic speech. The wave of realism which swept over English letters in the early ...
— Robert Browning • C. H. Herford
... essentially undemocratic and unChristian, as well as unAmerican. Yet after all it is in the practical realm of experience that it has proved to be most lacking and inefficient. To prove this, it is hardly necessary to point to the classic illustrations of the utter failure of Socialism when actually tried in France under the leadership of Louis Blanc and Albert during the days of the Second Republic in the year 1848, or again when tried under the form of the ...
— Socialism and American ideals • William Starr Myers
... one. Out of several possible devices I have taken as the framework on which to hang these discussions three familiar divisions of thought and feeling, with their accompanying laws of conduct, and value judgments. They are the humanistic or classic; the naturalistic or primitive; and the religious or transcendent interpretation of the world and life. One sets up a social, one an individual, and one a universal standard. Under the movements which these headings represent we can most easily and ...
— Preaching and Paganism • Albert Parker Fitch
... Pythagoras visited the region, and adopted the inhabitants as the fittest agents in his great scheme of universal regeneration. St. Paul therefore, at Puteoli, might have imagined himself standing on the very soil of classic Hellas, and felt as much at home as in his own native city of Tarsus. This wide diffusion of the Greek language throughout the West as well as the East at this time is another of the remarkable providential pre-arrangements ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... head-dress in place, even in these days it would be considered an immodest and shameful action to appear before men bareheaded. They do allow themselves now, however, to wear a narrow band across the forehead, which improves their appearance very much. But I regret the classic head-dress of my time: the white lace against the skin had a suggestion of old fashioned chastity which seemed to me more solemn, and when a face was beautiful under those circumstances, it was a beauty whose artless charm and majesty no ...
— The Devil's Pool • George Sand
... uninteresting to find an analogy with the society in Italy which produced the Renaissance. Diametrically opposed in their ideals, they have a common spirit. In Italy the rebirth was of the love of art, and of classic forms, the desire to embellish—all that was inspired by culture of the beautiful; the Renaissance in America is the rebirth of man's originality in the invention of the useful, the virgin power of man's wits as quickened in the crude struggle for ...
— The Woman Who Toils - Being the Experiences of Two Gentlewomen as Factory Girls • Mrs. John Van Vorst and Marie Van Vorst
... 1573, has rendered them famous in history. They were not less active half a century later, when, for thirteen months, La Rochelle withstood the united forces of Catholic France bent on its destruction. The scenes which took place at these periods have made this interesting town classic ground: there is not a wall, a tower, or a street, which has not some tale of heroism attached to it, and some noble trait may be recounted as ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello
... rose, put poor Augusta's agreement carefully back into the safe, which he shut with a savage snap, and proceeded to visit the various departments of his vast establishment, and to make such hay therein as had never before been dreamt of in the classic halls of Meeson's. ...
— Mr. Meeson's Will • H. Rider Haggard
... that building is not more than two hundred years old." In invidious contrast to this mass, debased but imposing in its style, the pedantic mania for pure Gothic which marks the Neo-catholic reaction in Oxford, and which will perhaps hereafter be derided as we deride the classic mania of the last century, has led Mr. Gilbert Scott to erect a pure Gothic library. This building, moreover, has nothing in its form to bespeak its purpose, but resembles a chapel. Over the gateway of the larger quadrangle is ...
— Lectures and Essays • Goldwin Smith
... ecstasy. I discovered, early in December, that, as Mr. Wegg was to immortalize himself by saying a quarter-century later—"all print was open" to me. By the middle of February I had gone three times through the inimitable classic, Cobwebs-to-catch-Flies, and read at least six other books through twice, besides being up to my eyes and over the head of my understanding in Sandford and Merton, that most fascinating of prosy impossibilities. Beside the classic I have named, and Rosamond, ...
— When Grandmamma Was New - The Story of a Virginia Childhood • Marion Harland
... Vanguard was the classic example of what we now call, somewhat facetiously I'm afraid, the hybrid propulsion system. It utilized chemical fuels throughout ... liquid oxygen and kerosene in the first stage, fuming nitric acid and unsymmetrical dimethyl-hydrazine in the second stage and an unknown form of ...
— If at First You Don't... • John Brudy
... and she wore a beautiful gown, of a classic cut, with exquisite classic embroideries and a filigree band on her lovely hair. It was the first time he had seen her in evening dress, and he took one keen, sweeping glance and then looked away. He had rather the attitude of a soldier on parade, to whom the colonel ...
— The Rhodesian • Gertrude Page
... am inspired. Stand by." He took down the Reverend Theodore Ussher's classic work, looked at it with a happy smile for a moment, and then gave ...
— The Red House Mystery • A. A. Milne
... a defender of progress. "The words of the code," says he, "are fruitful sap with which the classic works of the eighteenth century overflow. To wish to suppress them... is to violate the law of progress, and to forget that a science which moves is ...
— What is Property? - An Inquiry into the Principle of Right and of Government • P. J. Proudhon
... has hitherto been written Acanthisitta; but Professor Newton has drawn my attention to the fact of its being erroneous. I have therefore adopted the more classic form of Acanthidositta, the etymology of which is 'akanthid,—crude form of 'akanthis Carduelis, and sitta ...
— A Dictionary of Austral English • Edward Morris
... of the Occultists make no difference between the "Atlantean" ancestors of the old Greeks and Romans. Partially corroborated and in turn contradicted by licensed or recognized history, their records teach that of the ancient Latini of classic legend called Itali; of that people, in short, which, crossing the Apennines (as their Judo-Aryan brothers—let this be known—had crossed before them the Hindoo-Koosh) entered from the north the peninsula—there ...
— Five Years Of Theosophy • Various
... said one among them who was specially versed in poetic lore; "who would have looked for such wit and such knowledge of our classic poetry in a young girl in this uncultivated spot? The trouble is, friend Ota, that you are not learned enough to take the ...
— Historic Tales, Vol. 12 (of 15) - The Romance of Reality • Charles Morris
... the conquest of Peru, founded on original documents, and aspiring to the credit of a classic composition, like the "Conquest of Mexico" by Solis, has been attempted, as far as I am aware, by the Spaniards. The English possess one of high value, from the pen of Robertson, whose masterly sketch occupies ...
— History Of The Conquest Of Peru • William Hickling Prescott
... An old woman in his father's village taught him his letters, and pronounced him a dunce: Paddy Byrne, the hedge-schoolmaster, took him in hand; and from Paddy Byrne, he was transmitted to a clergyman at Elphin. When a child was sent to school in those days, the classic phrase was that he was placed under Mr. So-and-so's ferule. Poor little ancestors! It is hard to think how ruthlessly you were birched; and how much of needless whipping and tears our small forefathers had to undergo! A relative—kind Uncle Contarine, took the main charge of little Noll; who went ...
— Henry Esmond; The English Humourists; The Four Georges • William Makepeace Thackeray
... what he wrote after sitting up one night till daybreak with his friend Cowden Clarke, shouting with delight over the vistas newly revealed to him. And from that time on, he has luxuriated in dreams of classic beauty, warmed to new life by the sorcery of Romance. Immortal shapes arise upon him from the "infinite azure of the ...
— A Day with Keats • May (Clarissa Gillington) Byron
... took the preferred letter, and with his eyes still lingering in admiration upon the classic outlines of her face and form, leaned back comfortably against the velvet ...
— At the Mercy of Tiberius • August Evans Wilson
... blue-gray mass, and the dead leaves were blown fiercely by the strong gusts of wind. On the other side of the road stood an old gray house, whose appearance that gloomy evening well supported the statement that it was haunted. The classic front appeared behind an imposing gateway approached by a curious flat bridge across a circular pond which had a solid stone edging. The low parapets of the bridge were cut into a strange serpentine form. I gazed at the front of the ...
— Yorkshire—Coast & Moorland Scenes • Gordon Home
... Rome or any other excavated ruin; it's the centre of the universe'—that's the way the fellows behind these glass windows talk." Here Peter pointed to the offices of some prominent bankers, where other belated clerks were still at work under shaded gas-jets. "These fellows don't want anything classic; they want something that'll ...
— Peter - A Novel of Which He is Not the Hero • F. Hopkinson Smith
... night; and the house of Onesiphorus the Elder was blazing with torches, alive with music, and all the hurry and stir of a sumptuous banquet. All the wealth and fashion of Laodicea were there, Christian and heathen; and all that the classic voluptuousness of Oriental Greece could give to shed enchantment over the scene was there. In ancient times the festivals of Christians in Laodicea had been regulated in the spirit of the command of Jesus, as recorded by Luke, whose classical Greek had made his the established version in Asia ...
— The May Flower, and Miscellaneous Writings • Harriet Beecher Stowe
... venerable mother, Rowan beholds with parental complacency and delight her prosperous children comfortably settled around her. Salisbury, her capital, derives its name from a handsome town in England, situated on the banks of the classic Avon, and near the noted Salisbury Plain, a dry, chalky surface, which accounts for the origin of its Saxon name, which ...
— Sketches of Western North Carolina, Historical and Biographical • C. L. Hunter
... seem to be, created the same change in the belief and tastes of the German mind as the contemporary school of Lake Poets in England. The German literature bore the marks either of the old scholasticism, or of the materialism introduced from France, or of the classic culture introduced by Lessing and his coadjutors. The element now revived was the mediaeval element of chivalry, the high and lofty courage, the delicate aesthetic taste, which had marked the middle ages. Herder,(742) ...
— History of Free Thought in Reference to The Christian Religion • Adam Storey Farrar
... the brain of a germ which has its origin in the cheap paper used by booksellers for catalogue purposes, and this theory seems to have the approval of M. Marie-Tonsard, the most famous of authorities on inebriety, in his celebrated classic entitled 'Un Trait ...
— The Love Affairs of a Bibliomaniac • Eugene Field
... planetary influence, and England cannot but prosper while she is blessed with the mild and beneficent sway of this potent monarch.' Strengthened in faith by this convincing proof of the celestial science, we proceed to notice that Venus is the protectrice of musicians, embroiderers, perfumers, classic modellers, and all who work in elegant attire or administer to the luxuries of the great; but when she is afflicted, she represents 'the lower orders ...
— Myths and Marvels of Astronomy • Richard A. Proctor
... Paris, there was a very good comedian who prided himself on being perfectly 'classic.' To be classic in France is to be elegantly conventional. No actress can be really kissed according to classic rules; the lips must be faintly smacked about three feet from her shoulder. Wills are classically written by a flourish ...
— Continental Monthly , Vol I, Issue I, January 1862 - Devoted to Literature and National Policy • Various
... right," said the Frenchman. "From the classic point of view your mother was and is the most beautiful dark woman in the world. For myself—well in the first place, you are her son, and secondly I am an artist and not a critic. The painter's tongue is his brush and his words ...
— Don Orsino • F. Marion Crawford
... we have one of the classic composers, a sweet, gentle spirit, who suffered many privations in early life, and through his own industrious efforts rose to positions of respect and honor, the result of unremitting toil and devotion to a noble ideal. Like many of the other great musicians, through ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower |
