"Lyric" Quotes from Famous Books
 ... those blithe notes, I slipped once more From lyric dawn through dreamland's open door, And there was God, Eternal Life that sings, Eternal joy, brooding all mortal things, A nest of ...
— The Second Book of Modern Verse • Jessie B. Rittenhouse
... above that ordinary kind, to which music is so often doomed to be wedded—making up by her own sweetness for the dulness of her help-mate—by far the greater number of the songs are full of beauty, and some of them may rank among the best models of lyric writing. The verses, "Had I a heart for falsehood framed," notwithstanding the stiffness of this word "framed," and one or two other slight blemishes, are not unworthy of living in recollection with the matchless air to ...
— Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan V1 • Thomas Moore
... on "Lyric Declamation: Recitative, Song and Ballad Singing," will be discussed the practical application of these basic principles of Style to the vocal music of the German, French, Italian and other ...
— Style in Singing • W. E. Haslam
... quality, her destiny; nothing could be more distinctly written. There are women who are unmarried by accident, and others who are unmarried by option; but Olive Chancellor was unmarried by every implication of her being. She was a spinster as Shelley was a lyric poet, or as the month of August is sultry. She was so essentially a celibate that Ransom found himself thinking of her as old, though when he came to look at her (as he said to himself) it was apparent that her years were fewer than his own. He did not dislike her, she ...
— The Bostonians, Vol. I (of II) • Henry James
... lyric which comes from the lips of Mary, has been sung during many centuries as one of the chief canticles of the Christian Church. Its occasion was a visit paid to her kinswoman, Elisabeth, by Mary shortly after she had received the promise of the ...
— The Gospel of Luke, An Exposition • Charles R. Erdman
... Cherry Time On the Death of Mrs. Jessie Willis Thank God for Pleasant Weather The Master's Song The Missing Ship Jeannie Marsh Lucy Epitaph In Memory of John W. Francis, Jr Nature's Noblemen A Wall-Street Lyric King Cotton Words Adapted to a Spanish Melody Love in Exile To the Evening Star Welcome Home The Sycamore Shade Up the Hudson Only Thine Epigram on Reading Grim's Attack upon Clinton On Hearing that Morse Did Not Invent ...
— Poems • George P. Morris
... Comtesse de Ponthieu, can be said to be of the same class, even giving the word class a fairly elastic sense. They are short prose Romans d'aventures. But Asseneth is a mystical allegory; Aucassin et Nicolette is a sort of idyll, almost a lyric, in which the adventure is entirely subordinated to the emotional and poetical interest; L'Empereur Constant, though with something of the Roman d'aventures in it, has a tendency towards a ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... shy about being caught reading poetry. We men—lawyers, mechanics, or what not—may well feel ashamed. If we must read poetry, it should be at dead of night, within closed doors. But you women are so akin to poesy. The Creator Himself is a lyric poet, and Jayadeva [15] must have practised the divine ...
— The Home and the World • Rabindranath Tagore
... Gloria in excelsis that such Good exists; both the yearning and the exaltation gathering their utmost force from the sense of communion in a form which has expressed them both, for long generations of struggling fellow-men. The Hebrew liturgy, like others, has its transitions of litany, lyric, proclamation, dry statement and blessing; but this evening, all were one for Deronda: the chant of the Chazaris or Reader's grand wide-ranging voice with its passage from monotony to sudden cries, the outburst of sweet boys' voices from the little choir, the devotional swaying ...
— Daniel Deronda • George Eliot
... Glatton? Can a Devastation or a Glatton ever inspire poetic thoughts and images? One would say that the singer must be endowed in no ordinary degree with the sacred fire whom such a theme as a modern ironclad turret-ship should move to lyric utterance. It has been said that all the romance of the road died out with the old coaching days; and certainly a locomotive engine, with its long black train of practical-looking cars, makes hardly so picturesque a feature in the landscape as one of the old stage-coaches ...
— Man on the Ocean - A Book about Boats and Ships • R.M. Ballantyne
... in himself as it is in nature; it is the highest object of his thoughts. Its workings are submitted to his observation and experiment as a part of the world of knowledge; he sees its operation in individuals, social groups, and nations, and sets it forth in the action of the lyric, the drama, and the epic as the law of life. In its sphere is the higher unity of plot by virtue of which it integrates many lives in one main action. Such, then, is the nature of plot as intermediary between man and his environment, but deeply engaged in the latter, and not to be freed from it ...
— Heart of Man • George Edward Woodberry
... young Irish gentleman, of whom Lord Charlemont had become the friend and patron. He afterwards published "Thoughts on Lyric Poetry, with an Ode to the Moon;" an "essay on Ridicule, Wit, and Humour;" and a translation of the Argonautics of Appollonius ...
— Letters of Horace Walpole, V4 • Horace Walpole
... times, is also familiar to most ears; but its wild, ringing, rapturous burst of song in the air high above the tree-tops is not so well known. From a very prosy, tiresome, unmelodious singer, it is suddenly transformed for a brief moment into a lyric poet of great power. It is a great surprise. The bird undergoes a complete transformation. Ordinarily it is a very quiet, demure sort of bird. It walks about over the leaves, moving its head like a little hen; then perches on a limb a few feet from the ground and sends ...
— Bird Stories from Burroughs - Sketches of Bird Life Taken from the Works of John Burroughs • John Burroughs
... modern times, Petrarch [1] is the Italian songster of Laura and love. In the harmony of his Tuscan rhymes, Italy applauds, or rather adores, the father of her lyric poetry; and his verse, or at least his name, is repeated by the enthusiasm, or affectation, of amorous sensibility. Whatever may be the private taste of a stranger, his slight and superficial knowledge should humbly acquiesce in the judgment of a learned nation; yet I may hope or presume, ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... Still lingers in the valley; but the bee With restless passion hovers on the wing, Waiting the opening flower, of whose embrace The sun shall be the signal. Poised in air, The winged minstrel of the liquid dawn, The lark, pours forth his lyric, and responds To the fresh chorus of the sylvan doves, The stir of branches and the fall of ...
— Venetia • Benjamin Disraeli
... fairly wide difference and disparity among the old editions of the poets and romancists; and there are, and always will be, a distinguished minority, of which the selling prices may be expected to remain firm. Such men as Shakespeare, Jonson, Beaumont, Fletcher, Chapman, Massinger, and among the lyric group Barnfield, Watson, Constable, Wither (earlier works and Hallelujah), Carew, Herrick, Suckling, and Lovelace, are to be viewed as standard ...
— The Book-Collector • William Carew Hazlitt
... publish a work on Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship of the Finns ...
— The Kalevala (complete) • John Martin Crawford, trans.
... not write poetry himself, but he read poetry with a good deal of effect, and he would sometimes take a hint from one of Gifted Hopkins's last productions to recite a passionate lyric of Byron or Moore, into which he would artfully throw so much meaning that Myrtle was almost as much puzzled, in her simplicity, to know what it meant, as she had been by the religious fervors of ...
— The Guardian Angel • Oliver Wendell Holmes, Sr.
... which renders it almost a new work. Many of there accessions are taken from extremely rare originals, and others are here printed for the first time, including amongst the latter the ballad of Earl Brand, a traditional lyric of great antiquity, long familiar to the dales of the North of England; and the Death of Queen Jane, a relic of more than ordinary intesest. Nearly forty songs, noted down from recitation, or gathered from sources not generally accessible, have been added to the former collection, illustrative, ...
— Ancient Poems, Ballads and Songs of England • Robert Bell
... groves—these are but ingredients, they are not the secret of the philtre. The place is sanative; the air, the light, the perfumes, and the shapes of things concord in happy harmony. The artist may be idle and not fear the "blues." He may dally with his life. Mirth, lyric mirth, and a vivacious classical contentment are of the very essence of the better kind of art; and these, in that most smiling forest, he has the chance to learn or to remember. Even on the plain of Biere, where the Angelus of Millet still tolls upon the ear of fancy, a larger air, ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... the subject of metre, have objected to this kind of verse that it is "lawless." But it has its laws as truly as any other. In its highest order, the lyric or "ode," it is a tetrameter, the line having the time of eight iambics. When it descends to narrative, or the expression of a less-exalted strain of thought, it becomes a trimeter, having the time of six iambics, or even a dimeter, with the time of four; and it is allowable to vary ...
— The Unknown Eros • Coventry Patmore
... feel that in giving it they are offending against all the rules of historical perspective. I should not say that my father was one of the great poets of Germany, though Heine, no mean critic, declared that he placed his lyric poetry next to that of Goethe. Besides, he was barely thirty-three when he died. He had been a favourite pupil of F. A. Wolf, and had proved his classical scholarship by his Homerische Vorschule, ...
— My Autobiography - A Fragment • F. Max Mueller
... fat woman, lapsing, as she occasionally did lapse, into the easy Italian of the lyric stage. ...
— The Paliser case • Edgar Saltus
... before my departure my mother drove with me to Blasewitz, where there was an elegant entertainment at which the lyric poet Julius Hammer, the author of "Look Around You and Look Within You," who was to become a dear friend of mine, extolled in enthusiastic verse the delights of student liberty and the noble ...
— Uarda • Georg Ebers
... roysterer on the ground proposed the King's health, and supported the toast by a ballad in which "Great Charles, like Jehovah," was described as merciful and generous to the foes that would unking him and the vipers that would sting him. The chorus to this loyal lyric was sung by the ...
— The Shadow of a Crime - A Cumbrian Romance • Hall Caine
... the bar, and occasional rests, as in musical compositions: if this was attended to by those who set poetry to music, it is probable the sound and sense would oftener coincide. Whether these musical times can be applied to the lyric and heroic verses of the Greek and Latin poets, I do not pretend to determine; certain it is, that the dactyle verse of our language, when it is ended with a double rhime, much resembles the measure of Homer and Virgil, except in the length of the lines. B. ...
— The Botanic Garden. Part II. - Containing The Loves of the Plants. A Poem. - With Philosophical Notes. • Erasmus Darwin
... kept a song going—a matter of some seventy-nine verses. Seventy-eight were quite unprintable, and rejoiced his brother cowpunchers monstrously. They, knowing him to be a singular man, forebore ever to press him, and awaited his own humor, lest he should weary of the lyric; and when after a day of silence apparently saturnine, he would lift ...
— The Virginian - A Horseman Of The Plains • Owen Wister
... charging my flagon to the brim, he declared his despotic pleasure, that I should quaff it off to the last lingering globule. No hard calamity, truly; for the drinking of this wine was as the singing of a mighty ode, or frenzied lyric ...
— Mardi: and A Voyage Thither, Vol. I (of 2) • Herman Melville
... from 1150 to 1190. The lyric poets of this period were for the most part Austrian and Bavarian knights who lived remote from the French border and were little influenced by the now well-developed art of the troubadours and trouvres. They got their impulse rather from the simple love-messages ...
— An anthology of German literature • Calvin Thomas
... was cutting pigeon-wings, the concertina played "Matamoras," Jones continued his lyric, when two Mexicans leaped at each other, and the concertina ...
— Red Men and White • Owen Wister
... knotting of what is a very simple thread of thought. It was therefore no easy matter to choose something of Campion's for a collection of the finest work. For an historical book of representative poetry the question would be easy enough, for there Campion should appear by his glorious lyric, Cherry Ripe, by one or two poems of profounder imagination (however imperfect), and by a madrigal written for the music (however the stanzas may flag in their quibbling). But the work of choosing among his lyrics for the sake of beauty shows too clearly the inequality, the brevity of the inspiration, ...
— Flower of the Mind • Alice Meynell
... purity and aloofness from sordid things, conveyed by the fine touch on all our senses of light, colour, form, and air, and motion, and rare tinkling sound. The magic is like a spirit mood of Shelley's lyric verse. And, what is perhaps most wonderful, this delicate delight may be enjoyed without fear in the coldest weather. It does not matter how low the temperature may be, if the sun is shining, the air dry, and the ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... Sir, Madame George Sand must be gratified this time! Your article this morning upon her autobiography really did hit the bull's-eye, plumb! What fire! what enthusiasm! what lyric strains!" ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various
... returned with a copy of the memorandum-book. The memorandum-book begins with the well-known words saying that 'the management of the Opera shall give to the performance of the National Academy of Music the splendor that becomes the first lyric stage in France' and ends with Clause 98, which says that the privilege can be withdrawn if the manager infringes the conditions stipulated in the memorandum-book. This is followed by the conditions, which ...
— The Phantom of the Opera • Gaston Leroux
... the rue Neuve des Petits Champs, which Thackeray described in The Ballad of Bouillabaisse; Maire's, in the boulevard St.-Denis, which dates back beyond 1850; the Cafe Madrid, in the boulevard Montmartre, of which Carjat, the Spanish lyric poet, was an attraction; the Cafe de la Paix, in the boulevard des Capucines, the resort of Second Empire Imperialists and their spies; the Cafe Durand, in the place de la Madeleine, which started on ...
— All About Coffee • William H. Ukers
... very hotel, but, alas! he is now gone, who sang (from morning to night, as my informant said with a shrug at the recollection) what but 'S IST LANGE HER, the German version of Auld Lang Syne; so you see, madame, the finest lyric ever written will make its way out of whatsoever corner of patois it found its ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... birth, and came a child to Ohio; but William H. Lytle, dear to lovers of poetry as the author of the fine lyric, "Antony and Cleopatra," was born in Cincinnati, of the old Scotch-Irish stock, in 1826. He had everything pleasant in life and he enjoyed his prosperity, but when the war came he met its call halfway. At Chickamauga he fell, pierced ...
— Stories Of Ohio - 1897 • William Dean Howells
... last half of the twelfth and the early years of the thirteenth century, Provencal poetry was already popular in Italy and Spain when the Albigeois crusade devastated the south of France and scattered the troubadours abroad or forced them to seek other means of livelihood. The earliest lyric poetry of Italy is Provencal in all but language; almost as much may be said of Portugal and Galicia; Catalonian troubadours continued to write in Provencal until the fourteenth century. The lyric poetry of the "trouveres" in ...
— The Troubadours • H.J. Chaytor
... years," concluded the report in a strain of lyric prophecy, "petroleum will have taken the place of all the primitive and useless illuminating mediums now employed. It will replace, in like manner, all the coarse and troublesome varieties of fuel of our day. In less than twenty years the whole world will be lighted and heated by petroleum; ...
— The Clique of Gold • Emile Gaboriau
... volume is a reprint of the 1891 volume; but it has been thought well to include, in an appendix, certain of the poems which appeared in one or other of the first two issues, but were omitted from the 1891 issue, together with a little Greek lyric, with its English equivalent, from the "Letters ...
— Ionica • William Cory (AKA William Johnson)
... specimen of Pushkin's lyric productions which we shall present to our countrymen, "done into English," as Jacob Tonson was wont to phrase it, "by an eminent hand," is a production considered by the poet's critics to possess the very highest degree of merit in its peculiar style. We have mentioned ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... church, and afterwards listen to the songs which the girls sing in the summer choral dances, or take part in the merriment of the social gatherings, which enliven the long nights of winter. Sometimes the quaint lyric drama of a peasant wedding is performed before our eyes, sometimes we follow a funeral party to one of those dismal and desolate nooks in which the Russian villagers deposit their dead. On working days we see the peasants driving afield in the early morn with their long lines of carts, to till the ...
— Russian Fairy Tales - A Choice Collection of Muscovite Folk-lore • W. R. S. Ralston
... filled with a blue and fragrant mist proceeding from twenty pipe-bowls. Mr. Peyton sang a pretty song of his own composing. The company applauded. Sir Charles Carew, in a richly plaintive tenor voice, sang a lyric of Rochester's. Several of the gentlemen looked askance (the clergyman had left the room with the ladies), but on the Governor's crying out "Excellent!" they considered themselves over-squeamish, and ...
— Prisoners of Hope - A Tale of Colonial Virginia • Mary Johnston
... first Fifteen Psalms of David, translated into Lyric Verse: Proposed as an Essay, supplying the Perspicuity and Coherence according to the Modern Art of Poetry; not known to have been attempted before in any Language. With a Preface containing some Observations of the great and general Defectiveness of former ...
— The Prose Works of Jonathan Swift, D. D., Volume IV: - Swift's Writings on Religion and the Church, Volume II • Jonathan Swift
... was an attempt to escape from a reality too big and brutal for him. His passionate lyric, "I have been faithful to thee, Cynara! in my fashion," a triumph of despair and disillusion, is an outburst in which Dowson epitomized himself—"One of the greatest lyrical poems of our time," writes Arthur Symons, "in it he has for once said everything, ...
— Modern British Poetry • Various
... of Italian poetry, which now followed at the end of the fifteenth century, as well as the Latin poetry of the same period, is rich in proofs of the powerful effect of nature on the human mind. The first glance at the lyric poets of that time will suffice to convince us. Elaborate descriptions, it is true, of natural scenery are very rare, for the reason that, in this energetic age, the novels and the lyric or epic poetry had something else to deal with. Bojardo and Ariosto ...
— The Great Events by Famous Historians, Volume 07 • Various
... boy, having satisfied the Master [Dr. Barnard] that he was an admirable scholar, and possessed of genius, was at once placed at the head of a form. He acquired the rules of Latin verse; tried his powers; and perceiving that he could not rise above his rivals in Virgil, Ovid, or the lyric of Horace, he took up the sermoni propiora, and there overshadowed all competitors. In the following lines he describes the hammer of the auctioneer with a mock sublimity which turns Horace ...
— Life Of Johnson, Vol. 1 • Boswell
... music as might suit him. In the collection was the air—unknown at that time to Americans—to which Dr. Smith set the words now so widely known and sung. There was not the slightest idea on his part that he was producing a national lyric, but it caught the popular taste at once, and every year has fixed it more firmly in the hearts of the people as an expression of patriotic feeling. It was first sung at a children's festival at Park Street Church, July 4, 1832, and very soon found its way into district ...
— The Bay State Monthly, Vol. II, No. 6, March, 1885 - A Massachusetts Magazine • Various
... age. What made this one country boy the most astonishing genius in all the history of literature? Study the youth of Robert Burns, of Heinrich Heine, or Coleridge, and then tell me why the first two should become the greatest lyric poets of their time, and the third, one of England's deepest thinkers? Why did they not develop, one into a satisfied Scottish farmer, the other into a peddler of notions, and the third into a fat and comfortable ...
— Evolution - An Investigation and a Critique • Theodore Graebner
... order the circumstances, and render clear, as, for example, in the Sonnets, the subtleties of his thought. A great artist, by his comprehensive grasp of the main issue of his work, even in a short lyric or a small picture, and by his luminous representation of it, suggests, without direct expression of them, all the strange psychology, and the play of character in the situations. And such an artist does this excellent thing by his noble composition, ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... assumptions lead into a form of historical primitivism in which the products of the first poets were "extemporary effusions," rudely imitative of pastoral scenes or celebratory of the divine being. Thus the first generic distinction Ogilvie makes is between pastoral poetry and lyric; the function of the former is to produce pleasure, the latter to raise admiration of the powers presiding over nature. As poetry is more natural to the young mind than philosophy, so is the end of pastoral poetry more easily achieved than that of the lyric. The difference ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... in Society, at the conclusion of a song—that the singer herself should say the right thing, and not leave it to the audience. Suppose a young lady has just been warbling ('with a grating and uncertain sound') Shelley's exquisite lyric 'I arise from dreams of thee': how much nicer it would be, instead of your having to say "Oh, thank you, thank you!" for the young lady herself to remark, as she draws on her gloves, while the impassioned words 'Oh, press it to thine own, or it will break ...
— Sylvie and Bruno • Lewis Carroll
... A lyric conception—my friend, the Poet, said—hits me like a bullet in the forehead. I have often had the blood drop from my cheeks when it struck, and felt that I turned as white as death. Then comes a creeping as of centipedes running down the spine, —then a ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... attributed to him. It is said of him: "The solicitude for ardent expression overmasters every aesthetic consideration.... He is a poet with stone as his instrument of expression. He makes it express emotions that are never found save in music or in psychological and lyric literature." ...
— The Psychology of Beauty • Ethel D. Puffer
... small box you can haf all your wishes," asserted the Professor, still in the German lyric strain over his triumph. "It iss the box of enchantments. You haf but to will the change you would haf taig place—it iss done. The substance of the ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... built her throne: But thou, Euterpe, touched blind Milton's tongue, And swept the thousand chords of Shakespeare's soul; Woke Byron from his hours of idle dream, And then he sang mankind a deathless song. But thou at last didst reach the lyric goal Of art in ...
— The Loom of Life • Cotton Noe
... O, metre as below, 6: A fine lilting lyric of the Captain's love for his lass; his farewell; and his death. ...
— A Syllabus of Kentucky Folk-Songs • Hubert G. Shearin
... humanity, and at last himself. With him, as with all others, the great paradox and the great definition of life was this, that the ambition narrows as the mind expands. In Dramatic Lyrics he discovered the one thing that he could really do better than any one else—the dramatic lyric. The form is absolutely original: he had discovered a new field of poetry, and in the centre of that field he ...
— Robert Browning • G. K. Chesterton
... her before he saw her. The rhythms of a song, a tender and gay little lyric which she had sung to crowded drawing-rooms, but for him alone, long years past, floated out to him, clear and pure, through the clear, pure balm of the forest. He slipped quietly from his horse and saw her, through the window, seated at ...
— Success - A Novel • Samuel Hopkins Adams
... be bad or good; he no doubt wanted a lyric facility and technical skill; but he had the source of poetry in his spiritual perception. He was a good reader and critic, and his judgment on poetry was to the ground of it. He could not be deceived as to the presence or absence of ...
— The Atlantic Monthly, Vol. 10, No. 58, August, 1862 • Various
... slave women that are among the gifts sent to Cleon, seems to be indicated the degradation of the spiritual by its subjection to earthly ideals, as were the ideals of Greek art. This is more particularly indicated by the one white she-slave, the lyric woman, whom further on in his letter, Cleon promises to the King he will make narrate (in lyric song we must suppose) his fortunes, speak his great words, ...
— Introduction to Robert Browning • Hiram Corson
... lyric and monologue in which Browning set forth the varieties of passionate experience was an art-form of immense possibilities, which it was a work of genius to discover. To say that Browning, the inventor of this amazingly fine form, was indifferent to form has always seemed to me the extreme ...
— Old and New Masters • Robert Lynd
... expected to," answered Sydney, gloomily. "I am always saddest at dinner, for I know that I have been asked because there is a tradition in society that I am a wit. If I speak of the gloomiest subjects people snicker; if I am eloquent or pathetic, they roar. I am by nature rather a lyric poet than a wit—ah, you are laughing, Mrs. Carey, you are laughing. What did ...
— The King's Men - A Tale of To-morrow • Robert Grant, John Boyle O'Reilly, J. S. Dale, and John T.
... the stress Of yearning notes that gush and stream, The lyric joy, the tenderness, And once again the dream! ...
— Lyrics of Earth • Archibald Lampman
... his senses through his memory was strengthened by the knowledge which fretted him to the admission that she had wearied first—that while her fascination was still potent to work its spell upon him, she had fled in a half lyric, half devilish pursuit of the flesh she worshipped. To live life thoroughly, to get out of it all that it contained of pleasure or of experience, this was the germ of his applied philosophy; and it was only by some ...
— The Wheel of Life • Ellen Anderson Gholson Glasgow
... only, if at all, through filmy veils and apparitions, the haunting offspring of another's mind. And remember, we are now speaking of the spirits in novels alone. Besides novels, there are the breeding grounds of the drama, the essay, the lyric, and every other kind of spiritual and imaginative book. In every corner the spirits lurk, ready to spring upon us unaware. We are ghost-ridden. The witches tear us. Our life is no longer our own. It has become a nebula of alien dreams. O wretched men that we are! Who shall deliver ...
— Essays in Rebellion • Henry W. Nevinson
... imprint, clear or faint, is on all our literary forms, except perhaps one. Epic, lyric, elegiac, dramatic, didactic, poetry, history, biography, rhetoric and oratory, the epigram, the essay, the sermon, the novel, letter writing and literary criticism are all Greek by origin, and in nearly ...
— The Legacy of Greece • Various
... fictitious; the Wits were not wearing a mask, but were exhibiting their genuine selves with perfect simplicity. Now one characteristic of the Wit is always a fear of ridicule. Above all things he dreads making a fool of himself. The old lyric, for example, which came so spontaneously to the Elizabethan poet or dramatist, and of which echoes are still to be found in the Restoration, has decayed, or rather, has been transformed. When you have written a genuine bit of love-poetry, the last place, I take it, in which you think ...
— English Literature and Society in the Eighteenth Century • Leslie Stephen
... speak in either of these poems; but the thoughts are those which she must have, and so far, surely, her lover can divine her? The explanation given both by Mrs. Orr and Berdoe of Love in a Life (the first lyric), that the lover is "inhabiting the same house with his love," seems to me simply inept. Is it not clear that no material house[308:1] is meant? They are both inhabiting the body; and she, passing through this sphere, ...
— Browning's Heroines • Ethel Colburn Mayne
... poet Gascoigne, and the elder of our fascinating trio, is conspicuous for an unswerving, whole-hearted attachment to nature and rural scenes. It is in the pastoral lyric where, with tenderest devotion, he pursues, untrammelled, a light and free-born fancy. His fertile, varied muse, laden with the passionate exaggerations of love-lorn swain, is yet charged with richest imagery and thought, ...
— Pastoral Poems by Nicholas Breton, - Selected Poetry by George Wither, and - Pastoral Poetry by William Browne (of Tavistock) • Nicholas Breton, George Wither, William Browne (of Tavistock)
... an imagination of intense fire and heat, but an almost finished art—a power of conceiving subtle mental complexities with clearness and of expressing them in a picturesque form and in perfect lyric language. Each poem renders a single mood, and renders ...
— Essays from 'The Guardian' • Walter Horatio Pater
... been more variously designated than Comus. Milton himself describes it simply as "A Mask"; by others it has been criticised and estimated as a lyrical drama, a drama in the epic style, a lyric poem in the form of a play, a phantasy, an allegory, a philosophical poem, a suite of speeches or majestic soliloquies, and even a didactic poem. Such variety in the description of the poem is explained partly by its complex charm and many-sided interest, and partly by the ...
— Milton's Comus • John Milton
... that we are indebted for the connection of a national error, and for the cure of our Pindaric madness. He first taught the English writers that Pindar's odes were regular; and though certainly he had not the lire requisite for the higher species of lyric poetry, he has shown us that enthusiasm has its rules, and that in mere confusion there ...
— Lives of the English Poets: Prior, Congreve, Blackmore, Pope • Samuel Johnson
... not long ago befell The tear-compelling incident I now propose to tell; So come, my sweet collector friends, and listen while I sing Unto your delectation this brief, pathetic thing— No lyric pitched in vaunting key, but just a requiem Of blowing twenty dollars ...
— Songs and Other Verse • Eugene Field
... edition of Motherwell's Poems, which has just issued from the Glasgow Press, under the auspices of Mr James M'Conechy. William Motherwell must always stand very high in the list of the minor Scottish poets, and one lyric of his, "Jeanie Morrison," is as pathetic as any in the language. But of him so much has already been said in former numbers of MAGA, that we may dispense with present criticism: and we shall merely draw the attention of the lovers of the supernatural to ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847 • Various
... one of our party is not willing to cut old friends. What to call 'em I don't know. Blank verse they are not, because of the rhymes.—Rhimes they are not, because of the blank verse. Heroics they are not, because they are lyric, lyric they are not, because of the Heroic measure. They ...
— Charles Lamb • Walter Jerrold
... natural taste, and had cultivated the same without judgment. His intricate disposition and extreme sensitiveness frightened him away from much effort at self-expression; yet not a few trifling scraps and shreds of lyric poetry had fallen from his pen in high moments. These, when the mood changed, he read again, and found dead, and usually destroyed. He was more easily discouraged than a child who sets out to tell its parent a story, ...
— Children of the Mist • Eden Phillpotts
... subdivided into sundry more special denominations; the most notable be the heroic, lyric, tragic, comic, satyric, iambic, elegiac, pastoral, and certain others; some of these being termed according to the matter they deal with; some by the sort of verse they like best to write in; for, indeed, the greatest ...
— A Defence of Poesie and Poems • Philip Sidney
... in drama, Jonson had a light enough touch in lyric poetry. His songs have not the careless sweetness of Shakspere's, but they have a grace of their own. Such pieces as his {123} Love's Triumph, Hymn to Diana, The Noble Mind, and ...
— Brief History of English and American Literature • Henry A. Beers
... birds in the forest or the garden. Many mornings and evenings during the month of May one of these handsome fellows was busy in my garden, diligently picking the potato bugs from the young vines, stopping now and then, especially in his morning visits, to pour out a happy, ringing lyric and to show his handsome plumage. On one occasion he took a couple of potato bugs in his "gros" beak as he flew to the nearby woodland, probably a tempting morsel for his spouse's breakfast. A bird that can sing better than a warbling vireo, whose carmine breast is comparable ...
— Some Spring Days in Iowa • Frederick John Lazell
... have to stop and talk with the men before they will let us pass. For example, one afternoon I was waylaid on my way to the women by the head of the household I was visiting, a fine old man of the usual type, courteous but opposed. He asked to look at my books. I had a Bible, a lyric book, and a book of stanzas bearing upon the Truth, copied from the old Tamil classics. He pounced upon this. Then he began to chant the stanzas in their inimitable way, and at the sound several other old men drew round the verandah, till soon ...
— Things as They Are - Mission Work in Southern India • Amy Wilson-Carmichael
... the more striking of the poems of the elder Timrod are the following. Washington Irving said of these lines that Tom Moore had written no finer lyric:— ...
— Poems of Henry Timrod • Henry Timrod
... exquisite as that slight hand Could Raphael or Leonardo trace. Nor could the poets know in Fairyland The changing wonder of your lyric face. ...
— Trees and Other Poems • Joyce Kilmer
... is an "Official Number", containing the work of none but titled authors. Rheinhart Kleiner contributes the single piece of verse, a smooth and pleasing lyric entitled "Love Again", which is not unlike his previous poem, "Love, Come Again". As an amatory poet, Mr. Kleiner shows much delicacy of sentiment, refinement of language, and appreciation of metrical values; his efforts in this ...
— Writings in the United Amateur, 1915-1922 • Howard Phillips Lovecraft
... the intelligence of others. From these combined inspirations resulted, to the eternal glory of the Catholic faith and of Christian art, a composition without a rival in the history of painting, and, we may also add, without a name; for to call it lyric or epic is not enough, unless, indeed, we mean, by using these expressions, to compare it with the allegorical epic of Dante, alone worthy to be ranked with this marvellous production of the pencil ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... Mackintosh was speaking to himself. "It might work—it might add interest—" Mr. Heatherbloom waited patiently. "Would you have any objections," earnestly, "to my making a little addenda to the sign on the chariot of cadence? What's the Matter with Mother? 'The touching lyric, as interpreted by Horatio Heatherbloom, ...
— A Man and His Money • Frederic Stewart Isham
... becomes as water, and I feel that I would lose, if necessary, all of Milton, all of Shakespeare but a song or two, much of Dante and some of Homer, to be secured in them for ever. My friend (of the Ramillies) and I were disputing about a phrase I had applied to lyric poetry as the infallible test of its merit. I asked for "the lyric cry," and he scorned me. I could find a better phrase with time; but the quatrain just quoted makes it unmistakable, as I think. Anyhow, it will be conceded that there was some ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... ballad—the true folk-song—has often been exalted at the expense of other forms of verse. It is idle to attempt to arrange the various forms of poetry in an order of absolute values; it is enough that each has its own quality, and, therefore, its own value. The drama, the epic, the ballad, the lyric, each strikes its note in the complete expression of human emotion and experience. Each belongs to a particular stage of development, and each has the authority and the enduring charm which attach to every authentic utterance of the spirit of man ...
— The Book of Old English Ballads • George Wharton Edwards
... not expensive to put up; it costs 16 pounds at the most. Large lyric theatres, churches, and concert-rooms should long ago have been provided with one. Yet, save at the Brussels Theatre, it is nowhere to be found. This would appear incredible, were it not that the carelessness of the majority of directors of institutions where music forms a feature is well known; ...
— The Orchestral Conductor - Theory of His Art • Hector Berlioz
... demanded speech, Speech trembled into birth— (One day the lyric word shall reach From earth to ...
— Dreams and Dust • Don Marquis
... an important section of the catalogue of his works, and are chiefly notable for their beauty and tenderness of expression, and he was at his very best when writing in the pure lyric form. His efforts comprising Ops. 56, 58 and 60 are of a rare and expressive order. He also composed a number of fine part-songs for male-voice choruses. Most of his best vocal works are set to his own verses, as he could seldom satisfy himself that words ...
— Edward MacDowell • John F. Porte
... while Arthur lay at her feet and read aloud to her. He read "Abt Vogler," "Prospice," selections from "The Death in the Desert" (the day being Sunday); and then, with a pause and a shy turning of the leaves, and a great break in his voice, "Oh, Lyric Love, Half Angel and Half ...
— The Judgment of Eve • May Sinclair
... By which his way he told, Nor of the Midas-touch that turn'd All enterprise to gold, And made the indignant River yield Unto the ozier'd plain,— For these would ask a wider range Than waits the lyric strain: ...
— Man of Uz, and Other Poems • Lydia Howard Sigourney
... for the Gracioso. I have not wholly dropt the two Students, but kept them quite under: and brought out the religious character of the Piece into stronger Relief. But as I have thrown much, if not into Lyric, into Rhyme, which strikes a more Lyric Chord, I have found it much harder to satisfy myself than with the good old Blank Verse, which I used to manage easily enough. The 'Vida es Sueno' again, though blank Verse, has been difficult to arrange; here also Clarin is not quenched, ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... (xv.) On the Lord-General Fairfax, at the siege of Colchester, written in 1648, is again a manifesto of the writer's political feelings, nobly uttered, and investing party with a patriotic dignity not unworthy of the man, Milton. It is a hortatory lyric, a trumpet-call to his party in the moment of victory to remember the duties which that victory imposed upon them. It is not without the splendid resonance of the Italian canzone. But it can scarcely be called poetry, expressing, as it does, facts directly, and not indirectly ...
— Milton • Mark Pattison
... author also gives the well known 'Korner's Prayer,' and 'The Vow.' From Mrs. T. Sedgwick we find a fine bold song, 'For a' that and a' that,' of course to the good old air of that name—a lyric of such decided merit in most respects that we regret to notice in it the venerable bull of 'polar stars,' quizzed long ago in another writer. Our contributor, Henry Perry Leland, has in this collection two songs, both strongly marked with the camp, neither setting ...
— The Continental Monthly, Vol 3 No 3, March 1863 - Devoted To Literature And National Policy • Various
... bursts of impatience. He was the revolutionary impetus personified. The Assembly followed him breathless, and with him arrived at fury before it attained conviction. His discourses were magnificent odes, which elevated discussion to lyric poetry, and enthusiasm to convulsion; his action bespoke the tripod rather than the tribune. He was the Danton of the Gironde, as Vergniaud ...
— History of the Girondists, Volume I - Personal Memoirs of the Patriots of the French Revolution • Alphonse de Lamartine
... by name, Your friend, little Cally, your wishes proclaim; Read this and you'll soon learn to know it, I'm not your papa the great lyric poet. ...
— James Fenimore Cooper • Mary E. Phillips
... genius of the race is subjective and romantic rather than objective and classic. In poetry, least of all arts, does the Negro conceal his individuality. This is his great gift, but also in another way the spur to further achievement. The race should in course of time produce many brilliant lyric poets. Dunbar was a lyric poet; so was Pushkin. The drama and the epic obviously call for more extended information, a more objective point of view, and a broader basis in general culture than many members of ...
— The Journal of Negro History, Volume 2, 1917 • Various
... summons to the dead to bloom from their graves. When she played the cornet it was with a superhuman tone that shook his emotions almost insufferably. She had sung, too, in four voices—in an imitation of a bass, a tenor, a contralto, and finally as a lyric soprano, then skipping from one to the other. They called her "Mamise, ...
— The Cup of Fury - A Novel of Cities and Shipyards • Rupert Hughes
... antiphon[obs3], antiphony; accompaniment, second, bass; score; bourdon[obs3], drone, morceau[obs3], terzetto[obs3]. composer &c. 413; musician &c. 416. V. compose, perform &c. 416; attune. Adj. musical; instrumental, vocal, choral, lyric, operatic; harmonious &c. 413; Wagnerian. Adv. adagio; largo, larghetto, andante, andantino[obs3]; alla capella[It][obs3]; maestoso[obs3], moderato; allegro, allegretto; spiritoso[obs3], vivace[obs3], veloce[obs3]; presto, prestissimo[obs3]; con brio; capriccioso[obs3]; scherzo, scherzando[obs3]; ...
— Roget's Thesaurus
... study, hoping to persuade him into telling the story of how he had gone down to Dulwich to write a criticism of Innes's concert, and how he had at once recognised that Evelyn had a beautiful voice, and would certainly win a high position on the lyric stage if she ...
— Sister Teresa • George Moore
... writers of tragedy, beginning with AEschylus, whose noble works were performed at the expense of the state in the great open-air theatre of Dionysus. Here the comedians, the chief of whom was Aristophanes, moved hosts of spectators to inextinguishable laughter. Here the choicest lyric poets of Greece awoke admiration with their unequalled songs, at their head the noble Pindar, the laureate of the Olympic and Pythian games. Here the sophists and philosophers argued and lectured, and Socrates walked like a king at the head of the aristocracy of thought. Here ...
— Historic Tales, vol 10 (of 15) - The Romance of Reality • Charles Morris
... the aid of virtue in the person of Director Holtei, thanks to a magnanimous oversight on the part of Franz Listz. The preference of King Friedrich Wilhelm IV. for church scenes contributed to secure him eventually his important position at the greatest lyric theatre in Germany, the Royal Opera of Berlin. For he was prompted far less by his devotion to the dramatic muse than by his desire to secure a good position in some important German city, when, as already hinted, through Liszt's recommendation he was appointed musical director of Cologne Cathedral. ...
— My Life, Volume I • Richard Wagner
... is deep-rooted in all of us to hear and to tell some new thing and to tell again something deserving remembrance. But the novel itself, and the short-story also, must confess that they have only of late been able to claim equality with the epic and the lyric, and with comedy and tragedy, literary forms consecrated by antiquity. There were nine Muses in Greece of old, and no one of these daughters of Apollo was expected to inspire the writer of prose-fiction. Whoever had then a story to tell, which he wished ...
— A Manual of the Art of Fiction • Clayton Hamilton
... Lyric poetry is by its excellence the chief art of England, as music is the art of Germany. A book of poetry is almost sure of fair appreciation in the English press which does not trouble to notice a "Sartor ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... difficult to say whether the paragraph of which these lines are the conclusion is a sketch of the history of poetry in general or of lyric poetry in particular. The former would be rather inartistic after the other historical notices of poetry that have occurred in the poem: the latter is not easily reconciled with the mention of Homer. On the other hand, Horace's inexactness ...
— The Satires, Epistles, and Art of Poetry • Horace
... piece (a very Hans Sacks beatified, both in character and style), which we wish there was any possibility of translating.' The reader will be aware that Hans Sachs was the celebrated Minstrel- Cobbler of Nuremberg, who Wrote 208 plays, 1700 comic tales, and between 4000 and 5000 lyric poems. He flourished throughout almost the ...
— The Poems of Goethe • Goethe
... in the northern part of the country. This, the langue d'oil, became at length the French language. But the langue d'oc, a soft and musical tongue, survived long enough to become the vehicle of lyric strains, mostly on subjects of love and gallantry, still familiar in mention, and famous as the songs of the troubadours. The flourishing time of the troubadours was in the eleventh and twelfth centuries. Provencal is an alternative ...
— Classic French Course in English • William Cleaver Wilkinson
... listen to that?" cried Soelling, amid the hearty laughter of the others. "Simsen's so lyric, he certainly must be drunk. I must have that ...
— The Continental Classics, Volume XVIII., Mystery Tales • Various
... been told that Cowper's poetry lacked the true note of passion, that there was an absence of the "lyric cry." I protest that I find the note of passion in the "Lines on the Receipt of my Mother's Picture," in his two sets of verses to Mrs. Unwin, in his sonnet to Wilberforce not less marked than I find it in other great poets. ...
— Immortal Memories • Clement Shorter
... let us have a lyric recitation; let us be brief and clear. What do you want? Explain yourself. I don't suppose that you have addressed this rebuke to me solely for the purpose of telling me that you are in ...
— Serge Panine, Complete • Georges Ohnet
... details of the battle of Copenhagen see Southey's Life of Nelson. That conflict has been celebrated, in a noble lyric, ...
— The History of Napoleon Buonaparte • John Gibson Lockhart
... seen her husband at home before she had involuntarily completed her view of his character. Nature must have designed him for a fellow of a college, where, apart from all cares, he might have collected fragments of forgotten authors, and immortalized his name by some edition of a Greek Lyric poet, known by four poems and a half, and two-thirds of a line quoted somewhere else. In such a controversy, lightened by perpetually polished poems, by a fair amount of modern literature, select college friendships, and methodical habits, Edmund ...
— The Young Step-Mother • Charlotte M. Yonge
... of its literature shows more striking proof of the common life and interests of Mediaeval Europe than does the lyric poetry of the period. In Northern France, in Provence, in all parts of Germany, in Italy, and a little later in Spain, we see a most remarkable outburst of song. The subjects were the same in all the countries. Love-the love of feudal chivalry—patriotism, and religion were the themes that employed ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... that anything more acute, delicate, and discriminating, and, I must add, more entirely valueless and pedantic, I do not think I ever heard. It must have required immense and complicated knowledge. He was tracing the development of a certain kind of dramatic lyric, and what surprised me was that he supplied the subtle intellectual connection, the missing links, so to speak, of which there is no earthly record. Let me give a single instance. He was accounting for a rather sudden change of thought ...
— The Child of the Dawn • Arthur Christopher Benson
... its charm frequently on strange complexities and unexpected rising and falling of weight and accent in its marble syllables; bearing the same relation to a rigidly chiselled and proportioned architecture that the wild lyric rhythm of Aeschylus or Pindar bears to the ...
— The Stones of Venice, Volume II (of 3) • John Ruskin
... in the truest Schubertian style. I like to fancy that the melody with its serene, lyric beauty is a picture of the fair Rosamunde herself. The first variation, a plaintive melody over an agitated accompaniment, I should be inclined, still referring to Rosamunde and regarding each variation as expressing an experience in her life, to entitle "Moods." The second variation ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... some skilful repetitions and exquisite versification in his "Ancient Mariner," "Genevieve," "Alice du Clos," but nowhere a systematic burden. Campbell has no burdens in his finest lyric ballads, though the subjects were fitted for them. The burden of the "Exile of Erin" belongs very ...
— Thomas Davis, Selections from his Prose and Poetry • Thomas Davis
... own horses in the rapid career. [41] Ten, twenty, forty chariots were allowed to start at the same instant; a crown of leaves was the reward of the victor; and his fame, with that of his family and country, was chanted in lyric strains more durable than monuments of brass and marble. But a senator, or even a citizen, conscious of his dignity, would have blushed to expose his person, or his horses, in the circus of Rome. The games were exhibited at the expense of the republic, ...
— The History of The Decline and Fall of the Roman Empire - Volume 4 • Edward Gibbon
... mean so little in the life of the play. Listen to the comments during intermission: "It doesn't get over!" "It's a flop!" "What atmosphere!" "An absolute steal!" "Such originality!" "Not a bit life-like!" "That author has a wonderful memory!" "He copped that lyric from Irving Berlin!" "He's as funny as a crutch or a cry for help!" "They grabbed that number in London!" "She's one of his tigers!" "From a Lucile model, my dear, but home-made!" "I can't hand him anything ...
— The Broadway Anthology • Edward L. Bernays, Samuel Hoffenstein, Walter J. Kingsley, Murdock Pemberton
... enthusiast. A set of fine China is like a poem—every individual bit is necessary to the perfection of the whole. I allow that this is not the usual way of looking at it; but my pleasure lies in seeing it entire, making the tea-table into a kind of lyric, elevating the family life by the application of the principles of abstract beauty to its homeliest details. Pardon, Miss Beecham, but Mrs. Tozer is right, and you are wrong. The idea of carrying off a few lines of a poem in ...
— Phoebe, Junior • Mrs [Margaret] Oliphant
... Vienna came first and the music having been enthusiastically applauded, Dresden followed the good example in October 1890. The music is full of sweet melody, the composition masterfully set. Its comic parts are not quite natural, but the lyric is almost classical and the text, written by the composer himself, though lacking in action, shows, that Cornelius was a true poet as well as a ...
— The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... emotional passages one does not dare to look at him at all, but we all cower with our heads in our hands, as though we were convicted but penitent criminals. So much for dramatic or dialogue pieces. When it comes to lyric poetry—his favourite form of literature—Leeson sings, or rather cantillates, swaying his body to the rhythm of the lines. If any of the poets could hear him they would become 'bus-conductors at once; it ...
— Punch, or the London Charivari, Vol. 146, March 11, 1914 • Various
... might find you here. Get on your horse and let's go to the woods. Wouldn't you like to? The hills are one long glory to-day." It was not the note of her prayer, it was well-ordered and calm. Still, Steering's heart leaped like a boy's at her friendliness, and he began to speak his gratitude in a lyric tune: ...
— Sally of Missouri • R. E. Young
... into a confident assertion, believed and affirmed by hundreds. The feelings of Great Britain on this awful event have been described well and worthily by a living poet, who has happily blended the passion and wild transitions of lyric song with the swell ...
— Confessions of an Inquiring Spirit etc. • by Samuel Taylor Coleridge
... the East to New York. It was inconceivable by him that New York could reject it. He spoke about the music, but he meant his "production." The man was a marvel in his own line, and such a worker as can rarely be found anywhere. He believed the opera was going to mark an epoch in the history of the lyric stage. And he said so, almost wildly, in late hours of ...
— The Way of Ambition • Robert Hichens
... utter the liquid and mellow language of Beranger and De Musset,—that the "Forty Immortals" of Mother France, recognized in Mr. Frechette,—what all of us knew before,—that he was a tender and graceful poet, and that his work is as pure and sweet as anything to be found in the lyric poetry of our time. (Cheers.) Mr. Frechette had not to go abroad to find that out, but it is pleasing to us all to find our opinions confirmed and ratified by the highest authority in France. I again thank you, gentlemen, for the privilege which you have afforded me of saying these few words regarding ...
— Picturesque Quebec • James MacPherson Le Moine
... apocalyptic like that of the book of Daniel. The contact with the outside world makes possible a phase of literature such as that to which the books of Job and Ecclesiastes belong. The deepening of the inner life gave the world the lyric of the Psalms, some of which are credibly assigned to a period so late as ...
— Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore |
