"Gothic architecture" Quotes from Famous Books
 ... ecclesiastical splendour, and so turned my vague love of ceremony into a definite channel. Another contribution to the same end was made, all unwittingly, by my dear and deeply Protestant father. He was an enthusiast for Gothic architecture, and it was natural to enquire the uses of such things as piscinas and sedilia in fabrics which he taught me to admire. And then came the opportune discovery (in an idle moment under a dull sermon) of the Occasional Offices of the Prayer Book. If language meant anything, those Offices ...
— Fifteen Chapters of Autobiography • George William Erskine Russell
... of parishes throughout England continue much the same as they were before the Reformation; and most of the churches are of the gothic architecture, built some hundred years ago; but the tithes of great numbers of churches having been applied by the Pope's pretended authority to several abbeys, and even before the Reformation bestowed by that sacrilegious tyrant Henry VIII., on his ravenous favourites, the maintenance of an incumbent in most ...
— The Prose Works of Jonathan Swift, Vol. III.: Swift's Writings on Religion and the Church, Vol. I. • Jonathan Swift
... all matters into which taste enters at all, the most honest and the most able men may hopelessly, diametrically, differ: original idiosyncrasy has so much to say here; and training has also so much. One cultivated and honest man has an enthusiastic and most real love and enjoyment of Gothic architecture, and an absolute hatred for that of the classic revival; another man, equally cultivated and honest, has tastes which are the logical contradictory of these. No one can doubt the ability of Byron, ...
— Atlantic Monthly, Vol. 7, No. 44, June, 1861 • Various
... they had flowed; but without influencing, I think, the Southern nations beyond the sphere of their own presence. But the lava stream of the Arab, even after it ceased to flow, warmed the whole of the Northern air; and the history of Gothic architecture is the history of the refinement and spiritualisation of Northern work under its influence. The noblest buildings of the world, the Pisan-Romanesque, Tuscan (Giottesque) Gothic, and Veronese Gothic, are those of ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... painting nor sculpture, and was totally incapable of forming a judgment about them. He had some confused love of Gothic architecture because it was dark, picturesque, old and like nature; but could not tell the worst from the best, and built for himself probably the most incongruous and ugly pile that gentlemanly modernism ever devised."—Ruskin. "Modern Painters," ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... Pantheon at Paris. The light pinnacles, the fretted roof, the aspiring form of the Gothic edifice, seemed to have been framed by the hands of aerial beings, and produced, even from a distance, that impression of grace and airiness which it was the peculiar object of this species of Gothic architecture to excite. On passing the high archway which covers the western door, and entering the immense aisles of the Cathedral, the sanctity of the place produces a deeper impression, and the grandeur of the forms awakens profounder feelings. The light of the ...
— Travels in France during the years 1814-1815 • Archibald Alison
... used in Gothic architecture, formed by mouldings in the head of window lights, tracery, panelings, etc., so arranged as to resemble the trefoil, (i.e., three leaved) clover, as an emblem of ...
— The American Church Dictionary and Cyclopedia • William James Miller
... marbles, filling up the vast and beautiful design of this heaven-aspiring tower. Looking upward to its lofty summit,—where angels might alight, lapsing downward from heaven, and gaze curiously at the bustle of men below,—I could not but feel that there is a moral charm in this faithful minuteness of Gothic architecture, filling up its outline with a million of beauties that perhaps may never be studied out by a single spectator. It is the very process of nature, and no doubt produces an effect that we know not of. Classic architecture is nothing but an outline, and affords no little ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... would have been but a poor one for lovers of Gothic architecture. It is true that nothing was ever less curious on the score of architecture than the worthy gapers of the Middle Ages, and that they cared very little for the ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... life, cannot deeply feel the charm of the Alps. Such a man will dislike German art, and however much he may strive to be Catholic in his tastes, will find as he grows older that his liking for Gothic architecture and modern painting diminish almost to aversion before an increasing admiration for Greek peristyles and the Medicean Venus. If in respect of speculation all men are either Platonists or Aristotelians, in respect of taste all men ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... that the man who wrote the exquisite and wholly unfettered naturalism of the Heart of Midlothian, for instance, thought himself continually bound to seem to feel ashamed of, and to excuse himself for, his love of Gothic Architecture: he felt that it was romantic, and he knew that it gave him pleasure, but somehow he had not found out that it was art, having been taught in many ways that nothing could be art that was not done by a ...
— Hopes and Fears for Art • William Morris
... this village was built and practically owned by Baron Rothschild, and just adjoining it was the estate which he had laid out. The gentleman of whom we inquired courteously offered to take us into the great park, and we learned that he was the head landscape gardener. The palace is modern, of Gothic architecture, and crowns an eminence in the park. It contains a picture gallery, with examples of the works of many great masters, which is open to the public on stated ...
— British Highways And Byways From A Motor Car - Being A Record Of A Five Thousand Mile Tour In England, - Wales And Scotland • Thomas D. Murphy
... particular phase, the characteristic manner of design, which prevails at a given time and place. It is not the result of mere accident or caprice, but of intellectual, moral, social, religious, and even political conditions. Gothic architecture could never have been invented by the Greeks, nor could the Egyptian styles have grown up in Italy. Each style is based upon some fundamental principle springing from its surrounding civilization, which undergoes successive developments until it either reaches ...
— A Text-Book of the History of Architecture - Seventh Edition, revised • Alfred D. F. Hamlin
... great Spanish builders, but also the principles of the Italian Renaissance and the architecture of Greece and Rome from which it sprang. Thus the group is wholly Southern in its origin. There is no suggestion here of the colder Gothic architecture ...
— The Jewel City • Ben Macomber
... Val-de-Grace, the Sorbonne, and a few others, were preserved as national temples, intended for the celebration of decadary fetes, and for a time rendered common to every sort of worship. Most of the old churches were of Gothic architecture, and not much to be commended with respect to art; but several of them were models of boldness, from the ...
— Paris As It Was and As It Is • Francis W. Blagdon
... bars, and filled with old iron spikes. Melissa's aunt unlocked the gate, and they entered the yard, which was overgrown with rank grass and rushes: the avenue which led to the house was almost in the same condition. The house was of real Gothic architecture, built of rude stone, ...
— Alonzo and Melissa - The Unfeeling Father • Daniel Jackson, Jr.
... moss-grown, picturesque condition then than it now is—I enjoyed them all with an intensity, a freshness or love, which passeth all belief. I had attended Professor Dodd's lectures more than once, and illuminated manuscripts, and had bought me in Marseilles Berty's "Dictionary of Gothic Architecture," and got it by heart, and began to think of making a profession of it, which, if I had known it, was the very wisest thing I could have done. And that this is no idle boast is clear from this, that I in after years made a design according ...
— Memoirs • Charles Godfrey Leland
... period of time equally remote from early Christianity and modern Protestantism. Out of her sixty thousand souls, only ten thousand are now of the reformed religion, and these bear about the same relation to the Catholic spirit of the place that the Gothic architecture bears to ...
— Henry James, Jr. • William Dean Howells
... differs from that which is developed in regions where the earth is firm-set. The people generally learn that where their buildings must meet the trials of earthquakes they have to be low and strong, framed in the manner of fortifications, to withstand the assault of this enemy. We observe that Gothic architecture, where a great weight of masonry is carried upon slender columns and walls divided by tall windows, though it became the dominant style in the relatively stable lands of northern Europe, never gained a firm foothold in those regions about the Mediterranean which ...
— Outlines of the Earth's History - A Popular Study in Physiography • Nathaniel Southgate Shaler
... general style of the latter part of the sixteenth and early part of the seventeenth century, towards the middle of which Gothic architecture, even in its debased ...
— The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed. • Matthew Holbeche Bloxam
... it gave no encouragement to work which was either so distinctive as to be independent of its surroundings, or of a kind which could have no other than a mechanical interest in its execution. The abrupt contrasts, the variety and mystery, characteristic of Gothic architecture, had been a direct and irresistible invitation to the carver, and the freest playground for his fancy. The formality of the classical design, on the other hand, necessarily confined such carving as it permitted to particular lines ...
— Wood-Carving - Design and Workmanship • George Jack
... occasional residence of the sovereign. In 1411 the town was burned by accident, and in 1414 was again subjected to the same calamity, together with the Church and Palace of the king, as is expressly mentioned by Bower. The present Church, which is a fine specimen of Gothic architecture, having a steeple surmounted by an imperial crown, was probably erected soon ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey
... notes not hypotheses but documents and facts; he sees the Parliaments arising not from some imaginary "Teutonic" root—a figment of the academies—but from the very real and present great monastic orders, in Spain, in Britain, in Gaul—never outside the old limits of Christendom. He sees the Gothic architecture spring high, spontaneous and autochthonic, first in the territory of Paris and thence spread outwards in a ring to the Scotch Highlands and to the Rhine. He sees the new Universities, a product of the soul of Europe, re-awakened—he sees the marvelous ...
— Europe and the Faith - "Sine auctoritate nulla vita" • Hilaire Belloc
... private mansions preserved, with their step-like aggregation of gables, afford convincing evidence alike of the solid appreciation of art as of the love of splendor which characterized that distant generation. Certain it is that they greatly surpassed us in the domain of Gothic architecture. Owing to the strict adherence to the Catholic dogma a scientific development in the modern sense was, of course, impossible in those days; and, although most of the parish churches had their schools ...
— The Great Events by Famous Historians, Volume VI. • Various
... disorder and irregularity of English Gothic churches from the standpoint of the severely ordered majesty of Chartres, or even of Amiens, which yet has so much about it that recalls its neighbourhood to England. From the right standpoint, however, English Gothic architecture is full of charm, and even of art. In the same way I cannot at all admit that Shakespeare is unsuited for the stage. One has only to remember that it is the Romantic not the Classic stage. It is the function ...
— Impressions And Comments • Havelock Ellis
... now presents a most remarkable appearance, owing to its partial reconstruction in Perpendicular times, the arch that faces the nave having the southern pier higher than the Norman one, and in the later style, so that the arch is lop-sided. As a building in which to study the growth of English Gothic architecture, I can scarcely think it possible to find anything better, all the periods being very clearly represented. The choir has much sumptuous carved woodwork, and the misereres are full of quaint detail. In the library there is a collection of very ...
— Yorkshire Painted And Described • Gordon Home
... eighteenth century, Gothic architecture had already fallen into utter disrepute. Sir Henry Wotton, fresh from his embassies in Venice, had declared that such was the 'natural imbecility' of pointed arches, and such 'their very uncomeliness,' that ...
— The English Church in the Eighteenth Century • Charles J. Abbey and John H. Overton
... type of Chinese architecture most familiar to the West, probably owes its peculiar form to Buddhist influence. In the pagoda alone may be found some trace of a religious imagination such as in Europe made Gothic architecture so full and splendid an expression of the aspiring spirit. The most famous pagoda was the Porcelain Tower of Nanking, destroyed by the T'aip'ing rebels in 1854. This was covered with slabs of faience coated with coloured glazes. The ordinary pagoda is built ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 2 - "Chicago, University of" to "Chiton" • Various
... Educational Building, with its valuable library; the Albany Institute, with its art galleries; the Cathedral of the Immaculate Conception, built of brownstone, with spires 210 ft. high; the Cathedral of All Saints, a fine specimen of Gothic architecture, said to be the first regularly organized Protestant Episcopal cathedral erected in the United States (1883), St. Peter's Church, and, most important, ...
— The Greatest Highway in the World • Anonymous
... GOTHIC ARCHITECTURE Heraldry is always a consistent, beautiful, and most effective accessory. Indeed, so thoroughly is the spirit of Heraldry in harmony with the great Architecture which grew up in the Middle Ages, that Heraldry must be considered rather as an element of its nature than as ...
— The Handbook to English Heraldry • Charles Boutell
... had vanished; nay, the very door though which she had just passed appeared to have vanished also, so curiously was it concealed beneath a flying buttress, and among the profuse ornaments of Gothic architecture. ...
— The Fair Maid of Perth • Sir Walter Scott
... used, in a preceding part of the lecture, the expression, "by what faults" this Gothic architecture fell. We continually speak thus of works of art. We talk of their faults and merits, as of virtues and vices. What do we mean by talking of the faults of a picture, or the merits of a ...
— The Queen of the Air • John Ruskin
... logic no less than in its beauty. But fashion restored, a thing which neither time nor revolution ever pretended to do. Fashion, on the plea of "good taste," impudently adapted to the wounds of Gothic architecture the paltry gewgaws of a day,—marble ribbons, metallic plumes, a veritable leprosy of egg-shaped moldings, of volutes, wreaths, draperies, spirals, fringes, stone flames, bronze clouds, lusty cupids, and bloated cherubs, which ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... Bridewell an I gaol, and the novel scene I have just mentioned. Nor is Trinity itself to be forgotten. This edifice, one of the noblest, if not the most noble of its kind, in all the colonies, with its gothic architecture, statues in carved stone, and flanking walls, was a close accessory of the view, giving to the whole grandeur, ...
— Satanstoe • James Fenimore Cooper
... societies for mutual improvement, support, or recreation. The great secret, architectural or masonic brotherhood of Germany, that league to which the artistic and patient completion of the magnificent works of Gothic architecture in the middle ages is mainly to be attributed, had its branches in nether Germany, and explains the presence of so many splendid and elaborately finished churches in the provinces. There were also military sodalities of musketeers, cross-bowmen, archers, swordsmen in ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... the parts immediately adjacent to the massive yet graceful pillars to which they are attached, throw the rest of the interior into deeper gloom, brought into sharp contrast with the illuminated portions, by intersecting arch, clustered shaft, and all the endless intricacies of Gothic architecture; exuberant with profusely decorated spandrils, sculptured bosses, light flying buttresses, and delicate fan-like tracery. How beautiful and hushed is all around! Now the stillness is broken by approaching footsteps, and the white-robed ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various
... tower remains in all its stupendous grandeur, with its flying buttresses, crocketed pyramids and arches, unique in their form; it is said to be one of the largest in Europe, and one of the finest specimens of the decorated style of Gothic architecture. ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello
... curious to note what Pope omits as what he mentions. He is much taken with a commonplace square, and with the mingling of ships and houses (which is truly effective), but the modern traveller would find the chief beauty of the city in its Gothic architecture, to which Pope gives one line—"a cathedral, very neat, and nineteen parish churches." Let the visitor ascend any one of the hills which overhang Bristol, and a beautiful scene at once bursts upon his view: this is due to the pre-eminent ...
— Lippincott's Magazine of Popular Literature and Science, Volume 22. July, 1878. • Various
... January 6, 1832, in the Rue Bleue at Strasbourg, near the Cathedral. About 1841 his father removed to Bourg, in the Department of Ain, where he was chief government engineer of the department. These two residences of the young artist are supposed to account for the mastery of Gothic architecture and of mountain scenery which his admirers find in his mature work. He showed very early in life a passion for drawing, and, as a small child, had always a pencil in his hand, which he begged to have "sharpened at both ends," that he might work longer without interruption. His father intended ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... that have been working at it have had in reverence the original thoughts of the master-minds at the first: and those who have been chosen to the superintendence of the work have been men who were reckoned the most conversant with the laws of the Gothic architecture. One can imagine that Archbishop Englebert sleeps the more softly in his silver shrine because of the completed work of to-day. So we speak and think of a great stone-temple, the working out of an idea whose details were at first but scantily ...
— Memoranda Sacra • J. Rendel Harris
... Christopher's last visit to Italy with his lady, fifteen years before, they resided for some time at Milan, where Sir Christopher, who was an enthusiast for Gothic architecture, and was then entertaining the project of metamorphosing his plain brick family mansion into the model of a Gothic manor-house, was bent on studying the details of that marble miracle, the Cathedral. Here Lady Cheverel, as at other Italian cities where she made any protracted ...
— Scenes of Clerical Life • George Eliot
... as to our future movements. Here we were at Cologne, in Prussia, with the wide world before us, uncertain whither to proceed. It was soon decided, however, that a first duty was to look again at the unfinished cathedral, that wonder of Gothic architecture; to make a pilgrimage to the house in which Rubens was born; to pay a visit to the eleven thousand virgins, and to buy some Cologne water: after which it would be time enough to determine ...
— A Residence in France - With An Excursion Up The Rhine, And A Second Visit To Switzerland • J. Fenimore Cooper |
