"Plastic art" Quotes from Famous Books
... duffer! Vospovitch is an innovator. Don't you see that he's brought satire into sculpture? The future of plastic art, of music, painting, and even architecture, has set in satiric. It was bound to. People are tired—the bottom's tumbled out ... — Forsyte Saga • John Galsworthy
... perfection of these, Lubke, the most eminent German authority on plastic art, referring to the early works in the tombs about Memphis, declares that, "as monuments of the period of the fourth dynasty, they are an evidence of the high perfection to which the sculpture of the Egyptians had attained." Brugsch declares that "every artistic production of ... — History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... not my object to give a history of the development of the plastic art, but to show the great excellence it attained in the hands of ... — Beacon Lights of History, Volume III • John Lord
... experimental attempts and fruitless essays. One would have said that, moved by jealousy of the future marvels of the Greek sculptors, she also had resolved to model a statue herself, and to prove that she was still sovereign mistress in the plastic art. ... — King Candaules • Theophile Gautier
... solid block of stone look as if it were a representation on a flat surface. This contradiction explains the origin of the theory giving supreme pictorial importance to the Third Dimension. For art criticism though at length (thanks especially to the sculptor Hildebrand) busying itself also with plastic art, has grown up mainly in connexion with painting. Now in painting the greatest scientific problem, and technical difficulty, has been the suggestion of three-dimensional existences by pigments applied to a two-dimensional surface; and this problem ... — The Beautiful - An Introduction to Psychological Aesthetics • Vernon Lee
... poetic adventures of the ancient gods, their statues, their temples, and all the arts arising from their religion, had beguiled him and filled him with enthusiasm before his conversion, is only too certain. But all this mythology and plastic art were looked upon as secondary things then, even by pagans. The serious, the essential part of the religion was not in that. Paganism, a religion of Beauty, is an invention of our modern aesthetes; it was hardly thought of in that way in ... — Saint Augustin • Louis Bertrand
... to escape from the certainty that, while he is creating forms of beauty, he means something; and that something, that theme for which he finds the form, is part of the world's spiritual heritage. Only the crudest works of plastic art, capricci and arabesques, have no intellectual content; and even these are good in so far as they ... — Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... inkstands and semi-breves was the Philistines, which is the general term amongst German students, artists, poets, etc., for prosaic, narrow, hard, ungenial, commonplace respectabilities. "Young Germany" was making itself felt in all cooerdinate directions: forming new schools of plastic Art in Munich and Dresden,—a sharp and spirited Bohemian literature at Frankfort, under the lead of Heine and Boerne; and now, music being the last to yield in Germany, because most revered, as it is with religion in other countries, a new vitality ... — Atlantic Monthly, Vol. XII. September, 1863, No. LXXI. - A Magazine Of Literature, Art, And Politics • Various
... thought and feeling; while, on the other hand, we fear it likely to be studied to little effect by such as receive with indiscriminate and phlegmatic avidity all that is handed down to them in the shape of experience or time-sanctioned rule. But plastic art claims not merely our sympathy, in its highest capacity to emit thought and sentiment; but as form, colour, light, life, and beauty; and who shall settle the claims between thought and beauty? But art has beauties of its own, which neither impair nor ... — The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... Nellie, Let us study BOTTICELLI When we feel the gnawing craving to be smart; If we want to be de rigueur We must educate the figure To show the downward trend of "plastic art." The outline should be slack, Slippy-sloppy, front and back, Till bodice, skirt and tunic—every stitch— Seems to call for the support Of the handy-man's resort— That naval gesture termed the "double hitch." The shoulders must be drooping. ... — Punch, or the London Charivari, Vol. 146, March 11, 1914 • Various
... appliance of daily life. Sixty years ago, the extraction of metals from their solutions, by the electric current, was simply a highly interesting scientific fact. At the present day, the galvano-plastic art is a great industry; and, in combination with photography, promises to be of endless service in the arts. Electric lighting is another great gift of science to civilisation, the practical effects of which ... — The Advance of Science in the Last Half-Century • T.H. (Thomas Henry) Huxley
... These may be summed up under the phrase, views of the world. The necessity for constant reconsideration of them is from this standpoint at once evident. The Greek view of the world is as classic as the plastic art of Phidias and the epic of Homer; the Christian, as eternally valid as the architecture of the Middle Ages; the modern, as irrefutable as Goethe's poetry and the music of Beethoven. The views of the world which proceed from the spirits of different ages, as products of the general ... — History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg
... early Romans was principally derived from or through the early Etruscans, and the Etruscans are believed to have first learned their art from Greek artists, who introduced plastic art into Italy as early as B.C. 655, when Demaratus was expelled from Corinth—and later, Etruscan art was influenced by the Greek colonies of Magna Graecia. So it is fair to say that Etruscan art and early Roman art were essentially Greek ... — A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement |