"Raphaelite" Quotes from Famous Books
 ... are very narrow, and possess but few handsome houses. The little shops are very neat and the place is exceedingly clean. The principal church, dedicated to Saint Nicholas, is very ancient, and possesses two or three good pre-Raphaelite pictures. It is attached to a recently-restored Benedictine abbey, the mitred abbot of which does the duties of bishop. He is an exceedingly pleasant old gentleman, very chatty and unassuming. The Jesuits have a superb college and convent in ...
— Lippincott's Magazine. Vol. XII, No. 33. December, 1873. • Various
... common since the romantic and pre-Raphaelite movement, and getting commoner with the spread of theories of intellectual anarchy and nervous degeneracy, one is often tempted to answer impatiently, "Get out of the way, you wretched young people; don't you see that there isn't room or ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... here the blondes are preferred. When we turn to the painters and poets of Italy, and the aesthetic writers on beauty from the Renaissance onward, the admiration for fair hair is unqualified, though there is no correspondingly unanimous admiration for blue eyes. Angelico and most of the pre-Raphaelite artists usually painted their women with flaxen and light-golden hair, which often became brown with the artists of the Renaissance period. Firenzuola, in his admirable dialogue on feminine beauty, says that a woman's hair should be like ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... Madox-Brown, the Pre-Raphaelite, "is the means of art, its end the quickening of the soul." Music does more than quicken the soul; it reveals the soul, makes it conscious of itself. Springing from the deepest and best that is implanted in man, it fertilizes the soil from which it uprises. Both beauty ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... alive to the beauty of all that was bygone. He abounded in old stories of his boyhood, and kept pious account of all his former pleasures; and when he went (on a holiday) to visit one of the fabled great places of the earth where he had served before, he came back full of little pre-Raphaelite reminiscences that showed real passion for the past, such as might have shaken hands with Hazlitt ...
— Memories and Portraits • Robert Louis Stevenson
... three days after entering upon her duties, and the consequences that followed her visit to Madame Restell's establishment; the conversation that took place; her sojourn in an apartment of the dreadful den; her diet and treatment, and all the revolting details were given with a pre-Raphaelite sharpness of outline that carried the conviction of truth. It was a long trial, and not before November 12th did the Recorder sum up, when the jury, after a brief retirement, found ...
— Danger! A True History of a Great City's Wiles and Temptations • William Howe
... principal decorative work was being carried on by a Chinese-looking, pig-tailed artist, evidently not a local celebrity, who was embellishing the walls most profusely with scenes, portrayed in the purest style of pre-Raphaelite colouring. The figures in these had only been furnished with flesh-coloured spots where their faces were to be, and the foreign "pigtail" was employed, seated on a high platform, in furnishing them ...
— Diary of a Pedestrian in Cashmere and Thibet • by William Henry Knight
... more than a few portrait-statues found favor in his sight, and the originals had absolutely no interest for him. He was no more kindly towards the pale, grimacing Florentines and their sick Madonnas and pre-Raphaelite Venuses, anaemic, consumptive, affected, and tormented. And the bestial stupidity of the red, sweating bullies and athletes let loose upon the world by the example of the Sistine Chapel made him think of cast-iron. ...
— Jean-Christophe Journey's End • Romain Rolland
... with a calm and complacent gaze, as though from the summit of a Mont Blanc of superiority. At any bold defier of the conventions and traditions of the Academy drawing-school, he shakes his head. The pre-Raphaelite heresy was a sore affliction to him. He looked upon Millais and Hunt as a Low-church bishop would regard Newman and Pusey. He prophesied that they would come to no good. He called them 'silly boys;' and he looks uneasily at the crowds who throng before this year's picture ...
— Chambers's Edinburgh Journal, No. 444 - Volume 18, New Series, July 3, 1852 • Various
... see, in the distribution of the sacred arts France received architecture only. Consider the pre-Raphaelite painters. All the early painters were Italians, Spaniards, Flemings, or Germans. Those whom some writers try to represent as our fellow-countrymen are Flemings transplanted to Burgundy, or docile Frenchmen ...
— The Cathedral • Joris-Karl Huysmans |
