"Studio" Quotes from Famous Books
 ... were loose and drooping. Between dances she sat in the largest chair, waving her cigarette, summoning her callow admirers to come and talk to her. ("She thinks she's a blooming queen!" growled Babbitt.) She chanted to Miss Sonntag, "Isn't my little studio sweet?" ("Studio, rats! It's a plain old-maid-and-chow-dog flat! Oh, God, I wish I was home! I wonder if I ...
— Babbitt • Sinclair Lewis
... kinds, the most precious of which were the linen-cambrics and India mulls. The use of the former still survives in the finest of French embroidered pocket handkerchiefs, but the latter is seldom seen except in the veils and vests of Oriental women, or in the studio ...
— The Development of Embroidery in America • Candace Wheeler
... he did some breathing of the air which stirs the heather. But however desirous to enlarge on his genius as an artist, I would rather speak of him now as a friend who has gone from amongst us. There is his deserted studio—the empty easel lying idly by—the unfinished picture with its face turned to the wall, and there is that bereaved sister, who loved him with an affection which death cannot quench. He has left a name in fame clear as the bright sky; he has filled our minds with ...
— Speeches: Literary and Social • Charles Dickens
... few years being known the wide world over. The penmaker was a great patron of the artists, gathering a famous collection which at his death realised L170,000. His first interview with Turner was described in an American journal a few years back. Gillott having rudely pushed his way into the studio and turning the pictures about without the artist deigning to notice the intruder, tried to attract attention by asking the prices of three paintings. Turner carelessly answered "4,000 guineas," "L3,000," and "1,500 guineas." "I'll take the three," said Gillott. ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... as they learn conveyancing: they should go into a painter's studio and paint on his pictures. I am told that half the conveyances in the country are drawn by pupils; there is no more mystery about painting than about conveyancing—not half in fact, I should think, so much. One may ask, How can the beginner ...
— Selections from Previous Works - and Remarks on Romanes' Mental Evolution in Animals • Samuel Butler
... in September, and for the first few days was so occupied in refurnishing her studio and in visiting the shops that she neglected to send Carroll word of her return. When she found that a whole week had passed without her having made any effort to see him, and appreciated how the fact would hurt her friend, she was filled ...
— The Lion and the Unicorn and Other Stories • Richard Harding Davis
... of posing with Rome for a background. Perhaps Garibaldi — possibly even Cavour — could have sat "in the close of the evening, among the ruins of the Capitol," but one hardly saw Napoleon III there, or Palmerston or Tennyson or Longfellow. One morning, Adams happened to be chatting in the studio of Hamilton Wilde, when a middle-aged Englishman came in, evidently excited, and told of the shock he had just received, when riding near the Circus Maximus, at coming unexpectedly on the guillotine, where some criminal had been put to death an hour or two before. The sudden surprise ...
— The Education of Henry Adams • Henry Adams
... cried in accents of rapture. "My Cassius's beloved Quin! My beloved Quin! What happy fortune blew you hither? But no matter. You are here—you are ours. Eleanor and I are going out to a studio party at a dear, dear ...
— Quin • Alice Hegan Rice
... first meeting with Whistler is quaintly illustrative of one phase of his broader humour. Mark Twain was taken by a friend to Whistler's studio, just as he was putting the finishing touches to one of his fantastic studies. Confident of the usual commendation, Whistler inquired his guest's opinion of the picture. Mark Twain assumed the air of a connoisseur, and approaching the picture remarked that it did very well, but "he didn't ...
— Mark Twain • Archibald Henderson
... lamp, and though it casts shadows we see now that the room is an artist's studio. The silent figure in the ingle-nook is the artist. Mrs. Don is his wife, the two men are Major Armitage and an older friend, Mr. Rogers. The girl is Laura Bell. These four are sitting round the table, their hands touching: ...
— Echoes of the War • J. M. Barrie
... that impression is the thing he considers. The art of painting requires the actual presence in physical person of the model, a limitation the writer fortunately does not have. At the same time, the artist of the brush can seek new models and bring them into his studio without taking too much time or greatly inconveniencing himself. The writer can get new models only by changing his whole mode of life. Travel is an excellent thing, yet practically it proves inadequate. The fleeting impressions do not remain, and only what remains ...
— The Art Of Writing & Speaking The English Language - Word-Study and Composition & Rhetoric • Sherwin Cody
... me one day," said an old painter as he watched a little fellow named Michael Angelo making drawings of pot and brushes, easel and stool, and other articles in the studio. The barefoot boy did persevere until he had overcome every difficulty and become a master of ...
— Architects of Fate - or, Steps to Success and Power • Orison Swett Marden
... understand that Rembrandt's work was anything but spontaneous in execution. The existence of so many drawings prior to this print certainly suggests that Rembrandt collected his ideas from many sources, on the spot, but did his finished work in the quiet of his studio, with his notes ready at hand. He used the sketches as the raw material for a work of art. Rembrandt said that the only rule that should bind the artist is nature,[15] but he was certainly not distracted by nature. ...
— Rembrandt's Etching Technique: An Example • Peter Morse
... an event occurred in London which attracted much attention. The equestrian statue of the Duke of Wellington, by Wyatt, was removed from the artist's studio, in the Harrow Road, to the Triumphal Arch, at Hyde Park Corner, where it was set upon the pedestal prepared for it. The illustrious spectators in Apsley House were almost as much objects of interest to the multitude below, as the colossal statue erected to the honour ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... Altars of the Druids—would have been envied, perhaps stolen, by the Venetian painters. And this tribute to Arthur's genius, so generously expressed, enabled him to maintain the amenities of his life at Brookfield. He never forgot to knock at Arthur's studio-door, and the moment his eyes fell on a new composition, he spoke of it with respect; and he never failed to allude to it at lunch. He lunched at Brookfield every day. At half-past one his carriage ...
— Muslin • George Moore
... diffident that he was timid in his intercourse with older persons—he wandered over the Alps, with only fifty thalers in his pocket and a small knapsack on his back, to Rome where he was received into the studio of one of the most distinguished painters, as apprentice. This latter very soon became jealous of the great talent exhibited by my father and a competition occurring, exerted all his influence to keep the prizes from the German competitors and have them awarded ...
— Uarda • Georg Ebers
... upon Mr. West at his house in Newman Street one morning, and in conformity to the order given to his servant Robert always to admit Mr. Leslie and myself even if he was engaged in his private studies, I was shown into his studio. ...
— The Romance of Old New England Rooftrees • Mary Caroline Crawford
... part of the city a semi-circular line in pencil had been drawn. Examining it more closely, she saw that the stationary part of the compass had been placed on the spot where stood the building which contained the Professor's studio. She paid closer attention to the pencil mark and observed that it passed ...
— Jennie Baxter, Journalist • Robert Barr
... nights—I dream waking! When the south wind blows over Florence at midnight it seems to coax the soul from all the fair things locked away in her churches and galleries; it comes into my own little studio with the moonlight, and sets my heart beating too deeply for rest. You see I am always adding a thought to my conception! This evening I felt that I couldn't sleep unless I had communed with the ...
— The Madonna of the Future • Henry James
... skylights and northern windows, and these, being classified as studios, command relatively high rents, considering the lack of every modern convenience and comfort. They are occupied by the younger and unknown artists, who cannot afford the rents demanded in the more fashionable studio buildings, and the reek of the oil stove and odor of cooking, mingling with the smell of paint and turpentine, which pervades the hallways, indicate that they are used as living quarters and ...
— Ainslee's, Vol. 15, No. 6, July 1905 • Various
... Gordon that you were to open a studio in Chicago after your course of study in the East, she expressed deep interest in you, and seemed anxious to have you consider her as a friend—always ready to act as a chaperon or adviser when you felt the need of wiser guidance ...
— A Woman of the World - Her Counsel to Other People's Sons and Daughters • Ella Wheeler Wilcox
... hesitating interviews, they had abandoned the garden. Their love had acquired the majestic importance of acknowledged fact, and from five to seven had taken refuge in the fifth floor of the rue de la Pompe where Julio had an artist's studio. The curtains well drawn over the double glass windows, the cosy hearth-fire sending forth its ruddy flame as the only light of the room, the monotonous song of the samovar bubbling near the cups of tea—all the seclusion of life isolated by an idolizing love—had dulled their ...
— The Four Horsemen of the Apocalypse • Vicente Blasco Ibanez
... his office. Higher Commands always enter. The office is hung, like a studio in one of Mr. GEORGE MORROW'S pictures, with diagrams of circles and triangles and crosses and straight lines. The Higher Command, being a man of like passions with ourselves, has just finished tinned Oxford marmalade and a cigarette. He heads for the ...
— Punch, or the London Charivari, Vol. 153, August 1, 1917. • Various
... interval, a studio announcer came on. "The relay transmitter must have been knocked out by the quake. We return you now to our regularly scheduled program, but will keep you informed as ...
— Tom Swift and The Visitor from Planet X • Victor Appleton
... massive frame belies The maiden shyness of his downcast eyes? Who broods in silence till, by questions pressed, Some answer struggles from his laboring breast? An artist Nature meant to dwell apart, Locked in his studio with a human heart, Tracking its eaverned passions to their lair, And all its throbbing mysteries laying bare. Count it no marvel that he broods alone Over the heart he studies,—'t is his own; So in his page, whatever shape it wear, The Essex wizard's shadowed self is there,— ...
— The Poetical Works of Oliver Wendell Holmes, Complete • Oliver Wendell Holmes, Sr.
... parte evolverit librum? Tum demum, ac tune quoque lente, cunctanterque veniunt, nec tamen remanent, sed ante finem recedunt; alii dissimulanter, ac furtim, alii, simpliciter, ac libere. Sed tanto magis laudandi probandique sunt, quos a scribendi recitandique studio haec auditorum vel desidia, vel superbia non retardat. Equidem prope nemini defui: his ex causis longius, quam destinaveram, tempus in urbe consumpsi. Possum jam repetere secessum, et scribere aliquid, ...
— A Dialogue Concerning Oratory, Or The Causes Of Corrupt Eloquence • Cornelius Tacitus
... the siren! I had taken lessons from a very clever colorist, and was thoroughly imbued with his enthusiasm. 'I, too, am a painter,' I took for my motto; and, hiring a small studio in —— Street, I bought a large canvas, on which I sketched out a picture which cost me much money, more time, and ...
— Atlantic Monthly, Vol. XII. September, 1863, No. LXXI. - A Magazine Of Literature, Art, And Politics • Various
... or remarkable by any special beauty of attitude and gesture. They are, in truth, studies, anatomical or otherwise, although studies in nearly every case dignified by the habit of a very serious and tender devoutness: rarely soulless or insolent studio drudgery or swagger such as came when art ceased to be truly popular and religious. Studies, however, with little or no selection of the reality studied, and less thought even for the place or manner in which ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... was her equal in birth or behaviour, had insisted upon her declining into a spinsterhood which increased in refinement as it did in service. Sentimental persons held that she came by that manner from association with Art in her brother's studio. Others, of a more sardonic turn, said that her manner was that of one who continually smelled a bad smell, and that if she got it by looking at her brother's ...
— Tutors' Lane • Wilmarth Lewis
... end of this garden there is a small studio which had been built by a former owner of the house, and behind it a small piece of waste ground about seven feet square which had once been a rockery, and is still filled with large loose stones, in the shadow of which ...
— The Old Man in the Corner • Baroness Orczy
... with MCMUCK he plays the prurient spy, And there with OSCAR in a paroxysm Of puerile paradox spreads to Cultchaw's eye The fopperies of "Artistic Hedonism"! Oh, EVANS, noting Man (not Tertiary) In Church or State, the Studio or the Tavern, One wonders—not was he contemporary With Danish Kjoekkenmoeddings or Kent's Cavern,— No, thinking of his work with Swords, Tongues, Pens, Of most of which Wisdom would make a clearance, One wonders whether Homo Sapiens Has really ...
— Punch, Or The London Charivari, Vol. 99, September 13, 1890 • Various
... Tommy was in the same studio, for Joyce had told me so in her second letter. It was one of a fairly new block of four or five at the bottom of Beaufort Street, about half a mile along the embankment from George's house. All the way down I was debating with myself what excuse I could offer for calling at ...
— A Rogue by Compulsion • Victor Bridges
... block of marble, high upon one of the mountains of Carrara. The task of educing him was given to a promising young sculptor who lived here. Down came the block of marble, and was transported to the studio of the promising young sculptor; and out, briskly enough, mustachios and all, came Umberto. He looked very regal, I am sure, as he stood glaring around with his prominent marble eyeballs, and snuffing the good fresh air of the world as far as might be into shallow marble nostrils. He looked very ...
— And Even Now - Essays • Max Beerbohm
... time I saw Mr. Davidson it was in Mr. Joseph Simpson's studio, the one under mine in Edwardes Square. He was making a bust of Rabindranath Tagore; and as the great mystic poet disconcerted him by continually lapsing into meditation under this process, thereby emptying his beautiful face of all expression whatever, I had ...
— A Journal of Impressions in Belgium • May Sinclair
... us the teapot and the bread and butter at four. We can yank into our costumes in a few seconds, so we needn't waste much time. Don't let Miss Darrer keep you dawdling about the studio," urged Agnes. ...
— The Jolliest School of All • Angela Brazil
... the interruption to the flow of thought was fatal to the success of the picture. It was laid aside for many years, but was the work actually in hand at the time of Allston's death. When, after that event, his studio was entered by his nearest friends, and the picture so long guarded with jealous reserve was first seen, it was found to be in a disorganized, almost chaotic state. But though fragmentary, the fragments were full of interest. Many passages were perfectly painted, and the ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... followed by his retainer, the young noble ascended to a room that might have been called Humbert's studio. The latter, descending at once, called his wife, exchanged a few words with her, the import of which was to keep herself invisible, and, accustomed to a ready obedience, he leaped upon his horse and spurred for the castle. The distance was ...
— The Truce of God - A Tale of the Eleventh Century • George Henry Miles
... "At the studio, is he? Well, I shouldn't wonder if he wasn't better off. 'E didn't strike me as a man what was used to the ways of society. He's happier where he ...
— The Coming of Bill • P. G. Wodehouse
... rose-embowered bungalow. Here, had she wanted to do any casement work with a white rose, like that earlier heroine, she could easily have managed it had not the early morning been so feverishly occupied in reaching the lot in time to be made up by nine. She soon learned the jargon. "The lot" meant the studio in which she was working, and its environs. "We're going to shoot you this morning," meant that she would be needed in to-day's scenes. Often she was in bed by eight at night, so tired that she could not sleep. She wondered ...
— Gigolo • Edna Ferber
... far as I can judge he is a good boy still. I make him my escort to church, so that I am sure of him there. Renville would have taken him for a boy about his studio, and I think he will go there eventually; but Camilla thinks he may be an attraction at the bazaar, and is making him ...
— The Three Brides • Charlotte M. Yonge
... on the hills, about a mile from the seaside town of Whitecliffe. It had been built for a school, and was large and modern and entirely up-to-date. It had a gymnasium, a library, a studio, a chemical laboratory, a carpentering-shop, a kitchen for cooking-classes, a special block for music and practising-rooms, and a large assembly hall. Outside there were many acres of lawns and playing-fields, a large vegetable garden, and a little wood with a stream running through it. The ...
— A Patriotic Schoolgirl • Angela Brazil
... tableaux vivans of Nausicaa and her maidens. No vulgar washerwomen are these with corrugated hands at reeking tubs, but such as painters and poets might celebrate. Washing is with them a pastime, and an elegance: their laundry a studio of art. They go right into the water, and splash about their things like naiads sporting; and anon returning to the bank, put forth their little strength in beating out the clothes. It would be rash to say that the ...
— Blackwood's Edinburgh Magazine, No. CCCLXXVI. February, 1847. Vol. LXI. • Various
... figure; her linen cuffs and collar were of a snowy whiteness; her hair was parted in front, and fastened up behind a l'antique: but she wore no ribbon, no ornament—nothing but what was necessary. The furniture of the room, which served at the same time as a sitting-room and studio, was equally simple: a little divan, some chairs and two arm-chairs covered with gray cloth, a round table, a black marble time-piece of the simplest form; two engravings, the 'Spasimo di Sicilia' ...
— Chambers' Edinburgh Journal - Volume XVII., No 423, New Series. February 7th, 1852 • Various
... her tablets, "Worth's studio comes first on the list; he sends word he has something aesthetic, thence to purchase music, "Les Folies" Galop, by Ketterer; duet from "Il Trovatore," "Vivra Contende il Guibilo," "Mira di Acarbe," etc., you must sing ...
— A Heart-Song of To-day • Annie Gregg Savigny
... a mane ad noctem, festo atque profesto Toto itidem pariterque die populusque patresque Iactare indu foro se omnes, decedere nusquam. Uni se atque eidem studio omnes dedere et arti; Verba dare ut caute possint, pugnare dolose, Blanditia certare, bonum simulare virum se, Insidias facere ut si hostes sint ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... minute, fortunes sprung up over night, new factories erected where work never ceases; prices paid for real estate, monster strokes on the Bourse. Little wonder then that in May just past, with the Germans scarcely sixty miles from Paris, the sale of Degas' studio attained the extraordinary total of nearly two million dollars; an Ingres drawing which in 1889 brought eight hundred and fifty francs, selling for fourteen thousand, and a Greco portrait for which ...
— With Those Who Wait • Frances Wilson Huard
... he had passed his arm around her, and was half leading, half carrying her through a short hallway into a big, brilliantly lighted studio. ...
— The Dark Star • Robert W. Chambers
... doing very well as a portrait-painter in the country; and I had a wife and children to consider. Under the circumstances, if I had been left to decide for myself, I should certainly have waited until I had saved a little money before I ventured on the serious expense of taking a house and studio at the west end of London. Your Lordship, I positively declare, encouraged me to try the experiment without waiting. And here I am, unknown and unemployed, a helpless artist lost in London—with a sick wife and hungry children, and bankruptcy staring me in the face. On whose ...
— My Lady's Money • Wilkie Collins
... greater sensitiveness, would have plunged them. Once—early in Milly's career, when her ever-ready chatter and her superficial brightness were a novelty, it had seemed for a short time that luck might be glancing towards her. A young man of foreign title and of Bohemian tastes met her at a studio dance, and, misled by the smartness of her dress and her always carefully carried air of careless prosperity, began to pay a delusive court to her. For a few weeks all her freshest frocks were worn assiduously and credit was strained to buy new ones. The flat was adorned ...
— The Shuttle • Frances Hodgson Burnett
... great actors of his time, was born in Heligoland, then a British Possession, in 1857. He prepared himself for the East Indian civil service, then studied art, and opened a studio in Boston. He was soon attracted to the stage, and began playing minor parts in comic opera, displaying marked ability from the first. His versatility took him all the way from the role of Koko in the "Mikado," to Beau Brummel and Richard ...
— [19th Century Actor] Autobiographies • George Iles
... untrue to nature, that he is an altogether probable character and portrayed with a true realistic touch." Mordecai is carved of the wood from which prophets are made, and so far as the supersensuous can be rendered intelligible, it may even be said that in studying him we are introduced into a studio or workshop of the prophetic mind. He is one of the most difficult as well as one of the most successful essays in psychological analysis ever attempted by an author; and in his wonderful portrait, which must be closely studied, and not epitomized or reproduced in extracts, we see glowing enthusiasm ...
— George Eliot; A Critical Study of Her Life, Writings & Philosophy • George Willis Cooke
... wonder I had heard of—a good runner can outrun a Lynx. Preble was a sprinter, and before the timber 200 yards off was reached that Lynx was headed and turned; and Preble and Billy were driving him back into my studio. He made several dashes to escape, but was out-manoeuvred and driven onto the far point, where he was really between the devils and the deep sea. Here he faced about at bay, growling furiously, thumping his little bobtail from side to side, and pretending he was going to spring on us. I took photo ...
— The Arctic Prairies • Ernest Thompson Seton
... first saw Mr. Kammerer, and he informed me afterwards that he had just then been promoted from porter to assist in the office, and from this dated his rise in the firm to a partnership. Upstairs in this building was the Masonic hall and Fardon's photographic studio. Across the street are Moore & Co., druggists, an old established business of 1859 or '60, the present proprietor's father being the founder of the business. The Bank of British North America next door is, so far as I can remember, the ...
— Some Reminiscences of old Victoria • Edgar Fawcett
... agitatam requiris. Itaque non haesitans respondebo, sed ea dicam, quae mihi sunt in promptu, quod ista ipsa de re multum, ut dixi, et diu cogitavi. Nam cum philosophiam viderem diligentissime Graecis litteris explicatam, existimavi, si qui de nostris eius studio tenerentur, si essent Graecis doctrinis eruditi, Graeca potius quam nostra lecturos: sin a Graecorum artibus et disciplinis abhorrerent, ne haec quidem curaturos, quae sine eruditione Graeca intellegi non possunt: itaque ea nolui scribere, quae nec indocti intellegere possent ...
— Academica • Marcus Tullius Cicero
... recently danced in Cannon's huge studio-apartment and been oppressed by its Gulliveresque atmosphere, and she had just come from the Fifth Avenue house of the Hosack family, where a characteristically dignified dinner had got on her nerves. Gilbert, she knew, was engaged to play roulette at the club, and none ...
— Who Cares? • Cosmo Hamilton
... room, keeping room, drawing room, reception room, state room; gallery, cabinet, closet; pew, box; boudoir; adytum, sanctum; bedroom, dormitory; refectory, dining room, salle-a-manger; nursery, schoolroom; library, study; studio; billiard room, smoking room; den; stateroom, tablinum, tenement. [room for defecation and urination] bath room, bathroom, toilet, lavatory, powder room; john, jakes, necessary, loo; [in public places] men's room, ladies' room, rest room; [fixtures] (uncleanness). 653 attic, ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... part garden, part turnip-field; and several outhouses stood forward from either wing at right angles to the front. One of these had recently undergone some change. An enormous window, looking towards the north, had been effected in the wall and roof, and Leon began to hope it was a studio. ...
— New Arabian Nights • Robert Louis Stevenson
... sent by the Vatican to the fair were phototypical reproductions of the most valuable manuscripts existing in the Vatican Library, as well as some excellent specimens of works in mosaic, manufactured by the Studio del ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... property-room. If I ever have to paint you (not for pleasure, but as a punishment), you shall wear your everyday corduroys and I'll surround you with the children; then you know perfectly well that the public will never notice you at all." Whereupon I went to my studio built on the top of the long rambling New England shed and loved what I painted yesterday so much that I went on with it, finding that I had said to Himself almost all that I had in mind to say, ...
— Penelope's Postscripts • Kate Douglas Wiggin
... Marcum, et Titi Bostrorum Episcopi in Evangelium Lucae commentarii; ante hac quidem nunquam in lucem editi, nunc vero studio et opera Theodori Peltani luce simul et Latinitate donati. Ingolstadt. 1580, 8vo. ...
— The Last Twelve Verses of the Gospel According to S. Mark • John Burgon
... Satsuma" and other specimens of the artistic treasures in pottery and porcelain of Japan. The spirit of commercialism is, as I have said before, fatal to art. If the artist is forced to work quickly and cheaply he quite evidently cannot bring his individuality into play. He must transform his studio into a workshop, and ponder only, or chiefly, upon the possibility of his output. I have been much struck in this connection with the remarks of a writer in regard to orders for art work sent from New York to ...
— The Empire of the East • H. B. Montgomery
... the couch facing her, and occupied myself by replacing my collar, etc. The studio was fireless and uncommonly chilly. Then I leaned back and studied the girl as she sat there, one little foot crossed over the other, and a piece of mill-board supported on her raised knee. The tamarisk ...
— To-morrow? • Victoria Cross
... one day complained of the bad light he had to paint in, and Mr. Williamson told him he would remedy that evil if he would wait a bit. Presently he commenced the house in Bolton-street, and when it was completed the artist was sent for, and told that it had been built for him as a studio. Mr. H—- stood aghast on seeing the immense windows, and could not make Mr. Williamson understand that an artist's light was not wanted in quantity but quality. Williamson swore lustily at H—-'s obstinacy, and could not be made to understand what was really required. A reverend ...
— Recollections of Old Liverpool • A Nonagenarian
... your enthusiasm. My studio is in the top of the Madison Square tower, and I never see a soul from ...
— The Wit and Humor of America, Volume IX (of X) • Various
... Lower Studio is on the eastern slope, and is only to be approached from the sea in calm weather, the alternative route being a tiresome climb, a long and tormenting struggle through the jungle, and a descent among a confusion of rocks and boulders. It is situated about a couple of ...
— The Confessions of a Beachcomber • E J Banfield
... come and see us in our studio. John has been doing some excellent portraits. He cannot begin to fill ...
— Washington Square Plays - Volume XX, The Drama League Series of Plays • Various
... approved of her every time she crossed the Pont Neuf, and it seemed as if some of the little Corsican's dominance was allied with a touch of Bearnais swagger in the stalwart youth whom she had met for the first time in Rudin's studio about three ...
— A Son of the Immortals • Louis Tracy
... barber and have my hair cut before I come.' I requested him not to let the barber cut it too short, and said I would rather he would leave it as it was; but to this he would not consent.... He was on hand promptly at the time appointed; indeed, he never failed to be on time. My studio was in the fifth story. There were no elevators in those days, and I soon learned to distinguish his step on the stairs, and am sure he frequently came up two, if not three, steps at a stride. When he sat down the first time in that hard, ...
— The Every-day Life of Abraham Lincoln • Francis Fisher Browne
... new wing of the Metropolitan Museum of Art, New York, the labels of certain exhibits, purchases and loans allude briefly to "studio of Jean de Rome." It is an allusion which especially interests us, as our country now holds examples of this atelier which make us wish to know more about its master. He was a designer in the marvellous transition period of about 1500, when art trembled between the restraint of ecclesiastic ...
— The Tapestry Book • Helen Churchill Candee
... all that we had to say—our two lovers being away together at the time, for a walk on the hills—we separated, as I then supposed, for the rest of the day. Nugent went to the inn, to look at a stable which he proposed converting into a studio: no room at Browndown being half large enough, for the first prodigious picture with which the "Grand Consoler" in Art proposed to astonish the world. As for me, having nothing particular to do, ...
— Poor Miss Finch • Wilkie Collins
... to us from this man's studio, charged with a significance elevating it above the simply self-evident, and rendering it worthy of the place we have given ...
— Atlantic Monthly Volume 7, No. 40, February, 1861 • Various
... Burdett back with me to the studio. As we opened the door the music of the girl's strange little foreign laugh was ringing through the room. Arthur was mounted upon his hobby, talking of the delights of motoring, and she was listening with sparkling eyes. They stopped at once ...
— The Master Mummer • E. Phillips Oppenheim
... visited the studio of the sculptor Petrich, a native of Dresden, who came over at the unsolicited command of the court, to execute a statue of the emperor in Carrara marble. The emperor is represented the size of life, in a standing ...
— A Woman's Journey Round the World • Ida Pfeiffer
... close study of manners, and a sympathetic insight into men. Accompanied by two brother artists, Reynolds, commissioned by his editor to depict Paris, betook himself thither, and established himself for a considerable period in a studio, whence he could watch and record. Under the guidance of Mr. John N. Raphael, well known amongst Paris correspondents, who contributed the clever literary sketches which the drawings by Reynolds nominally illustrated, explorations were made not only to those familiar ...
— Frank Reynolds, R.I. • A.E. Johnson
... one evening in Hartwell's studio on the Boulevard St. Michel. We were all fellow-countrymen; one from New Hampshire, one from Colorado, another from Nevada, several from the farm lands of the Middle West, and I myself from California. Lyon Hartwell, though born abroad, was simply, as every one knew, ...
— A Collection of Stories, Reviews and Essays • Willa Cather
... a prize at Rome and several other artists had had a room set aside for them to work in. Some were making post-cards, some more ambitious drawings, and in the sculptor's studio was the head of the young doctor we had just seen and an unfinished plaster group for a camp monument. On the wall was a sign in Latin and French—"Unhappy the spirit which worries about the future," a facetious warning that any one who ...
— Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them • Arthur Ruhl
... upon a placid state of contentment with me which induced him to say to other captious relations—"Let the boy alone, he will be an artist some day." At which I used to laugh inwardly and go away to my studio to listen to the Divine voice dictating fresh pictures to me. For five years in Italy I had studied closely and worked unremittingly, keeping myself for my art alone and existing only in it. My teachers had called me ...
— Five Nights • Victoria Cross
... with a pleasant light in his eye, "Well, I don't know exactly. What'll you give?" Burton spared his life, and became his friend. He called his wife to him, and they bought the picture, and afterwards they went to Ludlow's lodging, for he had no studio, and conscientiously painted in the open air, and bought others. They got the pictures dog cheap, as Burton said, for Ludlow was just beginning then, and his reputation which has never since become cloud-capt, was a tender and lowly plant. They made themselves ...
— The Coast of Bohemia • William Dean Howells
... garland aside and prepared to assume a lofty presence with his hand on the painting-room door, while Nina, blushing to the roots of her hair, barricaded herself carefully into a small dressing-closet opening on the studio, in which retreat it was Simon's habit to wash his hands and smarten himself up when he had done work ...
— M. or N. "Similia similibus curantur." • G.J. Whyte-Melville
... also, descending in memories to a later time, to look up at the summer-house built above the gateway, and recall the days when Shelley and Keats came there to visit their friend Severn, the artist, (for that was his studio,) and look over the same alleys and gardens, and speak words one would have been so glad to hear,—and, coming still later down, to recall the hearty words and brave heart of America's best sculptor and ...
— Atlantic Monthly, Vol. 5, No. 31, May, 1860 • Various
... are, of course, deluged with invitations to informal meals with old and new friends, studio parties, afternoon teas, highbrow receptions and conversaziones, reformers' lunch parties, and similar festivities. We have cut out all these long ago. Keeping up with our smart acquaintances takes all our energy and available time. There are several old friends ...
— The "Goldfish" • Arthur Train
... a hasty scattering: Judith was enrolled in music and studio classes and introduced to ...
— Judy of York Hill • Ethel Hume Patterson Bennett
... glue business. There are features about it not exactly pleasant. The very difficulties of it, however, attracted Cooper. He never referred to his glue-factory as a chemical laboratory, nor did he call it a studio. He was proud of his business. He made the first isinglass manufactured in America, and for ...
— Little Journeys to the Homes of the Great, Volume 11 (of 14) - Little Journeys to the Homes of Great Businessmen • Elbert Hubbard
... placed every day in her room, and, perhaps to conceal the favour, in the rooms of two other ladies of the court. Irma considered both the thought and the expedient unworthy of her hero, and resolved not to write to him. She spent much of her time at the studio of a professor of the academy, who not only modelled a bust of her for a figure of Victory to be placed on the new arsenal, but gave her instruction in his art. In spite of this new occupation, she found herself ...
— The World's Greatest Books, Vol. I • Various
... is another problem. Both bronze, equal aesthetically, being both from Lysippus's studio, and, to crown all, nothing to choose between them for birth—two sons of yours, Zeus—Dionysus and Heracles. Which is to be first? You can see for yourself, they mean to stand upon ...
— Works, V3 • Lucian of Samosata
... But it conveyed absolutely nothing to me, and certainly brought back no recollection to my memory of a previous life whatsoever. But the "medium" so thoroughly believed in his "power to convey" that I felt quite unhappy about having to confess my unfamiliarity. In fact, I left the studio—if studio it could be called—convinced by the beauty of the pictures, but still unconvinced that they were really pictures painted by a spirit artist. The only belief I did come away with was the belief that the "medium" thoroughly believed ...
— Over the Fireside with Silent Friends • Richard King
... Mrs. Sewall. I didn't want to. I wanted to see Esther Claff. I wanted to hear the tremor of her voice, and watch her faint blue eyes grow bright and black. Tonight she would put on her little ugly brown toque and gray suit, and join the other girls, in somebody's studio or double bedroom. There would be great talk tonight! We had all marched in one company or another. I wanted to hear how the others felt. My feelings were tumultuous, confused. I longed for Esther's ...
— The Fifth Wheel - A Novel • Olive Higgins Prouty
... "Nam cum ad urbem ex Hispania rediens libros injussu meo typis excusos reperissem, toto volumine amicorum studio et opera non sine ejus auctoritate qui jus imperandi haberet in plures libros disposito quod ego non feceram quippe qui de ejus editione ...
— The Reign of Mary Tudor • James Anthony Froude
... room, which did service as a sitting-room, kitchen and studio, all combined. A little, old man with a long, white beard and a bald head was bending ...
— The Honorable Miss - A Story of an Old-Fashioned Town • L. T. Meade
... shrugged his shoulders. "He disappeared. Probably he'll turn up some day on the London pavement—with chalks. That sketch, by the way, was one that had always attracted me to his studio—though he never would part with it. I rather fancy, don't you know, that the girl had something to do with it. It's a wonderfully realistic sketch, don't you see; and I shouldn't wonder if it was the ...
— Tales of Trail and Town • Bret Harte
... understood will take me to Topping Abbey, for Sir Hugo has invited me, and proposes—God bless him for his rashness! —that I should make a picture of his three daughters sitting on a bank—as he says, in the Gainsborough style. He came to my studio the other day and recommended me to apply myself to portrait. Of course I know what that means.—"My good fellow, your attempts at the historic and poetic are simply pitiable. Your brush is just that of a successful portrait-painter—it has a little truth and a great ...
— Daniel Deronda • George Eliot
... { with the nails. Blue was scourged; the other { background in centre, with the cup of { "Gloria in excelsis." suffering. Much later { First put into position. than the opposite, and { Work done on slabs in the cubes put into { studio, and slabs fixed position one by one. { with bronze nails ...
— Bell's Cathedrals: The Cathedral Church of St. Paul - An Account of the Old and New Buildings with a Short Historical Sketch • Arthur Dimock
... clinging to the ladder, and talking to the lunatic inside. That would make a fine picture, and it I were an artist I would paint it some day. Perhaps Maude will. Poor little Maude! Did I tell you that while she was absent she dabbled in water-colors? and now she has what she calls a studio, where she perpetrates the most atrocious daubs you ever saw. Poor Maude! She is weak in the upper story, but is, on the whole, a nice girl, and very pretty, too, with her black eyes, and brilliant color, and kittenish ways. I did not care for her once, ...
— Tracy Park • Mary Jane Holmes
... stay at Paris he had taken as a pupil Eustache Lesueur, who had been trained in the studio of Simon Vouet, but had been struck from the first with the incomparable genius and proud independence of the master sent to him by fate. Alone he had supported Le Poussin in his struggle against the envious; alone he entered upon the road which revealed itself to him ...
— A Popular History of France From The Earliest Times - Volume V. of VI. • Francois Pierre Guillaume Guizot
... in a hurry. He had already made up his mind as to what he was going to do. He hunted up a taxicab and told the chauffeur where to go, advising him to "hit it up." His destination was the studio-apartment of J. Mortimer Forbes, the artist. It was late, but this fact did not trouble Haggerty. Forbes never went to bed until there was ...
— The Voice in the Fog • Harold MacGrath
... had remained in the city by taste, having a marked predilection for art, and painting a little, herself. In the Via Principe Amadeo, in the new Viminal district, she had purchased a little palazzo, and transformed a large apartment on its second floor into a studio hung with old stuffs, and balmy in every season with the scent of flowers. The place was well known to tolerant and intellectual society. Lisbeth was there found in perpetual jubilation, clad in a long ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... for the Rev. Mr. Longfellow. He soon appeared, together with Mr. T. G. Appleton, who was evidently pleased at my interest in the young Aurelius, and remarked that it was a more interesting work than the young Augustus. The bust had been sent to William Story's studio to be cleaned, and thither we all proceeded ...
— Cambridge Sketches • Frank Preston Stearns
... much more, illegibly scrawled on foreign paper, with a quill pen. Larry, swallowed up in the absorbing, isolating life of a Paris studio, would put the letters half-read, in his pocket, and would immediately forget all about them. After all, he couldn't interfere with Barty; he was the man at the helm, and mustn't be talked to. Also it was idiotic to keep a dog and bark yourself. Proverbial philosophy ...
— Mount Music • E. Oe. Somerville and Martin Ross
... work of M. Herenberg on vampires. The passage of Tertullian[465] which he cites, proves very well that the pagans offered food to their dead, even to those whose bodies had been burned, believing that their spirits regaled themselves with it: Defunctis parentant, et quidem impensissimo studio, pro moribus eorum pro temporibus esculentorum, ut quos sentire quicquam negant escam desiderare proesumant. This ...
— The Phantom World - or, The philosophy of spirits, apparitions, &c, &c. • Augustin Calmet
... actual present. Madge and Eleanor dreamed of Europe, of the old masters and of the great Paris studios, but it is a question whether the fulfillment of any dream could have made them happier than they were to-day. Certain it is, that, as they stood side by side in the great barren studio, clad in their much-bedaubed, long-sleeved aprons, and working away at a portrait head, they had little thought for anything but the task in hand. The one vital matter for the moment was the mixing ...
— A Bookful of Girls • Anna Fuller
... Summa igitur ope, et alacri studio has leges nostras accipite; et vosmetipsos sic eruditos ostendite, ut spes vos pulcherrima foveat; toto legitimo opere perfecto, posse etiam nostram rempublicam in par tibus ejus vobis credendis gubernari. Justinian ...
— The History of The Decline and Fall of the Roman Empire - Volume 2 • Edward Gibbon
... She found herself in a yard covered with sand, shaded by a tree, where, at the left, was the janitor's box with bird-cages at the windows. On that side rose, under a green trellis, the mansard of the neighboring house. A sculptor's studio backed on it its glass-covered roof, which showed plaster figures asleep in the dust. At the right, the wall that closed the yard bore debris of monuments, broken bases of columnettes. In the rear, the house, not very large, showed the six windows ...
— The Red Lily, Complete • Anatole France
... until Aunt Frances swooped down and carried her off—Grace still speaks of that time in Paris as her year out of prison. You see she worked hard and met people who worked, too, and it interested her. She had a studio apartment, and was properly chaperoned by a little widow who went with her and ...
— Contrary Mary • Temple Bailey
... house and am using it for my studio. By the way, introductions are in order, I believe. I am Charity Biglow, from Boston as you might guess. Only beans and the Bunker Hill Monument are more Boston than ...
— Ralestone Luck • Andre Norton
... above it, which, in badly scratched gilt, published the name of Thomas Kirkwood, Attorney at Law, to the litigiously inclined. Still higher on the third and final story of the building hung a photographer's sign in a dilapidated condition, and though a studio skylight spoke further of photography, almost every one knew that the artist had departed years ago, and that Tom Kirkwood had never found another tenant for those ...
— Otherwise Phyllis • Meredith Nicholson
... his boy, whom a French or Italian abbe now instructed, Browning was wholly absorbed in one new interest. He had long been an accomplished musician; in Paris he had devoted himself to drawing; now his passion was for modelling in clay, and the work proceeded under the direction and in the studio of his friend, the sculptor Story. His previous studies in anatomy stood him in good stead; he made remarkable progress, and six hours a day passed as if in an enchantment. He ceased even to read; "nothing but clay does he care for," says Mrs Browning smilingly, "poor lost soul." ...
— Robert Browning • Edward Dowden
... had been engaged upon the famous painting which he said was meant to represent the Passage of the Red Sea; and for five or six years this masterpiece in color had been obstinately refused by the jury. Indeed, from its constant journeying back and forth, from the artist's studio to the Musee, and from the Musee to the studio, the painting knew the road so well that one needed only to set it on rollers and it would have been quite capable of reaching the Louvre alone. Marcel, who had repainted ...
— International Short Stories: French • Various
... left behind, notwithstanding the success which he had achieved during the Roman tour, and it may be assumed that he presided over the studio and workshop at Biri Grande during his father's absence. Titian was accompanied to Augsburg by his second cousin, Cesare Vecellio,[42] who no doubt had a minor share in very many of the canvases belonging to the period of residence at Augsburg. Our master's first and ...
— The Later works of Titian • Claude Phillips
... his car back to Los Robles, Billie Threewit, producing director at the border studio of the Lunar Film Manufacturers, indulged in caustic ...
— Steve Yeager • William MacLeod Raine
... man of action as well as of word, I started my "Artistic Joke." I was determined to keep the matter secret, so I worked with my studio doors closed, and as each picture was finished it was placed behind some heavy curtains, secure from observation, and I kept my secret for three years, until the ...
— The Confessions of a Caricaturist, Vol 2 (of 2) • Harry Furniss
... wind of an Italian spring stirred among the leaves outside. The windows of the studio, left open to the morning air, were carefully shaded. The scent of mulberry blossoms drifted in. The chair on the model-stand, adjusted to catch the light, was screened from the glare; and the light falling on the rich drapery flung across its back brought ...
— Unfinished Portraits - Stories of Musicians and Artists • Jennette Lee
... not smile on Cunningham's first entrance into business in London. He was compelled to resume his former occupation as a mason, and is said to have laid pavement in Newgate Street. From this humble position he rose to a situation in the studio of Bubb, the sculptor; and through the counsel of Eugenius Roche, the former editor of the "Literary Recreations," and then the conductor of The Day newspaper, he was induced to lay aside the trowel and undertake the duties of reporter to that journal. ...
— The Modern Scottish Minstrel, Volume III - The Songs of Scotland of the Past Half Century • Various
... lane on the morrow at the same time—and as the boy's beauty was of great importance to him, kept another tryst, waiting impatiently, and as soon as Joseph appeared he began to beseech him to come to Tiberias and pose in his studio for a statue he was carving, offering presents that would have shaken many determinations. But Joseph was as firm to-day as he was yesterday. I must be going on to my Hebrew, he said, and he left the sculptor cast away in dreams. He had not gone ...
— The Brook Kerith - A Syrian story • George Moore
... superintended the removal of the furniture from Ivan's old rooms to the palace: articles gathered, one by one, during the years of Ivan's long struggle, and so endeared to him forever. The grand Erard, which had been his one great extravagance, stood in the new studio between two high windows. And about it Ivan's new life revolved, dreamwise, for a time. Indeed, Piotr and Sosha and a handful of their fellows, used to weep with the weakly sentiment of age, as they served their young master in the rooms that had witnessed the long ...
— The Genius • Margaret Horton Potter
... striking contrasts, what fecundity of invention, what a play of fancy in decoration, what manual dexterity, what rapidity and certainty in all his operations! And the marvel increases when we consider the simplicity of his implements and materials. His studio is fitted with half a dozen small fireplaces, and furnished with an assortment of copper pots, a chopper, two tin spoons—but he can do without these,—a ladle made of half a cocoanut shell at the end of a stick, and a slab of stone with a stone roller on it; also a rickety table; ...
— Behind the Bungalow • EHA
... the end of the beach. He walked still more slowly here, for many cottages had been opened for summer residents since the last time he passed along, and he knew some of the owners. He noticed that the loft above a boat-house which had once been the studio of a famous painter of marine scenes was again in use. He wondered who had taken it. Almost across from it was the "Green Stairs" where Georgina always came to meet him if she were ...
— Georgina of the Rainbows • Annie Fellows Johnston
... figures. He was successful as a portrait painter. His son CRISTOFANO ALLORI (1577-1621), born at Florence, received his first lessons in painting from his father, but becoming dissatisfied with the hard anatomical drawing and cold colouring of the latter, he entered the studio of Gregorio Pagani (1558-1605) who was one of the leaders of that later Florentine school which endeavoured to unite the rich colouring of the Venetians with the correct drawing of Michelangelo's disciples. Allori became one of the foremost of this school. ...
— Project Gutenberg Encyclopedia
... was brought to the Mall as to her home. The rigid formality of the place suffocated her: the prayers and the meals, the lessons and the walks, which were arranged with a conventual regularity, oppressed her almost beyond endurance; and she looked back to the freedom and the beggary of the old studio in Soho with so much regret, that everybody, herself included, fancied she was consumed with grief for her father. She had a little room in the garret, where the maids heard her walking and sobbing at night; but it was with rage, and not with grief. She had not been ...
— Vanity Fair • William Makepeace Thackeray
... loved her own home—they had chosen a large duplex apartment on Riverside Drive—loved the memorable little meals they had before the fire, the lazy, enchanting hours of reading or of music in the big studio that united the two large floors, the scent of her husband's cigar, the rustle of her own gown, the snow slipping and lisping against the window, and it was with great reluctance that she surrendered even one evening. But there was hospitable ...
— The Heart of Rachael • Kathleen Norris
... of his exquisitely quiet talks, Henry Drummond used to tell the story of a famous statue in the Fine Arts Gallery of Paris. It was the work of a great genius, who, like many a genius, was very poor, and lived in a garret which served as both studio ...
— Quiet Talks with World Winners • S. D. Gordon
... the leisure to view thoroughly this studio within us. Portions of it now and then catch our eye, but the greater part remains out of sight in the darkness. Why the ever-busy painter is painting; when he will have done; for what gallery his pictures are destined—who ...
— My Reminiscences • Rabindranath Tagore
... what it was called, but in reality she'd been the mistress of a married man, whom she denounced for rape, after she'd forced herself into his studio and posed to him naked, ...
— The Road to Damascus - A Trilogy • August Strindberg
... "the people," who have been rushed into the big positions, and for the vulgarity of the present age? Vulgarity in public worship; vulgarity in the manners, the speeches, and the ideals of the House of Commons; vulgarity in "literature," on the stage, in music, in the studio, and in a section of the Press; vulgarity in building and the desecration of beautiful places; vulgarity in form and colour of dress and decoration. We are far behind the design and construction of the domestic furniture of 150 years ago, and we ...
— Grain and Chaff from an English Manor • Arthur H. Savory
... he were her own son, and was teaching him carefully everything that would help him to understand all that was about him. Object lessons they seemed to be, with wonderful Rome for the great "kindergarten." He was learning Italian too, and that he thought charming. As for his work in the studio, it was only a pleasure, excepting that he was impatient for the time when he could make beautiful things himself. When he had walked in the streets at first, he had thought all the boys might at least have ...
— The Golden House • Mrs. Woods Baker
... Assembly was in session, he was presented, in name of a large number of his former students and other friends, with an illuminated address, a cheque for 200 guineas, and his portrait by Sir George Reid—acknowledged to be one of the best that have yet come from the studio of the President of the Royal Scottish Academy. The Right Hon. James A. Campbell of Stracathro, M.P., with whom he had long had intimate relations, presided at the ceremony and made the presentation. The reply of the Professor, as containing many interesting ...
— The Scottish Reformation - Its Epochs, Episodes, Leaders, and Distinctive Characteristics • Alexander F. Mitchell
... when he found that Galen was a careless commentator on Hippocrates,[264] and failed to elucidate the difficulties with which he professed to deal, he did not spare his censure.[265] In the De Subtilitate he speaks of him as "Verbosus et studio contradicendi taedulus ut alterum vix ferre queas, in reliquo gravis jactura artium posita sit, quam nostrae aetatis viri restituere conati sunt."[266] But as Galen's name is quoted as an authority on almost every page of the Consilia Medica, it may be assumed that Cardan's ...
— Jerome Cardan - A Biographical Study • William George Waters
... made her way down the passage to the gymnasium which Mr. Pett, in the interests of his health, had caused to be constructed in a large room at the end of the house—a room designed by the original owner, who had had artistic leanings, for a studio. The tap-tap-tap of the leather bag had ceased, but voices from within told her that Jerry Mitchell, Mr. Pett's private physical instructor, was still there. She wondered who was his companion, and found on opening the door that it was Ogden. The boy was ...
— Piccadilly Jim • Pelham Grenville Wodehouse
... and think primarily, so he writes primarily what will and must be spoken, reckoning the others, though primaries also, yet, in respect to him, secondaries and servants; as sitters or models in the studio of a painter, or as assistants who bring building ...
— Essays, Second Series • Ralph Waldo Emerson
... o'clock next day I entered Taft's studio, where I received many cordial congratulations on my return. "I can't understand why you went," Lorado said, and when, at the close of the afternoon, Browne, his brother-in-law, invited me to dinner, saying, "You'll find Miss Zulime Taft there," I accepted. Although in ...
— A Daughter of the Middle Border • Hamlin Garland
... satisfactory busts of Miss Anthony and Lucretia Mott, which had been made by Adelaide Johnson, should be added one of Mrs. Stanton, and all be placed in the Woman's Building at the World's Fair. To accomplish this Miss Anthony rented a large room in the adjoining house for a studio and invited the sculptor to her home for a number of weeks, until the ...
— The Life and Work of Susan B. Anthony (Volume 2 of 2) • Ida Husted Harper
... together in a room they still called the studio, although Helen had given up her ...
— The Upas Tree - A Christmas Story for all the Year • Florence L. Barclay
... I had a large snow igloo built on the top of the hatch on the main deck of the Roosevelt, which we called "the studio," and Borup and I began to experiment with flashlight pictures of the Eskimos. They had become accustomed to seeing counterfeit presentments of themselves on paper, and were very patient models. We also got some good moonlight pictures—time exposures ...
— The North Pole - Its Discovery in 1909 under the auspices of the Peary Arctic Club • Robert E. Peary
... at Berlin. Yet, as I gazed and wondered sadly, I perceived it was not a vulgar forgery—indeed not a forgery at all. It had been done to amuse some painter of antiquarian bent. I even thought, too rashly, that I recognised the touch of the youthful Watts, and I could imagine the studio revel at which he or another had valiantly laid in a Giorgione before the punch, as his contribution to the evening's merriment. The picture upon the pie wrought a black depression that some excellent Japanese paintings were powerless to dispel. As my train crawled up the tawny river, now inky, ...
— The Collectors • Frank Jewett Mather
... Rich" were gathered about the long table in Pettingill's studio. There were nine of them present, besides Brewster. They were all young, more or less enterprising, hopeful, and reasonably sure of better things to come. Most of them bore names that meant something in the story of New York. Indeed, one of ...
— Brewster's Millions • George Barr McCutcheon
... from the inside any ridges round by the ribs, and all smooth, level, and open to inspection now, as in the course of years it is all sure to be; for no instrument is so liable to damage as the fiddle, and you never know into what studio your beloved one may go, or by whom it will be criticised. And apart from this latter consideration, pride in your own work and love of truth ought, and I hope will, actuate to noble effort; but mind, do not overrate ...
— Violin Making - 'The Strad' Library, No. IX. • Walter H. Mayson
... the other hand (ut supra) makes Ptolemy found the library at Alexandria as a rival to that at Pergamon. Reges Attalici magnis philologiae dulcedinibus inducti cum egregiam bibliothecam Pergami ad communem delectationem instituissent, tune item Ptolemaeus, infinito zelo cupiditatisque incitatus studio, non minoribus industriis ad eundem modum contenderat ...
— The Care of Books • John Willis Clark
... workshop. A friend, toward the close of the artist's life, passing through his studio, was struck by a head of Milton's Satan lying in a corner. "That head," said Chantrey to his visitor, "was the very first thing that I did after I came to London. I worked at it in a garret, with a paper cap on my head, and, as I could then afford ...
— International Miscellany of Literature, Art and Science, Vol. 1, - No. 3, Oct. 1, 1850 • Various
... I can stand much more of Lock Willow. I'm thinking of moving. Sallie is going to do settlement work in Boston next winter. Don't you think it would be nice for me to go with her, then we could have a studio together? I would write while she SETTLED and we could be together in the evenings. Evenings are very long when there's no one but the Semples and Carrie and Amasai to talk to. I know in advance that you won't like my studio idea. I can ...
— Daddy-Long-Legs • Jean Webster
... brother next communicated with them, Lady Northlake and Mrs. Gallilee heard of him as a voluntary exile in Italy. He was building a studio and a gallery; he was contemplating a series of pictures; and he was a happy man for the first time in ...
— Heart and Science - A Story of the Present Time • Wilkie Collins
... The studio of the Spagnoletto. RIBERA at work before his canvas. MARIA seated some distance behind him; a piece of embroidery is in her hands, but she glances up from it incessantly toward her father with ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... she added later is a secret between the two women, but she had her way. The Bonnie Lassie always does. So the bare studio was from time to time irradiated with Bobbie Holland's youthful loveliness and laughter. For there was much laughter between those two. Shrewdly foreseeing that this bird of paradise would return to the bare cage only if it were made amusing for her, Julien exerted himself to the utmost to keep ...
— From a Bench in Our Square • Samuel Hopkins Adams
... I opened the door that changes were on foot. Our studio sitting-room was dismantled of many of its treasures. Allan, with his coat off and a pipe in his mouth, was throwing odds and ends in a promiscuous sort of way into a huge trunk which stood open upon the floor. Arthur, a few yards off, was rolling ...
— The Master Mummer • E. Phillips Oppenheim
... embryo artist, and she roused a kindred taste in her pupil; so that, instead of carrying on her work in solitude, as she had expected to do, she had the intense pleasure of sympathy and companionship. Lady Arthur often paid them long visits in their studio; she herself sketched a little, but she had never excelled in any single pursuit except horsemanship, and that she had given up at her husband's death, as she had given up keeping much company or ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 17, - No. 97, January, 1876 • Various
... The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume ...
— The Picture of Dorian Gray • Oscar Wilde
... Cimabue's Madonna is one of the oft-told tales we like to hear repeated. How on a certain day, about 1270, Charles of Anjou was passing through Florence; how he honored the studio of Cimabue by a visit; how the Madonna was then first uncovered; how the people shouted so joyously that the street was thereafter named the Borgo dei Allegri; and how the great picture was finally borne in triumphal ...
— The Madonna in Art • Estelle M. Hurll
... farce about what transpires behind the microphone of a broadcasting studio. The most popular singing artist in Station WWVW is Roy Denny. Through some mischance it comes about that the Denny "golden voice" is really John Duffy. Duffy, being a nervous lad, has always failed miserably from microphone fright whenever he has attempted ...
— The Ghost of Jerry Bundler • W. W. Jacobs and Charles Rock
... to countenance such facetiousness in a world so full of pain; yet after all these dear people did much to cushion his discomfort, and before long hardly a Saturday afternoon came round without his dropping into one studio or another for a chat and a cup of tea. To tell the truth, Abner could hardly "chat" as yet, but he was beginning to learn, and he was becoming more reconciled as well to all the paraphernalia involved in the brewing of the draught. He was boarding rather roughly ...
— Under the Skylights • Henry Blake Fuller
... the studio that day on business; Drene continued to modify his composition in accordance with Guilder's suggestions; Quair, always curious concerning Drene, ...
— Between Friends • Robert W. Chambers
... young. Molly poured herself out a cup of hideously stewed tea and drank it joyously to an accompaniment of shrimps and bread-and-butter, and when Sara uttered a mild protest, she only laughed and declared that it was a wholesome and digestible diet compared with some of the "studio teas" perpetrated by the artists' colony at Oldhampton, of which ...
— The Hermit of Far End • Margaret Pedler
... enormous price. All his works have a grand cachet: he never did anything mean. When he painted the "Raft of the Medusa," it is said he lived for a long time among the corpses which he painted, and that his studio was a second Morgue. If you have not seen the picture, you are familiar probably, with Reynolds's admirable engraving of it. A huge black sea; a raft beating upon it; a horrid company of men dead, half dead, writhing and frantic with hideous hunger or hideous hope; and, far away, black, ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... George (her word is "rescued") from many of his old associations with Montparnasse, she warmly encouraged my friendship with him—yea, in spite of my living so deep in the wrong bank that the first time he brought her to my studio, she declared she hadn't seen anything so like Bring-the-child-to-the- old-hag's-cellar-at-midnight since her childhood. She is a handsome woman, large, and of a fine, high colour; her manner is gaily dictatorial, and she and I got along ...
— The Guest of Quesnay • Booth Tarkington
... of forethought which turns the beautiful into the aesthetic. This is a method which Wordsworth never used. Take one of his pictures, the 'Reaper' for example, and see the difference. The one is out-of-doors, the other is of the studio. The purpose of these illustrations is to show that Arnold's nature-pictures are not only consciously artistic, with an arrangement that approaches artifice, but that he is interested through his eye primarily and not through his emotions. It is characteristic of his temperament also that he reminds ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner |
