"Parthenon" Quotes from Famous Books
 ... as little need for the one as for the other. Earthquake and hurricane, volcano and valley flood, autumn frosts and winter blasts, fever, consumption, war, and pestilence, the grave-yard and the charnel-house, the Parthenon and the Pyramids, the silent cities of Colorado, and the buried palaces of Assyria, unite ...
— Fables of Infidelity and Facts of Faith - Being an Examination of the Evidences of Infidelity • Robert Patterson
... of all the works, and was surveyor-general, though upon the various portions other great masters and workmen were employed. For Callicrates and Ictinus built the Parthenon; the chapel at Eleusis, where the mysteries were celebrated, was begun by Coroebus, who erected the pillars that stand upon the floor or pavement, and joined them to the architraves; and after his death ...
— The Boys' and Girls' Plutarch - Being Parts of The "Lives" of Plutarch • Plutarch
... through the ages, in corridors golden. In all the wide farm-place the person most human. You spoke out so plainly with squealing and capering, With whinnying, snorting, contorting and prancing, As you dodged your pursuers, looking askance, With Greek-footed figures, and Parthenon paces, O broncho that would ...
— Chinese Nightingale • Vachel Lindsay
... ourselves, by hurry, of the pain of parting." He adds, "We could not refrain from looking back, as we passed rapidly to the shore, and we continued to direct our eyes towards the spot, where we had caught the last glimpse of the Theseum and the ruins of the Parthenon through the vistas in the woods, for many minutes after the city and the Acropolis had been totally hidden ...
— Life of Lord Byron, Vol. I. (of VI.) - With his Letters and Journals. • Thomas Moore
... looks more expressive than all words—Such men and women can be; for such they have been; and such you may be yet, if you will use that science of which you too often only boast. Above all, I had been pondering over the awful and yet tender beauty of the maiden figures from the Parthenon and its kindred temples. And these, or such as these, I thought to myself, were the sisters of the men who fought at Marathon and Salamis; the mothers of many a man among the ten thousand whom Xenophon led back ...
— Sanitary and Social Lectures and Essays • Charles Kingsley
... concern that that of having the most beautiful city, the most beautiful processions, the most beautiful ideas, and the most beautiful men. In this respect, a statue like the "Meleager" or the "Theseus" of the Parthenon, or again a sight of the blue and lustrous Mediterranean, resembling a silken tunic out of which islands arise like marble bodies, together with a dozen choice phrases selected from the works of Plato and Aristophanes, teach us more than any number ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... Euripides call with an invitation to witness a rehearsal of the "Medea." Athens is to me the most satisfactory of all the restored cities of antiquity, every relic there is so indisputably genuine. My sunrise view from the Parthenon was a fair match for a midnight view I once had of Olivet ...
— Recollections of a Long Life - An Autobiography • Theodore Ledyard Cuyler
... which nobody endeavours to verify, every one ends by repeating what he learnt at school, till there come to be names and things which nobody would venture to meddle with. For a modern reader the perusal of Homer results incontestably in immense boredom; but who would venture to say so? The Parthenon, in its present state, is a wretched ruin, utterly destitute of interest, but it is endowed with such prestige that it does not appear to us as it really is, but with all its accompaniment of historic memories. The special characteristic of prestige is to prevent ...
— The Crowd • Gustave le Bon
... immortal youth. Poets are better comprehended and appreciated by those who have made themselves familiar with the countries which inspired their songs. Pindar is more fully understood by those who have seen the Parthenon bathed in the radiance of its limpid atmosphere; Ossian, by those familiar with the mountains of Scotland, with their heavy veils and long wreaths of mist. The feelings which inspired the creations of Chopin can only be fully appreciated by those who have visited his country. ...
— Life of Chopin • Franz Liszt
... Venice was begun; and as the Byzantine Palace was, in its foundation, coeval with that of the state, so the Gothic Palace was, in its foundation, coeval with that of the aristocratic power. Considered as the principal representation of the Venetian school of architecture, the Ducal Palace is the Parthenon of Venice, and ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... entrance to the city from the Thiergarten, and is a sort of triumphal arch, erected in 1789. It is seventy feet in height, and two hundred in width, being modelled after the entrance in the gateway of the temple of the Parthenon at Athens. It affords five passage-ways through ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... and end-all of existence. Of the books she had given him, he understood and appropriated only those parts that related to his subject. All the rest was lost: the literary quality, the atmosphere, the historic perspective. To him it could never mean anything that Plato saw the Parthenon. ...
— The Mayor of Warwick • Herbert M. Hopkins
... away up Waterloo Place, and past the "Parthenon" Club-house, and disappeared to take a meal of cow-heel at a neighboring cook's shop. Their names were Samuel Johnson ...
— Burlesques • William Makepeace Thackeray
... granted of course that improvements cost almost nothing. On the highest part of this ground you will build your house: an airy situation is invaluable in warm weather; and then a view is so desirable. In the choice of a style of architecture some difficulty arises. You may either have a clap-board Parthenon, with Corinthian columns in front and Doric columns in the rear, painted white, to flash back the rays of the sun, or which is perhaps more fashionable, a Gothic cottage, with steep roof, rustic pillars, fantastic barge-boards, and numerous pinnacles ...
— The Knickerbocker, or New-York Monthly Magazine, January 1844 - Volume 23, Number 1 • Various
... and after whose likeness man was made. Whether listening to the shrieks of the Shaman sorcerers of Tatary, or to the odes of Pindar, or to the sacred songs of Paul Gerhard: whether looking at the pagodas of China, or the Parthenon of Athens, or the cathedral of Cologne: whether reading the sacred books of the Buddhists, of the Jews, or of those who worship God in spirit and in truth, we ought to be able to say, like the ...
— Chips From A German Workshop - Volume I - Essays on the Science of Religion • Friedrich Max Mueller
... Bavaria is the Val Halla, a modern temple designed to receive memorials of all the great names of Germany. The idea is kingly, and so is the temple; but it is built on the model of the Parthenon—evidently a formidable blunder in a land whose history, habits, and genius, are of the north. A Gothic temple or palace would have been a much more suitable, and therefore a finer conception. The combination of the palatial, the cathedral, and ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... of the columns for a ceiling. Bend another piece of pasteboard lengthwise through the centre for the roof, and stand it tent-like on top of the ceiling. You can measure the correct size of the ceiling by laying a piece of pasteboard down flat on the floor along the eight-columned side of the Parthenon to obtain the length, and placing it flat on the floor across the four-columned side to mark the width. Make the roof the same length and a little wider than the ceiling, to allow for the height of ...
— Little Folks' Handy Book • Lina Beard
... Earth's orb I trod upon Was a proud temple called the Parthenon; [28] More beauty clung around her columned wall Then even thy glowing bosom beats withal, [29] And when old Time my wing did disenthral Thence sprang I—as the eagle from his tower, And years I left behind me in an hour. What time upon her airy ...
— Edgar Allan Poe's Complete Poetical Works • Edgar Allan Poe
... Roman antiquity. The combing of the hair over the back in wavy lines was undoubtedly much in favor. A simple ribbon tied round the head, in that case, connected the front with the back hair. This arrangement we meet with in the maidens of the Parthenon frieze and in a bust of Niobe. On older monuments, for instance, in the group of the Graces on the triangular altar in the Louvre, the front hair is arranged in small ringlets, while the back hair partly falls smoothly over the neck, and partly is made into long curls hanging down ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... processional act in which, as it were, the material forms of society became transparent, and the Whole moved on, illumined and visibly sustained by the spiritual soul of which it was the complete and harmonious embodiment. Of this procession we have still in the frieze of the Parthenon a marble transcript. There we may see the life of ancient Athens moving in stone, from the first mounting of their horses by isolated youths, like the slow and dropping prelude of a symphony, on to the thronged and trampling ranks of cavalry, past the antique chariots reminiscent ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... the Acropolis, Mary, a new Pallas to guard the Parthenon." His imagination leapt from vista to vista of the future, each opening to new delights. Mary's followed, lured, dazzled, a little hesitant. Her own visions, unformulated though they were, seemed of somewhat different stuff, but she saw he ...
— The Nest Builder • Beatrice Forbes-Robertson Hale
... whence most of these things were visible, you entered at once the great studio. Round the upper wall ran a cast of the Parthenon frieze, and beneath this the wall on one side was riddled and windowed, as it were, with innumerable framed pictures, small studies of foreign scenes; so that one looked out in turn upon Italy and the South, Egypt and the ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... when Confucius died. Themistocles was preparing the way for Pericles; for then was being collected the treasure of Delos, which made Phidias and the Parthenon possible. During the life of Confucius lived Leonidas, Miltiades, Cyrus the Great, Cambyses, Darius, Xerxes. And then quite naturally occurred the battles of Marathon, Salamis and Thermopylae. Then lived Buddha-Gautama, Lao-tsze, Ezekiel, Daniel, ...
— Little Journeys To The Homes Of Great Teachers • Elbert Hubbard
... by the statue anyway," he said to himself, and went on examining the foundations of the Parthenon. ...
— The Spartan Twins • Lucy (Fitch) Perkins
... have; but the Pisans had not. And that intermediate layer of the pulpit means—the change, in a word, for all Europe, from the Parthenon to Amiens Cathedral. For Italy it means the rise of her Gothic dynasty; it means the duomo of Milan instead of ...
— Val d'Arno • John Ruskin
... at Rome, celebrated the birth-day of Winckelmann on the 13th of December. Dr. Emil Braun read an essay on the two chief groups of the frieze of the Parthenon. These groups have hitherto been supposed to represent the twelve gods of Olympus; Dr. Braun attempted to show that they represent, in a double point of view, the native heroes of Attica. The physical development of the country is expressed ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various
... comfortable. After a little the wind lulled, the fog dispersed again, and the iceberg seemed to contemplate our slow departure with complacent serenity. We regretted that the hour forbade a return. It would have been pleasant to play around that Parthenon of the sea in the twilight. The best that was left us was to look back and watch the effects of light, which were wonderfully fine, and had the charm of entire novelty. The last view was the very finest. All the east ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... still stand in ruins like the old castles, for repairs are no longer made; but enough is preserved to enable us to comprehend their former condition. Some of them are still above ground, like the pyramids, the temples of Thebes and of the island of Philae, the palace of Persepolis in Persia, the Parthenon in Greece, the Colosseum in Rome, and the Maison Carree and Pont du Gard in France. Like any modern monument, these are visible to the traveller. But the majority of these monuments have been recovered from the earth, from sand, from river deposits, and from debris. One ...
— History Of Ancient Civilization • Charles Seignobos
... of a portion of their past, is not to be hoped, and we shall be well contented if we can have a collection of genuine fragments, that will indicate as clearly their life, as a horse's head from the Parthenon the ...
— Summer on the Lakes, in 1843 • S.M. Fuller
... elegance of Herodotus, recall, with their just conceptions of harmony, their noble and sustained flow of thought, and their freedom from the adventitious ornaments of an exaggerated rhetoric or a sentimental morality, the golden age of Greece. We seem to stand within the Parthenon, to gaze upon the Venus of Cnidus, to be jostled by the gay crowd at the Olympic games. It was indeed a golden age, when all that was beautiful in nature was reverently and assiduously nurtured, and all that was noble and natural in art was magnificently encouraged; an age in which ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... the largest of the Greek temples. The area of the Parthenon at Athens was not one fourth of that of the temple of Ephesus."—Smith's Dictionary of Greek and Roman Geography, ...
— The Ancient Church - Its History, Doctrine, Worship, and Constitution • W.D. [William Dool] Killen
... Catholicism has achieved an ideal of virginity; that it is no longer a mere piece of floating poetry. But if you, and a few feverish men, in top hats, running about in a street in London, choose to differ as to the ideal itself, not only from the Church, but from the Parthenon whose name means virginity, from the Roman Empire which went outwards from the virgin flame, from the whole legend and tradition of Europe, from the lion who will not touch virgins, from the unicorn who respects them, and who make up together the ...
— The Ball and The Cross • G.K. Chesterton
... about Greek architecture has thus far been only touched upon; that is, the liberal use it made of color. The ruins of Greek temples are to-day monochromatic, either glittering white, as is the temple at Sunium, or of a golden brown, as are the Parthenon and other buildings of Pentelic marble, or of a still warmer brown, as are the limestone temples of Paestum and Girgenti (Acragas). But this uniformity of tint is due only to time. A "White City," such as made the pride of Chicago in 1893, would have been unimaginable to an ancient Greek. Even ...
— A History Of Greek Art • F. B. Tarbell
... those western gardens—but to artists living among them and seeing only them! men's hands are not delicate in the early ages, and the fountain fairness of the palms is not very flowingly fashioned in the capitals; but in the flowery perfection of the Parthenon the palm triumphs. The forms of those columns came from Egypt, and that which was the suspicion of the earlier workers, was the success of more delicate designing. So is the palm inwound with our art, and poetry, and religion, and of all trees would the Howadji be a palm, wide-waving ...
— Choice Specimens of American Literature, And Literary Reader - Being Selections from the Chief American Writers • Benj. N. Martin
... centre of the course, with perhaps others of intermediate height used at intermediate points, it would obviously be equally easy to set out a curved course, as, for instance, the curved stylobate of the Parthenon which rises about three inches in its length of one hundred feet. By a simple calculation any desired curve could be laid out in this way. The word scamillus is a diminutive of ...
— Ten Books on Architecture • Vitruvius
... the earth. But am I to be told that the "nature" of Attica would be more poetical without the "art" of the Acropolis? of the temple of Theseus? and of the still all Greek and glorious monuments of her exquisitely artificial genius? Ask the traveler what strikes him as most poetical—the Parthenon, or the rock on which it stands? The columns of Cape Colonna,[35] or the cape itself? The rocks at the foot of it, or the recollection that Falconer's ship[36] was bulged upon them? There are a thousand rocks and ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... fete. There were popping corks and sounds of convivial revelry that made the scene anything but warlike. Jack, in a cluster of his town cronies, caught sight of his mother at one of the windows of the Parthenon Hotel. He wafted her a joyous kiss, pretending not to see the tears falling down her cheeks. Olympia was not apparently very deeply affected. She made her way through the crowd to her brother's side, and with an air ...
— The Iron Game - A Tale of the War • Henry Francis Keenan
... in common with this northern state. One could hardly discover a more arid country, devoid of vegetation, particularly of trees, than Greece; and to compare it with the apparently inexhaustible wealth of virgin forests of Oregon makes the contrast almost grotesque. Besides, a building like the Parthenon, designed to grace and terminate the top of a hill, is surely not adapted for a flat piece of ground like the Exposition field. And in the choice of material used in its construction it shows a lack of appreciation for the fitness of things generally. ...
— The Art of the Exposition • Eugen Neuhaus
... the Coliseum when its majestic ruins were silvered o'er by the light of the same lovely orb, which now threw its lustre on these prostrate relics of departed greatness: I have wandered alone among the temples of Paestum; I have stood on the Parthenon while the sun threw his latest, brightest ray over that hallowed spot: but never did I feel as among the ruins of Girgenti. On all these former scenes, the combination of nature and art has fixed the impress of mere beauty; here their ...
— Journal of a Visit to Constantinople and Some of the Greek Islands in the Spring and Summer of 1833 • John Auldjo
... quality of the face was of that indefinable kind that gives to all characteristic things their peculiar power over the imagination. The more powerful the quality, the less can it be rendered into terms. It is the one marvellous, remaining, musical fact not to be defined that makes the Parthenon, or some other masterpiece of art, translate us to a new plane of existence, and inspire, for the time being, the pessimist with hope and the ...
— The Daughters of Danaus • Mona Caird
... Xerxes, with its battles of Thermopylae, Salamis, and Plataea, forms one of the most dramatic events in history. Had Athens and Sparta succumbed to this attack of Oriental superstition and despotism, the Parthenon, the Attic Theatre, the Dialogues of Plato, would have been almost as impossible as if Phidias, Sophocles, and the philosophers had never lived. Because this contest and its heroes—Leonidas and Themistocles—cast their abiding shadows across our world of to-day, I have attempted ...
— A Victor of Salamis • William Stearns Davis
... the university; but a fall from his horse caused his death on the 26th of June. His principal work was the Travels and Archaeological Researches in Greece (in German and French, 1826-1830), of which only two volumes were published, dealing with the island of Ceos and the metopes of the Parthenon. ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various
... contemporaries, while admitting his grace and elegance, were blind to his strength of character, forgetting that a shining column of the Parthenon may be as strong as one of the dark rough-hewn columns of Paestum. Morally, I believe, the Prince-Consort stands alone in English royal history. What other youth of twenty-one, graceful, beautiful and ...
— Queen Victoria, her girlhood and womanhood • Grace Greenwood
... think I could have been prouder if I had carved a statue or built a parthenon. I was consumed with vanity; but I set the new helve in the corner with the ...
— Adventures In Contentment • David Grayson
... mustache. He was of middle age and had a general air of rudeness and aggressiveness, with indications of strength in his whole person. He was mounted on a superb horse with a muscular chest, like the horses of the Parthenon, caparisoned in the picturesque fashion of the country, and carrying on the crupper a great leather bag on the cover of which was to be seen, in large ...
— Dona Perfecta • B. Perez Galdos
... in intellectual pursuits, in art, in poetry, in philosophy. A large and vital part of European culture is rooted directly in the language and thought of Athens. The most beautiful edifice in the world was the Peace Palace of the Parthenon, erected by Pericles, to celebrate the end of Greece's suicidal wars. This endured 2,187 years, to be wrecked at last (1687) in Turkish hands by the Christian bombs ...
— Popular Science Monthly Volume 86
... arrangement of which combined every style of architecture. It was at once Byzantine, Roman, Gothic, Renaissance, with semicircular doors, Pointed windows, Flamboyant rose-windows, fantastic bell-turrets,—in a word, a specimen of all sorts, half a Parthenon, half a Parisian Grand Cafe. Nor was this surprising, the theatre having been commenced under the burgomaster Ludwig Van Tricasse, in 1175, and only finished in 1837, under the burgomaster Natalis Van Tricasse. It had required seven hundred years to build it, and it ...
— A Winter Amid the Ice - and Other Thrilling Stories • Jules Verne
... grime, frowning buildings and ugly lines, and overhead a meagre strip of sky. Over Athens the sky hung glorious, a curve of light from side to side. His soul flew wide to meet it. Once more he was swinging along the "Street of the Winds," his face lifted to the Parthenon on its Acropolis, his nostrils breathing the clear air. Chicago had dropped from him like a garment, his soul rose and floated.... Athens everywhere—column and cornice, and long, delicate lines, and colour of marble and light. He drew a ...
— Mr. Achilles • Jennette Lee
... Scheldt, or wandering Po?" Nay, gentle GOLDSMITH, it is thus no more, None now need fear "the rude Carinthian boor," The bandit Greek, the Swiss of avid grin, Or e'en the predatory Bedouin. Where'er we roam, whatever realms to see, Our thoughts, great Agent, must revert to thee. From Parthenon or Pyramid, we look In travelled ease, and bless the name of COOK! Eternal blessings crown the wanderer's friend! At Ludgate Hill may all the world attend. Blest be that spot where the great world instructor Assumed the role of Personal Conductor! Blest be those "parties," with ...
— Punch, Or The London Charivari, Vol. 103, July 30, 1892 • Various
... to be repaid by the sweetest of smiles. Evelyn Verne appeared in a heavy garnet silk with bodice and draperies of the same shade in velvet. Her elbow sleeves reveal arms that would rival in miniature those of the master-piece of Phidias—the Pallas Athena—which graced the Parthenon in by-gone ages. Her hair, of purplish blackness, gives effect to the creamy tints of her complexion, and heightens the damask tinge of the beautifully-rounded cheeks. One glance at this magnificent looking form and you ...
— Marguerite Verne • Agatha Armour
... that it has a relation to some other object, and is but a part of a greater whole. The intentional irregularity of the windows in the Doge's Palace at Venice enhances the effect of the marvellous facade. By comparing the Parthenon at Athens, with its curves and inclinations, with the Madeleine at Paris, we see how far short the copy comes of the original in beauty and expressiveness, because of the exact formality of its right angles. The ancient ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... picnic in the valley of Jehoshaphat and talked London gossip under the olives, it was an odd picture; it is strange to see the irrepressible English riding hurdles in the Campagna, and talking of ratting in the shadow of the Parthenon, as though within the beloved chimes of Bow; but it was stranger still to see those roughened, grimed men, with soleless boots and pants tattered "as if an imp had worn them," rolling out town-talk and well-known names ...
— Four Years in Rebel Capitals - An Inside View of Life in the Southern Confederacy from Birth to Death • T. C. DeLeon
... "I went out at about twelve and visited the British Museum; an exceedingly tiresome affair. It quite crushes a person to see so much at once, and I wandered from hall to hall with a weary and heavy heart, wishing (Heaven forgive me!) that the Elgin marbles and the frieze of the Parthenon were all burnt into lime, and that the granite Egyptian statues were hewn and squared ...
— Hawthorne - (English Men of Letters Series) • Henry James, Junr.
... used the name once before; but he then applied it to pieces generally small in the scale of their delineations, whereas these, even if broken away one from the other, are yet like the disjoined figures from the pediment of the Parthenon in their dignity and force. One indeed among Mr. Tennyson's merits is, that he does not think it necessary to keep himself aloft by artificial effort, but undulates with his matter, and flies high or low as it requires. But even in the humblest parts of these poems—as ...
— Famous Reviews • Editor: R. Brimley Johnson
... "Rain," holding out a shell to catch the drops, and "Sunshine," with a palm branch close to her eyes. At each base the figures of the harvesters carried out the agricultural idea with elemental simplicity in friezes that recalled the friezes on the Parthenon. Here, on each side of the half-dome, we have a good example of the composite column, a combination of the Corinthian and the Ionic, with the Ionic scrolls and the acanthus underneath, and with little human figures between ...
— The City of Domes • John D. Barry
... out of the rite, and her first outward leap is the image of the god." Miss Harrison gives two examples to substantiate her contention. In the first place, she states at some length arguments of irrefutable validity to show that the Panathenaic frieze, which originally surrounded the Parthenon, represents a great ritual procession, and she adds, "Practically the whole of the reliefs that remain to us from the archaic period, and a very large proportion of those of later date, when they do not represent heroic mythology, are ritual reliefs, 'votive' reliefs, as we call them; that is, prayers ...
— Political and Literary essays, 1908-1913 • Evelyn Baring
... but they are so to the annalist or historian rather than the ordinary reader. They are the materials of history, not history itself. They bear the same relation to the works of Livy or Gibbon which the rude blocks in the quarry do to the temples of St Peter's or the Parthenon. Ordinary readers are not aware of this when they take up a volume of despatches; they expect to be as much fascinated by it as they are by the correspondence of Madame de Sevigne, Cowper, Gibbon, or Arnold. They will soon find their mistake: the book-sellers ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... Gun" is one of James Fenimore Cooper's very few short stories, and was written in the last year of his life. It was commissioned by George E. Wood for publication in a volume of miscellaneous stories and poems called "The Parthenon" (New York: George E. Wood, 1850), and Cooper received $100 for it. The story was reprinted a few years later in a similar volume called "Specimens of American Literature" (New York, 1866). It was published ...
— The Lake Gun • James Fenimore Cooper
... built for the second United States Bank, authorized by Congress in April, 1816, because of the bad financial condition into which the government had fallen during the War of 1812. The building was designed by William Strickland, in his day the leading American architect, being modeled after the Parthenon of Athens. It was completed in 1824 and was put to its present use ...
— The Colonial Architecture of Philadelphia • Frank Cousins
... grand essay. I do not quite understand whether it is this essay that Dawson has been "down on." What a curious notion about Glacial climate, and Basques and Finns! Are the Basques mountaineers—I hope so. I am sorry I have not seen the "Athenaeum," but I now take in the "Parthenon." By the way, I have just read with much interest Max Muller (356/7. Probably his "Lectures on the Science of Language," 1861-64.); the last part, about first origin of language, seems ...
— More Letters of Charles Darwin - Volume I (of II) • Charles Darwin
... the most imposing we ever remember to have witnessed. The great door of the church was hung with black curtains, with the initials of the deceased, "F. C.," emblazoned in silver. On our entry we found the vast area of the modern Parthenon entirely crowded. Nave, aisles, galleries, &c., were alive with human beings who had come to see the last of Frederick Chopin. Many, perhaps, had never heard of him before....In the space that separates the nave from the choir, a lofty mausoleum had been erected, hung with ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... clings to them tightly, hoping, no doubt, that the price will go up. Prowling curiosity-hunters are destined to destroy much of the archaeological interest of these old towns. They are doing to them what Lord Elgin did to the Parthenon. Fantastic corbel-heads and other sculptured details disappear every year from the Gothic houses, and find their way ...
— Wanderings by southern waters, eastern Aquitaine • Edward Harrison Barker
... passing an island or two, the Frith, which forms the bay of Edinburgh, contracts into the river Forth. We swept by country seats, one of which was pointed out as the residence of the late Dugald Stewart, and another that of the Earl of Elgin, the plunderer of the Parthenon; and castles, towers, and churches, some of them in ruins ever since the time of John Knox, and hills half seen in the fog, until we came opposite to the Ochil mountains, whose grand rocky buttresses advanced from the ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... supreme expression is found in Greek literature. This is because Lincoln had an essentially Hellenic mind. First of all the architecture of his thought was that of the Greek masters, who, whether as Phidias they built the Parthenon to crown with harmonious beauty the Acropolis, or as Homer they recorded in swelling narrative from its dramatic beginning the strife of the Achaeans before Troy, or even as Euclid, they developed from postulates the relations of ...
— The Poets' Lincoln - Tributes in Verse to the Martyred President • Various
... memorial. "And Jacob took the stone that he had put for his pillow, and set it up for a pillar." I do not fancy that he put a base for it first. If you try to put a base to the rock-piers of Stonehenge, you will hardly find them improved; and two of the most perfect buildings in the world, the Parthenon and Ducal palace of Venice, have no bases to their pillars: the latter has them, indeed, to its upper arcade shafts; and had once, it is said, a continuous raised base for its lower ones: but successive elevations of St. Mark's Place have covered ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... what he was never to hear. To see them listening was itself enough To make him suffer; and to watch worn eyes, On other days, of strangers who forgot Their sorrows and their failures and themselves Before a few mysterious odds and ends Of marble carted from the Parthenon — And all for seeing what he was never to see, Because it was alive and he was dead — Here was a wonder that was more profound Than any that was in fiddles ...
— The Three Taverns • Edwin Arlington Robinson
... time. He confers distance. He, and he alone, bestows mystery. Remoteness is his. He creates more than mortal centuries. He sends armies fighting into the extremities of the past. He assigns the Parthenon to a hill of ages, and the temples of Upper Egypt to ...
— Essays • Alice Meynell
... columns stretching over the earth; in these ruins you could still detect the solid proportions of a sort of Tuscan architecture; farther off, the remains of a gigantic aqueduct; here, the caked heights of an acropolis along with the fluid forms of a Parthenon; there, the remnants of a wharf, as if some bygone port had long ago harbored merchant vessels and triple-tiered war galleys on the shores of some lost ocean; still farther off, long rows of collapsing walls, deserted thoroughfares, a whole ...
— 20000 Leagues Under the Seas • Jules Verne
... group and frieze, Parthenon, Temple, concepts born divine, Where in these Isles are wonders great as these? Unquarried lies the stone in teeming mine, Bare is the land of sanctuary and shrine; But though frail hands no god-like record set Great Nature's powers are lavish, and combine In mountain ...
— An Anthology of Australian Verse • Bertram Stevens
... collections of paintings, and a good museum of natural history. Many of these paintings belong to the early masters, and date even before the fifteenth century. We were interested to find here a complete set of casts of the Elgin marbles. The originals were the decorations of the Parthenon at Athens, and are now in the British Museum. As we shall spend some time in that collection, I say no more at present about these wonderful monuments of genius. The Athenaeum and the Lyceum are both fine buildings, and each has a good library, ...
— Young Americans Abroad - Vacation in Europe: Travels in England, France, Holland, - Belgium, Prussia and Switzerland • Various
... The Parthenon, which is esteemed the grandest of all monuments of Greek art, embodying as it does the highest achievement in sculpture and architecture, was built just after the middle of the fifth century, although the precise date at which it was begun and finished is uncertain. ...
— The Brochure Series of Architectural Illustration, Volume 01, No. 08, August 1895 - Fragments of Greek Detail • Various
... vision will vary according to the nature of the tools, the selection of material, the particular sort of native endowment which are given to him. Some such men reveal their understanding of the soul and the world in the detached serenity, the too well-defined harmonies of a Parthenon; others in the dim and intricate richness, the confused and tortured aspiration of the long-limbed saints and grotesque devils of a Gothic cathedral. Others incarnate it in gleaming bronze; or spread it in subtle play of light and shade and tones of ...
— Preaching and Paganism • Albert Parker Fitch
... of his forms—his marbles are ever musical; not "frozen music" as Goethe said of Gothic architecture, but silent swooning music. This gate is a Frieze of Paris, as deeply significant of modern aspiration and sorrow as the Parthenon Frieze is the symbol of the great clear beauty of Hellas. Dante inspired this monstrous and ennobled masterpiece, but Baudelaire filled many of its chinks and crannies with writhing ignoble shapes; ...
— Promenades of an Impressionist • James Huneker
... three or four, that will be the most I can do. I am like M. Prudhomme, who thinks that the most beautiful church would be one which had at the same time the spire of Strasbourg, the colonnade of Saint Peter's, the portico of the Parthenon, etc. I have contradictory ideals. Thence ...
— The George Sand-Gustave Flaubert Letters • George Sand, Gustave Flaubert
... structure, covering less ground than St. Peter's, but of similar general effect. The little man looked up, but did not reply to my taunt. He said to the young lady, however, that the State House was the Parthenon of our Acropolis, which seemed to please her, for she smiled, and he reddened a little,—so I thought. I don't think it right to watch persons who are the subjects of special infirmity,—but ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... Citadel of Athens, rose the magnificent Temple of Athena, called the Parthenon, built under the direction of Phidias, the most celebrated sculptor of that time, who adorned it with many of his works, and especially with the huge statue of Athena in ivory, forty-seven feet in height. The Acropolis ...
— The Junior Classics • Various
... from such individualism in religion; but Scipio was beyond doubt more familiar than his contemporaries with Greek ideas. In a chapter on Idealism in his little book on Religion and Art in Ancient Greece, Professor Ernest Gardner writes: "The statue (of Athene) by Phidias within the Parthenon offered not merely that form in which she would choose to appear if she showed herself to mortal eyes, but actually showed her form as if she had revealed it to the sculptor. To look upon such an image helped the worshipper as much as—perhaps more than—any service or ritual, ...
— The Religious Experience of the Roman People - From the Earliest Times to the Age of Augustus • W. Warde Fowler
... custom, round to all the leading newspaper offices, and for about three weeks after its publication I saw not a word concerning it anywhere. Meanwhile I went on advertising. One day at the Constitutional Club, while glancing over the Parthenon, I suddenly spied in it a long review, occupying four columns, and headed 'A Wonder-Poem'; and just out of curiosity, I began to read it. I remember—in fact I shall never forget,—its opening sentence, . . it was so original!" and ...
— Ardath - The Story of a Dead Self • Marie Corelli
... some learned enterprise by the Minister of Education, and had carried an imagination already prepossessed and dazzled with Homeric visions. He told his story well and with detail, combining the recollections of the scholar with the impressions of an artist. The pediment of the Parthenon, the oleanders of the Ilissus, the stream "that runs in rain-time," the naked peak of Parnassus, the green slopes of Helicon, the blue gulf of Argus, the pine forest beside Alpheus, where the ancients worshipped "Death the Gentle"—all of them passed ...
— The Ink-Stain, Complete • Rene Bazin
... of our "section courts," which those who expected to enter upon the study of the law used to hold, &c.—The Parthenon, Union Coll., ...
— A Collection of College Words and Customs • Benjamin Homer Hall
... massive and majestic shrine, the Parthenon of beer drinking, seductive to virtuosi, fascinating to the connoisseur, but a bit too strenuous, a trifle too cruel, perhaps, for the dilettante. The Muencheners love it as hillmen love the hills. There every one of them returns, soon or late. There he takes ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... upon it, the rest are barbarians. He is a Greek temple, with a Gothic cathedral on one hand, and a Turkish mosque and all sorts of fantastic pagodas and conventicles about him. You may call Shakspeare and Milton pyramids, if you please; but I prefer the Temple of Theseus, or the Parthenon, to a mountain of ...
— My Recollections of Lord Byron • Teresa Guiccioli
... the acting, with a certain added grace of art in grouping and posturing, suited to attract and satisfy the eye of a public accustomed to national games, and the beautiful conceptions of Phidias upon the Parthenon frieze. Thus, as will be readily seen, this drama was essentially opera. For reasons to be hereafter detailed, the music is thought to have been of slight tonal value. This is inferred from the compass of the instruments and the general deficiency of the Greeks ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews
... hotel, having been made necessary by great natural forces in modern life, and having been made possible by new mechanical arts, now puts itself forward as the next great opportunity of the fine arts. One of the characteristic achievements of the immediate future shall be the twentieth-century Parthenon—a Parthenon not of the great and of the few and of the gods, but of the great many, where, through mighty corridors, day and night, democracy wanders and sleeps and chatters and is sad and lives and dies, streets rumbling below. The hotel—the crowd fireside—being more than any other one thing, ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... profuse in bestowing honors upon him, that one would have thought they had exhausted all the capacities of invention, showed they had still new refinements of adulation to devise for him. They gave him, as his lodging, the back temple in the Parthenon, and here he lived, under the immediate roof, as they meant it to imply, of his hostess, Minerva; no reputable or well-conducted guest to be quartered upon a maiden goddess. When his brother Philip was once put into a house where three young women were living, ...
— Plutarch's Lives • A.H. Clough
... felt to be an injury. And I doubt not that seven thousand years hence, if time could but spare it so long, pilgrims would still go in search of the beautiful from the remotest parts of the world, from parts now unknown, to worship before the Parthenon, and, may I not add, the Temple of ...
— Aurelian - or, Rome in the Third Century • William Ware
... must also form some conception of the classic. Now there is an obvious unlikeness between the thought and art of the nations of pagan antiquity and the thought and art of the peoples of Christian, feudal Europe. Everyone will agree to call the Parthenon, the "Diana" of the Louvre, the "Oedipus" of Sophocles, the orations of Demosthenes classical; and to call the cathedral of Chartres, the walls of Nuremberg—die Perle des Mittelalters—the "Legenda Aurea" of Jacobus de Voragine, the "Tristan und Isolde" of Gottfried of Strasburg, and ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... thousand students in blouses from the Parthenon were joined by an immense column of workmen from the faubourgs, and, having fraternized in the Place de la Concorde, advanced in perfect order in procession, led by National Guards, shouting the Marseillaise and the Hymn of the Girondins. Slowly and solemnly moved the ...
— Edmond Dantes • Edmund Flagg
... of these pictures is one of Phidias Showing the Frieze of the Parthenon to his Friends. We are supposed to be on a high scaffolding level with the frieze, and the effect of great height produced by glimpses of light between the planking of the floor is very cleverly managed. But there is a want of individuality among the connoisseurs ...
— Miscellanies • Oscar Wilde
... could have done nothing. Ictinus might have drawn the plans for the Parthenon, but without Pericles the noble building would have remained forever the stuff which dreams are made of. And they do say that without Aspasia Pericles would have been a mere dreamer of dreams, and Walter Savage Landor overheard enough of their ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... hills shut it out. Having passed the village of Casha, they at last entered upon the slope, and thence into the plain of Attica but the intervening heights and the trees kept the town concealed, till a turn of the path brought it full again before them; the Acropolis crowned with the ruins of the Parthenon—the Museum hill—and the ...
— The Life of Lord Byron • John Galt
... satisfying if we could trace step by step the progress of Greek sculpture from the rude archaic manner to that of the Periclean age, or from such art as is seen in the sculpture of AEgina to the perfections of the reliefs of the Parthenon. This we cannot do; but we know some of the causes that led to this progress, and can give accounts of a few sculptors who, while they did not equal the great Phidias, were at least the forerunners of such a type of art ...
— A History of Art for Beginners and Students - Painting, Sculpture, Architecture • Clara Erskine Clement
... the whole was Pheidias, although there were other excellent architects and workmen, such as Kallikrates and Iktinus, who built the Parthenon on the site of the old Hekatompedon, which had been destroyed by the Persians, and Koroebus, who began to build the Temple of Initiation at Eleusis, but who only lived to see the columns erected and the architraves placed upon them. On his death, Metagenes, ...
— Plutarch's Lives, Volume I (of 4) • Plutarch
... adopted as epochs by the consent of all who come after. It stands with the Iliad and Shakespeare's plays, with the writings of Aristotle and Plato, with the Novum Organon and the Principia, with Justinian's Code, with the Parthenon and St. Peter's. It is the first Christian poem; and it opens European literature, as the Iliad did that of Greece and Rome. And, like the Iliad, it has never become out of date; it accompanies in undiminished freshness the literature which ...
— The Great Events by Famous Historians, Volume 07 • Various
... and nowhere has he shown himself more significantly than in the buildings he has erected. When we stand before them—whether it be a mud hut, the house of a cliff-dweller stuck like the nest of a swallow on the side of a canon, a Pyramid, a Parthenon, or a Pantheon—we seem to read into his soul. The builder may have gone, perhaps ages before, but here he has left something of himself, his hopes, his fears, his ideas, his dreams. Even in the remote recesses of the Andes, amidst the riot of nature, and where man is now a mere savage, ...
— The Builders - A Story and Study of Masonry • Joseph Fort Newton
... virgins, who, for the space of a year, had been nourished in a particular fashion; and, when it had been shown in every street, in every square, and before every temple, in the midst of a procession continually chanting, it ascended to the Acropolis, brushed passed the Propylaeum, and entered the Parthenon. ...
— The Temptation of St. Antony - or A Revelation of the Soul • Gustave Flaubert
... Jackson, Colonel Denny, Doctor Birch, and Samuel Clemens who evaded the quarantine and made the perilous night trip to Athens and looked upon the Parthenon and the sleeping city by moonlight. It is all set down in the notes, and the account varies little from that given in the book; only he does not tell us that Captain Duncan and the quartermaster, Pratt, connived at the escapade, ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... boats without iron in them and sailed from the Crimea round the shores of the Black Sea, once and again, plundering Trebizond, and at last the temple itself of Diana at Ephesus. They had even penetrated into Greece and Athens, plundered the Parthenon, and threatened the capitol. They had fought the Emperor Decius, till he, and many of his legionaries, were drowned in a bog in the moment of victory. They had been driven with difficulty back across the Danube by Aurelian, and walled out ...
— The Roman and the Teuton - A Series of Lectures delivered before the University of Cambridge • Charles Kingsley
... joined by a cloud of school architects, licensed, sworn, and bound by oath; defacing with the discernment and choice of bad taste, substituting the chicorees of Louis XV. for the Gothic lace, for the greater glory of the Parthenon. It is the kick of the ass at the dying lion. It is the old oak crowning itself, and which, to heap the measure full, is stung, bitten, and ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... demolished. Adjoining Devonport are East Stonehouse (an urban district, pop. 15,111), Stoke and Morice Town, the two last being suburbs of Devonport. The town hall, erected in 1821-1822 partly after the design of the Parthenon, is distinguished by a Doric portico; while near it are the public library, in Egyptian style, and a conspicuous Doric column built of Devonshire granite. This monument, which is 100 ft. high, was raised in commemoration of the naming of the town in 1824. Other institutions are the Naval Engineering ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... could still see enough to render possible a just impression of her old and chaste magnificence. It is painful to reflect within how comparatively short a period the chief injuries have been inflicted on such buildings as the Parthenon, and the temple of Jupiter Olympus, and to remember how recent is the greater part of the rubbish by which these edifices have been choked up, mutilated, and concealed. Probably until within a very few centuries, time had been, simply and alone, the "beautifier of the dead," ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various
... a woman is not her body, but (and here his eyes rested very tenderly upon the thin white profile of his wife) her soul. "Still," I answered, "the ancients, who understood such matters, did manufacture some tolerable female statues: the Fates of the Parthenon, the Phidian Pallas, the Venus ...
— Hauntings • Vernon Lee
... of art and learning, adorns our collection with Athens, the Acropolis and Parthenon, the latter almost completely and shamefully bereft of those famous marbles, chiseled by Phidias nearly five hundred years ...
— Shepp's Photographs of the World • James W. Shepp
... What can an Eskimo, whose highest conception of summer is a stunted bush, know of tropical orchards, of luscious peach, pear and plum? If the student has seen only the broken fragments of Phidias, what can he know of the Parthenon as it once stood in the zenith of its perfection, in the splendor of its beauty? But if man's reason can cull out all the lustrous facts of nature and history, and if his imagination has strength and skill to bring them all together, then how beautiful will ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... windows, its pigeon-holes stuffed with papers; but there were flowers upon it, and elsewhere many photographs, and pictures evidently chosen by the tenant. The Dante from the Bargello was one, the three headless Fates of the Parthenon another; the Hermes and the Sophocles, all in autogravure. It had a piano and a small bookcase containing the poets in green morocco, a uniform set. Elsewhere, in a larger bookcase, were miscellaneous volumes, by no means all novels, though novels ...
— Rest Harrow - A Comedy of Resolution • Maurice Hewlett
... contains. Account to me first for your choice of so strange a place to walk in: a broad ridge, the summit and one side barren, the other a wood of rose-laurels impossible to penetrate. The worst of all is, we can see nothing of the city or the Parthenon, unless ...
— Imaginary Conversations and Poems - A Selection • Walter Savage Landor
... There were dad and Captain Buncombe—who was what people call an archaeologist, fond of grubbing up old stones and skeletons, and digging like an old mole amongst ruins—continually talking all day long about Marathon and Hymettus, the Parthenon and Chersonese, the Acropolis, and Theseus and Odysseus and all the rest of them, bothering our lives out with questions about Homer and the Iliad, and all such stuff; so, I put it to you candidly, whether it wasn't almost ...
— Tom Finch's Monkey - and How he Dined with the Admiral • John C. Hutcheson
... civic status, but we are making precedents every day in our conduct of popular government. In Athens—where woman was both worshiped and degraded—the protectress of the city was a feminine ideal whose glorious image crowned the Parthenon with consummate beauty. In America, where woman is beloved and respected as nowhere else in the world—if she is only true to the ideals of private and public virtue—if she seeks power only as a means ...
— History of Woman Suffrage, Volume II • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage
... you! Zeus bless you. And the same to you, Tommy Hoplites and Jack Nautes, and many of them! You don't mean PHILIP to be Tyrant of Athens, do you? You're not going to have him turning our beautiful Parthenon into a cavalry stable? You're not going to see the Barbarians hanging up their shields on the dear old statue of Athene. Of course you're not. When I walk through the city and see, as I pass the houses of my humbler brethren, the neat respectable little ...
— Punch, or the London Charivari, Vol. 152, January 3, 1917 • Various
... hopes of the hotel, because it is the place of all others which it is to our interest to make look well. People go to the post office all the same, be it a barn or a parthenon, but they will go, other things being equal, to the best hotel. Here comes in the American principle of Competition, the keynote of all our enterprise. Competition is to do for us what the hope of earthly immortality did for the builders of the Pyramids, what the desire to glorify ...
— Continental Monthly, Volume 5, Issue 4 • Various
... such a correspondence between this index feature and the entire structure as renders this primary division a scientific though a very broad one. The contrast between the trabeated style and the arched style may be well understood by comparing the illustration of the Parthenon which forms our frontispiece, or that of the great temple of Zeus at Olympia (Fig. 4), with the exterior of the Colosseum at Rome (Fig. 5), introduced here for the purposes of ...
— Architecture - Classic and Early Christian • Thomas Roger Smith
... hear the sound of such sweet and classical names as the Pentland and Malvern Hills, the Cliffs of Dover and the Trosachs, Richmond, Derwent, and Winandermere, which are to him now instead of the Acropolis and Parthenon, of Baiae, and Athens with its sea-walls, and Arcadia ...
— A Week on the Concord and Merrimack Rivers • Henry David Thoreau
... artist without feeling that not so much the private as the common wealth is by him indicated. I think the true soul—humble, rapt, conspiring with all, regards all souls as its lieutenants and proxies—itself in another place—and saith of the Parthenon, of the picture, of the poem,—It is also my work. I can never quarrel with your state of mind concerning original attempts in your own art. I admire it rather. And I am pained to think of the grievous resistance which your genius has been ...
— Memories of Hawthorne • Rose Hawthorne Lathrop
... with Gerhardt and a maid, and he and Jennie would travel around a bit, seeing what Europe had to show. He wanted to visit Venice and Baden-Baden, and the great watering-places that had been recommended to him. Cairo and Luxor and the Parthenon had always appealed to his imagination. After he had had his outing he could come back and seriously gather up the threads of ...
— Jennie Gerhardt - A Novel • Theodore Dreiser
... of occasional weaknesses, 'Orfeo' is a work of consummate loveliness. Compared to the tortured complexity of our modern operas, it stands in its dignified simplicity like the Parthenon beside the bewildering beauty of a Gothic cathedral; and its truth and grandeur are perhaps the more conspicuous because allied to one of those classic stories which even in Gluck's time had become almost synonymous with ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... the fact that the sun was setting behind the purple hills, and looked about them, there were very few people left on the Acropolis, and their Father was nowhere to be seen. The two children ran as fast as they could go to the place where the Parthenon was building, but there was no one there. Even the workmen had gone. Then they ran back and looked down the long incline up which the procession had come in the morning, but Melas was not to be ...
— The Spartan Twins • Lucy (Fitch) Perkins
... British Princess met the women of all India in their splendour, and woman's world met woman's world for the world's good. I'd fain have seen the tall, fair, Saxon surrounded by devoted Eastern subjects! All I did see was some of the preparations—red cloth being laid in acres up to a stately Parthenon—but from various accounts I have heard from ladies who were present, this must have been one of the most extraordinary and gorgeous functions the ...
— From Edinburgh to India & Burmah • William G. Burn Murdoch
... themselves are not in entire accord." A remarkable utterance. Politicians had gone to Siberia for less. Palmerston, too, had his way, and Otto, escorted by a warship, left his fatherland. On arriving in Athens, the joy-bells rang out and the columns of the Parthenon were flood-lit. But the choice was not to the popular taste; and it was not long before Otto was extinguished, as well as the lights. By the irony of fate, he returned to Munich on the very day that Ludwig had erected a Doric ...
— The Magnificent Montez - From Courtesan to Convert • Horace Wyndham
... proofs of the upward tendency of man from the rudest and simplest beginnings. Many columns of early Egyptian temples or tombs are but bundles of Nile reeds slightly conventionalized in stone; the temples of Greece, including not only the earliest forms, but the Parthenon itself, while in parts showing an evolution out of Egyptian and Assyrian architecture, exhibit frequent reminiscences and even imitations of earlier constructions in wood; the medieval cathedrals, while evolved out of ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... the apse of the Duomo of Pisa was a colossal image of Christ, in colored mosaic, bearing to the temple, as nearly as possible, the relation which the statue of Athena bore to the Parthenon; and in the same manner, concentrating the imagination of the Pisan on the attributes of the ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... turquoise-like. But the summits of Hymettus and Pentelicus were yet beaming as if melted gold had been poured over them, and the evening twilight was in the sky. In its light the whole Acropolis was drowned. The white walls of Propyleos, Parthenon, and Erechtheum seemed pink and as light as though the marble had lost all its weight, or as if they were apparitions of a dream. The point of the spear of the gigantic Athena Promathos shone in the twilight like a ...
— So Runs the World • Henryk Sienkiewicz,
... sculpture* are all that remain of a series which, if Mr. Pater had lived, would, probably, have grown into a still more important work. Such a work would have included one or more essays on Phidias and the Parthenon, of which only a fragment, though an important fragment, can be found amongst his papers; and it was to have been prefaced by an Introduction to Greek Studies, only a page or two of which was ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... mention in Plato of the creative arts; only in two or three passages does he even allude to them (Rep.; Soph.). He is not lost in rapture at the great works of Phidias, the Parthenon, the Propylea, the statues of Zeus or Athene. He would probably have regarded any abstract truth of number or figure as higher than the greatest of them. Yet it is hard to suppose that some influence, such as he hopes to inspire in youth, did not pass into his own mind ...
— The Republic • Plato
... Prestidigitator (Group 98). Nominal terms to the Army, Navy and Civic Guard. Address till end of week, The Parthenon, Puddlecombe. Next, Reigate Rotunda. ...
— Punch, Or The London Charivari, Vol 150, February 9, 1916 • Various
... renunciation of all that makes life precious to other men. And they carry the yoke that befits them: their matin chant is drowned by the voice of the muezzin, who, from the gallery of the high tower on the Acropolis, calls every Mussulman to his prayers. That tower springs from the Parthenon itself; and every time we paused and directed our eyes towards it, our guide set up a wail, that a temple which had once been won from the diabolical uses of the pagans to become the temple of another virgin than Pallas—the Virgin Mother of God—was now again perverted to the accursed ...
— Romola • George Eliot
... that long has passed away, Built them;—a disciplined and populous race Heaped, with long toil, the earth, while yet the Greek Was hewing the Pentelicus to forms Of symmetry, and rearing on its rock The glittering Parthenon. These ample fields Nourished their harvests, here their herds were fed, When haply by their stalls the bison lowed, And bowed his maned shoulder to the yoke. All day this desert murmured with their toils, Till twilight blushed, and lovers walked, and wooed In a forgotten ...
— Poems • William Cullen Bryant
... the clerk and the sexton and the parish beadle with his broad gold-laced hat, and cane of striking authority; and he loved the watchmen and their drowsy drawl of "past umph a' clock;" he loved the charity schools and admired beyond all the sculpture of Phidias, or the marble miracles of the Parthenon, the two full-length statues about three feet each in length and two feet six inches each in breadth, representing a charity boy and a charity girl, standing over the door of the parish school; he loved the city companies, ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, - Issue 493, June 11, 1831 • Various
... of Pericles, they saw the play of "Antigone" in the theatre of Herod Atticus. On visiting the Parthenon, with its marvellous sculpture, which Turkish soldiers had so often used as a target, they found that the chief inhabitants of the ruin were crows. They met the missionaries who were influential in the making of the new Grecian nation. ...
— Charles Carleton Coffin - War Correspondent, Traveller, Author, and Statesman • William Elliot Griffis
... But you've also got an aesthetic side to your nature, which makes you worth arguing with upon the matter. I won't argue with your vulgar materialised socialist, who would break up the frieze of the Parthenon for road metal, or pull down Giotto's frescoes because they represent scenes in the fabulous lives of saints and martyrs. You know what a work of art is when you see it; and therefore you're worth arguing with, which your vulgar Continental socialist really ...
— Philistia • Grant Allen
... temperament, and genius are discerned in every mutilated fragment. The line on an urn reveals the spirit of the unknown sculptor who cut it in the enduring stone. It has often been said that if every memorial of the Greek race save the Parthenon had perished, it would be possible to gain a clear and true impression of the spiritual condition and ...
— Essays On Work And Culture • Hamilton Wright Mabie
... for more than half a century as the City of Schools. The Parthenon-like structure which crowns College Hill was prophetic of a still grander and more widely known institution, the first in the world devoted to higher culture ...
— The Hudson - Three Centuries of History, Romance and Invention • Wallace Bruce
... of time become the object of the superstitious veneration of the people, and that St. Patrick thought it his duty to destroy it? And the attitude of the people at the time of its destruction shows that it could not have borne for them the same sacred character as the statue of Minerva in the Parthenon did for the Greeks or that of Capitoline Jove for the Romans. Can we suppose that St. Paul or St. Peter would have dared to break either of these? And let us remark that the event we discuss occurred at the very beginning of St. ...
— Irish Race in the Past and the Present • Aug. J. Thebaud |
