"Michelangelo" Quotes from Famous Books
 ... Our age that goes everywhere, knows everybody's business, and religiously reads only "the last edition," produces a Bill Nye, a Sam Jones, a Teddy Roosevelt, a DeWitt Talmage, a Hopkinson Smith, a Sam Walter Foss, a Victor Herbert; but it is not at all likely to produce a Praxiteles, a Michelangelo, a Rembrandt, an Immanuel Kant or ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... itself, as Pio Rajna has shown, "the rifacimento of two earlier popular poems," was written to amuse Lucrezia Tornabuoni, the mother of Lorenzo de' Medici, and that it was recited, canto by canto, in the presence of such guests as Poliziano, Ficino, and Michelangelo Buonarotti; but how "it struck these contemporaries," and whether a subtler instinct permitted them to untwist the strands and to appraise the component parts at their precise ethical and spiritual value, are questions for the exercise of the critical imagination. That which ...
— The Works of Lord Byron, Volume 4 • Lord Byron
... artist, will be considered, not in his proportion to any other author or artist, but in his relation to the human nature, known to us all, which it is his privilege, his high duty, to interpret. "The true standard of the artist is in every man's power" already, as Burke says; Michelangelo's "light of the piazza," the glance of the common eye, is and always was the best light on a statue; Goethe's "boys and blackbirds" have in all ages been the real connoisseurs of berries; but hitherto the mass of common men have been afraid ...
— Henry James, Jr. • William Dean Howells
... related that when she came to his studio for the first sitting the painter took her by the hand and led her to the chair, saying in his courtly way: "Ascend your undisputed throne; bestow on me some idea of the tragic muse." Whereupon she instantly assumed the attitude in which she was painted. Among Michelangelo's frescoes in the Sistine Chapel there is a figure of the prophet Isaiah, whose pose is quite similar, and may have suggested both to painter and sitter the idea of the Tragic Muse. In any case the attitude which Mrs. Siddons ...
— Sir Joshua Reynolds - A Collection of Fifteen Pictures and a Portrait of the - Painter with Introduction and Interpretation • Estelle M. Hurll
... ramifying roots extend in all directions. Man is seen wresting from her stone and precious metals. Wonderfully has Robert Aitken worked out the Mother Earth idea. She has brought forth many times and yet is ever young. It is keenly interesting to look at "Earth" and then at Michelangelo's "Night" to see ...
— Sculpture of the Exposition Palaces and Courts • Juliet James
... reached, the movement broke. Already Botticelli painted Aphrodite, queen of the senses, supreme along with Mary, Queen of Heaven. And Michelangelo suddenly turned back on the whole Christian movement, back to the flesh. The flesh was supreme and god-like, in the oneness of the flesh, in the oneness of our physical being, we are one with God, with the Father. God the Father created man in the flesh, in His own image. Michelangelo ...
— Twilight in Italy • D.H. Lawrence
... day in the reading-room of the British Museum and of the New York Public Library. It is, indeed, indisputable that canes, more than any other article of dress, are peculiarly related to the mind. There is an old book-seller on Fourth Avenue whose clothes when he dies, like the boots of Michelangelo, probably will require to be pried loose from him, so incessantly has he worn them within the memory of man. None has ever looked upon him in the open air without his cane. And is not that emblem of omniscience and authority, the schoolmaster's ferule, directly of the cane family? ...
— Walking-Stick Papers • Robert Cortes Holliday
... of the Renaissance occupied themselves much with the person and the story of Dionysus; and Michelangelo, in a work still remaining in Florence, in which he essayed [19] with success to produce a thing which should pass with the critics for a piece of ancient sculpture, has represented him in the fulness, ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... 351. As to Dante's deep religious feeling and belief in his own divine mission, see J. R. Lowell, Among my Books, vol. i, p. 36. For a remarkable series of coloured engravings, showing Dante's whole cosmology, see La Materia della Divina Comedia di Dante dichiriata in vi tavole, da Michelangelo Caetani, published by the monks of Monte Cassino, to whose kindness I am indebted for ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... evening on the Piazza of Michelangelo and saw Florence, like a city of dim, red gold extended beneath them. The setting sunlight wove an enchantment over towers and roofs. It spread a veil of ineffable brightness upon the city and tinged green Arno also, where the river ...
— The Grey Room • Eden Phillpotts |
