"Wagner" Quotes from Famous Books
 ... "brakes down" is the short prelude to one of the many disasters of American railroad travel. There are many varieties of the sleeping-car, but the principle and mode of procedure are identical in each. Some of those constructed by Messrs. Pullman and Wagner are as gorgeously decorated as gilding, plating, velvet, and damask can make them. The former gentleman is likely to live long after his death in the title of his cars. One takes a Pullman (of course, only a share of a Pullman) as one takes a Hansom. Pullman and sleeping-car have become ...
— The Great Lone Land - A Narrative of Travel and Adventure in the North-West of America • W. F. Butler
... a red Indian; for any of these people, as I have seen and know, will sit twelve or fifteen hours, without the least weariness, listening to what cultivated Europeans all consider as a mere charivari. When London gladly endures fifteen-hour concerts, composed of morceaux by Wagner, Chopin, and Liszt, I will believe that art can charm as much ...
— The Gypsies • Charles G. Leland
... boy with him, that was his scholar, an unhappy wag, called Christopher Wagner, to whom this sport and life that he saw his master followed, seemed pleasant. Faustus loved the boy well, hoping to make him as good or better seen in his hellish exercises than himself, and he was fellow with Mephistophiles. ...
— Mediaeval Tales • Various
... allusion to my family," said Syme firmly. "My aunt played Wagner badly. It was a painful subject. We are always being insulted ...
— The Man Who Was Thursday - A Nightmare • G. K. Chesterton
... every land should have an anthem of its own. The greatest composition of Beethoven or Wagner will never touch the heart as the ripple ...
— A Splendid Hazard • Harold MacGrath
... been denunciations. One remembers that Carlyle dismissed Herbert Spencer as a "never-ending ass." One remembers that Byron thought nothing of Keats—"Jack Ketch," as he called him. One remembers that the critics damned Wagner's operas as a new form of sin. One remembers that Ruskin denounced one of Whistler's nocturnes as a pot of paint flung in the face of the British public. In the world of science we have a thousand similar examples of new genius being hailed by the critics as folly ...
— The Art of Letters • Robert Lynd
... beyond the others in the same manner as in the anthropomorphous apes, but in a less degree. In these cases, open spaces between the teeth in the one jaw are left for the reception of the canines of the opposite jaw. An inter-space of this kind in a Kaffir skull, figured by Wagner, is surprisingly wide. (44. Carl Vogt's 'Lectures on Man,' Eng. translat., 1864, p. 151.) Considering how few are the ancient skulls which have been examined, compared to recent skulls, it is an interesting fact that in at least three cases the canines ...
— The Descent of Man and Selection in Relation to Sex • Charles Darwin
... waiting before the bridal party appeared, the organist played Wagner's 'Bridal Chorus,' and 'Cradle ...
— Punch, or the London Charivari, Vol. 158, May 19, 1920 • Various
... soon shall be. Two or three years since, to quote him was, in the opinion of a Standard reviewer, to write yourself down a back-number, as they say. I preserve the cutting which damns with faint praise some thus antiquated short stories of 1910. Browning and Wagner were so obsolete! . . . How young that critic must have been—so young that he had never seen a star return. Quite differently they come back—or is it quite the same? Soon we shall be able to judge, for this star is returning, and—oh wonder!—is ...
— Browning's Heroines • Ethel Colburn Mayne
... both literally and figuratively speaking, in Wagner's method of setting a character to a tune of its own; for, although our lives can hardly be said to order themselves to one consistent measure, ...
— The Heavenly Twins • Madame Sarah Grand
... emphasized too exclusively. But is there any real antagonism between the elements of form and significance, beauty and expressiveness? This question has been debated ever since the time of Winckelmann and Lessing. The controversy over the work of such artists as Wagner, Browning, Whitman, Rodin has turned largely ...
— A Study of Poetry • Bliss Perry
... playwright, with an artist to aid him, to show the audience the scene of his drama, to let its suggestive beauty, its emotional possibilities, charm or fire their fancies before the speech and action begin. So also, as Wagner and Mr. Herne have demonstrated, there can be a climax of the vacant stage. I look to the new stage-craft ...
— Penguin Persons & Peppermints • Walter Prichard Eaton
... sunset. But its greatest moments will be silence. Christ and His Mother will live this silence in the glory of transfigured stone, and the drama will be played in the open with the stars above as orchestra, to which the human music will be but a beautiful echo. To this Wagner and Craig point the way. I read Patmore's Two Infinities today with bewilderment and emphatic disagreement. It seems absolutely lacking in vision, provincial, almost challenging Creation. And yet it is essentially true. Christ was a man of golden ...
— The Forgotten Threshold • Arthur Middleton
... called an 'Empire Builder.' It is a curious world! But kings were never known to be 'proud' of any really 'great' men in either art or literature; on the contrary, they were always afraid of them, and always will be! Among musicians, the only one who ever got decently honoured by a monarch was Richard Wagner,—and the world swears that his Royal patron ...
— Temporal Power • Marie Corelli
... in his personal memoirs he repeats the judgment he originally acted upon. [Footnote: Schofield's Report, Id., pt. ii. p. 511; Forty-two Years in the Army, p. 182. In the passage of his memoirs last referred to, General Schofield had been using the case of General Wagner at Franklin to give point to "the necessity of the higher military education, and the folly of intrusting high commands to men without such education" (p. 181); but he also distinctly recognizes the fact that such ...
— Military Reminiscences of the Civil War V2 • Jacob Dolson Cox
... was first made in articles by Weber contributed to Wagner's Handwarter-buch der Physiologie, but is again stated and elaborated in Fechner's Psychophysik. (See Fechner.) Weismann, August. See vol. iv., ...
— A History of Science, Volume 5(of 5) - Aspects Of Recent Science • Henry Smith Williams
... was wistful and young and sweet, as, rising from her chair, she stood looking down at Rachael—"how badly I feel that it—it happens so," said Magsie. "But you know how deeply I've always admired you! It must seem strange to you that I would come to you about it. But Ruskin, wasn't it, and Wagner—didn't they do something like this? I knew, even if things were changed between you and Greg, that you would be big enough and good enough to help us all to find the—the solution, ...
— The Heart of Rachael • Kathleen Norris
... his ideas of loyalty and Isolde's ideas of marriage were as vague as Marc's royal authority; and all were alike unconscious of law, chivalry, or church. The note they sang was more unlike the note of Christian, if possible, than that of Richard Wagner; it was the simplest expression of rude and primitive love, as one could perhaps find it among North American Indians, though hardly so defiant even there, and certainly in the Icelandic Sagas hardly so lawless; but it was a note of real passion, and touched ...
— Mont-Saint-Michel and Chartres • Henry Adams
... do brave deeds are usually unconscious of their picturesqueness. For two nights previous to the assault upon Fort Wagner, the Fifty-fourth Massachusetts Regiment had been afoot, making forced marches in the rain; and on the day of the battle the men had had no food since early morning. As they lay there in the evening ...
— Memories and Studies • William James
... You think my voice sounds something like Patti's? Maybe. She said so herself. Ah, Patti was my dear friend—my very dear friend—I loved her dearly. She only sang the coloratura music, though she loved Wagner and dramatic music. Not long before she died she said to me: 'Luisa, always keep to the coloratura music, and the beautiful bel canto singing; do nothing to strain your voice; preserve its velvety quality.' Patti's voice went to C sharp, ...
— Vocal Mastery - Talks with Master Singers and Teachers • Harriette Brower
... feared phenomenon back to its legitimate source. Among those who suffer of the overpopulation fear, and who demand the restriction of freedom to marry, especially for workingmen, belong particularly Prof. Ad. Wagner. According to him, workingmen marry too early, in comparison with the middle class. He, along with others of this opinion, forget that the male members of the higher class, marry later only in order to wed "according to their station in life," a thing they can ...
— Woman under socialism • August Bebel
... 5 p.m. of the 16th, just received. Schofield, whom I placed in command of the two divisions (Wagner's and Morgan's), was to move up Lookout Valley this A.M., to intercept Hood, should he be marching for Bridgeport. I will order him to join you with the two divisions, and will reconstruct the road as soon as possible. Will also reorganize the guards ...
— The Memoirs of General W. T. Sherman, Complete • William T. Sherman
... the lives of Chopin and Wagner and some of the other composers, went to a half dozen symphony concerts, looked up theory, voice culture, and the like, in the encyclopaedias, and now she's a critic! Literature she imbibed from ...
— In Her Own Right • John Reed Scott
... between music and morals really does exist is recognised, in a rough and general way, by most people who have any musical sense. There are rhythms and tunes, for example, that are felt to be vulgar and base, and others that are felt to be ennobling; some music, Wagner's, for instance, is frequently called immoral; Gounod is described as enervating, Beethoven as bracing, and the like; and however absurd such comments may often appear to be in detail, underlying them is the undoubtedly well-grounded sense ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... an afternoon. That's the real thing. If you can't love like that, you can't love at all—not in the grand manner. The going just as vital as the coming. Very essence of it that it shouldn't last. That's why Shakespeare kills his Romeo and his Juliet at the end of the play—and Wagner his Tristan and his Isolde. Nothing else to do with 'em. People of that kind go through just the same set of high jinks six or eight months later with some one else; and in poetry that wouldn't do. Romantic lovers love by crises, and never pass twice the same ...
— The Side Of The Angels - A Novel • Basil King
... yet where is the great poem by a woman? where the great musical composition? In the grammar of literature what is the feminine of Homer, of Shakspere, of Goethe, of Hugo? What female names are the equivalents of the names of Beethoven, Mozart, Chopin, Wagner? Women are not musicians—they "sing and play." In short, if woman had no better claim to respect and affection than her brain; no sweeter charms than those of her reason; no means of suasion but her power upon men's convictions, ...
— The Shadow On The Dial, and Other Essays - 1909 • Ambrose Bierce
... Nilo") in response to the appeal of the priests. As the war chorus dies away and the retinue disappears, Aida has a scena of great power. It begins with a lament for her country ("Ritorna vincitor"), in passionate declamatory phrases, clearly showing the influence of Wagner; but in its smooth, flowing cantabile in the finale, "Numi pieta," Verdi returns to the Italian style again. The final scene is full of oriental color and barbaric richness of display. The consecrated arms ...
— The Standard Operas (12th edition) • George P. Upton
... of earth disembowelled of its lusts. For sex holds the substance of the image. But we must remember with Heine that Aristophanes is the God of this ironic earth, and that all argument is apparently vitiated from the start by the simple fact that Wagner and a rooster are given an analogous method of making love. And therefore it seems impeccable logic to say that all that is most unlike the rooster is the most spiritual part of love. All will agree on that, schisms only arise when one tries to decide ...
— Lysistrata • Aristophanes
... and Third German Seasons The Period 1885-1888 More about Lilli Lehmann Goldmark's "Queen of Sheba" First Performance of Wagner's "Meistersinger" Patti in Concert and Opera A Flash in the Pan at the Academy of Music The Transformed American Opera Company Production of Rubinstein's "Nero" An Imperial Operatic Figure First American Performance of "Tristan und Isolde" Albert Niemann and His Characteristics His Impersonation ...
— Chapters of Opera • Henry Edward Krehbiel
... said, pointing to sheet music by Weber, Rossini, Mozart, Beethoven, Haydn, Meyerbeer, Hrold, Wagner, Auber, Gounod, Victor Mass, and a number of others scattered over a full size piano-organ, which occupied one of the wall ...
— 20000 Leagues Under the Seas • Jules Verne
... his imagery cold, his invective bitter, and his verbiage immense. His illustrations are sometimes coarse, his comparisons diminish rather than increase the importance of the ideas to which they are applied. His pages are frequently as chaotic as those of Wagner's music; leaf after leaf may be turned over in the despairing search for a single crystallized idea. Fiery sparks, flying meteors, inchoate masses of nebulous matter are around us, but no glass in our possession can resolve ...
— The Continental Monthly, Vol. 5, No. 5, May, 1864 - Devoted To Literature And National Policy • Various
... was making the west one splendor of purple and orange and crimson, which came over the cool green rim of the pines like the Valhalla March in Wagner. ...
— Other Main-Travelled Roads • Hamlin Garland
... Fort Sumter is Fort Johnson on James Island, Fort Cummins Point, and Fort Wagner on Morris Island. In fact, both sides of the harbour for several miles appear to bristle with forts ...
— Three Months in the Southern States, April-June 1863 • Arthur J. L. (Lieut.-Col.) Fremantle
... makes use of the factors both of the St. Hilaire and Lamarckian schools, as containing the more fundamental causes of variation, and adds those of geographical isolation or segregation (Wagner and Gulick), the effects of gravity, the effects of currents of air and of water, of fixed or sedentary as opposed to active modes of life, the results of strains and impacts (Ryder, Cope, and Osborn), the principle of change of function as inducing ...
— Lamarck, the Founder of Evolution - His Life and Work • Alpheus Spring Packard
... arrives. They are nearin' or past thirty when he decides that with economy an' no children they can afford to maintain a home. The bells ring, the lovely strains from "Lohengrin" fill the grand, new house o' God, an' overflow into the quiet streets o' the village, an' we hear in them what Wagner never thought of—the joyful death-march of a race. Think of it, Bill, this old earth is growin' too costly for the use o' man. We prefer autos an' diamonds an' knick-knacks! Life has become a kind of a circus where only the favored can pay the price of admission, an' here in America, where about ...
— Keeping up with Lizzie • Irving Bacheller
... with me. I saved my life with the cornet once. A lion got inside my zareba in Rhodesia. I hadn't my gun within reach, but I'd been playing the cornet, and just as he was crouching I blew a blast from it—one of those jarring discords of Wagner in the "Gotterdammerung"—and he turned tail and got away into the bush with a howl. Hearing gets to be the most acute of all the senses with the pioneer. If you've ever been really dying of thirst, and have reached water again, its sounds become wonderful to you ever after that—the ...
— The Judgment House • Gilbert Parker
... the same stir and heave of the sea, that Homer loved and fixed in winged words for all men of all time. From whatever land we come we may thrill to the words of English Shakespeare or Florentine Dante, to the chords of German Wagner and Italian Verdi, to the colors of Raphael and Murillo, to the noble thoughts of Athenian Plato, Roman Marcus Aurelius, and Russian Tolstoy. Our opinions differ, our interests diverge, our aims often cross; but in the presence ...
— Problems of Conduct • Durant Drake
... story of the attack on Fort Wagner; but we should not tire yet of recalling how our Fifty-Fourth, spent with three sleepless nights, a day's fast, and a march under the July sun, stormed the fort as night fell, facing death in many ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various
... was the capacity to take part in it. In that circle I heard not only the Polish Question discussed, but the Unity or Diversity of Races, Modern and Classic Art, Strauss, Emerson, and Victor Hugo, the ladies contributing their share. At a soiree given by the Princess Lvoff, I met Richard Wagner, the composer, Rubinstein, the pianist, and a number of ...
— The Atlantic Monthly, Volume 16, No. 93, July, 1865 • Various
... harmony with the pathetic drama of life I was witnessing. Everything seemed pitched in a minor key, save now and then there swelled forth splendid notes of manly heroism and womanly courage, as boldly contrasting with the dead level of life as do the full rich notes of Wagner's grandest strains with the plaintive melody of a simple ballad sung by a shepherd lad. I was accompanied in this instance by the Rev. Walter Swaffield, of the Bethel Mission, and his assistant, Rev. W. ...
— The Arena - Volume 4, No. 19, June, 1891 • Various
... I, pointing out some works of Weber, Rossini, Mozart, Beethoven, Haydn, Meyerbeer, Herold, Wagner, Auber, Gounod, and a number of others, scattered over a large model piano-organ which occupied one of ...
— Twenty Thousand Leagues under the Sea • Jules Verne
... that I have already got into old bachelor habits and am resigned to them. Masha is painting, Misha wears his cockade creditably, father talks about bishops, mother bustles about the house, Ivan fishes. On the same estate with us there is living a zoologist called Wagner and his family, and some Kisilyovs—not the Kisilyovs, but others, not the ...
— Letters of Anton Chekhov • Anton Chekhov
... for his own age he is a romanticist. But the romanticist of one age becomes a classic for the next; and his performance in its turn gives laws to his successors. Richard Strauss, deriving in some sense from Wagner, makes the older man seem a classic and conservative. Then a new mind again is raised up, a new temperament, with new needs; and these shape their own adequate new expression. "The cleanest expression," says Whitman, ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... the world such musicians as Wagner, Beethoven and Mozart," said he, "must possess in a tremendous degree the musical sense. The German knowledge of tone and its combinations is extraordinary; and their music in turn is as complex as their psychology ...
— Ashton-Kirk, Investigator • John T. McIntyre
... but endowed with the meddling propensities of a monkey. Thus, Doctor Faustus of Wittenburg—not at all to be confounded with the illustrious printer—had a perfect jewel in the person of his attendant Wagner; and our English Friar Bacon was equally fortunate in Miles, his trusty squire. Each of these gentlemen, in their master's absence, attempted a little conjuring on their own account; but with no better success than the nameless ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 348 • Various
... "Lieut. Wagner was shot in the stomach and leg, and said to me: 'My only regret is to leave the fort with my work unfinished.' I saw one soldier whom I supposed was dead, I pulled a shelter-half over him; just then a soldier came running by. An officer shouted, 'Where are you going?' 'My ammunition ...
— The Battle of Bayan and Other Battles • James Edgar Allen
... South Carolina, on February 16, Hardee evacuated Charleston, which had been defended for four long years against every attack of a most powerful Union fleet, and where the most ingenious siege-works and desperate storming assault had failed to wrest Fort Wagner from the enemy. But though Charleston fell without a battle, and was occupied by the Union troops on the eighteenth, the destructive hand of war was at last heavily laid upon her. The Confederate government pertinaciously adhered to the ...
— A Short Life of Abraham Lincoln - Condensed from Nicolay & Hay's Abraham Lincoln: A History • John G. Nicolay
... as we have seen, after all take care of themselves. But it is of greatest significance for the theory of music, as of all art, that in the circle of the years, the same contrasting views, grown to ever sharper opposition, still greet the appearance of new work. It was with Wagner, as all the world knows, that the question came first to complete formulation. His invention of the music-drama rested on his famous theory of music as the heightened medium of expression, glorified speech, which accordingly demands freedom to follow all the varying nuances of feeling and ...
— The Psychology of Beauty • Ethel D. Puffer
... stirring "Watch on the Rhine;" at the half-hour the familiar notes of "God save the Queen" fall upon the listener's ear; at the third quarter an air from the well-known opera of the "Marriage of Figaro," enlivens the palace; while the hour is hailed with the bridal chorus from Wagner's "Lohengrin." ...
— Little Folks (Septemeber 1884) - A Magazine for the Young • Various
... on the 24th of July, 1883, and attended two crowded performances of Wagner's last work, Parsifal. In the morning I went into the beautiful gardens of the Neue Schloss. On either side of a lake, upon which float a couple of swans and innumerable water-lilies, the long parklike avenue of trees are vocal with wild doves, and the robin is heard ...
— Parsifal - Story and Analysis of Wagner's Great Opera • H. R. Haweis
... all the Laws of Harmony made before his day and set down new ones—and these marked his limitations, that was all. Beethoven upset all these, and Wagner succeeded by breaking most of Beethoven's rules. And now comes Grieg, and writes harmonious discords that Wagner said were impossible, and still it is music, for by it we are transported on the wings of song and uplifted ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... Walt Wagner, the lanky Missourian, who drove the stage. "Pot him, I say. Pot him the first time he ...
— Where the Trail Divides • Will Lillibridge
... that the study of the poet's obscurities is good mental discipline, but I am of the belief that poetry, like music, should not demand too great exertion of the mind to appreciate its beauty. Wagner's "Seigfried" and "Parsifal" are altogether too long to be enjoyed thoroughly. The composer would have done well to eliminate a third of each, for as they are produced they strain the attention to the point of fatigue, and no work of ...
— Modern English Books of Power • George Hamlin Fitch
... recently written on Circassia are Bodenstedt, Moritz Wagner, Marlinski, Dubois de Montpreux, Hommaire de Hell, Taillander, Marigny, Golovin, Bell, Longworth, Spencer, Knight, Cameron, Ditson; and from their pages chiefly has been filled the easel with the colors of which I have endeavored to paint the following picture ...
— Life of Schamyl - And Narrative of the Circassian War of Independence Against Russia • John Milton Mackie
... fire. But there in the dark—for the car lamps went out at the same time with the lantern—I could hear those fellows pulling and hauling up and down the aisle and scuffling over the floor, and through all Melford bellowing away, like an orchestral accompaniment to a combat in Wagner opera, but getting quieter and quieter till his bellow died away altogether. At the same time the row in the aisle of the car stopped, and there was perfect silence, and I could hear the snow rattling against my window. Then I went off into a sound sleep, and never woke ...
— Between The Dark And The Daylight • William Dean Howells
... Infantry; that he had lived six years in New York (knew the city better than I did), had been to Coney Island and many of our ball games. He was a regular fan. I couldn't make him believe that Hans Wagner wasn't the best ...
— Over The Top • Arthur Guy Empey
... The complete history of evolution-theories will include many instances of guesses at truth which were afterwards substantiated, thus the geographer von Buch (1773-1853) detected the importance of the Isolation factor on which Wagner, Romanes, Gulick and others have laid great stress, but we must content ourselves with recalling one other pioneer, the author of the Vestiges of Creation (1844), a work which passed through ten editions in nine years and certainly helped to harrow the soil for Darwin's ...
— Evolution in Modern Thought • Ernst Haeckel
... range of possibility. While on the one hand woman was worshipped as a divine being, before whom all desire must be silenced, she was on the other hand stigmatised as the devil's tool, a power which turned men away from his higher mission and jeopardised the salvation of his soul. Wagner portrayed this dualism perfectly in Tannhauser. "A man of the Middle Ages," says Lucka, "would have recognised in this magnificent work ...
— The Evolution of Love • Emil Lucka
... protectionist convictions now that she must largely import cereals. The bureaucrat who had never sworn by other economic lawgivers than Adam Smith and his followers, now accepts Professor Adolphus Wagner's ever-changing sophisms. And as for the south and the west of Germany, why, they adore the man who had fulfilled that dream of protection in which they, as disciples of Friedrich List, had grown up. It is true that all large cities, even there, are protesting against ...
— Great Men and Famous Women. Vol. 4 of 8 • Various
... In the attack on Strauss he will immediately detect the germ of the whole of Nietzsche's subsequent attitude towards too hasty contentment and the foolish beatitude of the "easily pleased"; in the paper on Wagner he will recognise Nietzsche the indefatigable borer, miner and underminer, seeking to define his ideals, striving after self-knowledge above all, and availing himself of any contemporary approximation to his ideal man, in ...
— Thoughts out of Season (Part One) • Friedrich Nietzsche
... "Knock-kneed Stories," into the window to show off a Louis XVIII boudoir suite, display space is charged up against my department! Last summer he asked me for "something by that Ring fellow, I forget the name," to put a punchy finish on a layout of porch furniture. I thought perhaps he meant Wagner's Nibelungen operas, and began to dig them out. Then I ...
— The Haunted Bookshop • Christopher Morley
... was used by Wagner in referring to his own operas, and is also sometimes applied to other modern operas in which the dramatic element is supposed to ...
— Music Notation and Terminology • Karl W. Gehrkens
... of the consequent isolation of groups of animals, for the origin of new varieties and ultimately of new species, which was indicated by Moritz Wagner, was fully recognized by Darwin himself. Consequent researches have only accentuated the importance of this factor, and they have shown how the largeness of the area occupied by a given species—which Darwin considered with full reason so important for the appearance of new varieties—can ...
— Mutual Aid • P. Kropotkin
... 13th, 1863, the Third United States regiment left Camp William Penn, and was in front of Fort Wagner when it surrendered. ...
— History of the Negro Race in America from 1619 to 1880. Vol. 2 (of 2) - Negroes as Slaves, as Soldiers, and as Citizens • George Washington Williams
... extremely fashionable, the Duke and his court usually being present. It was not until this time, however, that Chase felt that he could sit through a concert without being bored to extinction. He loved music, but not the kind that the royal orchestra rendered; Wagner, Chopin, Mozart were all the same to him—he hated them fervently and he was not yet given to stratagems and spoils. He sat at a table with the French attache just below the box occupied by the Princess and her party. In ...
— The Man From Brodney's • George Barr McCutcheon
... him with Richard Wagner, but of him he spoke not with anger but with good-humoured laughter. He was a charlatan but a successful charlatan, and in that was always something for the comic spirit to ...
— Of Human Bondage • W. Somerset Maugham
... large work on "Chemistry," and in the English edition of "Wagner's Handbook of Chemical Technology," edited by Mr. Crookes, the process as described by Dr. Ehrmann in the "Ann. Pharm.," xii., 92, is given. It is thus stated in Wagner's work: "This pigment is prepared by first separately dissolving equal parts by weight of arsenious acid and neutral acetate ...
— Scientific American Supplement, No. 455, September 20, 1884 • Various
... They are more unready than we were. Ah! but what manner of Germany would we be subordinate to? There has been a struggle going on in Germany for over thirty years between its best and its worst elements. It is like that great struggle which is depicted, I think, in one of Wagner's great operas between the good and the evil spirit for the possession of the man's soul. That great struggle has been going on in Germany for thirty or forty years. At each successive general election ...
— New York Times Current History; The European War, Vol 2, No. 2, May, 1915 - April-September, 1915 • Various
... advantage of such as could be utilized in his art. Through Beethoven the resources of the orchestra were increased, an added range was given the keyboard of the piano, the human voice was given tasks that at the time seemed impossible of achievement. He established the precedent, which Wagner acted on later, of employing the human voice as a tool, an instrument, to be used in the exigencies of his art, as if it were a ...
— Beethoven • George Alexander Fischer
... rather sneeringly, as to our scenery and stage adjuncts. Once, in the great court theatre at Munich, I saw Wagner's Rheingold. The king was present, and all was done for splendour that could be done in that centre of art. When the curtain rose, the whole great river Rhine seemed to be flowing before you across the stage, into the side of whose flood you looked as one looks through ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer
... detail the proceedings of the Court. I do not think if the whole of Mr. Pitman's school of shorthand had been there to take them down the thing could possibly have been done in word-writing. If the late Richard Wagner, however, had been present he could have scored the performance for a full orchestra; and with all its weird grunts and roars, and pistol-like finger clicks, and its elongated words and thigh slaps, it would have been ...
— Travels in West Africa • Mary H. Kingsley
... present use. It is a melancholy, even mournful instrument, its sole use in the orchestra being very suitable for situations on the stage, the effect of which it helps by depressing the mind to sadness. Those who have heard Wagner's "Tristan und Isolde" will remember, when the faithful Kurwenal sweeps the horizon, and sees no help coming on the sea for the dying Tristan, how pathetically the reed pipe of a careless peasant near, played in the orchestra on a cor ...
— Scientific American Supplement No. 819 - Volume XXXII, Number 819. Issue Date September 12, 1891 • Various
... German story it is found at the conclusion of Wolfram von Eschenbach's Parzival,[1] from which the following version is drawn. The name of the hero as written by Wolfram (Loherangrin) may possibly be traced to Garin le Loherin or Garin of Lorraine. Wagner's version is taken from the same source, but the mighty master of melody altered many of the details for dramatic and ...
— Hero Tales and Legends of the Rhine • Lewis Spence
... Nibelungen cycle, has arisen in that martial German tribe which once held sway in the greater part of Europe. In its origin, the tale is considered by many careful investigators—so also by Richard Wagner, who founded his famous music-drama on it—to have been a Nature myth, upon which real events became engrafted. From this point of view, the earliest meaning of Siegfried's victory over the Dragon would signify the ...
— Great Men and Famous Women. Vol. 5 of 8 • Various
... their verdicts cannot and should not be forgiven. We know now that the stiff contrapuntal school marked a stage in development of music which it was necessary that music should go through. The modern men who care nothing for rules—for instance Wagner and Tschaikowsky—could not have come immediately after Byrde; even Beethoven could not have come immediately after Byrde and Sweelinck and Palestrina, all of whom thought nothing of the rules that had not been ...
— Old Scores and New Readings • John F. Runciman
... French say, the last line of French trenches and their main-gate blockhouse became untenable. Pieces of shell tore through everything; men were wounded more and more quickly, and in the most sheltered part a French volunteer, Wagner, had his entire face blown off him, dying a horrible death. The French commander, disheartened by the treatment he had received from the commander-in-chief, and convinced that all his men would be ...
— Indiscreet Letters From Peking • B. L. Putman Weale
... see, we got a tip from the house next door that somebody was murdering Wagner, and the chief sent me down here to work ...
— More Toasts • Marion Dix Mosher
... measure of the thoughtlessness and frivolity of the excuses made for the censorship. It should be added that the artistic representation of a bath, with every suggestion of nakedness that the law as to decency allows, is one of the most familiar subjects of scenic art. From the Rhine maidens in Wagner's Trilogy, and the bathers in the second act of Les Huguenots, to the ballets of water nymphs in our Christmas pantomimes and at our variety theatres, the sound hygienic propaganda of the bath, and the charm of the undraped human figure, ...
— The Shewing-up of Blanco Posnet • George Bernard Shaw
... in 1802, the testament which he wrote at that time, and some remarks upon the "Christ on the Mount of Olives," these chapters are devoted to the "Heroic Symphony,"—its history, its explanation, and a polemical discourse directed against the views of Wagner, Berlioz, Oulibichef, ...
— Atlantic Monthly, Vol. 5, No. 30, April, 1860 • Various
... repeated from father to son for generations, and in the twelfth century a poet, whose name we do not know, wrote them in verse. He called his poem the Ni'bel-ung'en-lied (song of the Nibelungs). It is the great national poem of the Germans. The legends told in it are the basis of Wagner's operas. ...
— Famous Men of the Middle Ages • John H. Haaren
... draught seemed to give her fortitude, for now she told Aunt Eliza the whole story. It seems that Aurora had been to the opera as usual, not for the purpose of hearing and seeing the performance, but simply for the sake of being where the beloved bassoon was. The opera was Wagner's "Die Walkuere," and the part played by the bassoon in the orchestration was one of conspicuous importance. Fully appreciating his importance, the bassoon conducted himself with brutal arrogance and superciliousness ...
— The Holy Cross and Other Tales • Eugene Field
... condemned by the best musical critics as an obsolete anachronism, tending to perpetuate the abuses of the "star" system and to foster breaches of the Decalogue and to enhance the soloist at the expense of the chorus?—I believe that WAGNER held the view expressed in the opening part of your question, but he was unable to get on without her, wrote a famous address to the Star of Eve, and gave the chorus practically nothing to do ...
— Punch, or the London Charivari, Vol. 156, May 21, 1919. • Various
... they talk,' added a third. 'They always say exactly the same things: "How charming you are looking to-night." "Do you often go to Vienna? Oh, you should, it's delightful." "What a charming dress you have on." "What a warm day it has been." "Do you like Wagner?" I do wish ...
— The Idler Magazine, Volume III, March 1893 - An Illustrated Monthly • Various
... heard much of Wagner, Miss Callender?" he said when there was a pause in the conversation. He felt before he had finished the question that it was a false beginning, and he was helped to this perception by a movement of uneasiness on the part of Mrs. Hilbrough, who was afraid that ...
— The Faith Doctor - A Story of New York • Edward Eggleston
... invitation, he joined Nelson's Seventh South Carolina Battalion, Hagood's Brigade, and served with this command (save a brief interval) to the end of the war. He was in the first battle of Manassas and in Bentonville, the last great battle of the war. At Battery Wagner his company was on picket duty the night of the first assault, and it was by his order that the first gun was fired in that memorable siege, and one of his men was the first Confederate killed. At the battle of Drewry's Bluff, Va., Captain ...
— History of Kershaw's Brigade • D. Augustus Dickert
... misconception if ever there was one, a personal insult to anyone who ever saw the Grass; a dull, unintentional joke; bad Schoenberg—if that isnt a tautology—combined with faint memories of the most vulgar Wagner—if that isnt another tautology—threaded together on Mighty Like a Rose and Alexander's Ragtime Band. But what am I saying, A W, to you who are so free from the virus of culture? What the hell interest have you in Crisodd's symphony or my symphony or anybody's symphony, except ...
— Greener Than You Think • Ward Moore
... Professor Moritz Wagner, in his description of Mount Ararat, mentions "a singular phenomenon," to which his guide drew his attention, "in the appearance of several plants on soil lately thrown up by an earthquake, which grew nowhere else on the mountain, and had never been observed ...
— Life: Its True Genesis • R. W. Wright
... Beowulf, woman plays a very minor part and there is no love story; but in these romances we often find woman and love in the ascendancy. One of them, well known today in song, Tristram and Iseult (Wagner's Tristan und Isolde), "a possession of our composite race," is almost entirely a ...
— Halleck's New English Literature • Reuben P. Halleck
... was the fore-runner of Arthur Sullivan," Paula cried challengingly. "And that Auber was before Offenbach. And as for Wagner, ask him, ...
— The Little Lady of the Big House • Jack London
... poetic dreamers had ever come across a shepherdess in real life—dirty, unkempt, ignorant, coarse, immoral—they would themselves have made haste to disavow their heroines and seek less malodorous "maidens" for embodiments of their exalted fancies of love[128]. Richard Wagner was promptly disillusioned when he came across some of those modern shepherdesses, the Swiss dairy-maids. "There are magnificent women here in the Oberland," he wrote to a friend, "but only so to the eye; they are all ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... cents students were allowed to fill the gallery and to stand on the ground floor, and Friday afternoons generally found me leaning against the wall listening to Brahms and Wagner. At such times I often thought of my mother, and my uncle David and wished that they too might hear these wondrous harmonies. I tried to imagine what the effect of this tumult of sound would be, as it beat in upon their ...
— A Son of the Middle Border • Hamlin Garland
... have always been. Except that this music we have been swimming in is divine. While I have been pestering you, have you heard it? At least, you heard the first act. And all the third act is love-sick music. Tristan dying and Isolde coming to crown his death. Wagner had just been in love when he wrote it all. It begins with that queer piccolo solo. Now I shall never hear it but what this evening will ...
— Ann Veronica • H. G. Wells
... a yard, and width fifty inches. With this as a foundation many schemes may be carried out. Bas-relief heads in plaster can be swung on it without injuring the wood of the piano. Medallions of Beethoven, Mozart or Wagner can be purchased for $1 each. A long panel of cherubs goes well, or a line of Delft or ...
— Social Life - or, The Manners and Customs of Polite Society • Maud C. Cooke
... inadequate for the purpose, Dr. Hose prepared a scale for our use in the field, the shades of which have subsequently been as far as possible equated with those of Prof. von Luschan's Hautfarben-Tafel (Puhl and Wagner, Rixdorf); it is these numbers which appear in brackets in the following descriptions, and I have also attempted to describe them in English; the term cinamon is based on the colour of the stick cinnamon of commerce. The colours were usually matched from the inner aspect of the upper arm so ...
— The Pagan Tribes of Borneo • Charles Hose and William McDougall
... bride), Mrs. Victor C. Mather, Mrs. A. J. Drexel Biddle, Jr., Mrs. Gurnee Munn, Mrs. Oliver E. Cromwell, Miss Eleanor B. Hopkins and Mrs. George Wharton Pepper, Jr., a tall and willowy auburn beauty and a bride herself only a few months before, while Wagner's immortal tones pealed through the ...
— The Conquest of America - A Romance of Disaster and Victory • Cleveland Moffett
... from the time when he discovered it at the age of twelve, and suggested to him many features in the general design of oratorios, by means of which he rescued that branch of art from the operatic influences that ruined Beethoven's Mount of Olives. Without the example of Bach, Wagner's schemes of Leitmotif would never in his lifetime have become woven into that close polyphonic texture which secures for his music a flow as continuous as that of drama itself:—and intimately connected with this is the whole ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... and other vocal devices. Caccini desired that the employment of all these factors in song should be regulated by the significance of the text. In other words these reformers were fighting a fight not unlike that of Wagner. They deplored the making of vocal ornaments and the display of ingenuity in the interweaving of parts for their own sakes, just as Wagner decried the writing of tune for tune's sake, and on one of the same grounds, namely, that nothing could result but a tickling of the ear. Yet ...
— Some Forerunners of Italian Opera • William James Henderson
... to judge with more painful severity those witty writers who advise us to light-hearted friendship with Bismarck the "great German," with William the "sympathetic Emperor", with Richard Wagner "the highest expression of historical poetry and musical art," those men who prepared and who perpetuate Prussia's victories—I should judge them differently, I say, were it not that I remember my former anger against the young decadents ...
— The Schemes of the Kaiser • Juliette Adam
... the Defences of Charleston Harbor in 1863; comprising the Descent upon Morris Island, the Demolition of Fort Sumter, the Reduction of Forts Wagner and Gregg. With Observations on Heavy Ordnance, Fortifications, etc. By Q. A. Gillmore, Major of Engineers, Major-General of Volunteers, and Commanding General of the Land Forces engaged. With the Official Reports ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various
... the Greeks because they seemed heavy and to incline downward. Sounds seem to be subject to the action of gravity; so that some rise and others fall. Baudelaire, speaking of the prelude to Lohengrin, remarks: 'I felt myself delivered from the bonds of weight.' And when Wagner sought to represent, in the highest regions of celestial space, the apparition of the angels bearing the Holy Grail to earth, he uses very high notes, and a kind of chorus played exclusively by the violins, divided into eight parts, in the highest notes of their register. The descent to earth ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... that repeated note, how glorious it is! It reminds me of a sustained note in Wagner's Festpiel. I do wish ...
— Five Nights • Victoria Cross
... water the image and superscription will stand above water and represent a continent with adjacent islands; the sunken part just submerged will represent the continental shelf and the edge of the coin the boundary between it and the surrounding deep, called by Professor H. K. H. Wagner the continental slope. If the lithosphere surface be divided into three parts, namely, the continent heights, the ocean depths, and the transitional area separating them, it will be found that this transitional area is almost bisected by the coast-line, ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various
... have inclined, sometimes, rather more to one and, sometimes, rather more to another of the possible alternatives. There is little difference between the last edition of the "Origin" (1872) and the first on this head. In 1876, however, he writes to Moritz Wagner, "In my opinion, the greatest error which I have committed has been not allowing sufficient weight to the direct action of the environments, i.e., food, climate, &c., independently of natural selection. ...When I wrote the 'Origin,' and for some years afterwards, I could find little ...
— Darwiniana • Thomas Henry Huxley
... pause in the outpouring of the melody. She changed stops and manuals with swift fingers and passed from one composition to another; now it was an august hymn, now a theme from Wagner, and finally Mendelssohn’s Spring Song leaped forth ...
— The House of a Thousand Candles • Meredith Nicholson
... an amorous intrigue. That these Indian lovers may convey definite ideas to the minds of the girls is quite possible. Even birds have their love-calls, and savages in all parts of the world use "leading motives" a la Wagner, i.e., musical ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... about the "gentility" of others. I remember when Charles Wagner, the author of The Simple Life, was in this country. We were dining at the home of a friend and one of these super-sensitive, finical sticklers for gentility was present. Wagner was speaking in his big, these super-sensitive, finical sticklers for gentility simple, primitive ...
— Quit Your Worrying! • George Wharton James
... for which their own nature fits them. Even though millions of women are enabled to do the work which men could do better the gain for mankind is nil. To put women to do men's work is (Ellen Key has declared) as foolish as to set a Beethoven or a Wagner to do engine-driving. ...
— The Task of Social Hygiene • Havelock Ellis
... had to sit all through this performance one does not know. One hopes, for their sake, that, like a Chinese play or a Bayreuth performance of Wagner's operas, the performance was extended over a number ...
— Joan of Arc • Ronald Sutherland Gower
... of the AEneid here presented is based upon a careful collation of the editions of Heyne, Wagner, Conington, Ladewig, and Ribbeck, with frequent reference to other standard authorities, and with constant and especial regard to the testimony of the best manuscripts. In the preparation of the Notes, the endeavor has been made to meet the actual ...
— In the School-Room - Chapters in the Philosophy of Education • John S. Hart
... it at Baireuth," she said, "and it was just fine! It made your flesh creep all over you. And oh, Daddy, I brought home a souvenir of Wagner's grave!" ...
— King Midas • Upton Sinclair
... likely that the child was born asphyxiated and was buried in this state, and only began to assume independent vitality when for the second time exposed to the air. This curious case was verified to English correspondents by Dr. Wagner, and is of unquestionable authority; it became the subject of a thorough criminal investigation ...
— Anomalies and Curiosities of Medicine • George M. Gould
... is fashionable to like Wagner, for I really should like to explain the feelings of perfect delight which tingled in my blood as I realised that I was in the home of German opera—in the city where the master musician lived and wrote, and where his widow and son still maintain their unswerving faithfulness toward his glorious ...
— Abroad with the Jimmies • Lilian Bell
... history. He was well versed in European history of the eighteenth century and the Napoleonic wars, and could talk about the power of Voltaire in literature and the influence of Lessing on Goethe. From appreciative discourse on the Wagner opera and the French drama, he could, if the conversation turned to the Civil War, give a lively account of the battles of Chancellorsville or Gettysburg, in both of which he had borne an honorable part. Sherman was not a cosmopolitan like his two colleagues, but he loved dining ...
— Historical Essays • James Ford Rhodes
... statement, is true enough to be a moral objection to marriage. As long as a man has a right to risk his life or his livelihood for his ideas he needs only courage and conviction to make his integrity unassailable. But he forfeits that right when he marries. It took a revolution to rescue Wagner from his Court appointment at Dresden; and his wife never forgave him for being glad and feeling free when he lost it and threw her back into poverty. Millet might have gone on painting potboiling nudes to the end of his life if his wife had not been of a heroic turn herself. Women, for the ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... able to tackle either form at a moment's notice. A thorough knowledge of the natural genesis of the scale of western nations will be the best antidote to fads founded upon ignorance of it. It is a curious commentary upon this question that Wagner, in the opening of the third act of Tristan (bars 6 to 10), experimented with the whole-tone scale and drew his pen through it, as was to be expected from a composer whose every work proves the writer to have had the pure scale inbred ...
— Music Notation and Terminology • Karl W. Gehrkens
... began to fall, the young people were marshalled to the coach-house, now transformed into a rustic theatre. One big door was open, and seats, arranged lengthwise, faced the red table-cloths which formed the curtain. A row of lamps made very good foot-lights, and an invisible band performed a Wagner-like overture on combs, tin trumpets, drums, and pipes, with an ...
— Under the Lilacs • Louisa May Alcott
... Wagner,' said Siegmund, lifting his face to the hot bright heaven, and drinking the heat with his blinded face. All states seemed meagre, save his own. He recalled people who had loved, and he ...
— The Trespasser • D.H. Lawrence
... gave me an idea for a costume for up the river.) Their chief is ill, and almost always in great pain, but it does not prevent his singing the longest of speeches. Parsifal kills a lovely swan—it flies in so naturally. Really Wagner was a most wonderful man! Then there is a Gypsy girl; a sort of snake charmer, who has bottles of things all through the play. I couldn't make out quite if she were Parsifal's mother or what. But she is quite mad, and wears only a very uninteresting old brown ...
— The Smart Set - Correspondence & Conversations • Clyde Fitch
... successfully the music of Falstaff, in Verdi's opera, as is necessary for Maometto Secondo or Semiramide by Rossini. It is simply another form of virtuosity; that is all. The lyric grace or dramatic intensity of many pages of Wagner's music-dramas can be fully revealed only through a voice that has been rendered supple by training, and responsive to the slightest suggestion ...
— Style in Singing • W. E. Haslam
... not know it, but he was in the royal castle of Berg, and the music he heard was the music of Wagner, who was playing in a distant room some of ...
— Famous Stories Every Child Should Know • Various
... in thought has occasionally been broken in upon by pigmy rulers, who, for the moment, had a giant's power, so it seems hardly possible that a government which encouraged Goethe should have banished Wagner. The greatness of Kant was largely owing to the fact that he was set apart by Frederick and made free to do his work; and at this time, not another monarchy in the world would have had the insight to keep ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... of visiting at desire a realm of music that led through the world of tone, through the spheres of matchless harmony in which the great masters of music abide,—Beethoven, Mendelssohn, Mozart, and to the divine realm of Wagner. ...
— The Arena - Volume 18, No. 92, July, 1897 • Various
... Port Hudson and Fort Wagner thrilled all loyal hearts by the recital of the heroic deeds of the black soldier, we were not reminded that if the negro were permitted to enjoy the same rights under the Government his valor helped to save that are possessed by ...
— History of the Thirty-Ninth Congress of the United States • Wiliam H. Barnes
... feminine contribution that it is a product of the interplay of the two elements. In women of genius we see the opposite picture. They are commonly distinctly mannish, and shave as well as shine. Think of George Sand, Catherine the Great, Elizabeth of England, Rosa Bonheur, Teresa Carreo or Cosima Wagner. The truth is that neither sex, without some fertilization by the complementary characters of the other, is capable of the highest reaches of human endeavour. Man, without a saving touch of woman in him, ...
— In Defense of Women • H. L. Mencken
... back against it, her eyes looking into the blue depths above her, she played on and on. The old tunes were merged in new ones, and the high sustained notes of the Cavalleria, the subtle minor of Wagner, the exquisite sweetness of Beethoven and Schubert filled the moonlit canon, and still she played on, melodies new to Adam, intoxicating, full of a wild ecstasy, that filled his very soul, and thrilled through him till he felt all power of resistance ...
— The Master-Knot of Human Fate • Ellis Meredith
... season at Caserta, and from that time his rise has been steady and unimpeded. After singing in one Italian city after another he went to Egypt and thence to Paris, where he made a favorable impression. A season in Berlin followed, but the Wagner influence was dominant, and he did not succeed in restoring the supremacy of Italian opera. The next season was spent in South America, and in the new world Caruso made his first triumph. From Rio he went to London, and on his first ...
— Caruso and Tetrazzini on the Art of Singing • Enrico Caruso and Luisa Tetrazzini
... soft and captivating style, although they do not possess the graceful power of Nanteuil and Edelinck, and are without variety. He was scholar and son-in-law of Volpato, of Rome; himself scholar of Wagner, of Venice, whose homely round faces were not high models in art. The AURORA, OF GUIDO, and the LAST SUPPER, OF LEONARDO DA VINCI, stand high in engraving, especially the latter, which occupied Morghen three years. Of his two hundred and one works, no less than seventy-three ...
— The Best Portraits in Engraving • Charles Sumner
... a vesicle which he considered to be the germinal vesicle of Purkinje; he observed that it disappeared after fertilisation. Independently of Coste, and very little time after him, Wharton Jones[257] found the germinal vesicle in the mammalian ovum. Valentin in 1835,[258] Wagner in 1836,[259] and Krause in 1837,[260] added considerably to the existing knowledge of the structure of the ovum. Wagner in his Prodromus called attention to the widespread occurrence, within the germinal vesicle of a darker speck which he called the Keimfleck or germinal spot, known sometimes ...
— Form and Function - A Contribution to the History of Animal Morphology • E. S. (Edward Stuart) Russell
... (who were in prison), and the rest pay away on the books. My offering is not large; but if you need more, send me word. Also how comes on the Underground Rail Road? Do you need anything for that? You have probably heard of the shameful outrage of a colored man or boy named Wagner, who was kidnapped in Ohio and carried across the river and sold for a slave.... Ohio has become a kind of a negro hunting ground, a new Congo's coast and Guinea's shore. A man was kidnapped almost ...
— The Underground Railroad • William Still
... zoology, whom we had already seen at Munich, and by whom we were most cordially received. The professor of botany, M. Koch, invited us to a very excellent dinner, and gave us many rare plants not in our possession before, while M. Wagner was kind enough to show us in detail the Museum ...
— Louis Agassiz: His Life and Correspondence • Louis Agassiz
... course not. You don't imagine that because one is a successful composer he must be a brilliant virtuoso. I hardly ever touch a musical instrument. Wagner was a very poor player, and Berlioz simply couldn't play at all. I'm a musical dreamer. Do you know that I literally dreamt "The Light of Home"? Now, that's a proof ...
— The Whirlpool • George Gissing
... rest in the quiet old house. We had an amusing experience once with the young organist from La Ferte—almost turned his hair gray. He had taught himself entirely and managed his old organ very well. He had heard vaguely of Wagner and we had always promised him we would try and play some of his music with two pianos—eight hands. Four hands are really not enough for such complicated music. Mlle. Dubois, premier prix du conservatoire—a beautiful musician—was staying with us one year ...
— Chateau and Country Life in France • Mary King Waddington
... in Voltaire is? Shocking explanations have been hit upon: but Wagniere (WAGNER, an intelligent Swiss man), Voltaire's old Secretary, gives this plain reading of the riddle: "M. de Voltaire had, at The Delices [near by Ferney, till the Chateau got built], a big Ape, of excessively mischievous turn; who used to throw stones at the passers-by, and sometimes would attack ...
— History of Friedrich II. of Prussia, Vol. XIX. (of XXI.) • Thomas Carlyle
... is very fond of Wagner's music," Mrs. Mandel said. "I believe you are all great Wagnerites ...
— Henry James, Jr. • William Dean Howells
... Dwight a stated salary for his labors upon it. This arrangement relieved him of much drudgery as publisher, which he had hitherto undertaken. The conduct of the paper did not essentially change, but with each number was added a musical composition; the best works of Mendelssohn, Schubert, Wagner, Gluck, Mozart, and many other composers were thus issued. Dwight also did much translating for Ditson, turning into English the words which accompanied some of ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke |
