"Piu" Quotes from Famous Books
 ... William after a short illness. Shelley loved this child intensely, and sat by his bedside for sixty hours without taking rest. He was now practically childless; and his grief found expression in many of his poems, especially in the fragment headed "Roma, Roma, Roma! non e piu com' era prima." William was buried in the Protestant cemetery, of which Shelley had written a description to Peacock in the previous December. "The English burying-place is a green slope near the walls, under the pyramidal tomb of Cestius, and is, I think, the ...
— Percy Bysshe Shelley • John Addington Symonds
... mezzo alle piu angosciose crisi politiche, esclamava nelle solitudine delle sue stanze; 'Perisca il mio nome, perisca la mia fama, purche l'Italia sia,'" Artom (Cavour's secretary), Cavour in ...
— History of Modern Europe 1792-1878 • C. A. Fyffe
... fidato speglio, L'animo stanco e la cangiata scorza E la scemata mia destrezza e forza: Non ti nasconder piu: ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... of the perfection of which I have spoken. But the mind derives another distinct pleasure from the admirable manner in which the several parts, each different from all the others, contribute to a single harmonious effect. It is a typical example of the piu nel uno. An arch cut out or a single stone would not be so beautiful as one of which each individual stone was shaped for its exact position. Its completion by the locking of the keystone is a delight to witness and to contemplate. And how the arch endures, when its lateral thrust is ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... tracciando i primi semi, fanno Di moto un tal principio, il qual poi rompa I decreti del fato, accio non segua L'una causa dell' altra in infinito; Onde han questa, dich' io, del fato sciolta Libera volunta, per cui ciascuno Va dove piu l'agrada? I moti ancora Si declinan sovente, e non in tempo Certo, ne certa region, ma solo Quando e dove commanda il nostro arbitrio; Poiche senz' alcun dubbio a queste cose Da sol principio il voler proprio, e quindi Van poi scorrendo ...
— Theodicy - Essays on the Goodness of God, the Freedom of Man and the Origin of Evil • G. W. Leibniz
... all'Italia il diritto al conseguimento del sou diritto al diritto che i tricolore italiano sventoli per sempre sulla Torre di Fiume. Io e i miei colleghi sentiama per Fiume lo stesso sentimento che provate voi, o cittadini di Bologna e d'Italia. Togliervi Fiume e una delle piu grandi barbarie del secolo. Non disperate; lasciate che Wilson rinsavisca! ...
— Chit-Chat; Nirvana; The Searchlight • Mathew Joseph Holt
... of Lohengrin (A major) perhaps a little piu moderato.) The slow movement in E flat 3-4 (ensemble) in the finale of the first act you will, I presume, not take too slow, but with solemn emotion. The last bar of the orchestral ritornel must be played a good deal ritardando, so as to make the tempo of this postlude ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... miles. "Ella gira di circuito, secondo il calcole fatto da Mori, che modernamente l'hanno nauigato d'ogn'intorno due mila et cento miglia et corre maestro e sirocco; et per il mezo d'essa passa la linea equinottiale et e el principio del primo clima al terzo paralello."—L'Isole piu Famose del Monde, descritte da THOMASO ...
— Ceylon; an Account of the Island Physical, Historical, and • James Emerson Tennent
... of Leonardo, the answer, Quanto piu, un'arte porta seco fatica di corpo, tanto piu ...
— The Renaissance - Studies in Art and Poetry • Walter Pater
... doorways, saw all eyes turned upon her, and a sharp thrill of excitement quivered through her. She looked for her husband, gave him a coquettish side-glance, and it pleased her to see that his vanity was gratified to no small degree. In the joy of triumph she sang the first part of Al piu salice. Her audience was enraptured. Never had Malibran nor Pasta sung with expression and intonation so perfect. But at the beginning of the second part she glanced over the glistening groups and saw—Arthur. He never took his eyes from her face. A quick shudder thrilled through ...
— A Woman of Thirty • Honore de Balzac
... "Cathedral of Orvieto," and Lasinio's "Tabernacolo della Madonna d'Orsammichele" have been helpful by their illustrations. For the history of Painting I have made use principally of Vasari's "Vite de' piu eccellenti Pittori," &c., in Le Monnier's edition of Crowe and Cavalcaselle's "History of Painting," of Burckhardt's "Cicerone," of Rosini's illustrated "Storia della Pittura Italiana," of Rio's "L'Art Chretien," and of Henri Beyle's "Histoire de la Peinture en Italie." I should, however, ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... No greater grief than to remember days Of joy,xwhen mis'ry is at hand!] Imitated by Marino: Che non ha doglia il misero maggiore Che ricordar la giola entro il dolore. Adone, c. xiv. st. 100 And by Fortiguerra: Rimembrare il ben perduto Fa piu meschino lo presente stato. Ricciardetto, c. xi. st. 83. The original perhaps was in Boetius de Consol. Philosoph. "In omni adversitate fortunae infelicissimum genus est infortunii fuisse felicem et non ...
— The Divine Comedy • Dante
... political party, appears to run, or to have run, so high, that for a stranger to steer impartially between them is next to impossible. It may be enough, then, at least for my purpose, to quote from their own beautiful language—"Mi pare che in un paese tutto poetico, che vanta la lingua la piu nobile ed insieme la piu dolce, tutte tutte le vie diverse si possono tentare, e che sinche la patria di Alfieri e di Monti non ha perduto l'antico valore, in tutte essa dovrebbe essere la prima." Italy has great names still—Canova,[368] Monti, Ugo Foscolo, Pindemonte, Visconti, ...
— The Works of Lord Byron, Volume 2 • George Gordon Byron
... may have found its way to England, hopes by the publication of this notice to discover its whereabouts. Any correspondent who shall be kind enough to furnish him, through this journal, with the desired information, may be assured of his "piu ...
— Notes and Queries, Number 182, April 23, 1853 • Various
... facile di trovare una lingua piu atta della Messicana a trattar le materie metafisiche; poiche e difficile di trovarne un' altra, che tanto abbondi, quanto quella, di nomi astratte."—Clavigero, Storia Antica del Messico, Tomo IV, p. ...
— Aboriginal American Authors • Daniel G. Brinton
... and unchangeable: let us in patience bear the 'intervals' of time. The world in its successions has no limits, the 'intervals' of time are boundless also. Those then who practise a religious life need not rely on 'methods' or 'expedients.' The To-lo-piu Kiu-na, the one strange Sastra in the world, although it has so many theories, yet still, be it known, it is opposed to any single cause. But if, again, you say that 'self' is maker, then surely self should make things pleasingly; but now things are not pleasing for ...
— Sacred Books of the East • Various
... of music. I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone and remember the old Italian proverb: Chi sa piu, meno sa—'Who knows ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... Galee delle quali Bartolommeo Minio era capitano. Queste navigando per l'Iberico mare, Colombo il piu giovane, nipote di quel Colombo famoso corsale, fecesi incontro a' Veniziani di notte, appresso il sacro Promontorio, che chiamasi ora capo di san Vincenzo, con sette navi guernite da combattere. Egli quantunque nel primo ...
— The Life and Voyages of Christopher Columbus (Vol. II) • Washington Irving
... smaller than the body, so that it cannot be at an equal distance from the edges of the body [Footnote 11: H. LUDWIG in his edition of the old copies, in the Vatican library—in which this chapter is included under Nos. 612, 613 and 614 alters this passage as follows: quella parte ch'e piu propinqua piu cresce che le distanti, although the Vatican copy agrees with the original MS. in having distante in the former and propinque in the latter place. This supposed amendment seems to me to invert the facts. Supposing for instance, that on Pl. XXXI No. 3. f is the spot where the ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci |
