"Realist" Quotes from Famous Books
 ... often made, that Galds was a realist, as if he were primarily an observer, a transcriber of life, requires to be modified where the dramas are concerned. Pure realism is present in his dramatic work, but it does not occupy anything like the predominant place which some suppose. ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... many of his sympathies, is still a pupil, a school which regards M. Zola as one of its leading lights. En Route, and its sequels, portray in the colours of realism, in the language of decadence, the conversion of a realist, nay, of a decadent, to mysticism and faith. "The voice indeed is the voice of Jacob, but the hands are the hands of Esau," and according as the critic centres his attention too exclusively on one or the other, such will his ...
— The Faith of the Millions (2nd series) • George Tyrrell
... not for me, those horrible realist folk. I like books where things fall as they should rather than as they do; and the poetry where beautiful things happen. Things as they aren't are what ...
— Katrine • Elinor Macartney Lane
... Amours Galantes, and a doubtful story (also attributed to the obscure M. de Preschac of the Cabinet des Fees[219]) entitled L'Illustre Parisienne, over which folk have quarrelled as to whether it is to be labelled "realist" or not. One regrets, however, to have to say that—except for fresh, if not very strong, evidence of that "questing" character which we find all over the subjects of these two chapters—the interest of Mme. de Villedieu's ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... to hide his own self behind the historical characters," Strindberg tells us, apropos of this very play. [Note: In one of his biographical novels, The Bondwoman's Son, vol. iii: In the Red Room.] "As an idealist he was to be represented by Olof; as a realist by Gustaf; and as a communist by Gert." Farther on in the same work, he continues his revelation as follows: "The King and his shadow, the shrewd Constable, represented himself [the author] as he wished to be; Gert, as he was in moments of aroused passion; and Olof, as, after ...
— Master Olof - A Drama in Five Acts • August Strindberg
... terrible agonies he was to depict, tramping from one bed to another until he reached the one where the cries and contortions were the most frightful. Such a scene he has reproduced. No hospital physician would have pictured the straggle in such colors. In the same way, that other realist, M. Zola, has painted a patient suffering from delirium tremens, the disease known to common speech as "the horrors." In describing this case he does all that language can do to make it more horrible than the reality. He gives us, ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... is an idealist, but he is a scholar, too, and a very grim realist. Lenin was a statistician by profession. He had long been trying to foresee the future of society under socialism, and he had marked down definitely the resources, the machinery, and the institutions existing under the old order, which ...
— The Bullitt Mission to Russia • William C. Bullitt
... all in a measure true. Dostoevsky was no realist. Nor, on the other hand, was he a novelist of horrors for horrors' sake. He could never have written Facts in the Case of M. Valdemar like Poe for the sake ...
— Old and New Masters • Robert Lynd
... which belongs to beliefs and wishes and volitions, but not to the physical world. Berkeley advances on this subject a plausible argument[26] which seems to me to rest upon an ambiguity in the word "pain." He argues that the realist supposes the heat which he feels in approaching a fire to be something outside his mind, but that as he approaches nearer and nearer to the fire the sensation of heat passes imperceptibly into pain, and that ...
— Mysticism and Logic and Other Essays • Bertrand Russell
... Rochester Seminary, which has won for itself very unusual and wide respect. Exceptional for ability, as well as for its originality of conception, is "The Republic of God: An Institute of Theology," by Elisha Mulford, a disciple of Maurice and of the realist philosophy, the thought of whose whole life is contained in this and his kindred work on ...
— A History of American Christianity • Leonard Woolsey Bacon
... congruity or variety of what was already given. Perhaps it was never a prime object with Duerer to conceive the event, it was rather the picture that he attempted to conceive; it is Rembrandt who attempts to conceive events, not Duerer. He is very far from being a realist in this sense: though certain of his etchings possess a considerable degree of such realism, it is not what characterises him as a creator or inventor. But a "profound realistic perception" almost unequalled he did possess; what he ...
— Albert Durer • T. Sturge Moore
... fiction. Thus he was of heroic stature, a handsome red-bearded man of great personal strength and daring; and he was himself the first man over the wall of Jerusalem, like any boy hero in a boy's adventure story. But he was also, the realist will be surprised to hear, a perfectly honest man, and a perfectly genuine practiser of the theoretical magnanimity of knighthood. Everything about him suggests it; from his first conversion from the imperial to the papal (and popular) cause, ...
— The New Jerusalem • G. K. Chesterton
... history. Their distinguishing character. Mistakes about them. Their isolation and origin. Their metrical form. Their scheme of matter. The character of Charlemagne. Other characters and characteristics. Realist quality. Volume and age of the chansons. Twelfth century. Thirteenth century. Fourteenth, and later. Chansons in print. Language: oc and oil. Italian. Diffusion of the chansons. Their authorship and publication. Their performance. Hearing, not reading, the object. Effect ...
— The Flourishing of Romance and the Rise of Allegory - (Periods of European Literature, vol. II) • George Saintsbury
... the "Nominalist and Realist" that will prove all sums. It runs something like this: No matter how sincere and confidential men are in trying to know or assuming that they do know each other's mood and habits of thought, the net result leaves a feeling that all is left unsaid; for the reason of their incapacity to know ...
— Essays Before a Sonata • Charles Ives |
