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Rococo   /rəkˈoʊkˌoʊ/   Listen
Rococo

noun
1.
Fanciful but graceful asymmetric ornamentation in art and architecture that originated in France in the 18th century.






WordNet 3.0 © 2010 Princeton University








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"Rococo" Quotes from Famous Books



... he was deposited under the bronze shelter of the porte-cochere belonging to an extremely expensive mansion overlooking the park; and presently, admitted, he prowled ponderously and softly about an over-gilded rococo reception-room. But all anxiety had now fled from his face; he coyly nipped the atmosphere at intervals as various portions of the furniture attracted his approval; he stood before a splendid canvas of Goya and pushed his thumb at it; he moused and prowled and peeped and snooped, and ...
— Iole • Robert W. Chambers

... she began; but he went away into the hall, rang, and presently she heard the ascending clatter of a dumb-waiter. From it he took the luncheon card and returned to where she was sitting at a rococo table. She blushed as he laid the card before her, and would have nothing to do with it. The result was that he did the ordering, sent the dumb-waiter down with his scribbled memorandum, and came wandering back with long, cool glances ...
— The Common Law • Robert W. Chambers

... craze for decoration originate? The inhabitants of Florence and Athens did not consider it necessary. There must, I feel sure, be a reason for its use in this city; American land-lords rarely spend money without a purpose; perhaps they find that rococo detail draws business and ...
— The Ways of Men • Eliot Gregory

... his senses have undergone no elemental change. Paganism was succeeded by Christianity, and with Christianity came a new art canon, new forms of beauty and harmony—the Early Italian. The age of reason followed, bringing with it the Baroque and Rococo canons: and as time went on, and the world's mind kept working, came other canons still. The most recent canon appears to be that of naturalism (the Emperor's "gutter ") with which artists are now experimentalizing. ...
— William of Germany • Stanley Shaw

... between them. But he must have meant this for a surprise to the spectator, who easily misses it under the trees overleaning the moss-grown walks which hardly kept themselves from running wild. There is a sense of crumbling decorations of statues, broken in their rococo caverns; of cypresses carelessly grouped and fallen out of their proper straightness and slimness; of unkempt bushes crowding the space beneath; of fragmentary gods or giants half hid in the tangling grasses. It all has the air of something impatiently done ...
— Roman Holidays and Others • W. D. Howells

... of H.D. Ellis, and has its spout curved upward at the top, being furnished with a small, hinged flap and a scroll-shaped thumb-piece attached to the rim of the cover. The body and cover were originally quite plain, the embossing and chasing with symmetrical rococo decoration being added later, probably about 1740. Jackson says the wooden handle is not the original one, which was probably C-shaped. The pot bears the usual London hall-marks for the year 1692 and the maker's mark is "G G" upon a shaped shield, a mark recorded ...
— All About Coffee • William H. Ukers

... ghettoes of eastern Europe. They can be immediately picked out by the peculiar wisps of hair worn on each side of the face, like something between curls and whiskers. Sometimes they look strangely effeminate, like some rococo burlesque of the ringlets of an Early Victorian woman. Sometimes they look considerably more like the horns of a devil; and one need not be an Anti-Semite to say that the face is often made to match. But though ...
— The New Jerusalem • G. K. Chesterton

... who swayed from garlands of stiff flowers over the proscenium arch, the badly anatomized ladies on the ceiling, riding impossible blue clouds; the gorgeousness of many gilded columns, and even the bright red plush of the seats. Arethusa's tastes were ever slightly rococo. ...
— The Heart of Arethusa • Francis Barton Fox

... Stuart hold upon the English crown; but we can scarcely doubt that the hold would have been for the time established, that the Old Pretender would have been King James the Third, and that George the Elector would have been posting, bag and baggage, to the rococo shades of Herrenhausen. But, as we have said, failing that, if Charles had fallen in battle at the head of his defeated army, how much better that end would have been than the miserable career which was yet to lend no tragic dignity to the prolonged, pitiful, pitiable ...
— A History of the Four Georges, Volume II (of 4) • Justin McCarthy

... understand you," said Lemercier. "If you think that because your father and grandfather were Legitimists, you have not the fair field of living ambition open to you under the Empire, you never were more mistaken. 'Moyen age,' and even rococo, are all the rage. You have no idea how valuable your name would be either at the Imperial Court or in a Commercial Company. But with your fortune you are independent of all but fashion and ...
— The Parisians, Complete • Edward Bulwer-Lytton

... placed to intensify this effect. This style was followed by the Louis Quinze, inferior to it in every respect, and in which symmetry, at least in detail, seems to be carefully avoided. It still further degenerated into the Rococo, the most extravagant and exaggerated of all the historic styles, and which prevailed in the latter part of the 18th and the beginning of the ...
— Scientific American Supplement, No. 598, June 18, 1887 • Various

... and the superiority of the sculptures of the Parthenon. This revelation of true and simple grandeur went to my very soul. All that I had hitherto seen seemed to me the awkward effort of a Jesuitical art, a rococo mixture of silly pomp, charlatanism, ...
— Recollections of My Youth • Ernest Renan

... spoilt by flaws such as every Mrs. Moggridge can point out,—faces that begin in one style and end in another, half Greek perhaps and half Gothic; yet even such faces, if their individuality is strong enough, have their own rococo charm. For all but supremely great faces, of which perhaps the world has not seen half-a-dozen, absolute regularity, so-called correctness, of features is a calamity, and regular beauty on the ordinary human levels is ...
— The Romance of Zion Chapel [3d ed.] • Richard Le Gallienne



Words linked to "Rococo" :   idiom, artistic style, fancy



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