"William Morris" Quotes from Famous Books
 ... however, praised the limpidity of The Vikings at Helgeland, we have, in honesty, to make several reservations in our criticism of the author's choice of a subject. It is valuable to compare Ibsen's treatment of Icelandic family-saga with that of William Morris; let us say, in The Lovers of Gudrun. That enchanting little epic deals with an episode from one of the great Iceland narratives, and follows it much more closely than Ibsen's does. But we are ...
— Henrik Ibsen • Edmund Gosse
... thick-set with dark close curling hair and a ruddy Irish type of face; I was lean and fair-haired and some inches taller than he. Our talk ranged widely and yet had certain very definite limitations. We were amazingly free with politics and religion, we went to that little meeting-house of William Morris's at Hammersmith and worked out the principles of Socialism pretty thoroughly, and we got up the Darwinian theory with the help of Britten's medical-student brother and the galleries of the Natural History Museum in Cromwell ...
— The New Machiavelli • Herbert George Wells
... sought after simple and idiomatic English, studying the noble archaism of the King James Bible, rather than affecting the Wardour Street dialect of William Morris or Professor Earle, which is often utterly unintelligible to any but the special student of Middle English. My translation is faithful, but not literal; I have not hesitated to make a passive construction active, or to translate a compound adjective ...
— Andreas: The Legend of St. Andrew • Unknown
... been educated till I nearly dropped; I have lived with the earliest apostles of culture, in the days when Chippendale was first a name to conjure with, and Japanese art came in like a raging lion, and Ronsard was the favorite poet, and Mr. William Morris was a poet, too, and blue and green were the only wear, and the name of Paradise was Camelot. To be sure, I cannot say that I took all this quite seriously, but "we, too, have played" at it, and know all about it. Generally speaking, I have kept up with culture. ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... tangible signs of their influence. But Hugh was marvellously saved from this, partly by a real modesty which was not only never marred, but which I used to think increased with the years. There is a story of William Morris, that he could read aloud his own poetry, and at the end of a fine stanza would say: "That's jolly!" with an entire freedom from conceit, just as dispassionately as he could praise the work of another. I used to feel that when Hugh mentioned, as I have heard him do, some course ...
— Hugh - Memoirs of a Brother • Arthur Christopher Benson
... it is usually called—though of late it has been rather looked down upon, was extremely popular with the antique world. Athena laughs when Odysseus tells her "his words of sly devising," as Mr. William Morris phrases it, and the glory of mendacity illumines the pale brow of the stainless hero of Euripidean tragedy, and sets among the noble women of the past the young bride of one of Horace's most exquisite odes. ...
— Intentions • Oscar Wilde
... organized to go in pursuit. They were Joseph Miller, William Morris, Samuel Pollock, Lewis Melrath, Jesse B. Kirk, Abner B. Richardson, Benjamin Furniss, ...
— The Journal of Negro History, Volume 5, 1920 • Various
... earliest poet to sing of rationing was WILLIAM MORRIS, who repeatedly described himself as "The idle ...
— Punch, or the London Charivari, Vol. 152, March 14, 1917 • Various
... however, to ascend the gallery of the Oxford Union and examine the ghostly frescoes that are fading there, without great interest and even emotion. Of the young men who painted there under Gabriel Rossetti's eye, all have become greatly distinguished. Mr. Edward Burne-Jones, Mr. William Morris, and Mr. Spencer Stanhope were undergraduates at Oxford. Mr. Valentine Prinsep and Mr. Arthur Hughes, I believe, were Royal Academy students who were invited down by Rossetti. Their work was naive and ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... Johnson's, a good deal of downright hard-hitting criticism. You should also look up the history of the Ireland forgeries, unless, as is very probable, Tolstoy has anticipated you in this. Among nineteenth-century poets Byron and William Morris saw clearly that Shakespeare was enormously overrated intellectually. A French book, which has been translated into English, has appeared within the last ten years, giving Napoleon's opinions of the drama. His insistence on the superiority ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy
... William Morris, who, when asked what was his greatest ambition, answered, "I hope to make a perfect blue," and the dye on his hands attested his endeavors in ...
— Little Journeys to the Homes of the Great, Volume 11 (of 14) - Little Journeys to the Homes of Great Businessmen • Elbert Hubbard
... the Bastille, Judge Van Dorn spoke most beautifully of liberty, and led off when they sung the Marseillaise; on Labor Day he was the orator of the occasion, and made a great impression among the workers by his remarks upon the dignity of labor. He quoted Carlyle and Ruskin and William Morris, and wept when he told them how the mob had crucified the Carpenter, ...
— In the Heart of a Fool • William Allen White
... stuff!" said the Bush damsel, hopelessly. She turned to the cover, a dainty thing of pale blue and gold. "William Morris? Didn't we have a stockman once called Bill Morris? But I'm pretty certain he never wrote this. The name's the same, though!" thought Norah, uncertainly. She turned ...
— Mates at Billabong • Mary Grant Bruce
... The Collected Works of William Morris Volume XXI The Sundering Flood Unfinished Romances Longmans Green and Company Paternoster Row London ...
— The Sundering Flood • William Morris
... wife is an untrained, common little country girl? Even when I tell you that she uses such words as 'swell,' and 'perfect lady,' and that she asked me who Phillips Brooks was, and had never heard of William Morris or Maeterlinck you can really form no idea of her ignorance! And the dinner,—one shudders at the thought of beginning to teach her of correct service; hors d'oeuvres, finger-bowls, butter-spreaders, soup-spoons and salad-forks will all ...
— Poor, Dear Margaret Kirby and Other Stories • Kathleen Norris
... the birds at mating season. In the case of women poets, verse often affords an essentially refined and lady-like manner of expressing one's sentiments toward a possible suitor. The convention so charmingly expressed in William Morris' lines, Rhyme Slayeth Shame, seems to be especially grateful to them. At times the ruse fails, as ...
— The Poet's Poet • Elizabeth Atkins
... 22, 1872, the Citizens' Suffrage Association of Philadelphia was formed, William Morris Davis, president, with fifty members. The name of the society was chosen to denote the view of its members as to the basis of the elective franchise. The amendments to the United States constitution had clearly defined who were citizens, and shown citizenship ...
— History of Woman Suffrage, Volume III (of III) • Various
... founder's pastoral staff, silver gilt, and in the former case both jewelled and enamelled; while Exeter and Magdalen prize among their chief treasures tapestry hangings of great beauty, the former designed by Burne-Jones, and executed by William Morris (both Hon. Fellows of the College), the latter of considerable antiquity, having been presented to the College by Prince Arthur, son of Henry VII. But so innumerable are the artistic delights hidden ...
— Oxford • Frederick Douglas How
... knows the feeling that sometimes calls us to a life where we fend and cater for ourselves in the fields and rivers, such as William Morris knew when he shot fieldfares with his bow and arrow and cooked them for his supper. Shakespeare knew it too, in the mind of Caliban, and his business was to realise this subject-matter for us in such a way that it could not possibly escape ...
— The Lyric - An Essay • John Drinkwater
... make it easy for us to understand why so many women are ready to sympathize with William Morris in the sentiments he expressed in the following ...
— Socialism: Positive and Negative • Robert Rives La Monte
... inferiority is obvious of course. They are not in the grand style; they are epic on a lower plane, ballad-epic, bastard-epic perhaps, but they are epic. No English verse narrative except Chaucer's ranks, as a whole, above Scott's. Chaucer's disciple, William Morris, has an equal flow and continuity, and keeps a more even level of style; but his story-telling is languid compared with Scott's. The latter is greater in the dynamic than in the static department—in scenes of rapid action and keen excitement. His show passages are such as the ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... in the arts, especially with regard to those of a decorative kind, is based on the recently awakened esthetic desires of a small section of the general public, who owe their activity in this direction to the influence of men like John Ruskin and William Morris. The first of these, by his magic insight, discerned the true source of vitality which lay in the traditions of medieval workmanship, i.e., their intensely human character and origin. His fiery words compelled attention, and awakened a new enthusiasm for ...
— Wood-Carving - Design and Workmanship • George Jack
... civilised nation honours its idealists, and recognises the immense benefit which they confer on the community by creating or revealing new and inexhaustible values; in an uncivilised country they can hardly live. Ruskin and William Morris saw, and doubtless exaggerated, the danger to which spiritual values were exposed at the hands of the dominant economism. Our danger now is that neglect of the simplest economic laws may plunge the nation into such misery that the people will no longer be willing to support ...
— Outspoken Essays • William Ralph Inge
... great developments took place in English verse. In 1858 there was no Rossetti, no Swinburne; we may say that, as far as the general public was concerned, there was no Matthew Arnold and no William Morris. This fact has to be taken into consideration in dealing with the tender humanism of Mr. Johnson's verses. They are less coruscating and flamboyant than what we became accustomed to later on. The tone is extremely pensive, sensitive, and melancholy. But where the author is at his best, he is not ...
— Gossip in a Library • Edmund Gosse
... dramatist that all of his heroes, like Poe's, are images of himself. No matter what the raw material of his narrative poems may be, they become uniformly "Byronic" as he writes them down. And all this is "lyricism," however disguised. William Morris, almost alone among modern English poets, seemed to stand gravely aloof from the tales he told, as his master Chaucer stood smilingly aloof. Yet the "tone" of Chaucer is perceived somehow upon every page, in ...
— A Study of Poetry • Bliss Perry
... capitalistic state. The invention and perfection of the industrial machine had by now thoroughly dislocated former social groupings, made its own ethical standards and human problems. In the early days of the labor movement William Morris wrote, "we have become slaves of the monster to which invention has given birth." In 1853, shortly after the introduction of the cotton gin into India, the Viceroy wrote: "The misery is scarcely paralleled in the history of trade." (A large statement that!) "The bones of the ...
— Preaching and Paganism • Albert Parker Fitch |
