"Wieland" Quotes from Famous Books
 ... is most fantastic without any strict order of succession either in the matter of time or locality. It is taken from Wieland's fairy-tale ...
— The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... included Gerard de Roussillon, Hugues Capet, Macaire (wherein occurs the famous episode of the Dog of Montargis), and Huon de Bordeaux, which latter supplied Shakespeare, Wieland, and Weber with some of the dramatis personae of their well-known comedy, poem, and opera. We must also mention what are often termed the Crusade epics, of which the stock topics are quarrels, challenges, fights, banquets, and tournaments, and among which we note ...
— The Book of the Epic • Helene A. Guerber
... his other languages, he was a reader of German. The readers there, among whom he is popular, both for his poetry and his love of freedom, crowded about him with affectionate zeal; and they gave him, what he did not dislike, a good dinner. Like many of the great men in Germany, Schiller, Wieland, and others, he did not scruple to become editor of a magazine; and his name alone gave it a recommendation of the greatest value, and such as made it a grace ...
— Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850. • Various
... to put into verse, because I never for a moment fancied that it would be possible for him to think out and write a libretto for which I would only need to compose the music. I chose for my subject the legend of Wieland der Schmied, upon which I commented with some stress at the end of my recently finished Kunstwerk der Zukunft, and the version of which by Simrock, taken from the Wilkyna legend, had ...
— My Life, Volume I • Richard Wagner
... Baroness de Krudener, Madame Geoffrin, Talleyrand, Mirabeau, and Necker—with Count Cagliostro, Mesmer, Vestris, and Madame Mara; and the work also includes such literary celebrities as Voltaire, Condorcet, de la Harpe, de Beaumarchais, Rousseau, Lavater, Bernouilli, Raynal, de l'Epee, Huber, Goethe, Wieland, Malesherbes, Marmontel, de Stael and de Genlis; with some singular disclosures respecting those celebrated Englishwomen, Elizabeth Chudleigh, Duchess of Kingston, and Lady Craven, Margravine ...
— Memoirs of the Court and Cabinets of George the Third, Volume 2 (of 2) - From the Original Family Documents • The Duke of Buckingham
... frankness brought him into trouble: he was bitterly assailed. Neither his noble character nor his genius availed him. Obliged to flee from one pastorate to another, he at last found a happy refuge at Weimar in the society of Goethe, Wieland, and Jean Paul, and thence he exercised a powerful influence in removing noxious and parasitic growths from ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... people in their own intelligence has been most excellently portrayed by Wieland in his immortal "Abderites.'' The fourth philosopher says: "What you call the world is essentially an infinite series of worlds which envelop one another like the skin of an onion.'' "Very clear,'' said the Abderites, and thought they understood the philosopher because they knew perfectly well ...
— Robin Hood • J. Walker McSpadden
... displeasure which he had formerly exhibited passed like a cloud from his brow; he grew elated, criticized writer after writer, recited compositions, illustrated them with verses from the French and German; repeated his own modest attempts at translation, gave his hearer an idea of Goethe, Uhland, Wieland, and the smaller fry of German poets, and pursued his theme, in short, until listener and reciter both were charmed and gratified beyond expression—she, with his talents and his manners—he, with her patience and attention, and, perhaps, ...
— Blackwood's Edinburgh Magazine, Volume 54, No. 337, November, 1843 • Various
... nearly of the same age, and possessed equal external advantages; but their characters were very different. Sarah Corbin, who was a few months older than her friend and almost constant companion, Harriet Wieland, was quiet, thoughtful, and observant; while Harriet, who had great personal attractions, never appeared to look beneath the surface. She believed every thing to be true that bore the semblance of truth, to her all that glittered was gold. Like you, and most other young ladies, we ...
— Married Life; Its Shadows and Sunshine • T. S. Arthur
... existence in the midst of the jostling relations of this busy world. It is a mere bubble thrown to the surface by the passions and fancies of men, and soon breaks by contact with the hard facts of daily life. It is a thing which bears but little handling. The German Wieland, who was a great disciple of love, was of opinion that "its metaphysical effects began with the first sigh, and ended with the first kiss!" Plato was not far out of the way when he called it "a great devil"; and the man or woman who is really ...
— The Magnificent Montez - From Courtesan to Convert • Horace Wyndham
... the presence of cats exercises such a magic influence upon highly-organized men of intellect. This is why these long-tailed Graces of the animal kingdom, these adorable, scintillating electric batteries have been the favorite animal of a Mahommed, Cardinal Richelieu, Crebillon, Rousseau, Wieland." ...
— Venus in Furs • Leopold von Sacher-Masoch
... rests upon six romances: "Wieland," "Ormond," "Arthur Mervyn," "Edgar Huntly," "Clara Howard," and "Jane Talbot." The first five were published in the interval between the spring of 1798 and the summer of 1801, in which he completed his thirtieth ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... manner to his matter, we cannot claim for Byron any absolute originality. His sources have been found in Rousseau, Voltaire, Chateaubriand, Beaumarchais, Lauzun, Gibbon, Bayle, St. Pierre, Alfieri, Casti, Cuvier, La Bruyore, Wieland, Swift, Sterne, Le Sage, Goethe, scraps of the classics, and the Book of Job. Absolute originality in a late age is only possible to the hermit, the lunatic, or the sensation novelist. Byron, like the rovers before Minos, was not ashamed of his piracy. He ...
— Byron • John Nichol
... ungenerous fountain whence Bolingbroke drank even his chilling draughts of inspiration. Splendid, in sooth, as the great Brunnen of the luckless Abderites of Wieland, with its sea-god of marble surrounded by a stately train of nymphs, tritons, and dolphins, from whose jets the water only dripped like tears, because, says the writer, with grave naivete, 'there was scarcely enough to moisten the lips of a single nymph.' Truly the purple wine ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... here, you will find very little change, but simply three more Weymarers—Goethe, Schiller, and Wieland—whose statues will be inaugurated next September, on the occasion of the celebration of the Jubilee fetes of the Grand Duke Carl August. They are also planning music for the occasion; and I predict to you beforehand that you will be able to ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... Parisians in his Lettres Persanes (1721). Through French influence the Oriental story came to Germany, and so we get such works as August Gottlob Meissner's tales of Nushirvan, Massoud, Giaffar, Sadi and others,[78] or Klinger's Derwisch. Wieland used the Eastern costume in his Schach Lolo (1778) and in his politico-didactic romance of the wise Danischmende. This fondness for an Oriental atmosphere continues even into the nineteenth century and may be seen in such works as Tieck's Abdallah and ...
— The Influence of India and Persia on the Poetry of Germany • Arthur F. J. Remy
... Seasons" was the work of a fresh and independent genius is afforded by the many imitations to which it soon gave birth. In Germany, a passage from Brockes' translation (1745) was set to music by Haydn. J. P. Uz (1742) and Wieland each produced a "Fruehling," in Thomson's manner; but the most distinguished of his German disciples was Ewald Christian von Kleist, whose "Fruhling" (1749) was a description of a country walk in spring, in 460 hexameter lines, accompanied, ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... if Chippendale began giving curious delicate twists to his furniture, it seemed nothing more than a matter of caprice. The zest for Persian letters, Oriental nouvelles, Turkish marches, arose apparently only from the desire for masquerade. Gretry, Mozart, Wieland, scarcely took their seraglios, pashas, bulbuls earnestly. But, gradually, with the arrival of the nineteenth century, what had hitherto seemed play only, began to assume a different shape. The East was indeed dawning ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... govern, judge, defend, everyway administer his Dukedom. He does all this as few others did: and he improves lands besides all this, makes river-embankments, maintains not soldiers only but Universities and Institutions;—and in his Court were these four men: Wieland, Herder, Schiller, Goethe. Not as parasites, which was impossible; not as table-wits and poetic Katerfeltoes; but as noble Spiritual Men working under a noble Practical Man. Shielded by him from many miseries; perhaps from many shortcomings, destructive aberrations. Heaven had sent, once more, ...
— Past and Present - Thomas Carlyle's Collected Works, Vol. XIII. • Thomas Carlyle
... that Wieland used to have his works printed thus for the purpose of correction, and said that he found great advantage in it. The practice is, it appears, not unusual ...
— Life of Lord Byron, Vol. I. (of VI.) - With his Letters and Journals. • Thomas Moore |
