"Parthenon" Quotes from Famous Books
 ... (Group 98). Nominal terms to the Army, Navy and Civic Guard. Address till end of week, The Parthenon, Puddlecombe. Next, ...
— Punch, Or The London Charivari, Vol 150, February 9, 1916 • Various
... to knock off Rome. The Roman civilization was a very inferior affair, no doubt. But Bonamy talked a lot of rot, all the same. "You ought to have been in Athens," he would say to Bonamy when he got back. "Standing on the Parthenon," he would say, or "The ruins of the Coliseum suggest some fairly sublime reflections," which he would write out at length in letters. It might turn to an essay upon civilization. A comparison between the ancients and moderns, with ...
— Jacob's Room • Virginia Woolf
... arrangements of line. The same rhythmical principle is found in the designs of the classical frieze in all its varieties, culminating in the rhythmic movement of the great Pan-Athenaic procession in that master-frieze of the Parthenon, which, though full of infinite variety and delicate sculptured detail, is yet controlled by a strictly ornamental motive, and constructed upon the rhythmic recurrence ...
— Line and Form (1900) • Walter Crane
... something which we care to look at, and to look at on account of its beauty; even as, in lesser degree, Rubens has always managed to make us feel towards his flaccid, veal-complexioned, fish-eyed women, something of what we feel towards the goddesses of the Parthenon; towards the white-robed, long-gloved ladies, with meditative face beneath their crimped auburn hair, ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. II • Vernon Lee
... religion of Pleasure, in which all Europe gave itself to luxury, ending in death. First, bals masques in every saloon, and then guillotines in every square. And all these three worships issue in vast temple building. Your Greek worshipped Wisdom, and built you the Parthenon—the Virgin's temple. The Mediaeval worshipped Consolation, and built you Virgin temples also—but to our Lady of Salvation. Then the Revivalist worshipped beauty, of a sort, and built you Versailles, and the Vatican. Now, lastly, will you tell me what we worship, and ...
— The Crown of Wild Olive • John Ruskin
... books she had given him, he understood and appropriated only those parts that related to his subject. All the rest was lost: the literary quality, the atmosphere, the historic perspective. To him it could never mean anything that Plato saw the Parthenon. ...
— The Mayor of Warwick • Herbert M. Hopkins
... not her body, but (and here his eyes rested very tenderly upon the thin white profile of his wife) her soul. "Still," I answered, "the ancients, who understood such matters, did manufacture some tolerable female statues: the Fates of the Parthenon, the Phidian Pallas, ...
— Hauntings • Vernon Lee
... The Parthenon, which is esteemed the grandest of all monuments of Greek art, embodying as it does the highest achievement in sculpture and architecture, was built just after the middle of the fifth century, although the precise date at which it was begun ...
— The Brochure Series of Architectural Illustration, Volume 01, No. 08, August 1895 - Fragments of Greek Detail • Various
... to Mother Spier's was a magnificent representation of the Parthenon: there were three pillars, and a great thing like this (a not over-successful sketch of a pediment), with the Eton and Royal arms in the middle, and "Gratulatur Etona Victoria et Alberto" It cost 150, and there were 5,000 lamps hung on it. Throughout the whole day we all ...
— Life of John Coleridge Patteson • Charlotte M. Yonge
... woman to become a member of the National Sculpture Society. I quote from his article as follows: "The most imposing product of Miss Yandell's genius was the heroic figure of Athena, twenty-five feet in height, which stood in front of the reproduction of the Parthenon at the Nashville Exposition. This is the largest figure ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... the Coliseum when its majestic ruins were silvered o'er by the light of the same lovely orb, which now threw its lustre on these prostrate relics of departed greatness: I have wandered alone among the temples of Paestum; I have stood on the Parthenon while the sun threw his latest, brightest ray over that hallowed spot: but never did I feel as among the ruins of Girgenti. On all these former scenes, the combination of nature and art has fixed the impress of mere beauty; ...
— Journal of a Visit to Constantinople and Some of the Greek Islands in the Spring and Summer of 1833 • John Auldjo
... the French Revolution, the huge gifts of the navigators who brought new worlds to the old one, and the miraculous exception of scientific discoveries, which by a second miracle were not smothered in their youth—are they not also common to all, like the undying beauty of the ruins of the Parthenon, Shakespeare's lightning and Beethoven's raptures, and ...
— Light • Henri Barbusse
... over circle, solemnly rises some immeasurable dome in your soul—far away, swelling and heaving into the vapour you raise—as if from one Mozart's grandest marches of a temple were rising, like Venus from the sea—at such a time, to have your whole Parthenon tumbled about your ears by the knell of the ship's bell announcing the expiration of the half-hour for smoking! Whip me, ye Furies! toast me in saltpetre! smite me, some thunderbolt! charge upon me, endless squadrons of Mamalukes! ...
— White Jacket - or, the World on a Man-of-War • Herman Melville
... enter here into the question of the exact degree of severity and abstraction necessary in the forms of living things architecturally employed; my own feeling on the subject is, though I dare not lay it down as a principle, (with the Parthenon pediment standing against me like the shield of Ajax,) that no perfect representation of animal form is right in architectural decoration. For my own part, I had much rather see the metopes in the Elgin room of the British Museum, and the Parthenon without them, than have ...
— Modern Painters Volume II (of V) • John Ruskin
... Casha, they at last entered upon the slope, and thence into the plain of Attica but the intervening heights and the trees kept the town concealed, till a turn of the path brought it full again before them; the Acropolis crowned with the ruins of the Parthenon—the Museum ...
— The Life of Lord Byron • John Galt
... not; Pheidias not. Pascal, the Savant, is out-run, Pascal, the Writer, not. There is movement in art, but not progress. The Frescoes of the Sistine Chapel are absolutely nothing to the Metopes of the Parthenon. Retrace your steps as much as you like from the Palace of Versailles to the Castle of Heidelberg. From the Castle of Heidelberg to the Notre Dame of Paris. From the Notre Dame to the Alhambra. From the Alhambra to St. Sophia. From St. Sophia to the Coliseum. From the Coliseum to ...
— Cobwebs of Thought • Arachne
... corridors golden. In all the wide farm-place the person most human. You spoke out so plainly with squealing and capering, With whinnying, snorting, contorting and prancing, As you dodged your pursuers, looking askance, With Greek-footed figures, and Parthenon paces, O broncho that would not be ...
— Chinese Nightingale • Vachel Lindsay
... brotherhood of culture, the culture city itself. Similarly in art, we no longer imitate nature, nor copy traditional designs. Art proper appears, shaping bronze and marble into images of the gods, and on a burnt and ruined hill-fort renewing the Parthenon. In general terms, instead of simply adjusting, as in the school, our mental picture to the outward facts, we reverse the process; and with a new art conception, be it good or bad, we transform the outward world, like wax under the seal. Thus from the [Page: 88] cloister and chapel of the musician, ...
— Civics: as Applied Sociology • Patrick Geddes
... which at least devastate with impartiality and grandeur, have been joined by a cloud of school architects, licensed, sworn, and bound by oath; defacing with the discernment and choice of bad taste, substituting the chicorees of Louis XV. for the Gothic lace, for the greater glory of the Parthenon. It is the kick of the ass at the dying lion. It is the old oak crowning itself, and which, to heap the measure full, is stung, bitten, and gnawed ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... still see enough to render possible a just impression of her old and chaste magnificence. It is painful to reflect within how comparatively short a period the chief injuries have been inflicted on such buildings as the Parthenon, and the temple of Jupiter Olympus, and to remember how recent is the greater part of the rubbish by which these edifices have been choked up, mutilated, and concealed. Probably until within a very few centuries, ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various
... sculptors. At any rate, the spirit of Greece still lives and breathes in its ashes. Its temples, as restored by modern architects, are Greek. Its works in marble and bronze claim a place in that cyclus of art of which the metopes of the Parthenon are the highest point of excellence. The pictures that embellish the walls, the unzoned nymphs, the bounding Bacchantes, the grotesque Fauns, the playful arabesques, all are informed with the airy and creative spirit ...
— Italy, the Magic Land • Lilian Whiting
... beyond doubt more familiar than his contemporaries with Greek ideas. In a chapter on Idealism in his little book on Religion and Art in Ancient Greece, Professor Ernest Gardner writes: "The statue (of Athene) by Phidias within the Parthenon offered not merely that form in which she would choose to appear if she showed herself to mortal eyes, but actually showed her form as if she had revealed it to the sculptor. To look upon such an image ...
— The Religious Experience of the Roman People - From the Earliest Times to the Age of Augustus • W. Warde Fowler
... architecture adopted in the new Hall is that of the age of Edward III, as exhibited in that Parthenon of Gothic architecture, York Minster; although the architect, Mr. Porden, has occasionally availed himself of the low Tudor arch, and the forms of any other age that suited his purpose, so as to adapt the rich variety of our ancient ecclesiastical ...
— The Mirror, 1828.07.05, Issue No. 321 - The Mirror of Literature, Amusement, and Instruction • Various
... to get in my hand a bit, And reading Dutch books that I don't understand a bit: But to-day Lady Charty and sweet Mrs. Lucy em- Broidered the dusk of the British Museum, And made me so happy by talking and laughing on That I loved them more than the frieze of the Parthenon. But I'm sleepy I know and don't know if I silly ain't; Dined to-night with your sisters, where Tommy was brilliant; And, while I the rest of the company deafened, I Dallied awhile with your auntlet of seventy, ...
— Margot Asquith, An Autobiography: Volumes I & II • Margot Asquith
... revolutions which at least laid waste with impartiality and grandeur, are conjoined the host of scholastic architects, licensed and sworn, degrading all they touch with the discernment and selection of bad taste, substituting the tinsel of Louis XV. for Gothic lace-work, for the greater glory of the Parthenon. This is the donkey's kick at the dying lion. It is the old oak, decaying at the crown, pierced, bitten and devoured ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... seemed to see the white figures throwing purple shadows on the sun-baked palaestra; 'bands of nude youths and maidens'—you remember Gautier's words—'moving across a background of deep blue as on the frieze of the Parthenon.' I began to read Greek eagerly for love of it all, and the more I read the more ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... awakened, or for avoiding which no reasonable means had been found. To learn from genius, we must try to recognize, both what is still imperfect, and what is grandly and unwontedly successful. There is no great work of art, not excepting even the Iliad or the Parthenon, which is not open, especially in point of ornament, to the scoff of the scoffer, or to the injustice of those who do not mind being unjust. But all art belongs to man; and man, even when he is greatest, is always ...
— Spenser - (English Men of Letters Series) • R. W. Church
... if all our sires and we Are but foundations of a race to be,— Stones which one thrusts in earth, and builds thereon A white delight, a Parian Parthenon, And thither, long thereafter, youth and maid Seek with glad brows the alabaster shade, And in processions' pomp together bent Still interchange their sweet words innocent,— Not caring that those mighty columns rest Each on the ruin of a human breast,— That to the shrine the victor's chariot ...
— Some Christian Convictions - A Practical Restatement in Terms of Present-Day Thinking • Henry Sloane Coffin
... taste to the verge of indecency. Such weaknesses are resigned to women approaching senility, and to the more ignoble variety of women labourers. A shop girl, perhaps, may plausibly fall in love with a moving-picture actor, and a half-idiotic old widow may succumb to a youth with shoulders like the Parthenon, but no woman of poise and self-respect, even supposing her to be transiently flustered by a lovely buck, would yield to that madness for an instant, or confess it to her dearest friend. Women know how little such ...
— In Defense of Women • H. L. Mencken
... decorating the forms around him—his arms, utensils, dwelling, or his own person. The history of every nation proves this, and no matter how rude, and even ugly, their efforts may seem to us, we are bound to recognize in them the same motives that actuated the builders of the Parthenon or of St. Peter's at Rome. This awakening and gratification of the aesthetic sense seems to be the first advance from a condition of mere animal existence, in which food, shelter, and comfort are the only considerations, to tastes ...
— Scientific American Supplement, No. 598, June 18, 1887 • Various
... By the fifth century, in painting them as in other departments of Art, the supremacy of Attica had asserted itself, and there are many beautiful Attic vase-paintings of animals to place by the side of the magnificent horses' heads of the Parthenon (Fig. 6). In Attica, too, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. From the latter period a number of dishes ...
— The Legacy of Greece • Various
... that of the state, so the Gothic Palace was, in its foundation, coeval with that of the aristocratic power. Considered as the principal representation of the Venetian school of architecture, the Ducal Palace is the Parthenon of Venice, and ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... God some men have! What can an Eskimo, whose highest conception of summer is a stunted bush, know of tropical orchards, of luscious peach, pear and plum? If the student has seen only the broken fragments of Phidias, what can he know of the Parthenon as it once stood in the zenith of its perfection, in the splendor of its beauty? But if man's reason can cull out all the lustrous facts of nature and history, and if his imagination has strength and ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... forms the entrance to the city from the Thiergarten, and is a sort of triumphal arch, erected in 1789. It is seventy feet in height, and two hundred in width, being modelled after the entrance in the gateway of the temple of the Parthenon at Athens. It affords five passage-ways ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... A massive and majestic shrine, the Parthenon of beer drinking, seductive to virtuosi, fascinating to the connoisseur, but a bit too strenuous, a trifle too cruel, perhaps, for the dilettante. The Muencheners love it as hillmen love the hills. There every one of them returns, soon or late. There he takes his children, to teach ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... striking object in Athens is the Acropolis, or Citadel—a rock which rises abruptly from the plain, and is crowned with the Parthenon. This was a temple dedicated to the goddess Minerva, and was built of the hard white marble of Pentelicus. It suffered from the ravages of war between the Turks and Venetians, and also more recently in our own time. The remnant of the sculptures which ...
— The Illustrated London Reading Book • Various
... claims in behalf of the Canongate are not the slightest. The Castle may excel us in extent of prospect and sublimity of site; the Calton had always the superiority of its unrivalled panorama, and has of late added that of its towers, and triumphal arches, and the pillars of its Parthenon. The High Street, we acknowledge, had the distinguished honour of being defended by fortifications, of which we can show no vestiges. We will not descend to notice the claims of more upstart districts, called ...
— The Fair Maid of Perth • Sir Walter Scott
... world, and be very glad to find his laddie as interested in such things as in marbles or Police and Robbers. That would be better than beating all good feeling towards religion out of the child, and blackening his mind by teaching him that the worshippers of the holy virgins, whether of the Parthenon or St Peter's, are fire-doomed heathens and idolaters. All the sweetness of religion is conveyed to the world by the hands of storytellers and image-makers. Without their fictions the truths of religion would for the multitude be neither intelligible ...
— Back to Methuselah • George Bernard Shaw
... bear one another, fought in the stable, and bit each other as they reared in harness. It was impossible to reconcile them, which was a pity, for with their hog manes, like those of the horses on the Parthenon frieze, their quivering nostrils, and their eyes dilated with anger, they looked uncommonly handsome as they were driven up or down the Avenue des Champs-Elysees. A substitute had to be found for Betsy, and a small mare, somewhat lighter ...
— My Private Menagerie - from The Works of Theophile Gautier Volume 19 • Theophile Gautier
... Buncombe—who was what people call an archaeologist, fond of grubbing up old stones and skeletons, and digging like an old mole amongst ruins—continually talking all day long about Marathon and Hymettus, the Parthenon and Chersonese, the Acropolis, and Theseus and Odysseus and all the rest of them, bothering our lives out with questions about Homer and the Iliad, and all such stuff; so, I put it to you candidly, whether it wasn't almost as bad as being back ...
— Tom Finch's Monkey - and How he Dined with the Admiral • John C. Hutcheson
... porch of the palace was pillared—and the character of the building outside was, without any servile imitation—for we worked in the glow of original genius, and none of us had then ever seen itself or its picture—wonderfully like the Parthenon. Entering, you found yourself in a superb hall, lighted up—not with gas, for up to that era gas had not been used except in Pandemonium—but with a vast multitude of farthing candles, each in a turnip stuck into the wall—while a chandelier of frozen snow-branches ...
— Recreations of Christopher North, Volume 2 • John Wilson
... poetry. Depend upon it, the rest are barbarians. He is a Greek Temple, with a Gothic Cathedral on one hand, and a Turkish Mosque and all sorts of fantastic pagodas and conventicles about him. You may call Shakspeare and Milton pyramids, if you please, but I prefer the Temple of Theseus or the Parthenon to a mountain of ...
— Life of Lord Byron, With His Letters And Journals, Vol. 5 (of 6) • (Lord Byron) George Gordon Byron
... capital, and supported the entablature. The horizontal lines of the architrave and cornice were more marked than the vertical lines of the columns. The portico with its row of columns supported the pediment. The Parthenon is the most perfect example of the Doric order, and shattered as it is by time and man it is still one of the most beautiful buildings in the world. It was built in the time of Pericles, from about 460 to 435 B.C., and the work was superintended by Phidias, who did much of the work himself and left ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop
... shaking the tiny leaves of the tressy pepper trees near the Royal Palace; whispering the antique secrets of the ages into the ears of the maidens who, unwearied and happily submissive, bear up the Porch of the Erechtheion; stealing across the vast spaces and between the mighty columns of the Parthenon. The dawns and the twilights had not lost the pure savor of their almost frail vitality. The deepness of slumber still ...
— In the Wilderness • Robert Hichens
... a civic status, but we are making precedents every day in our conduct of popular government. In Athens—where woman was both worshiped and degraded—the protectress of the city was a feminine ideal whose glorious image crowned the Parthenon with consummate beauty. In America, where woman is beloved and respected as nowhere else in the world—if she is only true to the ideals of private and public virtue—if she seeks power only as a means for the highest good of the race, ...
— History of Woman Suffrage, Volume II • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage
... classic quality whose supreme expression is found in Greek literature. This is because Lincoln had an essentially Hellenic mind. First of all the architecture of his thought was that of the Greek masters, who, whether as Phidias they built the Parthenon to crown with harmonious beauty the Acropolis, or as Homer they recorded in swelling narrative from its dramatic beginning the strife of the Achaeans before Troy, or even as Euclid, they developed from postulates the ...
— The Poets' Lincoln - Tributes in Verse to the Martyred President • Various
... build your house: an airy situation is invaluable in warm weather; and then a view is so desirable. In the choice of a style of architecture some difficulty arises. You may either have a clap-board Parthenon, with Corinthian columns in front and Doric columns in the rear, painted white, to flash back the rays of the sun, or which is perhaps more fashionable, a Gothic cottage, with steep roof, rustic pillars, fantastic barge-boards, and numerous ...
— The Knickerbocker, or New-York Monthly Magazine, January 1844 - Volume 23, Number 1 • Various
... himself on his expensiveness. He had been in no hurry to be bought. It had seemed to him a good thing to stand there motionless, majestic, day after day, far beyond the reach of average purses, and having in his mien something of the frigid nobility of the horses on the Parthenon frieze, with nothing at all of their unreality. A coat of real chestnut hair, glossy, glorious! From end to end of the Parthenon frieze not one ...
— Yet Again • Max Beerbohm
... of Bavaria is the Val Halla, a modern temple designed to receive memorials of all the great names of Germany. The idea is kingly, and so is the temple; but it is built on the model of the Parthenon—evidently a formidable blunder in a land whose history, habits, and genius, are of the north. A Gothic temple or palace would have been a much more suitable, and therefore a finer conception. The combination of the palatial, the cathedral, and the ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... of the scene and story were defined and deepened as we gazed on the sculptured form of a recumbent knight in armor, preserved in the academy of the old city; it seemed to bring back and stamp with brave renown forever the gallant soldier who so long ago perished there in battle. In Cathedral and Parthenon, under the dome of the Invalides, in the sequestered parish church or the rural cemetery, what image so accords with the sad reality and the serene hope of humanity, as the adequate marble personification on sarcophagus and beneath shrine, in ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various
... which flames in creation, can be apprehended in its results alone. Rule applies but to the merits of denial—to the excellencies which refrain. Beyond these, the critical art can but suggest. We may be instructed to build a "Cato," but we are in vain told how to conceive a Parthenon or an "Inferno." The thing done, however; the wonder accomplished; and the capacity for apprehension becomes universal. The sophists of the negative school who, through inability to create, have scoffed at creation, are now found the loudest in applause. What, in its chrysalis condition of principle, ...
— The Works of Edgar Allan Poe - Volume 2 (of 5) of the Raven Edition • Edgar Allan Poe
... clerk and the sexton and the parish beadle with his broad gold-laced hat, and cane of striking authority; and he loved the watchmen and their drowsy drawl of "past umph a' clock;" he loved the charity schools and admired beyond all the sculpture of Phidias, or the marble miracles of the Parthenon, the two full-length statues about three feet each in length and two feet six inches each in breadth, representing a charity boy and a charity girl, standing over the door of the parish school; he loved the city companies, their halls, their balls, though he never danced at them, their dinners, ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, - Issue 493, June 11, 1831 • Various
... yet, when no one knew in those dumb days Exactly what was going on, Without reporters they contrived to raise The Pyramids and Parthenon; CONFUCIUS preached the Truth, and so did PAUL, Though neither of them got ...
— Punch, or the London Charivari, Volume 159, December 8, 1920 • Various
... in New Jersey; and "Homewood" takes one back to Charles Carroll, of Carrollton, and Baltimore in 1802. The massive log building from Oregon is fairly representative of that state of virgin forests, notwithstanding the mistaken attempt to reproduce the classic Parthenon in such a crude medium. In this view the magnificent building for New York is in the foreground. Beyond, in the order named, are the buildings for Pennsylvania, New York City, ...
— The Architecture and Landscape Gardening of the Exposition • Louis Christian Mullgardt
... you; I see," said Margaret, with the kind readiness of woman, who would profess to "see" the Secret of Hegel, or the inmost heart of the Binomial Theorem, or the nature of the duties of cover-point, or the latest hypothesis about the frieze of the Parthenon, rather than be troubled with prolonged explanations, which the expositor, after all, might find it ...
— The Mark Of Cain • Andrew Lang
... they have been; and such you may be yet, if you will use that science of which you too often only boast. Above all, I had been pondering over the awful and yet tender beauty of the maiden figures from the Parthenon and its kindred temples. And these, or such as these, I thought to myself, were the sisters of the men who fought at Marathon and Salamis; the mothers of many a man among the ten thousand whom Xenophon led back from ...
— Sanitary and Social Lectures and Essays • Charles Kingsley
... The day for irrelevant statues, as for wall pictures, is over. As a matter of fact sculpture is always part of an architectural conception. And since churches are all museum stuff, since industry is our business, now, then let us make our places of industry our art—our factory-area our Parthenon, ECCO!' ...
— Women in Love • D. H. Lawrence
... new marble buildings of the Parthenon, rich with the statues and bas-reliefs of Phidias and his scholars, gleaming white against the blue sky, with the huge bronze statue of Athene Promachos, fifty feet in height, towering up among the temples and colonnades. In front, and far below, gleams the ...
— Literary and General Lectures and Essays • Charles Kingsley
... Venus of Praxiteles, of the Jupiter Olympius of Phidias, and the other lost wonders of ancient chisels, and, more directly, the tender severity of Doric capitals, and the secret grace of the shafts of the Parthenon. ...
— Atlantic Monthly, Vol. 7, No. 44, June, 1861 • Various
... and capital of the most polished communities of Greece, and she drew into a focus all the Grecian intellect; she obtained from her dependants the wealth to administer the arts, which universal traffic and intercourse taught her to appreciate; and thus the Odeon, and the Parthenon, and the Propylaea arose! During the same administration, the fortifications were completed, and a third wall, parallel [289] and near to that uniting Piraeus with Athens, consummated the works of Themistocles and Cimon, and preserved ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... and "Andromache" and I half expected to see Plato drop in for a chat, or Euripides call with an invitation to witness a rehearsal of the "Medea." Athens is to me the most satisfactory of all the restored cities of antiquity, every relic there is so indisputably genuine. My sunrise view from the Parthenon was a fair match for a midnight view I once had ...
— Recollections of a Long Life - An Autobiography • Theodore Ledyard Cuyler
... rendered me quite comfortable. After a little the wind lulled, the fog dispersed again, and the iceberg seemed to contemplate our slow departure with complacent serenity. We regretted that the hour forbade a return. It would have been pleasant to play around that Parthenon of the sea in the twilight. The best that was left us was to look back and watch the effects of light, which were wonderfully fine, and had the charm of entire novelty. The last view was the very finest. All the east front was a most tender blue; the fissures on the ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... however, several questions, some of which seem still undecided. When was the temple built? Was it all built at one time? Was it restored after its destruction by the Persians? Did it continue in use after the erection of the Parthenon? Was it in existence in the days of Pausanias? Did Pausanias mention it in his description of the Acropolis? Conflicting answers to nearly all of these questions Page 2 have appeared since the discovery of the temple. Only the first ...
— The American Journal of Archaeology, 1893-1 • Various
... weaknesses, 'Orfeo' is a work of consummate loveliness. Compared to the tortured complexity of our modern operas, it stands in its dignified simplicity like the Parthenon beside the bewildering beauty of a Gothic cathedral; and its truth and grandeur are perhaps the more conspicuous because allied to one of those classic stories which even in Gluck's time had become almost synonymous ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... their westward march through dewy night, to tell them tantalizing tales of how musically Aegean wavelets broke against the marbles at Piraeus; how loud the nightingales sang in the plane and poplar groves at home; how the white glory of the Parthenon smiled down on violet-crowned Athens, where their wives and children thronged the temples, in sacrificial ...
— At the Mercy of Tiberius • August Evans Wilson
... Constitution is the most subtle organism which has proceeded from progressive history, so the American Constitution is the most wonderful work ever struck off at a given time by the brain and purpose of man."[6] Let us now see who the men were who did this wonderful work,—this Iliad, or Parthenon, or Fifth Symphony, of statesmanship. We shall not find that they were all great geniuses. Such is never the case in such an assembly. There are not enough great geniuses to go around; and if there ...
— The Critical Period of American History • John Fiske
... the fish outbuilt her shell, Painting with morn each annual cell? Or how the sacred pine-tree adds To her old leaves new myriads? Such and so grew these holy piles, Whilst love and terror laid the tiles. Earth proudly wears the Parthenon, As the best gem upon her zone, And Morning opes with haste her lids To gaze upon the Pyramids; O'er England's abbeys bends the sky, As on its friends, with kindred eye; For out of Thought's interior sphere These wonders rose to upper air; And Nature gladly gave them place, Adopted them ...
— Selections From American Poetry • Various
... himself as to consort with rebels and political jobbers. "Surely the curse of Minerva, uttered by a great poet against the father, clings to the son." The removal of the old office-holders seemed to this writer to be an act of desecration not unlike the removal of the famous marbles from the Parthenon. In a despatch explaining his course on the Rebellion Losses Bill, Lord Elgin said that long before that legislation there were evidences of the temper which finally produced the explosion. He quoted the following passage from ...
— George Brown • John Lewis
... he wrote in 1856, "I went out at about twelve and visited the British Museum; an exceedingly tiresome affair. It quite crushes a person to see so much at once, and I wandered from hall to hall with a weary and heavy heart, wishing (Heaven forgive me!) that the Elgin marbles and the frieze of the Parthenon were all burnt into lime, and that the granite Egyptian statues were hewn and squared into ...
— Hawthorne - (English Men of Letters Series) • Henry James, Junr.
... dim forest crowded with old oaks, Answer. A race, that long has passed away, Built them;—a disciplined and populous race Heaped, with long toil, the earth, while yet the Greek Was hewing the Pentelicus to forms Of symmetry, and rearing on its rock The glittering Parthenon. These ample fields Nourished their harvests, here their herds were fed, When haply by their stalls the bison lowed, And bowed his maned shoulder to the yoke. All day this desert murmured with their toils, Till twilight blushed, and lovers walked, and wooed In a forgotten language, and ...
— Poems • William Cullen Bryant
... lady has been called classical, Greek, and so on, but is, in truth, a very modern reproduction of a classical type—a Venus by Mr. Gibson, rather than a Venus by Milo; a classic draped figure of a Wedgwood plaque more than an echo from the Parthenon.... The actress has evidently been well taught, and is both an apt and clever pupil; she speaks clearly, enunciates well, occasionally conceals the art she has so closely studied, and is at times both tender and graceful.... Her one great fault is insincerity, or, ...
— Mary Anderson • J. M. Farrar
... upon which the Greeks themselves are not in entire accord." A remarkable utterance. Politicians had gone to Siberia for less. Palmerston, too, had his way, and Otto, escorted by a warship, left his fatherland. On arriving in Athens, the joy-bells rang out and the columns of the Parthenon were flood-lit. But the choice was not to the popular taste; and it was not long before Otto was extinguished, as well as the lights. By the irony of fate, he returned to Munich on the very day that Ludwig had erected a Doric arch to commemorate the activities of the House of Wittelsbach in securing ...
— The Magnificent Montez - From Courtesan to Convert • Horace Wyndham
... about followed by a crowd of youths eager to drink in their words. Here is the Acropolis, with its snow-white temples and propylaeum, fair and chaste as though they had been built in heaven and gently lowered to this Attic mound by the hands of angels. There in the Parthenon are the sculptures of Phidias, and yonder in the temple of the Dioscuri, the paintings of Polygnotus,—ideal beauty bodied forth to lure the souls of men to unseen and eternal worlds. If they turn to the east, the isles of the AEgean look up to them like virgins ...
— Education and the Higher Life • J. L. Spalding
... wonders of the world, was decorated with beautiful carvings by Phidias, and all the rich Athenians went to see them as soon as they were finished. This sculptor also made a magnificent gold and ivory statue of the goddess, to stand in the midst of the Parthenon. But in spite of all his talent, Phidias had many enemies. After a while they wrongfully accused him of stealing part of the gold intrusted to him. Phidias vainly tried to defend himself; but they would not listen to him, and put him in prison, ...
— The Story of the Greeks • H. A. Guerber
... rather than the ordinary reader. They are the materials of history, not history itself. They bear the same relation to the works of Livy or Gibbon which the rude blocks in the quarry do to the temples of St Peter's or the Parthenon. Ordinary readers are not aware of this when they take up a volume of despatches; they expect to be as much fascinated by it as they are by the correspondence of Madame de Sevigne, Cowper, Gibbon, or Arnold. They will soon ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... nourished in a particular fashion; and, when it had been shown in every street, in every square, and before every temple, in the midst of a procession continually chanting, it ascended to the Acropolis, brushed passed the Propylaeum, and entered the Parthenon. ...
— The Temptation of St. Antony - or A Revelation of the Soul • Gustave Flaubert
... by—he has his own ten years. He attributes an overwhelming majesty to all recorded time. He confers distance. He, and he alone, bestows mystery. Remoteness is his. He creates more than mortal centuries. He sends armies fighting into the extremities of the past. He assigns the Parthenon to a hill of ages, and the temples of Upper Egypt ...
— Essays • Alice Meynell
... Venice the modern world could not have produced that flower of sensuous and unreflective loveliness in painting, which is worthy to stand beside the highest product of the Greek genius in sculpture. For Athena from her Parthenon stretches the hand to Venezia enthroned in the ducal palace. The broad brows and earnest eyes of the Hellenic goddess are of one divine birth and lineage with the golden hair and ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... is one of James Fenimore Cooper's very few short stories, and was written in the last year of his life. It was commissioned by George E. Wood for publication in a volume of miscellaneous stories and poems called "The Parthenon" (New York: George E. Wood, 1850), and Cooper received $100 for it. The story was reprinted a few years later in a similar volume called "Specimens of American Literature" (New York, 1866). It was published in book form in 1932 ...
— The Lake Gun • James Fenimore Cooper
... be seen by the ancient mariners far out at sea. Making our way across the summit of the Acropolis around pieces of broken columns, trampling over fragments of decorations, and passing foundations of missing statues, we stood in front of the Parthenon, the temple which had been erected to the patron deity of the Athenians. We thought that the professor might weary of answering questions, but he seemed glad to voice the thoughts that were ...
— A Trip to the Orient - The Story of a Mediterranean Cruise • Robert Urie Jacob
... saw how imperfectly he had profited by his opportunities, how much he had missed. It was characteristic of him to begin all over again, and more thoroughly, conscientiously revisiting the Pyramids, the Parthenon, and the Taj Mahal, endeavoring to capture some of that true spirit of appreciation of which he read ...
— The Street Called Straight • Basil King
... that the crucial test of the frieze of the Parthenon is its adaptability to an apartment in Bloomsbury. So long as the illusion of the Acropolis gave credit to Pheidias' design, and the sunlight of Attica imposed its delicate intended shadows edging the reliefs, the countrymen of Pericles might be tricked; ...
— On the Art of Writing - Lectures delivered in the University of Cambridge 1913-1914 • Arthur Quiller-Couch
... the war scare—Winlow had it very specially that this would be over in a week—to Brabrook's speech, in progress at that very moment, of which Harbinger provided an imitation. It sped to Winlow's flight—to Andrew Grant's articles in the 'Parthenon'—to the caricature of Harbinger in the 'Cackler', inscribed 'The New Tory. Lord H-rb-ng-r brings Social Reform beneath the notice of his friends,' which depicted him introducing a naked baby to a number of coroneted old ...
— Forsyte Saga • John Galsworthy
... as much difference between the comparative beauty of the nests of a wood-pigeon and a bottle-tit, as between the hut of a North American savage and a Grecian temple. But although the savage, in the course of ages, may attain as much civilization as would lead him to the construction of a new Parthenon, the wood-pigeon will continue only to make a platform of sticks to the end of time. It is evident, from a contemplation of all nature, that the faculties of quadrupeds, birds, insects, and all the inferior animals, are ...
— The Mirror of Literature, Amusement, and Instruction, No. 486 - Vol. 17, No. 486., Saturday, April 23, 1831 • Various
... must also form some conception of the classic. Now there is an obvious unlikeness between the thought and art of the nations of pagan antiquity and the thought and art of the peoples of Christian, feudal Europe. Everyone will agree to call the Parthenon, the "Diana" of the Louvre, the "Oedipus" of Sophocles, the orations of Demosthenes classical; and to call the cathedral of Chartres, the walls of Nuremberg—die Perle des Mittelalters—the "Legenda ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... breath, For no response gives Death! Ah, 'tis a fearful sight to see Thy lustre on a human face Where the Promethean spark has left no trace, As if it shone upon The marble cold, Of that famed ruin old— The grand, but empty Parthenon! ...
— Graham's Magazine Vol XXXIII No. 5 November 1848 • Various
... moral notions, but not right moral notions. It is true that questions of right and wrong occur in one state of society, that had no relevance in an earlier state, the conditions of the case not having arisen. But so it is in architecture; there are no arches in the Parthenon. The principle of the arch, however, held in the age ...
— Moral Philosophy • Joseph Rickaby, S. J.
... from reaching the idea of progress, the ancient Greeks at the very center of their thinking were incapacitated for such an achievement by their suspiciousness of change. They were artists and to them the perfect was finished, like the Parthenon, and therefore was incapable of being improved by change. Change, so far from meaning, as it does with us, the possibility of betterment, meant with them the certainty of decay; no changes upon earth in the long run were good; all change was the sure sign that the ...
— Christianity and Progress • Harry Emerson Fosdick
... athletics than in philosophy. At all events, tradition credits him with the invention of "scientific" boxing. Was it he, perhaps, who taught the Greeks to strike a rising and swinging blow from the hip, as depicted in the famous metopes of the Parthenon? If so, the innovation of Pythagoras was as little heeded in this regard in a subsequent age as was his theory of the motion of the earth; for to strike a swinging blow from the hip, rather than from the shoulder, is a trick ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams
... modern life, and having been made possible by new mechanical arts, now puts itself forward as the next great opportunity of the fine arts. One of the characteristic achievements of the immediate future shall be the twentieth-century Parthenon—a Parthenon not of the great and of the few and of the gods, but of the great many, where, through mighty corridors, day and night, democracy wanders and sleeps and chatters and is sad and lives and dies, streets rumbling ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... these ruins you could still detect the solid proportions of a sort of Tuscan architecture; farther off, the remains of a gigantic aqueduct; here, the caked heights of an acropolis along with the fluid forms of a Parthenon; there, the remnants of a wharf, as if some bygone port had long ago harbored merchant vessels and triple-tiered war galleys on the shores of some lost ocean; still farther off, long rows of collapsing walls, deserted thoroughfares, ...
— 20000 Leagues Under the Seas • Jules Verne
... pleasure of the novice; since an American, fresh from the fresher fields of the western continent, might very well find delight in memorials of the past, more especially in England, which pall on his taste, and appear insignificant, after he has become familiar with the Temple of Neptune, the Parthenon, or what is left of it, and the Coliseum. I make no doubt that I lost a great deal of passing happiness in this way, by beginning at the beginning, or by beginning in Italy, and ...
— The Redskins; or, Indian and Injin, Volume 1. - Being the Conclusion of the Littlepage Manuscripts • James Fenimore Cooper
... shall speak for himself. "We are living," he says, "in an age which seems to be reviving the classical period in the history of drapery. You see pretty nearly as much of the female torso now as the Athenians did when the bas-reliefs of the Parthenon copied the modes of the Greeks so many hundred years ago, and when the multitude did not worship the drapery of the ...
— Modern Women and What is Said of Them - A Reprint of A Series of Articles in the Saturday Review (1868) • Anonymous
... set it up for a pillar." I do not fancy that he put a base for it first. If you try to put a base to the rock-piers of Stonehenge, you will hardly find them improved; and two of the most perfect buildings in the world, the Parthenon and Ducal palace of Venice, have no bases to their pillars: the latter has them, indeed, to its upper arcade shafts; and had once, it is said, a continuous raised base for its lower ones: but successive elevations of St. Mark's Place have covered this ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... guest. "London" and "Paris" shine in the lustre of the last fortnight; "Tangier" is distinctly visible; "Buda-Pest" may be readily inferred despite the overlapping labels of "Wien" and "Bale"; while away off to one corner a crumpled and lingering shred points back, though uncertainly, to the Parthenon and the Acropolis. And in the midst of this flowery field is planted a large M after the best style of the ...
— With the Procession • Henry B. Fuller
... logically demands the most exacting training of the eye, of the visual memory, and of the judgment. As an example of the exercise of this sort of discipline we may cite Professor Waldstein's recognition of a marble fragment in the form of a head in the Louvre as belonging to a metope of the Parthenon. When, after Professor Waldstein's suggestion of the probable connection, a plaster cast of the head was taken to the British Museum and placed upon the headless figure of one of the metopes, the surfaces ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... This festival differed from the other Grecian games chiefly in two particulars. It was peculiar to the Athenians, and its chief feature was a solemn procession in which the Peplus, or sacred robe of Minerva, was carried to the Parthenon, and suspended before the statue of the goddess. The Peplus was covered with embroidery, worked by select virgins of the noblest families in Athens. The procession consisted of persons of all ages and both sexes. The old men carried olive branches in their hands, and the young men bore ...
— Bulfinch's Mythology • Thomas Bulfinch
... us regard the destruction of the Parthenon by the Turks as a great calamity; yet it would be possible, thanks to the laborious studies which have chiefly emanated from Germany, for modern architects to completely restore the Parthenon in its former grandeur; but it is far beyond the power of all the naturalists of the world to ...
— American Big Game in Its Haunts • Various
... imagination already prepossessed and dazzled with Homeric visions. He told his story well and with detail, combining the recollections of the scholar with the impressions of an artist. The pediment of the Parthenon, the oleanders of the Ilissus, the stream "that runs in rain-time," the naked peak of Parnassus, the green slopes of Helicon, the blue gulf of Argus, the pine forest beside Alpheus, where the ancients ...
— The Ink-Stain, Complete • Rene Bazin
... church of the Madeleine, was one of the most imposing we ever remember to have witnessed. The great door of the church was hung with black curtains, with the initials of the deceased, "F. C.," emblazoned in silver. On our entry we found the vast area of the modern Parthenon entirely crowded. Nave, aisles, galleries, &c., were alive with human beings who had come to see the last of Frederick Chopin. Many, perhaps, had never heard of him before....In the space that separates ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... most vast monument of the ages. Its very defects are destined to be as lasting as its beauties, and its mighty faults are more imposing than the small perfections of the Greeks. Between it and the Parthenon, as between the Roman empire and the Athenian commonwealth, one may choose, but one dares not make comparison. The genius of the Greeks absorbed the world's beauty into itself, distilled its perfection, and gave humanity its most subtle quintessence; but the Latin arm ruled ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... almost meaningless, while it only serves to diminish the apparent height of the column. So, too, in the triumphal arches of the Roman Emperors little attention was paid to the relative and varying attitudes of the bas-reliefs. From Greek art the Parthenon Frieze gives a singular example of this unrealised law. When in situ the frieze was only visible at a most acute angle and in a most unfavourable light: beyond the steps it vanished altogether, so one was obliged to stand among the columns ...
— Donatello • David Lindsay, Earl of Crawford
... 1816, because of the bad financial condition into which the government had fallen during the War of 1812. The building was designed by William Strickland, in his day the leading American architect, being modeled after the Parthenon of Athens. It was completed in 1824 and was put to ...
— The Colonial Architecture of Philadelphia • Frank Cousins
... like the old castles, for repairs are no longer made; but enough is preserved to enable us to comprehend their former condition. Some of them are still above ground, like the pyramids, the temples of Thebes and of the island of Philae, the palace of Persepolis in Persia, the Parthenon in Greece, the Colosseum in Rome, and the Maison Carree and Pont du Gard in France. Like any modern monument, these are visible to the traveller. But the majority of these monuments have been recovered from the earth, from sand, from ...
— History Of Ancient Civilization • Charles Seignobos
... nature is accessible, but only a terrible picturesqueness, mixed with ghastly, with ludicrous, with base concomitants. Huge walls and roofs, dark on the sunset sky, but plastered with advertisement bills, monstrous-figured, seen farther than ever Parthenon shaft, or spire of Sainte Chapelle. Interminable lines of massy streets, wearisome with repetition of commonest design, and degraded by their gilded shops, wide-fuming, flaunting, glittering, with apparatus of eating or of dress. Splendor of palace-flank ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... to see things done on decent grounds of distributive justice. There I am one with you. But you've also got an aesthetic side to your nature, which makes you worth arguing with upon the matter. I won't argue with your vulgar materialised socialist, who would break up the frieze of the Parthenon for road metal, or pull down Giotto's frescoes because they represent scenes in the fabulous lives of saints and martyrs. You know what a work of art is when you see it; and therefore you're worth arguing with, which your vulgar Continental socialist really isn't. The one cogent argument ...
— Philistia • Grant Allen
... are ever musical; not "frozen music" as Goethe said of Gothic architecture, but silent swooning music. This gate is a Frieze of Paris, as deeply significant of modern aspiration and sorrow as the Parthenon Frieze is the symbol of the great clear beauty of Hellas. Dante inspired this monstrous and ennobled masterpiece, but Baudelaire filled many of its chinks and crannies with writhing ignoble shapes; shapes of dusky fire that, as they tremulously stand above the gulf of fears, wave ...
— Promenades of an Impressionist • James Huneker
... the Periclean epoch. The conception of absolute beauty having been discovered to be an abstraction, the tradition of the purely ideal has gone with it. The caryatids of the Erechtheum, the horsemen of the Parthenon frieze, the reliefs of the Nike Apteros balustrade are admired certainly; but they are hardly sympathetically admired; there is a tendency to relegate them to the limbo of subjects for aesthetic lectures. ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... lace work of the stone. Let us give thanks, since till now we lacked what the Greeks possess on the hill of gold—the symbol of beauty consecrated by insult! Let us give thanks to the layers of the stupid cannon, since from their German skill there results for them—shame; for us—a Parthenon! ...
— New York Times Current History; The European War, Vol 2, No. 5, August, 1915 • Various
... Egyptian monuments The Temple of Karnak The pyramids Babylonian architecture Indian architecture Greek architecture The Doric order The Parthenon The Ionic order The Corinthian order Roman architecture The arch Vitruvius Greek sculpture Phidias Statue of Zeus Praxiteles Scopas Lysippus Roman sculpture Greek painters Polygnotus Apollodorus Zeuxis Parrhasius Apelles The decline of ...
— Beacon Lights of History, Volume III • John Lord
... its own. Mr. Pococke will have it that Greece was a migrated India: it was, of course, a migration from some place that first planted the Hellenic stock in Europe; but if the man who carved the Zeus, and built the Parthenon, and wrote the "Prometheus" and the "Phaedrus," were a copy, where shall we find the original? Indeed, there has never been a great migration that did not result in a new form of national genius. And it is the thoroughness of ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... students in blouses from the Parthenon were joined by an immense column of workmen from the faubourgs, and, having fraternized in the Place de la Concorde, advanced in perfect order in procession, led by National Guards, shouting the Marseillaise and the Hymn of the Girondins. Slowly and solemnly moved the vast mass up the ...
— Edmond Dantes • Edmund Flagg
... these three or four, that will be the most I can do. I am like M. Prudhomme, who thinks that the most beautiful church would be one which had at the same time the spire of Strasbourg, the colonnade of Saint Peter's, the portico of the Parthenon, etc. I have contradictory ideals. Thence embarrassment, ...
— The George Sand-Gustave Flaubert Letters • George Sand, Gustave Flaubert
... vault of the apse of the Duomo of Pisa was a colossal image of Christ, in colored mosaic, bearing to the temple, as nearly as possible, the relation which the statue of Athena bore to the Parthenon; and in the same manner, concentrating the imagination of the Pisan on the attributes of the God ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... was a vision to excite the worship of those least inclined to idolatry of Nature. She was of the noblest type of English beauty, and she seemed as calmly unconscious of its excellence and rarity as one of the grand Greek women of the Parthenon. She had, however, a sensuous fulness and bloom, a queenly carriage of head and neck, a clearness of feature, and a liquid kindness of eye that suggested a deep ...
— Master of His Fate • J. Mclaren Cobban
... remains to be considered, the scattered coasts and islands that owned the Greek speech, and that created the Greek civilization. It is not the Greece of the Parthenon and Pericles that we wish to discover, for that we fairly know; but the arts and the history of those earlier Greeks and Trojans that Homer tells of, the age of Agamemnon and Ulysses, of Helen and Hector and Priam, and of the yet earlier tribes that ...
— Beacon Lights of History, Volume XIV • John Lord
... head from the Parthenon, and the figures of horses and animals in bas-relief that formed the frieze; and the boys figured out in their minds why horses and men were all ...
— Little Journeys to the Homes of the Great, Volume 4 (of 14) - Little Journeys to the Homes of Eminent Painters • Elbert Hubbard
... the Acropolis, whose ruins are the model of architectural perfection, was one—gave to the city an unrivaled beauty. Sculpture vied with architecture in this work of adornment. Phidias, who wrought the frieze of the Parthenon, counted among his wonderful creations the colossal sitting statue of Zeus at Olympia. It was the blossoming season of the Greek intellect, as regards literature and the fine arts. The drama reached its perfection ...
— Outline of Universal History • George Park Fisher
... to whom one looks for common sense should be excluded from the management of his most refined republic. It needed courage of a rather droll kind to make such propositions in Greece, under the shadow of the Parthenon. And hand in hand with this feudalism in philosophy there began that unhealthy preoccupation with the morals of our fellow-creatures, that miasma of puritanism, which has infected life and literature up to ...
— Old Calabria • Norman Douglas
... of Pericles, they saw the play of "Antigone" in the theatre of Herod Atticus. On visiting the Parthenon, with its marvellous sculpture, which Turkish soldiers had so often used as a target, they found that the chief inhabitants of the ruin were crows. They met the missionaries who were influential in the making of the new Grecian nation. From Athens they went to Constantinople, ...
— Charles Carleton Coffin - War Correspondent, Traveller, Author, and Statesman • William Elliot Griffis
... Juvenal. Martial and Plautus caricatured the passions of humanity after Carthage had been destroyed and Julius Caesar had made of his tomb a city of palaces. Aristophanes wrote when Greece had her Parthenon and had boasted her Pericles. France had given birth to Richelieu when Moliere assumed the sack, and England had sustained the Reformation and conquered the land of the Cid when Butler, with his satires, ...
— Continental Monthly, Vol. I. February, 1862, No. II. - Devoted To Literature And National Policy • Various
... profound and artless, if it be less striking and less elaborate than in the Grecian heroine. To Antigone we give our admiration, to Cordelia our tears. Antigone stands before us in her austere and statue-like beauty, like one of the marbles of the Parthenon. If Cordelia reminds us of any thing on earth, it is of one of the Madonnas in the old Italian pictures, "with downcast eyes beneath th' almighty dove?" and as that heavenly form is connected with our human ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... has not been felt to be an injury. And I doubt not that seven thousand years hence, if time could but spare it so long, pilgrims would still go in search of the beautiful from the remotest parts of the world, from parts now unknown, to worship before the Parthenon, and, may I not add, the Temple of the Sun ...
— Aurelian - or, Rome in the Third Century • William Ware
... volume. The poet used the name once before; but he then applied it to pieces generally small in the scale of their delineations, whereas these, even if broken away one from the other, are yet like the disjoined figures from the pediment of the Parthenon in their dignity and force. One indeed among Mr. Tennyson's merits is, that he does not think it necessary to keep himself aloft by artificial effort, but undulates with his matter, and flies high or low as it requires. But even ...
— Famous Reviews • Editor: R. Brimley Johnson
... and besides, with that news, he did not want to read, he wanted to sit alone and think. He made up his mind to go to the British Museum. Solitude was now his only luxury. Since he had been at Lynn's he had often gone there and sat in front of the groups from the Parthenon; and, not deliberately thinking, had allowed their divine masses to rest his troubled soul. But this afternoon they had nothing to say to him, and after a few minutes, impatiently, he wandered out of the room. There were too many people, provincials ...
— Of Human Bondage • W. Somerset Maugham
... roofs open to the sky, its temples fallen, its arches dislocated, its columns lying on the ground, from which one would still recognise the massive character of Tuscan architecture. Further on, some remains of a gigantic aqueduct; here the high base of an Acropolis, with the floating outline of a Parthenon; there traces of a quay, as if an ancient port had formerly abutted on the borders of the ocean, and disappeared with its merchant vessels and its war-galleys. Farther on again, long lines of sunken walls and broad, deserted streets—a perfect Pompeii escaped beneath the waters. ...
— Twenty Thousand Leagues under the Sea • Jules Verne
... immediately in the position of defending him from himself. "You would rather see no such thing. You shouldn't talk in that utterly trivial way. I like the Parthenon, of course, but I can't think of it now because my head. is too full of my escape from ...
— Active Service • Stephen Crane
... earthquake, though that had left it practically unharmed, shewed that deviation from the right line in cornice and wainscoting and door space, which is the hall mark left on architecture by genius or age. The builders of the Parthenon knew this, the builders of Vernons did ...
— The Ghost Girl • H. De Vere Stacpoole
... acquired by an extended commerce furnished the means of gratifying it. The age of Pericles was the period of the highest national development. At that time were reared the celebrated structures in honor of the virgin-goddess who was the patron of Athens—the Parthenon, the Propylaea, the Erechtheum—which crowned the Acropolis, and were the glory of the city as they were the masterpieces of Grecian architecture. During the preceding half century many works of utility and of ...
— Lippincott's Magazine Of Popular Literature And Science, No. 23, February, 1873, Vol. XI. • Various
... could hardly discover a more arid country, devoid of vegetation, particularly of trees, than Greece; and to compare it with the apparently inexhaustible wealth of virgin forests of Oregon makes the contrast almost grotesque. Besides, a building like the Parthenon, designed to grace and terminate the top of a hill, is surely not adapted for a flat piece of ground like the Exposition field. And in the choice of material used in its construction it shows a lack of appreciation for the fitness of things generally. The Parthenon was designed to be made in ...
— The Art of the Exposition • Eugen Neuhaus
... of the Legion of Honour and member of the Academy of St. Luke's, except in his title, was the antipodes of Sir Carte Blanche. Sir Carte was all solidity, solemnity, and correctness; Bijou de Millecolonnes all lightness, gaiety, and originality. Sir Carte was ever armed with the Parthenon, Palladio, and St. Peter's; Bijou de Millecolonnes laughed at the ancients, called Palladio and Michel barbarians of the middle ages, and had himself invented an order. Bijou was not so plausible as Sir Carte; but he was infinitely more entertaining. Far ...
— The Young Duke • Benjamin Disraeli
... smiles. Evelyn Verne appeared in a heavy garnet silk with bodice and draperies of the same shade in velvet. Her elbow sleeves reveal arms that would rival in miniature those of the master-piece of Phidias—the Pallas Athena—which graced the Parthenon in by-gone ages. Her hair, of purplish blackness, gives effect to the creamy tints of her complexion, and heightens the damask tinge of the beautifully-rounded cheeks. One glance at this magnificent looking form and you are victimized by her charms; you cast a side glance ...
— Marguerite Verne • Agatha Armour
... or not, it is evident that all hope of improvement lies in the tendency, somewhat noticeable of late, to the abnegation of exotic styles and graces. We have survived the Parthenon pattern, and there seems to be a prospect that we shall outlive the Gothic cottage. Even the Anglo-Italian bracketed villa has seen its palmiest days apparently, and exhausted most of its variations. We are in an extremely chaotic state just now; but there seems to be an inclination towards more ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... of Cities, with a crown of woe, Scarred by the ruin of two thousand years, By fraud and by barbarian force laid low, Buried in dust, and watered with the tears Of unregarded bondmen, toiling on, Crushed in the shadow of their Parthenon; ...
— Punch, Or The London Charivari, Vol. 100., Jan. 31, 1891 • Various
... it is this essay that Dawson has been "down on." What a curious notion about Glacial climate, and Basques and Finns! Are the Basques mountaineers—I hope so. I am sorry I have not seen the "Athenaeum," but I now take in the "Parthenon." By the way, I have just read with much interest Max Muller (356/7. Probably his "Lectures on the Science of Language," 1861-64.); the last part, about first origin of language, ...
— More Letters of Charles Darwin - Volume I (of II) • Charles Darwin
... Catholicism has achieved an ideal of virginity; that it is no longer a mere piece of floating poetry. But if you, and a few feverish men, in top hats, running about in a street in London, choose to differ as to the ideal itself, not only from the Church, but from the Parthenon whose name means virginity, from the Roman Empire which went outwards from the virgin flame, from the whole legend and tradition of Europe, from the lion who will not touch virgins, from the unicorn who respects them, and ...
— The Ball and The Cross • G.K. Chesterton
... painting was almost done. As he worked, a thousand pictures were flashing through his mind. He saw his beloved old home in lovely Athens. He felt his father's hand on his, teaching him to paint. He gazed again at the Parthenon, more beautiful than a dream. Then he saw himself playing on the fishing boat on that terrible holiday. He saw the pirate ship sail swiftly from behind a rocky point and pounce upon them. He saw himself and his friends dragged ...
— Buried Cities: Pompeii, Olympia, Mycenae • Jennie Hall
... of Syria, men could still drink cider in the orchards of England. This is what makes Christendom at once so much more perplexing and so much more interesting than the Pagan empire; just as Amiens Cathedral is not better but more interesting than the Parthenon. If any one wants a modern proof of all this, let him consider the curious fact that, under Christianity, Europe (while remaining a unity) has broken up into individual nations. Patriotism is a perfect example of this deliberate balancing of one ...
— Orthodoxy • G. K. Chesterton
... sketches, with maybe a triumphal throne of some barbaric king, with his slaves, the whole costumed and done in a studied magnificence that takes one's breath away. Again an atelier of painters may reproduce the frieze of the Parthenon in color; another a float or a decoration, suggesting the ...
— The Real Latin Quarter • F. Berkeley Smith
... re-echoed. They warn me of this and that hotel, and advise me concerning the journey from London. The usual tale of travelers is that Athens is a ruin. I have heard it rumored, for instance, that the Parthenon marbles are in London, and that the Parthenon itself has suffered from the "wreckful siege of battering days"; that the walls to Piraeus contain hardly one stone ...
— Journeys to Bagdad • Charles S. Brooks
... selection of material, the particular sort of native endowment which are given to him. Some such men reveal their understanding of the soul and the world in the detached serenity, the too well-defined harmonies of a Parthenon; others in the dim and intricate richness, the confused and tortured aspiration of the long-limbed saints and grotesque devils of a Gothic cathedral. Others incarnate it in gleaming bronze; or spread ...
— Preaching and Paganism • Albert Parker Fitch
... not limited and temporary conditions, but life universal and for all time. Without commentary these carry their message, appealing to the wisest and the humblest. Gather into a single room a fragment of the Parthenon frieze, Michelangelo's "Day and Night," Botticelli's "Spring," the sprites and children of Donatello and Delia Robbia, Velasquez's "Pope Innocent," Rembrandt's "Cloth-weavers," Frans Hals' "Musician," Millet's "Sower," Whistler's "Carlyle." There ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... very gravely, and answered, "Yes, you will find us all tinctured with it, more or less." At last, to Mr. Smedley's great joy, he got my father alive off this roof, and on his way to Downing, the new college of which Leslie Foster talked so much, and said was to be like the Parthenon. Shockingly windy walk: thought my brains would have been blown out. Passed Peter House, and saw the rooms in which Gray lived, and the irons of his fire-escape at the window. Warned Mr. Smedley of the ...
— The Life And Letters Of Maria Edgeworth, Vol. 1 • Maria Edgeworth
... and have always known, who built the Parthenon and crowned the Acropolis; but not until Schliemann had by faith and good works removed the mountain of Hissarlik, did we know that the Troy, of which blind Homer sang, was not a figment of the ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... in the renunciation of all that makes life precious to other men. And they carry the yoke that befits them: their matin chant is drowned by the voice of the muezzin, who, from the gallery of the high tower on the Acropolis, calls every Mussulman to his prayers. That tower springs from the Parthenon itself; and every time we paused and directed our eyes towards it, our guide set up a wail, that a temple which had once been won from the diabolical uses of the pagans to become the temple of another virgin than Pallas—the Virgin Mother of God—was ...
— Romola • George Eliot
... adventure of lasting consequence has confronted all of them, without exception, in some hidden nook or cranny of the world,—some place unknown to fame. Anybody is as likely to meet the woman who is destined to become his wife, at Essex Junction on a wintry night, as in the Parthenon by moonlight in the month of May. The most romantic places in the world are often those that promised, in advance, ...
— The Unpopular Review, Volume II Number 3 • Various
... precision. Where decline begins, one cannot, among the lovely fantasies that succeeded, exactly say—but exactly, and indisputably, we know that this apse of Amiens is the first virgin perfect work,—Parthenon also in that ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin
... strong walls blending with the common clay, Yet, round the ruins of its strength shall stand The best and noblest of a ransomed land— Pilgrims, like these who throng around the shrine Of Mecca, or of holy Palestine! A prouder glory shall that ruin own Than that which lingers round the Parthenon. Here shall the child of after years be taught The works of Freedom which his fathers wrought; Told of the trials of the present hour, Our weary strife with prejudice and power; How the high errand quickened woman's soul, And touched ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... the purple hills, and looked about them, there were very few people left on the Acropolis, and their Father was nowhere to be seen. The two children ran as fast as they could go to the place where the Parthenon was building, but there was no one there. Even the workmen had gone. Then they ran back and looked down the long incline up which the procession had come in the morning, but Melas was not to be seen. The Twins returned to the statue of Athena, but no one awaited them there. The Gorgon's head ...
— The Spartan Twins • Lucy (Fitch) Perkins
... should be so disfigured by crude attempts to adorn her and commemorate her past that her most loving children blush for her artificial deformities amidst the wealth of her natural beauties! One hardly knows which to groan over most sadly,—the tearing down of old monuments, the shelling of the Parthenon, the overthrow of the pillared temples of Rome, and in a humbler way the destruction of the old Hancock house, or the erection of monuments which are to be a perpetual eyesore to ourselves and ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... right notions of a Deity or a Hereafter; because it is plainly the design of Providence that Man must learn to correct and improve all his notions by his own study and observation. He must build a hut before he can build a Parthenon; he must believe with the savage or the heathen before he can believe with the philosopher or Christian. In a word, in all his capacities, Man has only given to him, not the immediate knowledge ...
— A Strange Story, Complete • Edward Bulwer-Lytton
... is represented in an archaistic and conventional character, this copy cannot be relied on as giving us much information as to the usual style of Alcamenes, who was almost certainly a progressive and original artist. It is safer to judge him by the sculptural decoration of the Parthenon, in which he must almost certainly have taken a share under ...
— Project Gutenberg Encyclopedia
... temple to the Wingless Victory; on the northern, a Pinacotheca, or picture gallery. On the highest part of the platform of the Acropolis, not more than 300 feet from the entrance-buildings just described, stood and yet stands, though shattered and mutilated, The Parthenon, justly celebrated throughout the world, erected of white Pentelican marble, under the direction of Callicrates, Ictinus and Carpion and adorned with the finest sculptures from the hand ...
— Conversion of a High Priest into a Christian Worker • Meletios Golden
... of the whole was Pheidias, although there were other excellent architects and workmen, such as Kallikrates and Iktinus, who built the Parthenon on the site of the old Hekatompedon, which had been destroyed by the Persians, and Koroebus, who began to build the Temple of Initiation at Eleusis, but who only lived to see the columns erected and the architraves placed upon them. On his death, Metagenes, of Xypete, added ...
— Plutarch's Lives, Volume I (of 4) • Plutarch |
