"Lyric" Quotes from Famous Books
 ... the best poem which the war has produced; and opinions usually vary. My own vote, so far as England is concerned, is still given to Julian Grenfell's lyric of the fighting man; but if France is to be included too, one must consider very seriously the claims of La Passion de Notre Frere le Poilu, by Marc Leclerc, which may be had in a little slender paper-covered book, at a cost, in France, where it has been selling in its thousands, of ...
— A Boswell of Baghdad - With Diversions • E. V. Lucas
... prevail,—well, that Goethe in his old age overcame the Gallomania, which for a while possessed him, of translating all his works, and thenceforth writing only in French. The iron hand of Goetz of Berlichingen would burst the seams of a Paris kid-glove. The bold lyric and dramatic poesy of a language whose figures well up in each word with primitive freshness can ill be contained in an idiom blase by conventionality and frozen into crystal rigidity by the academy of the illustrious forty,—in an idiom in which an unfortunate ...
— Atlantic Monthly, Volume 7, Issue 41, March, 1861 • Various
... himself alone with his canvases and whole-hearted toward them. He recognized that he had been dividing his interest, that his ambition had suffered, that his hand did not leap as it had before at the suggestion of some lyric or dramatic possibility of color. He even fancied that his drawing, which was his vulnerable point, had worsened. He worked strenuously for days without satisfying himself that he had recovered ground appreciably, and then came desperately ...
— A Daughter of To-Day • Sara Jeannette Duncan (aka Mrs. Everard Cotes)
... the faithful reproduction of the intention of both poet and composer. This reproduction includes the revelation of the characteristics of the poem itself, whether lyric, dramatic, or in other ways distinctive. It also reveals the musical significance of the composition to which the words are set. The melodic, rhythmic, and even harmonic values must be made clear to the hearer. But interpretation includes more ...
— The Renaissance of the Vocal Art • Edmund Myer
... our great essayist. Emerson never wilfully leaves a point unguarded, never allows himself to be caught in undress. Thoreau spurns this punctiliousness, and thus impairs his average execution; while for the same reason he attains, in favored moments, a diction more flowing and a more lyric strain than his teacher ever allows himself, at least in prose. He also secures, through this daring, the occasional expression of more delicate as well as more fantastic thoughts. And there is an interesting passage in these letters where he rather ...
— The Atlantic Monthly, Volume 16, No. 96, October 1865 • Various
... an eminent and estimable actor and elocutionist, has been engaged, ever since the war began, in doing his part towards rousing and sustaining the enthusiasm of the people, by scattering the burning words of patriotic poets in our Western camps and towns. The volume contains specimens of lyric poetry which have stood the test of actual delivery before soldiers who were facing the grim realities of war. Sometimes the elocutionist has been so near the enemy as to have a shell come into whizzing or screaming competition with the clear and ringing tones ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Leon Gautier's Introduction to his Epopees Francaises) sang in Court ...
— A Collection of Ballads • Andrew Lang
... Kentucky birth, and came a child to Ohio; but William H. Lytle, dear to lovers of poetry as the author of the fine lyric, "Antony and Cleopatra," was born in Cincinnati, of the old Scotch-Irish stock, in 1826. He had everything pleasant in life and he enjoyed his prosperity, but when the war came he met its call halfway. At Chickamauga he fell, pierced ...
— Stories Of Ohio - 1897 • William Dean Howells
... himself of all the instruction he could derive from the intelligence of others. From these combined inspirations resulted, to the eternal glory of the Catholic faith and of Christian art, a composition without a rival in the history of painting, and, we may also add, without a name; for to call it lyric or epic is not enough, unless, indeed, we mean, by using these expressions, to compare it with the allegorical epic of Dante, alone worthy to be ranked with this marvellous production of the pencil ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... us of a smooth, much relished, even an exuberant existence. The son of an excellent bourgeois, whose ancestry, nevertheless, like that of many another, could be traced for six hundred years, his early surroundings were the least lyric imaginable. ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... sane enthusiasm, English lyric verse, of whose depths, main-stream, and back-waters his knowledge was profound, ...
— The Garden of Bright Waters - One Hundred and Twenty Asiatic Love Poems • Translated by Edward Powys Mathers
... to get an especial scorn for that scorn of mankind which is a transmuted disappointment of preposterous claims; to watch with peculiar alarm lest what I called my philosophic estimate of the human lot in general, should be a mere prose lyric expressing my own pain and consequent bad temper. The standing-ground worth striving after seemed to be some Delectable Mountain, whence I could see things in proportions as little as possible determined ...
— Impressions of Theophrastus Such • George Eliot
... Yes, yes, Vera. You bring back my sunnier self. I must be a pioneer on the lost road of happiness. To-day shall be all joy, all lyric ecstasy. [He takes up his violin.] Yes, I will make my old fiddle-strings burst with joy! [He dashes into a jubilant tarantella. After a few bars there is a knock at the door leading from the hall; their happy faces betray no sign of hearing it; then the door slightly opens, ...
— The Melting-Pot • Israel Zangwill
... performance could affect the decision of grave burgesses at the polls was not apparent; but the Anti-Federationists feared that it might, and before noon was come they had engaged two bands and had composed in committee, the following lyric in reply to ...
— The Old Wives' Tale • Arnold Bennett
... about town, he turned to the streets as naturally as a young poet in the country turns to the woods and fields. For in the streets, if you know how to listen, you can hear the lyric soul of things as plainly, more plainly perhaps, than in the woods or fields. Only it sings another sort of song. And going into the streets was Rickman's way (the only way open to him as yet) of going into society. The doors were thrown hospitably wide to him; one day ...
— The Divine Fire • May Sinclair
... lyric feasts, Where men such clusters had, As made them nobly wild, not mad; While yet each verse of thine Outdid the ...
— The Fortunes of Nigel • Sir Walter Scott
... the "Invitation from a True Lover Settled Abroad," was not a single lyric, but a beautiful incident taken from some epic poem.[81] A messenger comes with a token to a lady at home, by which she may credit his message; he bids her take ship as soon as she hears the voice of the cuckoo, and go out to him who has ...
— Anglo-Saxon Literature • John Earle
... give them additional polish, and bring them to the highest possible perfection of which they were susceptible, even had I written them down with the utmost care. Maroncelli did the same, and, by degrees, retained by heart many thousand lyric verses, and epics of different kinds. It was thus, too, I composed the tragedy of Leoniero da Dertona, and ...
— My Ten Years' Imprisonment • Silvio Pellico
... now at his best; about this time he wrote most of 'Fredman's Songs' and 'Actions concerning the Chapter of Bacchus order.' both rich in lyric gems; he was the favorite companion of the King, to whom his devotion was boundless, and he was happy in his chosen friends whose company inspired him. Nevertheless he was now, as ever, in need of money. Atterbom tells ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 4 • Charles Dudley Warner
... written too late. It included likewise a book of some hundred and thirty odd 'Epigrams', in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller collection of lyric and occasional verse and some ten 'Masques' and 'Entertainments'. In this same year Jonson was made poet laureate with a pension of one hundred marks a year. This, with his fees and returns from several ...
— Sejanus: His Fall • Ben Jonson
... generation, now that the foundations were once laid, there arose a lyric, epic, and dramatic art; and it is of great importance, even in a historical point of view, to trace ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... the person of Director Holtei, thanks to a magnanimous oversight on the part of Franz Listz. The preference of King Friedrich Wilhelm IV. for church scenes contributed to secure him eventually his important position at the greatest lyric theatre in Germany, the Royal Opera of Berlin. For he was prompted far less by his devotion to the dramatic muse than by his desire to secure a good position in some important German city, when, as already hinted, through Liszt's ...
— My Life, Volume I • Richard Wagner
... of the third ornithological lyric Miss Sherwin roused from her attitude of inspired vision and breathed to Carol, "My! That was sweet! Of course Raymond hasn't an unusually good voice, but don't you think he puts such a lot of ...
— Main Street • Sinclair Lewis
... varying endlessly in their instances, and changing as we deal with them. I am inclined to think that the only really profitable discussion of sexual matters is in terms of individuality, through the novel, the lyric, the play, autobiography or biography of the frankest sort. But such generalizations as I can make ...
— First and Last Things • H. G. Wells
... shall be woman's, lifting lay Till all the lark-heights of her being ring; Majestic she shall take the chanted way, And every song-peak's golden bourgeoning Shall thrill beneath her feet that lyric spring From ventured crest to crest. Strong, masterless, She, last in freedom, as the first shall sing, Who, great in freedom, takes by Love her place, Wife, mother,—more, her starward ...
— Path Flower and Other Verses • Olive T. Dargan
... important than abundant contents, the firsthand observations which serve as a living source losing, in the regulated channels to which they are confined, their force, depth and impetuosity. Real poetry, able to convey dream and illusion, cannot be brought forth. Lyric poetry proves abortive, and likewise the epic poem.[3227] Nothing sprouts on these distant fields, remote and sublime, where speech unites with music and painting. Never do we hear the involuntary scream of intense torment, ...
— The Origins of Contemporary France, Volume 1 (of 6) - The Ancient Regime • Hippolyte A. Taine
... great defect of our modern literature that it creates few such types. How hardly could one of our modern public men be made the hero of an epic. It would be difficult to find one who could be the subject of a genuine lyric. Whitman, himself the most democratic poet of the modern world, felt this deficiency in the literature of the later democracies, and lamented the absence of great heroic figures. The poets have dropped out of the divine procession, and sing a solitary song. ...
— National Being - Some Thoughts on an Irish Polity • (A.E.)George William Russell
... were led, the one by M. Persuis, the other by M. Rey, both leaders of the Emperor's bands. M. Lais, first singer to his Majesty, M. Kreutzer, and M. Baillot, first violinists of the same rank, had gathered the finest talent which the imperial chapel, the opera, and the grand lyric theaters possessed, either as instrumental players or male and female singers. Innumerable military bands, under the direction of M. Lesuem, executed heroic marches, one of which, ordered by the Emperor from M. Lesueur ...
— The Memoirs of Napoleon Bonaparte • Bourrienne, Constant, and Stewarton
... universe, and then humanity, and at last himself. With him, as with all others, the great paradox and the great definition of life was this, that the ambition narrows as the mind expands. In Dramatic Lyrics he discovered the one thing that he could really do better than any one else—the dramatic lyric. The form is absolutely original: he had discovered a new field of poetry, and in the centre of that field he ...
— Robert Browning • G. K. Chesterton
... Admetus' heifers white Is no light tale. Upon the lyric string Nor more could I my joyful notes indite, ...
— The Elegies of Tibullus • Tibullus
... frequent happy application of quotations to the little events of the drive and phases of feeling that came up as the day went on. The sun set gloriously, "So stirbt ein Held," said Bancroft, as he burst with feeling into the beautiful lyric of which these words are a line. The best German poetry seemed to be at his tongue's end and he recited it with sympathy and accuracy which called out much admiration from the cultivated German ladies with whom we were driving. Most interesting of all was Bancroft's evident passion ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer
... ardent, more expansive, wholly given up to rapture, an impassioned painter of crude and dazzling pictures, a lyric prose-writer, omnipotent in laughter and tears, plunged into fantastic invention, painful sensibility, vehement buffoonery; and by the boldness of his style, the excess of his emotions, the grotesque familiarity of his caricatures, he ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... high summer sunshine. Beauty was his dream; he possessed natural taste, and had cultivated the same without judgment. His intricate disposition and extreme sensitiveness frightened him away from much effort at self-expression; yet not a few trifling scraps and shreds of lyric poetry had fallen from his pen in high moments. These, when the mood changed, he read again, and found dead, and usually destroyed. He was more easily discouraged than a child who sets out to tell its parent a story, and is all silence and shamefaced blushes at the first whisper of laughter ...
— Children of the Mist • Eden Phillpotts
... sing a Devastation or a Glatton? Can a Devastation or a Glatton ever inspire poetic thoughts and images? One would say that the singer must be endowed in no ordinary degree with the sacred fire whom such a theme as a modern ironclad turret-ship should move to lyric utterance. It has been said that all the romance of the road died out with the old coaching days; and certainly a locomotive engine, with its long black train of practical-looking cars, makes hardly so picturesque a feature in the landscape as one of the ...
— Man on the Ocean - A Book about Boats and Ships • R.M. Ballantyne
... La Mer (composed in 1903-1905 and published in the latter year), the piano pieces Estampes (1903), and Images, Masques, l'Ile joyeuse (1905), and a few songs. Certain audiences in Paris had heard, nine years before, his setting of Rossetti's "Blessed Damozel" (La Demoiselle Elue), a "lyric poem" for two solo voices, female chorus, and orchestra; in the same year (1893) his string quartet was played by Ysaye and his associates; in 1894 his Prelude a l'Apres-midi d'un Faune was produced at a concert of the National Society of ...
— Debussy's Pelleas et Melisande - A Guide to the Opera with Musical Examples from the Score • Lawrence Gilman
... harmony; they know what notes to sound together and in succession; they can produce, by the marshalling of sounds and images, by the fugue of passion and the snap of wit, a thousand brilliant effects out of old materials. The Ciceronian orator, the epigrammatic, lyric, and elegiac poets, give examples of this art. The psychologists, on the other hand, gain their effect not by the intrinsic mastery of language, but by the closer adaptation of it to things. The dramatic ...
— The Sense of Beauty - Being the Outlines of Aesthetic Theory • George Santayana
... from this interview, and, flinging himself at his desk, attempted wreaking his thoughts upon expression, to borrow the language of one of his brother bards, in a passionate lyric which ...
— The Atlantic Monthly, Volume 20, No. 117, July, 1867. • Various
... the author's power of graphic description. "Sir Gawayne and the Green Knight" is a priceless contribution to Arthurian story. "The Pearl," though it takes the form of symbolic narrative, is essentially lyric and elegiac, the lament, it would seem, of a father for a little, ...
— The Pearl • Sophie Jewett
... sleeping? My dear sir, do riot think I blaspheme, when I tell you that your great London, as compared to Dun-Edin, 'mine own romantic town,' is as prose compared to poetry, or as a great rumbling, rambling, heavy epic compared to a lyric, brief, bright, clear and vital as a flash of lightning. You have nothing like Scott's monument, or, if you had that, and all the glories of architecture assembled together, you have nothing like Arthur's Seat, ...
— The Life of Charlotte Bronte • Elizabeth Cleghorn Gaskell
... Henry, 1824-1871 dramatist Md. Mahomet, De Soto, Mary's Birthday, Aladdin's Palace, Senor Valiente, Cromwell, Seven Sisters, Abou Hassan the Wag, Landing of the Pilgrims of Maryland, Christine (story in verse), Inkerman (lyric), Glimpses of Tuscany, Loretto or the Choice, Truce of God, ...
— Southern Literature From 1579-1895 • Louise Manly
... in the side chapels, many objects of interest; frescoes and altar-pieces by Annibale Caracci, Pinturicchio, and Peruzzi; and splendid sepulchral monuments. Of the last the most conspicuous are the marble tomb of Alessandro Guidi, the Italian lyric poet, who died in 1712; and the simple cenotaph in the last chapel on the left of one of the titular cardinals of the church, who died in 1849, the celebrated linguist Mezzofante. But the tomb upon which the visitor ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... passes. Unique in that in her sweet presence one seems to hear a strain of heavenly music vibrating on the air. So unique that the dawn, the nesting birds, the wild flowers, the daily sunset, fairly intoxicate her with ecstasy and make her life a lyric." ...
— Carmen Ariza • Charles Francis Stocking
... trembles still the string By lyric fingers crossed, To Laura Secord's praise and fame, When ...
— Laura Secord, the heroine of 1812. - A Drama. And Other Poems. • Sarah Anne Curzon
... to be truthful—but she was an artist! There was indeed nothing original in her music; it was mainly a reconstruction of common phrases afloat in the musical atmosphere; but she managed the slight dramatic element in the lyric with taste and skill, following tone and sentiment with chord and inflection; so that the music was worthy of the verses—which is not saying very much for either; while the expression the girl threw into the song went to the heart of the youth, ...
— Home Again • George MacDonald
... secretly in partnership. That the quarrel they keep up in public is very much of a put-up job, and that the way in which they perpetually play into each other's hands is not an everlasting coincidence. Gudge, the plutocrat, wants an anarchic industrialism; Hudge, the idealist, provides him with lyric praises of anarchy. Gudge wants women-workers because they are cheaper; Hudge calls the woman's work "freedom to live her own life." Gudge wants steady and obedient workmen, Hudge preaches teetotalism—to workmen, not to Gudge—Gudge wants a tame ...
— What's Wrong With The World • G.K. Chesterton
... motive may be either to obtain discharge from the sense of guilt or a desire to save and store up the very echoes and last drops of pleasure. Human beings keep diaries for as many different reasons as they write lyric poems. With Pepys, I fancy, the main motive was a simple happiness in chewing the cud of pleasure. The fact that so much of his pleasure had to be kept secret from the world made it all the more necessary for him to babble when alone. True, in the early days his confidences are innocent ...
— The Art of Letters • Robert Lynd
... are lyric. In the usual sense. They are not much different from poetry that praises gardens. The content is the distress of love, death, universal longing. The impulse to formulate them in the "cynical" vein (like cabaret songs) ...
— The Verse of Alfred Lichtenstein • Alfred Lichtenstein
... never again did such good work as these nonsense rhymes, written thus for a frolic,—and one hundred and fifty pounds,—and as copies of the "Bon Marche Ballads" are now exceedingly scarce, it may possibly be of interest to quote two or three more of its preposterous numbers. This is a lyric illustrative of cheese, for the ...
— Young Lives • Richard Le Gallienne
... destructive of all religion, morality, or good manners, or to the disturbance of the state, an absolute government will certainly more effectually prohibit them from, or punish them for publishing such thoughts, than a free one could do. But how does that cramp the genius of an epic, dramatic, or lyric poet? or how does it corrupt the eloquence of an orator in the pulpit or at the bar? The number of good French authors, such as Corneille, Racine, Moliere, Boileau, and La Fontaine, who seemed to dispute ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... the little-read play, The Two Gentlemen of Verona, may serve to illustrate the perfection of the Shakespearean lyric. ...
— An Introduction to Shakespeare • H. N. MacCracken
... something evaporates—some quite peculiar freshness, naivete, indiscreetness, which, can never be recaptured. Take a few typical instances. Coleridge lost the poetical gift altogether when he left his youth behind; Wordsworth wrote all his best poetry in a few early years; Milton lost his pure lyric gift. But the most salient instance of all is Tennyson; in the two earliest volumes there is a perfectly novel charm, a grace, a daring which he lost in later life. He became solemn, mannerised, conscious ...
— The Silent Isle • Arthur Christopher Benson
... Lyric Hall lies just this side of the Forty-second Street station along the line of the Sixth Avenue Elevated road, and you can look into its windows from the passing train. It was after one o'clock when the invited guests and their friends pushed open the storm-doors and were recognized by the ...
— Cinderella - And Other Stories • Richard Harding Davis
... intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, ...
— The Song of the Flag - A National Ode • Eric Mackay
... The present lyric begins by wondering how and why the strangers have come: then come thoughts of the voyage and places they must have passed; the coast, where Phineus was haunted by the Harpies, the enchanted sea beyond ...
— The Iphigenia in Tauris • Euripides
... poems of the 'Anthology' there are none that have become very popular, none that are capable of affording any very keen delight to the lover of poetry. One sees that their author's lyric gift was not of the highest order. What is heard is not so much the note of honest feeling as the effort of an active intellect, searching heaven and earth for clever and striking things to say. Instead of learning ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... silence through the green and gold lyric of the spring day, an elderly company sadly out of key with the triumphant note of eternal youth which rang through all the visible world. Mrs. Purdon looked at nothing, said nothing, seemed to be aware of nothing but the purpose in her heart, whatever that might be. Paul and I, ...
— Americans All - Stories of American Life of To-Day • Various
... France but must frequently have heard proverbial allusion made to a certain monarch of Yvetot; and still fewer must be those who, having the slightest knowledge of French literature, are unacquainted with Beranger's happy lyric— ...
— Chambers's Edinburgh Journal, No. 458 - Volume 18, New Series, October 9, 1852 • Various
... the Rocky Mountain cabin in that stormy night it was in every respect the climax of his life. As he sat in the doorway, looking at the fire and over into the storm beyond, he realized that he was shaken by a wild, crude lyric of passion. Here was, to him, the pure emotion of love. All the beautiful things he had ever heard or read of girlhood, of women, of marriage, rose in his mind to make this night an almost intolerable blending of joy and sorrow, hope ...
— They of the High Trails • Hamlin Garland
... diligence and remarkable quickness of apprehension, combined too with the utmost gravity and modesty. He not only acquired great familiarity with the poets, but composed poetry of his own—dithyrambic, lyric, and tragic; and he is even reported to have prepared a tragic tetralogy, with the view of competing for victory at the Dionysian festival. We are told that he burned these poems, when he attached himself to the society of Socrates. No compositions ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... lyric cry that has been crystallised for all time, so far as the American people are concerned, in "The ...
— The Romance of Old New England Rooftrees • Mary Caroline Crawford
... brows, equals me with the gods above: the cool grove, and the light dances of nymphs and satyrs, distinguish me from the crowd; if neither Euterpe withholds her pipe, nor Polyhymnia disdains to tune the Lesbian lyre. But, if you rank me among the lyric poets, I shall tower to the stars with my ...
— The Works of Horace • Horace
... value; though few of us will admit that it is merely an idle curiosity that would be gratified by a fuller knowledge even of the man William Shakespeare. But all the more subjective forms of literature, such as the lyric and the essay, can hardly be studied intelligently without some biographical introduction. Still more obvious is the need in many instances of some accurate knowledge of the period in which a given ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... for great abstract principles. In 1460-83 (i.e., 100 17 42 years before, or 159 years) they are fighting for persons, for rival candidates. In 1460 they could not have conceived more than an Esquimaux can entertain a question about the constitution of lyric poetry, or the differential principles of English and Greek tragedy, the barest approximation to questions that in 1642 are grounds of furious quarrel, of bloody quarrel, of extermination. Now then, looking forward, you would see from year ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey
... the lyre take similar care that their young disciple is temperate and gets into no mischief; and when they have taught him the use of the lyre, they introduce him to the poems of other excellent poets, who are the lyric poets; and these they set to music, and make their harmonies and rhythms quite familiar to the children's souls, in order that they may learn to be more gentle, and harmonious, and rhythmical, and so more fitted for speech and action; for the life ...
— Protagoras • Plato
... continued from number to number, but for the poetry this was not necessary. Poems of the size of Klopstock's Messiah or Gessner's Death of Abel appeared in the magazines only in selections or extracts, while on the other hand most of the lyric poems, being short, could very easily be reprinted entire in translation. With hardly an exception, the short poems of German authors appeared in America in the periodicals some time before they were issued in book form; ...
— Translations of German Poetry in American Magazines 1741-1810 • Edward Ziegler Davis
... echoed Shirley, lifting her head with glad grace. She checked herself. Words seemed crowding to her tongue. She would not give them utterance; but her look spoke much at the moment. What, Yorke tried to read, but could not. The language was there, visible, but untranslatable—a poem, a fervid lyric, in an unknown tongue. It was not a plain story, however, no simple gush of feeling, no ordinary love-confession—that was obvious. It was something other, deeper, more intricate than he guessed at. He felt his revenge had not struck home. He felt that ...
— Shirley • Charlotte Bronte
... part of its literature shows more striking proof of the common life and interests of Mediaeval Europe than does the lyric poetry of the period. In Northern France, in Provence, in all parts of Germany, in Italy, and a little later in Spain, we see a most remarkable outburst of song. The subjects were the same in all the countries. Love-the love of feudal chivalry—patriotism, and religion were the ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... to that?" cried Solling, amid the hearty laughter of the others. "Simsen's so lyric, he certainly must be drunk. I must have that arm at ...
— The Most Interesting Stories of All Nations • Julian Hawthorne
... he affects a dialect from no known district. In emotional passages one does not dare to look at him at all, but we all cower with our heads in our hands, as though we were convicted but penitent criminals. So much for dramatic or dialogue pieces. When it comes to lyric poetry—his favourite form of literature—Leeson sings, or rather cantillates, swaying his body to the rhythm of the lines. If any of the poets could hear him they would become 'bus-conductors at once; it is as ...
— Punch, or the London Charivari, Vol. 146, March 11, 1914 • Various
... are you a dedicated spirit, priest that you are of a dying faith. Your prayers are futile, your altars crumbling, and the light flickers and drops down into night. Poetry is empty these days, empty and worthless and dead. All the old-world epic and lyric-singing will not put this very miserable earth of ours to rights. So long as the singers sing of the things of yesterday, glorifying the things of yesterday and lamenting their departure, so long will poetry be a vain thing and without avail. The old world is dead, dead and ...
— The Kempton-Wace Letters • Jack London
... say to all this: We grant the major premises, but why look to the work of prose fiction as the main instrument in this necessary process of, so to speak, sympathising humanity together? Cannot this be done far more effectively through biography and autobiography, for example? Isn't there the lyric; and, above all, isn't there the play? Well, so far as the stage goes, I think it is a very charming and exciting form of human activity, a display of actions and surprises of the most moving and impressive sort; but beyond the opportunity it affords for saying startling and thought-provoking ...
— An Englishman Looks at the World • H. G. Wells
... You see," he added apologetically, "when people begin to talk about anybody, we Grubstreet hacks thrive on the gossip. It is deplorable"—with regret—"but small talk and tattle bring more than a choice lyric or sonnet. And, heaven help us!"—shaking his head—"what a vendible article a fine scandal is! It sells fast, like goods at a Dutch auction. Penny a line? More nearly six pence! If I could only bring myself to deal ...
— The Strollers • Frederic S. Isham
... that turns the very stones along life's road to precious gems of thought; whose gift it is to find speech in dumb things and eloquence in the ideal half of the living world; to whom sorrow is a melody and joy sweet music; to whom the humblest effort of a humble life can furnish an immortal lyric, and in whom one thought of the Divine can inspire a sublime hymn. Another stoops and takes a handful of clay from the earth, and with the pressure of his fingers moulds it to the reality of an unreal image seen in dreams; or, standing before the vast, rough ...
— The Witch of Prague • F. Marion Crawford
... wrote {such} excellent {lyric} poems, the more easily to support his poverty, began to make a tour of the celebrated cities of Asia, singing the praises of victors for such reward as he might receive. After he had become enriched by this kind of gain, he resolved to return to his native land by sea; (for he was born, it is ...
— The Fables of Phdrus - Literally translated into English prose with notes • Phaedrus
... It saved innumerable lives in the eighteenth century, and was, in fact, the parent of the vaccination which has superseded it, and which is merely inoculation with matter derived from another source, the cow. She was also an authoress of considerable repute for lyric odes and vers de societe, &c., and, above all, for her letters, most of which are to her daughter, Lady Bute (as Mme. de Sevigne's are to her daughter, Mme. de Grignan), and which are in no respect inferior to ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... lyric poetry flourished. Lyric comes from the Greek word lura, a lyre, and all lyric poetry was at one time meant to be sung. Now we use the word for any short poem whether meant to be sung or not. In the times of James and Charles there ...
— English Literature For Boys And Girls • H.E. Marshall
... these assumptions lead into a form of historical primitivism in which the products of the first poets were "extemporary effusions," rudely imitative of pastoral scenes or celebratory of the divine being. Thus the first generic distinction Ogilvie makes is between pastoral poetry and lyric; the function of the former is to produce pleasure, the latter to raise admiration of the powers presiding over nature. As poetry is more natural to the young mind than philosophy, so is the end of pastoral poetry more easily ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... is written in the truest Schubertian style. I like to fancy that the melody with its serene, lyric beauty is a picture of the fair Rosamunde herself. The first variation, a plaintive melody over an agitated accompaniment, I should be inclined, still referring to Rosamunde and regarding each variation ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... obvious. Yet, as is generally known, this dramatic and lyric adaptation of the famous romance is not particularly happy. I was much embarrassed and I pretended not to understand, but I never dared to go to ...
— Musical Memories • Camille Saint-Saens
... learning, in England, I propose, during the remainder of the present paper to discuss one inconsiderable yet important element of modern civilization, which is often entirely overlooked. I refer to "Lyric Poetry." ...
— The Bay State Monthly, Volume 3, No. 2 • Various
... and "Erwin und Elmire." Similar traces have been found in the poems of Heine, Platen, Hamerling, and many other poets.[93] The poetry of the people is also said to contain many such traces. It may, indeed, be said that passion in its more lyric exaltations almost necessarily involves some resort to masochistic expression. A popular lady novelist in a novel written many years ago represents her hero, a robust soldier, imploring the lady of ...
— Studies in the Psychology of Sex, Volume 3 (of 6) • Havelock Ellis
... but, to compensate us, we have thirlage, outsucken multures, insucken multures, and dry multures; as also we have a soumin and roumin, as any one who has been so fortunate as to hear Mr Outram's pathetic lyric on that interesting right of pasturage will remember, in conjunction with pleasing associations. To do the duty of a duces tecum we have a diligence against havers. We have no capias ad faciendum (abbreviated cap ad fac), nor have we the fieri facias, familiarly ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... the finest and noblest poetry in the world's literature is not cast in rhyme, though rhythm—often subtler than all possible rules—is indispensable. Yet there is something precious in poetical form; ay, and something durable. Many an exquisite lyric, with no great depth of feeling or reach of thought, has come down the stream of time, and will float upon it for ever. No doubt Dr. Johnson was right in calling it a waste of time to carve cherrystones, but precious stones are the more valued ...
— Flowers of Freethought - (First Series) • George W. Foote
... spirit-broken chorus girls in costume were sprawling on the chairs in the lower boxes, some sleeping, some too tired to sleep, and some eating ravenously from paper bags. Chorus men and costumers, wig makers and lyric writers, authors and friends of the company, sat about singly and in pairs in the orchestra seats. They were mostly bored so far beyond mere impatience by all this super-inefficiency and chaos as to have arrived at a state of intellectual coma. ...
— Who Cares? • Cosmo Hamilton
... scorched and dry with smoke, and she had to strain her ears to hear his lyric lovemaking. "Journeys' end"—she thought again as she had thought that afternoon. Sarah Farraday would say that she was making phrases, trying to be clever, even in this great and terrible moment,—to be thinking that she had taken the subway to the heights.... ...
— Jane Journeys On • Ruth Comfort Mitchell
... his stay in Milan, and breathed with rapture the incense burned in abundance before him. The Italian Journal in its account of the coronation reached lyric heights: ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... who stood waiting in the churchyard near the reminder of an open grave, the lyric tunefulness of this June morning refused to surrender unconditionally to sadness. Off between the fence and the rising slope of the nearest hill a ripple ran across a yellow field of buckwheat and from a fence-post a ...
— Destiny • Charles Neville Buck
... intended as an introduction to the reading and study of French lyric poetry. If it contributes toward making that poetry more widely known and more justly appreciated its purpose will have ...
— French Lyrics • Arthur Graves Canfield
... be laborious in the mere texture of his verse. It is rational to argue that if the poetic, inspiration is not vital enough to find an immediate expression it is not true enough to make it worth while to remould and recast it. It would seem—judging by results—that Dr. Macdonald's conception of a lyric is of something wholly spontaneous. Be this as it may, the poetic cast of his mind is revealed in his prose with greater freedom and a completer charm than in his verse. The best of him is the atmosphere he carries. It is not possible ...
— My Contemporaries In Fiction • David Christie Murray
... government. Beauty and magnitude have a wonderful effect when they spring fresh upon the vision of a youth out of the back country. I sang of the look of them in my letters and soon I began to think about them and imperfectly to understand them. They had their epic, lyric and dramatic stages in ...
— The Light in the Clearing • Irving Bacheller
... of the supreme lyric expressions in the English language of the passion of love. Furthermore, Whitman's free unmetered swing, the glorious length of his stride, fell in with March's rhythmic idiom as though they had been born under ...
— Mary Wollaston • Henry Kitchell Webster
... now-a-days would call this poetry; and so it is. But what poetry! They would call it a Hebrew song, a Hebrew lyric; and so it is. But what a song! There is something in us, if we be truly delicate and high-minded people, which will surely make us feel a deep difference between it and common poetry, or common songs; ...
— Westminster Sermons - with a Preface • Charles Kingsley
... than the idea which fascinates. Professor Walker, speaking of the most exquisitely harmonious lyric ever written in English, or perhaps in any other language,[31] says with great truth: "The reader of Lycidas rises from it ready to grasp the 'two-handed engine' and smite; though he may be doubtful what the engine is, and what ...
— Political and Literary essays, 1908-1913 • Evelyn Baring
... chair, the rest in the village churchyard. This is now a little rococo and forlorn, but failure may be assured by travelling in this direction. If you are ambitious to disgust an editor at once, begin your poem with "Only." In fact you may as well head the lyric "Only." {4} ...
— How to Fail in Literature • Andrew Lang
... 60. "The man has been traveling for five years."—Ib., p. 77. "I shall not take up time in combatting their scruples."—Blair's Rhet., p. 320. "In several of the chorusses of Euripides and Sophocles, we have the same kind of lyric poetry as in Pindar."—Ib., p. 398. "Until the Statesman and Divine shall unite their efforts in forming the human mind, rather than in loping its excressences, after it has been neglected."—Webster's Essays, p. 26. "Where conviction ...
— The Grammar of English Grammars • Goold Brown
... glory in every act of wickedness. At length two of them quarrel, and Pity endeavours to part the fray; on this they fall upon him, and put him into the stocks, and then leave him. Pity then descants in a kind of lyric measure on the profligacy of the age, and in this situation is found by Perseverance and Contemplation, who set him at liberty, and advise him to go in search of the delinquents. As soon as he is gone, Freewill appears again, and after relating in a very comic manner some of his rogueries ...
— A Select Collection of Old English Plays, Volume I. • R. Dodsley
... this volume plunges into the middle of things, with the revolution brought about by Copernicus; but, within the tale, partly by means of an incidental lyric, there is an attempt to give a bird's-eye view of what had gone before. The torch then passes to Tycho Brahe, who, driven into exile with his tables of the stars, at the very point of death hands them over to a young man named Kepler. Kepler, with their help, arrives ...
— Watchers of the Sky • Alfred Noyes
... letters especially that their feelings flew high. They were not then in any danger of being contradicted by facts, and nothing could check their illusions or intimidate them. They wrote to each other two or three times a week in a passionately lyric style. They hardly ever spoke of real happenings or common things; they raised great problems in an apocalyptic manner, which passed imperceptibly from enthusiasm to despair. They called each other, "My blessing, ...
— Jean-Christophe, Vol. I • Romain Rolland
... spot, as 'twere for fame, For still they soared unutterably high: I've looked on Ida with a Trojan's eye; Athos, Olympus, AEtna, Atlas, made These hills seem things of lesser dignity, All, save the lone Soracte's height displayed, Not NOW in snow, which asks the lyric Roman's aid ...
— Childe Harold's Pilgrimage • Lord Byron
... and beauty place him almost on a level, at least in the esteem of readers of the English race, with Dante. Among the religious poets is George Herbert (1593-1635). One of the most famous of the lyric authors was the ...
— Outline of Universal History • George Park Fisher
... and notwithstanding modern changes, still are—a joyous people—a people full of what I shall term a lyric joyousness. I say they still are—as may be found any day up the Ettricks, and Yarrows, and Galas—up any of our Border glens and dales. The Borderers continue to merit the tribute paid to them in the odd but expressive ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... lyric about him. What visions, they asked, could one but read them, must lie behind the quiet, dreaming eyes of that ...
— Arcadian Adventures with the Idle Rich • Stephen Leacock
... on Prosody, I have designedly omitted all special treatment of the lyric metres of Horace and Catullus, as well as of the measures of the comic poets. Our standard editions of these authors all give such thorough consideration to versification that repetition in a separate ...
— New Latin Grammar • Charles E. Bennett
... pages of the Athenaeum and Fortnightly. Of the works in question two only come now within our province to mention. The first and most memorable was the poem Cloud Confines. Inadequate as the critical attention necessarily was which this remarkable lyric obtained, indications were not wanting that it had laid unconquerable siege to the sympathies of that section of the public in whose enthusiasm the life of every creative work is seen chiefly to abide. There was in it a lyrical sweetness scarcely ever previously compassed by its ...
— Recollections of Dante Gabriel Rossetti - 1883 • T. Hall Caine
... may seem absurd to some who read these lines—some practical people!—but I cannot convey the pleasure I had in the very elusiveness and mystery of the sign, nor how I wished I might at the next turn come upon the poet himself. I decided that no one but a poet could have contented himself with a lyric in one word, unless it might have been a humourist, to whom sometimes a single small word is more blessed than all the verbal riches of Webster himself. For it is nothing short of genius that uses one word when twenty will say the ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... Pushkin's lyric productions which we shall present to our countrymen, "done into English," as Jacob Tonson was wont to phrase it, "by an eminent hand," is a production considered by the poet's critics to possess the very highest ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... of the poetic realm. Beyond it lies still another; for there are spiritual harmonies which the mind alone cannot compass, and which the senses alone cannot interpret. The hand-books know little of spiritual harmonies, and do not go beyond their academic classifications of lyric and epic, and their catalogues of pentameters, hexameters, or alexandrines. But the student can for himself push his observation beyond, and come to the poetry of the higher imagination, where he can be forgetful ...
— The World's Best Poetry, Volume 8 • Various
... poetry of love, chivalry and glorious war. The lyric had a vivid personal interest. Tales of romantic daring and achievement were suggestions of possibilities in Harry's career. Her waking hours were mainly spent, book in hand, under the old apple-tree that daily grew ...
— The Red Acorn • John McElroy
... ordered by law, and each of you knows long before-hand, who is the choir-master [Footnote: The choregus, or choir-master, of each tribe, had to defray the expense of the choruses, whether dramatic, lyric, or musical, which formed part of the entertainment on solemn occasions. This was one of the [Greek: leitourgiai], or burdensome offices, to which men of property were liable at Athens, of which we shall see more in other parts of our author.] of his tribe, who the ...
— The Olynthiacs and the Phillippics of Demosthenes • Demosthenes
... do not give alms. I am not poor enough for that." He possesses the sixth sense of infinity. A cosmical jester, his badinage is well-nigh dolorous. His verse and prose form a series of personal variations. The lyric in him is through some temperamental twist reversed. Fantastic dreams overflow his reality, and he always dreams with wide-open eyes. Watteau's l'Indifferent! A philosophical vaudevillist, he juggles with such themes as a metaphysical Armida, the moon ...
— Ivory Apes and Peacocks • James Huneker
... For the details of the battle of Copenhagen see Southey's Life of Nelson. That conflict has been celebrated, in a noble lyric, ...
— The History of Napoleon Buonaparte • John Gibson Lockhart
... what do you mean by all this? Here you have lodged two years in my house, promised me eighteen-pence a week for your lodging, and I have never received eighteen farthings, not the value of that, Mr. Lyric, (snaps her fingers.) You always put me off with telling me of your play, your play! Sir, you shall play no more with me: I'm ...
— History of English Humour, Vol. 1 (of 2) - With an Introduction upon Ancient Humour • Alfred Guy Kingan L'Estrange
... better, though. So the thing had gone on. I advanced from Deadwood Dick to Hall Caine and Guy Boothby; and since I had joined the "Moon" I had actually gone a buster and bought Omar Khayyam in the Golden Treasury series. Added to which, I had recently composed a little lyric for a singer at the "Moon's" annual smoking concert. The lines were topical and were descriptive of our Complete Compensation Policy. Tommy Milner was the vocalist. He sang my composition to a ...
— Not George Washington - An Autobiographical Novel • P. G. Wodehouse
... is always that way with the telephone girl when tragedy stalks abroad and there is necessity to maintain communication with the outside world. The telephone girl of Etain may be lionized in lyric literature. She deserves it. The telephone girl of Etain may find brief mention in history. She deserves that much at least. And yet the telephone girl at Etain is but one of her kind ...
— Practical English Composition: Book II. - For the Second Year of the High School • Edwin L. Miller
... fervor, but he brought to all this much beside. In one vein he produced such a masterpiece of mingled pathos and nature painting as we find in the tenth Biglow letter of the second series; in another, such a lyric gem as The Fountain; in another, The First Snow-Fall and After the Burial; in another, again, the noble Harvard Commemoration Ode.... He had plainly a most defective ear for rhythm and verbal harmony. Except when he ...
— The Vision of Sir Launfal - And Other Poems • James Russell Lowell
... May, She is deep in the wood, Viewing and pursuing The beautiful and good. Where the grassy bank receding, Spreads its quiet couch for reading The pages of the sages, And the poet's lyric lay— We shall find ...
— Poems • Denis Florence MacCarthy
... instrument of all. He watched de Langeais' wrapt face, and for him too the thousands of soldiers, the pines and the cannon on the ridges melted away. He did not know what the young musician was playing, probably some old French air or a great lyric outburst of the fiery Verdi, whose music had already spread ...
— The Shades of the Wilderness • Joseph A. Altsheler
... piano rhapsodist, the piano mind, the piano soul is Chopin," said Rubinstein. "Tragic, romantic, lyric, heroic, dramatic, fantastic, soulful, sweet, dreamy, brilliant, grand, simple, all possible expressions are found in his compositions and all are sung by him on ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... "relish to his song," {0f} by adopting "a diversity of structure in the metre;" for the lyric comes in occasionally to relieve the solemnity of the heroic, whilst at the same time the latter is frequently capable of being divided into a shorter verse, a plan which has been observed in one of the MSS. used ...
— Y Gododin - A Poem on the Battle of Cattraeth • Aneurin
... Mr. Ousley." ... Mrs. Behn usually acknowledged her obligations; but she may have been neglectful on the present occasion. Ousley's claim cannot be lightly set aside.' There is nothing to add to this, and we can only say that Aphra Behn had such true lyric genius that 'Oh! Love that stronger art' is in no way beyond her. A statement which neither disposes of nor invalidates Ousley's claim based, as this is, upon ...
— The Works of Aphra Behn, Vol. III • Aphra Behn
... fond I was, to think The printed poems fair, When close within my arms I held A living lyric there! ...
— Songs for a Little House • Christopher Morley
... that any sentence of the canonical writings of China could be read in any English family without offense, and that there is nothing in Chinese religious rites resembling the immoral rites which are met with elsewhere. Chinese lyric poetry is ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... greatly wise, my friend, and ever respected by me, yet I find not in your theory or your scope room enough for the lyric inspirations or the mysterious whispers of life. To me it seems that it is madder never to abandon one's self, than often to be infatuated; better to be wounded, a captive, and a slave, than always to walk in armor. As to magnetism, that is only a matter ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... The Lyric Poems are almost all of the light and airy kind, such as trip lightly and nimbly along, without the load of any weighty meaning. From these, however, "Rural Elegance" has some right to be excepted. I once heard it praised by a ...
— Lives of the Poets: Gay, Thomson, Young, and Others • Samuel Johnson
... Aristophanes, by Rabelais, by Shakespeare, have no right to change. If they have changed, let us try immediately to return from our disgraceful refinements to the nobler and more rarefied heights of lyric laughter, tragic intensity, and wit, for we cannot have the first two without the last. And anyhow, how can a social custom claim precedence over the undying material of the senses and the emotions of man, over the very ...
— Lysistrata • Aristophanes
... Homer the Greeks began to create a new form of poetic expression—lyric poetry. In short poems, accompanied by the flute or the lyre, they found a medium for the expression of personal feelings which was not furnished by the long and cumbrous epic. The greatest lyric poet was Pindar. We ...
— EARLY EUROPEAN HISTORY • HUTTON WEBSTER
... a sense in which the stage alone can give the full significance to a dramatic poem, just as a lyric finds its full interpretation in music; but we prefer that a song of Goethe or Shelley should wait for its music, and in the meantime suggest its own aerial accompaniment, rather than be vulgarized in the setting. And even ...
— The Contemporary Review, January 1883 - Vol 43, No. 1 • Various
... writer of lyric poetry, James Macdonald was born in September 1807, in the parish of Fintry, and county of Stirling. His father was employed in the cotton factory of Culcruich. Of unwonted juvenile precocity, he attracted ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... Athanasian Creed is the most splendid ecclesiastical lyric ever poured forth by the ...
— Familiar Quotations • John Bartlett
... assigned to H. H. her high place in our catalogue of authors. She is, without doubt, the most highly intellectual of our female poets.... The new poems, while not inferior to the others in point of literary art, have in them more of fervor and of feeling; more of that lyric sweetness which catches the attention and makes the song sing itself over and over afterwards in the remembering brain.... Some of the new poems seem among the noblest H. H. has ever written. They touch the high-water mark of her intellectual power, and are full, besides, ...
— Hetty's Strange History • Helen Jackson
... of all sounds, the song of crickets, coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, by one of the Shaker brethren, to Concord, where ...
— The Snow Image • Nathaniel Hawthorne
... Samuel opposes the great principle which was the special message committed to every prophet in Israel, and which was repeated all through its history, side by side with the divinely appointed sacrificial system. In the intensity of his spiritual emotion, Samuel speaks in lyric strains, in the measured parallelism which was the Hebrew dress of poetry, and gives forth in words 'which will live for ever' the great truth that God delights in obedience more than in sacrifice. Whilst, on the ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... and rode back in the moonlight, singing a tuneless but very sentimental love lyric to ...
— The Keeper of the Door • Ethel M. Dell
... with Mother to first night of Nightbirds at the Lyric. Workman and Constance Driver excellent; Farkoa also ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... this order—lyric as well as epic—is much more the child of nature than of art. These great mythological poems for hundreds of years were never written; but were committed to memory, sung by the bards, and handed down ...
— The Interdependence of Literature • Georgina Pell Curtis
... him to his correspondence-office in the Place de la Bourse; and he began to compose for the Troyes newspaper an account of recent events in a lyric style—a veritable tit-bit—to which he attached his signature. Then they dined together at a tavern. Hussonnet was pensive; the eccentricities of ...
— Sentimental Education, Volume II - The History of a Young Man • Gustave Flaubert
... 'With the principal lyric metres, the Sapphic and Alcaic, Horace had done what Vergil had accomplished with the dactylic hexameter, carried them to the highest point of which the foreign Latin tongue was ...
— Helps to Latin Translation at Sight • Edmund Luce
... long poem. In our youth We rise and sing a noble epic song, A trumpet note of sound both clear and strong, With idyls now and then too sweet for truth. A lyric of lament, it swells along The tide of years, a protest 'gainst the wrong Of life, an unavailing cry for ruth, A wish to know the end—the end forsooth! 'Tis not on earth. The end which makes or mars The song of life, we who sing seldom ...
— The Argosy - Vol. 51, No. 6, June, 1891 • Various
... which, if we may trust the reviews, is a satisfactory account of much of the "minor" poetry of the day. If a man does not see somewhat deeper into himself and things than the average human being, never among the sacred band of lyric souls can he find a lasting place. Philosophy is the propaedeutic of poetry. But surely, it may be urged, the book of nature is open to every one, and a poet's soul may sing of that without any need ...
— Morality as a Religion - An exposition of some first principles • W. R. Washington Sullivan
... impossible. To overcome that difficulty of accounting for time, which is effected on the modern stage by dropping a curtain, the judgment and great genius of the ancients supplied music and measured motion, and with the lyric ode filled up the vacuity. In the story of the Agamemnon of AEschylus, the capture of Troy is supposed to be announced by a fire lighted on the Asiatic shore, and the transmission of the signal by successive beacons to Mycene. The signal is first seen at ...
— Literary Remains, Vol. 2 • Coleridge
... sons of Sophocles composed tragedy and wrote some lyric poems. But there exist no remains of their works, nor anything particular respecting themselves; some loose anecdotes excepted, which Plutarch has related respecting one of them of the name of Antiphon, who wrote a tragedy by which Dionysius the tyrant obtained a prize, ...
— The Mirror of Taste, and Dramatic Censor - Vol. I. No. 3. March 1810 • Various
... Or the best lyric pieces, how like they are to certain bird-songs! —clear, ringing, ecstatic, and suggesting that challenge and triumph which the outpouring of the male bird contains. (Is not the genuine singing, lyrical quality essentially ...
— Birds and Poets • John Burroughs
... Adur belongs also another lyric. It is printed in Hawthorn and Lavender, to which I have already referred, and is one of Mr. Henley's most characteristic and ...
— Highways & Byways in Sussex • E.V. Lucas
... its wonder or its splendour or its terror in permanent images of tone. The melancholy beauty of the autumn woods, the loveliness of quiet waters under fading skies, the sapphire and emerald glories, or the ominous chantings, of the sea, the benign and mysterious majesty of summer stars, the lyric sweetness of a meadow: these things urged him to musical transcripts, notations of loving tenderness and sincerity. His music is redolent of the breath and odour of woodland places, of lanes and moors and gardens; or it is saturated with salt spray; or it communicates the incommunicable ...
— Edward MacDowell • Lawrence Gilman
... shelves a little volume of Whittier, bound in calf, handling it as tenderly as if it were a priceless possession. Some pressed violets dropped out as she opened it, and she replaced them with devotional fingers. After some time she decided upon a lyric lament entitled "Eva." I was asked to run over the verses, and found them remarkably easy to learn; fatally impossible to forget. I presently arose and with an impish betrayal of the poverty of rhyme and the plethora of sentiment, repeated the ...
— Painted Windows • Elia W. Peattie
... saw the Lyric Dance Arcade and Indian Palace of Asiatic Mystery. And I found myself close to the platform, listening to the cry of ...
— Friendship Village • Zona Gale
... Critical Observations And Records Concerning the Lyric Drama in New York from Its Earliest Days Down to The ...
— Chapters of Opera • Henry Edward Krehbiel
... whether the paragraph of which these lines are the conclusion is a sketch of the history of poetry in general or of lyric poetry in particular. The former would be rather inartistic after the other historical notices of poetry that have occurred in the poem: the latter is not easily reconciled with the mention of Homer. On the other hand, Horace's inexactness elsewhere makes either supposition quite possible. ...
— The Satires, Epistles, and Art of Poetry • Horace
... imply an early date: Enzina's echo verses are imitated in the Comedia de Rubena, 1521). We may note that the story of Troy is running in Vicente's head as in the Exhorta[c,][a]o of 1513 (he had probably just read the Cronica Troyana). The last lyric, A la guerra, caballeros, is out of keeping with the rest of the play, but fighting in Africa was so frequent that it cannot help to determine the play's date. It is in this period (1512-14) that it is customary to place the death of Vicente's first wife Branca Bezerra, leaving him two sons, ...
— Four Plays of Gil Vicente • Gil Vicente
... another—was born. Athens was crowned with marvellous temples, whose exquisite proportions amaze and charm us to-day—inimitable creations of beauty. Homer came, and then epic poetry was born. AEschylus and tragedy came; Pindar and the lyric song; Theophrastus and pastoral music; Anacreon and the strain which bears his special name. And so Phidias and his companions created sculpture, Herodotus history, Demosthenes oratory, Plato and Aristotle philosophy, Zeuxis painting, and Pericles ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... there are, and always will be, a distinguished minority, of which the selling prices may be expected to remain firm. Such men as Shakespeare, Jonson, Beaumont, Fletcher, Chapman, Massinger, and among the lyric group Barnfield, Watson, Constable, Wither (earlier works and Hallelujah), Carew, Herrick, Suckling, and Lovelace, are to be ...
— The Book-Collector • William Carew Hazlitt
... from her library a book which he had never read. Nietzsche was an inveterate enemy of efficiency, astigmatic with regard to practical life, and he never worked out a philosophy in the accepted sense of the term. He was a lyric poet who wrote psychology when he failed to sustain the poetic mood. In the Engadine and at Sils-Maria, brooding in a rocky void wherein he touched the sharp edge of infinity, he sang a Dionysian hymn to life against the melancholy products of German learning and against those Nihilistic snares ...
— The New York Times Current History of the European War, Vol. 1, January 9, 1915 - What Americans Say to Europe • Various
... A lyric conception—my friend, the Poet, said—hits me like a bullet in the forehead. I have often had the blood drop from my cheeks when it struck, and felt that I turned as white as death. Then comes a creeping as of centipedes running down the ...
— The Autocrat of the Breakfast Table • Oliver Wendell Holmes
... by trying to express something that they did comprehend or desired to comprehend, even though it should take them into thousands of unprintable pages. It is infinitely preferable that those who have so far given evidence of nothing better than a fatal fluency in insipid imitation of true lyric poets should fall down a precipice in the attempt to scale the very pinnacles of Parnassus. There is something heroic about the most unmitigated disaster at ...
— Aspects of Literature • J. Middleton Murry
... 1883-84; it was the first of a number of such thick, recording volumes he had gathered; and the operas, the casts, were of absorbing interest. At once a memento of the heroic period of American music and of his first manhood, the faded crudely embellished strips of paper, bearing names, lyric tenors and sopranos of limpid, bird-like song long ago lost in rosy and nebulous clouds of fable and cherished affection, roused remembered pleasures sharper than any calm actuality of to-day. He paused with a quiet exclamation, the single ...
— The Three Black Pennys - A Novel • Joseph Hergesheimer
... daisy," and remarks, appropriately enough, "that this was well enough for 1898; but we would now be more inclined to render it 'he's a peach.'" Again, Peck renders "illud erat vivere" by "that was life," but, in the words of our lyric American jazz, we would be more inclined to render it "that was the life." "But," as Professor Gaselee has said, "no rendering of this part of the Satyricon can be final, it must always be in the slang of ...
— The Satyricon, Complete • Petronius Arbiter
... rite. Her eyes filled with tears. "Harboro!" she cried, "do you need to ask me that?" Her fingers sought his face and traveled with ineffable tenderness from line to line. It was as if she were playing a little love-lyric of her own upon a beautiful harp. And then she fell upon his breast and pressed her cheek to his. "Harboro!" she cried again. She had seen only the suffering ...
— Children of the Desert • Louis Dodge
... reporting arrival of the regimental protest and the remarks thereon by members of the military committee. The officers gathered in the club-room and drank long life to Leonard and confusion to Devers, and then little Sanders tuned up his guitar and sang. He was just back from leave, and a popular lyric of the day was one they called "The Accent On," for the last line of every verse was "with the accent on" some syllable of the last word of the previous line. There was nothing especially poetic or refined about the composition, but the newspapers were ringing the changes on it. A popular ...
— Under Fire • Charles King
... of the more obsolete poems," and "to take off from the tediousness of the longer narratives," Percy interspersed a few modern ballads and a large number of "little elegant pieces of the lyric kind" by Skelton, Hawes, Gascoigne, Raleigh, Marlowe, Shakspere, Jonson, Warner, Carew, Daniel, Lovelace, Suckling, Drayton, Beaumont and Fletcher, Wotton, and other well-known poets. Of the modern ballads the only one ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... A little lyric in the epos may be found in a side-journey to Bethel,—a village which no one ever heard of, at least I never did, till now; but when we did hear, we heard so much and so well that we at once started on a tour of exploration, and found—as Halicarnassus ...
— Gala-days • Gail Hamilton
... divine mysteries, when the miracle of the Incarnation was, as it were, worked for her in her own soul; when she heard in her own heart the beating of the heart of God; when his hand touched her with a tenderness that warmed her place of peace. She had hardly known this flamed and lyric creature for herself. It was as if her soul, resting after long flight, had contemplated for the first time the silver and ...
— The Helpmate • May Sinclair
... his eyes glowing as there fell from her lips the gentle love-song of a heart-broken Indian maiden, filled with its infinite sadness and despair. He knew the song. It was a lyric of the Crees. He had heard it before, but never as it came to him now, sobbing its grief in the low notes of the violin, speaking to him with immeasurable pathos from the ...
— The Honor of the Big Snows • James Oliver Curwood
... the Achilles in the sky looked down upon 20,000 young Achilles walking through the streets beneath. With what admiration do men recall the intellectual achievements of Athens! What temples, and what statues in them! What orators and eloquence! What dramas! What lyric poems! What philosophers! Yet one ideal man who never lived, save in a poet's vision, turned rude tribes into intellectual giants. Thus each nation hungers for heroes. When it has none God sends poets to invent them as soul food for the nation's youth. The best ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis |
