... to the artificers in gold and precious stones. There is a jewelled quality in this illustration of the pious life and martyrdom of St. Ursula at Cologne. But it is not the greatest Memling, to our thinking. A portrait of Martin van Nieuwenhoven, the donator of the diptych, La Vierge aux Pommes, is as superb a Memling as one could wish for. The little hairs are a sign of clever, minute brush. It is the modelling, the rich manipulation of tones (yes, values were known in those barbarous times), the graceful fall of ... — Promenades of an Impressionist • James Huneker