"Orchestral" Quotes from Famous Books
 ... some particularly fine vistas, among many, we should mention that from the Orchestral Niche in the Court of the Four Seasons, looking toward the bay, or from the same court toward the Fine Arts Palace - and many more. The natural background seems to have been considered always, even in the arrangements ...
— The Art of the Exposition • Eugen Neuhaus
... indicated his tempi a little more clearly," I remarked as I finished Sarka for the third time. "It matters, because he really has something to say. An orchestral accompaniment would be better, I ...
— Youth and the Bright Medusa • Willa Cather
... good box on the ear. How gladly would I work and work, if it were only left me to write always such music as I please, and as I can write; such, I mean to say, as I myself set some value upon. Thus I composed three weeks ago an orchestral symphony, and by to-morrow's post I write again to Hoffmeister (the music-seller) to offer him three pianoforte quatuors, supposing that he is able to pay. Oh heavens! were I a wealthy man, I would say, 'Mozart, compose what you ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... Is this discipline necessary to the improvement of the race? I only know that if we sinned against these human laws and conventions, your great career in Science—and again, why in Science? Lightness in love does not seem to affect the career of orchestral conductors, actors, singers, play-wrights and house painters—why weren't you one of these, and not a High Priest of the only real religion? I only know also that if I fell, so many people would have the satisfaction of saying: 'There! what did I say? ...
— Mrs. Warren's Daughter - A Story of the Woman's Movement • Sir Harry Johnston
... requisites for a pyrotechnical display have been heaped up; it is from these that the rockets will ascend, it is here the blue and red Catherine wheels will revolve. The vaulted ceiling of the cavern is so high that the rockets in their highest flight will not graze it. An orchestral-like balustrade has been provided for the musicians. The shareholders themselves will do their best to enliven the festivities with fiddles, flutes and bagpipes. The guests are already appearing, singly and in groups, down through the machinery ...
— The Poor Plutocrats • Maurus Jokai
... The Journal introduced its readers to all the great instrumental and vocal artists of the day through articles; it offered prizes for the best piano and vocal compositions; it had the leading critics of New York, Boston, and Chicago write articles explanatory of orchestral music and how ...
— A Dutch Boy Fifty Years After • Edward Bok
... known by the name of the "Gypsy Archduke," who has done more than anyone else in Europe to place on record, both in writing and in print, the weird music and extraordinary quaint melodies of the Tziganes, melodies which he has arranged exquisitely for orchestral use. True, there is not a single archduke or archduchess in Austria and Hungary, who does not play with taste and feeling. Indeed, music seems to be inborn in them, and while the widowed crown princess is devoted to her piano, on which her performances are characterized by ...
— The Secret Memoirs of the Courts of Europe: William II, Germany; Francis Joseph, Austria-Hungary, Volume I. (of 2) • Mme. La Marquise de Fontenoy
... similar thoughts crowded themselves into my brain, my attention was attracted by soft strains of music emanating from the room I had just left, and I stood still and listened. Arletta had evidently set the orchestral mechanism in motion again, and was accompanying it by tenderly singing her own requiem. With tremulous modulation, her vocal chords produced sounds such as I had never heard before, and of which I am powerless to give the faintest description. Like a statue, I stood and listened to the almost ...
— Born Again • Alfred Lawson
... they are sounded and sung, but in respect of the changes of key, the changes of time, the changes of timbre of the voice, and the many other modifications of expression. While between the old monotonous dance-chant and a grand opera of our own day, with its endless orchestral complexities and vocal combinations, the contrast in heterogeneity is so extreme that it seems scarcely credible that the one should have been ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... heard my father and mother talk of forever. I went full of expectation accordingly, and was entirely disappointed. The meagerness and triteness of the music and piece astonished me. After the full orchestral accompaniments, the richly harmonized concerted pieces and exquisite melodies lavished on us in our modern operas, these simple airs and their choruses and mean finales produce an effect from their poverty ...
— Records of a Girlhood • Frances Anne Kemble
... conquer, he said, such disturbing earthly emotions; why should they be a thicket in the way of his work for Christ? The betrothal was sealed in a religious ceremony. Young Zinzendorf composed a cantata for the occasion {March 9th, 1721.}; the cantata was sung, with orchestral accompaniment, in the presence of the whole house of Castell; and at the conclusion of the festive scene the young composer offered up on behalf of the happy couple a prayer so tender that all were moved to tears. His self-denial ...
— History of the Moravian Church • J. E. Hutton
... the viewless turmoil the face of a girl he did not know—never would know, probably—had not been absent from his mind; that the sound of her voice had lingered in his ears rising out of the elemental confusion, as the notes of a violin, freeing themselves from orchestral harmony, suddenly rise clear, dominating the motif in ...
— Dan Merrithew • Lawrence Perry
... the performance of his new orchestral drama named "Nietzsche." The newspapers printed columns about the composer and his strange career. A disused monster music-hall, near the Moulin Rouge on Montmartre, was to be the scene of the concert and the place was at once christened ...
— Melomaniacs • James Huneker
... showed no bigger than a carpet-tack. The whole performance now seemed to be worked by those tireless figures pumping at the organ, in obedience to signals from a very alert figure on the platform below. The choral and orchestral thousands sang and piped and played; and at a given point in the scena from Verdi, a hundred fairies in red shirts marched down through the sombre mass of puppets and beat upon as many ...
— Suburban Sketches • W.D. Howells
... Company was able to walk by itself at last, and that he was going to have a long holiday after his dry-nursing of it. We went first to Paris, where we heard all the classical concerts that were given while we were there. I found that he never tired of listening to orchestral music; and yet he never ceased grumbling at it. He thought nothing of the great artists in Paris. Then we went for a tour through Brittany; and there, in spite of his classical tastes, he used to listen to the peasants' songs and write them down. ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... heard since then that the French horn has a compass of only four octaves and is principally useful as an orchestral adjunct; that, in short, its ability is limited and its use as a solo instrument slight. All I can say is that the person who said that doesn't know a French horn; anyway, he doesn't know McTurkle's French horn. Four octaves ...
— The New Boy at Hilltop • Ralph Henry Barbour
... music is consorted with this oracular utterance. The words are set to an old German church melody—"Ach Gott, vom Himmel sieh darein"—around which the orchestral instruments weave a contrapuntal web of wondrous beauty. At the gates Pamina joins her lover and accompanies him on his journey, which is happily achieved with the help of the flute. Meanwhile Papageno is pardoned his loquacity, but told that he shall never ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... violin to the youngest son, Carl, and I chanced to come in at the time, I never gave him credit for much talent, but I saw that he took great pains in giving his lesson; and when we entered into conversation about violin, concert, and orchestral playing, he reasoned very well, and was always of my opinion, so I retracted my former sentiments with regard to him, and was persuaded that I should find him play well in time, and a correct violinist in the orchestra. I, therefore, invited him to be so kind as to attend our little music ...
— The Letters of Wolfgang Amadeus Mozart, V.1. • Wolfgang Amadeus Mozart
... by beautiful gardens, in which were many rare tropical trees and shrubs. From the Casino came the sound of orchestral music. Throngs moved about on the verandas; couples or little groups strolled through the gardens. Inside, the play had hardly begun. Gambling does not reach its frantic ...
— Dave Darrin on Mediterranean Service - or, With Dan Dalzell on European Duty • H. Irving Hancock
... struck us forcibly that the science of melo-dramatic music has been hitherto very imperfectly understood amongst us. The art of making "the sound an echo of the sense"—of expressing, by orchestral effects, the business of the drama, and of forming a chromatic commentary to the emotions of the soul and the motions of the body, has been shamefully neglected on the English stage. Ignorant composers and ignoble fiddlers ...
— Punch, or the London Charivari, Vol. 1, July 24, 1841 • Various
... church had its Madonna and Child, when, in a word, art and life and religion went hand in hand, not sharply sundered by castes and professions. But we may not put back the clock, and, if by differentiation we lose something, we gain much. The old choral dance on the orchestral floor was an undifferentiated thing, it had a beauty of its own; but by its differentiation, by the severance of artist and actors and spectators, we have gained—the drama. We may not cast reluctant eyes backwards; ...
— Ancient Art and Ritual • Jane Ellen Harrison
... Wendelin Weissheimer, a German orchestral leader, a friend of Liszt and Wagner, and of many other notable musicians of his day, has given in his reminiscences (which should have been translated long ago) a delightful glimpse of life at the Altenburg. He describes a dinner at which Von ...
— The Loves of Great Composers • Gustav Kobb
... these ceased and finally died away, the great organ and a band of brass instruments took up Schubert's funeral march, booming sonorously; and changed to Beethoven's funeral march with a clash of cymbals in the orchestral accompaniment. A third march being required, owing to the time needed by the procession to reach the Abbey, "Marche ...
— The Grand Old Man • Richard B. Cook
... Alwynn, as if her reason were a weighty one, his memory possibly recalling the orchestral flourish which as a rule heralded his wife's return to consciousness. "True, true, my dear. I must be going," as the chime ceased. "Are you coming ...
— The Danvers Jewels, and Sir Charles Danvers • Mary Cholmondeley
... served me as the theme for an orchestral composition (in the form of an overture) named Polonia; I shall recount the fate of this work later on. My friend Tyszkiewitcz's passport now arrived, and he made up his mind to go back to Galicia via Brunn, although his friends considered it was very rash of him to do so. I very much wanted to see ...
— My Life, Volume I • Richard Wagner
... commanding both the cross-way of Chareh Sultan el Osman, and the short, glaring vista of desert dust and starved young acacias which led to the black hulks of shipping in the Canal. From the Bar la Poste came orchestral strains—"Ai nostri monti"—performed by a piano indoors and two violins on the pavement. The sounds contended with a thin, scattered strumming of cafe mandolins, the tinkle of glasses, the steady click of dominoes and backgammon; then were drowned in the harsh chatter ...
— Dragon's blood • Henry Milner Rideout
... rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, powerfully stimulated all composers later than himself, nevertheless exerted this influence at second-hand, so to say, never having written purely instrumental movements, but merely dramatic accompaniments of one intensity or ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... fellow about town somehow got hold of an idea for a melody; he didn't know a note, but he whistled it to Sykes, and Sykes dotted it down. Now, Sykes knows no more of harmony than a broomstick, so he got another man to harmonise it, and then a fourth fellow wrote an orchestral accompaniment. That's the kind of thing—division of labour ...
— The Whirlpool • George Gissing
... fruitless efforts to subdue itself, and the divine songstress, with that perfect bearing, that air of all dignity and sweetness, blending a child-like simplicity and half-trembling womanly modesty with the beautiful confidence of genius and serene wisdom of art, addressed herself to song, as the orchestral symphony prepared the way for the voice in Casta Diva. A better test-piece could not have been selected for her debut. Every soprano lady has sung it to us; but nearly every one has seemed only trying to make something of it, while Jenny Lind WAS the very music of it for ...
— A Unique Story of a Marvellous Career. Life of Hon. Phineas T. • Joel Benton
... broke out into a carolling little French song, which started all the birds around into a general orchestral accompaniment. ...
— The Atlantic Monthly, Vol. IV, No. 22, Aug., 1859 • Various
... given," exclaimed he, "if Beethoven could have heard his own composition so well understood and so magnificently performed!" By thus giving alternately praise and blame, as required, spurring the slow, checking the too ardent, he obtained orchestral effects seldom equaled in our days. Need I add, that he was able to detect at once, even among a phalanx of performers, the slightest error, either of note or accent.—Life ...
— International Weekly Miscellany, Vol. 1, No. 5, July 29, 1850 • Various
... village turning out well, and a few coming all the way from Hawthorne, among these Enderby, the Cockney butcher, and his wife and daughter, and as soon as Ringfield had made a few appropriate remarks, couched this time in safe and secular terms, the first number was given, consisting of an orchestral selection by four players belonging to St. Ignace and to the choir of Father Rielle's big church, St. Jean-Baptiste-on-the-Hill. A cornet, two fiddles and a flute rendered the music with good time and fair ...
— Ringfield - A Novel • Susie Frances Harrison
... wine-skins in yielding to the claims of the cathedral on my wonder and reverence when now for the second time we came to it. The funeral ceremony of the dean was still in course, and after listening for a moment to the mighty orchestral music of it—the deep bass of the priests swelling up with the organ notes, and suddenly shot with the shrill, sharp trebles of the choir-boys and pierced with the keen strains of the violins—we left the cathedral to ...
— Familiar Spanish Travels • W. D. Howells
... began, and for some minutes no one in the box spoke. Presently there was a burst of orchestral music. Giovanni leaned forward so that his face was close behind Corona. He could speak ...
— Saracinesca • F. Marion Crawford
... orchestral music could be continued without a pause for a series of years, and children were brought up and educated in the room in which it was perpetually resounding, I believe their enjoyment of music, or understanding of it, would be very small. And an accurately ...
— Modern Painters, Volume IV (of V) • John Ruskin
... definitely indicated by the composer there are (particularly in modern music) innumerable tempo fluctuations of a much subtler nature; and since these are now recognized as a part of really artistic choral and orchestral interpretation, (as they have long formed an indispensable element in expressive piano performance) a brief discussion of their nature will be included before closing ...
— Essentials in Conducting • Karl Wilson Gehrkens
... Todhunter, "to all other lyrical poems what the ninth symphony is to all other symphonies; and more than this, for Shelley has here outsoared himself more unquestionably than Beethoven in his last great orchestral work. . . . The Titan Prometheus is the incarnation of the genius of humanity, chained and suffering under the tyranny of the evil principle which at present rules over the world, typified in Jupiter; the name Prometheus, ...
— Introduction to Robert Browning • Hiram Corson
... 'romantic school' of violin playing. Look at his seven concertos—of course they are written with an eye to effect, from the virtuoso's standpoint, yet how firmly and solidly they are built up! How interesting is their working-out: and the orchestral score is far more than a mere accompaniment. As regards virtuose effect only Paganini's music compares with his, and Paganini, of course, did not play it as it is now played. In wealth of technical development, in true musical expressiveness ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... uproar that was raging around the head of Ben Kyaw. Sheets of mingled spray and rain were driven in our faces. All round the isle of Aros the surf, with an incessant, hammering thunder, beat upon the reefs and beaches. Now louder in one place, now lower in another, like the combinations of orchestral music, the constant mass of sound was hardly varied for a moment. And loud above all this hurly-burly I could hear the changeful voices of the Roost and the intermittent roaring of the Merry Men. At that hour, there flashed into my mind the reason of the name that they were ...
— The Merry Men - and Other Tales and Fables • Robert Louis Stevenson
... skill by a boy of twelve years old, and they therefore not only charged the composition with a want of dramatic effect, but they even went so far as to say, that he had not scored it himself. To counteract such calumnies, Leopold Mozart often obliged his son to put the orchestral parts to his compositions in the presence of spectators, which he did with wonderful celerity before Metastasio, Hasse, the Duke of Braganza, and others. The injurious opinion of the nobility, which these people hoped to excite against the young ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 395, Saturday, October 24, 1829. • Various
... districts, by reason of severe competition, were compelled to resort to all means of advertising, which included red lights over the doors, the serving of liquors and other refreshments, orchestral music, persistent displaying of charms by women in the windows and other means of making their business as conspicuous as possible, and thereby attracting even innocent spectators to the vicinity who were often robbed by attaches and hangers-on from the resorts. The segregated ...
— Fighting the Traffic in Young Girls - War on the White Slave Trade • Various
... "Elijah"; the "Requiem" of Mozart, and the "Lobgesang" by Mendelssohn; and for the last, and we trust many last, "Israel in Egypt." All this will be but so much rehearsal for the grander Festival to follow. We have no organized orchestral or symphony society, as we should have; but we have with us always the elements of a good orchestra, who always work well together, and never better than last year under the enterprise and drill of Mr. Zerrahn. Then we had glorious symphonies ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... replied. "It was the Tschaikovsky Fourth that fixed him, Mawruss. I told him that young feller carries round with him an orchestral score, and right away he says he would come up. For years I seen Mr. Steuermann at the Philharmonics and the Boston Symphonies, Mawruss, and I didn't know who he was at all. I always thought he was something to do ...
— Abe and Mawruss - Being Further Adventures of Potash and Perlmutter • Montague Glass
... triumphant stanza, andante, through staccato and fortissimo. The shout in the last adagio, on the four final bars, "O Death! O Death!" softening with "where is thy sting?" is quite in the style of old orchestral magnificence. ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... notable example to refute the assertion of the ancient poet. The place was principally devoted to the exhibition of musical talent, and opened at a period of the night when the performances at the theaters were over. The orchestral arrangements were comprised in one bad piano, to which were occasionally added, by way of increasing the attractions, performances on the banjo and guitar. All the singers were called "ladies and gentlemen;" and the one long room in which the performances took place ...
— Hide and Seek • Wilkie Collins
... the car on fire. But there in the dark—for the car lamps went out at the same time with the lantern—I could hear those fellows pulling and hauling up and down the aisle and scuffling over the floor, and through all Melford bellowing away, like an orchestral accompaniment to a combat in Wagner opera, but getting quieter and quieter till his bellow died away altogether. At the same time the row in the aisle of the car stopped, and there was perfect silence, and I could hear the snow rattling against my window. Then I went off into a ...
— Between The Dark And The Daylight • William Dean Howells
... ideas, plans, melodies glowed within him. To create, to do, to accomplish; to know the white glory of mighty midnights and the pale Amen of dawns was his day of days. Songs, pianoforte and violin pieces, trios and quintets for strings, incidental music, symphony, orchestral, and choral works rushed from his fingers. Nor were they laboriously contrived or light, thin things made to meet sudden popularity. Rather they were the flaming bits that must be said and sung,—that could not wait the slower birth ...
— Darkwater - Voices From Within The Veil • W. E. B. Du Bois
... rest in death. I love the companionship of the forest. There is an elevation of soul in this communion with incorruptible nature: there is sincerity and truth in the hills and valleys—in the trees and vines, and music—grand orchestral music—in the moaning of the limbs and leaves, played upon by the hurrying winds. I have prayed to be a savage, and to live in ...
— The Memories of Fifty Years • William H. Sparks
... is one of the largest of the London Music Halls. Gorman's play was, I suppose, to take its place in the usual way between an exhibition of pretty frocks with orchestral accompaniment and an imitation of ...
— Gossamer - 1915 • George A. Birmingham
... she delivered her balsam to the faithful Gurnemanz, and thrown herself exhausted upon the grass—where she lies gnawing her hair morosely—than a change in the sound atmosphere, which never ceases to be generated in the mystic orchestral gulf, presages the approach ...
— Parsifal - Story and Analysis of Wagner's Great Opera • H. R. Haweis
... musical enjoyment, if having been accustomed only to hear black Christys, blind fiddlers, and hoarse beggars scrape or howl about their streets, they were permitted daily audience of faithful and gentle orchestral rendering of the work of the ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... by the Education Bureau, and daily enriched by newly arriving chests of books, so that by the New Year it contained 18,000 volumes, which did not by any means meet the demand for reading, particularly during the hot midday hours; several new singing and orchestral societies; reading or debating circles; and two dozen pianos—these were all that had been added to the original stock of means of recreation. But there was frequent hunting in the splendid woods; and excursions to the more accessible points of view were the order ...
— Freeland - A Social Anticipation • Theodor Hertzka
... floating, palpitating spirit amid great spaces of mystery and dream. A universal music was swelling around him, a mighty concerto bursting full upon him from the stillness of infinite distances—the sobbing of violins, the blare of brazen instruments, an orchestral clash and clang. ...
— Cleo The Magnificent - The Muse of the Real • Louis Zangwill |
