"Fresco" Quotes from Famous Books
 ... the high altar. The pillars supporting these arches are Corinthian, with richly sculptured capitals; and wherever gilding might adorn the church, it is lavished like sunshine; and within the sweeps of the arches there are fresco paintings of sacred subjects, and a beautiful picture covers the hollow of the vault over the altar; all this, besides much sculpture; and especially a group above and around the high altar, representing the Magdalen smiling down upon angels and archangels, some of whom are kneeling, and shadowing ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... which, like most monumental works, represent funeral feasts and games, according to Braun, are valuable for a mass of details relating to antique athletic art, which were before unknown. A Pompeiian fresco, representing the twelve gods, hitherto little esteemed, is made the subject of a profound investigation by E. Gerhard. Among the essays on vases, a long one by Welcker deserves especial mention. It discusses all the known representations of the Death of Troilus. The sphere of ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... Raphael, the painter, wrote a volume of sonnets to be seen only by one. Dante, poet of the "Inferno," drew an angel in memory of the one (of Beatrice). He—Mr. Browning—has only his verse to offer. But as the fresco painter steals a camel's hair brush to paint flowerets on his lady's missal—as he who blows through bronze may also breathe through silver for the purpose of a serenade, so may he lend his talent to a different ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... my Face and Eyes, that distinguish me from the Croud of common Lovers? By Heav'n, Cupid's Quiver has not half so many Darts as her Eyes— Oh such a Bona Rota, to sleep in her Arms is lying in Fresco, all ...
— The Works of Aphra Behn, Vol. I (of 6) • Aphra Behn
... surveys. Alice and Bertha were our chain-men, intelligent and obedient. I drove for George his stakes, or I cut away his brush, or I raised and lowered the shield at which he sighted and at noon Polly appeared with her baskets, and we would dine al fresco, on a pretty point which, not many months after, was wholly covered by the eastern end of the dam. When the field- work was finished we retired to the cabin for days, and calculated and drew, and drew and calculated. Estimates for feeding Irishmen, estimates ...
— The Brick Moon, et. al. • Edward Everett Hale
... my efforts to speak a new language. Visited the Pantheon—wondrous structure—a sovereign's pride, and a nation's monument. Visited the tombs of the dead; ascended to the dome—magnificent view; fine paintings in fresco. My impressions will never be effaced. This evening was in company with Count Gasparin and his noble father, and Mr. Monod, one of the principal Protestant ministers in Paris. Mr. Monod spoke strongly of Puseyism; mentioned that he was at a school this week where there were twelve Protestant young ...
— The Story of My Life - Being Reminiscences of Sixty Years' Public Service in Canada • Egerton Ryerson
... and flower-gathering, the vicar frequently popping upon the little picnickers unawares, whilst they were watching the rabbits and rabbitikins combing out their whiskers under the fir-trees, and Jupp and Mary getting an al fresco ...
— Teddy - The Story of a Little Pickle • J. C. Hutcheson
... brightened by the color of the Della Robias and the geraniums blossoming through the balustrade. A delicate touch is given by the Fountain of the Winged Boy with the Fish, by Verrocchio, which occupies the center of the stone-flagged court. To the left of the staircase is a mural fresco depicting ...
— The Architecture and Landscape Gardening of the Exposition • Louis Christian Mullgardt
... the other ladies present to turn round, or look on one side, for the purpose of seeing what she is wearing; is more of a conversationalist than a speaker; likes chit- chat; would be at home in a conversazione or al fresco tea party, where the attendants walk about, gossip merrily, and, whilst holding a tea cup in one hand, poise with two fingers a piece of delicately- buttered toast in the other—a continental style quite aesthetic and ...
— Our Churches and Chapels • Atticus
... a fresco by SPINELLO ARETINI, in the Municipal Palace at Siena, representing a GALLEY FIGHT (perhaps imaginary) between the Venetians and the fleet of the Emperor Frederick Barbarossa, and illustrating the arrangements of mediaeval galleys. Drawn from a very dim and imperfect photograph, after personal ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... upon a chair, buried her pretty face in her hands, and was sobbing as if her heart would break. It was a moment Drusus would not soon forget. The whole scene in the atrium was stamped upon his memory; the drops of the fountain seemed frozen in mid-air; the rioting satyr on the fresco appeared to be struggling against the limitations of paint and plaster to complete his bound; he saw Cornelia lift her head and begin to address him, but what she said was drowned by the buzzing and swirl which unsteadied the young man's entire faculties. Drusus felt himself turning hot and ...
— A Friend of Caesar - A Tale of the Fall of the Roman Republic. Time, 50-47 B.C. • William Stearns Davis
... They form a khaki fresco on the cab and sides of the giant commissary trucks that raise the dust along the winding white road over the hills. Snorting motorcycles with two men over the motor and an officer in the side car skim over the ground, passing all ...
— "And they thought we wouldn't fight" • Floyd Gibbons
... home and haunt of poets. It is this recollection which stays the feet and warms the heart of the transatlantic visitor, as he roams at twilight around the venerable castle "flanked with towers," traces the dim fresco in a church Giotto decorated, reads "Parisina" in Byron's paraphrase near the dungeons where she and her lover were slain, or gazes with mingled curiosity and love on the chirography of St. Chrysostom, the original manuscripts ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various
... The al-fresco entertainment was over, the dinner transferred on wooden spits from the caldron to huge wooden platters. Game, collops of venison skilfully roasted on long wooden forks, assisted to eke out the contents of the caldron. Strong ale, or mead, ...
— The House of Walderne - A Tale of the Cloister and the Forest in the Days of the Barons' Wars • A. D. Crake
... felt that I should find out what cold meant in Venice. In addition to this, the grey-washed walls of my large room soon annoyed me, as they were so little suited to the ceiling, which was covered with a fresco which I thought was rather tasteful. I decided to have the walls of the large room covered with hangings of a dark-red shade, even if they were of quite common quality. This immediately caused much trouble; but it seemed ...
— My Life, Volume II • Richard Wagner
... mob who rushed madly to the Benzine Hut. Plates and mugs were seized and portions measured out, while the diners distributed themselves on odd boxes lying about on the ice. Many who were accustomed to restaurants built tables of kerosene cases and dined al fresco. After the limited stew, the company fared on cocoa, biscuits—"hard tack"—and jam, all ...
— The Home of the Blizzard • Douglas Mawson
... flying Hour before Aurora, In Guido's famous fresco which alone Is worth a tour to Rome, although no more a Remnant were there of the old world's sole throne. The 'tout ensemble' of his movements wore a Grace of the soft ideal, seldom shown, And ne'er to be described; for ...
— Don Juan • Lord Byron
... roughest manner; but every head was stamped with that character for which he stood unrivalled. I have since heard that, when the house was pulled down, this picture was sold as one of the lots, in the sale of furniture, and bought by a dealer. It was painted on the wall, like a fresco; and how to remove it was the difficulty. On sounding the wall it was found to be lath and plaster, with timber framework (the usual style of building in the reign of Elizabeth). It was therefore ...
— Notes and Queries, Number 182, April 23, 1853 • Various
... resembles a certain old image of the Magna Mater, her prototype, which was also of divine origin. It is generally supposed that this picture is painted on wood. Not so, says Diehl; it is a fragment of a fresco on stone. ...
— Old Calabria • Norman Douglas
... the first great exhibition of cartoons for the Houses of Parliament was held. These gigantic designs handled the loftiest subjects, executed in the most elevated spirit of the highest art, with a view to ultimate execution in fresco on the walls of the palace of Westminster. It was not in nature for Punch to allow so excellent an opportunity to pass by without taking sarcastic advantage of it. He—conformably with his role of Sir Oracle, omniscient and omnifarious—must have his "cartoons" too; and so on p. 22 of the ...
— The History of "Punch" • M. H. Spielmann
... inimitable productions Of the ancients. Instead of employing their art to preserve the master-pieces of antiquity, they have endeavoured to destroy and efface many of them. I have seen with my own eyes an evident proof of this at Bologna, where the greatest part of the paintings in fresco on the walls of the convent of St Michael in Bosco, done by the Carracci, and Guido Rheni, have been ruined by the painters, who, after having copied some of the finest heads, scraped them almost entirely out with nails. Thus, you see, nothing ...
— Letters of the Right Honourable Lady M—y W—y M—e • Lady Mary Wortley Montague
... kinds of toothsome sandwiches, salads, olives and pickles, fruit and plenty of sweets for dessert. There was coffee in two large thermos bottles, and there was also imported ginger ale. The hungry girls lost no time in seating themselves about this al fresco luncheon, making the quiet hollow ring with the merry talk and laughter of ...
— Grace Harlowe's Problem • Jessie Graham Flower
... drawn from youth and womanhood, it was not because he did not understand the purely masculine. The AEneas of the Borgo fresco, the Paul of the Cecilia altar-piece, and the Sixtus of the Sistine Madonna show, in three ages, what is best and most distinctive ...
— Raphael - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... completely overcome by the resources of the graver, the camera and the printer in colors. Only on the shelves of the museum can it be studied understandingly. It must speak for itself. The chromo undertakes to duplicate, with more or less success, the painting in oil or fresco, but the vase is a picture and something more. It is the joint product of the painter and the sculptor, and the substance whereon they bestow their labor has a special and ...
— Lippincott's Magazine, December 1878 • Various
... ever a boarding-house in the world where the seemingly prosaic table had not a living fresco for its background, where you could see, if you had eyes, the smoke and fire of some upheaving sentiment, or the dreary craters of smouldering or burnt-out passions? You look on the black bombazine and high-necked ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... have a more attractive aspect. We sit before a snow-white table without a cloth, in the inn-parlor, kitchen, laundry, and dining-room, all in one, just over against the end of the lake; and enjoy a rasher of bacon and eggs with as much gusto as if we were in the midst of a palace of fresco. Ornamental eating has become with us a species of gaudy, ostentatious vulgarity; and a dining-room a sort of fool's paradise. I never think of the little simple meal at St. Peter's now, without tenderness ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... will see if there is any such place as we wish about you. I have not much hope of his success. The scent of the roses will not depart, though the many are scattered. I hardly hope to say directly how very beautiful it lies in my memory. What a heart-fresco it has become! All the dignity, the strength, the devotion will be preserved by you; that graceful "aimlessness" comes no more. And yet that was necessary. Long before I knew of the changes I perceived that the growth ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... called also the Green Ribbon Club. Their seat was in a sort of carrefour, at Chancery-Lane end, a centre of business and company, most proper for such anglers of fools. The house was double-balconied in front, as may be yet seen, for the clubsters to issue forth, in fresco, with hats and no peruques, pipes in their mouths, merry faces, and diluted throats, for vocal encouragement of the canaglia below, at bonfires, on usual and unusual occasions. They admitted all strangers that were confidingly ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... groupings repeated in a way which shows that the painter—or rather the collaborating painters—must have been reproducing or adapting an original which was particularly admired or had obtained a fashionable vogue. The wall-pictures, done in fresco or distemper and in various dimensions, fall into four main classes. There are landscapes, from a pretty realistic garden scene to a fantastic stretch of sea and land diversified with woods, rocks, figures, and buildings. There are subjects ...
— Life in the Roman World of Nero and St. Paul • T. G. Tucker
... the most interesting pieces of mediaeval painting I have ever seen, interesting not so much from an artistic as from a moral and historical point of view. Particularly noticeable was the great fresco expressive of the grandest mediaeval conception of the Communion of Saints, a figure of Christ surmounting a crowd of all ages and stations, among whom were not only Dante, Petrarca, Giotto, etc., etc., but Plato, Cicero, and best of all, Arius. ...
— Gilbert Keith Chesterton • Maisie Ward
... his reluctance to introduce into the world a son "as old as myself" he would say pathetically. The news of his death, which happened at Baden after a short attack of bronchitis caught in a supper 'al fresco' at the old castle, was duly transmitted to Rochebriant by the Princess; and the shock to Alain and his aunt was the greater because they had seen so little of the departed that they regarded him as a heroic myth, an impersonation ...
— The Parisians, Complete • Edward Bulwer-Lytton
... friends; and it pleased her to watch the others, and see how one turned this way and one another, every one finding something that delighted him above all other things. She herself took a great pleasure in watching a painter, who was standing upon a balcony a little way above her, painting upon a great fresco: and when he saw this he asked her to come up beside him and see his work. She asked him a great many questions about it, and why it was that he was working only at the draperies of the figures, and did not touch their faces, some of which were already finished and seemed to be looking ...
— A Little Pilgrim • Mrs. Oliphant
... Madonna della Fuoca at Forli, which occupied him some twenty years, and is in some respects one of the most remarkable works of art of the 17th century, is obviously inspired from the more renowned fresco of Correggio in the cupola of the cathedral of Parma. Cignani had some of the defects of his masters; his elaborate finish, his audacious artificiality in the use of colour and in composition, mark the disciple of Albani; but he imparted to his work a more intellectual character than either of his ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... own living. I could run a ranch, I suppose, if I still had one, but two or three years of such work would see me a hatchet-faced old termagant with fallen arches and a prairie-squint. Or I could raise chickens and peddle dated eggs in a flivver-and fresco hen-coops with whitewash until the trap-nest of time swallowed me up in oblivion. Or I could take a rural school somewhere and teach the three R's to little Slovenes and Frisians and French-Canadians even more urgently in need of soap and water. Or perhaps I could be housekeeper ...
— The Prairie Child • Arthur Stringer
... decidedly waning glories of these gatherings, from the great Bartholomew Fair itself down to that which, on the Friday of which I write, converted many miles of thoroughfare at the East End of London, as well as one of the prettiest forest scenes still surrounding the metropolis, into a vast al fresco tavern, where the "worship of Bacchus" was as freely indulged as in any ...
— Mystic London: - or, Phases of occult life in the metropolis • Charles Maurice Davies
... equaled. I have one-third of box No. 8; Peter Schermerhorn one-third; James J. Jones one-sixth; William Moore one-sixth. Our box is fitted up with great taste with light blue hangings, gilded panels and cornice, armchairs, and a sofa. Some of the others have rich silk ornaments, some are painted in fresco, and each proprietor seems to have tried to outdo the rest in comfort and magnificence. The scenery is beautiful. The dome and the fronts of the boxes are painted in the most superb classical designs, and the sofa seats are exceedingly commodious. Will this splendid and refined amusement be ...
— Chapters of Opera • Henry Edward Krehbiel
... extraregarding[obs3]; excentric[obs3], eccentric; outstanding; extrinsic &c. 6; ecdemic[Med], exomorphic[obs3]. Adv. externally &c. adj.; out, with out, over, outwards, ab extra, out of doors; extra muros[Lat]. in the open air; sub Jove, sub dio[Lat]; a la belle etoile[Fr], al fresco. ...
— Roget's Thesaurus
... interest is the palace; and the only way to recover the plan was by baring the ground, and tracing the bedding of the stones which are gone. For this I have cleared all the site of the buildings, and in course of the work several rooms with portions of painted fresco pavements have been found. One room which was nearly entire, about 51 by 16 feet, and two others more injured, have now been entirely exposed to view, and protected by a substantial house, well lighted, and accessible ...
— The American Journal of Archaeology, 1893-1 • Various
... believe me, they would not form the highest idea of Wagner from that which pleases them in him to-day. All that was only devised for convincing the masses, and people like ourselves recoil from it just as one would recoil from too garish a fresco. What concern have we with the irritating brutality of the overture to the "Tannhauser"? Or with the Walkyrie Circus? Whatever has become popular in Wagner's art, including that which has become so outside the theatre, is in bad taste ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... journey's end, diverging from the main road to find a secluded spot where we could spread our cloth and open our hampers without fear of interruption or, to use a more sinister word, detection. It was rather a jolly affair, that first and last al fresco banquet of ours under the spreading branches of mighty trees and beside the trickling waters of a gay little mountain brook that hurried like mad down to the broad channel of the Danube, now many miles away. The strain of the first few hours had slackened. Success ...
— A Fool and His Money • George Barr McCutcheon
... as that he was rather given to assure his patients they would soon be strong enough to enjoy the al fresco delights of a gipsy party, even though he knew that they had not an hour's prolonged life left in them. Not so Jan. Never did a more cheering doctor enter a sick-room than Jan, so long as there was the faintest shade of hope. But, when the closing scene ...
— Verner's Pride • Mrs. Henry Wood
... Assisi there is an ancient fresco representing five of the companions of St. Francis. Above them is a Madonna by Cimabue, upon which they are gazing with all their soul. It would be more true if St. Francis were there in the place of the Madonna; one is always changed into the image of what ...
— Life of St. Francis of Assisi • Paul Sabatier
... paved in black and white stone, not ceiled, and its beams painted, was furnished with one of those enormous sideboards with marble tops, required by the war waged in the provinces against the human stomach. The walls, painted in fresco, represented a flowery trellis. The seats were of varnished cane, and the doors of natural wood. All things about the place carried out the patriarchal air which emanated from the inside as well as the outside of the house. ...
— The Jealousies of a Country Town • Honore de Balzac
... week, Mr. Selwyn Image began his second lecture by explaining more fully what he meant by literary art, and pointed out the difference between an ordinary illustration to a book and such creative and original works as Michael Angelo's fresco of The Expulsion from Eden and Rossetti's Beata Beatrix. In the latter case the artist treats literature as if it were life itself, and gives a new and delightful form to what seer or singer has shown us; ...
— Miscellanies • Oscar Wilde
... irregular in plan and period of erection; the windows had ornamental frames of great depth, but some were blocked up, which gave the facades a sinister aspect; the walls had not only ornamental tablets in stucco, but, in a better light, would have shown rude fresco paintings not unworthy mediaeval Italian dwellings. Many of the fronts resembled the high poops of the castellated ships of three hundred years ago, and they cast a shadow on the muddy pavement. As they resembled ships, the slimy footway seemed the strand where they had been beached by the ...
— The Son of Clemenceau • Alexandre (fils) Dumas
... countries, suggesting solutions. There is there a borderland which belongs to them, between the conquered, the definitive truth, and the unknown, whence the truth of to-morrow will be torn. What an immense fresco there is to be painted, what a stupendous human tragedy, what a comedy there is to be written with heredity, which is the very genesis of families, of societies, ...
— Doctor Pascal • Emile Zola
... arches are exquisite in their simple proportion, and the delicate charm of the fresco of their vaulted passages. The quality of this interior decoration is enhanced by the beauty of the staff work, which throughout this court is the most successful found in the Exposition. Here this plaster is soft, rich and warm, and looks more real ...
— The Jewel City • Ben Macomber
... fresco peels and drops, Wherever an outline weakens and wanes Till the latest life in the painting stops, Stands One whom each fainter pulse-tick pains; One, wishful each scrap should clutch the brick, 45 Each tinge not wholly escape the plaster, —A lion who dies of an ass's ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... patience and thought that have gone to its making and beautifying, inside and out. No other church has had much more than a tithe of such toil. The Sistine Chapel in Rome is wonderful enough, with its frescoes; but what is the labour on a fresco compared with that on a mosaic? Before every mosaic there must be the artist and the glass-maker; and then think of the labour of translating the artist's picture into this exacting and difficult medium and absolutely covering every inch of the building with it! And ...
— A Wanderer in Venice • E.V. Lucas
... and Moufflou trotted down the arcades of the Uffizi and down the Lung' Arno to the hotel of the stranger, and, showing the stranger's card, which Lolo could not read, they were shown at once into a great chamber, all gilding and fresco and ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... top and pierced with small square windows, guards this portal, reminding us that at some time or other the monks found it needful to arm their solitude against a force descending from Chiusure. There is an avenue of slender cypresses; and over the gate, protected by a jutting roof, shines a fresco of Madonna and Child. Passing rapidly downwards, we are in the courtyard of the monastery, among its stables, barns, and out-houses, with the forlorn bulk of the huge red building spreading wide, and towering up above us. As good luck ruled our arrival, we came face to face with the ...
— New Italian sketches • John Addington Symonds
... outside, we managed a few hours' sleep AL FRESCO, in spite of the flies and mosquitoes innumerable, who lost no time in taking possession of their new property. On being able to discern the face of the country, we found ourselves at the foot of a range of hills of no great height, but still veritable ...
— Diary of a Pedestrian in Cashmere and Thibet • by William Henry Knight
... fine theatre." What we particularly like, is the absence of all side-lights round its boxes. Two hundred burners, arranged in three rows round a small chandelier, give just light enough to set off the fine chastened white and gold, and the one quiet fresco which embellishes the ceiling. A pit of vast size, divided into comfortable sittings, six tiers of boxes, and an orchestra of great space, suited to the extraordinary size of the house, secure a far less adulterated playhouse atmosphere than we are used ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... good taste than the lilies of the field, but yet in a manner to outdo Solomon in all his glory, and she was conveyed in a perfectly new motor car. When Margaret, looking on from beyond the pond, saw her descend from the machine, she could not help thinking of a dreadful fresco she had once seen on the ceiling of an Italian villa, representing a very florid, double-chinned, powerful eighteenth-century Juno apparently in the act of getting down into the room from her car, to the great inconvenience of ...
— Fair Margaret - A Portrait • Francis Marion Crawford
... these and similar reminiscences are awakened. As you traverse the streets, each edifice, be it lordly or humble, presents to your gaze some record of prouder days. "Here an armorial device, there a saint, with his golden circlet or burning lamps, or a half-obliterated fresco, an arched balcony, a fortified gateway, or an ornamented shrine[1]." I heartily agree with the writer, from whose spirited Sketches the preceding extract has been taken, that this old and enduring character of the city is not ...
— Germany, Bohemia, and Hungary, Visited in 1837. Vol. II • G. R. Gleig
... in themselves a series of delicate alterations of relative conduct spread over many months—many winter months of long evenings and bad weather, which bring out discords of character, as a dash of cold water brings out the fading colours of an old fresco. ...
— Wives and Daughters • Elizabeth Cleghorn Gaskell
... the busiest, most bustling part of the town, its fresco and bronze and iron quaintly suggestive of mediaeval times. Within, all was cool and dim and restful, with the faintest whiff of lingering incense rising and pervading the gray arches. Yes, the Virgin would know and have pity; the sweet, white-robed Virgin at the pretty flower-decked ...
— The Goodness of St. Rocque and Other Stories • Alice Dunbar
... The grand halls, on the contrary, and some of the narrower chambers, were decorated on every side, first with sculptures to the height of nine or ten feet, and then with enamelled bricks, or patterns painted in fresco, to the height, probably, of seven or eight feet more. The entire height of the rooms was thus from sixteen to ...
— The Seven Great Monarchies Of The Ancient Eastern World, Vol 2. (of 7): Assyria • George Rawlinson
... exception the finest building ever raised by the Turks. It is surrounded by a lofty colonnade of marble, of various colours, surmounted by 30 small domes: the large dome is supported by four gigantic piers, covered as well as most of the interior, with fresco paintings; it is rich in columns of verd antique, Egyptian granite, and white marble; there are also four smaller domes, similarly ornamented. Next, near the centre of the Engraving is the Mosque of Santa Sophia, a truly superb and perfect monument of antiquity, built at an ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 14, Issue 387, August 28, 1829 • Various
... except at the moment of invention, scornful of any one who supposed that art could be a work of mere industry and rule, [120] often coming the whole length of Milan to give a single touch. He painted it, not in fresco, where all must be impromptu, but in oils, the new method which he had been one of the first to welcome, because it allowed of so many after-thoughts, so refined a working out of perfection. It turned out that on a plastered wall no process could have been less durable. Within fifty ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... the frescos which Raphael and his pupils were painting in the chambers of the Vatican had excited the admiration of all Rome. Michael Angelo, who had never exercised himself in the mechanical part of the art of fresco, invited from Florence several painters of eminence, to execute his designs under his own superintendence; but they could not reach the grandeur of his conceptions, which became enfeebled under their hands, and one morning, ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... French. Francia France. Francisco Francis. francmason freemason. frase f. phrase, sentence. fratricida fratricidal. frecuente frequent. freir to fry. frenetico frantic. frente f. front, forehead; —— a, facing. fresal m. strawberry plant. fresco fresh, cool. frescura freshness, impudence. frio cold, frigid, m. cold, chill. frito (from freir) fried. frivolo frivolous. frontera frontier. fruta fruit. fruto fruit. fuego fire. fuer; a fuer de, in the manner of. fuera without, ...
— Novelas Cortas • Pedro Antonio de Alarcon
... went into Wolsey's great Hall, up a most spacious staircase, the walls and ceiling of which were covered with an allegorical fresco by Verrio, wonderfully bright and well preserved; and without caring about the design or execution, I greatly liked the brilliancy of the colors. The great Hall is a most noble and beautiful room, above a hundred ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... patient endeavour for about three years, at the end of which his name was spoken throughout all Tuscany. As his fame waxed, he began to be employed, besides easel-pictures, upon paintings in fresco: but I believe that no traces remain to us of any of these latter. He is said to have painted in the Duomo: and D'Agincourt mentions having seen some portions of a fresco by him which originally had its ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... never finished highly. He was not, indeed, a loose or sketchy painter, but he was by no means a delicate one. His lines, as the story of the circle would lead us to expect, are always firm, but they are never fine. Even in his smallest tempera pictures the touch is bold and somewhat heavy: in his fresco work the handling is much broader than that of contemporary painters, corresponding somewhat to the character of many of the figures, representing plain, masculine kind of people, and never reaching any thing like the ideal refinement of the conceptions even of Benozzo Gozzoli, far less ...
— Giotto and his works in Padua • John Ruskin
... is folly, nothing but folly," he muttered to himself, while opening the high hall-door, and stepping into the anteroom, to which, on account of its length and narrowness, and the fresco paintings of tropical plants on the walls, the name of the "Gallery of Palms" ...
— NAPOLEON AND BLUCHER • L. Muhlbach
... the Dioscuri was visited next. It is in the Via dei Mercurii, and is a very interesting and extensive ruin, and contains some handsome fresco paintings. After this they visited many other houses, a description of which is not necessary; they were all like the Villa of Diomede, though less interesting; and among them all there was the same general character. In all these only the lower stories remained, though in ...
— Among the Brigands • James de Mille
... helpless and unoffending women, the throwing of Coligny's remains from the window of his room, etc. Dr. Henry White gives a sketch of this painting, taken from De Potter's Lettres de Pie V. Of the fresco representing the wounding of Coligny there is an engraving in Pistolesi, ubi supra, vol. viii. plate 84. By an odd mistake, both the text and the index to the plates, make this belong to the reconciliation of Frederick Barbarossa and the pontificate of Alexander III.—on ...
— History of the Rise of the Huguenots - Volume 2 • Henry Baird
... the sacred vessels were locked up. The altar on its raised platform stands upon two rude upright stones, and is marked with five small crosses incised upon its upper surface. Behind it, on the rounded wall, are faint traces of carving and of fresco. All round the walls, except at the altar and the entrance, runs a low stone seat after the true type of the Christian Catacomb. A flat projecting rib of stone divides the barrel roof of the nave from the circular vault ...
— The Story of Rouen • Sir Theodore Andrea Cook
... same time problems; it requires no ordinary degree of skill to arrange, with simplicity and perspicuity, such great masses as Shakspeare uses to bring together: more of drawing and perspective are required for an extensive fresco painting, than for a small oil picture. In renouncing the intermixture of comic scenes when they no longer understood their ironical aim, they did perfectly right: Southern still attempted them in his Oroonoko, ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... there. The interior of the little house was just such a dainty box as the art of the eighteenth century devised for the pretty profligacy of a fine gentleman. The dining-room, on the ground floor, was painted in fresco, with garlands of flowers, admirably and marvelously executed. The staircase was charmingly decorated in monochrome. The little drawing-room, opposite the dining-room, was very much faded; but the Countess had hung it with panels of tapestry of fanciful ...
— Honorine • Honore de Balzac
... Chapel of the Carmine, painted in fresco by Masaccio and some other artist, possibly Filippino Lippi, is still the most important monument of Florentine art surviving from the period ...
— The Autobiography of Benvenuto Cellini • Benvenuto Cellini
... of seriousness over all her face, only belied by a laughing gleam in her dark eyes, she would aver that the spectre (who had been an artist in his mortal lifetime) had promised to teach her a long-lost, but invaluable secret of old Roman fresco painting. The knowledge of this process would place Miriam at the head of modern art; the sole condition being agreed upon, that she should return with him into his sightless gloom, after enriching a certain extent of stuccoed ...
— The Marble Faun, Volume I. - The Romance of Monte Beni • Nathaniel Hawthorne
... have gathered together. There are companies and droves of men, with watchmen, in the vapors of dawn; and in the middle one makes out the children and the women, crowding together like fallow deer. To eastward I see, in the silence of a great fresco, the diverging beams of morning gleaming, through the intervening and somber statues of two hunters, whose long hair is tangled like briars, and who hold each other's ...
— Light • Henri Barbusse
... and always kept shut. Within-side there is a spacious corridore round the whole space, which is a noble walk for a contemplative philosopher. It is paved chiefly with flat grave-stones: the walls are painted in fresco by Ghiotto, Giottino, Stefano, Bennoti, Bufalmaco, and some others of his cotemporaries and disciples, who flourished immediately after the restoration of painting. The subjects are taken from the Bible. Though the manner is dry, the drawing incorrect, the ...
— Travels Through France and Italy • Tobias Smollett
... Sun-God Bacchus, and, being marked with a cross, resembled the disc-like wafers of the Christian Mass. Whether this was so or not, it is noteworthy that a cross is said to appear upon the representation of a circular wafer used in the mysteries of Mithras which occurs upon an ancient fresco at Rome. ...
— The Non-Christian Cross - An Enquiry Into the Origin and History of the Symbol Eventually Adopted as That of Our Religion • John Denham Parsons
... extraregarding^; excentric^, eccentric; outstanding; extrinsic &c 6; ecdemic [Med.], exomorphic^. Adv. externally &c adj.; out, with out, over, outwards, ab extra, out of doors; extra muros [Lat.]. in the open air; sub Jove, sub dio [Lat.]; a la belle etoile [Fr.], al fresco. ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... alone: during which (as well as when I was in Ireland) I made such sketches as will make you throw down your brush in despair. I wish you would ask at Molteno's or Colnaghi's for a new Lithographic print of a head of Dante, after a fresco by Giotto, lately discovered in some chapel {90b} at Florence. It is the most wonderful head that ever was seen—Dante at about twenty-seven years old: rather younger. The Edgeworths had a print in Ireland: got by great interest in Florence before the legitimate ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... reverses. This statue was placed in a temple of the goddess at Rhamnus, about eight miles from Marathon. Athens itself contained numerous memorials of her primary great victory. Panenus, the cousin of Phidias, represented it in fresco on the walls of the painted porch; and, centuries afterward, the figures of Miltiades and Callimachus at the head of the Athenians were conspicuous in the fresco. The tutelary deities were exhibited taking part in the fray. ...
— The Great Events by Famous Historians, Vol. 1 • Various
... found save solitude. I stood to-day before the mutilated fresco of Morone, my rapture of six years ago, and hated it with unreasoning hatred. The Madonna belied the wreath-supported inscription above her head, "Miseratrix virginum Regina nostri miserere," and greeted me with a pitiless simper. The unidentified martyr on the left stared ...
— The Morals of Marcus Ordeyne • William J. Locke
... went to see when we were at Padua have the remotest chance of being hung, if it were sent in for exhibition now? Why, the Academy people would be so outraged that they would not even write to poor Giotto to tell him to come and take his fresco away. Phew!" continued he, waxing warm, "if old Pontifex had had Cromwell's chances he would have done all that Cromwell did, and have done it better; if he had had Giotto's chances he would have done all that Giotto did, and done it no worse; as it was, he was a village carpenter, ...
— The Way of All Flesh • Samuel Butler
... ir dort woldt geurtheilt werden," in the German and Latin languages, and below this motto, urging the magistrates to justice, was a large fresco representing the unjust judge Sisamnes being flayed by an executioner in the costume of the Nuremberg Leben—[Executioner's assistant. Really "Lowen."]—before the eyes of King Cambyses, in order to cover the ...
— Uarda • Georg Ebers
... ethereal delicacy of feature and brilliant coloring looked almost too beautiful to be human. Dr. Dean did not reply for a moment; he was thinking what a singular resemblance there was between Armand Gervase and one of the figures on a certain Egyptian fresco in ...
— Ziska - The Problem of a Wicked Soul • Marie Corelli
... round her neck a necklace of sequins, finally dyeing her nails, which I cut, with henna. There remained her head, but with this I would have nothing to do, only pointing to the tarboosh which I had brought, to a square kerchief, to some corals, and to the fresco of a woman on the wall, which, if she chose, she might copy. Lastly, I pierced her ears with the silver needles which they used here: and after two hours of it ...
— The Purple Cloud • M.P. Shiel
... of the old cathedral of Salamanca is a fresco of the Last Judgment, perhaps by the Castilian painter Gallegos. Over the retablo on a black ground a tremendous figure of the avenging angel brandishes a sword while behind him unrolls the scroll of the Dies Irae and huddled clusters of plump little naked ...
— Rosinante to the Road Again • John Dos Passos
... before Raffles knocked the sense out of him. Even in my utter bewilderment, however, the instinctive caution of the real criminal did not desert me. I ran to the door, but I sauntered through it, to plant myself before a Pompeiian fresco in the corridor; and there were the two attendants still gossiping outside the further door; nor did they hear the dull crash which I heard even as I watched them out of the corner of ...
— Raffles - Further Adventures of the Amateur Cracksman • E. W. Hornung
... Dionysus takes us back, then, into that old Greek life of the vineyards, as we see it on many painted vases, with much there as we should find it now, as we see it in Bennozzo Gozzoli's mediaeval fresco of the Invention of Wine in the Campo Santo at Pisa- -the family of Noah presented among all the circumstances of a Tuscan vineyard, around the press from which the first wine is flowing, a painted idyll, with its ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... declared, that the only secret which Cropdale ever kept, was the place of his lodgings; but he believed, that, during the heats of summer, he commonly took his repose upon a bulk, or indulged himself, in fresco, with one of the kennel-nymphs, under the portico of St Martin's church. 'Pox on him! (cried the bookseller) he might as well have taken my whip and spurs. In that case, he might have been tempted to steal another horse, and then he would have ...
— The Expedition of Humphry Clinker • Tobias Smollett
... hall of the Chateau, the scene of the gorgeous feasts of the Intendant, was brilliantly illuminated with silver lamps, glowing like globes of sunlight as they hung from the lofty ceiling, upon which was painted a fresco of the apotheosis of Louis XIV., where the Grand Monarque was surrounded by a cloud of Condes, Orleanois, and Bourbons, of near and more remote consanguinity. At the head of the room hung a full-length portrait of Marquise de Pompadour, the mistress ...
— The Golden Dog - Le Chien d'Or • William Kirby
... warmer land and see again the Gardens of the Tuileries sleeping in the moon glow and Sacre Coeur sentinelled against the springtime sky and the tables of the cafes along the Grand Boulevards agog and a-glitter and the green-yellow lights of the Ambassadeurs tucked away in the trees and the al fresco amours at Fouquet's and the gay crowds on the Avenue de l'Opera and the massive splendour of Notre Dame blessing the night with its towered hands and girls shooting ebony arrows from the bows of ebony eyes? And no smell of Child's cooking filters into the open to offend the ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... the Saint perpetually accompanied by birds—the swallows he begged to let him speak, the falcon who called him in the morning, the turtle-doves whose pairing he blessed, and all the feathered flock whom Benozzo represents him preaching to in the lovely fresco at Montefalco—if, as I say, there is throughout his life and thoughts a sort of perpetual whir and twitter of birds, it is, one feels sure, because the creatures of the air, free to come and go, to sit on beautiful trees, to drink of clear ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... it very good, and admirably adapted for getting in a subject, as affording means of great rapidity of execution. We allude to the admixture of starch and oil—the less oil the more like distemper will it be; or, we should rather say, fresco, which it much more resembles; but oil may be used with it in any proportion. The starch should be made as for domestic use, with water saturated with borax, and the oil added by degrees, and the whole stirred up together ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... in later years has the scene come back to Honora. It was not a large ball, by no means on the scale of Mr. Chamberlin's, for instance. The great room reminded one of the gallery of a royal French chateau, with its dished ceiling, in the oval of which the colours of a pastoral fresco glowed in the ruby lights of the heavy chandeliers; its grey panelling, hidden here and there by tapestries, and its series of deep, arched windows that gave glimpses of a lantern-hung terrace. Out there, beyond a marble balustrade, the lights ...
— The Crossing • Winston Churchill
... distinctly, and provoke the observer to take pleasure in seeing how completely the workman is master of the particular material he has used, and how beautiful and desirable a substance it was, for work of that kind. In oil painting, its unctuous quality is to be delighted in; in fresco, its chalky quality; in glass, its transparency; in wood, its grain; in marble, its softness; in porphyry, its hardness; in iron, its toughness. In a flint country, one should feel the delightfulness of having flints to pick up, and fasten together into rugged ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... for the lackeys and royal servants, we were all obliged to thrust our feet into cloth slippers to walk over the polished mosaic floor. The walls are of scagliola marble and the ceilings ornamented brilliantly in fresco. The second hall, also for servants, gives tokens of increasing splendors in the richer decorations of the walls and the more elaborate mosaic of the floor. We next entered the audience chamber, in which the court-marshal receives the guests. The ceiling is of arabesque sculpture profusely painted ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various
... value or authority but by the death of the testators. If we are drowned, will it not be drowned too? Prithee, who will transmit it to the executors? Some kind wave will throw it ashore, like Ulysses, replied Panurge; and some king's daughter, going to fetch a walk in the fresco, on the evening will find it, and take care to have it proved and fulfilled; nay, and have some stately cenotaph erected to my memory, as Dido had to that of her goodman Sichaeus; Aeneas to Deiphobus, upon the Trojan shore, near Rhoete; Andromache to Hector, in ...
— Gargantua and Pantagruel, Complete. • Francois Rabelais
... play on the name of the Dominicans (Domini Canes) which was accepted by themselves, and which is pictorially represented in a fresco painted ...
— Romola • George Eliot
... to painting our churches be deemed insuperable, we have buildings designed for civil purposes in abundance, which are well adapted for this species of decoration." He then instances Westminster Hall, the walls of which might be covered with fresco; and the outsides of houses in many German cities and towns in the German cantons of Switzerland, the outsides of which are painted with scriptural and historical subjects. "Painting," observes he, "were the use ...
— The Mirror of Literature, Amusement, and Instruction - Volume 12, No. 339, Saturday, November 8, 1828. • Various
... music, so close in so many respects, suggests that the modern custom of making a whole scene, act or even drama into a single, unbroken movement without subdivision is like making a book without chapters, or a picture, like Bernardino Luini's great Lugano fresco in which a long subject is treated within the compass of a single piece. Better advised, as it seems to me, Gaudenzio Ferrari broke up a space of the same shape and size at Varallo into many compartments, each more or less complete in itself, grouped ...
— The Note-Books of Samuel Butler • Samuel Butler
... what ready wit! What good humor, what unconstraint, what delightful ease! What a series of charming portraits, each more lifelike, more animated, still better than all the others! "These little miniatures—due to the brush of a woman of the world—are better worth studying than is many a picture or fresco." ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... Ausdruck, Bhne, wie aus zwei Punkten des Dreiecks Linien zu ziehen, die sich oben in Einem Punkte des Zwecks, der Vollkommenheit begegnen! Wrdest zu Sophokles sagen: male das heilige Blatt dieses Altars! und du, o nordischer Barde, alle Seiten und Wnde dieses Tempels in dein unsterbliches Fresco! ...
— An anthology of German literature • Calvin Thomas
... dressed in light, vaporous black that completes the resemblance. The house, the rooms, are almost absolutely the same; there may be changes of detail, but they don't modify the general effect. There are the same precious pictures on the walls of the salon—the same great dusky fresco in the concave ceiling. The daughter is not rich, I suppose, any more than the mother. The furniture is worn and faded, and I was admitted by a solitary servant, who carried a twinkling taper before me up the great ...
— The Diary of a Man of Fifty • Henry James |
