"Pieta" Quotes from Famous Books
 ... some popular, idolised actor makes his entry on the stage. As in a theatre, too, everything had been very skilfully contrived so as to produce all possible effect amidst the magnificent scenery of the Basilica. The cortege was formed in the wings, that is in the Cappella della Pieta, the first chapel of the right aisle, and in order to reach it, the Holy Father, coming from his apartments by the way of the Chapel of the Blessed Sacrament, had been stealthily carried behind the hangings of the aisle which served the purpose ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... of Piero were without effect, and the animosity of the parties began to be openly manifested in their nocturnal assemblies; the friends of the Medici meeting in the Crocetta, and their adversaries in the Pieta. The latter being anxious for Piero's ruin, had induced many citizens to subscribe their names as favorable to the undertaking. Upon one occasion, particularly when considering the course to be adopted, although all agreed that the power of the Medici ought ...
— History Of Florence And Of The Affairs Of Italy - From The Earliest Times To The Death Of Lorenzo The Magnificent • Niccolo Machiavelli
... individual aspects may figure here the rather shifting range of decorative dignity in which details, when observed, often prove poor (though never not massive and substantially precious) and sometimes prove ridiculous. The sculptures, with the sole exception of Michael Angelo's ineffable "Pieta," which lurks obscurely in a side- chapel—this indeed to my sense the rarest artistic combination of the greatest things the hand of man has produced—are either bad or indifferent; and the universal incrustation of marble, though ...
— Italian Hours • Henry James
... Altruria and Mark West Springs, then to the right and across to Calistoga in Napa Valley. By keeping to the left, the drive holds on up the Russian River Valley, through the miles of the noted Asti Vineyards to Cloverdale, and then by way of Pieta, Witter, and Highland Springs to Lakeport. Still another way we took, was down Sonoma Valley, skirting San Pablo Bay, and up the lovely Napa Valley. From Napa were side excursions through Pope and Berryessa Valleys, on to AEtna Springs, and still on, into Lake ...
— The Human Drift • Jack London
... won't arrive at that understanding by looking out the word 'pietas' in your White-and- Riddle. If you do you will find those tiresome contractions, Etym. Dub., stop your inquiry very briefly, as you go back; if you go forward, through the Italian pieta, you will arrive presently in another group of ideas, and end in misericordia, mercy, and pity. You must not depend on the form of the word; you must find out what it stands for in Horace's mind, and in Virgil's. More than race to the ...
— Val d'Arno • John Ruskin
... wrought out with painfulness and life spending; as Leonardo and Michael Angelo, (for the latter, however many things he left unfinished, did finish, if at all, with a refinement that the eye cannot follow, but the feeling only, as in the Pieta of Genoa,) and Perugino always, even to the gilding of single hairs among his angel tresses, and the young Raffaelle, when he was heaven taught, and Angelico, and Pinturicchio, and John Bellini, and all other such serious and loving men. Only it ...
— Modern Painters Volume II (of V) • John Ruskin
... the immediate apprehension of an unendurable torture. It was the cry of a man upon the rack, the despairing scream of him who feels himself sinking in a burning dwelling. Such anguish has found an utterance in Stradella's celebrated "Pieta, Signore," which still tells to our ears, in its wild moans and piteous shrieks, the religious conceptions of his day; for there is no phase of the Italian mind that has not found ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... al sol di color raro Parve la pieta da suo fattore, ai rai Quand Io fu preso; e non mi guardai Che ben vostri occhi ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... are familiar enough with the language of the plastic arts to have seen without prompting this same modern element in Michael Angelo's painting and sculpture. We might, perhaps, have recognized it in the Pieta in St. Peter's. We may safely say, however, that it exists in all his works. It is in the Medicean statues; it is in the Julian marbles; it is in the Sistine ceiling. What is there in these figures that they leave us so awestruck, that they seem so like the sound of trumpets blowing ...
— Emerson and Other Essays • John Jay Chapman |
