"Easel" Quotes from Famous Books
 ... exclaimed, "I am so glad to get a word with you; I am so happy, I have such a thousand things to say; and I want you to do me a favour. Imagine, he has come without a paint-box, without an easel; and I want him to have all. I want you to get them for me in Thymebury. You saw, this moment, how his heart turned to painting. They can't live without it," she added; meaning perhaps ...
— The Works of Robert Louis Stevenson, Volume XXI • Robert Louis Stevenson
... The eminent painter had handsome, expressive features, an aquiline nose, and a good deal of dignity in his manner. His age was not far from fifty. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. This young man, whose features, though rather plain and coarse, bore the strongest impress of genius, ...
— Jack Sheppard - A Romance • William Harrison Ainsworth
... and when, before a senate which still retained some show of freedom, Tacitus thundered against the oppressor of Africa. There were seen, side by side, the greatest painter and the greatest scholar of the age. The spectacle had allured Reynolds from that easel which has preserved to us the thoughtful foreheads of so many writers and statesmen, and the sweet smiles of so many noble matrons. It had induced Parr to suspend his labors in that dark and profound mine from which he had extracted a vast treasure of erudition, a treasure too often buried in ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... walls hang studies, canvases, weapons, costumes and plaster casts. To right there is a door leading to Axel's room; to left a door leading to Bertha's room. There is a model stand left center. To right an easel and painting materials. A large sofa, a large store through the doors of which one sees a hot coal fire. There is a hanging-lamp from ceiling. At rise of curtain Axel and Doctor Oestermark ...
— Plays: Comrades; Facing Death; Pariah; Easter • August Strindberg
... then down a lane, and along the river, and through the pines, and finally to the River Swamp woods. Peter came fleet-footed to Neptune's old cabin, raced round it, and then stopped, in utter confusion and astonishment. On the back steps, with an umbrella beside her, and an easel in front of her, sat a young woman so busy getting a bit of the swamp upon her canvas that she didn't hear or see Peter until he was upon her. Then she looked up, with her ...
— The Purple Heights • Marie Conway Oemler
... masts in a port. Several young girls were animating the scene by the variety of their expressions, their attitudes, and the differences in their toilets. The strong shadows cast by the green serge curtains, arranged according to the needs of each easel, produced a multitude of contrasts, and the piquant effects of light and shade. This group was the prettiest of all the pictures in ...
— Vendetta • Honore de Balzac
... expect them to do. They ought to know what you've paid them for. The dust's just awful. It's all over the easel." ...
— The Works of Rudyard Kipling One Volume Edition • Rudyard Kipling
... latticed window facing the north. There was nothing in the furnishing or arrangement of the room to suggest successful work, or even artistic taste. A few tarnished gold frames leaned against the gaudily-papered wall, and the only picture stood on the dilapidated easel in the middle of the floor, a small canvas of a woman's head, a gentle Madonna face, with large supplicating eyes, and a sensitive, sad mouth, which seemed to mourn over the desolation of the place. The palette and a few worn brushes were scattered on the floor, where ...
— The Guinea Stamp - A Tale of Modern Glasgow • Annie S. Swan
... you can see for yourself—he is standing yonder by that large easel," the gentleman returned, laughing also, and evidently well pleased to be regarded ...
— Mona • Mrs. Georgie Sheldon
... an art work; but the glass out of which an art work is to be constructed costs a very high price. Odd, isn't it? As soon as I reach the point of using glass I arrange it on a large plate glass easel, using wax in the spaces where the lead is to go. Then I experiment and experiment with my colors. You probably know that in making modern stained glass a great deal of paint is used in order to get shading and degrees of color. It was ...
— The Story of Glass • Sara Ware Bassett
... self-defense, not a real desire for work, that I fled to "Waterspin" and screened myself behind easel and canvas. And then it was but to find that I had jumped from ...
— The Chauffeur and the Chaperon • C. N. Williamson
... said Corthell. "Don't you know that the artist saw something more than trees and a pool and afterglow? He had that feeling of night coming on, as he sat there before his sketching easel on the edge of that little pool. He heard the frogs beginning to pipe, I'm sure, and the touch of the night mist was on his hands. And he was very lonely and even a little sad. In those deep shadows under the trees he put ...
— The Pit • Frank Norris
... Though some theatres have more than two kinds of rugs, the white bear rug and the carpet rug are the most common. It is also unwise to ask for pictures to hang on the walls. If a picture is required, one is usually supplied set upon an easel. ...
— Writing for Vaudeville • Brett Page
... Upwards of a thousand sketches, many of great power and beauty, are here, besides several portraits and one masterpiece, the Christ in the Temple, brilliant as a canvas of Holman Hunt, although the work of an octogenarian. The painter's easel, palette, and brushes, his violin, the golden laurel-wreath presented to him by his native town, and other relics are reverently gazed at on Sundays by artisans, soldiers and peasant-folk. The local museum in France is something ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... great branching of gnarled trees, is a nook where the curious sun, peeping at you through the interlaced leaves, will stencil Japanese shadows on your white umbrella. Then the trap is unstrapped, the stool opened, the easel put up, and you set your palette. The critical eye with which you look over your brush-case and the care with which you try each feather point upon your thumb-nail are but an index of ...
— Modern Prose And Poetry; For Secondary Schools - Edited With Notes, Study Helps, And Reading Lists • Various
... tableau vivant. A group of chattering models came laughing across the sunny court. In one corner loomed a huge square object surmounted by the conical crown of a Tyrolean hat. Nothing else was visible except a pair of gaitered feet mixed among the legs of a sketching-easel, making the whole seem some queer phenomenal creature which science had not yet classified or named. Before this phenomenon stood—or rather fidgeted—a beautiful Arabian horse with flashing eyes, and limbs clean cut as if by Doric ...
— Lippincott's Magazine of Popular Literature and Science, Volume 22. July, 1878. • Various
... scruples vanished when I got him before my easel. He was immense, and he was unexplored. From my point of view he'd never been done before—I was his Cortez. As he talked the wonder grew. His daughter came with him, and I began to think she was right in saying that he kept his best for her. It wasn't that she drew him out, or guided ...
— The Greater Inclination • Edith Wharton
... painter. I have passed many quiet hours in the quaint studio (the same her father had used), hearing her prattle—as she loved to do if she found a sympathetic listener—of her father, of Washington and his pompous ways, and the many celebrities who had in turn posed before Stuart's easel. She had been her father's companion and aid, present at the sittings, preparing his brushes and colors, and painting in backgrounds and accessories; and would willingly show his palette and explain his methods and theories of color, his predilection for scrumbling ...
— Worldly Ways and Byways • Eliot Gregory
... portrait. She is petulant and tired, and two of her handmaidens are cajoling her to stand still. Her two dwarfs and a big dog have been brought to amuse her, and the King and Queen, reflected in a mirror at the end of the room, stand watching the scene. Velasquez himself, with his easel and brushes, is at the side, painting. The picture perpetuates for centuries a moment of palace life. In that transitory instant, Velasquez took his vivid impression of the scene, and has translated his impression into paint. Everything is simple and natural as can be. The ordinary light of day falls ...
— The Book of Art for Young People • Agnes Conway
... working," he said. "Let me see ... Oh, you have made progress." And he surveyed in turn the colored sketches leaning against chairs on either side of the easel, and the great canvas covered with a network of squares, on which the first spots of color were beginning to appear in the confused and ...
— The German Classics of the Nineteenth and Twentieth Centuries - Masterpieces of German Literature Vol. 19 • Various
... say that she was in Italy; for she is copying some fine thing of Raphael's, or Michel Angelo's, or some great creature's or other; and she looks so picturesque in her pretty gown, sitting before her easel, that it's really a sight to behold, and I've peeped two or three times to see ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... shadowy past, or the yet more shadowy future. He held no communion with the present. So, on the occasion we have referred to, after a hurried walk, he returned to his room, the door of which he had left unlocked. A veiled lady sat before his easel. She rose upon his entrance. His heart beat high with anticipations. The lady ...
— The Three Brides, Love in a Cottage, and Other Tales • Francis A. Durivage
... with the thoughtful pleasure of an artist contemplating the work upon his easel. 'Yes, it's enough. There's a compound fracture above the knee, and a dislocation below. They are both of a beautiful kind.' He gave the patient a friendly clap on the shoulder again, as if he really felt that he was a very good fellow indeed, and worthy of all ...
— Little Dorrit • Charles Dickens
... furnished; a couch, two deep arm-chairs, and a small table filled its limited area. The walls and roof were painted a pale green, and a carpet of the same delicate hue covered the floor. Of course, there were the usual painting materials, brushes and easel and palettes and tubes of color, together with a slightly raised platform near the one window where the model could sit or stand. The window itself had no curtains and was filled with plain glass, affording plenty ...
— Red Money • Fergus Hume
... bottles of soda, a piece of ice in a bucket, two canvases, my big easel and a lunch-basket—and moving his cap back from his freckled forehead said, with as much gravity as ...
— The Underdog • F. Hopkinson Smith
... print of Sigismunda was Time Smoking a Picture (1761). It represents an old man sitting on a fragment of statuary and smoking a long pipe against a picture of a landscape which stands upon an easel before him. Below, on his left, is a large jar labelled "Varnish." The figure of Time is nude and has large wings. Volumes of smoke are pouring against the surface of the picture from both his mouth and the bowl of his long clay pipe. ...
— The Social History of Smoking • G. L. Apperson
... day was almost at an end. High up in the top flat of a New York apartment house, Joyce Ware sat in her studio, making the most of those last few moments of daylight. In the downstairs flats the electric lights were already on. She moved her easel nearer the window, thankful that no sky-scraper loomed between it and the fading sunset, for she needed a full half ...
— The Little Colonel's Chum: Mary Ware • Annie Fellows Johnston
... into a bedroom, and Constance was shut out into a room that photographed itself on her memory, even in that moment—a room like a box, with a rough table, a few folding-chairs, an easel, water-coloured drawings hung about in all directions, a big travelling-case, a few books, a writing-case, Mrs. Bury's sitting-room in fact, which, as a regular sojourner, she had been able to secure and furnish after her need. From the window, tall, narrow, latticed, with a ...
— That Stick • Charlotte M. Yonge
... Winchester," he exclaimed. "What on earth—Show her in, please." Hastily picking up a brush and the first tube which came to hand, he placed himself in a dramatic position before his easel and set ...
— Happy Days • Alan Alexander Milne
... hats and coats, to the carpet upon the stair and the curtains of purple plush that, slightly parted, disclosed glimpses of an inner and more sumptuous paradise upon the right—a grand crayon of Mrs. Holt herself, life-size, upon an easel of bamboo; chairs and sofas with tremendously stuffed seats and backs and arms, a tapestry-work fire-screen—a purple ...
— IT and Other Stories • Gouverneur Morris
... is part of their beauty. Under this strong impression, I packed up my traps and came back to London with the studies for my picture. I placed them on an easel in my studio and began my search for the child. At first I sought this child among my cultivated friends; married artists, musicians, highly-strung people, whose lives were passed in an atmosphere vibrating with quick impressions. But I went unrewarded. ...
— Tongues of Conscience • Robert Smythe Hichens
... me to the hall I knew so well, with its Oriental divan, its green plants, its strange furniture, its slightly faded carpet, its Meissonier on a draped easel, in the place formerly occupied by my father's portrait, its crowd of ornamental trifles, and the wide-spreading Japanese parasol open in the middle of the ceiling. The walls were hung with large pieces of Chinese stuff embroidered in black and white silk. My mother was half-reclining ...
— Stories of Modern French Novels • Julian Hawthorne
... admitted never went beyond the first two columns of the long gallery of the old masters; but in that year, to the great astonishment of the public, they filled the whole space. Historical, high-art, genre paintings, easel pictures, landscapes, flowers, animals, and water-colors,—these eight specialties could surely not offer more than twenty pictures in one year worthy of the eyes of the public, which, indeed, cannot give its attention to a greater number of such works. The more the number of artists ...
— Pierre Grassou • Honore de Balzac
... into a room on the ground floor. The fire was blazing in the grate; an arm-chair, with a reading easel attached, was placed by it; the lamp was ready lit; the tea-things were placed on the table; the dark, thick curtains were drawn close over the window; and, as if to complete the picture of comfort ...
— Basil • Wilkie Collins
... with his hands in his pockets before an unfinished picture on the easel; then, as his habit was, he began to stroll touristlike from canvas to canvas, standing before each in a musing ecstasy of contemplation that no readjustment of view ever seemed to disturb. Her eye instinctively joined his in its inspection; it was the one point where their natures ...
— Crucial Instances • Edith Wharton
... an upturned wooden case, at the extreme edge of the elm tree's shade, a slender easel before him, a litter of paraphernalia on the ground by his side, painted assiduously. Paul idly crept behind him and watched in amazement the smears of wet colour, after a second or two of apparent irrelevance, ...
— The Fortunate Youth • William J. Locke
... Then, with a half-bewildered, half-disgusted glance around at his studio, his belongings, the unfinished work on his easel, he ...
— The Dark Star • Robert W. Chambers
... went into another room, through the open door of which Don Ippolito saw the paraphernalia of a painter's studio: an easel with a half-finished picture on it; a chair with a palette and brushes, and crushed and twisted tubes of colors; a lay figure in one corner; on the walls scraps of stamped leather, rags of tapestry, desultory ...
— A Foregone Conclusion • W. D. Howells
... the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the ...
— The Picture of Dorian Gray • Oscar Wilde
... Squire's head, Chicksands had become aware of an easel, and on it a charcoal sketch, life-size, of a boy, who seemed about eighteen ...
— Elizabeth's Campaign • Mrs. Humphry Ward
... worked upon it in her own room every moment she could spare from her studio practice, unknown to her professor. It absorbed her existence; she grew thin and pale. When it was finished, and only then, she showed it tremblingly to her master. He stood silent, in profound astonishment. The easel before him showed a foreground of tangled luxuriance, from which stretched a sheet of water like a darkened mirror, while through parted reeds on its glossy surface arose the half-submerged figure of a river god, exquisite in contour, yet whose delicate outlines were almost a vision by ...
— Under the Redwoods • Bret Harte
... over the valley; finally, showing Caper his studio, which, as it was a large room, and his padrona could impose on his good nature, was fairly glittering with copper pans, hung on the walls when not in use in the kitchen. On an easel was a painting, to be called The King of the Campagna; all that was apparent was the head and horns of the king. Wardor had thus actually spent three mouths painting on a space not so large as your fist, while the canvas ...
— The Continental Monthly, Vol. 3, No. 1 January 1863 - Devoted To Literature And National Policy • Various
... gilded wood occupied each corner, and, together with the low mantelshelf (which was upheld by two dancing nymphs in Carrara marble), were crowded with costly trifles in Bohemian glass, Dresden and Sevres porcelain, gilded bronze, carved ivory and Parian ware. An easel, drawn toward the centre of the room, supported the one painting that it contained, the designs on the walls being unsuited for the proper display of pictures. This one picture had evidently been selected ...
— Not Pretty, But Precious • John Hay, et al.
... reasons: either they are too much like pictures or too little like works of art. Because very few artists are capable by taking thought of adapting their means to an unfamiliar end, it will happen that a sensitive and gifted painter sets about a decoration as though he were beginning an easel picture. He has his sense of the importance of richness, of filling a picture to the brim; he has a technique adequate to his conception; but he has neither the practical readiness nor the intellectual robustness which would enable him to adjust these to a new problem. ...
— Since Cezanne • Clive Bell
... heavy sigh she turned away, and sat down in the rear room, near the arch, where an easel now stood, containing a large, unfinished picture; and, taking her ivory palette and brushes, she began to retouch the violet robe ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... sets of furniture discarded. I have seen several houses furnished entirely by William Morris, and the first thing that impressed me was the sparsity of things. Instead of a dozen pictures in a room, there were two or three—one on an easel and one or two on the walls. Gilt frames were abandoned almost entirely, and dark-stained woods were used instead. Wide fireplaces were introduced and mantels of solid oak. For upholstery, leather covering was commonly used instead of cloth. Carpets were laid in strips, ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... a line between number three and four it counts three and a half. Anything like this rarely happens. The target is fixed upon an easel formed of three pieces of wood fastened together by a string at the top, and it ought to lean back at the top ...
— Illustrated Science for Boys and Girls • Anonymous
... shall learn your secret," I thought. "Two such challenges as this are not to be ignored." So I concluded this time to observe her progress carefully. In a moment she had reached the right-hand edge of my easel-board, from which she made a short flight, and settled upon a large table in the centre of the room, littered with its characteristic chaos of professional paraphernalia—brushes, paints, dishes, bottles, color-boxes, ...
— My Studio Neighbors • William Hamilton Gibson
... his studio, overlooking busy, bright Broadway. He stood before his easel, gazing in a sort of rapture at his own work. It was only a sketch, a sketch worthy of a master, and its name was "The Rose Before It Bloomed." A girl's bright, sweet face, looking out of a golden aureole of wild, loose hair; a pair of liquid, starry, azure ...
— The Unseen Bridgegroom - or, Wedded For a Week • May Agnes Fleming
... of apparent disorder in the arrangement of its appointments seemed to breathe a sense of charm. There were great cozy, deep, leather-covered lounging chairs, a huge, leather-covered davenport, and an easel or two with half-finished sketches upon them; the walls were panelled, the panels of exquisite grain and matching; in the centre of the room stood a flat-topped rosewood desk; upon the floor was a dark, heavy velvet rug; and, perhaps most inviting of ...
— The Adventures of Jimmie Dale • Frank L. Packard
... had been executed, he promised to send the young Artist a box of paints and pencils from the city. On his return home he fulfilled his engagement, and at the bottom of the box placed several pieces of canvass prepared for the easel, and six ...
— The Life, Studies, And Works Of Benjamin West, Esq. • John Galt
... path he showed, Sweet pictures on his easel glowed Of simple faith, and loves of home, And virtue's ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... the studio, near the open windows, Beryl had placed the plateau basket of orchids on the table; and she stood before an easel, transferring to the surface of a concave brass plaque, the fluted outlines of the scarlet and orange ribbons, the vivid green, purple and golden-brown lips, the rose velvet cups, the tender canary-hued calyxes of the glistening floral mass, whose aroma seemed ...
— At the Mercy of Tiberius • August Evans Wilson
... recognize the feeling that was in him as akin to what I have experienced myself in the glow of composition. Nevertheless, he seemed able to talk about foreign matters, through it all. He continued to paint in this rapid way, up to the moment of closing the sitting; when he took the canvas from the easel, without giving me time to mark what progress he had made, as he did ...
— Passages From The American Notebooks, Volume 2. • Nathaniel Hawthorne
... that lay against a rich easel in a corner of the room attracted the girl's attention presently. She went down on her knees to examine it. It chanced to be Lemud's dreaming Beethoven. Sip was very still ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... to the easel, Mr. Palma looked back, and critically contemplated the effect; and he acknowledged it was the fairest picture his fastidious eyes had ...
— Infelice • Augusta Jane Evans Wilson
... my own easel and stool," he replied quickly. "There's nothing else, except of course a table for my paints. A good solid one," he added with emphasis. "I'll tell you what," and he sat up. "I go out early to-morrow on my dealer hunt. ...
— The Nest Builder • Beatrice Forbes-Robertson Hale
... that Madge was a favourite, for in certain respects she was the worst sinner in the class. To begin with, her palette was the very largest in the room, and the most plentifully besmeared with colours, and woe to the girl who ventured too near it! As Madge stood before her easel, tall and fair and earnest, painting with an ardour and concentration which was all too sure to beguile her into her besetting sin of "exaggerating details," she wielded both brush- and palette-arm with a genial disregard ...
— A Bookful of Girls • Anna Fuller
... was to him an honour as gratifying as it was new. He could not remain quiet a moment. Now he sat down in a chair, then threw himself picturesquely on a sofa, rehearsing the way he would receive his sitters; then he went to his easel, and gave a bold dashing stroke of the brush, studying at the same time a graceful mode of wielding it. Thus ...
— Blackwood's Edinburgh Magazine - Volume 62, No. 384, October 1847 • Various
... whose walls are lined with dusty canvas, shall lay on colors which shall charm the world; his old, neglected frames shall be brought out, and the world shall find Apollos in his men, and Venuses in his women, which before were only meaner beauties; Vanitas shall loiter round his easel and command his pencil with ready gold; and Art-Journals shall rehearse his praises in strange, cabalistic words. Scripsit, who has digested his paltry rasher in moody silence, shall touch the hearts of men with new-born words of flame; and the poor epic, ...
— The Atlantic Monthly, Volume 17, No. 100, February, 1866 • Various
... went first to embrace his sister; she tenderly returned his caresses, then said to him in a gentle voice, as she returned to her easel: 'Now, my dear child, let me go on with my painting;' not, however, without addressing a friendly 'Good-morning' to Henry, who she thought had ...
— Chambers' Edinburgh Journal - Volume XVII., No 423, New Series. February 7th, 1852 • Various
... Titians, one or two of the Caracci school, the same number of Veroneses and Schidones, and a partial sprinkling of indifferent Raffaelles, I should say that the boast of this collection are the pictures by Rubens and Vandyke. Of the former there are some excellent portraits; but his two easel pictures—the one, the Fall of the Damned, and the other the Beatitude of the Good—are marvellous specimens of art. The figures, extending from heaven to earth, in either picture, are linked, or grouped together, ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin
... big improvised easel was the full-length, half-reclining portrait of Rosalie Dysart—a gay, fascinating, fly-away thing after the deliberately artificial manner of the French court painters who simpered and painted a hundred and fifty years ago. Ribbons fluttered from the throat and ...
— The Danger Mark • Robert W. Chambers
... number of photographs in his rooms, good ones, which he has taken himself. I'm not speaking now of the monstrosities, the outrages; I mean views, and girls—particularly girls. Well, standing on a queer little easel right under the lamp was a fine picture of Apollo, the swan, ...
— Brood of the Witch-Queen • Sax Rohmer
... the midst of a final pirouette. A man was standing leaning against the trunk of a tree, watching her with whimsical grey eyes. Behind him, set up in the middle of a clearing amongst the trees, an easel and stool evidenced his ...
— The Lamp of Fate • Margaret Pedler
... about the studio, until they rested on an easel. On it stood a water color on which she had been working, trying to put into it some of the feeling which she would never have put into words for him. On the walls of the apartment were pen and ...
— Constance Dunlap • Arthur B. Reeve
... by after this meeting in an ideal existence of work and play. Mrs. Osbourne worked industriously at her painting, and as she sat at her easel the acquaintance between her and the young Scotchman rapidly flowered into a full and sympathetic understanding. Everything about this American family, speaking as it did of a land of new and strange customs ...
— The Life of Mrs. Robert Louis Stevenson • Nellie Van de Grift Sanchez
... one day," said an old painter as he watched a little fellow named Michael Angelo making drawings of pot and brushes, easel and stool, and other articles in the studio. The barefoot boy did persevere until he had overcome every difficulty and become a master of ...
— Architects of Fate - or, Steps to Success and Power • Orison Swett Marden
... white stone, and made me sit down. The hall in which we were represented the union of the kitchen, reception-room, bedchamber, studio, and wine-cellar. There were charcoal furnaces visible, a bed, paintings, an easel, bottles, strings of onions, and a magnificent lustre of coloured glass pendants. I glanced at the ...
— The Crime of Sylvestre Bonnard • Anatole France
... face!" exclaimed Erskine suddenly, catching sight of a photograph in a rich gold and coral frame on a miniature easel draped with ruby velvet. Trefusis turned quickly, so evidently gratified that Sir Charles hastened to say, "Charming!" Then, looking at the portrait, he added, as if a little startled, "It certainly is an extraordinarily ...
— An Unsocial Socialist • George Bernard Shaw
... from his easel by the window. His gray eyes kindled into a kindly smile, its welcoming effect offset by an admonitory headshake. "Not now, Son," he said. ...
— O. Henry Memorial Award Prize Stories of 1921 • Various
... a score of people live in one room, the cracks and keyhole entirely filled, and where they breath each other over times without number. Within the tepee the chief has the place of honour. A rest is made with supports like an easel. A lattice-work of slender willow rods passed down the front, which is covered by a long strip of buffalo hide. Against this the chief rests. Each member of the family has his allotted place inside the lodge and he may decorate ...
— The Vanishing Race • Dr. Joseph Kossuth Dixon
... a middle-aged fairy-gentleman with a little pointed beard, who was sitting on a sort of stool or box before an easel, hard at work. He had on white tennis-flannels, and an odd but becoming sort of cap. Usually Sara was very shy of strangers; but this gentleman looked so pleasant that she had almost made up her mind to speak to him when she saw Schlorge running wildly back up the ...
— The Garden of the Plynck • Karle Wilson Baker
... conjecture is rife, and Buonfigli,—that delightful decorator of the Perugian Palazzo Pubblico,—Fiorenzo di Lorenzo, and even Niccolo da Foligno himself have been assigned by various critics as his teacher. Personally, I incline to Fiorenzo di Lorenzo, whose easel paintings in the Gallery of Perugia seem to foreshadow the typical Perugino background; but it is yet more probable that either as a master or (as suggested by Crowe and Cavalcaselle) as a journeyman associate he may have come under the influence ...
— Perugino • Selwyn Brinton
... studio; objectionable or questionable parts of it painted out; the likeness destroyed for the purpose of correction; and Percival was to give another sitting at his convenience. That was the last time he put himself within painting reach of Mr. Flagg's easel.[A] ...
— Atlantic Monthly, Vol. 4, No. 21, July, 1859 • Various
... sulky and silent, and gazed with cynical superiority at the easel. "Nuts"—it was Barney Palmer who had thus lightly rechristened the painter when he had set up his studio in the attic above the pawnshop six months before—Nuts was transferring the seamy, cunning face of her father, "Old Jimmie" Carlisle, ...
— Children of the Whirlwind • Leroy Scott
... was lifted from the box and placed on a large easel, all exclaimed at its beauty save Dennis. On looking at him, they saw that his eyes had filled with tears, and his lips were quivering so that he could not ...
— Barriers Burned Away • E. P. Roe
... person make his way to the witness-box. He was armed with a quantity of rolls of drawing-paper, and a clerk accompanied him whose duty, it presently appeared, was to act as a living easel and hold up these things, diagrams and outlines, while his principal explained them. Presently the eager audience found itself listening to what was neither more nor less than a lecture on the architecture of Hathelsborough Moot Hall and its immediately ...
— In the Mayor's Parlour • J. S. (Joseph Smith) Fletcher
... be pressed up and down, so that it passes more easily over and under the successive warp strings. The notches are one-sixteenth inch and the teeth one-eighth inch apart, giving opportunity for warp one-half, three-eighths, and three-sixteenths inches wide. The loom has an easel support, so that the pupil need not bend over it—an important consideration in school classes, and in home work as well. This support makes it possible to use the loom for an easel in the painting lessons, by resting a piece of pasteboard against it. The needle, which is longer than the warp is ...
— Hand-Loom Weaving - A Manual for School and Home • Mattie Phipps Todd
... hated secretly as rivals; certain projects of duels, after the American fashion, were profoundly considered. To say that Maria was not a little flattered to see all these admirers turn timidly and respectfully toward her; to pretend that she took off her hat and hung it on one corner of her easel because the heat from the furnace gave her neuralgia and not to show her beautiful hair, would be as much of a lie as a politician's promise. However, the little darling was very serious, or at least tried to be. She worked conscientiously and made some progress. ...
— Serge Panine • Georges Ohnet
... otherwise, and just as good! as if inspirations were made up of parts, and those fluctuating, successive, indifferent! I will never go into the work-shop of any great artist again, nor desire a sight of his picture, till it is fairly off the easel; no, not if Raphael were to be alive again, and ...
— The Works of Charles and Mary Lamb, Volume 2 • Charles Lamb
... have looked well upon some women. Every personality makes its own demand for harmony and it is fascinating to me to observe strange people and plan for them their houses and clothes and belongings. You can pick out, from a crowd, the woman who would have a crayon portrait of herself upon an easel in her parlour, and quite properly, too, since her nature demands it. After you are experienced, you can identify the man who eats sugar and vinegar on lettuce, and group those who keep parrots—or are capable ...
— Old Rose and Silver • Myrtle Reed
... overturned the easel, and ran around the studio like a madman. "What!" he shrieked. "Send a Whistler to Chicago! Allow one of my paintings ...
— Whistler Stories • Don C. Seitz
... others, that of the Venus de Milo—around the room. His last copy of the "Francesca da Rimini," and the original picture of "The Three Marys," and the yet unfinished "Temptation on the Mount," were all there. On the easel stood the picture of the "Group of Spirits ascending to Heaven." Such was the aspect of this celebrated atelier, as we saw it in 1854. But "the greatest thing in the room was the master of it." Ary Scheffer was then about sixty years of age, but was still healthy and fresh ...
— The Atlantic Monthly, Volume 4, No. 23, September, 1859 • Various
... Christian men's desires after goodness, and the work of their faith, the glory that accrues to Christ from perfected saints. They are His workmanship. You remember the old story of the artist who went into a fellow-artist's studio and left upon the easel one complete circle, swept with one master-whirl of the brush. Jesus Christ presents perfected men to an admiring universe as specimens of what He can do. His highest work is the redeeming of poor creatures like you and me, ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... which her name is forever identified. He would, for instance, remark on its pedestal in the bow-window a beautiful bronze statuette by Cumberworth called 'The African Woman of the Fountain,' and on an easel in the back parlor a lovely engraving of the late Duchess of Sutherland and her daughter—a gift from her son, the present Duke of that name, subscribed 'Mrs. Stowe, with the Duke of Sutherland's kind regards, 1869.' Should he look into a low oaken case standing in ...
— Authors and Friends • Annie Fields
... know," Gouache answered, pointing to Maria Consuelo's portrait which stood finished upon an easel before him, set in an old frame. He had been touching it when Giovanni entered. "That is all I know, and I do not know that thoroughly. I wish I did. ...
— Don Orsino • F. Marion Crawford
... of passion was not to surround my fated steps for ever. Noble aspirations rose in my melancholy heart. I had seen the birth of true science, true liberty, and true wisdom. I had lived with Petrarch, stood enraptured beside the easel of Angelo and Raphael. I had stood at Maintz, beside the wonder-working machine that makes knowledge imperishable, and sends it with winged speed through the earth. At the pulpit of the mighty man of Wittenberg I had knelt; Israelite ...
— The Worlds Greatest Books - Vol. II: Fiction • Arthur Mee, J. A. Hammerton, Eds.
... short life and founded a school, several of the members of which became eminent in art; he was one of the greatest of artists, and his works were numerous and varied, which included frescoes, cartoons, madonnas, portraits, easel pictures, drawings, &c., besides sculpture and architectural designs, and all within the brief period of 37 years; he had nearly finished "The Transfiguration" when he died of fever caught in the excavations of Rome; he was what ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... easel, painting portraits to earn money for his wife's use and comfort, and encouraging her to write, for he had faith in work. He himself would never intermit his work for a single day. He would have gladly kept ...
— A Book of Sibyls - Miss Barbauld, Miss Edgeworth, Mrs Opie, Miss Austen • Anne Thackeray (Mrs. Richmond Ritchie)
... observed, placed on a small easel, the print of Madame de Longueville in costume, and he put up his eye-glass to look at it. He guessed at once that its appearance there was connected with the fancy ball which was now filling London ...
— The Marriage of William Ashe • Mrs. Humphry Ward
... point; and the summons to take this oath was simply a summons to death. More was at his house at Chelsea when the summons called him to Lambeth, to the house where he had bandied fun with Warham and Erasmus or bent over the easel of Holbein. For a moment there may have been some passing impulse to yield. But it was soon over. Triumphant in all else, the monarchy was to find its power stop short at the conscience of man. The great battle of spiritual freedom, the battle of the Protestant ...
— History of the English People, Volume III (of 8) - The Parliament, 1399-1461; The Monarchy 1461-1540 • John Richard Green
... precarious than resources of this nature. It was observed that Dick became in his turn the whetstone of mine host's wit, without venturing either at defence or retaliation; that his easel was transferred to a garret-room, in which there was scarce space for it to stand upright; and that he no longer ventured to join the weekly club, of which he had been once the life and soul. In short, Dick Tinto's friends feared that he had acted ...
— Bride of Lammermoor • Sir Walter Scott
... you to paint my face on any of your shameless pictures? And your daughter, too—and just as she is coming out! Do you want to ruin us? I should like to know what anyone would think if—' And, unable to complete her sentence, either mentally or aloud, Mrs. Barton wheeled the easel, on which a large picture stood, into the full light of ...
— Muslin • George Moore
... apartment we had taken just on the edge of the Luxembourg Gardens, on the nights when we were working at home, one of us at his easel, another at his drafting board, myself at my desk, we would knock off at about eleven o'clock and come down for beer and a long smoke in front of the cafe below. A homely little place it was, with two rows of small iron tables in front, and at one of these we would seat ourselves. Behind ...
— The Harbor • Ernest Poole
... narrowed down to this from the quadrangular vault, and the cool gray walls rose not much above Cornelia's head where they met the roof. They were all stuck about with sketches in oil and charcoal. An easel with a canvas on it stood convenient to the light; a flesh-tinted lay-figure in tumbled drapery drooped limply in a corner; a table littered with palettes and brushes and battered tubes of color was carelessly pushed against the window; ...
— The Coast of Bohemia • William Dean Howells
... He changed from a statue of stupefaction to a young man with a problem to tackle. He admitted Nevada, got a whisk-broom, and began to brush the snow from her clothes. A great lamp, with a green shade, hung over an easel, where the artist had been sketching ...
— Options • O. Henry
... sitting was indeed exciting. There was hardly any sitting to it. We did nothing but move around the studio, and move the easel around, and try on ever so many backgrounds, and ever so many poses. In the end, of course, we left everything just as it had been at the start, because Miss Hale had had the right idea from the beginning; but I understood ...
— The Promised Land • Mary Antin
... young woman, very airily clothed in a white muslin dress, of which the transparency displayed her neck and arms with a freedom not at all in keeping with the nipping air of Westmoreland in springtime—going up to his easel again after the look to put in ...
— Fenwick's Career • Mrs. Humphry Ward
... recollections of my childhood are associated with my stepfather, and passed from him to the theatre. I well remember that he would have liked to see me develop a talent for painting; and his studio, with the easel and the pictures upon it, did not fail to impress me. I remember in particular that I tried, with a childish love of imitation, to copy a portrait of King Frederick Augustus of Saxony; but when this simple daubing had to give place to ...
— My Life, Volume I • Richard Wagner
... clapping and laughing. This was as it should be. Fun, youth, gaiety. She went to her easel in the north room, humming Joan's old ballad, and never did better work in her life than ...
— The Shield of Silence • Harriet T. Comstock
... a window before her easel, and was so absorbed with her work that she was, or affected to be, unconscious of her husband's entrance. Not daring to advance, he stood in the doorway, devouring her with his eyes, almost mad with desire to clasp her to his heart. She, on her side, sat painting, and humming a song, her blue-satin ...
— Prince Eugene and His Times • L. Muhlbach
... artist-truck, for I was always sketching in the woods; my allowance was for the time exhausted; I had begun to regard the exchange (with my father's help) as a place where money was to be got for stooping; and in an evil hour I realised three thousand dollars of the college paper and bought my easel. ...
— The Wrecker • Robert Louis Stevenson and Lloyd Osbourne
... if I timidly slipped to him with a composition, or a faulty poem, he saw good in it, and made suggestions for its betterment. When I wanted to express something in colour, he went to an artist, sketched a design for an easel, personally superintended the carpenter who built it, and provided tuition. On that same easel I painted the water colours for 'Moths of the Limberlost,' and one of the most poignant regrets of my life is that he was not there to see them, and to know that the easel which he built through ...
— At the Foot of the Rainbow • Gene Stratton-Porter
... with a glance of surprise. "I shall be much obliged for a lift." He started toward the porch where his burden lay, and the boy ran before him. They jointly separated the knapsack from the things tied to it, and the painter let the boy carry the easel and campstool which developed themselves from their folds and hinges, and brought the colors and canvas himself to the spot he had chosen. The boy looked at the tag on the easel after it was placed, and read the name on it—Jere Westover. "That's a ...
— Henry James, Jr. • William Dean Howells
... which the sombre blue shades of the night penetrated unhindered. The portrait of a woman, leaning slightly forward, as if to listen, alone stood out a little from the shadow; young with intelligent eyes, a grave and sweet mouth and a spirituel smile which seemed to defend the husband's easel from fools and disparagers. A low chair pushed away from the fire, two little blue shoes lying on the carpet, indicated also the presence of a child in the house; and indeed from the next room, within which mother and child ...
— Artists' Wives • Alphonse Daudet
... and they followed him into a large untidy studio. A Pompeian fruit-seller in a black frame, a study for a Judgment of Paris on a draped easel, and on another easel the portrait of an old lady just begun. There were stacks of canvases on the floor and on all ...
— Olive in Italy • Moray Dalton
... the night which lay quite thick on the ground, and at five o'clock in the afternoon, when the last glimmer of the pale winter daylight had disappeared, the confraternity of the brush put palette and easel aside and prepared to go home. The first to leave was Mr. Charles Pitt; he locked up his studio and, as usual, took his ...
— The Old Man in the Corner • Baroness Orczy
... of silence she sat down on an old-fashioned sofa covered with dull green and red silk. Just behind it on an easel stood a half-finished portrait of the Cora woman, staring with hungry eyes over ...
— December Love • Robert Hichens
... was in the middle of the floor, tearing the scarf from her shoulders, and shaking her hair loose from its fastenings. Betty jumped on a chair to put the shade back in its place, Nan threw the drapery over the easel, which being done, all three rushed to the head of the staircase, and peered curiously into the ...
— Betty Trevor • Mrs. G. de Horne Vaizey
... things he found a small easel, which had a very Anglican aspect about it. Wondering how it had got there, he set it up, with a sheet of paper on it, tried various parts of the room, in order to find out the best position for a picture, and went through that interesting series of ...
— The Middy and the Moors - An Algerine Story • R.M. Ballantyne
... Farge, such work as is being done by Blashfield and Mowbray and Simmons and a dozen others, if not, in the most limited sense of the word, pictorial, is even further removed from the mere sketch or study—the mere bit of good painting—than is the finest easel picture. ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... marked H on Chart Two. It was devoted, like one or two others near it, to a line of famous paintings at once the hope and despair of young girl copyists. The one most favored for this purpose hung just behind the door "X," which, half-open as they found it, made with the easel, the canvas upon it and an apron hanging carelessly over all, an impromptu screen behind which a man crouched in misery on the copyist's stool might easily remain unnoticed by anyone passing hurriedly ...
— The Mystery of the Hasty Arrow • Anna Katharine Green
... had risen at dawn and come up to the grove in the early morning. She tethered her pony to graze by the roadside, and with her drawing board on a slender easel she stood on the driveway across the lakelet, busy for awhile with her paints and pencil. Then the sweetness of the morning air, the gurgling waters at the lake's outlet, once the little draw choked with wild plum bushes, and the trills of music from the ...
— Winning the Wilderness • Margaret Hill McCarter
... wandering from floor to ceiling rested finally on the empty easel, the numerous white unused sheets of paper near it. I felt in despair. Not even a sketch of a Phryne yet! Not even a model found! Not even the idea ...
— Five Nights • Victoria Cross
... all. We were all scolded that day for not coming down to tea when called. I can remember my tutor sitting at his easel, and you standing behind him, holding the candle, and watching him draw the snowy cliff, the pine, the deer couched under it, and ...
— Shirley • Charlotte Bronte
... him set forth, long before milk-carts had begun to rattle along the streets, and on one such expedition, as he stepped briskly through a poor district south of the river, he was surprised to see an artist at work, painting seriously, his easel in the dry gutter. He slackened his pace to have a glimpse of the canvas, and the painter, a young, pleasant-looking fellow, turned round and asked if he had a match. Able to supply this demand, Warburton talked whilst the other relit ...
— Will Warburton • George Gissing
... it. But you're not supposing I shall be of the least use, I hope? I'm not decorational, you know. Easel pictures, and small ones ...
— The Daughter of the Storage - And Other Things in Prose and Verse • William Dean Howells
... lake about a quarter of a mile above the camp, and sometimes on the shores of the lake itself. Margery sketched; her night in the studio had filled her with dreams of art, and she had discovered in a corner a portable easel made of hickory sticks with the bark on, and she had tucked some drawing materials into ...
— The Associate Hermits • Frank R. Stockton
... Proportions. Square Top Stool. Folding Blacking Box. Convenient Easel. Hanging Book-rack. Sad Iron Holder. Bookcase. Wood-box. Parallel Bars for Boys' Use. Mission Writing Desk. Screen Frame. Mission Chair. Grandfather's Clock. Knockdown and Adjustable Bookcase. Coal Scuttle Frame or Case. Mission Arm Chair. Dog-house. Settle, With Convenient ...
— Carpentry for Boys • J. S. Zerbe
... Folding doors, now swung right back, divided the long linoleum-floored room into two apartments, a studio and a sitting-room. The studio in which they stood was littered with things strange to him; an easel, bearing a half-finished drawing; a black-polished cabinet; a table-desk against the window, on it slips of paper thrown carelessly about, the ink-well open, a file full of letters, a handful of cigarettes, ...
— The Workingman's Paradise - An Australian Labour Novel • John Miller
... or two. What is he doing? He is trying to express to himself a beauty which he has heard in the world of infinite phenomena, and to reproduce it as well as sensuous sounds can reproduce it, that those with duller hearing than himself may hear it also. Observe a painter before his easel. He paints; looks to see the effect; erases; adds; modifies; reexamines; and repeats this operation over and over again. What is he doing? He is copying a beauty which he has seen in the invisible world, and which he is attempting ...
— The World's Best Poetry, Volume 3 - Sorrow and Consolation • Various
... had finished his coffee, he went to his study to look at the summons, and find out what time he was to appear at the court, before writing his answer to the princess. Passing through his studio, where a few studies hung on the walls and, facing the easel, stood an unfinished picture, a feeling of inability to advance in art, a sense of his incapacity, came over him. He had often had this feeling, of late, and explained it by his too finely-developed aesthetic taste; still, the feeling was a very unpleasant one. Seven years before this he had ...
— Resurrection • Count Leo Tolstoy
... I think I might buy my worktable and possibly an easel, so I can have real room to spread out my new material and see how it would feel to do one drawing completely unhampered. I'll order the table tonight, and then I'll begin on the books, because I must have Saturday free; and I must be thinking about the most attractive ...
— Her Father's Daughter • Gene Stratton-Porter
... person, played my lady very well, reclining in her father's great chair. Her hall was roomy enough; it had its space for Sam Winnington's easel as well as Clary's harpsichord, and, what was more useful, her spinning-wheel, besides closets and cupboards without number. Sam Winnington entertained Clarissa; he was famous in years to come for keeping his sisters in good humour. He told her ...
— Girlhood and Womanhood - The Story of some Fortunes and Misfortunes • Sarah Tytler
... the flight of a shower or the fall of a sunbeam, not every glowing fragment of harvest light, nor every flickering dream of copsewood coolness, is to be given to the world as it came, unconsidered, incomplete, and forgotten by the artist as soon as it has left his easel. That only should be considered a picture, in which the spirit, (not the materials, observe,) but the animating emotion of many such studies is concentrated, and exhibited by the aid of long-studied, painfully-chosen ...
— Modern Painters Volume I (of V) • John Ruskin
... dreamed, in this fragrant salty air, they would have an enchanting summer withdrawn from the world, and great deeds would be done by her husband. "I could almost paint myself here," she said to him, "it all looks so quaint and lovely." Jack liked the place, and quickly set up his easel under the trees down by the stone pier where the fishing-boats landed and where there was always a noisy, lively scene. Milly idled near by in the sand with the baby. But the work did not go fast. She thought that Jack must be fagged after the long winter indoors, and urged him to rest for ...
— One Woman's Life • Robert Herrick
... the cause of many a failure, making the millionaire of to-day a beggar to-morrow. Show me a really great triumph that is not the reward of persistence. One of the paintings which made Titian famous was on his easel eight years; another, seven. How came popular writers famous? By writing for years without any pay at all; by writing hundreds of pages as mere practise-work; by working like galley-slaves at literature for half a lifetime with ...
— Pushing to the Front • Orison Swett Marden
... they had been repairing some of their greatest works. Here the Transfiguration, the St. Peter Martyr, and the St. Jerome of Domenichino stood on the floor, as if they had bent their knees, like camels stooping, to unlade their riches to the spectator. On one side, on an easel, stood Hippolito de Medici (a portrait by Titian), with a boar-spear in his hand, looking through those he saw, till you turned away from the keen glance; and thrown together in heaps were landscapes of the same hand, green pastoral ...
— Table-Talk - Essays on Men and Manners • William Hazlitt
... accomplishment she brought to any perfection was that of painting, for which she had a taste almost amounting to genius. This had occupied her in her lonely cottage, when she quitted her Greek friend's protection. Her pallet and easel were now thrown aside; did she try to paint, thronging recollections made her hand tremble, her eyes fill with tears. With this occupation she gave up almost every other; and her mind preyed upon itself almost ...
— The Last Man • Mary Shelley
... a private sitting-room which he had secured for himself in the hotel at almost fabulous terms. It was a small apartment, but it had the advantage of a long French window which opened out into the garden. Here, on an easel, was a canvas with its back ...
— Ziska - The Problem of a Wicked Soul • Marie Corelli
... think," said I, "that the artist even of that picture laid aside his brush heavily, when he sighed to himself that he must call it finished. I believe that in all the days that it lay upon his easel he went to it many times with weariness, because there was monotony in the work,—because the work that he had laid out for himself in his fancy was far above what he could execute with his fingers. The days of drudgery hung heavily on the days of inspiration; and it ...
— Atlantic Monthly, Volume 6, No. 38, December, 1860 • Various
... stood at his easel, seizing and recording, the unconscious grace of her pose, the rapt stillness of her face. He was never weary of painting her—never quite satisfied with the result; always within an ace of achieving the one perfect picture ...
— Far to Seek - A Romance of England and India • Maud Diver
... surely will allow me to set the grand piano across one corner of the room. I care more for that than for the open fireplace that Geert has promised me. And then I am going to put your portrait on an easel. I can't be entirely without you. Oh, how I shall be homesick to see you, perhaps even on the wedding tour, and most certainly in Kessin. Why, they say the place has no garrison, not even a staff surgeon, and how fortunate it is that it is at least a watering place. ...
— The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12 • Various
... The Didu has been very variously interpreted. It has been taken for a kind of nilometer, for a sculptor's or modeller's stand, or a painter's easel for an altar with four superimposed tables, or a sort of pedestal bearing four door-lintels, for a series of four columns placed one behind another, of which the capitals only are visible, one above the other, etc. The explanation given in the text is that of Reuvens, who recognized ...
— History Of Egypt, Chaldaea, Syria, Babylonia, and Assyria, Volume 1 (of 12) • G. Maspero
... wearily away the search slackened and was finally abandoned. Kenneth set up his easel in the garden and began to paint old Etna, with its wreath of snow and the soft gray cloud of vapor that perpetually ...
— Aunt Jane's Nieces Abroad • Edith Van Dyne
... qualities of good painting. It is too emphatic, it is meant for artificial light. If Franz Stuck would paint for the stage, instead of using his vigorous brush to paint nature without distinction and nightmares without imagination on easel-canvases, he would do, perhaps rather better, just what these scene-painters do, with so much skill and taste. They have the sense of effective decoration; and German art, at present, is almost wholly limited ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons |
