"Petrarch" Quotes from Famous Books
 ... enjoyment, that pure desire and delight of the eyes, which are the prerogative of the poet,—Emma Lazarus was a poet. The beauty of the world,—what a rapture and intoxication it is, and how it bursts upon her in the very land of beauty, "where Dante and Petrarch trod!" A magic glow colours it all; no mere blues and greens anymore, but a splendor of purple and scarlet and emerald; "each tower, castle, and village shining like a jewel; the olive, the fig, ...
— The Poems of Emma Lazarus - Vol. II. (of II.), Jewish Poems: Translations • Emma Lazarus
... mention one curious instance of his casual reading, when but a boy. Having imagined that his brother had hid some apples behind a large folio upon an upper shelf in his father's shop, he climbed up to search for them. There were no apples; but the large folio proved to be Petrarch, whom he had seen mentioned in some preface, as one of the restorers of learning. His curiosity having been thus excited, he sat down with avidity, and read a great part of the book. What he read during these two years he told me, was not works of mere amusement, 'not voyages ...
— Life of Johnson - Abridged and Edited, with an Introduction by Charles Grosvenor Osgood • James Boswell
... properly called a comedy. He would declare that about one sixth only of Dante was intelligible or pleasurable. Turning to Landor's writings, I find that in his younger days he was even less favorable to Dante. In the "Pentemeron" (the author spelling it so) he, in the garb of Petrarch, asserts that "at least sixteen parts in twenty of the Inferno and Purgatorio are detestable both in poetry and principle; the higher parts are excellent, indeed." Dante's powers of language, he allows, "are prodigious; and, in the solitary places where he exerts his force rightly, ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various
... characters of our age. The names of Stuart, Mackenzie, Ellis, Currie, and Ritson, with many others, are talismans too powerful to be used, for bespeaking the world's favour to a collection of old songs; even although a veteran bard has remarked, "that both the great poet of Italian rhyme, Petrarch, and our Chaucer, and other of the upper house of the muses, have thought their canzons honoured in the title of a ballad." To my ingenious friend, Dr. John Leyden, my readers will at once perceive that I lie under extensive ...
— Minstrelsy of the Scottish border (3rd ed) (1 of 3) • Walter Scott
... far indulged his choleric humour as to fell to the ground a somewhat tardy bishop during the celebration of a holy solemnity. We hear of a fiery temper, accustomed to command, elated by success, and in which, on the confession of Petrarch, who was personally well informed regarding it, valour predominated over prudence. These are the unsettled elements upon which the Tempter best loves to work; but the insanity and extravagance with which we must charge Faliero, if we suppose his attempt to overthrow the government ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, No. - 481, March 19, 1831 • Various
... from the over-tenderness and clemency of Miss Jemima's nature; perhaps it might be that as yet she had only experienced the villany of man born and reared in these cold northern climates, and in the land of Petrarch and Romeo, of the citron and myrtle, there was reason to expect that the native monster would be more amenable to gentle influences, less obstinately hardened in his iniquities. Without entering further into these hypotheses, ...
— My Novel, Complete • Edward Bulwer-Lytton
... in one of his journeys to Italy Chaucer saw this book. Perhaps he even met Boccaccio, and it is more than likely that he met Petrarch, another great Italian poet who also retold one of the tales of The Decameron. Several of the tales which Chaucer makes his people tell are founded on these tales. Indeed, nearly all his poems are founded ...
— English Literature For Boys And Girls • H.E. Marshall
... haunts where Genius keeps His vigils still; Than that where Avon's son of song is laid, Or Vaucluse hallowed by its Petrarch's ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... afterward danced in the Poets' Quadrille were Miss Daisy Bankshire, looking more than usually lovely as Laura, and Mr. Ronald Grew as the young Petrarch." ...
— Tales Of Men And Ghosts • Edith Wharton
... have been the theological side, if one may so express it, of Cicero's religion, the moral aphorisms which meet us here and there in his works have often in them a teaching which comes near the tone of Christian ethics. The words of Petrarch are hardly too strong—"You would fancy sometimes it was not a Pagan philosopher but a Christian apostle who was speaking".[1] These are but a few out of many which might be quoted: "Strive ever for the truth, and so reckon as that not thou art mortal, ...
— Cicero - Ancient Classics for English Readers • Rev. W. Lucas Collins
... see the 'Quarterly' announces an article on my 'Petrarch.' Unless Smith is the falsest of men, it will be a civil article, for he was enthusiastic in his praises of the book to me personally. But I shall not be surprised if it is another flourish ...
— Memoirs of the Life and Correspondence of Henry Reeve, C.B., D.C.L. - In Two Volumes. VOL. II. • John Knox Laughton
... brightness dimmed or deflected in a sorry sonnet! Nine in ten of our modern examples in this kind, when one comes to analyze them, will be found to consist of stolen ideas, combined with what SOUTHEY would call 'bubble, and bladder, and tympany.' But perpend the subjoined: 'Ever since the fatal days of PETRARCH AND GUIDO CAVALIANTI, mankind have suffered more or less from the chronic infliction of Sonnets. With them indeed the complaint was constitutional, and came in the natural way; under so mild and gentle a form withal, that little danger was to be apprehended ...
— Knickerbocker, or New-York Monthly Magazine, March 1844 - Volume 23, Number 3 • Various
... Petrarch saw his beloved Laura, in a dream, on the day she died, after which he wrote his beautiful poem, "The Triumph ...
— 10,000 Dreams Interpreted • Gustavus Hindman Miller
... fatalities combined have for result a flower. A vague Rambouillet Palace is superposed upon the forbidding silhouette of the Salpetriere. The leprous wall of evil, suddenly covered with blossoms, affords a pendant to the wreath of Juliet. The sonnets of Petrarch, that flight of the ideal which soars in the shadow of souls, venture through the twilight towards this abjection and suffering, attracted by one knows not what obscure affinity, even as a swarm of bees is sometimes seen humming over a dungheap from which arises, perceptible ...
— The Memoirs of Victor Hugo • Victor Hugo
... some incarnation, has seen fairies scampering over moor and hill and the remembrance of them teases her memory. Katherine is not so faithless as her ways might lead you to believe. Laura without dark eyes would be impossible, and her predestined Petrarch would never deliver his sonnets. Helen may be seen only against a background of Trojan wall. Gertrude must be tall and fair and ready with ballads in the winter twilight. Julia's reserve and discretion commend her ...
— The Port of Missing Men • Meredith Nicholson
... sent to the continent on a diplomatic mission. He seems to have succeeded so well that during the next ten years he was repeatedly sent abroad in the royal service. He visited Italy twice and may thus have met the Italian poet Petrarch. These journeys inspired Chaucer with a desire to study Italian literature,—a literature that had just been enriched by the pens of ...
— Halleck's New English Literature • Reuben P. Halleck
... and there is reason to conjecture a lost English play on the subject. The Taming of the Shrew, based on an extant older play, draws also on Gascoigne's version of Ariosto's I Suppositi; and the echoes of Petrarch in the Sonnets may well have come through French and English imitators. The introduction of stock types from the Italian drama, such as the pedant and the braggart-soldier, can be accounted for by the previous knowledge of these in England, and does ...
— The Facts About Shakespeare • William Allan Nielson
... vita," Petrarch, referring to himself, declared, and Tiberius might have said the same thing. He was in love with solitude; ill with efforts for the unattained; sick with the ingratitude of man. Presently it was decided that he had lived long enough. ...
— Imperial Purple • Edgar Saltus
... this large sum, and of various requisites for the army, as well as the "extraction" of works of art for the benefit of French museums, at once aroused the bitterest feelings. The loss of priceless treasures, such as the manuscript of Virgil which had belonged to Petrarch, and the masterpieces of Raphael and Leonardo da Vinci, might perhaps have been borne: it concerned only the cultured few, and their effervescence was soon quelled by patrols of French cavalry. Far different was it ...
— The Life of Napoleon I (Volumes, 1 and 2) • John Holland Rose
... their enthusiasm. In vain the guide-book told them about Petrarch and Laura. The usual raptures were not forthcoming. In vain the cicerone led them through the old papal palace. Its sombre walls awakened no emotion. The only effect produced was on the Senator, who whiled away the hours of early bed-time by pointing out the superiority ...
— The Dodge Club - or, Italy in 1859 • James De Mille
... belongs to perfection of form, rhythm, or metre. Mr. Palgrave has well said that a poet's story differs from a narrative in being in itself a creation; that it brings its own facts; that what we have to ask is not the true life of Laura, but how far Petrarch has truly drawn the life of love. So with Rossetti's sonnets. They may or may not be "occasional." Many readers who enter with sympathy into the series of feelings they present will doubtless insist upon regarding them as autobiographical. Others, who think they see the stamp of reality ...
— Recollections of Dante Gabriel Rossetti - 1883 • T. Hall Caine
... of the decorative use of Heraldry occurs on a copy of Petrarch printed at Venice in 1544, and probably bound about 1548, after the death of Henry VIII. It belonged to Queen Katherine Parr, and bears her arms with several quarterings—worked applique on rich blue purple velvet, ...
— English Embroidered Bookbindings • Cyril James Humphries Davenport
... tournament flashes up in many-glittering action upon the scene, and there upon the gallery of the church, before the horses of bronze, sit the Senators, bright-robed, and in the midst the bonneted Doge with his guest Petrarch at his side. Or the old Carnival, which had six months of every year to riot in, comes back and throngs the place with motley company,—dominoes, harlequins, pantaloni, illustrissimi and illustrissime, and perhaps even the Doge himself, who has the right of ...
— Venetian Life • W. D. Howells
... then writing his Filostrato, which was to be Chaucer's model in the Troilus and Creseide, and his Decameron, which suggested the plan of the Canterbury Tales. His Teseide is also said to be the original of the Knight's Tale. Petrarch, "the worthy clerke" from whom Chaucer is said to have learned a story or two in Italy for his great work, was born in 1304, and was also a star of the first magnitude ...
— English Literature, Considered as an Interpreter of English History - Designed as a Manual of Instruction • Henry Coppee
... after his death, contains not only his few hard and earthy verses, but also Synge's theory of poetry. The translations, which have been rendered in a highly intensified prose, are as racy as anything in his plays; his versions of Villon and Petrarch are remarkable for their adherence to the original and still radiate ...
— Modern British Poetry • Various
... Italian in origin, "sonetto" being the diminutive of "suono," sound. Dante and Petrarch knew it as a special lyric form intended for musical accompaniment. It must have fourteen lines, neither more nor less, with five beats or "stresses" to the line. Each line must end with a rhyme. In the arrangement of the rhymes the sonnet is made up of two parts, or rhyme-systems: the first eight ...
— A Study of Poetry • Bliss Perry
... must advertise the appearance of one of the finest books of the age, l'Archer de Charles IX.! We will appeal to Dauriat to bring out as soon as possible les Marguerites, those divine sonnets by the French Petrarch! We must carry our friend through on the shield of stamped paper by which reputations are ...
— Scenes from a Courtesan's Life • Honore de Balzac
... the literary associations of the various towns were their principal charm. To him, Verona stood for Catullus, Brindisi for Virgil, Sorrento for Tasso, Florence for "the all Etruscan three," [93] Dante, Petrarch, and Boccaccio, Reggio and Ferrara for Ariosto. It was from Ariosto, perhaps through Camoens, who adopted it, that he took his ...
— The Life of Sir Richard Burton • Thomas Wright
... man noch heutiges Tags die Abbildung von Petrarch's Aufenthalt in Vaucluse, Tasso's Wohnung in Sorent! Und ist nicht immer die Bieler Insel, der Schutzort Rousseau's, ein seinen ...
— The Life of Friedrich Schiller - Comprehending an Examination of His Works • Thomas Carlyle
... were weighted with books. There were Plutarch's Lives in the old French of Amyot, over which I labored; a French translation of Homer; Corneille's tragedies; Rochefoucauld; Montaigne's essays, in ten volumes; Thomson's poems, and Chesterfield's letters, in English; the life of Petrarch; three volumes of Montesquieu's works; and a Bible; which I found greatly to my taste. It was a wide ...
— Lazarre • Mary Hartwell Catherwood
... should remember such personal loveliness, as one recalls some particular moonlight or sunset, with a special and concentrated joy, which the multiplicity of fainter impressions cannot disturb. When in those days we used to read, in Petrarch's one hundred and twenty-third sonnet, that he had once beheld on earth angelic manners and celestial charms, whose very remembrance was a delight and an affliction, since all else that he beheld seemed dream and shadow, we could easily fancy that nature had certain permanent attributes which ...
— The Atlantic Monthly, Volume 20, No. 117, July, 1867. • Various
... have translated and printed at the end of the second volume some sonnets of Petrarch as a kind of palinode ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... be at the Palace of the Popes or in the Cathedral, we went to the Museum, and searched in vain among a riot of Roman remains for the tomb of Petrarch's Laura, which guide-books promised. In the end we had to be satisfied with a memorial cross made in the lovely lady's honour by order ...
— The Motor Maid • Alice Muriel Williamson and Charles Norris Williamson
... fabulous personages, those forms of the supernatural in nature, which had given them such dear delight in the poems of their great masters. Nay, even at this day what scholar of genial taste will not so far sympathize with them, as to read with pleasure in Petrarch, Chaucer, or Spenser, what he would perhaps condemn as puerile ...
— English Critical Essays - Nineteenth Century • Various
... Japan. Sight-seeing as an end in itself was discovered. Long sea-voyages for commercial purposes were no novelty, but no human foot had ever trod the summits of the Lower Alps, unless it had been the foot of a peasant whose cattle had strayed. Petrarch was the first man (in 1336) to climb a barren mountain, the Mont Ventoux in Provence, voluntarily undergoing a certain amount of fatigue for sheer delight in the beauty of nature. This was a great, an immortal deed, ...
— The Evolution of Love • Emil Lucka
... clear insight into the nature of man. Then the tale of love might begin again in poetry or prose, two in one, united in the pursuit of knowledge, or the service of God and man; and feelings of love might still be the incentive to great thoughts and heroic deeds as in the days of Dante or Petrarch; and many types of manly and womanly beauty might appear among us, rising above the ordinary level of humanity, and many lives which were like poems (Laws), be not only written, but lived by us. A few such strains have been heard among men in the tragedies of Aeschylus and Sophocles, ...
— The Republic • Plato
... the 'Gothic night'. Happily neither the great artists of the fourteenth and fifteenth centuries nor the great poets of England and Spain were much affected by the classical pedantry of which unhappily Petrarch ...
— Progress and History • Various
... if I continued to smother them they would strangle me. Could I but have this friend, my life, so precious to these children, might be prolonged until Jacques had grown to manhood. But that is selfish! The Laura of Petrarch cannot be lived again. I must die at my post, like a soldier, friendless. My confessor is harsh, austere, and—my ...
— The Lily of the Valley • Honore de Balzac
... Tarascon, the home of the immortal Tartarin, for next-door neighbors. They are all hard by Marseilles. But Avignon ever most caught my fancy, for there the nights seem peopled with the ghosts of warriors and cardinals, and there on festal mornings the spirits of Petrarch and his Laura walk abroad, the ramparts, which bade defiance to Goth and Vandal and Saracen hordes, now giving shelter to bats and owls, but the atmosphere laden ...
— Marse Henry, Complete - An Autobiography • Henry Watterson
... thought of these moments, and from time to time she slightly stretched the elastic of the path of duty to meet them. They would still keep on it, of course; they would never go any further than Petrarch and Laura. These historic philanderers should be their limit, and when the worst came to the worst, Estelle would softly murmur to Lionel, "Petrarch and Laura have borne it, and ...
— The Dark Tower • Phyllis Bottome
... darkness into light. He tarries awhile and then passes into darkness again. Micah, lad, the days are passing, mine as well as thine. Let them not be wasted. They are few in number. What says Petrarch?' To him that enters, life seems infinite; to him that departs, nothing.' Let every day, every hour, be spent in furthering the Creator's end—in getting out whatever power for good there is in you. What ...
— Micah Clarke - His Statement as made to his three Grandchildren Joseph, - Gervas and Reuben During the Hard Winter of 1734 • Arthur Conan Doyle
... resumed the conversation in a more cheerful tone. Holding a volume of Petrarch in his hand, he touched lightly, but with grace, on Italian poetry; then diverged into his travels, recounted an adventure with sprightliness, and replied to Miss Temple's lively remarks with gaiety and readiness. The morning advanced; Miss Temple closed her portfolio ...
— Henrietta Temple - A Love Story • Benjamin Disraeli
... not to be imagined that any hard Southern mind could ever have played in poetry with such a fancy; or that Petrarch, for example, could so have foregone the manifestation of intelligence and intelligible sentiment. And as to Dante, who put the two eternities into the momentary balance of the human will, cold would be his disregard ...
— Essays • Alice Meynell
... Surrey; "I am well content with what has happened. Virgil and Homer, Dante and Petrarch, are the companions of my confinement; and in good sooth, I am glad to be alone. Amid the distractions of the court I could find little leisure for ...
— Windsor Castle • William Harrison Ainsworth
... not belong to myself; I am more bound by my own will than I was by the law. You must be punished for my misdeed, but be satisfied to know that we suffer together. Dante never saw his Beatrice again; Petrarch never possessed his Laura. Such disasters fall on none but noble souls. But, if I should be abandoned, if I fall lower yet into shame and ignominy, if your Beatrix is cruelly misjudged by the world she loathes, if indeed she is the lowest of women,—then, my child, my adored child," she said, ...
— Beatrix • Honore de Balzac
... map or chart of the heavenly bodies (a solar system at least with comets) that hung up in his room as a substitute. He had little reverence for the petrefactions of Monte Bolca I perceived, which he considered as mere lufus naturae. He shewed me poor Petrarch's tomb from his observatory, bid me look on Sir Isaac's full-length picture in the room, and said, the world would see no more such men. Of our Maskelyne, however, no man could speak with more esteem, or expressions of generous ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... a favorite member of the Chit-Chat Club for many years and wrote many brilliant essays, a volume of which was printed in 1893. The first two he gave were "Francis Petrarch" and "Burning Sappho." Among the most charming was "Ballads and Lyrics," which was illustrated by the equally charming singing of representative selections by Mrs. Ida Norton, the only time in its history when the club was ...
— A Backward Glance at Eighty • Charles A. Murdock
... his imagination built up a being of surpassing loveliness, and endowed with all the attractions that the poets in all ages have given to the sex that inspires them. But this sort of creation in the mind becomes vague, and related to literature only, unless it is sustained by some reality. Even Petrarch must occasionally see Laura at the church door, and dwell upon the veiled dreamer that passed and perhaps paused a moment to regard him with sad eyes. Philip, no doubt, nursed a genuine passion, which grew into ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... by little the poetic beauties of that language. While the duke rode off with Maximilien to the forest and the wild-boars at the risk of his life, Jeanne wandered with Etienne in the milky way of Petrarch's sonnets, or the mighty labyrinth of the Divina Comedia. Nature had endowed the youth, in compensation for his infirmities, with so melodious a voice that to hear him sing was a constant delight; his mother taught him music, and their tender, melancholy songs, accompanied by a mandolin, ...
— The Hated Son • Honore de Balzac
... plainly studied with equal attention the chief Italian poets, especially Dante, Petrarch, Ariosto and Tasso. On a passage in Dante he founded his 'Ulysses', and imitations of that master are frequent throughout his poems. 'In Memoriam', both in its general scheme as well as in numberless ...
— The Early Poems of Alfred Lord Tennyson • Tennyson
... There was no lack of self-esteem either in the man or his head. Without it, he would scarcely have thought so highly of his rather washy scheme for reorganizing the democratic government, and so very humbly of the genius of Dante, Petrarch, and others, whose works he condemned to the flames. A fraternal regard, too, for such great artists as Fra Angelico and Fra Bartolommeo,—both members of his own convent, and the latter a personal friend,—might have prevented his organizing that famous ...
— The Atlantic Monthly, Volume 1, Issue 2, December, 1857 • Various
... physicians who showed a talent for investigation was that of Mohammedanism and Averroism; and Petrarch stigmatized Averroists as "men who deny Genesis ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... ladies mix mentalities with sensitive youths of twenty-four, the danger-line is being approached. The Grand Passions that live in history, such as that of Abelard and Heloise, Petrarch and Laura, Dante and Beatrice, swing in their orbit around world-weariness. Love does not concern itself with this earth alone—it demands a universe for its free expression. And the only woman who is capable of the Grand Passion—who stakes all on one throw of the dice—is ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... discover the benefit of it. His soul had expanded, so that he was now in communion with all that is great in Nature and in Art. The harmony of the sky, the silence of night, the murmur of flowing water, Petrarch, Michel Angelo, Shakespeare, all appealed to him. The day came when ...
— George Sand, Some Aspects of Her Life and Writings • Rene Doumic
... seemed to him, about it that he continued the conversation, and, shy as he was, became quite easy and confidential in her company. The Tutor is not only a poet, but is a great reader of the poetry of many languages. It so happened that Number Five was puzzled, one day, in reading a sonnet of Petrarch, and had recourse to the Tutor to explain the difficult passage. She found him so thoroughly instructed, so clear, so much interested, so ready to impart knowledge, and so happy in his way of doing it, that she asked him if he would not ...
— Over the Teacups • Oliver Wendell Holmes, Sr.
... Petrarch wrote that Venice was the home of justice and equity, refuge of the good; rich in gold, but richer in renown; built on marble, but founded on the surer foundation of a city worthy of veneration and glory. But this is no longer the Venice he described; no longer the city of grasping ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... you better get it from her at a safe distance? Petrarch didn't see half as much of Laura, nor Dante of Beatrice, as you see of Ann now; and yet they wrote first-rate poetry—at least so I'm told. They never exposed their idolatry to the test of domestic familiarity; and it lasted them to their ...
— Man And Superman • George Bernard Shaw
... They passed southward, and after some novel experiences in diligences, reached Avignon, where they rested for a couple of days. Thence a little expedition, a poetical pilgrimage, was made to Vaucluse, sacred to the memory of Petrarch and Laura. There, as Mrs. Macpherson has told us, at the very source of the "chiare, fresche e dolce acque," Browning took his wife up in his arms, and, carrying her across through the shallow curling waters, seated her on a rock that rose throne-like ...
— Life of Robert Browning • William Sharp
... roe, like a dried herring.—O flesh, flesh, how art thou fishified!—Now is he for the numbers that Petrarch flowed in: Laura, to his lady, was but a kitchen wench,—marry, she had a better love to be-rhyme her; Dido, a dowdy; Cleopatra, a gypsy; Helen and Hero, hildings and harlots; Thisbe, a gray eye or so, but not to ...
— Romeo and Juliet • William Shakespeare [Collins edition]
... cliff, crowned with the ruins of the chapel of Groseaux, 11th cent. The stream that issues from the spring is soon strong enough to set in motion the machinery of paper, silk, and flour mills. Any one may visit the silk mills. In 1345 Petrarch ascended Mont Ventoux from Malaucene. The ascent from this place is more difficult, but more picturesque than from Bedoin and requires 2 hours more. On the side of the mountain are the springs—Angel, 3826 ft.; Puits de Mont-Serein, 4774 ft.; and Font ...
— The South of France—East Half • Charles Bertram Black
... Without his Roe, like a dryed Hering. O flesh, flesh, how art thou fishified? Now is he for the numbers that Petrarch flowed in: Laura to his Lady, was a kitchen wench, marrie she had a better Loue to berime her: Dido a dowdie, Cleopatra a Gipsie, Hellen and Hero, hildings and Harlots: Thisbie a gray eie or so, but not to the purpose. ...
— The First Folio [35 Plays] • William Shakespeare
... Guisnes, Ponthieu, and Calais in the west were ceded to the English king. On its rejection Edward in 1360 poured ravaging over the wasted land. Famine however proved its best defence. "I could not believe," said Petrarch of this time, "that this was the same France which I had seen so rich and flourishing. Nothing presented itself to my eyes but a fearful solitude, an utter poverty, land uncultivated, houses in ruins. Even the neighbourhood of Paris showed everywhere ...
— History of the English People, Volume II (of 8) - The Charter, 1216-1307; The Parliament, 1307-1400 • John Richard Green
... odd dinner, not agreeable, though Lord Stanhope is amusing, so strange in his appearance, so ultra-Tory and anti-Liberal in his politics, full of information and a good deal of drollery. Murray told me that Moore is going to write a 'Life of Petrarch.' Croker would have written Lawrence's Life if Campbell [the poet] had not seized the task before anybody else thought of laying hold of it. He has circulated a command that all persons who have anything to communicate ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William - IV, Volume 1 (of 3) • Charles C. F. Greville
... renaissance, which has produced the Cathedral at Chartres, the Arthurian cycle of legends, the life of St. Francis of Assisi, the art of Giotto, and Dante's Divine Comedy, was not allowed to develop on its own lines, but was interrupted and spoiled by the dreary classical Renaissance that gave us Petrarch, and Raphael's frescoes, and Palladian architecture, and formal French tragedy, and St. Paul's Cathedral, and Pope's poetry, and everything that is made from without and by dead rules, and does not spring from within through some spirit informing it. But wherever there is ...
— De Profundis • Oscar Wilde
... enemies of peace inhabit with us—avarice, ambition, envy, anger and pride; if these were to be banished, we should infallibly enjoy perpetual peace.—PETRARCH. ...
— Many Thoughts of Many Minds - A Treasury of Quotations from the Literature of Every Land and Every Age • Various
... Heaven will be the mutual contemplation of our souls. So that human love is the adoration of God in human flesh, and therein may the beloved be seen as the image of God in time. The praise of Our Lady should then be the praise of God. Was this Patmore's secret? Or Dante's and Petrarch's? "My lady was desired in the high heaven." ... I see now how in Heaven there is no marriage or giving in marriage. Far flowing ramparts of a starry world! The flammantia moenia mundi of Lucretius. To contemplate ...
— The Forgotten Threshold • Arthur Middleton
... to her latest Tribune's name, From her ten thousand tyrants turn to thee, Redeemer of dark centuries of shame— The friend of Petrarch—hope of Italy— Rienzi, last of Romans! While the tree Of Freedom's wither'd trunk puts forth a leaf, Even for thy tomb a garland let it be— The Forum's champion, and the People's ...
— Rienzi • Edward Bulwer Lytton
... of Provence, bequeath it to the Pope and Gold Tiara, not rather to Louis Eleventh with the Leaden Virgin in his hatband? For good and for evil! Popes, Anti-popes, with their pomp, have dwelt in that Castle of Avignon rising sheer over the Rhone-stream: there Laura de Sade went to hear mass; her Petrarch twanging and singing by the Fountain of Vaucluse hard by, surely in a most melancholy manner. This was in ...
— The French Revolution • Thomas Carlyle
... was a lady of Avignon, the wife of Hugues de Sade, n['e]e Laura de Noves, the mistress of the poet Petrarch. ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... his translation from Villon are those 'eyes with a big gay look out of them would bring folly from a great scholar.' More vivid surely than anything in Swinburne's version, and how noble those words which are yet simple country speech, in which his Petrarch mourns that death came upon Laura just as time was making chastity easy, and the day come when 'lovers may sit together and say out all things arc in their hearts,' and 'my sweet enemy was making a start, little by little, to give over her great ...
— Synge And The Ireland Of His Time • William Butler Yeats
... poems; and some years later a larger beautiful poem in two cantos, called Slawy dzery, the Daughter of Glory, by which he meant Slavina, or the Slavic nations personified; for Slava means glory. With talents of the first order, and at the same time purely national, he imitates Petrarch in some measure; making his nation his Laura, praising her beauty, and prophesying her ...
— Historical View of the Languages and Literature of the Slavic - Nations • Therese Albertine Louise von Jacob Robinson
... diadem which they wanted to put on me. You may believe, though, that it was a splendid piece. Pictures in miniature, not painted, but living, really existing miniatures of fourteen of the noblest poets were made into a wreath. It was Homer and Pindar, Tasso and Virgil, Schiller, Petrarch, Ariosto, Goethe, Sophocles, Leopold, Milton, and several more. Between each one of them burned a radiant star, not of tinsel, but of real cosmic material. In the middle of my forehead there was the figure of a lyre on the diadem, which had borrowed something of the sun's own living light; ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen
... contribution to the specimens required by the Pope. The audacious specimen was accepted as the most conclusive, Giotto was chosen as the Pope's painter for the occasion, and from the incident arose the Italian proverb 'round as the o of Giotto.' Giotto was the friend of Dante, Petrarch, and Boccaccio, especially of Dante, to whom the grandeur of some of the painter's designs has been vaguely enough attributed. The poet of the 'Inferno' ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... from the first collection of sonnets, Olive. The influence of Petrarch is evident. Compare also the lines of the sestet with the final stanzas of Lamartine's Isolement, p. 65. 22. En 1'eternel ...
— French Lyrics • Arthur Graves Canfield
... ever acknowledged it or no, or indeed whether [says Mr. Gosse] the fact has ever been observed, I know not, but the true analogy of the Odes is with the Italian lyric of the early Renaissance. It is in the writings of Petrarch and Dante, and especially in the Canzoniere of the former, that we must look for examples of the source of ...
— Figures of Several Centuries • Arthur Symons
... Brittany, Asia or Greece,—conquered, fascinated, charmed, from one end of Europe to the other, the imaginations of the Middle Ages. The amorous languor and the subtlety of our "courteous poetry" are breathed no less by the madrigals of Shakespeare himself than by Petrarch's sonnets; and after such a long lapse of time we still discover something that comes from us even in the Wagnerian drama, for instance in 'Parsifal' or in 'Tristan and Isolde.' A long time later, in a Europe belonging ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 6 • Various
... was, of course, most rapid in Italy, where democracy had first asserted itself. In its train came intellectual ability, and by the middle of the fourteenth century Italy was in the full swing of the intellectual renaissance.[8] In 1341 Petrarch, recognized by all his contemporary countrymen as their leading scholar and poet, was crowned with a laurel wreath on the steps of the Capitol in Rome. This was the formal assertion by the age of its admiration ...
— The Great Events by Famous Historians, Volume 07 • Various
... even as I read Fast fading words adown my shadowy page, I crossed a tale of how, in other age, At Arqua, with his books around him, sped The word to Petrarch; and with noble head Bowed gently o'er his volume that sweet sage To Silence paid his willing seigniorage. And they who found him whispered, "He ...
— The Little Book of Modern Verse • Jessie B. Rittenhouse
... amusing part is always when he comes back to some refrain, as in the French Revolution of the sea-green. In this instance, it was Petrarch and Laura, the last word pronounced with his ineffable sarcasm of drawl. Although he said this over fifty times, I could not help laughing when Laura would come. Carlyle running his chin out when he spoke it, and his eyes glancing till they looked like ...
— On the Choice of Books • Thomas Carlyle
... emulation of Petrarca, began at Henry VIII.'s court. Chaucer took the substance of "Troilus and Creseyde" and "The Knightes Tale" from Boccaccio's "Filostrato" and "Teseide"; and Dryden, who never mentions Dante, versified three stories from the "Decameron." But Petrarch and Boccaccio were not mediaeval minds. They represent the earlier stages of humanism and the new learning. Dante was the genuine homme du moyen age, and Dante was the latest of the great revivals. "Dante," says Carlyle, "was the spokesman of the Middle Ages; the thought ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... originally shaded by a gigantic bay-tree, which is said to have died on the death of Dante. Petrarch, who was brought hither by King Robert, planted another, which existed in the time of Sannazaro, but was destroyed by relic-collectors in the last century. A branch was sent to Frederick the Great by the Margravine of Baireuth, with some verses by Voltaire. If from no other cause, the tomb ...
— Seeing Europe with Famous Authors, Vol VIII - Italy and Greece, Part Two • Various
... despotism, however glorious or however paternal, had grown in Alfieri with every journey he had made through France, Spain, Germany, Russia—with every sojourn in England; it had grown with every page of Livy and Tacitus, with every line of Dante and Petrarch which he had read; it had grown with every word that he himself had written. He had determined to be the poet who should make men ashamed of being slaves and ashamed of being tyrants. But he was ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)
... an embassy to him to urge his return to Rome. The hope had long been at the root of Rienzi's life, and he must have already attained to a considerable reputation of learning and eloquence, since he was chosen to be one of the ambassadors. Petrarch conceived the highest opinion of him at their first meeting, and never withdrew his friendship from him to the end; the great poet joined his prayers with those of the Roman envoys, and supported Rienzi's eloquence with his own genius in a Latin poem. But nothing could avail to move the Pope. ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... he cannot observe their physiognomy too; he cannot see their style. With the Latin works of writers who think for themselves, the case is different, and their style is visible; writers, I mean, who have not condescended to any sort of imitation, such as Scotus Erigena, Petrarch, Bacon, Descartes, Spinoza, and many others. An affectation in style is like making grimaces. Further, the language in which a man writes is the physiognomy of the nation to which he belongs; and here there are many hard and ...
— The Art of Literature • Arthur Schopenhauer
... of study and for purposes of analysis, as with Leonardo; and actual, professed, serviceable, hardworking portraiture of the men of their time, as with Raffaelle, and Titian, and Tintoret; and portraiture of Love, as with Fra Bartolomeo of Savonarola, and Simon Memmi of Petrarch, and Giotto of Dante, and Gentile Bellini of a beloved imagination of Dandolo, and with Raffaelle constantly; and portraiture in real downright necessity of models, even in their noblest works, as was the practice of Ghirlandajo perpetually, and Masaccio ...
— Modern Painters Volume II (of V) • John Ruskin
... derived from the Greek words signifying "ten days." This collection of a hundred stories is certainly one of the world's great books. Many English writers of the first order have gone to it for inspiration. Boccaccio's friend, Petrarch, was so delighted with the tale of Griselda, with which the work concludes, that he learnt it off by heart. Chaucer developed it into the finest of all his stories. Dryden, Keats, and Tennyson have also been inspired by Boccaccio; while Lessing ...
— The World's Greatest Books, Vol. I • Various
... VARRO (B.C. 116-28) whom Quintilian called "the most learned of the Romans," and Petrarch "il terzo gran lume Romano," ranking him with Cicero and Virgil, probably studied agriculture before he studied any thing else, for he was born on a Sabine farm, and although of a well to do family, ...
— Roman Farm Management - The Treatises Of Cato And Varro • Marcus Porcius Cato
... scarlet old lady of Rome in utter abomination, and governed in matters of religion by the Presbyterian forms, and the tenets of Calvin. It is not to be wondered at, that the annalist of the countries of Tasso and Dante, of Titian and Machiavel, of Petrarch and Leonardo da Vinci, of Galileo and Michael Angelo, should conceive, that in no other state of society is such scope afforded for mental cultivation and the development of the highest efforts of genius. Still less is it surprising, that the historian of the crusade ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 350, December 1844 • Various
... Sagittaria, which was discovered in 1873, near Portogruaro, by Perulli and Bartolini. This cemetery, which contains, in the section already explored, nearly two hundred sarcophagi, cut in limestone, in the shape of Petrarch's coffin, at Arqua, or Antenor's at Padua, was wrecked by Attila in 452, and buried soon after by an inundation of the river Tagliamento, which spread masses of mud and sand over the district, and raised its level five feet. ...
— Pagan and Christian Rome • Rodolfo Lanciani
... the virtues of the Muses, the plagiarisms of Petrarch, the wonders of astrology. Her uneasiness revived. In a voice more musical than the rota in ...
— The Best Short Stories of 1920 - and the Yearbook of the American Short Story • Various
... the elder and Henry earl of Surry were the two chieftains; who having travelled into Italy, and there tasted the sweet and stately measures and style of the Italian poesy, as novices newly crept out of the schools of Dante, Arioste, and Petrarch, they greatly polished our rude and homely manner of vulgar poesy, from that it had been before, and for that cause may justly be said the first reformers of our English ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... of the Courtier, Castiglione said very little about perfection of speech; he discust only the standard of literary language and the prescribed limits of the "vulgar tongue," or the Italian in which Petrarch and Boccaccio had written. What he says about grace, however, applies also to conversation: "I say that in everything it is so hard to know the true perfection as to be well-nigh impossible; and this because of the variety of opinions. Thus there are many who ...
— Conversation - What to Say and How to Say it • Mary Greer Conklin
... works, and from whom he enriched his philosophy of life. Even his greatest and most original creation, the Canzoniere, is not without marks of Horace, and their fewness here, as well as their character, are a sign that Petrarch's familiarity was not of the artificial sort, but based on real assimilation of the poet. ...
— Horace and His Influence • Grant Showerman
... of the kind of genius—ex. gr. Jeremy Taylor, Milton (his prose works), and Burke—Dante and Milton—Scaliger and Dr. Johnson. Secondly, if especial attention were paid to all men who had produced, or aided in producing, any great revolution in the Taste or opinions of an age, as Petrarch, Ulrich von Hutten, etc. (here I will dare risk the charge of self-conceit by referring to my own parallel of Voltaire and Erasmus, of Luther and Rousseau in the seventh number of "The Friend "). Lastly, if proper care ...
— A Publisher and His Friends • Samuel Smiles
... case scarce have survived its fiftieth rewriting; Rossetti's interpretation of "The House of Life" is as purely individual as Patmore's "Angel in the House"; Swinburne sings of phantasms; we can no more take our poets for types of modern lovers than we can accept Dante or Petrarch as representatives of the mediaeval lover. These poets used their goddesses as mystic inspirers. Dante was not in love with Beatrice, the daughter of Portinari, but with his own imagination: she married Simone as he Gemma, and thus he was still able to worship her. The devotion ...
— Without Prejudice • Israel Zangwill
... Shepheards Calender under the name of Rosalind, "the widow's daughter of the glen." A rival, Menalchas, was more successful in finding favor with his fair neighbor. Although he had before this turned his attention to poetry by translating the sonnets of Petrarch and Du Bellay (published in 1569), it was while here in the North country that he first showed his high poetic gifts ...
— Spenser's The Faerie Queene, Book I • Edmund Spenser
... has Death robed him so bravely? See, the colours shine in him like fifty different kinds of ribbands. Poor fellow! he could not curl his moustachios now, though the loveliest eyes in Europe were fixed in passionate admiration on him. He'll never slit another throat, nor hiccup Petrarch over a goblet nor remonstrate with me on my humanity. Shall we toss ...
— The Frozen Pirate • W. Clark Russell
... one day, "Go to, let me seem to be pathetic," may be nearer than he thinks to saying, "Go to, let me seem to be virtuous, or earnest, or under sorrow for sin." Depend upon it, Sappho loved her verses more sincerely than she did Phaon, and Petrarch his sonnets better than Laura, who was indeed but his poetical stalking-horse. After you shall have once heard that muffled rattle of clods on the coffin-lid of an irreparable loss, you will grow acquainted with a pathos that will make all elegies hateful. When I was of your age, I also for a ...
— The Complete Poetical Works of James Russell Lowell • James Lowell
... great stores of a desultory and unsystematic knowledge. Somehow he became a fine Latin scholar, though never first-rate as a Grecian. The direction of his studies was partly determined by the discovery of a folio of Petrarch, lying on a shelf where he was looking for apples; and one of his earliest literary plans, never carried out, was an edition of Politian, with a history of Latin poetry from the time of Petrarch. When he went to the University ...
— Samuel Johnson • Leslie Stephen
... gallant deeds of Sir Walter de Manny, of Sir John Chandos, the fame of Edward himself, only make darker by contrast the desolation and suffering by which their glory was purchased. The poetic illusion inspired by Froissart's chronicles of knightly deeds and manners is rudely torn when we read Petrarch's description of France after the battle of Poitiers; "I could not believe that this was the same France which I had seen so rich and flourishing. Nothing presented itself to my eyes but a fearful solitude, land uncultivated, houses ...
— A History of English Prose Fiction • Bayard Tuckerman
... answered Dick, dryly. "I never before had the privilege of hearing one that contained only twelve lines. Dante and Petrarch and Shakespeare and all those other ducks put fourteen lines in every blamed sonnet, ...
— At the Sign of the Jack O'Lantern • Myrtle Reed
... watch their physiognomy—that is to say their style. One observes, however, the style in the Latin writings of men who think for themselves, those who have not deigned to imitate, as, for instance, Scotus Erigena, Petrarch, Bacon, ...
— Essays of Schopenhauer • Arthur Schopenhauer
... background of bald, steep rock, cleft at its base into a shadowy cavern,—such is the first of my memories of the Vaucluse. At the entrance of the little town stands a low white-walled building, over the door of which is a tablet inscribed thus: "On the site of this cafe Petrarch established his study. Here ...
— Lippincott's Magazine of Popular Literature and Science, Volume 22. July, 1878. • Various
... is, however, less wonderful that authors should thus misjudge their productions, when whole generations have sometimes fallen into the same sort of error. The Sonnets of Petrarch were, by the learned of his day, considered only worthy of the ballad-singers by whom they were chanted about the streets; while his Epic Poem, "Africa," of which few now even know the existence, was sought for on all sides, and the smallest fragment of it begged from the ...
— Life of Lord Byron, Vol. II - With His Letters and Journals • Thomas Moore
... love may settle as sediment You have been fearfully scolded, my dear young friend, this was the bitter prose that had to be surmounted; you have surmounted it, and so now give yourself up entirely to poetry. Here—here are Petrarch's Sonnets and Ovid's Elegies; take them, read them, write yourself, and come and read to me what you have written. Perhaps in the meantime I also may experience a disappointment in love, of which I am not altogether deprived of hopes, since I shall ...
— Weird Tales, Vol. II. • E. T. A. Hoffmann
... numerous favors and appointments. He was sent on several diplomatic missions by the king, three of them to Italy, where, in all probability, he made the acquaintance of the new Italian literature, the writings of Dante, Petrarch, and Boccaccio. He was appointed at different times Comptroller of the Wool Customs, Comptroller of Petty Customs, and Clerk of the Works. He sat for Kent in Parliament, and he received pensions from three successive kings. He was a man of business as well ...
— Brief History of English and American Literature • Henry A. Beers
... two gardens," says Petrarch, "and I do not imagine that they are to be equalled in all the world. I should feel myself inclined to be angry with fortune if there were any so beautiful out of Italy." "I wish," says poor Kirke White writing to a friend, "I wish you to have ...
— Flowers and Flower-Gardens • David Lester Richardson
... represent unostentatious yet affectionate tributes to three of the most illustrious names in literature and art: DANTE, and PETRARCH, the celebrated Italian poets; and CANOVA, whose labours have all the freshness and finish of yesterday's chisel. Lord Byron, whose enthusiasm breathes and lives in words that "can never die," has enshrined these memorials in ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 566, September 15, 1832 • Various
... prince Khusru Parviz was celebrated throughout the East for its splendour and magnificence; and the chaste love of the poet Farhad for his beautiful queen Shirin is the theme of almost as many poems in the East as that of Petrarch's for Laura is in the West. Nuh Samani, who ascended the throne of Persia after the Sassanians,[9] ascertained that the moon was in the sign Leo at the time of his accession, and ordered that the gold head ...
— Rambles and Recollections of an Indian Official • William Sleeman
... flight he bends, 120 Stoops on the purple pinion, and descends Where he himself inspir'd the Mantuan swain, And taught Theocritus his tender strain; There, Fame reports, by ways unknown, he led The am'rous stream to Arethusa's bed. 125 Then on the downy sail he sought Vaucluse, Retreat of Petrarch's love and Petrarch's muse; Fond Echo yet remember's Laura's name; And what she gave in love repays in fame. Eure's winding shores his fond attention draw, 130 Where Love's own work, Anet's proud dome he saw; The fretted ceiling, ...
— The Fourth Book of Virgil's Aeneid and the Ninth Book of Voltaire's Henriad • Virgil and Voltaire
... wonders to be seen abroad. Above all there is Chaucer,—scholar, traveler, business man, courtier, sharing in all the stirring life of his times, and reflecting it in literature as no other but Shakespeare has ever done. Outside of England the greatest literary influence of the age was that of Dante, Petrarch, and Boccaccio, whose works, then at the summit of their influence in Italy, profoundly affected the literature of ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... my hands a manuscript of Petrarch, but, like a true Goth, I threw it aside, saying it was nothing to me. The fact was, I had a certain spite against the aforesaid Petrarch; for having met with a copy of his works some years before, ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... wit, left the poetry of his epitaph unto others; either unwilling to commend himself, or to be judged by a distich, and perhaps considering how unhappy great poets have been in versifying their own epitaphs; wherein Petrarch, Dante, and Ariosto, have so unhappily failed, that if their tombs should outlast their works, posterity would find so little of Apollo on them as to ...
— Religio Medici, Hydriotaphia, and the Letter to a Friend • Sir Thomas Browne
... Then let fond Petrarch shroud his Laura's praise, And Tasso cease to publish his affect, Since mine the faith confirmed at all assays, And hers the fair, which all men do respect. My lines her fair, her fair my faith assures; Thus I by love, and ...
— Rosalynde - or, Euphues' Golden Legacy • Thomas Lodge
... no Sonnet more remarkable than this, which, with 162, records Cowper's gratitude to the Lady whose affectionate care for many years gave what sweetness he could enjoy to a life radically wretched. Petrarch's sonnets have a more ethereal grace and a more perfect finish; Shakespeare's more passion; Milton's stand supreme in stateliness, Wordsworth's in depth and delicacy. But Cowper's unites with an exquisiteness in the turn of thought which ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... see! I am to be a sort of lay figure for your poetry, as well as your painting; the Laura of this new Petrarch. Thank you! (She ...
— The Black Cat - A Play in Three Acts • John Todhunter
... of Avignon, though so strangely inveighed against by Petrarch, is at once healthy and salubrious. There are certainly very rapid transitions from extreme heat to extreme cold, but from this very circumstance neither the intensity of the heat nor of the cold, is of sufficient ...
— Travels through the South of France and the Interior of Provinces of Provence and Languedoc in the Years 1807 and 1808 • Lt-Col. Pinkney
... Barcelona (1500-1544), in concert with his friend Garcilasso, Italianized Castilian poetry. He was the author of the Leandro, a poem in blank verse, of canzoni, and sonnets after the model of Petrarch, and of The Allegory.—History of Spanish Literature, by George ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... strange and visionary—"Whether in the body or out of the body," wrote Mrs Browning, "I cannot tell scarcely." From Paris and Orleans they proceeded southwards in weather, which, notwithstanding some rains, was delightful. From Avignon they went on pilgrimage to Petrarch's Vaucluse; Browning bore his wife to a rock in mid stream and seated her there, while Flush scurried after in alarm for his mistress. In the passage from Marseilles to Genoa, Mrs Browning was able to sit on deck; the change of air, although gained at the expense of some weariness, ...
— Robert Browning • Edward Dowden
... numismatics are shown in many ways. Caraccio, Aretine, and Raphael studied the figures on the old oboli and drachmas. So did Le Brun. Rubens was the most conscientious coin and medal gatherer of his time, and applied them sedulously to the furtherance of his divine gifts. Petrarch found time between his sonnets to Laura to make the first classified collection on record, which he presented to the emperor of Germany, with his well-known and remarkable letter. Alphonso, king of Naples, visited all parts of Europe gathering coins in an ivory ...
— The Continental Monthly, Vol. 6, No. 6, December 1864 - Devoted To Literature And National Policy • Various
... durable beauties of solid sense and lively passion. The reigning genius is then diametrically opposite to that which prevails on the first origin of arts. The Italian writers, it is evident, even the most celebrated, have not reached the proper simplicity of thought and composition; and in Petrarch, Tasso, Guarini, frivolous witticisms and forced conceits are but too predominant. The period during which letters were cultivated in Italy was so short, as scarcely to allow leisure for ...
— The History of England in Three Volumes, Vol.I., Part D. - From Elizabeth to James I. • David Hume
... invariable index of the state of the national heart, it was not less the case during the present period. The preaching was of the most formal and methodical texture. It assumed a rhetorical and poetical appearance; the people calling it the Italian style. Petrarch had given shape to Italian thought, and through his influence Germany became sated with poetic imagery and overwrought fancy. Sagittarius founded a stipend for the preaching of a yearly sermon in the University Church "which should be more a practical illustration of Christian ...
— History of Rationalism Embracing a Survey of the Present State of Protestant Theology • John F. Hurst
... One is charmed with the opulence which feeds so many pensioners. But Chaucer is a huge borrower. Chaucer, it seems, drew continually, through Lydgate and Caxton, from Guido di Colonna, whose Latin romance of the Trojan war was in turn a compilation from Dares Phrygius, Ovid, and Statius. Then Petrarch, Boccaccio, and the Provencal poets, are his benefactors: the Romaunt of the Rose is only judicious translation from William of Lorris and John of Meun: Troilus and Creseide, from Lollius of Urbino: The Cock and the Fox, ...
— Representative Men • Ralph Waldo Emerson
... it admits of simplicity of expression and coming from the heart it goes to the heart. As its object, however, is not in nature, but artificially produced by the understanding, it has only a logical reality, and the feeling is not purely human. It was not an illusion that Heloise had for Abelard, Petrarch for Laura, Saint Preux for his Julia, Werther for his Charlotte; Agathon, Phanias, and Peregrinus—in Wieland—for the object of their dreams: the feeling is true, only the object is factitious and outside ...
— The Works of Frederich Schiller in English • Frederich Schiller
... temper all of a piece, of seeking in all incidents for opportunities to assert and reassert some favourite mental attitude, is a thing which existed comparatively little in other centuries. Solomon and Horace, Petrarch and Shakespeare were pessimists when they were melancholy, and optimists when they were happy. But the optimist of to-day seems obliged to prove that gout and unrequited love make him dance with joy, and the pessimist of to-day to prove that sunshine ...
— Twelve Types • G.K. Chesterton
... retired to their rooms, and Valancourt to his station at the door, which, at this mild season, he preferred to a close cabin and a bed of skins. St. Aubert was somewhat surprised to find in his room volumes of Homer, Horace, and Petrarch; but the name of Valancourt, written in them, told him ...
— The Mysteries of Udolpho • Ann Radcliffe
... has always found plenty of friends. Her feline grace and softness has inspired some of the greatest, and, from Tasso and Petrarch down, her quiet and dignified demeanor have been celebrated in verse. Mr. Swinburne, within a few years, has written a charming poem which was published in the Athenaeum, and which places the writer among the select inner ...
— Concerning Cats - My Own and Some Others • Helen M. Winslow
... the tribe of the Benou Udhreh, renowned for their passionate sincerity in love-matters. He is celebrated as the lover of Butheineh, as Petrarch of Laura, and died A.D. 701, sixteen ...
— Tales from the Arabic Volumes 1-3 • John Payne
... December, visited Genoa and Florence, and returned to England before the end of November 1373 — for on that day he drew his pension from the Exchequer in person. The most interesting point connected with this Italian mission is the question, whether Chaucer visited Petrarch at Padua. That he did, is unhesitatingly affirmed by the old biographers; but the authentic notices of Chaucer during the years 1372-1373, as shown by the researches of Sir Harris Nicolas, are confined to the facts already stated; and we are left to answer the question by the probabilities ...
— The Canterbury Tales and Other Poems • Geoffrey Chaucer
... with the Divina Commedia, has won for Italy an exaggerated literary reputation. In the thirteenth century there was plenty of poetry hardly inferior to the Lamento of Rinaldo; in the fourteenth comes Petrarch with the curse ...
— Art • Clive Bell
... about his perceptions of the soul's nature than the way of their disclosure. Emerson is more interested in what he perceives than in his expression of it. He is a creator whose intensity is consumed more with the substance of his creation than with the manner by which he shows it to others. Like Petrarch he seems more a discoverer of Beauty than an imparter of it. But these discoveries, these devotions to aims, these struggles toward the absolute, do not these in themselves, impart something, if not all, of their own unity and coherence—which is not received, as ...
— Essays Before a Sonata • Charles Ives
... Tuscany; priests would gratefully extol his constant defence of the papacy against Ghibelline attacks, and the founding of convents, hospitals, and churches throughout his kingdom; in the world of letters he was regarded as the most learned king in Christendom; Petrarch, indeed, would receive the poet's crown from no other hand, and had spent three consecutive days answering all the questions that Robert had deigned to ask him on every topic of human knowledge. The men of law, ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere
... Which of your poets? Petrarch, or Tasso, or Dante? Guarini? Ariosto? Aretine? Cieco di Hadria? I ...
— Volpone; Or, The Fox • Ben Jonson
... winter of 1597 William was deeply studying the new translation of Petrarch, and Florio was nightly teaching us the lofty philosophy of Grecian and Roman classics. The lives of noted ancient poets, orators, warriors, statesmen, governors, kings and philosophers, as written or compiled by the great Plutarch has furnished ...
— Shakspere, Personal Recollections • John A. Joyce
... French writers, who has stirred to their best efforts the ablest of French critics; but I must needs try to indicate briefly, as I see it, his significance in general European culture. And I would put it that Montaigne is really, for the civilised world at this day, what Petrarch has been too enthusiastically declared to be—the first of the moderns. He is so as against even the great Rabelais, because Rabelais misses directness, misses universality, misses lucidity, in his gigantic mirth; he is so as against Petrarch, because ...
— Montaigne and Shakspere • John M. Robertson
... last Crusade when Italy began to produce the inspired artists who broke the bonds of Byzantine traditions and turned back to the inspiration of all art, which is Nature. Giotto, tending his sheep, began to draw pictures of things as he saw them, Savonarola awoke the conscience, Dante, Petrarch, Boccaccio—a string of names to conjure with—all roused the intellect. The dawn of the Renaissance flushed Europe with the life of civilisation. But before the wonderful development of art through the reversion to classic lines, came a high perfection of the style called Gothic, and with that ...
— The Tapestry Book • Helen Churchill Candee
... do, write, plan, nothing without her, that once she smiles on me I will write her great love-poems, greater than Byron's, greater than Heine's—the real Song of Songs, which is Pinchas's—that I will make her immortal as Dante made Beatrice, as Petrarch made Laura, that I walk about wretched, bedewing the pavements with my tears, that I sleep not by night nor eat by day—you will tell her this?" He laid his finger pleadingly ...
— Children of the Ghetto • I. Zangwill
... failed to attain any degree of perfection until the time of Petrarch in the fourteenth century; and its real era in Spain was not until a century later. Love poetry developed in different ways in Europe, and, as we have seen, at different times. Except among the Italians it was not so much borrowed from one nation ...
— The Interdependence of Literature • Georgina Pell Curtis
... Mr. Woods observed that her lashes were long—long beyond all reason. Lacking the numbers that Petrarch flowed in, he did not venture, even to himself, to characterise them further. But oh, how queer it was they should be pure gold at the roots!—she must have dipped them in the ink-pot. And oh, the strong, sudden, bewildering curve of 'em! He could not recall at the present moment ever noticing ...
— The Eagle's Shadow • James Branch Cabell
... Laudatory poetical tributes with ornamental borders were posted in public places as a method of doing homage. In this case the unknown "Reverend Don So-and-so" is ranked by his admirer with Dante, Boccaccio, and Petrarch, the greatest Italian poets; with St. Jerome, one of the most celebrated Fathers of the Latin Church; with Cicero, one of the greatest of Roman orators; and with St. Paul, the greatest ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... pleasant retreat. The music and tableaux in this booth were worthy of the immense audience which crowded the space each night. The Italian poets and authors were represented here and it was not at all unusual for Dante, Michael Angelo, Petrarch and Boccaccio to hobnob over a glass of lemonade with a sprightly fairy from the Jacob Grimm booth or some other personage diametrically opposite in legend and dress. The matinees during the week were ...
— Sixty Years of California Song • Margaret Blake-Alverson
... given to ANGELO ALLORI (1502-1572), the Florentine painter. He became the favourite pupil of J. da Pontormo. He painted the portraits of some of the most famous men of his day, such as Dante, Petrarch and Boccaccio. Most of his best works are in Florence, but examples are in the National Gallery, ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various
... Plutarch, or Seneca, or Xenophon, or Epictetus, or Theophrastus, or Lucian—or some one perhaps of later date—either Cardan, or Budaeus, or Petrarch, or Stella—or possibly it may be some divine or father of the church, St. Austin, or St. Cyprian, or Barnard, who affirms that it is an irresistible and natural passion to weep for the loss of our friends or children—and Seneca (I'm positive) ...
— The Life and Opinions of Tristram Shandy, Gentleman • Laurence Sterne
... literary obligations in an essay concerned chiefly with the poet's more intimate experiences. In point of fact, the tracking of poetic reminiscences in a poet who lived when no concealment of borrowed thought was demanded does as much violence to Vergil as it does to Euripides or Petrarch. The poet has always been expected to give expression to his own convictions, but until recently it has been considered a graceful act on his part to honor the good work of his predecessors by the frank use, in ...
— Vergil - A Biography • Tenney Frank
... of the priesthood, and the discontent of the Roman barons and people, encouraged him to look for a happy termination of his enterprise; but he derived his greatest confidence from those verses of Petrarch in the canzone which begins, "Spirto gentil che quelle membra reggi," ...
— History Of Florence And Of The Affairs Of Italy - From The Earliest Times To The Death Of Lorenzo The Magnificent • Niccolo Machiavelli
... customably refresh and wash themselves, the king, looking into the baths, saw in them men wholly naked with every garment cast off. At which he was displeased, and went away quickly, abhorring such nudity as a great offence, and not unmindful of that sentence of Francis Petrarch 'the nakedness of a beast is in men unpleasing, but the decency of raiment ...
— Henry the Sixth - A Reprint of John Blacman's Memoir with Translation and Notes • John Blacman
... the marbles of Ravenna and Rome. Five hundred years after Charlemagne, a king of Sicily, Robert—the wisest and most liberal sovereign of the age—was supplied with the same materials by the easy navigation of the Tiber and the sea; and Petrarch sighs an indignant complaint that the ancient capital of the world should adorn from her own bowels the slothful luxury ...
— The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II • Various
... Did Petrarch ever think if Laura would make a good wife; did Oswald ever think it of Corinne? Nay, did even the more practical Waverley ever think it of the impassioned Flora? Would it not weaken faith in their romantic passages, if you believed it? What have such vulgar, practical issues to do with that ...
— Dream Life - A Fable Of The Seasons • Donald G. Mitchell
... of Vice in our day. Moral Influence of Friendships between Men and Women. Analysis of Platonic Love. Laura and Petrarch. Beatrice and Dante. Heloise and Abelard. Danger and Safety of Platonic Love. Countess Matilda and Hildebrand. The "Woldemar" of Jacobi. Influence of Chivalry in developing Friendships of Men and Women. Causes of Prominent Social Position of Women ...
— The Friendships of Women • William Rounseville Alger
... class called up as Eros administers, with zest, his penalties. Master Paris! for loving his neighbor a little less than himself, and his neighbor's wife a little more. Master Lancelot! ditto. Masters Petrarch, Tristram, Antony, Juan Tenorio, Dante Alighieri, and others! ditto. There are a great many called up for this particular form of peccancy, you observe; even Master David has to lay aside his Psalm Book, and go forward with the others ...
— The Cords of Vanity • James Branch Cabell et al
... humanistic learning, are only one-half of the debt of our sixteenth century to the Italy of the Renaissance. The delicate form of the Italian sonnet, as copied by Sidney from Bembo and Molza and Costanzo, contained within it the exotic and exquisite ideal passion of the "Vita Nuova" and Petrarch. With the bright, undulating stanza Spenser received from Ariosto and Tasso the richly coloured spirit of the Italian descriptive epic. With the splendid involutions of Machiavelli's and Guicciardini's prose Bacon learned their cool and ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... been built as a kind of anticipation of the crystal palace, and the roof of which is said to be the largest unsupported by pillars in the world. It covers—so the Paduans believe—the bones of Livy, who is claimed as a native of Padua. It was here Petrarch died, which has given occasion to Lazzarini to join together the cradle of the historian and the tomb of the poet, in the following lines ...
— Pilgrimage from the Alps to the Tiber - Or The Influence of Romanism on Trade, Justice, and Knowledge • James Aitken Wylie
... values must be compared, and obviously neither one can be the standard by which to judge the other. This standard is an ideal involved in the judgment passed, whatever that judgment may be. Thus when Petrarch says that a thousand pleasures are not worth one pain, he establishes an ideal of value deeper than either pleasure or pain, an ideal which makes a life of satisfaction marred by a single pang an offence and a horror to ...
— The Life of Reason • George Santayana
... seen myself compared, personally or poetically, in English, French, German (as interpreted to me), Italian, and Portuguese, within these nine years, to Rousseau, Goethe, Young, Aretine, Timon of Athens, Dante, Petrarch, 'an alabaster vase, lighted up within,' Satan, Shakspeare, Buonaparte, Tiberius, AEschylus, Sophocles, Euripides, Harlequin, the Clown, Sternhold and Hopkins, to the phantasmagoria, to Henry the Eighth, to Chenier, to Mirabeau, to young R. Dallas (the schoolboy), ...
— Life of Lord Byron, Vol. 6 (of 6) - With his Letters and Journals • Thomas Moore
... and together we strolled to the river-side along that embankment, the favourite walk of Dante and of Petrarch, of Raphael and of Michelangelo. All was silent, for the great ponderous palaces lining the river were closed till winter, and there were no ...
— The Count's Chauffeur • William Le Queux
... among the Euganean Hills".—Editor.), which I sent from Italy, was written after a day's excursion among those lovely mountains which surround what was once the retreat, and where is now the sepulchre, of Petrarch. If any one is inclined to condemn the insertion of the introductory lines, which image forth the sudden relief of a state of deep despondency by the radiant visions disclosed by the sudden burst of an Italian sunrise in autumn on the highest peak of those delightful mountains, ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley |
