"Rossetti" Quotes from Famous Books
 ... Rossetti's delightfully anemic Madonna, and Holman Hunt's 'Light of the World.' A day or two ago I was talking to a lady who pronounced that—" he extended his finger toward the Hunt—"the greatest work of art produced in the last hundred years. Her reason? Its comforting quality. I am sure you agree ...
— The Dweller on the Threshold • Robert Smythe Hichens
... a leap across the centuries, is Rossetti's picture; Dante this time the onlooker, Beatrice, in her pale beauty, the death-kissed one. The same idea under different representations; the one conceived in childlike simplicity, the other recalling, even in the photograph, its wealth of colour and imagining; ...
— The Roadmender • Michael Fairless
... as a matter of loathsome detail, Chesterton has a bad attack of "aureoles." They are spotted all over the book. I think every one is bound in each book to employ unconsciously some pet word but that was Rossetti's. ...
— Gilbert Keith Chesterton • Maisie Ward
... young man's countenance. "It's a dashed sight too poetic. It's like Edwin Arnold and Alfred Austin and Dante Gabriel Rossetti. Great poets have vulgar monosyllables for names, like Keats. The new Shakespeare when he comes along will probably be called Grubb or Jubber, if he isn't Jones. With a name like yours I might have a chance. You should be ...
— Huntingtower • John Buchan
... dress had long since passed away. The hair of the men, too, though it was rarely worn long, was commonly curled in a manner that suggested the barber, and baldness had vanished from the earth. Frizzy straight-cut masses that would have charmed Rossetti abounded, and one gentleman, who was pointed out to Graham under the mysterious title of an "amorist," wore his hair in two becoming plaits a la Marguerite. The pigtail was in evidence; it would seem that citizens of Chinese extraction were no longer ashamed of their race. There was little ...
— The Sleeper Awakes - A Revised Edition of When the Sleeper Wakes • H.G. Wells
... and psychologist, symbolist and mystic by turns, and first and always a poet, he has been compared successively to Bourget and Maupassant, Tolstoi and Dostoievsky, Theophile Gautier and Catulle Mendes, Dante Gabriel Rossetti and Baudelaire. Such complexity of style is the outcome of his cosmopolitan taste in literature, and his tendency to assimilate for future use whatever pleases him in each successive author. Shakespeare and Goethe, Keats and Heine, Plato and ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... a suburb, now a part of London, to the S.W. It is famous for its literary associations. Swift, Thomas Carlyle, Leigh Hunt, George Eliot, Dante Gabriel Rossetti and many other distinguished writers lived in Chelsea at various times. It contains a great hospital, to which Stevenson ...
— Essays of Robert Louis Stevenson • Robert Louis Stevenson
... "Emaux et Camees" as pious folk their Bible; he felt that naught endured but art. So he became a pagan, and sought for firmness and delicacy in the texture, while aiming to fill his verse with the fire of Swinburne, the subtlety of Rossetti and the great, clear day-flame of Gautier. A well-nigh impossible ideal; yet he cherished it for twice ten years, and at forty had ...
— Melomaniacs • James Huneker
... Richard Wagner inventing an art which he believed to embrace the seven arts. And there is Ibsen, who used the dramatic form as a vehicle for his anarchistic ideas; and Nietzsche, who was such a poet that he was able to sing a mad philosophy into life; and Rossetti, who painted poems and made poetry that is pictorial. Sculpture was the only art that had resisted this universal disintegration, this imbroglio of the arts. No sculptor before Rodin had dared to break the line, dared to shiver the syntax of stone. For sculpture is a static, not ...
— Promenades of an Impressionist • James Huneker
... supply good verses for all these if we take pains to search, and if we eschew ignorant and unpoetic modern doggerel as we eschew poison. Besides the nursery rhymes, we have Stevenson, with his "Wind," "Shadow," and "Swing," Christina Rossetti's "Wrens and Robins," her "Rainbow Verses" and "Brownie, Brownie, let down your milk, White as swansdown, smooth as silk." There are many others, and a recent charming addition to our stock is "Chimneys ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith
... from some unpublished notes on the pictures by Rossetti exhibited at Burlington House two years ago: '"Bethlehem Gate" is the name of a lovely little pictured parable. On the left we see the massacre of innocents, representing the world, in whose cruel habitations the same outrage is ever being enacted, ...
— A Christmas Faggot • Alfred Gurney |
