"Dramatis personae" Quotes from Famous Books
 ... ventured to inquire what new work? "Ah, nothing!"—le faible Enfant de ma Vieillesse—a tragedy. "May I ask the subject?" "The subject is wholly Genevan," replied Voltaire, "the name, Empro-Giro, and the dramatis personae Carin-Caro, Dupins-Simon, and Carcail Briffon, &c." He then began to repeat, with great animation, a number of passages, to which his visitor listened in perfect raptures, but drew, meanwhile, a snuff-box ...
— The Mirror of Literature, Amusement, and Instruction - Volume XII. F, No. 325, August 2, 1828. • Various
... anything to give her the slightest cause for alarm. The dramatis personae of the offices of Tutt & Tutt were characteristic of the firm, none of their employees—except Miss Sondheim, the tumultous-haired lady stenographer—and Willie, the office boy, being under forty years ...
— Tutt and Mr. Tutt • Arthur Train
... be added about the Dramatis Personae for the play. It does not contain the Stage-Keeper, who speaks only once, the Servant whose single word is accompanied by the stage direction "This Servant is to be on from the beginning," nor the Romp (probably the ...
— The Covent Garden Theatre, or Pasquin Turn'd Drawcansir • Charles Macklin
... are also included Gerard de Roussillon, Hugues Capet, Macaire (wherein occurs the famous episode of the Dog of Montargis), and Huon de Bordeaux, which latter supplied Shakespeare, Wieland, and Weber with some of the dramatis personae of their well-known comedy, poem, and opera. We must also mention what are often termed the Crusade epics, of which the stock topics are quarrels, challenges, fights, banquets, and tournaments, and among which ...
— The Book of the Epic • Helene A. Guerber
... the current of progress, is equally true, in a minor degree, of speeches and sentences which arrest the culminating interest by calling attention away to other objects. It is an error which arises from a deficient earnestness on the writer's part, or from a too pliant facility. The DRAMATIS PERSONAE wander in their dialogue, not swayed by the fluctuations of feeling, but by the author's desire to show his wit and wisdom, or else by his want of power to control the vagrant suggestions of his fancy. The desire for display and the inability to control are weaknesses that lead to almost every transgression ...
— The Principles of Success in Literature • George Henry Lewes
... from ever creating any very memorable characters. The author of ten novels, immensely popular for more than a score of years, he has to his credit not a single figure—man or woman—generally accepted by the public as either a type or a person. With remarkably few exceptions he has seen his dramatis personae from without and—doubtless for that reason—has apparently felt as free to saw and fit them to his argument as he has felt with his plots. Something preposterous in the millionaire reformer Mr. Crewe, something cantankerous and passionate ...
— Contemporary American Novelists (1900-1920) • Carl Van Doren
... preceded "Cynthia's Revels" was "Every Man Out of his Humour." It was first printed in 1600, and Ben Jonson amused himself by adding to its list of Dramatis Personae this piece of ...
— Character Writings of the 17th Century • Various
... confirm this truth, the whole dramatis personae might be summoned as evidence, in whose characters human nature is powerfully described; and if, at times, too boldly for a reader's sober fancy, most judiciously adapted to that spirit which guides ...
— John Bull - The Englishman's Fireside: A Comedy, in Five Acts • George Colman
... same I'm tellin' ye?" And on she went, going back to the scene she had witnessed in her own room between Kalmar and his children, and describing the various dramatis personae and the torrential emotions that had swept their hearts in that scene of final ...
— The Foreigner • Ralph Connor
... look in upon me, and—and as you will be going a good deal into society, just find out what people say of my manner of life!" [It will be perceived by those readers who are kind or patient enough to reach the conclusion of this work, that Russelton is specified as one of my few dramatis personae of which only the first outline is taken from real life: all the rest—all, indeed, which forms and marks the character thus briefly delineated, is drawn solely ...
— Pelham, Complete • Edward Bulwer-Lytton |
