"Lear" Quotes from Famous Books
 ... Reginald Scot. The narrative is edifying as peculiarly illustrative of the mode of marring a curious tale in telling it, which was one of the virtues professed by Caius when he hired himself to King Lear. Reginald Scot, incredulous on the subject of witchcraft, seems to have given some weight to the belief of those who thought that the spirits of famous men do, after death, take up some particular habitations near cities, towns, and countries, ...
— Letters On Demonology And Witchcraft • Sir Walter Scott
... ground, and she was insolent enough to say that she would pray for me. I am not a furious old man with a long white beard, and I don't curse my daughter and rush out into a thunderstorm afterward—but I know what King Lear felt, and I have struggled with hysterics just as he did. With your wonderful insight into human nature, I am sure you will sympathize with and forgive me. Mr. Penrose, as my daughter tells me, behaved in the most gentleman-like manner. I make the same appeal to your ...
— The Black Robe • Wilkie Collins
... lightly sold, Which few pence had made too dear On its blank to have enscrolled Beatrice, Lucifer, or Lear! ...
— An Anthology of Australian Verse • Bertram Stevens
... begging of the question. Shakespeare made Hamlet comprehensible to the groundlings by diluting that half of him which was Shakespeare with a half which was a college sophomore. In the same way he saved Lear by making him, in large part, a tedious and obscene old donkey—the blood brother of any average ancient of any average English tap-room. Tackling Caesar, he was rescued by Brutus' knife. George Bernard Shaw, facing ...
— A Book of Prefaces • H. L. Mencken
... like a dream!—a dream in which she sat in corners with her eyes cast down; flushed whenever she was addressed; stammered whenever she answered a question, and nearly died of heart failure when subjected to an examination of any sort. She delighted the committee when reading at sight from "King Lear," but somewhat discouraged them when she could not tell the capital of the United States. She admitted that her former teacher, Miss Dearborn, might have mentioned it, but if so she had not ...
— New Chronicles of Rebecca • Kate Douglas Wiggin
... remained, the one reading, the other sleeping, while the hours of the warm summer afternoon slipped away, ripples on the ocean of the lovely, changeless eternity, the consciousness of God. For a time the watching sister was absorbed in King Lear; then she fell to wondering whether Cordelia was not unkindly stiff toward her old father, but perceived at length that, with such sisters listening, she could not have spoken otherwise. Then she wondered whether there could be women so bad as Goneril and Regan, concluding ...
— Heather and Snow • George MacDonald
... but he is the only example even approximating to the heroic type. Coriolanus—Caesar—Antony stand in flawed strength, and fall by their vanities;—Hamlet is indolent, and drowsily speculative; Romeo an impatient boy; the Merchant of Venice languidly submissive to adverse fortune; Kent, in King Lear, is entirely noble at heart, but too rough and unpolished to be of true use at the critical time, and he sinks into the office of a servant only. Orlando, no less noble, is yet the despairing toy of chance, followed, comforted, ...
— Sesame and Lilies • John Ruskin
... the coward who feared all but the darkest and most devious passages of crime shone high, clear brows of Caesar and Aurelius. Gray folios of Shakespeare held up to the ambitious ingrate the warning titles of "Lear" and "Hamlet" and "Macbeth." And by his side brooded ever that mystic relic of the farther past—the Mummy, from whose case had stepped a daughter of the Pharaohs ...
— The Perils of Pauline • Charles Goddard
... bield that gars the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheepen yestreen. The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light ...
— The Humourous Poetry of the English Language • James Parton
... womb, usurped its throne, and ever since the maddened old creature, with hoary crest of foam, wails and laments continually, like King Lear exposed to ...
— Glimpses of Bengal • Sir Rabindranath Tagore
... of our modern short-story for the reason that they are not constructed for one single impression, but are in reality parts of possible longer stories. They are, as it were, parts of stories not unlike Dr. Jekyll and Mr. Hyde and A Lear of the Steppes, and lack those complete and concise artistic effects found in the short-stories, Markheim and Mumu, by the same authors. Both Ruth and the Prodigal Son are exceptionally well told, possess a splendid moral tone, and are excellent prophecies of what the nineteenth ...
— Short-Stories • Various
... his conception Schiller took counsel freely of Shakspere, whose name had now become for young Germany the symbol of all things great in dramatic writing. The first soliloquy of Franz Moor reminds one at once of Edmund in 'Lear', though there is none of the kind of borrowing which makes easy prey for the philologist. Both villains covet the wealth and station of a preferred brother; both make use of a specious obstetrical argument and both operate with forged letters. In general, however, the portrait ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... tell the wonders of an isle That in that fairest lake had placed been, I could e'en Dido of her grief beguile; Or rob from aged Lear his bitter teen: For sure so fair a place was never seen, Of all that ever charm'd romantic eye: It seem'd an emerald in the silver sheen Of the bright waters; or as when on high, Through clouds of fleecy white, ...
— Poems 1817 • John Keats
... genius, but greatness like theirs is never more than the highest degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the form itself have been attained by any isolated talent. No genius can dispense with experience.... ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... know it, and we know it so well and feel so much with Caesar or with Lear or with Othello or with Macbeth, that we instinctively take it all for true psychology, while it after all covers just the exceptional cases ...
— Psychology and Social Sanity • Hugo Muensterberg
... attributing the founding of all the principal cities to some ruler of this line, the historian relates the story of King Leir, the founder of Leicester. As this monarch's life has been used by Shakespeare for one of his dramas,—the tragedy of "King Lear,"—and is familiar to all students of English literature, there is no need to outline Geoffrey of ...
— Legends of the Middle Ages - Narrated with Special Reference to Literature and Art • H.A. Guerber
... varied—that the matchless prose and the not particularly lordly verse of As You Like It are by the same hand; that the master to whom we owe our Hamlet is also responsible for Gertrude and King Claudius; that he who gave us the agony of Lear and the ruin of Othello did likewise perpetrate the scene of Hector's murder, in manner so poor and in spirit so cynical and vile—is beyond all belief and patience; and we have argued the point to such an extent that we are all of us in Gotham, and a mooncalf like the ascription of whatever ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... try to make us slaves. On the contrary, he gave us a representative Constitution, which has lasted a thousand years. We might call him our Manx King Alfred, if the indirections of history did not rather tempt us to christen him our Manx King Lear. His Saga has never been written, or else it is lost. Would that we could recover it! Oh, that imagination had the authority of history to vitalise the old man and his times! I seem to see him as he lived. There are hints of his character in his laws, that are as stage ...
— The Little Manx Nation - 1891 • Hall Caine
... was summoned to Berlin, where he was for fifteen years the popular idol. He died there on the 30th of December 1832. Ludwig Devrient was equally great in comedy and tragedy. Falstaff, Franz Moor, Shylock, King Lear and Richard II. were among his best parts. Karl von Holtei in his Reminiscences has given a graphic picture of him and the "demoniac fascination" of ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... poignant kind. Browning told us that he did not know Landor very well, but that he saw him in the last years of his life under circumstances of a terribly pathetic kind. Landor played almost exactly the part of King Lear—though from a different reason—and got almost exactly King Lear's reward. Landor, it will be remembered, was originally a rich man. It will also be remembered that he was possessed of a very arbitrary and turbulent nature and quarrelled with many members of his family, ...
— The Adventure of Living • John St. Loe Strachey
... of comparing was introduced into English, both methods were often used with the same adjective; and, for a time, double comparatives and double superlatives were common; as, worser, most boldest. In "King Lear" Shakespeare uses the double comparative a dozen times.]; as, valuable, less valuable, least valuable. Most definitive and many descriptive adjectives cannot be compared, as their meaning will not admit of ...
— Higher Lessons in English • Alonzo Reed and Brainerd Kellogg
... simular man of virtue, Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... the picture—a palace, a table abundantly spread, lights and music, delight and banqueting, gladness and fulness, society and sustenance. The guests sit close and all partake. To be within means food, shelter, warmth, festivity, society; to be without, like Lear on the moor, is to stand the pelting of the storm, weary, stumbling in the dark, starving, solitary, and sad. Within is brightness and good cheer; without is ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... beauty and awe of a tempest. And all the while the worldly-wise, to whom the tempest is only a matter of the machineries of a theatre—of painted clouds, electric lights, and sheets of copper—the world-wise govern the storm as they choose and leave you in it defenceless and lonely as old Lear. To put your heart into life is the most fatal of errors; it is to give a hostage to your enemies whom you can only ransom at the price of your ruin. But what is the use of talking? To you, life will be always Alastor and Epipsychidion, and to us, it will always be ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... the effect had been lessened by the fact that nothing has been left to the imagination. On the other hand there has, since Shakespeare, been nothing so fine as the treatment of Pere Fouan, that peasant King Lear, by his ungrateful family. It has been urged that Zola overdid the horrors of the situation and that no parent would have been so treated by his children. By a singular chance a complete answer to this objection ...
— A Zola Dictionary • J. G. Patterson
... cry. "We stayed with the Southards, Mrs. Gray, Anne, Miriam and I. Anne, Miss Southard and Mr. Southard left New York City for California last week. Mr. Southard and Anne are to appear as joint stars in film productions of 'As You Like It,' 'Hamlet,' 'King Lear' and possibly other Shakespearian plays. It is their first experience in posing before the camera. Anne sent you her love. She will write you as soon as ...
— Grace Harlowe's Return to Overton Campus • Jessie Graham Flower
... it is not the suspension, but the utter destruction of the reasoning powers; it is the total imbecility which, as medical people well know, frequently follows some terrible shock to the spirits. Constance is frantic; Lear is mad; Ophelia is insane. Her sweet mind lies in fragments before us—a pitiful spectacle! Her wild, rambling fancies; her aimless, broken speeches; her quick transitions from gayety to sadness—each equally purposeless and causeless; her snatches of old ballads, such as perhaps ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... the indecent exposures of themselves made by Voltaire, La Harpe, and many billions beside of bilious people. Whereas, of all the shameful people (equally billions and not less bilious) that have presumed to quarrel with Milton, not one has thought him ludicrous, but only dull and somnolent. In 'Lear' and in 'Hamlet,' as in a human face agitated by passion, are many things that tremble on the brink of the ludicrous to an observer endowed with small range of sympathy or intellect. But no man ever found the starry heavens ludicrous, though many find them dull, and prefer a near view ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... things, however, had attracted me to him in our brief meeting at Topeka: his voice, though low, had a thrill of power in it; his hand-clasp was firm and full of meaning; and when I looked into his blue eyes I recalled the words which the Earl of Kent said to King Lear: ...
— The Price of the Prairie - A Story of Kansas • Margaret Hill McCarter
... walked, too, in the gardens of the Nymphenburg Palace where the mad king used to play. We visited the State Theatre, where Wagnerian opera still holds the patient ear, and there we heard, not Wagner, but Shakespeare's "Lear," done in a jog-trot, uninspired, later-Victorian style. One felt as if the theatre had slept for thirty years and then, awakening, had resumed in the same style as before. It is often said reproachfully in Germany that Queen Victoria would never have made the late war, and that Victorian ...
— Europe—Whither Bound? - Being Letters of Travel from the Capitals of Europe in the Year 1921 • Stephen Graham
... exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ingratitude ...
— The World I Live In • Helen Keller
... season,—to confine rivers within their channels,—and to cause all things necessary for his people to be borne by the earth.' '(They told me I was everything. But when the rain came to wet me once, when the wind would not peace at my bidding,' says Lear, 'there I found them, there I smelt them out.)' This, in connection with the preceding anecdote, to which, in the opinion of this author, it comes properly so very near, may be classed of itself among the suggestive stories above referred to; but the bearing of these ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... way and that by the chill blast of man's ingratitude, more keenly toothed (as our divine Shakespeare observed) than winter's actual storm—but this by the way; it is not mine to anticipate more stable fortune, but rather to say with Lear—" ...
— True Tilda • Arthur Thomas Quiller-Couch
... Selwyn Image delivered the first of a series of four lectures on Modern Art before a select and distinguished audience. The chief point on which he dwelt was the absolute unity of all the arts and, in order to convey this idea, he framed a definition wide enough to include Shakespeare's King Lear and Michael Angelo's Creation, Paul Veronese's picture of Alexander and Darius, and Gibbon's description of the entry of Heliogabalus into Rome. All these he regarded as so many expressions of man's thoughts and emotions on fine things, ...
— Miscellanies • Oscar Wilde
... seems blind himself, and makes every [one] else so that looks at him. They have no speculation in them, as Shakespear says; what should be white is red, and there is no sight or crystal, only a black spot. It alters his countenance, and he looks like a man in a tragedy, as in K[ing] Lear, that has had his eyes put out with ...
— George Selwyn: His Letters and His Life • E. S. Roscoe and Helen Clergue
... and will therefore be new to most readers—Lamb writes very much in the manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, it will be remembered, after hearing the "motley fool" ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... dropped to the floor in front of my bookcase. From across the room a hitburner seared the door and slashed sidewise, cutting a smoking swathe across my encyclopedia from A-AUD to CAN-DAN and then came down as I squirmed aside. It took King Lear right out of Shakespeare before the beam winked out. It went off just in time to keep me from sporting a cooked stripe down ...
— Stop Look and Dig • George O. Smith
... Like Lear's—for he had felt the sting Of all too greatly giving The kingdom of his mind to those Who for it deemed him mad. [Footnote: Cale ...
— The Poet's Poet • Elizabeth Atkins
... of its syllables, and the softening down of its terminations, and inflections of words.' Somewhere between 1180 and 1216, the majestic speech in which Shakspeare was to write 'Macbeth' and 'King Lear,' Lord Bacon his 'Advancement of Learning,' Milton his 'Paradise Lost' and 'Areopagitica,' Burke his 'Reflections,' and Sir Walter Scott the Waverley Novels, and whose rough, but manly accents were to be spoken by at least a hundred million tongues, commenced ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... edition, 1728); Theobald's, 1733; Hanmer's 1744; Warburton-Pope's, 1747; and Johnson's 1765. Meanwhile, though Shakspere's plays continued to be acted, it was mostly in doctored versions. Tate changed "Lear" to a comedy. Davenant and Dryden made over "The Tempest" into "The Enchanted Island," turning blank verse into rhyme and introducing new characters, while Shadwell altered it into an opera. Dryden rewrote "Troilus and Cressida"; Davenant, "Macbeth." Davenant patched together ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... a more polished generation immediately sympathize with them. We need no numerous notes, no antiquarian dissertations, to enable the most ignorant to recognize the sentiments and diction of the characters of Homer; we have but, as Lear says, to strip off our lendings—to set aside the factitious principles and adornments which we have received from our comparatively artificial system of society, and our natural feelings are in unison with those of the bard of Chios and the heroes who live in his ...
— The Monastery • Sir Walter Scott
... princesses drowned in them, in accidental journeys, or by the violence of rival claimants to their thrones. The pretended records contain a vast number of legends, of very little interest or value, as the reader will readily admit when we tell him that the famous story of King Lear is the most entertaining one in the whole collection. It ...
— King Alfred of England - Makers of History • Jacob Abbott
... promulgated are received with wild enthusiasm. In Italy, during the most frenzied period of Garibaldian worship, my old friend, Lear the artist, asked a patriotic inn-keeper, who was in a wild state of excitement, to give him breakfast, to which the man replied: "Colazione! Che colazione! Tutto e amore e liberta!" In the Albanian village in which Miss Durham was residing when the Young Turks proclaimed ...
— Political and Literary essays, 1908-1913 • Evelyn Baring
... the crown be given? Lord Bacon had a kingly soul, capacious great thoughts, and high designs, but no one who has read his metrical translation of the Psalms of David will be troubled again with doubts whether he was the writer also of "Macbeth," "Othello," and "Lear." Compared with these sterile, bald, and mechanical quatrains, the sacred hymns of Isaac Watts are howling and bacchanalian anacreontics, to be hiccoughed by drunkards in their most abandoned ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... choice of subjects there was a like breadth. Balakirew was inspired by "King Lear," as was Tschaikowsky. And amid a wealth of Slavic legend and of kindred Oriental lore, he would turn to the rhythms of distant ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... time I ever was present at a dramatic representation: it was the benefit of that great actor[5] who was proceeding rapidly toward the highest paths of fame, when death, dropped the oblivious curtain, and closed the scene for ever. The part which he performed was King Lear; his wife, afterward Mrs. Fisher, played Cordelia, but not with sufficient eclat to render the profession an object for her future exertions. The whole school attended, Mr. Powel's two daughters being then pupils ...
— Beaux and Belles of England • Mary Robinson
... you see! Well,—there's your property. And with what your Mother left you will buy books and writing paper! As for my property—that's going to Jack. I've got the papers for that too. Not being an idiot I've saved out enough for myself—no Lear business for mine! Well, boy—I'm sorry you're a fool. But you've got what ...
— The Forerunner, Volume 1 (1909-1910) • Charlotte Perkins Gilman
... him of his books, besides cheating and plaguing him in the economy of his house, etc., etc. His feelings on such an outrage, both as a parent and a scholar, must have been singularly painful. Hayley compares him to Lear. See part third, Life of Milton, by W. Hayley (or Hailey, as spelt in the ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... people and their enemies in many a fight, who had sought battle in their behalf and heaped them with favors. His eyes saw the depth of that resignation which gave to God the one jewel that would have atoned for the horrid sufferings of the past. If he were free! He thought of old Lear moaning over ...
— The Art of Disappearing • John Talbot Smith
... was too much of artificial tone and measured cadence, in the declamation of the theatre. The present writer well remembers being in conversation with Dr. Johnson, near the side of the scenes, during the tragedy of King Lear: when Garrick came off the stage, he said, "You two talk so loud, you destroy all my feelings." "Prithee," replied Johnson, "do not talk of feelings, Punch has no feelings." This seems to have been his settled opinion; admirable as Garrick's ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson
... almost forgotten the Serajevo incident. The whole tragic occurrence simply survived in the sympathy which all felt with Austria in its new trouble, and especially with its aged monarch, who, like King Lear, was "as full of grief as age, wretched in both." Never was it even hinted that Germany and Austria were about to apply in a time of peace a match to the ...
— The Evidence in the Case • James M. Beck
... difference between the writer of nonsense verses and their illustrator; the former must let himself go as much as he can, the latter must hold himself in. In Greybeards at Play, Chesterton took the bit between his teeth, and bolted faster than Edward Lear had ever done. The antitheses of such verses as ...
— G. K. Chesterton, A Critical Study • Julius West
... example of this method is the 'Pere Goriot.' The general situation may be described in two words, by saying that Goriot is the modern King Lear. Mesdames de Restaud and de Nucingen are the representatives of Regan and Goneril; but the Parisian Lear is not allowed the consolation of a Cordelia; the cup of misery is measured out to him drop by ...
— Hours in a Library, Volume I. (of III.) • Leslie Stephen
... authors has long been enrolled among the comforts of ill-nature, and the triumphs of stupidity; such let it long remain! Let me at least take care in the worst storms that may arise in public or in private life, to say with Lear, ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, I shall ...
— Life Of Johnson, Vol. 2 • Boswell
... Burbadge) was the first of the great English tragic actors, and was the original of the greater number of Shakespeare's heroes—Hamlet, Othello, Lear, Shylock, Macbeth, Richard III., Romeo, Brutus, etc. Dick Tarleton, one of the privileged scapegraces of social life, was regarded by his contemporaries as the most witty of clowns and comedians. The clown was a permitted character in the old theatres, and intruded not ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... account. The sameness of the chanson story, the almost invariable recurrence of the stock motives and frameworks—of rebellion, treason, paynim invasion, petulance of a King's son, somewhat too "coming" affection of a King's daughter, tyrannical and Lear-like impotentia of the King himself, etc.—may be exaggerated, but cannot be denied. In the greatest of all by general acknowledgment, the far-famed Roland, the economy of pure story interest is pushed to a point which in a less unsophisticated age—say ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... There man appears as he is, made up of a crowd of passions, which contend for the mastery over him, and govern him in turn. What is Hamlet's ruling passion? Or Othello's? Or Harry the Fifth's? Or Wolsey's? Or Lear's? Or Shylock's? Or Benedick's? Or Macbeth's? Or that of Cassius? Or that of Falconbridge? But we might go on for ever. Take a single example-Shylock. Is he so eager for money as to be indifferent to revenge? Or so eager for revenge as to be indifferent ...
— The Diary and Letters of Madame D'Arblay Volume 1 • Madame D'Arblay
... know that the Bible suffers by a comparison with Shakespeare. They know that there is nothing within the lids of what they call "the sacred book" that can for one moment stand side by side with "Lear" or "Hamlet" or "Julius Caesar" or "Antony and Cleopatra" or with any other play written by the immortal man. They know what a poor figure the Davids and the Abrahams and the Jeremiahs and the Lots, the Jonahs, ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll
... "King Lear." For "loving like salt," see the parallels collected by Cosquin, i. 288. The whole story is a version of the numerous class of Cinderella stories, the particular variety being the Catskin sub-species analogous to Perrault's Peau d'Ane. "Catskin" was told by Mr. Burchell to the young Primroses ...
— English Fairy Tales • Joseph Jacobs (coll. & ed.)
... find the fatality in "Hamlet," "King Lear," in "Macbeth"? Is its throne not erected in the very centre of the old king's madness, on the lowest degree of the young prince's imagination, at the very summit of the Thane's morbid cravings? Macbeth we ...
— Wisdom and Destiny • Maurice Maeterlinck
... read from childhood, in a fragmentary way. "The Tempest," and "Midsummer Night's Dream," and "King Lear," I had swallowed among my fairy tales. Now I discovered that the historical plays, notably, "Julius Caesar" and "Coriolanus," had no less attraction for me, though of a different kind. But it was easy for me to forget that I ...
— A New England Girlhood • Lucy Larcom
... Boydell petitioned Parliament to allow him to dispose of his gallery of paintings by a lottery. The petition was granted, and the whole collection was thus disposed of. One of the finest of these pictures, King Lear, by Sir Benjamin West, is now ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... dancers disappeared. The masquerade was over; and again, through the darkness, rose the plaintive "All's well!" And it kept ringing in my ears until it became a mocking sound, from which I longed to be free. It was like the voice of Lear crying over the body of Cordelia: "Never, never, never, ...
— The Judgment House • Gilbert Parker
... which he makes to Friederike Roberts (1825): "Das Ungeheuerste, das Ensetzlichste, das Schaudervollste, wenn es nicht unpoetisch werden soll, kann man auch nur in dem buntscheckigen Gewaende des Laecherlichen darstellen, gleichsam versoehnend—darum hat auch Shakespeare das Graesslichste im "Lear" durch den Narren sagen lassen, darum hat auch Goethe zu dem furchtbarsten Stoffe, zum "Faust," die Puppenspielform gewaehlt, darum hat auch der noch groessere Poet (der Urpoet, sagt Friederike), naemlich ...
— Types of Weltschmerz in German Poetry • Wilhelm Alfred Braun
... my impression is that it was condemned as a fabrication for this and other neologies. The button is not a conspicuous item of female attire as of the male, and Shakespeare has been attacked for the vulgarity of even making Lear say, 'Prithee, undo this button,' ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... fount of Castaly. The Philadelphia school board has declared itself an aggregation of asses. "Les Miserables" is the greatest poem of divine humanity that this world has known since Shakespeare wrote "Lear." But I suppose "Lear," too, is immoral. I suppose everything is immoral, from "Oedipus, the Tyrant," to Hall Caine's "Christian," that teaches that men are born of woman, and that love will have its way, even unto all bitterness. It is eminently fitting that "Les Miserables" ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann
... them as a new kind of drama, as a redevelopment of epic and lyric poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all something of a convention to call the latter a success of drama and the former a success of something other than drama. Yet it is just as necessary to remember that drama does mean a definite ...
— Irish Plays and Playwrights • Cornelius Weygandt
... "tables, chairs, and joint stools are living, and significant things." In these passages Lamb seems to regard the comic merely as a means to an end;—"Who sees not," he asks, "that the grave-digger in Hamlet, the fool in Lear have a kind of correspondency to, and fall in with, the subjects which they seem to interrupt; while the comic stuff in 'Venice Preserved,' and the doggrel nonsense of the cook and his poisoning associates in ...
— History of English Humour, Vol. 2 (of 2) • Alfred Guy Kingan L'Estrange
... Chaucer sometimes uses iche as a dissyllable; vide his Poems passim. Ch'am, is I am, that is, ich am; ch'ill, is I will, ich will. See Shakespeare's King Lear, Act IV., Scene IV. What is very remarkable, and which confirms me greatly in the opinion which I here state, upon examining the first folio edition of Shakespeare, at the London Institution, I find that ch is printed, in one instance, with a mark of elision before it thus, 'ch, a proof ...
— The Dialect of the West of England Particularly Somersetshire • James Jennings
... arms, her fair head hanging back, her white garments streaming in the air, her golden locks floating, her witching eyes closed, and her blue lips apart and rigid on her glistening teeth—so she lay like dead Cordelia in the arms of old Lear. ...
— The Missing Bride • Mrs. E. D. E. N. Southworth
... alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as ...
— The Ascent of the Soul • Amory H. Bradford
... a man "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy woman, such as Rubens or Gilbert Stuart would gloat over in portraiture, and love to ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... new-cut bread, and dull as life in cells, O, scribes who dare forget how wild we are How human breasts adore alarum bells. You house us in a hive of prigs and saints Communal, frugal, clean and chaste by law. I'd rather brood in bloody Elsinore Or be Lear's fool, straw-crowned amid the straw. Promise us all our share in Agincourt Say that our clerks shall venture scorns and death, That future ant-hills will not be too good For Henry Fifth, or Hotspur, or Macbeth. Promise that through to-morrow's ...
— The Congo and Other Poems • Vachel Lindsay
... incapable of personification. Thus at one time*1* he likens men to clover-leaves and the Course-of-things to the browsing ox, which makes way with the clover-heads; while at another he addresses an old red hill of Georgia as "Thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer."*2* Like other Southern poets,*3* Lanier sometimes fails to check his imagination, and in consequence leaves his readers "bramble-tangled in a brilliant maze," as in his description of the stars in ...
— Select Poems of Sidney Lanier • Sidney Lanier
... sometimes the case that even parents in old age have had occasion to say with the forsaken King Lear, "How sharper than a serpent's tooth it is to have a thankless child!" It is right training in early life alone ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... Garrick's name was received with the greatest enthusiasm, who was proposed by J. F——. He presently superseded both Hogarth and Handel, who had been talked of, but then it was on condition that he should act in tragedy and comedy, in the play and the farce, Lear and Wildair and Abel Drugger. What a sight for sore eyes that would be! Who would not part with a year's income at least, almost with a year of his natural life, to be present at it? Besides, as he could not act alone, ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... being made ruler of the Tuatha Dea, but was later reconciled when the daughter of Bodb Dearg was given to him as his wife. On her death, he married her sister, who transformed her step-children into swans.[304] Ler is the equivalent of the Brythonic Llyr, later immortalised by Shakespeare as King Lear. ...
— The Religion of the Ancient Celts • J. A. MacCulloch
... as if he was shod with felt, Till he rushes against you with all his force, And then I needn't describe of course, While he kicks you about without remorse, How awkward it is to be groomed by a horse! Or a bullock comes, as mad as King Lear, And you never dream that the brute is near, Till he pokes his horn right into your ear, Whether you like the thing or lump it, - And all for want of ...
— Playful Poems • Henry Morley
... Lear, Othello, Macbeth, Coriolanus, Antony, Timon, these are names indeed of something more than tragic purport. Only in the sunnier distance beyond, where the sunset of Shakespeare's imagination seems to ...
— A Study of Shakespeare • Algernon Charles Swinburne
... drink of the new wine called heueriger. It is enough that, on All Saints' Day, after wandering awhile about a swampy churchyard in the suburb of Maria Hilf, to see the melancholy spot of light which glimmered at each grave-head, I went to the Burg Theatre, and witnessed Shakespeare's play of "King Lear" (and the best actor in Vienna played the Fool); and further, that I spent the evening of Christmas Day in Daum's coffee-house in reading Galignani's Messenger, in order to bring myself, in imagination at least, ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie
... bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use of vile tricks and artifices. Where is she, the unfortunate, betrayed child? With what is she clothing ...
— The Goose Man • Jacob Wassermann
... been very courteous towards the worsted gentry; had he lived in our times, they might have worsted him for a libel: he says in King Lear, "A base, proud, shallow, beggarly, three suited, hundred pound, filthy, worsted ...
— The Mirror Of Literature, Amusement, And Instruction, No. 391 - Vol. 14, No. 391, Saturday, September 26, 1829 • Various
... these parts with a gun or a fishing-rod. Forbye, I would rather walk ae mile on the hill wi' ye than twae, for ye gang up a brae-face like a mawkin! God! There's no a single man's trade that ye're no brawly fitted for. And then ye've a heap o' book-lear that folk learned ye away about England, though I cannot speak muckle on that, no being ...
— The Half-Hearted • John Buchan
... words "boy," "wood-sawyer," and "Coriolanus," which always recurred in Field's various versions of "Why I did not go on the stage." Eugene returned to St. Louis and quietly disposed of the costumes he had prepared for such characters as Hamlet, Lear, and Spartacus. ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson
... 272 volumes of the English translation of Balzac's "Les Contes Drolatiques" on the ground that the book was obscene. "Les Contes Drolatiques" is an acknowledged masterpiece, and is not nearly so free spoken as "Lear" or "Hamlet" or "Tom Jones" or "Anthony and Cleopatra." What would be thought of a French magistrate or a German magistrate who ordered a fair translation of "Hamlet" or of "Lear" to be burnt, because of its obscenity? He would be regarded as demented. ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... Lushington, the great Greek scholar and Professor of Greek at Glasgow University. There was in Mr Lushington's personal aspect, and noble simplicity of manner and character, something that strongly resembled Tennyson himself. Among their common friends were Lord Houghton (Monckton Milnes), Mr Lear of the Book of Nonsense ("with such a pencil, such a pen"), Mr Venables (who at school modified the profile of Thackeray), and Lord Kelvin. In town Tennyson met his friends at The Cock, which he rendered classic; among them were Thackeray, Forster, Maclise, and Dickens. The times were stirring: ...
— Alfred Tennyson • Andrew Lang
... and reading, and the culture coming of a few years' association with the primitive English stage and its hangers-on, was capable of broadening and deepening, with vital experience and vital culture, into the poet of LEAR and MACBETH. But the vital culture must come to it, like the experience: this was not a man who would go out of his way to seek the culture. A man so minded, a man who would bear hardship in order to win knowledge, would not have ...
— Montaigne and Shakspere • John M. Robertson
... no in titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest; It's no in makin muckle mair; It's no in books, it's no in lear, To make us truly blest; If happiness hae not her seat And centre in the breast, We may be wise, or rich, or great, But never can be blest: Nae treasures, nor pleasures, Could make us happy lang; The heart ay's the part ay That makes us ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham
... He may think he did his duty; oh yes, good easy man! and say so too, very, very bitterly; and the world may echo his most partial verdict, crying shame on the unnatural Goneril and Regan, bad daughters who despise the Lear in old age, or on the dissolute and graceless youth, whose education cost so much, and yields so very little. But money cannot compensate that maiden or that youth for early and habitual injustice done to their budding minds, their sensitive hearts, ...
— The Complete Prose Works of Martin Farquhar Tupper • Martin Farquhar Tupper
... an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a ...
— No Great Magic • Fritz Reuter Leiber
... against Tripoli to put Hamet on his throne, appears in the instructions which Commodore Barron carried to the Mediterranean. If he could use Eaton and Hamet to make a diversion, well and good; but he was at the same time to assist Colonel Tobias Lear, American Consul-General at Algiers, in negotiating terms of peace, if the Pasha showed a conciliatory spirit. The Secretary of State calculated that the moment had arrived when peace could probably be secured "without any price and pecuniary ...
— Jefferson and his Colleagues - A Chronicle of the Virginia Dynasty, Volume 15 In The - Chronicles Of America Series • Allen Johnson
... Tolstoy we gaze unrevolted upon the nethermost depths of human depravity, discerning moral beauty even there; while with Virgil, Dante and Milton, we walk unscathed in Hell itself. The terribilita of Michaelangelo, the chaos and anarchy of Shakespeare at his greatest, as in Lear—these find expression in perfect rhythms, so potent that we recognize them as proceeding from a supernal beauty, the beauty of that soul "from which also cometh the life of man and of beast, and of the birds of the air and of ...
— Four-Dimensional Vistas • Claude Fayette Bragdon
... complicated contortions of the body and the most transitory movement. His humorous illustrated poems, such as Max und Moritz, Der heilige Antonius von Padua, Die Fromme Helene, Hans Huckebein and Die Erlebnisse Knopps des Junggesellen, play, in the German nursery, the same part that Edward Lear's nonsense verses do in England. The types created by him have become household words in his country. He invented the series of comic sketches illustrating a story in scenes without words, which have inspired Caran d'Ache and ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... Constance, frantic for the loss of her son—then look at Lear, maddened by the ingratitude of his daughters: why it is the west wind bowing those aspen tops that wave before our window, compared to the tropic hurricane, when forests crash and burn, and mountains tremble ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... lightning. In those days of fast bowling, they would put a man behind the long-stop, that he might cover both long-stop and slip; the man always selected for this post was Noah. Now and then little George Lear (whom I have already described as being so fine a long-stop), would give Noah the wink to be on his guard, who would gather close behind him: then George would make a slip on purpose, and let the ball go by, when, in an instant, Noah would have it up, and into the wicket-keeper's ...
— Highways & Byways in Sussex • E.V. Lucas
... what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles, ...
— Ulysses • James Joyce
... King Lear. Apple, balm, burdock, cork, corn, crab, fumiter, hemlock, harlock, nettles, cuckoo-flowers, darnel, flax, hawthorn, lily, marjoram, oak, oats, peascod, rosemary, vines, ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... last duty to the Court and come All fresh and fragrant, to the drawing-room; In hues as gay, and odours as divine, As the fair fields they sold to look so fine. "That's velvet for a king!" the flatterer swears 'Tis true, for ten days hence 'twill be King Lear's. Our Court may justly to our stage give rules, That helps it both to fools-coats and to fools. And why not players strut in courtiers' clothes? For these are actors too, as well as those: Wants reach all states; they ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... Lear, King of Britain, had three daughters; Goneril, wife to the Duke of Albany; Regan, wife to the Duke of Cornwall; and Cordelia, a young maid, for whose love the King of France and Duke of Burgundy were joint suitors, and were at this time ...
— Tales from Shakespeare • Charles Lamb and Mary Lamb
... of her excitement, looked at the pictures on the walls. First of all there was Guido Reni's Aurora, while opposite it hung English etchings of pictures by Benjamin West, made by the well known aquatint process. One of the pictures was King Lear in the storm on ...
— The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12 • Various
... by noting that the scoring throughout tends to glutinousness, like that of the pre-war Carlsbad plum; further, that a solo on the muted viola against an accompaniment of sixteen sarrusophones is only effective if the sarrusophones are prepared to roar like sucking-doves, which, as LEAR would have said, "they seldom if ever do." Still, on the whole the ...
— Punch, or the London Charivari, Vol. 159, October 6, 1920 • Various
... wonder how you made him!" exclaimed Abraham, turning up his nose at his parent, and then looking to the ceiling with emotion—"You unnatural old Lear! you bloodless piece ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various
... life and character has its inherent moral; and the business of the dramatist is so to pose the group as to bring that moral poignantly to the light of day. Such is the moral that exhales from plays like 'Lear', 'Hamlet', and 'Macbeth'. But such is not the moral to be found in the great bulk of contemporary Drama. The moral of the average play is now, and probably has always been, the triumph at all costs of a supposed immediate ethical good over ...
— Forsyte Saga • John Galsworthy
... adopted children far outnumbering those of its own blood. It absorbs at its will the slang of the street gamin, the cant of thieves and beggars; is actually creative in the baby talk of mothers and nurses; drops, forgets, and actually invents new words with no pedigree like those of Lear, Carrol, and many others.[4] ...
— Youth: Its Education, Regimen, and Hygiene • G. Stanley Hall
... once we begin in that way? As I mean to end, so I'll begin. And as for you, George, there's no end to your softness. You're that green, that the very cows would eat you." Was it not well said by Mr. Robinson in his preface to these memoirs, that the poor old commercial Lear, whose name stood at the head of the firm, was cursed with a Goneril,—and with ...
— The Struggles of Brown, Jones, and Robinson - By One of the Firm • Anthony Trollope
... leaps from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor Tom" on ...
— Serge Panine • Georges Ohnet
... the matter of length, and then print their plays with brackets or other marks to show the "passages omitted in representation." This is, however, essentially an inartistic practice, and one cannot regret that it has gone out of fashion. Another point to be considered is this: are Othello and Lear really very complex character-studies? They are extremely vivid: they are projected with enormous energy, in actions whose violence affords scope for the most vehement self-expression; but are they not, in reality, colossally ...
— Play-Making - A Manual of Craftsmanship • William Archer
... the proprietor of this hotel, was the principal manager in the unloading of the records and furniture belonging to the government when the ships bringing it from Philadelphia docked at Lear's Wharf. Abraham Bradley, who, as Assistant Postmaster General, had charge of the removal of that department, and Joseph Nourse, who was Registrar of the Treasury, may also have stopped at Crawford's ...
— A Portrait of Old George Town • Grace Dunlop Ecker
... has been blamed by some few critical asses for the raillery of Mercutio, and the humor of the nurse, in "Romeo and Juliet;" for the fool in "Lear;" for the porter in "Macbeth;" the grave-diggers in "Hamlet," etc.; because, it is said, these bits interrupt the tragic feeling. No such thing; they enhance it to an incalculable extent; they deepen its degree, though they diminish its duration. And what is the result? ...
— The Poetry of Architecture • John Ruskin
... as described by the pen of Shakspeare, has brought tears into millions of eyes. The tragedy of King Lear and his wretched daughters is known throughout the civilized world. What heart is not indignant at such treatment? Who does not abhor the ...
— The Child at Home - The Principles of Filial Duty, Familiarly Illustrated • John S.C. Abbott |
