"Ibsen" Quotes from Famous Books
 ... Henrik Ibsen "to cultivate her mind," And reads Shakespeare and Browning through and through; Meanwhile she knits her brows—it is the only kind Of fancy work this modern maid ...
— Cap and Gown - A Treasury of College Verse • Selected by Frederic Knowles
... performance devoted to his works, I made up my mind, after bracing up my nerves, to attend it. The 23rd of February (the date of the proposed function) as the second Monday in Lent, seemed to me, too, distinctly appropriate. By attending the performance—IBSEN recommends self-execution—I sentenced myself to three hours and a half of boredom, tempered with disgust. I cannot help feeling that whatever my past may have been, the penance paid to wipe it out was excessive, and therefore rendered it unnecessary that I should attend a second ...
— Punch, Or The London Charivari, Vol. 100. March 14, 1891. • Various
... society in this age precisely what Lyell and Darwin sought to do for science, that is, to find the truth, and to show how it might be used to uplift humanity. Perhaps for this reason the Victorian Age is emphatically an age of realism rather than of romance,—not the realism of Zola and Ibsen, but a deeper realism which strives to tell the whole truth, showing moral and physical diseases as they are, but holding up health and hope as ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... calm superiority. It was very trying to him. No girl had a right to act as if she thought herself the superior of any man. Just to show her how inferior she was he dropped the subject of the tariff entirely and began a conversation on Ibsen. He did not know much about Ibsen but he knew a little and he could lead her beyond her depths and make her feel her inferiority that way. Kitty listened to him with an amused smile, and then told him a few things about Ibsen, quoted a few enlightening pages from Hauptmann, routed him, slaughtered ...
— The Cheerful Smugglers • Ellis Parker Butler
... by Strindberg during his lifetime, none has won such widespread attention as "Miss Julia," both on account of its masterful construction and its gripping theme. Whether liking or disliking it, critics have repeatedly compared it with Ibsen's "Ghosts," and not always to the advantage of the latter work. It represents, first of all, its author's most determined and most daring endeavour to win the modern stage for Naturalism. If he failed in ...
— Plays by August Strindberg, Second series • August Strindberg
... of the imaginative splendour, the vastness, the intense poetry, of that wonderful work. It is a close-knit, powerful, well-constructed play, as realistic as the tragic conventions will allow, intellectual and rebellious. Its psychology reminds one of Browning, or even of Ibsen. ...
— The Electra of Euripides • Euripides
... performed at last, after a delay of only eight years; and I have once more shared with Ibsen the triumphant amusement of startling all but the strongest-headed of the London theatre critics clean out of the practice of their profession. No author who has ever known the exultation of sending the Press into an hysterical tumult of protest, of moral panic, of involuntary and frantic confession ...
— Mrs. Warren's Profession • George Bernard Shaw
... could not forbear laughing. Wagner was greatly over-estimated, in her opinion; she asked for invertebrate music, the free harmony of the passing wind. As for her moral views, they were enough to make one shudder. She had got past the argumentative amours of Ibsen's idiotic, rebellious heroines, and had now reached the theory of pure intangible beauty. She deemed Santerre's last creation, Anne-Marie, to be far too material and degraded, because in one deplorable passage the author remarked that Norbert's kisses had left their trace on the Countess's brow. ...
— Fruitfulness - Fecondite • Emile Zola
... Notre Dame stands. It is a little old-fashioned place with a narrow entrance hall and a low-ceilinged parlour. Frederic is its proprietor, and since Joseph of the Marivaux died Frederic remains the one great "character" in the dining world of Paris. In appearance he is the double of Ibsen, the same sweeping whiskers, the same wave of hair brushed straight off from the forehead. He is an inventor of dishes, and it is well to ask for a list of his "creations," which are of fish, eggs, meat, and fruit, ...
— The Gourmet's Guide to Europe • Algernon Bastard
... was she deeply moved by the disarrangement and bewilderment which she saw around her, but she began to awaken to certain great events and developing powers in the world. She read the sardonic commentators upon modern life—Ibsen, Strindberg, and many others; and if she sometimes passionately repudiated them, at other times she listened as if she were finding the answers to her own inquiries. It moved her to discover that men, more often than women, had been the interpreters of women's ...
— The Precipice • Elia Wilkinson Peattie
... dolls to give Ibsen's 'Doll's House.' She didn't know what it was about of course, or who wrote it. She just went by the name. The other classes have got hold of the joke and guy ...
— Betty Wales Senior • Margaret Warde
... on his side and the future before him, it is John Synge, whose four plays.... represent accomplishment of the highest order. It is true that these dramas do deal only with peasants, but they are handled in the universal way that Ibsen used when he made the bourgeois of slow Norwegian towns representative of the human race everywhere.... it is not only in the avoidance of joyless and pallid words that Mr. Synge has chosen the better part. He has experienced the rich joy found ...
— Ireland and the Home Rule Movement • Michael F. J. McDonnell
... that she had no family; with a child or two in the house, there is an unconscious check upon too free an indulgence in the truth. Children are given us to discourage our better emotions. That is why the stage, with all its efforts, can never be as artificial as life; even in an Ibsen drama one must reveal to the audience things that one would suppress before the children ...
— Reginald • Saki
... followed in its upward development. Beauty has been the genius of Evolution." Thus science has lent its authority to philosophy. The idea is charming. In its power it is irresistible. It certainly dominates modern literary art, being the principal dynamic of Ibsen and Bernard Shaw and all ...
— A Tramp's Sketches • Stephen Graham
... vehemently; 'why, that is just where Ibsen was so wrong! Why, the whole aim of a house is to be a doll's house. Don't you remember, when you were a child, how those little windows WERE windows, while the big windows weren't. A child has a doll's house, and shrieks when a front door opens ...
— Manalive • G. K. Chesterton
... actors, the advantage of the cheap multiplication was so great that the ambition of the producers was natural, to go forward from the little playlets to great dramas which held the attention for hours. The kinematographic theater soon had its Shakespeare repertoire; Ibsen has been played and the dramatized novels on the screen became legion. Victor Hugo and Dickens scored new triumphs. In a few years the way from the silly trite practical joke to Hamlet and Peer Gynt was covered with such thoroughness that ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... in a Cab, and told her Husband that the Liquor League had tried to Assassinate her, because she was Reforming so many Drunkards. That settled it with her—she said she wouldn't try to be Benevolent any more—so she joined an Ibsen Club. ...
— Fables in Slang • George Ade
... and Jocasta.]—The technique of this wonderful scene, an intimate self-revealing conversation between husband and wife about the past, forming the pivot of the play, will remind a modern reader of Ibsen. ...
— Oedipus King of Thebes - Translated into English Rhyming Verse with Explanatory Notes • Sophocles
... the importunities of numerous correspondents, the Baron has read IBSEN'S Master Builder, translated by two of the Ibsenitish cult. "Only fancy!" Of all the weak-knee'd, wandering, effeminate, unwholesome, immoral, dashed "rot," to quote Lord Arthur in the Pantomime Rehearsal, this is the weak-knee'dest, effeminatest, ...
— Punch, or the London Charivari, Vol. 104, March 11, 1893 • Various
... by disliking the form of the novel, which he came to regard as an exhausted convention. His pessimism was universal. Art was dying, literature was perishing daily. The almost universal acceptance of Ibsen and of Tolstoi was in itself a convincing symptom of degeneration, if the vogue of the latter writer were not indeed the result of a cosmopolitan plot against the native realistic school. It was some consolation to reflect that, ...
— Rene Mauperin • Edmond de Goncourt and Jules de Goncourt
... for a man's passing fancy. If that's your new morality, I prefer the old. Don't turn this comedy into a tragedy. That's all very well on the stage, but we're not acting an Ibsen play; it ...
— The Black Cat - A Play in Three Acts • John Todhunter
... Lost opportunities rose up to haunt her. Ah, if she had only studied something, if she were only wiser, a linguist, a student of poetry or of history. Nearing twenty-five, she was as ignorant as she had been at fifteen! A remembered line from a carelessly read poem, a reference to some play by Ibsen or Maeterlinck or d'Annunzio, or the memory of some newspaper clipping that concerned the marriage of a famous singer or the power of a new anaesthetic,—this was all ...
— Saturday's Child • Kathleen Norris
... in particular, and to our occupation with other studies in general, may be attributed the opportunity which still exists for the discussion of one of the most interesting of all problems concerning Shakspere. Mr. Browning, Mr. Meredith, Ibsen, Tolstoi—a host of peculiarly modern problem-makers have been exorcising our not inexhaustible taste for the problematic, so that there was no very violent excitement over even the series of new "Keys" to the sonnets which came forth in the lull of the analysis of the plays; and yet, ...
— Montaigne and Shakspere • John M. Robertson
... from the north and south, gathered as unto strife, breathed upon his mouth and filled his body—with ideas: Mr. Hind supplying the life. But this is not so: the ideas are all Mr. Hind's and the godfathers only supplied the name. What a name it is to be sure! It recalls one of Ibsen's plays: 'Claude Williamson Shaw was a miner's son—a Cornish miner's son, as you know; or perhaps you didn't know. He was always wanting plein-air.' Some one ought to say that in the book, but I must say it instead. At all events, Mr. Hind nearly always refers to him by his three names, and ...
— Masques & Phases • Robert Ross
... The sayings may not be profound, but at least they are applicable to conduct. In the last few years scores of plays have been put upon the stage whose titles might be easily translated into proper headings for sociological lectures or sermons, without including the plays of Ibsen, Shaw and Hauptmann, which deal so directly with moral issues that the moralists themselves wince under their teachings and declare them brutal. But it is this very brutality which the over-refined and complicated ...
— The Spirit of Youth and the City Streets • Jane Addams
... not have been easy a few years ago to foresee the achievement of Mr. Squire as a poet. He laboured under the disadvantage of being also a wit. It used to be said of Ibsen that a Pegasus had once been shot under him, and one was alarmed lest the reverse of this was about to happen to Mr. Squire, and lest a writer who began in the gaiety of the comic spirit should ...
— Old and New Masters • Robert Lynd
... piece as a whole; in the merciless portrayal of the trivialities of persons, or classes, high in their own esteem; in the unexampled effrontery of bringing a clergyman upon the stage. All these have long since passed in Scandinavia, into the category of the things which people take with their Ibsen as a matter of course, and the play is welcomed with delight by every Scandinavian audience. But in 1862 the matter was serious, and Ibsen meant it to ...
— Love's Comedy • Henrik Ibsen
... was not quite so successful, because both Lydia and her mother were out, and his call had been made chiefly on Susan, who had been even queerer than usual. After taking the key, she had let it fall absently into a waste-paper basket, while she talked to him about Ibsen; and he had been forced to rescue it himself, lest Lydia should never know of his visit. On all other occasions he had found Lydia, and she had been charming—always charming—but as light and inaccessible ...
— The Mating of Lydia • Mrs. Humphry Ward
... Brothers Karamazov: "How can Katarina have a baby if she isn't married?" cries one of the youngsters, a question which is the very nub of the Wedekind play. "Two parallel lines may meet in eternity," which sounds like Ibsen's query: "Two and two may make five on the planet Jupiter." He was deeply pious, nevertheless a questioner. His books are full of theological wranglings. Consider the "prose-poem" of the Grand Inquisitor and the second coming of Christ. Or such ...
— Ivory Apes and Peacocks • James Huneker
... importance in the social, political, spiritual, literary, and artistic life are familiar sources of inspiration for him. With all, he shows the lofty spirit of a worshipper of greatness and depth wherever he finds them. Tolstoi or Aeschylus, Goethe or Dante, Ibsen or Poe, Swinburne or Walt Whitman, Leopardi or Rabelais, Hugo or Carlyle, Serbian Folk Lore or the Bible, Hindu legends or Italian songs, Antiquity or Middle Ages, Renaissance or Modernity, any nation or any lore ...
— Life Immovable - First Part • Kostes Palamas
... really mean to tell us that you enjoy an Ibsen play?" he demanded. "Why, you are too full ...
— The Rise of David Levinsky • Abraham Cahan
... submission of women and the superiority of men. It was a type which was becoming rare in her own country. Little Asako had nothing in common with the argumentative heroines of Bernard Shaw or with the desperate viragos of Ibsen, to whom Sadako felt herself spiritually akin. Asako must be a fool. She exasperated her Japanese cousin, who at the same time was envious of her, envious above all of her independent wealth. As she observed to her own mother, it ...
— Kimono • John Paris
... question in which so many conflicting interests were involved, and which had probably no electoral value whatever. Many simple simple souls believed that it was because certain severely virtuous plays by Ibsen, by M. Brieux, by Mr Granville Barker, and by me, were suppressed by the censorship, whilst plays of a scandalous character were licensed without demur. No doubt this influenced public opinion; but those who imagine that it could influence British governments little know how remote from ...
— The Shewing-up of Blanco Posnet • George Bernard Shaw
... new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many ...
— Mogens and Other Stories - Mogens; The Plague At Bergamo; There Should Have Been Roses; Mrs. Fonss • Jens Peter Jacobsen
... and the Marxian socialist. In the case of the former, it has been necessary to present the views of a particular school of anarchism, more or less regardless of certain other schools. Proudhon, Stirner, Warren, and Tucker do not advocate violent measures, and Tolstoi, Ibsen, Spencer, Thoreau, and Emerson—although having the anarchist point of view—can hardly be conceived of as advocating violent measures. It will be obvious to the reader that I have not dealt with the philosophical ...
— Violence and the Labor Movement • Robert Hunter
... note, he adds in pencil: "Saw 'Ghosts' last night. Great work of art! Ibsen a brute, ...
— Shenandoah - Representative Plays by American Dramatists: 1856-1911 • Bronson Howard
... short, lastly, the late Henrik Ibsen, nourished upon Munich beer, wrote "Hedda Gabler," not to mention "Rosmersholm" and "The Lady from the Sea"—wrote them in his flat in the Maximilianstrasse overlooking the palace and the afternoon promenaders, in the late eighties of the present, or Christian ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... Bewick Colby took for her subject Ibsen's drama, A Doll's House, and discussed its ethical problems, closing with the sentence: "As long as the fighting qualities of woman remain, there is a chance for the nation to make a robust, steady progress; but if these die out and woman willingly surrenders herself for ...
— The History of Woman Suffrage, Volume IV • Various
... clear at once, however, and that is that Galds, with regard to social questions, was neither a radical nor an original thinker. When one considers the sort of ideas which had been bandied about Europe under the impulse of Ibsen, Tolstoy and others,—the Nietzschean doctrine of self-expression at any cost, the right of woman to live her own life regardless of convention, the new theories of governmental organization or lack of organization—one cannot ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... the nineteenth century, Germany produced but little of universal significance, or that, after Goethe and Heine, there were but few Germans worthy to be mentioned side by side with the great writers of other European countries. True, there is no German Tolstoy, no German Ibsen, no German Zola—but then, is there a Russian Nietzsche, or a Norwegian Wagner, or a French Bismarck? Men like these, men of revolutionary genius, men who start new movements and mark new epochs, are necessarily rare and stand isolated in any ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... blatant uxoriousness. So do I. And I fear the Most Wonderful Man on Earth is blatantly uxorious. I honour him for a certain sadness in his voice when he speaks of unrequited love. But his constant reference to Ibsen's motif in the "Wild Duck," though it fails in its primary object of convincing me that he is familiar with Ibsen's plays, does in truth tell me that some fair one ...
— An Ocean Tramp • William McFee
... Ibsen and Strindberg, Hamsun is undoubtedly the foremost creative writer of the Scandinavian countries. Those approaching most nearly to his position are probably Selma Lagerloef in Sweden and Henrik Pontoppidan in Denmark. Both ...
— Hunger • Knut Hamsun
... Brandes, the eminent Danish critic, "eyes that saw and ears that heard." Up to this time the poet in him had been predominant; now it was to be the social philosopher that held the reins. Just as Ibsen did, so Bjornson abandoned historical drama and artificial comedy for an attempt at prose drama which should have at all events a serious thesis. In this he anticipated Ibsen; for (unless we include ...
— Three Dramas - The Editor—The Bankrupt—The King • Bjornstjerne M. Bjornson
... know what you mean," said the lady, "and I don't know why you are so curious about them. They all read the same books at the same time, and they sacrifice wild asses at the altar of the Hyperborean Apollo, IBSEN, you know." ...
— Punch, or the London Charivari, Volume 104, January 14, 1893 • Various
... widely read; the "Letters from Clara Raphael," of Mathilde Fibiger, which appeared still earlier, in 1850; the writings of Camilla Collett, of Norway; the liberal utterances of the great poets of the North, Bjoernsen, Hostrup and Ibsen, whose "Nora" has rightfully procured for him the title of "Woman's Poet"; the great progress in America, England and Sweden; all these influences stimulated thought, weakened prejudices and prepared the way for reforms in the Danish peninsula. ...
— History of Woman Suffrage, Volume III (of III) • Various
... will of these dictators, and to serve as a good business basis for shrewd literary speculators? The number of Rip Van Winkles in life, science, morality, art, and literature is very large. Innumerable ghosts, such as Ibsen saw when he analyzed the moral and social conditions of our life, still keep the majority of the ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various
... photosphere! I tried to paint sun-rhythms, the rhythms of the quivering sky, which is never still even when it seems most immobile; I tried to paint the rhythms of the atmosphere, shivering as it is with chords of sunlight and chromatic scales as yet unpainted. Like Oswald Alving in Ibsen's Ghosts, my last cry will be for 'the sun.' How did my friends act? What did the critics say? A black sun was too much for the world, though astronomers have proven my theory correct. The doctors swore I drank too much absinthe; the critics said a species of optical madness had ...
— Visionaries • James Huneker
... applied to the few dramatists who have been content to work in this way. It has been applied, among others, to Euripides, to Shakespeare, to Ibsen; it will be applied to many in the future. Nothing, however, is more dubious than the way in which these two words "pessimist" and "optimist" are used; for the optimist appears to be he who cannot bear the world ...
— Forsyte Saga • John Galsworthy
... be calm! Don't you see that you're on the verge of a new 'Midsummer Night's Dream'; that the world's tired of work and gone back to play! Don't talk like a tired business man whose wife has dragged him to see one of Ibsen's frolics—'Rosmersholm,' for example—where they talk for three hours and then jump in the well! The fact that there's one girl left in the world to dance under stars ought to hearten you for anything. We ...
— The Madness of May • Meredith Nicholson
... Tarrytown, if a little boy drops an egg on his way home from the grocery, if a casual house or two drops into the subway, if a lady loses a nickel through a hole in the lisle thread, if the police drag a telephone and a racing chart forth from an Ibsen Society reading-room, if Senator Depew or Mr. Chuck Connors walks out to take the air—if any of these incidents or accidents takes place, you will see the mad, irresistible rush of the "rubber" ...
— The Voice of the City • O. Henry
... created as a poet,' Ibsen said in a letter, 'has had its origin in a frame of mind and a situation in life; I never wrote because I had, as they say, found a good subject.' Yet his chief aim as a dramatist has been to set character in independent ...
— Figures of Several Centuries • Arthur Symons
... grotesque inspiration, makes for laughter, and when it has the celestial, makes for admiration; in either case there is a good understanding between the author and the reader, or between the draughtsman and the spectator. We need not, for example, suppose that Ibsen sat in a room surrounded by a repeating pattern of his hair and whiskers on the wallpaper, but it makes us most exceedingly mirthful and joyous to see him thus seated in Mr. Max Beerbohm's drawing; and ...
— Hearts of Controversy • Alice Meynell
... a language like the Danish, intelligible to only a small public, can expect only small returns for his labor in either influence, fame, or fortune. The return may be so small that it is prohibitive. Hence we find the Danish Hans Christian Andersen and the Norwegian Ibsen writing in German, as do also many Scandinavian scientists. Georg Brandes abandons his native Danish and seeks a larger public by making English the language of his books. The incentive to follow a ...
— Influences of Geographic Environment - On the Basis of Ratzel's System of Anthropo-Geography • Ellen Churchill Semple
... eyes are opened, and I see my position with the eyes of IBSEN. I must go away at once, and begin to ...
— Punch, Or The London Charivari, Vol. 100, April 18, 1891 • Various
... letter from the Sphinx.[13] She gives me a delightful account of Ernest[14] subscribing to Romeike while his divorce suit was running, and not being pleased with some of the notices. Considering the growing appreciation of Ibsen I must say that I am surprised the notices were not better, but nowadays everybody is jealous of everyone else, except, of course, husband and wife. I think I shall keep this last remark of mine for ...
— Oscar Wilde, Volume 2 (of 2) - His Life and Confessions • Frank Harris
... indulge in persiflage, and even descend to talk about wine and the made dishes. The women's lunch of this summer takes higher ground. It will give Mr. Browning his final estimate; it will settle Mr. Ibsen; it will determine the suffrage question; it will adjudicate between the total abstainers and the halfway covenant of high license; it will not hesitate ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... The man, for instance, who deserts his family that he may cultivate an artistic sensibility, or acquire what he considers more fulness of life for himself, must always arouse our contempt. Breaking the marriage tie as Ibsen's "Nora" did, to obtain a larger self-development, or holding to it as George Eliot's "Romola" did, because of the larger claim of the state and society, must always remain two distinct paths. The collision of interests, each of which has a real moral basis and a right to its own place ...
— Democracy and Social Ethics • Jane Addams
... contemporary audience than of posthumous success with a posterity of readers. Shakespeare and Moliere were actors and theatre-managers, and devised their plays primarily for the patrons of the Globe and the Palais Royal. Ibsen, who is often taken as a type of the literary dramatist, derived his early training mainly from the profession of the theatre and hardly at all from the profession of letters. For half a dozen years, ...
— The Theory of the Theatre • Clayton Hamilton
... the Latin traditions forming such a conspicuous part of it. The Latin peoples have shown that they can die as bravely as the men of any other race or clime, but their attitude toward death in general is widely different from the attitude illustrated by Ibsen or Strindberg, for instance. A certain gloom, having kinship with death, seems ingrained in the Northern temperament, put there probably by the pressure of the Northern winter. The man of the sunlit South, on the other hand, seems always to retain the ...
— The Lonely Way—Intermezzo—Countess Mizzie - Three Plays • Arthur Schnitzler
... interest in poetry is visibly on the wane." Now whoever told him that was mistaken. The public interest in poetry and in poets has visibly wox, to use Mr. Watson's word. It is always true that an original genius, like Browning, like Ibsen, like Wagner, must wait some time for public recognition, although these three all lived long enough to receive not only appreciation, but idolatry; but the "reading public" has no difficulty in recognizing ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... write there, no more objective reality than the Charter which Britain received when "first at Heaven's command" she "rose from out the azure main," or than that Contrat Social by which Rousseau expressed the rights of the individual in society. But to say this is not to make the mission false. Ibsen might label these vitalizing impulses "Life-illusions," but the criteria of objective truth do not apply to volitional verities. National missions become false only when nations are false to them. Nor does the gradualness of their evolution rob them of their mystery. Hamlet is ...
— Chosen Peoples • Israel Zangwill
... can lie against Schiller for taking advantage of a principle which is perfectly legitimate in itself and has been employed more or less freely by the dramatists of all ages, including realists like Ibsen and Hauptmann. After all life does really offer contrasts of character as glaring as any that poet ever imagined, only they are not apt to be found in juxtaposition. The artist, however, has a perfect right to juxtapose them if ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... something, an organism capable of "growing up" into maturity? If it is, by the same token it can grow old, can become a doddering, senile thing, and finally die and be buried with all the honors due its long, useful life. It was Henrik Ibsen who said that the value of a truth lasted about fifteen years; then it rotted into error. Now, isn't all this talk of artistic improvement as fallacious as the vicious reasoning of the Norwegian dramatist? Otherwise Bach would be dead; Beethoven, middle-aged; Mozart, senile. ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... fieriest minds in all ages, and you will remember that Plato, who excluded the poets from his philosophical Utopia, was nevertheless an exquisite writer of lyrical verse himself. So, to come down to our own day, Ibsen, who drove poetry out of the living language of his country, had been one of the most skilful of prosodical proficients. Such instances may allay our alarm. There cannot be any lasting force in arguments which remind us ...
— Some Diversions of a Man of Letters • Edmund William Gosse
... partial failure to interest, which is as familiar to you in the theatres as it was to me when I, too, frequented those uncomfortable buildings, and found our popular playwrights in the mind to (as they thought) emulate Ibsen. ...
— Man And Superman • George Bernard Shaw
... your boys are led to imitate and emulate and admire?" And he said that he almost always received the same answer to this question: the great names of the Norwegian nation that had been burned upon the minds even of these workingmen and servant girls were just four in number: Ole Bull, Bjoernson, Ibsen, Nansen. Over and over again he asked that same question; over and over again he received the same answer: Ole Bull, Bjoernson, Ibsen, Nansen. A great musician, a great novelist, a ...
— Craftsmanship in Teaching • William Chandler Bagley
... 1830, loom gigantic warnings. All the great figures are ominous. If they do not belong to the new order, they make impossible the old. Carlyle and Dickens and Victor Hugo, the products and lovers of the age, scold it. Flaubert points a contemptuous finger. Ibsen, a primitive of the new world, indicates the cracks in the walls of the old. Tolstoi is content to be nothing but a primitive until he becomes little better than a bore. By minding his own business, Darwin called in question the business of everyone else. By hammering new sparks out of an old ...
— Art • Clive Bell
... That's precisely it. You see, we've just discovered that instead of committing suicide, as Ibsen made them do in the play, they eloped and were eventually married. You can't imagine how delighted we all are to discover that Hedda is still alive. As soon as we found that out, ...
— King Arthur's Socks and Other Village Plays • Floyd Dell
... carry supplies and act as assistant. And finally, as the children grew older, and the family tradition of bookishness took hold of them, there were shelves and shelves to be devoured, a strange mixture—Thackeray, Maeterlinck, Fielding, Hakluyt, Ibsen, Dickens, Ruskin, Shaw, Austen, Moliere, Defoe, Cervantes, Shakespeare,—the children dipped, or tasted or swallowed whole, according to their temperaments and the books ...
— The Bent Twig • Dorothy Canfield
... know how he can help it now. But I have to be very firm. He's on his knees to me to do Ibsen. I tell him I will if he'll combine with Jimmy Finnigan and bring the Surprise Party on between the acts. The only way it ...
— The Path of a Star • Mrs. Everard Cotes (AKA Sara Jeannette Duncan)
... ideals of anarchism, for instance, Shelley, Whitman, Thoreau, and Emerson. Such reading is excellent as a means of humanising and making anarchists of refined people, but how could you appeal to the rebellious workers with such books as these? For instance, my father, do you think he could read Ibsen or any of the others? Indeed not; but let him go to a meeting where he can hear Emma Goldman speak, or let him read Jean Grave, or Bakunin, or some other writer of 'crude' pamphlets, and he might become interested, he ...
— An Anarchist Woman • Hutchins Hapgood
... dramatists. Indeed, when their mutinous mutterings finally jogged Parliament into inspecting his activities, the Lord Chamberlain was somewhat taken aback by the tactics of Shaw, who, instead of hissing him for forbidding public performances of certain Shaw and Ibsen plays, derided and denounced him instead for the plays he had not suppressed. And indeed, for every play which the Lord Chamberlain has suppressed, the old playgoer of London could point to five which, had he been more intelligent, he might more ...
— Nonsenseorship • G. G. Putnam
... of actors in the little theatre was from a small town away on the plain, beyond Brescia. The curtain rose, everybody was still, with that profound, naive attention which children give. And after a few minutes I realized that I Spettri was Ibsen's Ghosts. The peasants and fishermen of the Garda, even the rows of ungovernable children, sat absorbed in watching as ...
— Twilight in Italy • D.H. Lawrence
... Theater need not be unduly deplored. The Gloucester of John Blair was extremely amusing. Such a Richard, the most imaginative imaginer could never have dreamed of! He played the part as though the Duke of Gloucester were an Ibsen gentleman, battling with a dark green matinee. Mr. Loraine came from "Nancy Stair" to "The Lady Shore," and was Edward IV. It would be interesting to know which "heroine" he really preferred. The little princes in the tower seemed to deserve their fate. They were arguments ...
— Ainslee's, Vol. 15, No. 5, June 1905 • Various
... diagnostic of the first order in literature, and indeed in all the arts, including the art of life. It is, for example, the distinction that sets Shakespear's Hamlet above his other plays, and that sets Ibsen's work as a whole above Shakespear's work as a whole. Shakespear's morality is a mere reach-me-down; and because Hamlet does not feel comfortable in it, and struggles against the misfit, he suggests ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... though Vaudeville delight, Musical Comedy can bore me quite; One act of Ibsen from the Gallery caught, Better than ...
— The Rubaiyat of Omar Cayenne • Gelett Burgess
... if you scorn the Commonplace, Why wear a Nose upon your Face? And since Pythagoras is mute on Sex Hygiene and Cosmic Law, Is your Blonde Beast as Bland a Brute, As Blind a Brute, as Bernard Shaw? No doubt, when drilling through the parks, With Ibsen's Ghost and Old Doc Marx, You've often seen two Golden Souls Drink Suds ...
— Hermione and Her Little Group of Serious Thinkers • Don Marquis
... tour in Norway and Sweden, he settled in Copenhagen, and produced a series of novels and collections of short stories, which placed him in the front rank of Scandinavian novelists. Among his more famous stories are Faedra (1883) and Tine (1889). The latter won for its author the friendship of Ibsen and the enthusiastic admiration of Jonas Lie. Among his other works are:—Det hvide Hus (The White House, 1898), Excentriske Noveller (1885), Stille Eksistenzer (1886), Liv og Dod (Life and Death, 1899), Englen ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... he means a thing or not. We think he meant in this case, as Ibsen means in all cases, that you shall ...
— Imaginary Interviews • W. D. Howells
... Shaw paints her as she is. In the "Doll's House" Henrik Ibsen has given us Nora Hebler, a Disagreeable Girl of mature age, who beyond a doubt first set George Bernard Shaw a-thinking. Then looking about, Shaw saw her at every turn in every stage ...
— Little Journeys to the Homes of the Great, Vol. 13 - Little Journeys to the Homes of Great Lovers • Elbert Hubbard
... on these gentlemen who make speeches that we must lay our hand, so that they may be warned not to lecture any more on Tolstoi or Ibsen, or any of those foreign ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... young man Laura discussed ideas she had got from reading Ibsen and Shaw. She grew bold and daring in the advancing of opinions and tried to stir the young man to some overt speech or action that might ...
— Marching Men • Sherwood Anderson
... fall of 1872; and let us remember in this connection, that up to the time in question no dramatic work of similar importance had ever been produced in Sweden. Its completion was more epoch-making for Sweden than that of Brand was for Norway in 1865—since the coming of Ibsen's first really great play was heralded by earlier works leading up to it, while Master Olof appeared where nobody had any reason to expect it. This very fact militated against its success, of course; it was too ...
— Master Olof - A Drama in Five Acts • August Strindberg
... last to be shown men and women as they are; and at first it is more than we can endure.... All Ibsen's characters speak and act as if they were hypnotised, and under their creator's imperious demand to reveal themselves. There never was such a mirror held up to nature before: it is too terrible.... Yet we must return to Ibsen, with his remorseless surgery, ...
— The Evolution of Modern Capitalism - A Study of Machine Production • John Atkinson Hobson
... because it is difficult to know what is "natural" and what is cultural. In the widest sense everything is natural; in the narrowest very few things are natural. Cooked food, clothing, houses, marriages, education, etc., are not found in a state of nature, any more than clocks and plays by Ibsen are. Our judgment as to what is good and bad is mainly instinctive leaning directed or ...
— The Foundations of Personality • Abraham Myerson
... are as wild as cannibalism, by the fact that they are also as grave and sincere as suicide. And I think there is an obvious fallacy in the bitter contrasts drawn by some moderns between the aversion to Ibsen's "Ghosts" and the popularity of some such joke as "Dear Old Charlie." Surely there is nothing mysterious or unphilosophic in the popular preference. The joke of "Dear Old Charlie" is passed—because it is a ...
— All Things Considered • G. K. Chesterton
... still be discovered the influence of lyric form and mood. We have already noted how the dramatist, for all of his supposed objectivity, cannot refrain from coloring certain persons and situations with the hues of his own fancy. Ibsen, for instance, injects his irony, his love for symbolism, his theories for the reconstruction of society, into the very blood and bone of his characters and into the structure of his plots. So it is with Shaw, with Synge, with Hauptmann, with Brieux. ...
— A Study of Poetry • Bliss Perry
... argument to persuade themselves or anyone else of the truth of their conclusions. But the giants of our time are undoubtedly alike in that they approach by very different roads this conception of the return to simplicity. Ibsen returns to nature by the angular exterior of fact, Maeterlinck by the eternal tendencies of fable. Whitman returns to nature by seeing how much he can accept, Tolstoy by seeing how much ...
— Varied Types • G. K. Chesterton
... Several other Europeans of eminence have let their minds play with the ideas of metempsychosis, pre-existence and karma, as for instance Giordano Bruno, Swedenborg, Goethe, Lessing, Lavater, Herder, Schopenhauer, Ibsen, von Helmont, Lichtenberg and in England such different spirits as Hume and Wordsworth. It would appear that towards the end of the eighteenth century these ideas were popular in some literary circles on the continent. See Bertholet, ...
— Hinduism and Buddhism, Vol I. (of 3) - An Historical Sketch • Charles Eliot
... Tragedy exhibits the inverse process: the triumph of mundane policy and genial savoir faire in the person of Ogniben over the sickly and equivocal "poetry" of Chiappino. Browning seems to have thrown off this bitter parody of his own idealisms in a mood like that in which Ibsen conceived the poor blundering idealist of the Wild Duck. Chiappino is Browning's Werle; the reverse side of a type which he had drawn with so much indulgence in the Luigi of Pippa Passes. Plainly, it was a passing mood; as plainly, a mood which, from the high ...
— Robert Browning • C. H. Herford
... the lady, "I don't see much in him; at first I thought he was rather interesting. He reminded me somewhat of Brand in Ibsen's play, or something of that sort; but really, how tiresome he is, with his short, cutting remarks, which come plump into the middle of a ...
— Garman and Worse - A Norwegian Novel • Alexander Lange Kielland
... no friend? No one who hates Ibsen and problem plays, and the Supernatural, and Switzerland and Adultery as much as I do? Must I live all my life as mute as a mackerel, companionless and uninvited, and never tell anyone what I think of my famous contemporaries? Must I plough ...
— More Trivia • Logan Pearsall Smith
... be that all the nations are tired; and it may be that only the boldest and breeziest are not too tired to say that they are tired. It may be that a man like Ibsen in Norway or a man like Gorky in Russia are the only people left who have so much faith that they can really believe in scepticism. It may be that they are the only people left who have so much animal ...
— Creatures That Once Were Men • Maxim Gorky
... sure in my own mind I judged it my business to disappear, and I reached this city by a mighty queer circuit. I left Paris a dandified young French-American, and I sailed from Hamburg a Jew diamond merchant. In Norway I was an English student of Ibsen collecting materials for lectures, but when I left Bergen I was a cinema-man with special ski films. And I came here from Leith with a lot of pulp-wood propositions in my pocket to put before the London newspapers. Till yesterday I thought I had muddied my trail some, and ...
— The Thirty-nine Steps • John Buchan
... civilization is a mistake not only of the learned, but of the pseudo-learned, of the men and women of more or less education whose mental development has not progressed beyond an appreciation of Bernard Shaw, Henrik Ibsen and H.G. Wells. Most of them are estimable people, but the difficulty is that they are so idealistic that, so to speak, they never have both feet upon the ground at the same time. This is especially true of our esteemed contemporaries, the Socialists. ...
— Socialism and American ideals • William Starr Myers
... Switzerland, or to Norway, but to Germany! Honor to Sweden for that! But what about us? We don't want to be a piddling little nation stuck up in our mountains, a nation that brings forth peace conferences, ski-runners, and an Ibsen once every thousand years; we have potentialities for ...
— Look Back on Happiness • Knut Hamsun
... brocaded, stage armor, great Roman togas with weights in the borders to make them drape right, velvets of every color to rest your cheek against and dream, and the fantastic costumes for the other plays we favor; Ibsen's Peer Gynt, Shaw's Back to Methuselah and Hilliard's adaptation of Heinlein's Children of Methuselah, the Capek brothers' Insect People, O'Neill's The Fountain, Flecker's Hassan, Camino Real, Children of the Moon, The Beggar's Opera, ...
— No Great Magic • Fritz Reuter Leiber
... wide horizon. This drama has for the most part little to do with the operation of the Fate which works itself out when a man's soul is in the stern clutch of Necessity. We are far here from Euripides and from Ibsen. Life is always a pageant here, a tragi-comedy, which may lean sometimes more to comedy, and sometimes more to tragedy, but has in it always, even in Lear, an atmosphere ...
— Impressions And Comments • Havelock Ellis
... individuals are incapable of. It is true that too much of this domestic virtue is self-denial, which is not a virtue at all; but then the following of the inner light at all costs is largely self-indulgence, which is just as suicidal, just as weak, just as cowardly as self-denial. Ibsen, who takes us into the matter far more resolutely than Jesus, is unable to find any golden rule: both Brand and Peer Gynt come to a bad end; and though Brand does not do as much mischief as Peer, the mischief he does ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... blowed! Joy of life. Read Ibsen. [He goes into the pavilion to relieve his restlessness, and stares out with his hands thrust deep ...
— Misalliance • George Bernard Shaw
... Grieg was a little over thirty, in the year 1874, the Norwegian Government honored him with an annuity of sixteen hundred crowns a year, for life. Another good fortune was a request from the distinguished poet, Henrik Ibsen, to produce music for ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... a past, like the Ibsen woman; it also has a future; but at present it is in the transmigratory period between the two, and is in consequence odious. The place is chiefly interesting because it is the oldest town in the archipelago settled by Europeans, and one revels in its queer, moss-grown churches and conventos, ...
— A Woman's Journey through the Philippines - On a Cable Ship that Linked Together the Strange Lands Seen En Route • Florence Kimball Russel
... why. It's a very gloomy play by IBSEN, and whenever it's simply more than I can bear I look up and see Mentone on the left, Monte Carlo on the right—I mean, I see all the loveliness round me, and then I know the world isn't so bad after all." She put her book down. ...
— Punch, or the London Charivari, Vol. 146, April 1, 1914 • Various
... he will find the next. The quest is ultimately the same as that of Marlowe, but the form of it is absolutely opposed to his. Goethe is as far from Marlowe's theological position as Peer Gynt is, and indeed there is a considerable similarity between Ibsen's great play and Goethe's. As the drama develops, it is true that the love of Faust becomes sensual and his curiosity morbid; but the tragedy lies no longer in the belief that sense and curiosity are in themselves ...
— Among Famous Books • John Kelman
... crowded with people who cannot pay week-day prices, and yet are intelligent enough to enjoy a fairly good performance of Hamlet or Egmont; who are musical and choose a Mozart opera; or who are interested in the problems of life presented by Ibsen, Gorky, Tolstoy, or their own great fellow-countryman Gerhardt Hauptmann. When summer comes, as long as the theatres are open the whole audience streams out between the acts to have coffee or beer in the garden, or when there ...
— Home Life in Germany • Mrs. Alfred Sidgwick
... of the feelings and fancies of the common people. But Shakespear was not satisfied with this. What is the use of being Shakespear if you are not allowed to express any notions but those of Autolycus? Shakespear did not see the world as Autolycus did: he saw it, if not exactly as Ibsen did (for it was not quite the same world), at least with much of Ibsen's power of penetrating its illusions and idolatries, and with all Swift's horror of its ...
— Dark Lady of the Sonnets • George Bernard Shaw
... thing strikes me in connection with this subject: the praise of Ibsen, the Scandinavian dramatist, is abroad in England; and again, as so often before, mine eyes have seen the glory of the coming of the Lord in the direction of Boston. But some of the loudest worshippers of this truly ...
— The Autobiography of a Play - Papers on Play-Making, II • Bronson Howard
... busy day, but it was, on the whole, merely an average one. Yet I'll wager a bushel of number one Northern winter wheat to a doughnut ring that if Ibsen had written an epilogue for The Doll's House, Nora would have come crawling back to her home and her kiddies, in ...
— The Prairie Mother • Arthur Stringer
... can never come to its own and can never reach its real goal. It is surely no fault of Shakespeare that Hamlet and King Lear are very poor photoplays. If ever a Shakespeare arises for the screen, his work would be equally unsatisfactory if it were dragged to the stage. Peer Gynt is no longer Ibsen's ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... and go-ahead as they felt to themselves, did not seem to Ishmael nearly as wonderful as the 'seventies, which had seen so much deeper changes. This world—in which people now moved so complacently talking of Ibsen and Wilde, of weird Yellow Books of which he heard from Judith, and many other things all designated as fin-de-siecle—he had seen it in the making. The very children growing up in his house, the plump little Ruth and the clever, impatient Lissa, they thought they ...
— Secret Bread • F. Tennyson Jesse
... long, being from six to eight in the morning. Here you may hear more languages spoken than the Tower of Babel could have echoed. Polish Jews and Russian princes, Chinese mandarins and Turkish pashas, Norwegians looking as if they had stepped out of Ibsen's plays, women from the Boulevards, Spanish grandees and English countesses, mountaineers from Montenegro and millionaires from Chicago, you will find every dozen yards. Every luxury in the world Carlsbad provides for its visitors, with the one exception of pepper. That you ...
— Three Men on the Bummel • Jerome K. Jerome
... Ibsen,[4] puckering up his lips, Squirming at Nature and Society, Drawing with tingling finger-tips The clothes off naked Impropriety! So nice, so nasty, and so grim, He hugs his gloomy bottled thunder; To summon up one smile from him Would ...
— The Idler Magazine, Volume III., July 1893 - An Illustrated Monthly • Various
... defences. This, I take it, is why oldish men are so often intrigued by girls in their teens. It is not that age calls maudlinly to youth, as the poets would have it; it is that age is no match for youth, especially when age is male and youth is female. The case of the late Henrik Ibsen was typical. At forty Ibsen was a sedate family man, and it is doubtful that he ever so much as glanced at a woman; all his thoughts were upon the composition of "The League of Youth," his first social drama. At fifty he was almost as preoccupied; "A Doll's House" ...
— In Defense of Women • H. L. Mencken
... by a whole flotilla of stable-names. Henry, for example, is softened variously into Harry, Hen, Hank, Hal, Henny, Enery, On'ry and Heinie. Which did Ann Boleyn use when she cooed into the suspicious ear of Henry VIII.? To which did Henrik Ibsen answer at the domestic hearth? It is difficult to imagine his wife calling him Henrik: the name is harsh, clumsy, razor-edged. But did she make it Hen or Rik, or neither? What was Bismarck to the Fuerstin, and to the mother he so vastly feared? Ottchen? Somehow it seems impossible. What ...
— Damn! - A Book of Calumny • Henry Louis Mencken
... the Seed of Wisdom did I sow, Speaking of Things a Woman ought to know. "Better than Years with Ibsen spent," I said, "One Evening with my ...
— The Rubaiyat of Omar Khayyam Jr. (The Rubiyt of Omar Khayym Jr.) • Wallace Irwin
... Peer Gynt (not Ibsen's Peer Gynt, who is sophisticated, but the original Peter) is a lonely deer-stalker on the fells, who is asked by his neighbour to come and keep his house for him, which is infested with trolls. Peer Gynt clears ...
— Epic and Romance - Essays on Medieval Literature • W. P. Ker
... the most ancient of monuments. We go through life as those pugreed-solar-hatted-Europeans go through Egypt. We are pestered and plagued with guides and dragomans of every rank and shade;—social and political guides, moral and religious dragomans: a Tolstoy here, an Ibsen there, a Spencer above, a Nietzche below. And there thou art left in perpetual confusion and despair. Where wilt thou ...
— The Book of Khalid • Ameen Rihani
... extraordinary what a difference the substitution seems to make. And on the other hand, when some of the Suffragettes say in their pamphlets and speeches, "Woman, leaping to life at the trumpet call of Ibsen and Shaw, drops her tawdry luxuries and demands to grasp the sceptre of empire and the firebrand of speculative thought"—in order to understand such a sentence I say it over again in the amended form: "Mrs. Buttons, leaping to life at the trumpet call of Ibsen and Shaw, drops her tawdry luxuries ...
— Alarms and Discursions • G. K. Chesterton
... the commonplace, I had my first unconscious lesson in literary and dramatic fidelity. And I ended my college days, a much more sophisticated person, championing Pinero and Jones, rushing eagerly to special performances of Ibsen, and ardently admiring the plays of G. B. Shaw, two of which, Arms and the Man and The Devil's Disciple, had been acted in America by Richard Mansfield before the ...
— Penguin Persons & Peppermints • Walter Prichard Eaton
... wish he had been born other-where than by the pebbles of Arbroath. "Oh, to have been born a Norseman!" he wrote once. "Oh, for the deep Scandinavian scourge of pain, the inbrooding, marrowy soul-ache of Ibsen! That is the fertilizing soil of tragedy. Tragedy springs from it, tall and white and stately like the lily from the dung. I will never be a tragedian. Oh, ...
— Shandygaff • Christopher Morley
... for the fashion except perhaps to destroy it. This man is outside the law of supply and demand, because he supplies no demand, and there exists no demand for him. He therefore has to create the demand as well as the supply. Such a man in Music was Wagner: such a man in Drama was Ibsen: such a man in ...
— Robert Browning: How To Know Him • William Lyon Phelps
... been reading Ibsen, remarked to himself: "It may be artistically and dramatically inexcusable for the ingenue suddenly to become the heroine—but I like it. As to the cause——" and the old gentleman rested in his deep chair till far into the night, twiddling his thumbs and thinking long thoughts. Finally, ...
— IT and Other Stories • Gouverneur Morris
... he summed up, "a combination of Ibsen and hysterics, and of—er, rather declamatory observations concerning there being one law for the man and another for the woman, and Patricia's realization of the mistake we both made—and all ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell |
