"Impressionist" Quotes from Famous Books
 ... Like impressionist pictures, or Wagner's rugged music, the very absence of conventional form challenges attention. In Emily Dickinson's exacting hands, the especial, intrinsic fitness of a particular order of words might not be sacrificed to anything virtually extrinsic; ...
— Poems: Three Series, Complete • Emily Dickinson
... shellac man in person. It was little Bean, the pitcher of the Corners team, all dressed up in his baseball togs, scarlet breeches and blue shirt, quite the bird of paradise, and reading a yellow telegram, and his face black as thunder. He was an impressionist study, wasn't he, Fergy? We asked what was up, or rather down, for elevation had no part in him. It appeared that a match was on for this afternoon, between the Baked Beans and the Sweet Peas, the Corners and the ...
— The Merryweathers • Laura E. Richards
... Ambassador, with a few ribbons across his chest, could have been seen chatting to the latest American Duchess; in another corner one of our largest Advertisers was exchanging epigrams with a titled Newspaper Proprietor. Famous Generals rubbed shoulders with Post-Impressionist Artists; Financiers whispered sweet nothings to Breeders of prize Poms; even an Actor-Manager might have been seen accepting an apology from a Royalty who had ...
— Once a Week • Alan Alexander Milne
... genuine criticism should, as I take it, repeat the colours, the light and shade, the soul and body of a work.' This contention, for which Hazlitt fought all his life and fought brilliantly, is familiar to us by this time as the gage flung to didactic criticism by the 'impressionist', and in our day, in the generation just closed or closing, with a Walter Pater or a Jules Lemaitre for challenger, the betting has run on the impressionist. But in 1817 Hazlitt had all the odds against him when he stood up and accused the great Dr. Johnson of having made criticism 'a ...
— Characters of Shakespeare's Plays • William Hazlitt
... an impressionist of divine moments, now the miser of all unimportant, trivial detail—is our tyrant, the muse of modern talk. Men talk now not what they feel or think, but what they remember, with their bad good memories. If they remembered the poets, ...
— Prose Fancies • Richard Le Gallienne
... that he may grow fat, nominally owning their vessels, actually in heavy bondage to their shrewd exacting masters. There are dark and deep waters of passion swirling in and out of these simple lives, and the author, whose method is broadly impressionist rather than meticulously realistic, contrives cleverly to suggest that what he imagines has in fact been closely observed. He can make and tell a story and he can marshal words with a certain magic. The tragedy ends peacefully with the resolution of the too bitter discord of Nesta's ...
— Punch, or the London Charivari, Vol. 146, February 25, 1914 • Various |
