"Dialogue" Quotes from Famous Books
 ... assuming the name and character of Vincentio, seem to be evidently taken from the disguise of the Sycophanta in the Trinummus of the said Author; and there is a quotation from the Eunuch of Terence also, so familiarly introduced into the Dialogue of the Taming of the Shrew, that I think it puts the question of Shakespeare's having read the Roman Comick Poets in the original language ...
— Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... use of dialogue, and thus, in a measure, partakes of the nature of the drama. The introduction of the dialogue serves a double purpose: first, it lends greater vividness to the narrative; and second, it lends variety to the story, enabling ...
— Elementary Guide to Literary Criticism • F. V. N. Painter
... provide the meanings of Greek names, terms and ceremonies and explain puns and references otherwise lost in translation. Occasional Greek words in the footnotes have not been included. Footnote numbers, in brackets, start anew at (1) for each piece of dialogue, and each footnote follows immediately the dialogue to which it refers, labeled ...
— The Birds • Aristophanes
... out to him clearly how it could be improved by introducing a messenger instead of a telephone call, and cutting the dialogue just before the climax while they were struggling with the pistol, and by completely changing the lines and business of Helen Grimes at the point where her jealousy overcomes her. Hart yielded to all her strictures without argument. She had at once put her finger on the sketch's ...
— Strictly Business • O. Henry
... precision in the use of language, the work, for the most part, not only reading like the production of a native, but of one familiar with the most intimate resources of idiomatic English. A very few exceptions to this remark in some portions of the dialogue, whose naivete atones for their inaccuracy, only present the general purity of the composition in a more striking light. We sincerely trust that the writer, who has been so happily distinguished in the field of literary research, will be induced, by ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various
... Jig was little other indeed than a ballad opera in embryo lasting about twenty-five minutes and given as an after-piece. It was a rhymed farce in which the dialogue was sung or chanted by the characters to popular ballad tunes. But after the Restoration the Jig assumed a new and more serious complexion, and came eventually to be dovetailed with the play itself, instead of being given at the fag end of the entertainment. Mr. W. J. Lawrence, the well-known ...
— The Works of Aphra Behn - Volume IV. • Aphra Behn
... to captivate those who were to be won by bold smiles and arch glances. She displayed her person less freely than her colleagues, being, not more modest, but more skilful in the art of seduction. The slang that served for dialogue in her part was delivered in all sorts of intonations, now demure and mischievous, anon strident and mock tragic. ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... started back over the dialogue that has just occurred between herself and Mike, Ishie interrupted. "Not that," he said, "I mean ...
— Where I Wasn't Going • Walt Richmond
... were sung responsively by the choir, but before the end of the tenth century they were put into the mouths of monks or clergy representing the Maries and the angel. By this time the dialogue had been removed to the first services of Easter morning, and had been connected with the ceremonies of the Easter sepulcher. In many churches it was then customary on Good Friday to carry a crucifix to a representation of a sepulcher ...
— An Introduction to Shakespeare • H. N. MacCracken
... by Freneau, Dwight, Barlow, and Livingston again, all kept in countenance by Cicero, Publius Scipio, Shakespeare, and Pope, while a tribute is paid to "Mr. Andrus of Yale College, since deceased," by the insertion of "A Dialogue written in the year 1776." To plump from Joel Barlow at the North Church in Hartford, July 4, 1787, to a portion of Cicero's oration against Verres, probably produced no severe shock, since both orations were intended as exercises in speaking, and the ...
— Noah Webster - American Men of Letters • Horace E. Scudder
... laughter, and led to much manual pleasantry. All swore that they had never spent, intellectually speaking, a more charming soiree, and pitied me for being unable to enter thoroughly into the spirit of the dialogue. Truly it is not only the polished European, as was said of a certain travelling notability, that lapses with facility ...
— First footsteps in East Africa • Richard F. Burton
... Leopold-Stadt Theatre, is adding largely to his fortune, thanks to the rich and racy drolleries of Nestroz and Schulz, who are the Matthews and Liston of Vienna. The former of these excellent actors is certainly the most successful farce-writer in Germany. Without any of Raimund's sentimental-humorous dialogue, he has a far happier eye for character, and only the untranslatable dialect of Vienna has preserved ...
— Servia, Youngest Member of the European Family • Andrew Archibald Paton
... K 4 blank. Wanting A 2, containing the verses of Field, Jonson, and Chapman. Commendatory verses signed: Fr. Beaumont, Nath. Field, Ben Ionson, G. Chapman, Shack. Marmyon. Dialogue 'by way of prologue' (by Sir W. Davenant). The first edition appeared undated in 1609 or early ...
— Catalogue of the Books Presented by Edward Capell to the Library of Trinity College in Cambridge • W. W. Greg
... vehemently terrified, and disturbed in mind." He excites to compassion for the lepers in particular, who, under their miseries, are our brethren, and it is only God's favor that has preserved us sound rather than them; and who knows what we ourselves may become? His dialogue Against Fate was a disputation with a heathen philosopher, who maintained a destiny or overruling fate in all things. His canonical epistle to Letoius, bishop of Melitine, metropolis of Armenia, has a place among the canons ...
— The Lives of the Fathers, Martyrs, and Principal Saints - January, February, March • Alban Butler
... among much low comedy, this truth is emphasised by the triumph of Costard, a natural mind, in an encounter with Armado, an artificial mind. At the end of the play the "learned men" are made to compile a dialogue "in praise of the owl and the cuckoo." The dialogue is of a kind not usual among learned men, but the choice of the birds is significant. The last speech of the play: "The words of Mercury are harsh after the songs of Apollo," ...
— William Shakespeare • John Masefield
... Linden Alley, leading from Town Palace to Country one, a couple of miles long, rather disappointing when one sees it), daily driving or walking towards Herrenhausen, where the Court, where the old Electress is, who will have a touch of dialogue with him to diversify her day. Not very edifying dialogue, we may fear; yet once more, the best that can be had in present circumstances. Here is some lunar reflex of Versailles, which is a polite court; direct rays there are from the oldest written Gospels and the newest; ...
— History Of Friedrich II. of Prussia, Vol. I. (of XXI.) - Frederick The Great—Birth And Parentage.—1712. • Thomas Carlyle
... whose quarrel had been suspended by the appearance of a third person, and who had stood during this short dialogue in silent amazement, having first lost their anger in their mutual consternation, now lost their consternation in their mutual displeasure Mr. Hobson felt offended to hear business spoken of slightly, and Mr Briggs ...
— Cecilia vol. 3 - Memoirs of an Heiress • Frances (Fanny) Burney (Madame d'Arblay)
... procreative power. One of the snake shaped Egyptian hieroglyphs frequently turns into an Arabic [Symbol: gimel], i.e., gimel. I do not know whether this fact has any significance here. With respect to the above passages that mention the "will of the Most High," I refer to the dialogue which concerns the "G"; e.g., "Does it mean nothing else?" "Something that is greater than you." "Who is greater than I?" etc. "It is Gott, whom the English call God. Consider this mysterious star; it is the symbol of the Spirit.... The image of the ...
— Hidden Symbolism of Alchemy and the Occult Arts • Herbert Silberer
... would send it to me, that I did not order it! But the order goes this mail, and I will give you news of it. Yes, honestly, fiction is very difficult; it is a terrible strain to CARRY your characters all that time. And the difficulty of according the narrative and the dialogue (in a work in the third person) is extreme. That is one reason out of half a dozen why I so often prefer the first. It is much in my mind just now, because of my last work, just off the stocks three days ago, THE EBB TIDE: a dreadful, grimy ...
— Letters of Robert Louis Stevenson - Volume 2 • Robert Louis Stevenson
... Jacobite times, and of Alan Breck's country, Lochaber, Glencoe, Mamore, may bias me; but in "Kidnapped" Stevenson appears to me to reach the height of his genius in designing character and landscape; in humour, dialogue, and creative power. As in his preceding stories, there is hardly the flutter of a petticoat, but the tale, like Prince Charles at Holyrood, can point to a Highland man of the sword, and say, "These are my beauties." I remember that Mr. Matthew Arnold admired the story ...
— The Works of Robert Louis Stevenson - Swanston Edition - Vol. 1 (of 25) • Robert Louis Stevenson
... whole matter; prayer must be conceived as an active intercourse between the worshipper and a Person other than himself, who is the object of his worship. It is not a soliloquy—what the Germans expressively call a Selbstgespraech, or "self-talk"; it is not a monologue, but a dialogue; it is not a mere contemplation, but addressed to Someone who is thought of as willing to listen and able to answer. As Sabatier has well said, "Prayer is religion in act; that is, prayer is real religion." Wherever men believe in a personal God, as distinct from an "all-inclusive ...
— Problems of Immanence - Studies Critical and Constructive • J. Warschauer
... again, in the Dialogue with Trypho says that the Birth in the Stable was the prototype (!) of the birth of Mithra in the Cave of Zoroastrianism; and boasts that Christ was born when the Sun takes its birth in the Augean Stable, (1) coming as a second Hercules to ...
— Pagan & Christian Creeds - Their Origin and Meaning • Edward Carpenter
... young girl's, "I'm goin' ter tyke my mother's part;" dialogue, repeated about five times, "I'll do as I like, blankety, blank, blank!" "I'd like ter see yer, blankety, blank, blank!" renewed conflict, mothers, daughters, everybody, during which my landlady calls her young daughter in from the back steps, ...
— The People of the Abyss • Jack London
... come under the comma rather than under the quotation marks or double comma. The word is Greek and signifies a turning away from. The letter elided or turned away is generally an e. In poetry and familiar dialogue the apostrophe marks the elision of a syllable, as "I've for I have"; "Thou'rt for thou art"; "you'll for you will," etc. Sometimes it is necessary to abbreviate a word by leaving out several letters. In such case the apostrophe takes the place of the omitted letters ...
— How to Speak and Write Correctly • Joseph Devlin
... Hoskins termed "The great blond brute!" The play proved to be a success and there was little or no jealousy or friction. Amazing to record, Miss Pomeroy and Miss Leigh—the two principal ladies—still remained the very best of friends. During rehearsals Shafto and his "niece" exchanged a good deal of dialogue that was not in the piece—thanks partly to Mrs. Milward's introductions and revelations, and partly to a mutual attraction, they now knew one another rather well. They sat with their chaperon and listened to her incessant flow of talk with appreciative sympathy, played deck quoits, ...
— The Road to Mandalay - A Tale of Burma • B. M. Croker
... mid-air, and at one side the legend "Artistide Bruant, painter of portraits at two francs fifty—soldiers ten sous." Sure now of the scene which was to follow, but outwardly quite composed, Hermia listened carelessly to the dialogue, saw the acrobat appear, and the "Lady Orchestra," who was the guilty heroine of the piece, take her place upon the platform beside him. Here the resemblance to reality ceased, for the heroine was dark and Aristide blonde and beardless, and yet ...
— Madcap • George Gibbs
... is a novel in which Ellen Thorneycroft Fowler displays her brilliant abilities at their best. The story is well constructed, the plot develops beautifully, the incidents are varied and brisk, and the dialogue is deliciously clever."—Rochester ...
— The False Gods • George Horace Lorimer
... these gushes of interest In Florence hurried Cleopatra away from almost every dialogue in which Edith had a share, however trifling! Florence had certainly never undergone so much embracing, and perhaps had never been, unconsciously, so ...
— Dombey and Son • Charles Dickens
... dialogue had lasted long enough to focus all eyes on the table at the end of the room, and therefore there were many witnesses to what followed. The arm of Mac Strann shot out; his hand fastened in the collar of the ...
— The Night Horseman • Max Brand
... first a recognised method of viewing questions from divergent points that has always attracted me and which I have never succeeded in using, the discussion novel, after the fashion of Peacock's (and Mr. Mallock's) development of the ancient dialogue; but this encumbered me with unnecessary characters and the inevitable complication of intrigue among them, and I abandoned it. After that I tried to cast the thing into a shape resembling a little the double personality ...
— A Modern Utopia • H. G. Wells
... play, sitting quietly by the fire or lying prone in bed, we rouse many hot feelings for which we can find no outlet. Substitutes are not acceptable to the mature mind, which desires the thing itself; and even to rehearse a triumphant dialogue with one's enemy, although it is perhaps the most satisfactory piece of play still left within our reach, is not entirely satisfying, and is even apt to lead to a visit and an interview which may be the reverse of ...
— The Pocket R.L.S. - Being Favourite Passages from the Works of Stevenson • Robert Louis Stevenson
... magnanimity, became calm, and commanding the executioner to release the youth, said, "For the present I forbear, and will not kill thee unless thy answers to my further questions shall deserve it." They then entered on the following dialogue; Hyjauje hoping to ...
— The Arabian Nights Entertainments vol. 4 • Anon.
... other, and put their heads together over the table, and the following dialogue passed almost in a whisper. To see them, you would have thought they were conspiring against the law, instead of combining to hide a lawful act from ...
— Put Yourself in His Place • Charles Reade
... for the Theatre-Lyrique, Paris, spoken dialogue was used in place of the recitatives subsequently added by the composer when the work passed, ten years later, into the repertoire of the Opera. In its earlier form, therefore, it belonged to the category of opera-comique, in which tenors were ...
— Style in Singing • W. E. Haslam
... furiously at the dialogue between Pete-Rosenheim & Larose-Bettina, though it contained the cheese joke, the mother-in-law joke, and the joke about the ...
— Free Air • Sinclair Lewis
... First Dialogue of the Epilogue to the Satires. The reference to forswearing a debt, is, of course, to the Remond business; "who starves a sister" is an allusion to ...
— Lady Mary Wortley Montague - Her Life and Letters (1689-1762) • Lewis Melville
... entitle it to be called respectable, among the mass of American stories. Novels are being sold by the five thousand which have far less ability in characterization or in grouping. The persons remain in one's memory as real individuals, which is saying a good deal; the dialogue, though excessive in quantity, is neither tame nor flippant; and there is an attractive compactness in the plot, which is all comprised within one house in an unknown city. But this plot soon gets beyond the author's grasp, nevertheless; she creates individualities, and can ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various
... E. invokes the aid of entertaining dialogue, and probably may have more readers than all the other writers on St. Peter put together.... The book is ...
— The Crown of Success • Charlotte Maria Tucker
... and smiles, and Mr. Holmes walks up and down with his arms behind him as he used to do during recitation in school. Perhaps he does it now, only you and I are not there to see. I wish you were here to listen to him; father speaks now and then, but the dialogue soon develops into a monologue and the master entertains and instructs us all. If you do not receive this letter on time know that it is because I am learning about the Jew; how he is everywhere proving the truth of prophecy by becoming a resident of every ...
— Miss Prudence - A Story of Two Girls' Lives. • Jennie Maria (Drinkwater) Conklin
... France and Italy, by T. Smollett, M.D., and though these may not exhibit the marmoreal glamour of Johnson, or the intimate fascination of Fielding, or the essential literary quality which permeates the subtle dialogue and artful vignette of Sterne, yet I shall endeavour to show, not without some hope of success among the fair-minded, that the Travels before us are fully deserving of a place, and that not the least ...
— Travels Through France and Italy • Tobias Smollett
... made. The editor does not consider himself warranted to do more than give to the world a faithful copy, making only a few omissions and a few verbal alterations. The characters of the persons of the dialogue were intended to be ideal, at least in great part such they should be considered by the reader; and, it is to be hoped, that the incidents introduced, as well as the persons, will be viewed only as subordinate ...
— Consolations in Travel - or, the Last Days of a Philosopher • Humphrey Davy
... left the presence of Alice he had subject for considerable meditation. "That girl knows something," he said. He walked along thinking over the dialogue, when suddenly his attention was attracted by a struggle. He saw several men slashing at each other with knives, as he recognized by occasional bright steel gleams under the gaslight. He always ...
— Oscar the Detective - Or, Dudie Dunne, The Exquisite Detective • Harlan Page Halsey
... dialogue he introduces the various races each fighting to establish its own belief. The Frank (Christian) abuses the Hindu, who retorts that he is of Mlenchha, mixed or impure, blood, a term applied to all non-Hindus. The same is done by Nazarene and Mohammedan; by the Confucian, who believes ...
— The Kasidah of Haji Abdu El-Yezdi • Richard F. Burton
... Certainly the writer found, in the worst moments of the war, that passages from the classics—some line of Aeschylus or Lucretius or Virgil, or the sense of some speech in Thucydides, or the impression of some mood of bitterness or serenity in a dialogue of Plato—would come into his mind and give him relief. These men had travelled along the road on which our feet were set; they had travelled it farther than we, travelled it to the end; and the wisdom of greater experience and the poignancy of greater suffering than ours was expressed in the ...
— The Legacy of Greece • Various
... withheld from him the dramatic faculty. Nevertheless all the energies of his best years were wasted on dramatic composition. He had too much judgment not to be aware that in the power of exhibiting character by means of dialogue he was deficient. That deficiency he did his best to conceal, sometimes by surprising and amusing incidents, sometimes by stately declamation, sometimes by harmonious numbers, sometimes by ribaldry but too well suited to the taste of a profane and licentious pit. ...
— The History of England from the Accession of James II. - Volume 1 (of 5) • Thomas Babington Macaulay
... Yes—he remembered one anecdote more. Her father had asked her one day, when she was about ten or twelve years old, "What kind of a husband she would like?" and she replied, "One of equal birth." Ille: [Footnote: In dialogue the author makes use of the Latin pronouns, Ille, he; Illa, she, to denote the different characters taking part in it; and sometimes Hic and Haec, for the same purposes. Summa he employs in the sense of "to sum ...
— Sidonia The Sorceress V1 • William Mienhold
... conceived for a youthful female branch of the aristocracy, whom he designated as Lady Barbara B.; and how these three gentlemen continued their various recitals all at one and the same time, edifying the company by some such composite style of dialogue as the following:— ...
— Frank Fairlegh - Scenes From The Life Of A Private Pupil • Frank E. Smedley
... tyrannical dealing of Lord Bishops against God's Church, with certain points of doctrine, wherein they approve themselves (according to D. Bridges his judgement) to be truely Bishops of the Divell (1589). This is shown in a sprightly dialogue between a Puritan and a Papist, a jack of both sides, and an Idol (i.e., church) minister, wherein the most is made of such facts as that the Bishop of St. David's was summoned before the High Commission for having two wives living, and that Bishop ...
— Books Condemned to be Burnt • James Anson Farrer
... whom I now have the pleasure of addressing for the first time and whose only knowledge of my first lecture has been derived from reports will, I hope, not mind being introduced here into the middle of a dialogue which I had begun to recount on the last occasion, and the last points of which I must now recall. The philosopher's young companion was just pleading openly and confidentially with his distinguished tutor, and apologising for having so far renounced his ...
— On the Future of our Educational Institutions • Friedrich Nietzsche
... out that, as regards the mutual relations of the principal characters, Svend Dyring's House owes more to Kleist's Kathchen von Heubronn than The Feast at Solhoug owes to Svend Dyring's House. But the fact remains that the versified parts of the dialogue of both The Feast at Solhoug and Olaf Liliekrans are written in that imitation of the tone and style of the heroic ballad, of which Hertz was the happily-inspired originator. There seems to me to be no depreciation whatever ...
— The Feast at Solhoug • Henrik Ibsen
... thesis—or one is suggested by an incident of the day—or, at best, the author sets himself to work in the combination of striking events to form merely the basis of his narrative—-designing, generally, to fill in with description, dialogue, or autorial comment, whatever crevices of fact or action may, from page ...
— Edgar Allan Poe's Complete Poetical Works • Edgar Allan Poe
... painting. For, as I pointed out to you in my Fifth Lecture, everything is seen by the eye as patches of color, and of color only;—a fact which the Greeks knew well; so that when it becomes a question in the dialogue of Minos, "[Greek: tini onti te opsei horatai ta horomena]," the answer is "[Greek: aisthesei taute te dia ton ophthalmon delouse hemin ta chromata]."—"What kind of power is the sight with which we see things? It is that sense ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... marked by a vivid and dramatic realism. There is a fondness for rapid transitions from one scene to another, as may be illustrated by the {53} fact that the Greek word for "immediately" occurs no less than forty-one times. In i. 27 the actual form of an original dialogue is shown in the abrupt and broken sentences employed. St. Mark uses different tenses of the Greek verb—present, perfect, imperfect, and aorist—with singular freedom, not because he did not know Greek well enough to write with more regularity, but because he is carried away ...
— The Books of the New Testament • Leighton Pullan
... "The dialogue seems to have been darned sparkling but I don't remember it. It must have been after that that I stopped one. I don't seem quite to have caught up with myself ...
— Indiscretions of Archie • P. G. Wodehouse
... and then lost again, their perpendicular— so much, indeed, as to threaten the head of the clerk, whose countenance "began to pale its effectual fire." The captain and many of the officers looking over the gangway, the following dialogue ensued, commenced by the officer of the ...
— Rattlin the Reefer • Edward Howard
... lapping of the lake water I imagined a horrible colloquy in that vault. It all came into my mind, his dialogue and my dialogue. "Great God," I cried out, "something must be done to escape!" and my eyes were strained out on the lake, upon the island on which a Welshman had built a castle. I saw all the woods reaching down to the water's ...
— Memoirs of My Dead Life • George Moore
... you down. I tell you what it is, young 'ooman, if you vant to go on, you must sit still; if you keep moving, you'll stay where you are—that's all! There, by Gosh! we're in for it." At this point of the interesting dialogue, the young 'ooman gave a sudden lurch to larboard, and turned the boat completely over. The boatman, blowing like a porpoise, soon strode across the upturned bark, and turning round, beheld the drenched ...
— The Sketches of Seymour (Illustrated), Complete • Robert Seymour
... referring to the usual exercises of the Grammatical Methods, and by learning lists of words. The sentences are only disconnected in that they do not always form question and answer, but this the student can easily and profitably remedy. Besides all speech is not dialogue. See page 7. They are no more disconnected than are so many soldiers of a regiment, moving at the impulse of one mind, and marching to the attainment of one object. The connection is that all the soldiers act in unison in execution of the command of ...
— The Aural System • Anonymous
... night's lodging to the chance courtesy of a young nobleman. Among the many picturesque episodes in Tasso's wanderings none is more idyllically beautiful than the tale of his meeting with this handsome youth. He has told it himself in the exordium to his Dialogue Il Padre di Famiglia. When asked who he was and whither he was going, he answered: 'I was born in the realm of Naples, and my mother was a Neapolitan; but I draw my paternal blood from Bergamo, a Lombard city. My name and surname I pass in silence: they are so obscure ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... my dear, that I took care of my papers before I opened the door. We have had a charming dialogue—She flung ...
— Clarissa, Volume 3 (of 9) • Samuel Richardson
... like Miss Bertha Thomas'; a fairy tale, like Miss Evelyn Sharp's; the presentation of a single character with the stage to himself (Mr. George Gissing); a tale of the uncanny (Mr. Rudyard Kipling); a dialogue comedy (Mr. Pett Ridge); a panorama of selected landscape, a vision of the sordid street, a record of heroism, a remote tradition or some old belief vitalized by its bearing on our lives to-day, an analysis of an obscure calling, a glimpse at a forgotten quarter ... but one ...
— Short Story Writing - A Practical Treatise on the Art of The Short Story • Charles Raymond Barrett
... a number of benches on which men sit down to gossip and chaffer. Scraps of dialogue float about in the moist air. If you care to be an eavesdropper you must have a knowledge of Gaelic to be one effectively. "It's to be a stout market," remarks stalwart Macrae of Invershiel, come of a fine old West Highland stock ...
— Camps, Quarters, and Casual Places • Archibald Forbes
... of those who live much alone, and so contract unconscious habits, against which society offers the only safeguard. He was absorbed in some imaginary dialogue; and so imperfectly could his fleshly veil conceal his mental processes, that he gesticulated everything that passed through his mind. These gestures, though perfectly apparent to a steady observer, were so far kept within bounds as not to get more than momentary notice from the passers-by, ...
— Idolatry - A Romance • Julian Hawthorne
... papa?" interrupted Francois, who, with his brothers, had stood listening to the above dialogue. "Where else, but on ...
— The Boy Hunters • Captain Mayne Reid
... monotonous in character, chiefly consisting of the words for using which the famous Mr. Budd beat the baker. {152} Now, the sultry weather makes it absolutely necessary to leave bedroom windows wide open, so that he who is courting sleep has all the advantage of studying the dialogue of the slums. These disturbances last till two in the morning in some otherwise quiet districts near the river. When Battersea 'Arry has been "on the fly" in Chelsea, while Chelsea 'Arry has been pursuing pleasure in Battersea, the homeward-faring ...
— Lost Leaders • Andrew Lang
... unsigned poem of special excellence and dramatic power. The poem, "a romance of the sea," describes St. Andrew's voyage to Mermedonia to deliver St. Matthew from the savages. The Savior in disguise is the Pilot. The dialogue between him and St. Andrew is specially fine. The saint has all the admiration of a Viking for his unknown Pilot, who stands at the helm in a gale and manages the vessel as he ...
— Halleck's New English Literature • Reuben P. Halleck
... yet the puerilities of many and the obscenity of others of the Vedic songs and prayers are well-known. So are the strange vagaries and the rambling character of many parts of the Upanishads. And as for the Bhagavad-Gita it is simply a dialogue whose gist is the argument of Krishna—"the Supreme God"—to urge the tender-hearted and the conscience-smitten Arjuna to slay his relatives in war. Its argument is that no evil which one man may do to another is of any moment, since he cannot touch his soul which is eternal and beyond the ...
— India's Problem Krishna or Christ • John P. Jones
... During this brief dialogue Jerome was stealthily running his hands through the lining of my cloak until he comprehended I had misled him. I could almost put his thought in words. Together we arose, laying each our hands upon the half-closed door, he to hold it, ...
— The Black Wolf's Breed - A Story of France in the Old World and the New, happening - in the Reign of Louis XIV • Harris Dickson
... apparently under the influence of ague, for he trembled excessively, and he was well wrapped up in blankets. Altogether, notwithstanding the regularity of his features, he was a revolting spectacle. The following curious dialogue ensued: ...
— Rattlin the Reefer • Edward Howard
... Dialogue—Relief Aid Saving Maggie Scruggs, Mary Ross, Society Lizzie Hull, Alice Moore, Mary Alexander, Mollie Pryor, Annie Fairchild, Lizzie Wind, Julia ...
— Slave Narratives: A Folk History of Slavery in the United States - Volume II. Arkansas Narratives. Part I • Work Projects Administration
... allocution, alloquy|, address; speech &c. 582; apostrophe, interpellation, appeal, invocation, salutation; word in the ear. [Feigned dialogue] dialogism[obs3]. platform &c. 542; plank; audience &c. (interview) 588. V. speak to, address, accost, make up to, apostrophize, appeal to, invoke; ball, salute; call to, halloo. take aside, take by the button; talk to in private. lecture &c. (make a speech) ...
— Roget's Thesaurus
... She has many wise utterances on this phase of the worry question. For instance, in referring to the mad race for wealth and position that keeps a man away from home so many hours of the day that his wife and child scarce know him she introduces the following dialogue: ...
— Quit Your Worrying! • George Wharton James
... words of the conversation; but Ethel, leaning from her window to listen to the plash of the waves, suspected that the slowly moving meteor she beheld, denoted that a cigar was soothing the emotions excited by their dialogue. She mused long over that revelation of the motives of the life that had always been noble and generous in the midst of much that was eccentric and wayward, and constantly the beat of the waves repeated to her the half-comprehended ...
— The Trial - or, More Links of the Daisy Chain • Charlotte M. Yonge
... the Last Minstrel," 'passim'. Never was any plan so incongruous and absurd as the groundwork of this production. The entrance of Thunder and Lightning prologuising to Bayes' tragedy [('vide The Rehearsal'), 'British Bards'], unfortunately takes away the merit of originality from the dialogue between Messieurs the Spirits of Flood and Fell in the first canto. Then we have the amiable William of Deloraine, "a stark moss-trooper," videlicet, a happy compound of poacher, sheep-stealer, and highwayman. The propriety of his magical lady's injunction not to read can only be equalled by ...
— Byron's Poetical Works, Vol. 1 • Byron
... little dialogue, it may be imagined that though Mrs Roper was as good as her word, she was not exactly the woman whom Mrs Eames would have wished to select as a protecting angel for her son. But the truth I take to be this, that protecting angels for widows' sons, at forty-eight pounds ...
— The Small House at Allington • Anthony Trollope
... sovereigns, a prisoner in an obscure island, disputing for a bottle of wine, subject to the petty tyranny of Sir Hudson Lowe! I regret that England permitted that trampling upon the fallen. What an excellent dialogue of the dead might be ...
— The Life and Letters of Maria Edgeworth, Vol. 2 • Maria Edgeworth
... numerous contributions to the German stage: Sword and Queue (1843), The Prototype of Tartuffe (1844), and The Royal Lieutenant (1849). The second of the three has the best motivated plot; the first and third have, by virtue of their national substance, their witty dialogue, and their droll humor, proved dearer to the heart of the German people. In The Prototype of Tartuffe we are shown President La Roquette at the court of Louis XIV., obliged at last, in spite of his long continued successful efforts to suppress ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VII. • Various
... childish, and the subject often morbid and unhealthy; and, further, that his method is tedious to the last degree of boredom; for, as a writer, if I may judge him fairly by his translators, he is didactic and prosy, and never more tedious than when his dialogue is intended to be at its very crispest. As a playwright his construction is faulty. Here and there he gives expression to pretty ideas, reminding me (still judging by the translation) of TOM ROBERTSON, not when the latter was in his happiest ...
— Punch, Or The London Charivari, Vol. 100. February 14, 1891. • Various
... professional soldier, a man without a country but with a trade. He tells the army-adoring heroine frankly that she is a humbug; and she, after a moment's reflection, appears to agree with him. The play is like nearly all Shaw's plays, the dialogue of a conversion. By the end of it the young lady has lost all her military illusions and admires this mercenary soldier not because he faces guns, but because he ...
— George Bernard Shaw • Gilbert K. Chesterton
... is cast in the Platonic form of dialogue, and, in the section entitled Pastor, Plato is quoted by name. But the Hellenic influence, though present, is not dominant. Already Alonso de Orozco had anticipated Luis de Leon with De los nueve nombres de Cristo,[266] and there are points ...
— Fray Luis de Leon - A Biographical Fragment • James Fitzmaurice-Kelly
... for a dialogue like the following to take place between a Protestant Minister and a ...
— The Faith of Our Fathers • James Cardinal Gibbons
... the jest without bitterness, bent on convincing his hearers of his doctrine rather than of his dignity. But Niccolo gave him no opportunity for replying; for he turned away to the pursuit of his market business, probably considering further dialogue as a tinkling ...
— Romola • George Eliot
... naturally a favorite with the moral and religious teachers for some centuries. M. Karajan, in a very pleasing little publication (Fruelingsgabe fuer freunde Alterer Literatur, Wien 1839) has printed the "Visio Philiberti," a Latin poem in dialogue on this subject, with two old German versions; and the notes contain some interesting information relating to similar compositions; but Mr. Wright's volume, before referred to, contains ample illustrations of the legend in ...
— The Departing Soul's Address to the Body • Anonymous
... rhymes, which have been for the most part omitted by all metrical translators except Mr. Brooks, are indispensable. The characteristic tone of many passages would be nearly lost, without them. They give spirit and grace to the dialogue, point to the aphoristic portions (especially in the Second Part), and an ever-changing music to the lyrical passages. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome ...
— Faust • Johann Wolfgang Von Goethe
... and relief."[1] It is a significant fact that in many of Shakespeare's earlier plays there is little or no prose, and that the proportion of prose to blank verse increases with the decrease of rhyme. In Julius Caesar three kinds of prose may be distinguished: (1) The prose of homely dialogue, as in the talk of the common people in I, i, and III, iii. (2) The prose of serious information as to the nature of a situation, as in Casca's description of the offer of the crown to Caesar. This kind ...
— The New Hudson Shakespeare: Julius Caesar • William Shakespeare
... less heartening music! But, as the tale proceeds, we lose our sense of sisterhood; we realise that this girl belongs to a different age. When Gauthier's breast is torn open, when he is dragged to her feet to die, she knows not any shrinking nor compassion—can apprehend each word in the dialogue between slayer and slain—can, over the bleeding body, receive the avowal of his love who but now has killed his fellow-man like a dog—and, gathered to Gismond's breast, can, unmoved by all repulsion, feel herself smeared by the dripping sword that hangs beside him. . . . All ...
— Browning's Heroines • Ethel Colburn Mayne
... the arm proffered to him; and Lord L'Estrange, as is usual with one long absent from his native land, bore part as a questioner in the dialogue that ensued. ...
— My Novel, Complete • Edward Bulwer-Lytton
... poured out a stream of remarks, while Holmes threw in an occasional question or interjection. Colonel Ross leaned back with his arms folded and his hat tilted over his eyes, while I listened with interest to the dialogue of the two detectives. Gregory was formulating his theory, which was almost exactly what Holmes had foretold ...
— Memoirs of Sherlock Holmes • Sir Arthur Conan Doyle
... their horrible dialogue, only these words were legible in the manuscript, "You know me now."—"I always knew you."—"That is false; you imagined you did, and that has been the cause of all the wild . of the . . . . . . of your finally being lodged in this mansion of misery, where only I would ...
— The Lock and Key Library • Julian Hawthorne, Ed.
... musicians who played the drums accompanied the performers, almost unceasingly, by a kind of musical ejaculation, starting on a low note and swooping up to a high, long-held falsetto cry. This over and over again, through the dialogue and through the singing. The object, I suppose, and perhaps, to Japanese, the effect, is to sustain a high emotional tone. In my case it failed, as the music generally failed. My interest, as I began by saying, was maintained by the visual beauty; ...
— Appearances - Being Notes of Travel • Goldsworthy Lowes Dickinson
... newspaper scribes were unable to penetrate. This same genial, easy-going tendency of Elton's to make himself acceptable to those with whom he came in contact took the form of a gift to Mrs. Lyons of a handsome cameo pin which he presented to her a day or two after their dialogue at the President's reception, and for which, as he confidentially informed Selma, he had been seeking a suitable wearer ever since he had picked it up in an out-of-the-way store in Brussels the ...
— Unleavened Bread • Robert Grant
... to permit us to believe that what we witness is the sane carriage of a sane man. At all events, we can but look on with calm surprise. If our philosopher will tuck his robe high up about his loins, and play the merry-andrew, if he will grimace, and paint thick, and hold dialogue with himself, who shall hinder him?—only we would rather not wear, on such an occasion, the docile aspect of admiring pupils; we prefer to stand aside, and look on with ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 378, April, 1847 • Various
... the most rudimentary notions of construction: this goes closely ordered, with a few pardonable enough digressions, from beginning to end. He has usually little concentrated grasp of character: the few personages of the Confessions are consistent throughout. His dialogue is, as a rule, extraordinarily slipshod and unequal: here there is no fault to find with it. His greatest lack, in short, is the lack of form: and here, though the story might perhaps have been curtailed, or rather "cut" in the middle, with advantage, the form is excellent. As its original ...
— Essays in English Literature, 1780-1860 • George Saintsbury
... chivalry was hatch'd; Ticknor's chapters on the Cid, and on the Spanish poems and poets of Calderon's time. Then always, and, of course, as the superbest poetic culmination-expression of feudalism, the Shaksperean dramas, in the attitudes, dialogue, characters, &c., of the princes, lords and gentlemen, the pervading atmosphere, the implied and express'd standard of manners, the high port and proud stomach, the ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... when I heard the bell ring again; and, in a few minutes, Mrs. Rusk's energetic step passed along the gallery; and, listening intently, I heard, or fancied, my father's voice and hers in dialogue. All this was very unusual, and again I was, with a beating heart, leaning with my elbow ...
— Uncle Silas - A Tale of Bartram-Haugh • J.S. Le Fanu
... with a fairly intelligent young lady. She can read and write, knows her tables up to six times, and can argue. I regard her as representative of average Humanity in its attitude towards Fate; and this is a dialogue I lately overheard between her and an older lady who is good enough to occasionally impart to her the wisdom of ...
— The Second Thoughts of An Idle Fellow • Jerome K. Jerome
... play to be given attention there was considerable anxiety on the part of those who had taken it in hand. Ben declared that while he could do the main part of the work all right, he must have help of the girls in certain directions. "I'm no good at all when it comes to dialogue," he told them. "I can do the mechanical part, get the thing into shape for the stage, give you the general plot and all that, but you'll have to ...
— A Dear Little Girl at School • Amy E. Blanchard
... urged both peoples to persevere "until we have planted the flag of freedom on the summit, and are at once victorious and secure." Further, the authorities accused Muir of circulating Paine's writings and other pamphlets, including "A Dialogue between the Governors and the Governed," which contained such sentences as these: "The law is the general will—a new order." "Nations cannot revolt; tyrants are the only rebels." "We will live without tyrants, without impostors ...
— William Pitt and the Great War • John Holland Rose
... thought a Representative should vote against the mandate of his district, which in his case had given a majority of 2,000 against a State amendment in November, although he himself had spoken and voted for it. A spirited dialogue followed which filled several pages of the printed report, Mrs. Catt insisting that he should stand by the broad principle of justice and Mr. Chandler equally insistent that he must represent his constituents. ...
— The History of Woman Suffrage, Volume V • Ida Husted Harper
... in the one same man! you will readily comprehend what a cat-and-dog couple they made! what strife! what clapper-clawing! Oh, the fine dialogue for Lucian or Saint-Evremond to write, between the two Tartarins—Quixote-Tartarin and Sancho-Tartarin! Quixote-Tartarin firing up on the stories of Gustave Aimard, and shouting: "Up and at 'em!" and Sancho-Tartarin thinking ...
— Tartarin of Tarascon • Alphonse Daudet
... figure in Moslem history) is claimed by the Afghans as one of their countrymen and made to speak Pukhtu or Pushtu, their rough old dialect of Persian. The curious reader will consult my Pilgrimage iii. 322 for the dialogue between Mohammed and Khalid. Again there is general belief in Arabia that the English sent a mission to the Prophet, praying that Khalid might be despatched to proselytise them: unfortunately Mohammed was dead and the "Ingriz" ratted. It is popularly held that no armed man can approach Khalid's ...
— The Book of the Thousand Nights and a Night, Volume 2 • Richard F. Burton
... that which ransacks Christianity. Tradition and mediaeval doctrines are being thrust aside in a similar way. There is much probing into the spirit and intention of the Founder. The time is almost ripe for a heart-searching Dialogue of the Dead, "How we settled our religions for ever and ever," between, let us say, Eusebius of Caesarea and one of Nizam-al-Mulk's tame theologians. They would be drawn together by the same tribulations; they would be in the closest sympathy against the temerity of the moderns; they would have ...
— God The Invisible King • Herbert George Wells
... short dialogue I had with the worthy count, who, as a matter of fact, did not pass the Dardanelles. Whether he would have succeeded if I had been on board is more than I ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... of mankind which he had first imbibed from his own heart, and from the works of philosophers. They find expression in all his writings, but are most eloquently described in his "Don Carlos." We should like to give some extracts from the dialogue between King Philip and the Marquis Posa; but our space is precious, and hardly allows us to do more than just to glance at those other friends and companions whose nobility of mind and generosity of heart left so deep an impress on the ...
— Chips From A German Workshop. Vol. III. • F. Max Mueller
... pen revelled in satire at the depreciation of this important agency of good. Some of his ideas are by no means ill-timed in the present century. In the Dialogue of the Pulpit Orator ...
— History of Rationalism Embracing a Survey of the Present State of Protestant Theology • John F. Hurst
... dearest wish of his heart when, coming into my room by accident one day, he found me reading aloud, and repeating the speech of Hector to Andromache. I was taken by surprise, and laid down the book; but he entreated me to continue the subject, and to oblige him I began the dialogue again, and he repeated the part of Andromache. Although heretofore a very shy boy, I now became warm, and at length impassioned; he encouraged me, and before we had concluded I almost fancied myself a hero. He was delighted; he ...
— Memoirs of Henry Hunt, Esq. Volume 1 • Henry Hunt
... was or was not the merit of Euripides, certainly this is not the only instance wherein he has turned it to dramatic advantage. No dramatist was so distinct a painter as Euripides; his mind was ever upon picture. He makes Hecuba, in the dialogue with Agamemnon, say, "Pity me, and, standing apart as would a painter, look at me, and ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various
... Isocrates ad Demonicum and the Axiochus de contemnenda morte, a dialogue wrongly attributed to Plato, which was a favourite in Renaissance days. Also he completed the chief composition of his lifetime, the De inuentione dialectica, a considerable treatise on rhetoric. His favourite books, Geldenhauer ...
— The Age of Erasmus - Lectures Delivered in the Universities of Oxford and London • P. S. Allen
... asonante, [14] whose continued repetition seems by its monotonous melody to prolong the note of feeling originally struck, is admirably suited by its flexibility to the most varied and opposite expression; a circumstance which has recommended it as the ordinary measure of dramatic dialogue. ...
— The History of the Reign of Ferdinand and Isabella The Catholic, V2 • William H. Prescott
... nobody but he himself knew,—nobody but he and Ramona: and even Ramona did not know the bitter whole. She knew that Alessandro had no knife, and had gone forward with no hostile intent; but she knew nothing beyond that. Only the murderer himself knew that the dialogue which he had reported to the judge and jury, to justify his act, was an entire fabrication of his own, and that, instead of it, had been spoken but four words by Alessandro, and those were, "Senor, I will explain;" and that even after the first shot had pierced his lungs, ...
— Ramona • Helen Hunt Jackson
... it like presumption to add to what has received the finishing hand of a master; but his jewel is locked up in a chest, which I fear is too rarely opened, and he will allow me to borrow something from its splendour. "The Masque, as it attained its highest degree of excellence, admitted of dialogue, singing, and dancing; these were not independent of one another, but combined, by the introduction of some ingenious fable, into an harmonious whole. When the plan was formed, the aid of the sister-arts was called in; for the essence ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... some of Shakespeare's knowledge regarding curious customs has been sought in the rambling treatise on heraldry written by Gerard Legh and issued, in 1564, under the title: "Accedens of Armorie" (approximately, Introduction to Heraldry). This is cast in the form of a dialogue between Gerard the Herehaught (Herold) and the Caligat Knight, the latter term designating an inferior kind of knight with no claim to nobility; indeed, an old writer renders it "a souldior on foot". The writer manages to weave in much material slightly or not at all connected with his main ...
— Shakespeare and Precious Stones • George Frederick Kunz
... distinctly that in the celebrated dialogue between Norval and Glenalvon we had some qualms about repeating the phrase,—"and false as hell." At first we made a slight cough over the objectionable word which always created amusement among the spectators. It was a great day for us ...
— Autobiography of Andrew Carnegie • Andrew Carnegie
... not to be blurted out. I knew that all the secrets of Hermes may be reached by careful and long-drawn words, and that the simplest of things will not be told one if one asks too precipitately; so I began to lay siege to his mind by the method of dialogue. ...
— Hills and the Sea • H. Belloc
... into a fit of coughing, and lost the rest of the dialogue; but perhaps his occasional snort of disapprobation was called forth as much by this interlude as by the audacious judgments of ...
— Girlhood and Womanhood - The Story of some Fortunes and Misfortunes • Sarah Tytler
... tried throughout to avoid inflicting on you a dialogue that does not bear in some way on the incidents of our tale; on this principle we will not record the conversation that occupied those two till they reached the crown of the pass. It was probably interesting to them, for it was long before either forgot ...
— Sword and Gown - A Novel • George A. Lawrence
... for truth is his disowning of the Julius Exclusus. This was a witty dialogue, in Erasmus' best style, on the death of Pope Julius II. The Pope is shown arriving at the gate of heaven, accompanied by his Genius, a sort of guardian angel, and amazed to find it locked, with ...
— The Age of Erasmus - Lectures Delivered in the Universities of Oxford and London • P. S. Allen
... without looking up. In fiction he was celebrated for a certain smartness of dialogue. His printed conversations were pretty displays of social sword-play. It had become a sort of habit with him to thrust and parry quickly; but the sudden smile on his lined face, the kindly glance from behind the spectacles, always took away the sting and demonstrated that ...
— The Grey Lady • Henry Seton Merriman
... here, oh! here, where yet all young and warm, The gay creations of his spirit charm,[100] The matchless dialogue—the deathless wit, Which knew not what it was to intermit; 50 The glowing portraits, fresh from life, that bring Home to our hearts the truth from which they spring; These wondrous beings of his ...
— The Works of Lord Byron, Volume 4 • Lord Byron
... prepossessed me still more in his favour. There was a certain refinement in it, a quality of dialogue which indicated thought, as I judged; and I became more and more certain that, whatever I might have to think of it when told, he would yet tell ...
— Annals of a Quiet Neighbourhood • George MacDonald
... amused and astonished. These bon-mots were followed by an account of how Gautier wrote his Sunday feuilleton, and how he and Balzac had once nearly come to blows. They had agreed to collaborate. Balzac was to contribute the scenario, Gautier the dialogue. One morning Balzac came with the scenario of the first act. "Here it is, Gautier! I suppose you can let me have it back finished by to-morrow afternoon?" And the old gentleman would chirp along in this fashion till midnight. I would then accompany him to his rooms in the Quartier ...
— Confessions of a Young Man • George Moore
... stage, in telling a story one misses the help of effective entrances and exits, the footlights, the costume, the facial expression of your fellow-actor which interprets so much of what you yourself say without further elaboration on your part; for, in the story, in case of a dialogue which necessitates great subtlety and quickness in facial expression and gesture, one has to be both speaker ...
— The Art of the Story-Teller • Marie L. Shedlock
... had ceased on the fifth, the British general sent a flag to the fort by major Chambers, and his introduction to general Harrison was succeeded by the following significant dialogue: ...
— Life of Tecumseh, and of His Brother the Prophet - With a Historical Sketch of the Shawanoe Indians • Benjamin Drake
... dialogue there is the same overflow of eloquence, the same splendor of diction, the same luxuriance of imagery; yet with an added grandeur, arising from habits of command, from the age, the rank, and the matronly character of Constance. Thus ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... writer whose contributions to ecclesiastical literature are of considerable extent. Some of the works ascribed to him are unquestionably the productions of others; but there is no reason to doubt the genuineness of his Dialogue with Trypho the Jew, and of the two Apologies addressed to the Emperors, [366:2] Though the meeting with Trypho is said to have occurred at Ephesus, it is now perhaps impossible to determine whether it ever actually took place, or whether the Dialogue is only the report ...
— The Ancient Church - Its History, Doctrine, Worship, and Constitution • W.D. [William Dool] Killen
... breakfast broke in on their dialogue; and being possessed of the ordinary boy's appetite, both Paul and his chum were not at all backward about dropping into their places ...
— The Banner Boy Scouts on a Tour - The Mystery of Rattlesnake Mountain • George A. Warren
... Catharine scoffed at the remonstrances, and despised the interests of a country, whose cabinet adopted language so unfitting the dignity and real power of the mighty British empire? The expressions of this dialogue would have been humiliating to the smallest of the "square-league" sovereignties of the Continent. The answer of the empress was precisely what she might have addressed to the envoy of Poland or the Crimea. "Sir, you are aware ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 348 • Various
... reader all the preliminary puffs of articulated wind, and everybody would say, "How clever! That is just the way girls really talk." But I leave the glory of photographing nullities to the geniuses of the age, and run to the first words which could, without impiety, be called dialogue. ...
— The Woman-Hater • Charles Reade
... forgotten the bulk of its contents. It contained no revelations, it ran over the surface agreeably, and that was all. I won't even try to explain why I should have been arrested by a little passage of about seven lines, in which the author (I believe his name was Anderson) reproduced a short dialogue held in the Lobby of the House of Commons after some unexpected anarchist outrage, with the Home Secretary. I think it was Sir William Harcourt then. He was very much irritated and the official was very apologetic. The phrase, amongst the three which passed ...
— Notes on My Books • Joseph Conrad
... Montalais, in a voice full of compassion. "Adieu, Monsieur d'Artagnan," she said; and she ran to join Raoul, who was waiting for her at a little distance from the door, very much puzzled and uneasy at the dialogue, which promised no good augury ...
— The Vicomte de Bragelonne - Or Ten Years Later being the completion of "The Three - Musketeers" And "Twenty Years After" • Alexandre Dumas
... achievement, was the art carried to exquisite perfection on a more limited stage by Miss Austen; and, under widely different conditions both of art and work, it was pre-eminently that of Dickens. I told him, on reading the first dialogue of Mrs. Nickleby and Miss Knag, that he had been lately reading Miss Bates in Emma, but I found that he had not at this time made the acquaintance of that ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... husband, while the code of love, on the other hand, made of woman the guide and associate of man. It was all a play world, of course; the troubadour knight and lover would discuss by means of the tenso, which was a dialogue in song, all sorts of questions with his lady, or with another of his kind, while the slow, thick-headed husbands dozed in their chairs, dreaming of sudden alarums and the din of battle. Here, however, was afforded opportunity for a quick display of wit, and here ...
— Women of the Romance Countries • John R. Effinger
... art of mercurial dialogue, which in the South is a natural gift, is only learned under favourable conditions, and is often condemned by those who have it not, as a popinjay's accomplishment. Immediate cordiality to strangers is frowned upon as tending to divorce courtesy from truth. It is otherwise with the southern peoples. ...
— Apologia Diffidentis • W. Compton Leith
... strictly economical principles. He has allowed the land to go back to grass, and the only labour he employs on it is a one-legged boy, whom he pays "in kind." This boy arrived the other day with another poultry claim, when the following dialogue occurred:— ...
— A Cotswold Village • J. Arthur Gibbs
... undoubted and doubtful works of Justin Martyr,—the Apologies, the Dialogue with Trypho, the Oratio ad Gentiles, the Cohortatio, the De Monarchia, and the fragments on the Resurrection, along with the Martyrium ...
— Christology of the Old Testament: And a Commentary on the Messianic Predictions, v. 1 • Ernst Wilhelm Hengstenberg
... month before the close of school, an evening entertainment for the parents and friends of the pupils is given which is designed to show what the pupils of the school can do in the way of kindergarten exercises, dialogue, recitation and music, both vocal and instrumental. This is called the "Junior Exhibition." The members of the senior class do not take part in these exercises, as their ...
— The American Missionary - Volume 52, No. 3, September, 1898 • Various
... forward. "Ladies and gentlemen," he said, "two more individuals having arrived"—these were nail patrons—"we will begin our entertainment. First is the dialogue called 'The Spy.'" ...
— The Knights of the White Shield - Up-the-Ladder Club Series, Round One Play • Edward A. Rand
... audience might seem from the speaker. It was intimate discourse, in magnetic touch with every one present, with his special point of impressibility; the sort of speech which, consolidated into literary form as a book, would be a dialogue according to the true Attic genius, full of those diversions, passing irritations, unlooked-for appeals, in which a solicitous missionary finds his largest range of opportunity, and takes even dull wits unaware. In Bruno, that abstract theory of the perpetual motion of the world was become a visible ...
— Gaston de Latour: an unfinished romance • Walter Horatio Pater
... if this barbarous vagabond of a king should take it into his head to give us another melting down on the ice, I would not give a straw for either of our lives." An escort, mounted on mules and asses, now arrived and put an end to this dialogue, for it was the signal for the general and his secretary to pack up their alls. And this being done with the assistance of the priests, they were soon mounted, (the general upon old Battle and Mr. Tickler on his mule,) and on their way to Jollifee, a small town on the coast, which they ...
— The Life and Adventures of Maj. Roger Sherman Potter • "Pheleg Van Trusedale"
... comrades of the spokesman, growing weary of the dialogue with Don Quixote, renewed their knocks with great vehemence, so much so that the host, and not only he but everybody in the inn, awoke, and he got up to ask who knocked. It happened at this moment ...
— Don Quixote • Miguel de Cervantes Saavedra
... structure. A Japanese magic-lantern show is nearly always interesting in more particulars than one, but perhaps especially as evidencing the native genius for adapting Western inventions to Eastern tastes. A Japanese magic-lantern show is essentially dramatic. It is a play of which the dialogue is uttered by invisible personages, the actors and the scenery being only luminous shadows. 'Wherefore it is peculiarly well suited to goblinries and weirdnesses of all kinds; and plays in which ghosts figure are the favourite subjects. ...
— Glimpses of an Unfamiliar Japan • Lafcadio Hearn
... the little sanded parlour where this dialogue had been held, and the three men sallied forth, taking the shortest cut from the town into the fields ...
— Kenelm Chillingly, Complete • Edward Bulwer-Lytton
... Philip Neri, as old readings say, Met a young stranger in Rome's streets one day, And being ever courteously inclined To give young folks a sober turn of mind, He fell into discourse with him, and thus The dialogue they held ...
— De La Salle Fifth Reader • Brothers of the Christian Schools
... politician said the electorate does, the right thing from the wrong motive. There is a story told of an incident that occurred in Flanders, which shows clearly the view held in certain quarters. The Honourable Artillery Company were relieving some regulars in the trenches when the following dialogue ensued between a typical Tommy ...
— The Amateur Army • Patrick MacGill
... to the place prepared for bad boys. In the midst of this terrible word-storm, dreading most the impending thrashing, I whimpered that I was only playing because I couldn't help it; didn't know I was doing wrong; wouldn't do it again, and so forth. After this miserable dialogue was about exhausted, father became impatient at my brother for taking so long to find the switch; and so was I, for I wanted to have the thing over and done with. At last, in came David, a picture of open-hearted innocence, solemnly dragging ...
— The Story of My Boyhood and Youth • John Muir
... the street-door, and Rosa recovered by magic; and, preferring gossip to hysterics, in an almost gleeful whisper, ordered Christopher to open the door of the study. The Bijou was so small that the following dialogue rang in ...
— A Simpleton • Charles Reade
... was, d'Artagnan could not perceive the face of Aramis. We say Aramis, because the young man entertained no doubt that it was his friend who held this dialogue from the interior with the lady of the exterior. Curiosity prevailed over prudence; and profiting by the preoccupation into which the sight of the handkerchief appeared to have plunged the two personages now on the scene, he ...
— The Three Musketeers • Alexandre Dumas, Pere
... pedantic juggling; and Raleigh now drew himself together to confute these charges as best he might. 'Let me answer,' he said; 'it concerns my life;' and from this point onwards, as Mr. Edwards remarks, the trial becomes a long and impassioned dialogue. Coke refused to let Raleigh speak, and in this was supported by Popham, a very old man, who owed his position in that court more to his age than his talents, and who was solicitous to be on friendly terms with the Attorney. ...
— Raleigh • Edmund Gosse
... English saying to this purpose, which shows how much our old fathers were sensible of the duty of a shopkeeper: speaking of the tradesman as just opening his shop, and beginning a dialogue with it; the result of which is, that the shop replies to the tradesman thus: 'Keep me, and I will keep thee.' It is the same with driving the trade; if the shopkeeper will not keep, that is, diligently ...
— The Complete English Tradesman (1839 ed.) • Daniel Defoe
... monologue more than in dialogue, there is nothing either dictatorial or pedantic in his manner, he utters opinions new and original, which it is evident he has deeply reflected on, and elucidates them to the comprehension of his auditors with great felicity. I like listening to the conversation ...
— The Idler in France • Marguerite Gardiner
... seeing, did not take her eyes away from me while she was in the room; so conscious was I of being the subject of her observation that I could find but few words to carry on the conversation. The very effect—that of an intimate dialogue interrupted—was produced in spite of my desire to avoid it, and when she left, Julianna had changed her mood. Finding, perhaps, that I was content to listen, she employed a delicate piece of strategy to place ...
— The Blue Wall - A Story of Strangeness and Struggle • Richard Washburn Child
... at the absence of which the good-natured God or Muse of fiction is quite willing to wink. Character, if seldom elaborately presented, except in the case of Panurge, is showered, in scraps and sketches, all over the book, and description and dialogue abound. ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... in the "Hints," we shall drop the dialogue form, but we expect the teacher to continue it. A poor teacher does all the talking, a good teacher makes the ...
— Graded Lessons in English • Alonzo Reed and Brainerd Kellogg
... the civil law. Vost ad Pand. tit. de Postal. Numb. 6, 7, 8; Gravina de Oster. lib. 1, s. 42, 43, 44. Boucher D'Asyis, Hist. Abrege de L'Order des Avocats, c. iv. See also the commencement of the Dialogue des Avocats du Parl. de Paris, by Loisil, which contains curious particulars throughout respecting the ancient French Bar. An amusing anecdote is related of Pasquier, the famous French advocate. In 1583, while ...
— An Essay on Professional Ethics - Second Edition • George Sharswood |
