"Da Vinci" Quotes from Famous Books
 ... veterum, discipulusque memor, Defuit mini symmetria prisca. Peregi Quod potui; Veniam da mihi, posteritas. —Lionardo da Vinci's epitaph ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... rejecting the blonde, beardless type which Da Vinci and others have imposed upon the world, for Christ, to begin with, must be a Jew. And even when, in the course of my researches for a Jewish model, I became aware that there were blonde types, too, these ...
— Ghetto Comedies • Israel Zangwill
... of scientific thought had been, for a considerable period before the time of Bacon, turned in the direction which he, perhaps, did more than any other single investigator to follow out and confirm. Leonardo da Vinci, the completest and most comprehensive genius of Modern Italy, had anticipated, by more than a century, several of the prominent features of the Baconian system. Too little of Leonardo's scientific writings has been published to furnish material for a satisfactory ...
— Atlantic Monthly, Vol. 3, No. 18, April, 1859 - [Date last updated: August 7, 2005] • Various
... did not preside when I was lucklessly ushered into this dancing gilt bubble that we call the world, were all good gifts denied me? The fairies ordained that I should paint, should soar like Apelles, Angelo, and Da Vinci into the empyrean of pure classic art, but no sooner did I dabble in pigment, and plume my slender artistic pin-feathers, than the granite hands of Palma pride seized the ambitious ephemeron, cut off ...
— Infelice • Augusta Jane Evans Wilson
... comparatively easy one. Our great mistake at present, in dealing with stone at all, is requiring to have all our work too refined; it is just the same mistake as if we were to require all our book illustrations to be as fine work as Raphael's. John Leech does not sketch so well as Leonardo da Vinci; but do you think that the public could easily spare him; or that he is wrong in bringing out his talent in the way in which it is most effective? Would you advise him, if he asked your advice, to give up his ...
— The Two Paths • John Ruskin
... be got away from his drawing to his meals or his rest, and only replied to his wife's remonstrances, "Ah, this perspective is so delightful!" With what ardor Mantegna and Luca Signorelli seized upon a new trait or action! Leonardo da Vinci, "the first name of the fifteenth century," a man to whom any career was open, and who seemed almost equally fit for any, never walked the streets without a sketch-book in his hand, and was all his life long immersed in the study of Appearance, with a persistent scrutiny that is revealed by ...
— The Atlantic Monthly, Volume 13, No. 77, March, 1864 • Various
... eloquently I made a feint of examining the picture and was indeed moved by the love which overflowed it, the Madonna caressing her babe and he in turn petting a little lamb; but my uncle pished and poohed, saying that this sentimentality was but a feeble reflection of his master Da Vinci; and our host cut the discussion short by demanding that Raphael should show his own work. This he could not be persuaded to do, modestly persisting that he had naught worthy of our consideration, though he ...
— Romance of Roman Villas - (The Renaissance) • Elizabeth W. (Elizbeth Williams) Champney
... earlier violence and the vehement impulse of birth is assuaged, the spirit of Nature is transfigured into Soul, and Grace is born. This point Art reached, after Leonardo da Vinci, in Correggio, in whose works the sensuous Soul is the active principle ...
— The German Classics of the Nineteenth and Twentieth Centuries: - Masterpieces of German Literature Translated into English, Volume 5. • Various
... manuscripts were a copy of the Gospels in Greek, written in the tenth century; Opera Horatii, executed for Ferdinand I. King of Naples, which realised respectively two hundred and ten and one hundred and twenty-five pounds; and Regole e Precetti della Pittura, written by Leonardo da Vinci, and illustrated with original drawings by Nicholas Poussin, which fetched one hundred ...
— English Book Collectors • William Younger Fletcher
... magnificent, but all with an exuberance of life and power that gave to Italian art its great place in human culture. The great names of the period speak for themselves,—Michelangelo, Raphael, Botticelli, Titian, Leonardo da Vinci, Andrea del Sarto, Machiavelli, Benvenuto Cellini, ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop
... upright of men sought, without any scruples whatever, the presence and favors of the Borgias. Pinturicchio and Perugino painted for Alexander VI, and the most wonderful genius of the century, Leonardo da Vinci, did not hesitate to enter the service of Caesar Borgia as his engineer, to erect fortresses for him in the same Romagna which he had appropriated ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... nevertheless great, in having posed the question clearly. No one before him, in antiquity, in the Middle Age, or in modern times, had seriously asked: What is the value of the distinctions between the arts? Which of them comes first? Which second? Leonardo da Vinci had declared his personal predilection for painting, Michael Angelo for sculpture, but the question had not been philosophically treated ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... one man might know all that was to be known. Dante did; so did Lionardo da Vinci. But times have changed since a mediaeval scholar wrote a book 'Concerning all things and certain others also.' We cannot all be archaeologists. Perhaps when we go and stand in the Forum we have a few general ideas about the relative position of the old buildings; ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... "affinity'' for the dung-hill, whereas if they had been composed solely of eagles' feathers they would have been attracted to the air. This anecdote furnished Dunbar, the Scottish poet, with the subject of one of his rude satires. Leonardo da Vinci about the same time approached the problem in a more scientific spirit, and his notebooks contain several sketches of wings to be fitted to the arms and legs. In the following century a lecture on flying delivered in 1617 by Fleyder, rector of the grammar ...
— Project Gutenberg Encyclopedia
... of Leonardo da Vinci have equally suffered from his relatives. When a curious collector discovered some, he generously brought them to a descendant of the great painter, who coldly observed, that "he had a great deal more in the garret, which had lain there for many years, if the rats had not destroyed ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... of Florence is represented by a charming Mona Lisa of Leonardo da Vinci, almost identical with that of the Louvre; and six admirable pictures of Andrea del Sarto. But the one which most attracts and holds all those who regard the Faultless Painter with sympathy, and who admiring his genius regret his errors, is a portrait of his wife Lucrezia Fede, whose ...
— Castilian Days • John Hay
... Medici and Pope Nicholas. Lorenzo de'Medici was the centre of its later development.[21] From his court went forth that galaxy of artists which the world of art unites in calling the unequalled masters of all ages—Da Vinci, Michelangelo, Raphael, and ...
— The Great Events by Famous Historians, Vol. 8 - The Later Renaissance: From Gutenberg To The Reformation • Editor-in-Chief: Rossiter Johnson
... Charles Patin, in his scientific travels, records, among other valuable productions of art, a cherry-stone, on which were engraven about a dozen and a half of portraits! Even the greatest of human geniuses, Leonardo da Vinci, to attract the royal patronage, created a lion which ran before the French monarch, dropping fleurs de lis from its shaggy breast. And another philosopher who had a spinnet which played and stopped at command, ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... it was carried being called the "Happy Street" in honour of the event. Giotto carried on his master's teachings, and a few years later the Florentines had advanced to the standard of Fra Angelico, who was immediately followed by the two Lippis and Botticelli. Leonardo da Vinci, artist, architect, and engineer, was almost contemporaneous with Botticelli, being born not much more than a hundred years after the death of Giotto. With him art reached a level which it has never surpassed, old traditions and old canons were revived, and in every ...
— The Treasury of Ancient Egypt - Miscellaneous Chapters on Ancient Egyptian History and Archaeology • Arthur E. P. B. Weigall
... we have worshipped from boyhood, Raphael, Titian, Michael Angelo, Da Vinci, and all the illustrious names of the Bolognese and Venetian schools of art, have passed away from this sphere of spirit life, and no longer walk the streets of these wonderful cities which they have adorned ...
— Strange Visitors • Henry J. Horn
... have been made of many of its most capital pictures. In the works of Correggio it stands preeminent above all others; and although some of these have suffered by injudicious cleaning, still they are by Correggio. In the works of Titian, Raffaelle, Lionardo da Vinci, Parmiggiano, Andrea del Sarto, the Caracci, Guido, &c., it holds also a high place; while it is rich in the works of the Flemish and Dutch masters. Of the works of Reubens there are, 30; of Vandyck, 18; of Rembrandt, 15; of Paul Potter, 3; of David Teniers, jun., 24; of ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... controversial divinity, merely for the sake of the intricacy of style, and to save himself the pain of thinking. Mr. Lamb is a good judge of prints and pictures. His admiration of Hogarth does credit to both, particularly when it is considered that Leonardo da Vinci is his next greatest favourite, and that his love of the actual does not proceed from a want of taste for the ideal. His worst fault is an over-eagerness of enthusiasm, which occasionally makes him take a surfeit of his highest favourites.—Mr. Lamb excels in ...
— The Spirit of the Age - Contemporary Portraits • William Hazlitt
... that sway the world's secret desire for mystery; and what in my father is the genius of curiosity—the very essence of all scientific genius—in me is the desire for beauty. Do you remember Pater's phrase about Leonardo da Vinci, 'curiosity ...
— The Golden Threshold • Sarojini Naidu
... his taste for arts and sciences and the intelligent patronage he bestowed upon them, by his ability in speaking, and by his facile character, obtained in Italy a position far beyond his real power. Leonardo da Vinci, one of the most eminent amongst the noble geniuses of the age, lived on intimate terms with him; but Ludovic was, nevertheless, a turbulent rascal and a greedy tyrant, of whom those who did not profit by his vices or the enjoyments of his court were desirous ...
— A Popular History of France From The Earliest Times - Volume III. of VI. • Francois Pierre Guillaume Guizot
... which dogmas and slaveries had crumbled to dust. In contrast, the world today seemed pitifully arid. Men seemed to have shrunk in stature before the vastness of the mechanical contrivances they had invented. Michael Angelo, da Vinci, Aretino, Cellini; would the strong figures of men ever so dominate the world again? Today everything was congestion, the scurrying of crowds; men had become ant-like. Perhaps it was inevitable that the crowds should sink deeper and deeper in slavery. Whichever won, tyranny from ...
— Three Soldiers • John Dos Passos
... attire, some of them wearing the bridal crown. It is altogether a curiosity, partaking, indeed, of the general bad taste of the times, but painted with great attention to nature in the minutiae, and resembling Lionardo da Vinci in many particulars, especially in the high finishing, the coloring of the carnations, and the grace, and beauty of some of the heads. The draperies, ...
— Account of a Tour in Normandy, Vol. I. (of 2) • Dawson Turner
... period thus looked back on with a purely admiring regret, as perfect enough to suit a superior mind, is always a long way off; the desirable contemporaries are hardly nearer than Leonardo da Vinci, most likely they are the fellow-citizens of Pericles, or, best of all, of the Aeolic lyrists whose sparse remains suggest a comfortable contrast with our redundance. No impassioned personage wishes he had been born in the age of Pitt, that his ardent youth ...
— Impressions of Theophrastus Such • George Eliot
... rejection of all principles of perspective, light and shade, and drawing, they are infinitely more ornamental to the page, owing to the vivid opposition of their bright colors and quaint lines, than if they had been drawn by Da Vinci himself: and so the Arena chapel is far more brightly decorated by the archaic frescoes of Giotti, than the Stanze of the Vatican are by those of Raffaelle. But how far it is possible to recur to such archaicism, or to make up for it by any ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... author; therefore Victor Hugo is the author of the Chatiments. In such and such a picture gallery we see an unsigned picture whose frame has been furnished by the management with a tablet bearing the name of Leonardo da Vinci; therefore Leonardo da Vinci painted this picture. A poem with the title Philomena is found under the name of Saint Bonaventura in M. Clement's Extraits des poetes chretiens, in most editions of Saint Bonaventura's "works," and in a great number of mediaeval manuscripts; therefore Philomena ...
— Introduction to the Study of History • Charles V. Langlois
... years have the manuscripts of Leonardo da Vinci seen the light and the many difficulties been overcome which long proved an obstacle to their publication. The labour of editing, deciphering and translating his many scattered and fragmentary codices ...
— Thoughts on Art and Life • Leonardo da Vinci
... history carries up to the fifteenth century, and then came Leonardo da Vinci, first student of flight whose work endures to the present day. The world knows da Vinci as artist; his age knew him as architect, engineer, artist, and scientist in an age when science was a single study, comprising all knowledge from mathematics ...
— A History of Aeronautics • E. Charles Vivian
... bought one of his pictures ("Le Psalterion," now at Windsor), and invited him to Balmoral. The heir-apparent, the late King, admired his talent and relished his society. By the clerical world he was especially esteemed, being looked upon as a second Leonardo da Vinci. And, in fine, Dor must be regarded as an anticipator of the Entente cordiale. "Gustave Dor," his compatriots would say, "he is half an Englishman!" Forty years ago our popular favourite might indeed have believed in the fulfilment of his dream. The Thorwaldsen Gallery of Copenhagen ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... significance to the spectator familiar with Fra Angelico's life. One of the most pathetic and beautiful tragedies in modern literature is that which a Danish poet elaborated from Correggio's artist career. Lamb's great treasure was a print from Da Vinci, which he called "My Beauty," and its exhibition to a literal Scotchman gave rise to one of the richest jokes in Elia's record. The pen-drawing Andre made of himself the night before his execution,—the curtain painted ...
— Atlantic Monthly, Vol. 1, No. 4, February, 1858 • Various
... that Florence alone has really given to the world Dante and Boccaccio, Galileo and Savonarola, Cimabue and Giotto, Botticelli and Fra Angelico, Donatello and Ghiberti, Michael Angelo and Raffael, Leonardo da Vinci and Macchiavelli and Alfieri, and a host of other almost equally great names, it will be obvious to every one that the problem of the origin of this Tuscan nationality must be one that profoundly interests the whole world. ...
— Science in Arcady • Grant Allen
... of the Breakfast Table" Doctor Holmes quotes this saying by the "wittiest of men," that "good Americans, when they die, go to Paris." Now this wittiest of men was Tom Appleton, as many of us knew at that time. He said of Leonardo da Vinci's "Last Supper" that it probably had faded out from being stared at by sightseers, and that the same thing might have happened to the Sistine Madonna if it had not been put under glass,—these being the two most popular ...
— Cambridge Sketches • Frank Preston Stearns
... He told me himself that much as he liked landscape painting he thought an artist—a real artist, he said—ought to be versed in ancillary sciences; in fortification, wood-carving, architecture, and so on. Leonardo da Vinci, you know. Well, one day they could not get into his bedroom. They broke open his door and discovered that he had constructed a perfectly-formed guillotine; the knife had fallen; his head lay on one side and his body on the other. You may well be surprised. ...
— South Wind • Norman Douglas
... this morning was to see the pencil drawings by eminent artists. Of these the Louvre has a very rich collection, occupying many apartments, and comprising sketches by Annibale Caracci, Claude, Raphael, Leonardo da Vinci, Michel Angelo, Rubens, Rembrandt, and almost all the other great masters, whether French, Italian, Dutch, or whatever else; the earliest drawings of their great pictures, when they had the glory of their pristine idea directly before their minds' ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... absorbed most of the trade of Arras, and thence forwards, till Henri IV. established the works of the Savonnerie, Brussels led European taste, and employed the best artists. Brussels employed Leonardo da Vinci and Mantegna, Giovanni da Udine, Raphael, and later, Rubens and the great Dutch painters, to design cartoons for tapestry works. Raphael's pupil, Michael Coxsius, of Mechlin, superintended the copying of his master's ...
— Needlework As Art • Marian Alford
... "The Pope's Poisoner, a Tale of the Borgias." That is a historical romance, I got it up out of Histories of the Renaissance. The hero (Lionardo da Vinci) is the Pope's bravo, and in ...
— The Disentanglers • Andrew Lang
... agree with the writer in his views of the property of the Crown. The Queen behaved most kindly and liberally on the occasion of the late Exhibition of Mediaeval Art: but that is a very different thing from calling for a transfer of the Holbein or Da Vinci drawings to ...
— Notes and Queries, Number 64, January 18, 1851 • Various
... one said; "this is Giacomo Da Vinci; this Pietro Forzi: all knight commanders of the Order, and now for six years prisoners in the hands of these corsairs. Assuredly no one would know us, so changed are we." He looked round inquiringly for a familiar face. "Your commander must ...
— A Knight of the White Cross • G.A. Henty
... the old Dominican Friary attached to the church of Santa Maria delle Grazie, we saw Leonardo da Vinci's famous fresco of the Last Supper. It is on the wall of a large, bare, whitewashed room, this celebrated work being almost the only furniture and decoration. Although in a very bad state of decay and dilapidation, it is yet ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux
... called Leonardo da Vinci "the great Italian Yankee," because of his multifarious and ingenious suggestions in the world of material things, so our own Edison may be called "the Yankee Leonardo," for, with a curiosity ranging over the whole world of nature, equal to that of the Italian, ...
— Great Men and Famous Women. Vol. 6 of 8 • Various
... the perfection of the numerous monuments which it has produced make on his imagination! First, he admires the beautiful tomb erected to the memory of FRANCIS I, the restorer of literature and the arts; who, by inviting to his court LEONARDO DA VINCI and PRIMATICCIO, and establishing schools and manufactories, consolidated the great work ...
— Paris As It Was and As It Is • Francis W. Blagdon
... Duomo, bristling with a forest of statues and perforated spires; at the other, the monument to Leonardo da Vinci, and the famous Teatro de la Scala! Within the four arms of the Gallery, a continuous bustle of people, an incessant going and coming of merging, dissolving crowds: a quadruple avalanche flowing toward the grand square at the center of the cross, where the Cafe Biffi, known ...
— The Torrent - Entre Naranjos • Vicente Blasco Ibanez
... afflict us with. It is an affliction, however, for which there is no remedy, because you want to see the things, and would be very sorry if you went home without having done so. From Venice we went to Milan to see the cathedral and Leonardo da Vinci's 'Last Supper.' The former is superb, and of the latter I am convinced, from the little that remains of it, that it was the greatest picture the world ever saw. We shall run back to Rome for Holy Week, and then ...
— The Life of Harriet Beecher Stowe • Charles Edward Stowe
... glorified mother of all things. The delicate plaiting of the tunic about the throat, the formal curling of the hair, and a certain weight of over-thoughtfulness in the brows, recall the manner of Leonardo da Vinci, a master, one of whose characteristics is a very sensitive expression of the sentiment of maternity. It reminds one especially of a work by one of his scholars, the Virgin of the Balances, in the Louvre, a picture ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... engineer, like the poet, is born, not made. If to the power to conceive, is added the ability to execute, then have we one of those rare geniuses who not only give a decided impulse to civilization, but add new glory to humanity. Such men were Michael Angelo, Leonardo da Vinci, Watt, Wedgwood, Brunel, Stephenson and Bessemer; and such a man was John A. Roebling. It was his striking peculiarity, that while his conceptions were bold and original, his execution was always exact, and within the limits of cost which he assigned ...
— Opening Ceremonies of the New York and Brooklyn Bridge, May 24, 1883 • William C. Kingsley
... with this branch of the study reference must be made to the gestures exhibited in the works of Italian art only modern in comparison with the high antiquity of their predecessors. A good instance is in the Last Supper of Leonardo da Vinci, painted toward the close of the fifteenth century, and to the figure of Judas as there portrayed. The gospel denounces him as a thief, which is expressed in the painting by the hand extended and slightly curved; imitative of the pilferer's act in clutching and drawing toward him furtively the ...
— Sign Language Among North American Indians Compared With That Among Other Peoples And Deaf-Mutes • Garrick Mallery
... others, the finest examples of which are Alcibiades and Caesar (with whom I should like to associate the FIRST of Europeans according to my taste, the Hohenstaufen, Frederick the Second), and among artists, perhaps Leonardo da Vinci. They appear precisely in the same periods when that weaker type, with its longing for repose, comes to the front; the two types are complementary to each other, and spring ...
— Beyond Good and Evil • Friedrich Nietzsche
... masters, and both in excellent condition. And Mr. Alexander Barker, whose collection is becoming one of the best selected and most interesting in England, has purchased several pictures of great value, especially one by Verocchio, the master of Leonardo da Vinci, which Dr. Waagen speaks of as "the most important picture I know by this rare master." Mr. Barker has also made an addition to his collection so recent as not to be described even in this last volume of the "Art Treasures," but which is of unsurpassed interest. He has purchased ...
— Atlantic Monthly, Vol. 1, No. 6, April, 1858 • Various
... Christendom, but a steady church-patronage of the most skilful and original motion picture artists. Let the Church follow the precedent which finally gave us Fra Angelico, Botticelli, Andrea del Sarto, Leonardo da Vinci, Raphael, Michelangelo, Correggio, Titian, Paul ...
— The Art Of The Moving Picture • Vachel Lindsay
... with tapestry of severe design. I saw works of great value, the greater part of which I had admired in the special collections of Europe, and in the exhibitions of paintings. The several schools of the old masters were represented by a Madonna of Raphael, a Virgin of Leonardo da Vinci, a nymph of Corregio, a woman of Titan, an Adoration of Veronese, an Assumption of Murillo, a portrait of Holbein, a monk of Velasquez, a martyr of Ribera, a fair of Rubens, two Flemish landscapes of Teniers, three little "genre" pictures of Gerard Dow, ...
— Twenty Thousand Leagues under the Sea • Jules Verne
... weeks before Muzzio's return, Fabio had begun a portrait of his wife, depicting her with the attributes of Saint Cecilia. He had made considerable advance in his art; the renowned Luini, a pupil of Leonardo da Vinci, used to come to him at Ferrara, and while aiding him with his own counsels, pass on also the precepts of his great master. The portrait was almost completely finished; all that was left was to ...
— Dream Tales and Prose Poems • Ivan Turgenev
... its modern apartments contain a rich museum filled with almost priceless relics of the olden time. Here are also valuable paintings and other works of art, among them Vandyck's portrait of Charles I. and many masterpieces of Rembrandt, Paul Veronese, Leonardo da Vinci, Rubens, Holbein, and Salvator Rosa. In December, 1871, the great hall and suite of private apartments at Warwick were burnt, but the valuable contents were almost all saved with little injury. The castle ...
— England, Picturesque and Descriptive - A Reminiscence of Foreign Travel • Joel Cook
... Clement—Michael Angelo, Leonardo da Vinci, Raphael,—a magnificent volume illustrated by 167 drawings. Price, bound, 15 francs. (Publisher, ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... these treasures to Antwerp, where now the gay youth whom the aged domestic had known from a child was in want and exile. The pictures were eagerly bought by a foreign collector named Duart. The proceeds gave poor Villiers bread; but the noble works of Titian and Leonardo da Vinci, and others, were lost for ever ...
— The Wits and Beaux of Society - Volume 1 • Grace Wharton and Philip Wharton
... Leonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and ...
— Leonardo da Vinci • Maurice W. Brockwell
... name in Italian art—therefore no greater in art—than that of Titian. If the Venetian master does not soar as high as Leonardo da Vinci or Michelangelo, those figures so vast, so mysterious, that clouds even now gather round their heads and half-veil them from our view; if he has not the divine suavity, the perfect balance, not less of spirit than of answering hand, that makes Raphael an appearance unique in art, ...
— The Earlier Work of Titian • Claude Phillips
... simple straight lines from left to right, when an inferior master will have used curved ones. Fig. 11. is a fair facsimile of part of a sketch of Raphael's, which exhibits these characters very distinctly. Even the careful drawings of Leonardo da Vinci are shaded most commonly with straight lines; and you may always assume it as a point increasing the probability of a drawing being by a great master if you find rounded surfaces, such as those of cheeks or lips, shaded with ...
— The Crown of Wild Olive • John Ruskin
... in many directions, for I find a "list of painters whose works I wish to see," drawn up by Charlotte Bronte when she was scarcely thirteen: "Guido Reni, Julio Romano Titian, Raphael, Michael Angelo, Coreggio, Annibal Carracci, Leonardo da Vinci, Fra Bartolomeo, Carlo Cignani, ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... They are as follows: In his treatise on the casting of cannons Don Ramon speaks of a certain invention called Thunder, made by Leonardo da Vinci, your master, and says that it might be applied to the navigation ...
— The Resources of Quinola • Honore de Balzac
... scenes in which the Apostles appear are modeled more or less after the great religious paintings, especially those of the Bavarian artist, Albrecht Duerer. The Last Supper is a living representation of the famous painting of Leonardo da Vinci in the refectory at Milan. Peter and Judas are here brought into sharp contrast. Next to Christ, is the slender figure of the beloved disciple. The characters of the different Apostles are placed in bold relief. We are at once interested ...
— The Story of the Innumerable Company, and Other Sketches • David Starr Jordan
... famous artist in mosaic Rafaelli is well worth inspecting; and here I had an opportunity of beholding a copy in mosaic and nearly finished of the celebrated picture of Leonardo da Vinci representing the Caena Domini. What a useful as well as admirable art is the mosaic to perpetuate the paintings of the greatest masters! I recollected on beholding this work that Eustace, in ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... time Dauphine, and to make herself welcome to the king, her father-in-law, who at that time was very ill indeed, presented him, from time to time, with Italian pictures, knowing that he liked them much, being a friend of the Sieur Raphael d'Urbin and of the Sieurs Primatice and Leonardo da Vinci, to whom he sent large sums of money. She obtained from her family—who had the pick of these works, because at that time the Duke of the Medicis governed Tuscany —a precious picture, painted by a Venetian named Titian (artist to the ...
— Droll Stories, Complete - Collected From The Abbeys Of Touraine • Honore de Balzac
... Vasari's life of Leonardo da Vinci as we now read it there are some variations from the first edition. There, the painter who has fixed the outward type of Christ for succeeding centuries was a bold speculator, holding lightly by other men's beliefs, setting philosophy above Christianity. ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... Leonardo da Vinci tells us in his celebrated Treatise on Painting that the young artist should first of all learn perspective, that is to say, he should first of all learn that he has to depict on a flat surface objects which are in relief or distant one from the other; for this is the simple art of painting. Objects ...
— The Theory and Practice of Perspective • George Adolphus Storey
... pur sang will care little about this. He usually rushes in and out during the daylight, and recalls but little except the fascinating staircase of the chateau attributed, as to its spiral formation, to Da Vinci; the ornamental chimney-pieces; and the fact that historical events of the past have intermingled inextricably the gruesome stories of the royal houses which bore respectively the arms of hedgehog and salamander. This only, with perhaps ...
— The Cathedrals of Northern France • Francis Miltoun
... "If Leonardo da Vinci could have seen this fellow's face just now," thought the artist, "he would not have had to seek so long for his model for the face of Judas. Only for my poniard, my fate would have been settled. This man was ready ...
— Serge Panine • Georges Ohnet
... been, they remained unfinished. There are some drawings by his hand in our book, made with much patience and very great judgment, among which are certain heads of women, beautiful in expression and in the adornment of the hair, which Leonardo da Vinci was ever imitating for their beauty. In our book, also, are two horses with the due measures and protractors for reproducing them on a larger scale from a smaller, so that there may be no errors in their proportions; and there is in my possession a horse's head ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 3 (of 10), Filarete and Simone to Mantegna • Giorgio Vasari
... faculties: they must combine in any man truly great. If I have dwelt on spontaneity, it is because it has not been sufficiently prized or cultivated. The savant must have the faculties of the artist, as had Kepler; the artist those of the savant, as had Michael Angelo and Leonardo da Vinci. Study, reflective power, logical ability, erudition, are absolutely necessary; but one of their principal functions is to be able to analyze aright the products of spontaneity; to give the soul the consciousness and comprehension of the innumerable phenomena ...
— The Continental Monthly, Vol. 4, No. 5, November, 1863 • Various
... Leonardo da Vinci was, doubtless, his greatest inspiration, and it was from this master-student of nature that the young man learned, with new enthusiasm, the value of going directly to Nature herself. The fruit of ...
— The Madonna in Art • Estelle M. Hurll
... master to delineating the humblest aspects of modern life. Degas draws not by the masses, but by the character;—his subjects are shop-girls, ballet-girls, and washerwomen, but the qualities that endow them with immortality are precisely those which eternalise the virgins and saints of Leonardo da Vinci in the minds of men. You see the fat, vulgar woman in the long cloak trying on a hat in front of the pier-glass. So marvellously well are the lines of her face observed and rendered that you can tell exactly what her position in life is; ...
— Confessions of a Young Man • George Moore
... Dante himself is open to the suspicion of partiality: it is said, not without apparent ground, that he puts into hell all the enemies of the political cause, which, in his eyes, was that of Italy and God. A legend tells that Leonardo da Vinci was warned that his divine picture of the Last Supper would fade, because he had introduced his personal enemy as Judas, and thus desecrated art by making it serve personal hatred. The legend must be false, Leonardo had too grand a soul. A ...
— Lectures and Essays • Goldwin Smith
... maritime enterprise, but was the manufacturing, literary, and art centre of mediaeval Europe. Her silk looms made her famous throughout the world, her banks were the purse of Europe, and among her famous sons were Dante, Petrarch, Boccaccio, Macchiavelli, Michael Angelo, Leonardo da Vinci, Galileo, Amerigo Vespucci. For the development of their commerce, the cities of the North had grouped themselves into the great Hanseatic League, with branches in Bruges, London, Bergen, and Novgorod. Commercialism had everywhere become ...
— Old Quebec - The Fortress of New France • Sir Gilbert Parker and Claude Glennon Bryan
... to know the disciples of Jesus just as Leonardo da Vinci painted them four hundred years ago. Leonardo spent months among the men of Milan, Italy, looking into their faces and talking with them. When he began to paint "The Last Supper" he had gathered men together so like these twelve disciples that we feel we can know them ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant
... My eyes had once more crept over the paper's rim. She shuddered, twitched her arm queerly to the middle of her back and shook her head. Again I dipped into my great reservoir of life. "Take what you like," I continued, "births, deaths, marriages, Court Circular, the habits of birds, Leonardo da Vinci, the Sandhills murder, high wages and the cost of living—oh, take what you like," I repeated, "it's all in the Times!" Again with infinite weariness she moved her head from side to side until, like a top exhausted with spinning, it settled ...
— Monday or Tuesday • Virginia Woolf
... combined with equal creative power, the superior man remains a critic. But if he possesses both, he is an exceptional being and the highest conceivable type, that of conscious genius. Caesar is an example of this in politics; Da Vinci in painting; and the great Goethe in literature. Even if he does not reach these heights, the superior man is one of the most useful instruments of society. For universal comprehension usually includes a universal aptitude. Is not this demonstrated ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... artist, architect, engineer, and musician, Leonardo da Vinci (1452-1519), who, among other great works, planned and executed some navigable canals in Northern Italy, and who was an observer of rare penetration and judgment, saw how fossil shells were formed, saying ...
— Lamarck, the Founder of Evolution - His Life and Work • Alpheus Spring Packard
... masters" of Italian painting four, besides Michelangelo, stand out with special prominence. Leonardo da Vinci (1452-1519 A.D.) was architect, sculptor, musician, and engineer, as well as painter. His finest work, the "Last Supper," a fresco painting at Milan, is much damaged, but fortunately good copies of it exist. Paris has the best of his easel pictures—the "Monna Lisa." Leonardo spent ...
— EARLY EUROPEAN HISTORY • HUTTON WEBSTER
... activity the visitor does not, however, forget the art features; the visit to the antique Church of St. Ambrosio; to the old convent where Leonardo da Vinci's celebrated fresco, "The Last Supper," is to be seen, though so faded that it is now difficult to discern all the figures. Nor does he fail to climb the wonderful cathedral that lifts its airy grace, as if about to float upward in the skies. Every flight of the steps, in the ...
— Italy, the Magic Land • Lilian Whiting
... spirit of men turns to a dead thing, loses its force, ceases prompting us to leave some trace of ourselves on this earth." The sense of the above lines does not belong to me. It may be found in the note-books of one of the greatest artists that ever lived, Leonardo da Vinci. It has a simplicity and a truth which no amount ...
— Notes on Life and Letters • Joseph Conrad
... A Treatise on Painting. By Leonardo da Vinci. Translated by John Francis Rigaud. ...
— The Samuel Butler Collection - at Saint John's College Cambridge • Henry Festing Jones
... The frescoes on the walls were almost obliterated by age, and were partially covered by dull red stuff. Against this latter hung three pictures from the famous Sansevero collection: a Holy Family by Leonardo da Vinci, a triptych by Perugino, and a Madonna by Correggio. Hardly less celebrated, but sharply at odds with the ecclesiastical subjects of the paintings, was the mantle, carved in a bacchanalian procession of satyrs and nymphs—a model said to have been ...
— The Title Market • Emily Post
... world is now so old, so many eminent men have lived and thought for thousands of years, that there is little new to be discovered or expressed. Even my theory of colors is not entirely new. Plato, Leonardo da Vinci, any many other excellent men, have before me found and expressed the same thing in a detached form: my merit is, that I have found it also, that I have said it again, and that I have striven to bring the truth once more into a ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... method of treatment, devised by Breuer and by him termed the cathartic method, though Freud prefers to call it the "analytic" method. It is, as Freud points out, the reverse of the hypnotic method of suggestive treatment; there is the same difference, Freud remarks, between the two methods as Leonardo da Vinci found for the two technical methods of art, per via di porre and per via di levare; the hypnotic method, like painting, works by putting in, the cathartic or analytic method, like ...
— Studies in the Psychology of Sex, Volume 1 (of 6) • Havelock Ellis
... horizon with most men,—whether it is the atmosphere of one's own identity still warming and enriching it, or whether the orbed course of time has dropped the earthy part away, and left only the sunbeams falling there. But Leonardo da Vinci supposed that the sky owed its blue to the darkness of vast space behind the white lens of sunlit air; and perhaps where the sea presents through the extent of its depth, as it slips over into other hemispheres, ...
— The Atlantic Monthly, Volume 18, No. 107, September, 1866 • Various
... been an engaging subject. Think of what Florence was at this time, and how an artist must have thrilled at its very name! Beautiful as a flower, with her marble palaces, her fine churches, her lily-like bell-tower! What a charm was added when within her walls Leonardo da Vinci was painting, Michael Angelo carving, Savonarola preaching. In the early years of Raphael's apprenticeship, the voice of the preacher had been silenced, but still, "with the ineffable left hand," Da Vinci painted, and still the marble chips ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... engineer transmutes his subconscious body into long buildings, into aisles of windows, into stories of thoughtful machines. Every great spiritual and imaginative genius is seen, sooner or later, to be the transmuted genius of some man's body. The things in Leonardo da Vinci that his unconscious, high-spirited, automatic senses gathered together for him, piled up in his mind for him, and handed over to him for the use of his soul, would have made a genius out of anybody. It is not as if he had had to work out ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... remember to have seen. The original is in the second, or darker style of colouring, of the master; and this engraving of it is as perfect a copy of the manner of the original, as that by Raphael Morghen of the last Supper of Leonardo da Vinci—so celebrated all over Europe. ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin
... the Mona Lisa, of a single individual, Leonardo da Vinci, less important than the millions of paintings made during countless generations throughout ...
— Heart and Soul • Victor Mapes (AKA Maveric Post)
... to give place to vices; but to charming vices, vices in good taste, such as those indulged in by Alcibiades and sung by Catullus. Leo X died after having assembled under his reign, which lasted eight years, eight months, and nineteen days, Michael Angelo, Raffaelle, Leonardo da Vinci, Correggio, Titian, Andrea del Sarto, Fra Bartolommeo, Giulio Romano, ...
— The Cenci - Celebrated Crimes • Alexandre Dumas, Pere
... Vinci says that Sandro Botticelli spoke slightingly of landscape-painting, and called it "but a vain study, since by throwing a sponge impregnated with various colours against a wall, it leaves some spots upon it, which may appear like a landscape." Leonardo da Vinci continues: "It is true that a variety of compositions may be seen in such spots according to the disposition of mind with which they are considered; such as heads of men, various animals, battles, rocky scenes, seas, clouds, ...
— Alps and Sanctuaries of Piedmont and the Canton Ticino • Samuel Butler
... the art of the Renaissance reached its highest development. Among all the great artists of this period three stand out in heroic proportions—Leonardo da Vinci, Michael Angelo, and Raphael. The first two not only practiced, but achieved almost equal distinction in, the three arts of architecture, sculpture, and painting.[240] It is impossible to give in a few lines any idea of the beauty and ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... his instructress in worldly wisdom were looking straight across the table at the Leonardo da Vinci girl with the grave reflective eyes and the over-emphasised air of repose. Francesca felt a quick throb of anger against her match-making neighbour; why, she asked herself, must some women, with no end or purpose of their own to serve, except the sheer love ...
— The Unbearable Bassington • Saki
... were engaged by the all-absorbing events of the civil strife, he wrote no poetry, or none deserving the name. All artists have intervals of non-productiveness, usually caused by exhaustion. This was not Milton's case. His genius was not his master, nor could it pass, like that of Leonardo da Vinci, unmoved through the most tragic scenes. He deliberately suspended it at the call of what he believed to be duty to his country. His unrivalled power of expression was placed at the service of a passionate political conviction. This ...
— Milton • Mark Pattison
... several connoisseurs, Raphael's own hand had communicated its magnetism to one of these sketches; and, if genuine, it was evidently his first conception of a favorite Madonna, now hanging in the private apartment of the Grand Duke, at Florence. Another drawing was attributed to Leonardo da Vinci, and appeared to be a somewhat varied design for his picture of Modesty and Vanity, in the Sciarra Palace. There were at least half a dozen others, to which the owner assigned as high an origin. It was delightful to believe in ...
— The Marble Faun, Volume I. - The Romance of Monte Beni • Nathaniel Hawthorne
... Emperor Charles the Fifth, on his solemn entry into the city of Nuremberg. It is not necessary to inquire whether these stories are true or false; what is certain is that the inventors did not leave their inventions as a legacy to their fellows. For a like reason Leonardo da Vinci, who busied himself with a mechanism which should enable man to operate wings with his legs, and who left a short treatise on the art of flight, has no place in the history. His mechanism is merely a drawing; his treatise remained in manuscript. The adventurers ...
— The War in the Air; Vol. 1 - The Part played in the Great War by the Royal Air Force • Walter Raleigh
... two adoring women," says Michelet, "Francis was all his life a spoilt child." Money flowed through his hands like water[102] to gratify his ambition, his passions and his pleasures. Doubtless his interviews with Da Vinci at Amboise, where he spent much of his time in the early years of his reign, fired that enthusiasm for art, especially for painting, which never wholly left him; for the veteran artist, although old and paralysed in the right hand, was otherwise ...
— The Story of Paris • Thomas Okey
... in a different branch of thaumaturgy. It does not much matter, however, what they thought, for experts in matters of art are the victims of such cast-iron prejudices that if once they fancy they see the influence of Leonardo da Vinci in a picture and take it into their heads that it comes from Piedmont, it will be found the most difficult thing in the world to persuade them that it really was painted in Egypt more ...
— Diversions in Sicily • H. Festing Jones
... to insist on setting up standards of his own against it. Begun in 1507, it was finished in 1517. The dome of Saint Peter's at Rome, over which Bramante and Raphael and Michael Angelo toiled, was building at the same time; Leonardo da Vinci was working at Amboise; Jean Bullant, Pierre Lescot, and their patron, Francis I, were beginning their architectural careers. Four hundred years, or thereabouts, separated the old spire from the new ...
— Mont-Saint-Michel and Chartres • Henry Adams
... clothing, Irish lace, artificial flowers, terra cotta, movie-films, telephones, and printed matter than those Florentines did, but we have, with our 100,000,000 inhabitants, yet to produce that little town, her Dante, her Andrea del Sarto, her Michael Angelo, her Leonardo da Vinci, her Savonarola, her Giotto, or the group who followed Giotto's picture. Florence had a marvelous energy—re-lease experience. All our industrial formalism, our conventionalized young manhood, our schematized ...
— An American Idyll - The Life of Carleton H. Parker • Cornelia Stratton Parker
... art. Mark the line from the early masters to the present, do you not find the description includes "the idealists" who could paint? The list would be a long and involved one, taking its start in Italy with Botticelli, Giotto, Fra Angelico, Raphael, Leonardo da Vinci, Michael Angelo, Andrea del Sarto, Fra Bartolomeo, Titian, Giorgione, and extending thence to our own time inclusive of Millet, Corot, Watts, Turner, Blake, Rousseau, Mauve, Puvis de Chavannes and Ryder—men of all complexions in art, and typical of many more quite as diverse ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... accuracy, but Signor Paoli, who has written so well upon Venice, is convinced, and the figure of Apollo is certainly free and fair as from a master's hand. Another picture, a Madonna and Child with two companions, is called a Leonardo da Vinci; but Baedeker gives it to Marco d'Oggiano. There is also a Filippino Lippi which one likes to find in Venice, where the prevailing art is so different from his. One of the most charming things here is a little relief of the manger; as pretty a ...
— A Wanderer in Venice • E.V. Lucas
... times; his third law, that there was a direct relation between weight and velocity. That man gave us a key to heaven. That man opened its infinite book, and we now read it, and he did more good than all the theologians that ever lived. I have not time to speak of the others—of Galileo, of Leonardo da Vinci, and of hundreds of others that ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... examines the countenance of men under the influence of passion; and often catches the most pleasing hints from subjects of turbulence or deformity. Even bad pictures themselves supply him with useful documents; and, as Leonardo da Vinci has observed, he improves upon the fanciful images that are sometimes seen in the fire, or are accidentally ...
— Seven Discourses on Art • Joshua Reynolds
... least, the classic Renaissance gave fresh life to anatomy as to all other sciences. Especially did the improvements in painting and sculpture stir men up to a closer study of the human frame. Leonardo da Vinci wrote a treatise on muscular anatomy: the artist and the sculptor often worked together, and realised that sketch of Michael Angelo's in which he himself is assisting Fallopius, Vesalius' famous pupil, to dissect. Vesalius soon found that his thirst for facts could not ...
— Health and Education • Charles Kingsley
... nautical instruments. He was made a bishop, and summoned to Rome to reform the calendar. There was one Italian who possessed the scientific spirit, without help from books, by the prerogative of genius; that was Leonardo da Vinci. But he confided his thoughts to diaries and remained unknown and useless ...
— Lectures on Modern history • Baron John Emerich Edward Dalberg Acton
... spontaneity or self-consciousness in any artistic work, had a peculiar fascination. We find it in the mysticism of Plato and in the rationalism of Aristotle. We find it later in the Italian Renaissance agitating the minds of such men as Leonardo da Vinci. Schiller tried to adjust the balance between form and feeling, and Goethe to estimate the position of self-consciousness in art. Wordsworth's definition of poetry as 'emotion remembered in tranquillity' may be taken as an analysis of one of the stages through which all ...
— Miscellanies • Oscar Wilde
... the table about to be weighed. Mr. Hale, who, as a painter, knows whereof he speaks, styles Vermeer as "the greatest painter who ever lived," and meets all the very natural objections to such a bold statement. Certainly with Velasquez and Da Vinci, Vermeer (the three V's) is the one of the supreme magicians of paint in the history of art. Who doubts this should visit Berlin, Dresden, Vienna, and Amsterdam, and for ever after ...
— Ivory Apes and Peacocks • James Huneker
... Prussian professors such as the one I have quoted. They can get no further than the notion of stealing giants. I will not bore you now with all the other giants they have tried to steal; it is enough to say that St. Paul, Leonardo da Vinci, and Shakespeare himself are among the monstrosities exhibited at Frederick-William fair—on grounds as good as those quoted above. But I have put this particular case before you, as an artist rather than an Italian, to show what I mean when I object to a "German future for Europe." ...
— The Appetite of Tyranny - Including Letters to an Old Garibaldian • G.K. Chesterton
... reflex vision. The idea was suggested to me in consequence of certain effects noticed in employing the stereoscope. Professor William B. Rodgers has since called the attention of the American Scientific Association to some facts bearing on the subject, and to a very curious experiment of Leonardo da Vinci's, which enables the observer to look through the palm of his hand (or seem to), as if it had a hole bored through it. As he and others hesitated to accept my explanation, I was not sorry to find recently the following words in the "Observations on Man" of ...
— Medical Essays • Oliver Wendell Holmes, Sr.
... and founder of the Florentine school, which ranked among its members such artists as Michael Angelo, Raphael, and Leonardo da Vinci; was the first to leave the stiff traditional Byzantine forms of art and copy from nature and the living model, though it was only with the advent of his great disciple Giotto that art found beauty in reality, and Florence ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... A Da Vinci or a Goethe accepts religion and uses it, but between it and the depths of his own mind remains forever an inviolable film of sceptical "white light." This "qualified assent" is precisely what excites the fury of such individualistic thinkers as Tolstoi and Bernard Shaw. It were amusing ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... mind which, once heard, could never be forgotten. That artist indeed had long in his meditations an ideal head of Christ, which he was always talking of executing: "It is here!" he would cry, striking his head. That which baffled the invention, as we are told, of Leonardo da Vinci, who left his Christ headless, having exhausted his creative faculty among the apostles, this imaginative picture of the mysterious union of a divine and human nature, never ceased, even when conversing, to haunt ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... paleontologists studying the fossil-bearing strata of the earth, and drawing from his observations a marvellously scientific induction. Almost two thousand years later another famous citizen of Italy, Leonardo da Vinci, was independently to think out similar conclusions from like observations. But not until the nineteenth century of our era, some twenty-four hundred years after the time of Xenophanes, was the old Greek's doctrine to ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams
... Italianised the W he would probably have done so. I should say that I arrived at the Ecce Homo figure as a portrait of Tabachetti before I found the V cut upon the hat; I found the V on examining the portrait to see if I could find any signature. It stands next to a second portrait of Leonardo da Vinci by Gaudenzio Ferrari, taken into the Ecce Homo chapel, doubtless, on the demolition of some earlier work by Gaudenzio on or near the same site. I knew of this second portrait of Leonardo da Vinci when I published ...
— Ex Voto • Samuel Butler
... else the horrid bestialities in morning journals of Chartists and Cobdenites at home, of Red Ruffians abroad, draw off our attention from the chonchoids and the cycloids pencilled by the Eternal Geometrician! and these celestial traceries of the dawn, which neither Da Vinci nor Raphaello was able to have followed as a mimic, far less as a rival, we regard as a nuisance claiming the attentions of the window-cleaner; even as the spider's web, that might absorb an angel into ...
— The Posthumous Works of Thomas De Quincey, Vol. II (2 vols) • Thomas De Quincey
... that Genius which rises here and there in the past history of the Aryan races, and that so all-sidedly and confidingly as to seem miraculous. I confess that when I look closely and deeply into the knowledge of Dante and Lionardo da Vinci, of Fiar Bacon, and the Cavalier Marquis of Worcester, an awe comes over me. All of them seem to have been so great, some of their order so unearthly great; and they held the keys to so many mysteries, and to doors of science which were not unlocked for long centuries after their death; and ...
— The Continental Monthly, Vol 3 No 3, March 1863 - Devoted To Literature And National Policy • Various
... insisting on his becoming a flute-player, Benvenuto continued to practise on the instrument, though he detested it. His chief pleasure was in art, which he pursued with enthusiasm. Returning to Florence, he carefully studied the designs of Leonardo da Vinci and Michael Angelo; and, still further to improve himself in gold-working, he went on foot to Rome, where he met with a variety of adventures. He returned to Florence with the reputation of being a most expert worker ...
— Self Help • Samuel Smiles
... by heart, and the more it is known the wider and more alluring are the avenues of imaginative thought which it discloses. It has, more than any other long composition by its author, that quality of symmetry, that symmetria prisca recorded of Leonardo da Vinci in the Latin epitaph of Platino Piatto; and, as might be expected, its mental basis, what Rossetti called fundamental brain-work, is as luminous, depth within depth, as the morning air. By its side, the more obviously "profound" poems, Bishop Blougram and the rest, are mere ...
— Life of Robert Browning • William Sharp
... modelling. Nowhere can you detect a starting-point or a measurement taken; it seems to have grown as a beautiful tendril grows, and every curve sways as mysteriously, and the perfection seems as divine. Beside it Duerer would seem crabbed and puzzle-headed; Holbein would seem angular and geometrical; Da Vinci would seem vague: and I hope that no critic by partial quotation will endeavour to prove me guilty of having said that Ingres was a greater artist than Da Vinci. I have not said any such thing; I have merely striven by aid of comparison to bring ...
— Modern Painting • George Moore
... delusion is that success is attained by what I may call the "Benjamin Franklin" method. Franklin was a very great man; he united in his character a set of splendid qualities as various, in their different ways, as those possessed by Leonardo da Vinci. I have an immense admiration for him. But his Autobiography does make me angry. His Autobiography is understood to be a classic, and if you say a word against it in the United States you are apt to get killed. I do not, however, contemplate an immediate ...
— Mental Efficiency - And Other Hints to Men and Women • Arnold Bennett
... quickened our pace, making the branches fall off more than ever. Then—'The wheelbarrow,' said the professor, 'amazes us by its combined simplicity and perfection. The conception of a man of universal genius and vast erudition,—I allude to Leonardo da Vinci, the marvellous Florentine,—it has for upwards of three hundred years served mankind as a humble but valued ally. In every rank of life it finds its place. ...
— Hildegarde's Neighbors • Laura E. Richards
... smoothness, and blackness, are the common characteristics of these supposititious heads of the Saviour. It will thus again be easily understood how opposite has been the practice of the Eastern and Western Churches; it is a striking fact that at the time when, in Italy, under Leonardo da Vinci, Raphael and others, the mystery of a God manifest in the flesh had been as it were solved by a perfected art, this Russian Church was still under bondage to the once accepted but now discarded notion ...
— Russia - As Seen and Described by Famous Writers • Various
... known than Leonardo da Vinci's "Last Supper," millions of copies of which have been circulated in engravings, oil paintings, and by photography. We find the original in the Dominican monastery, where the artist painted it upon the bare wall or ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... Sandro Botticelli; and Verrocchio taught Lionardo da Vinci, Lorenzo di Credi, and Perugino. Have I not good reason to separate the masters of such pupils from the schools ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... draughts of inspiration have ever been drawn by the highest artists from religious ideas, let him add to the names above given, those of Fra Angelico, Fra Bartolomeo, Tintoret, Corregio, Murillo, Raphael, Leonardo da Vinci, Michael Angelo, and, in our own days, Overbeck; let him gaze into that divine face of godlike sorrow given us by an untaught monk, Antonio Pesenti, in his marvellous crucifix of ivory, let him listen to the pure ethereal strains of Palestrina, Pergolese, ...
— The Continental Monthly, Vol III, Issue VI, June, 1863 - Devoted to Literature and National Policy • Various
... Leonardo da Vinci might have known the art of flying in the air, and might even have practiced it. A statement to this effect, at least, is found in several historians. We have, however, no direct proof ...
— Wonderful Balloon Ascents - or, the Conquest of the Skies • Fulgence Marion
... Ruskin in his honor. "The plastic arts are essentially athletic." An invalid, a half paralyzed man, might be a great poet, a celebrated musician, but to be a Michael Angelo or a Titian a man must have not merely a privileged soul, but a vigorous body. Leonardo da Vinci broke a horseshoe in his hands; the sculptors of the Renaissance worked huge blocks of marble with their titanic arms or chipped off the bronze with their gravers; the great painters were often architects and, covered with dust, moved huge masses. Renovales listened thoughtfully to the ...
— Woman Triumphant - (La Maja Desnuda) • Vicente Blasco Ibanez
... Oh! chefs-d'oeuvre without number! I see you devoured, consumed, reduced to ashes! I see the walls tottering, the canvases fall from the frames and shrivel up; the "Marriage of Canaan" is in flames! Raphael is struggling in the burning furnace! Leonardo da Vinci is no more! This was, indeed, an unexpected calamity! Fortune had reserved this terrible surprise for us! But I will not believe it, these rumours are false, doubtless! How should these people who inhabit this quarter know what I am ignorant of? Yet over our heads ...
— Paris under the Commune • John Leighton
... sculpture and architecture. Those barbarous decorations, celebrating the hunt, had been relegated to subterranean regions, the walls dismantled, and the room turned over to a corps of artists of such renown as Da Vinci, Francois Clouet, Jean Cousin and ...
— Under the Rose • Frederic Stewart Isham
... contrived to clothe his poem in the same diaphanous garment. It is a poem of twilight, of calm, of failure in success. Andrea's pictures are superior technically to those of his great contemporaries—Rafael, Michel Angelo, Leonardo da Vinci—but their imperfect works have a celestial glory, the glory of aspiration, absent from his perfect ...
— Robert Browning: How To Know Him • William Lyon Phelps
... you a city," he said, "no bigger than Rathmines, and in it Michael Angelo, Donatello, Del Sarto, and Da Vinci lived, and lived contemporaneously. Now what have these great pagans left the poor Catholic Celt to do? All that he was intended to do he did in the tenth century. Since then he has produced an incredible number of priests and policemen, some fine prize-fighters, and some clever lawyers; ...
— The Untilled Field • George Moore
... scheme," pursued Virgilia, waiving all considerations of trouble, effort and expense, "so as to include coining, money-changing and all that, why, think what you have then! The brokers at Corinth, the mensarii in the Roman Forum. And think of the ducats designed by Da Vinci and by Cellini! And all the Byzantine coins in Gibbon—the student's edition is full of them! Why, there are even the Assyrian tablets—you must have heard about the discovery of the records of that old Babylonian bank. Think of the costumes, the architecture, ...
— Under the Skylights • Henry Blake Fuller |
