"Romanesque" Quotes from Famous Books
 ... this point of the poetry of the past, on all other questions she is the most docile of pupils. Her interest, her listening power, her curiosity, is inexhaustible. If she has a passion, indeed, it is for Early English. But she has a proper awe for Romanesque, and a singular interest in Third Pointed. She is ruthless in insisting on her victim's spelling out every word of a brass in Latin that she cannot understand, and which he cannot translate. She collects ...
— Modern Women and What is Said of Them - A Reprint of A Series of Articles in the Saturday Review (1868) • Anonymous
... interesting than their contents. Of the seven which originally lined the shore, two or three only now remain uninjured; in these the building itself is either square or octagonal, pierced with a single rough Romanesque window, and of diminutive size. The walls and vaulting are alike of rough stonework. The chapels served till the Revolution as seven stations which were visited by the pilgrims to the island, but we can hardly doubt that in these, ...
— Stray Studies from England and Italy • John Richard Green
... marble and cool shadow, yet in reality each is a separate work of art. So with the capitals of the columns of the wonderful sea-arcade of the Venetian Ducal palace: alike in general contour they differ widely in detail, and unfold a Bible story. In Gothic cathedrals, in Romanesque monastery cloisters, a teeming variety of invention is hidden beneath apparent uniformity. The gargoyles of Notre Dame make similiar silhouettes against the sky, but seen near at hand what a menagerie ...
— The Beautiful Necessity • Claude Fayette Bragdon
... Western Mediaeval Architecture into the two schools of Romanesque and Gothic presents a parallel case. It is now realised that no logical separation can be made between the two so-called styles. Similarly we may continue to speak of the Classic Roman style and of the Byzantine style, although the two really ...
— Byzantine Churches in Constantinople - Their History and Architecture • Alexander Van Millingen
... derived, in 1822, a sort of certainty from the then existence of the charming church of Saint-Paterne, recently pulled down by the heir of the individual who bought it of the nation. This church, one of the finest specimens of the Romanesque that France possessed, actually perished without a single drawing being made of the portal, which was in perfect preservation. The only voice raised to save this monument of a past art found no echo, either in the town itself or in the department. Though the castle of Issoudun ...
— The Two Brothers • Honore de Balzac
... go out is the remarkable church of Santa Maria del Popolo. It is built in the usual Romanesque style; but its external appearance is very unpretending, and owing to its situation in a corner overshadowed by the wall it is apt to be overlooked. It is an old fabric, eight hundred years having passed away since Pope Paschal II. founded it on the spot where Nero was said to have been buried. ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... behind the railway station. But the Porte St. Andr, adjoining an ancient church, is on the town side of the line at the Faubourg St. Jean. The Cathedral, which commands the entire city, was completed in 1178. The architecture of the modern portions is Gothic, but the more ancient is Romanesque. The two towers have been restored and adorned with Gothic spires. The interior contains several windows of painted glass. The entrance is by a handsome open portico with sculptured arches and columns. From the Porte St. Blaise (straight up from the cathedral) across ...
— The South of France—East Half • Charles Bertram Black
... pursue as substance; of his scrupulous personal rejection of Love—Love, the one touch of true romance in his novels—and his pecuniary marriage for his career's sake, after the manner of his tribe; of his romanesque conception of the British aristocracy, which he yet dominates, because he is not really rooted in the social conceptions which give it its prestige, and so is able to manoeuvre it artistically from without, intellect detached from emotion: ...
— Dreamers of the Ghetto • I. Zangwill
... the founder of the New Forest, and the desolator of Yorkshire, we must confess the superiority of the Normans to the Anglo-Saxons and Anglo-Danes, whom they met here in 1066, as well as to the degenerate Frank noblesse and the crushed and servile Romanesque provincials, from whom, in 912, they had wrested the district in the north of Gaul which still ...
— The Fifteen Decisive Battles of The World From Marathon to Waterloo • Sir Edward Creasy, M.A.
... Kilburn. "It's very handsome, I'm sure." She was not sensible of admiring the large Romanesque pile very much, though it was certainly not bad, but she remembered that Bolton was a member of the Orthodox church, and she was grateful to him for not saying anything about the ...
— Annie Kilburn - A Novel • W. D. Howells
... l'interet ... peut-etre mieux, et mon arrivee doit la faire trembler ... or, a seize ans, quand on tremble, on le montre ... ce n'est pas comme la comtesse! quelle femme! en verite je crois qu'on en deviendrait amoureux si l'on avait le temps.[146] ... Une jeune fille s'avance vers ce salon; la figure romanesque,[147] le front reveur, les yeux baisses ... ce doit etre elle.... Oh! si je pouvais prendre ...
— Bataille De Dames • Eugene Scribe and Ernest Legouve
... the Hohenstaufen was the age of the Crusades, which is to say that it was the age of religious faith. The most striking expression of the spirit of the period, if we except the Holy Wars, is to be found in the sacred architecture of the time. The style of architecture first employed was the Romanesque, characterized by the rounded arch and the dome; but towards the close of the twelfth century this was superseded by the Gothic, distinguished by the pointed arch, the tower or the slender ...
— A General History for Colleges and High Schools • P. V. N. Myers
... Wells, Auteur d'une histoire fine et romanesque Traduit par Davray; il a des idees C'est une chose rare la-bas ...
— Masques & Phases • Robert Ross
... governor of Notre Dame de La Garde, and returning to Paris with him in 1647. She first collaborated with him in a literary production of about eighty volumes. In their works, the brother furnished the rough draft, the dramatic episodes, adventures, and the Romanesque part, while she added the literary finish through charming character sketches, conversation, sentimental analyses, and letters. With a strong inclination toward society, and constantly fulfilling its obligations, she would from day to day ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... near that has not some carved stones of curious shape recognisable by the antiquary as having once formed part of a shaft, a window, or an archway of the proud Abbey. Of these scattered fragments the most important is the lectern of alabaster, Romanesque in style, now, after long misuse and neglect serving its original purpose in the church of Saint Egwin at Norton, a village lying nearly three miles to the north of the town. A description of this relic will be found in the last section ...
— Evesham • Edmund H. New
... tradition. It could break away more readily than any other form of art, because of the great variety which existed in different parts of the Roman Empire—the Byzantine in the south of Italy, the Gothic in the north, and Romanesque in Rome and the provinces. There was no conventional law for architectural style, hence innovations could be made with very little opposition. In the search for classical remains, a large number of buildings had already become known, and many more were uncovered as the searching continued. ...
— History of Human Society • Frank W. Blackmar
... bay, under the green shadow of the hills overlooking it, Frederiksted has the appearance of a beautiful Spanish town, with its Romanesque piazzas, churches, many arched buildings peeping through breaks in a line of mahogany, bread- fruit, mango, tamarind, and palm trees,—an irregular mass of at least fifty different tints, from a fiery emerald ...
— Two Years in the French West Indies • Lafcadio Hearn
... numerous similar structures belonging to their original mother-church in Ireland. We may feel very certain, also, that they were not erected later than the commencement of the twelfth century, for by that date the Norman or Romanesque style,—which presents no such structures as the Irish Round Towers, was apparently in general use in ecclesiastic architecture in Scotland, under the pious patronage of Queen Margaret Atheling and her three crowned sons. Abernethy—now a small village—was ...
— Archaeological Essays, Vol. 1 • James Y. Simpson
... membership of 13,000, and estimate the value of their church property at over $2,000,000. Some of their churches are very handsome. St. Paul's, at the northeast corner of Fourth avenue and Twenty-second street, is a beautiful structure. It is built of white marble, in the Romanesque style. The Rectory, adjoining it, is of the same material. It is the gift of Daniel Drew to the congregation. The spire is 210 feet high, and the church will seat ...
— Lights and Shadows of New York Life - or, the Sights and Sensations of the Great City • James D. McCabe
... There was a Gothic chapel, a Tribunal Hall, the Hall of the Nine Peers (whose statues remained), the Hall of the Nine Countesses (whose medallion-portraits were carved on the monumental chimney). There was a Romanesque chapel (relic from Charlemagne, like the original donjon), the separate Fortified Chateau of the Chatelain (the Sire's First Officer), and so ...
— Kelly Miller's History of the World War for Human Rights • Kelly Miller
... with a fine tower capped by a curious upturned bulbous cupola, upon which was a large gilt open-work clock face. As usual, there was a chime of bells visible, and a flock of rooks circling about the tower. The style of St. Walburga was Romanesque, with Gothic tendencies. Built in the twelfth century, it suffered severely at the hands of the Iconoclasts, and even in its unfinished state was very impressive, none the less, either, because of the rows of small stucco red ...
— Vanished towers and chimes of Flanders • George Wharton Edwards
... Spanish foundation. But they are at the same time true Englishmen, and above all true Elizabethans; which is as much as to say that, borne along by the eager, strenuous spirit of their time, reaching out toward new sensations and impressions, new countries and customs, and dazzled by the romanesque and fantastic, they took up this exotic material and made it acceptable to the English mind. They satisfied the curiosity of their time, and expressed its surface ideas and longings. This accounts for their ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 4 • Charles Dudley Warner
... men, isolating themselves from the others, went on conversing together, at first on medical subjects, and at last diverging into a discussion on romanesque architecture, a propos of a steeple which they had perceived on a hillside, and which every pilgrim had saluted with a sign of the cross. Swayed once more by the habits of cultivated intellect, the young priest and his two companions forgot themselves together in the midst of their fellow-passengers, ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... visual, the dynamic, and the voluminal. For the Greek and Roman architecture and for that of the Renaissance, the former was the ideal; while the latter is clearly characteristic of the more modern forms; between these stand the Byzantine, Romanesque, and Gothic, in which a union of the two types, in what has well been called an organic type, was attempted, and perhaps achieved in the last. The former has the feeling of the mechanical, rational view of life, which is the classical; the latter has the feeling of the ...
— The Principles Of Aesthetics • Dewitt H. Parker
... in the north from the twelfth century onward have been in favour of the Gothic or pointed styles, whilst, in the south, civic and ecclesiastical architecture alike were of a manifest Byzantine or Romanesque tendency. No better illustration of this is possible than to recall the fact that, when the builders of the fifteenth century undertook to complete that astoundingly impressive choir at Beauvais, they sought to rival in size and magnificence its namesake at Rome, which, under the care ...
— The Cathedrals of Northern France • Francis Miltoun
... junior officer who had played his gramophone was dead, with other officers and men of that battery. When I next passed through Noyon shells were falling into it, and later I saw it in ruins, with the glory of the Romanesque cathedral sadly scarred. I have ofttimes wondered what happened to the little family ...
— Now It Can Be Told • Philip Gibbs
... in which the session was held belonged to one of the interior court-yards of the palace, and was quite large and Romanesque. The floor was tessellated with marble blocks; the walls, unbroken by a window, were frescoed in panels of saffron yellow; a divan occupied the centre of the apartment, covered with cushions of ...
— Ben-Hur: A Tale of the Christ • Lew Wallace
... in Catholic countries, and she was eager to know if Evelyn had had the privilege of going to Rome. She smiled at the nun's innocent curiosity, which she was glad to gratify, and told her about the old Romanesque churches on the Rhine, and the hundred marble spires of the Cathedral of Milan. But in the midst of such pleasant conversation came an unfortunate question. Mother Philippa asked if Evelyn had travelled with her father. ...
— Evelyn Innes • George Moore
... Christ, Scientist, as it is officially called, is termed by its founders "our prayer in stone." It is located at the intersection of Norway and Falmouth streets on a plot of triangular ground, the design a Romanesque tower with a circular front and an octagonal form accented by stone porticos and turreted corners. On the front is a marble tablet with the following inscription carved ...
— Pulpit and Press (6th Edition) • Mary Baker Eddy
... as they were, by a sound innate instinct of special fitness, German builders were often led into solecisms, incongruities, and excesses, from which in the practice of their native style they have been largely free." Of this style, which may be called the German-Romanesque, the best examples are to be found among the churches of the Rhineland. In the thirteenth century this style, admirably as it expressed the genius of the Teuton, succumbed to invading French influence. "I have often wondered," he continued, "at the strange contrast ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... of the house of Este. There year by year his festival was celebrated with great rejoicings, and vast crowds thronged the piazza before the Castello to see the famous races for the pallium. It is St. George who rides full tilt at the dragon in the rude sculptures on the portal of the Romanesque Cathedral hard by; it is the same warrior-saint who, in his gleaming armour, looks down from the painted fresco above the portcullis of the castle drawbridge. And all the masters who worked for the Este dukes, whether they were men of native or foreign ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... who care much about art find that of the work that moves them most the greater part is what scholars call "Primitive." Of course there are bad primitives. For instance, I remember going, full of enthusiasm, to see one of the earliest Romanesque churches in Poitiers (Notre-Dame-la-Grande), and finding it as ill-proportioned, over-decorated, coarse, fat and heavy as any better class building by one of those highly civilised architects who flourished a thousand years earlier or eight hundred later. But such exceptions are rare. As a rule ...
— Art • Clive Bell
... Orkneys, long enough to allow us to look at the old cathedral of St. Magnus, built early in the twelfth century—a venerable pile, in perfect preservation, and the finest specimen of the architecture once called Saxon, then Norman, and lately Romanesque, that I have ever seen. The round arch is everywhere used, except in two or three windows of later addition. The nave is narrow, and the central groined arches are lofty; so that an idea of vast extent is given, though the cathedral is small, compared with the great minsters ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... and I'm cursed with the unenviable quality of being late to anything and for everything. He even asserts that the occasional designs I submit are late Jacobean, but that isn't fair. They're Post-Romanesque. ...
— The Ideal • Stanley Grauman Weinbaum
... more. However this may be, nothing was heard of Father McCabe for fifteen years. He retired entirely into private life, but at his Bishop's death he was heard of in the newspapers as the propounder of a scheme for the revival of Irish Romanesque. He had been to America, and had collected a large sum of money, and had got permission from his Bishop to set an example of what Ireland could do "in the line" ...
— The Untilled Field • George Moore
... qui, joints a une maladie mortelle, arracehrent enfin de la bouche du moribond une declaration publique a la suite de laquelle la ceinture sacree fut deposee dans la cathedrale, tout ce melange de passion romanesque et de piete naive, avait efface pour moi les imperfections techniques qui au raient pu ...
— Legends of the Madonna • Mrs. Jameson
... evil demon Fire for a third time, "three days before the Christmas of 1136," partially destroyed, or at least seriously injured, St. Paul's, during a conflagration which reached from London Bridge to beyond the Fleet. In rebuilding, the then method was to throw a coating of the more refined Romanesque of the day over the older work;[8] and this is how I explain an obscure passage in Pepys—"It is pretty here to see how the late church was but a case wrought over the old church; for you may see the very old pillars standing whole within the wall of this."[9] ...
— Bell's Cathedrals: The Cathedral Church of St. Paul - An Account of the Old and New Buildings with a Short Historical Sketch • Arthur Dimock
... architecture was the work of glorious men, Gothic was the invention of gods."[3] This architecture was perfected by the mediaeval builders—the round arch in the twelfth and the pointed arch in the two succeeding centuries. Its progress was the realisation of three great aims, towards which the Romanesque architects were ever striving—the perfecting of the arcuated and vaulted construction, the increase of the altitude of their proportion, and the general adding of refinement ...
— Scottish Cathedrals and Abbeys • Dugald Butler and Herbert Story
... the Vivarais, to which it gave the name—is most romantically placed on the side of a craggy hill, its ancient castle and old Romanesque cathedral conspicuous above the house-roofs. Just above the verdant river-bank run its mediaeval ramparts tapestried with ivy, the yellowish stone almost ...
— The Roof of France • Matilda Betham-Edwards
... western France, in the department of Vienne, 20 m. E. of Poitiers by rail. Pop. (1906) 2326. The town is finely situated overlooking the Vienne and a small torrent, and has two interesting Romanesque churches, both restored in modern times. There are also ruins of a chateau of the bishops of Poitiers, and of other strongholds. Near Chauvigny is the curious bone-cavern of Jioux, the entrance to which is fortified by large blocks of stone. ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 1 - "Chtelet" to "Chicago" • Various
... The insulter and the insulted fell into each other's arms before these daubs, and they parted, each delighted with the other. These pseudo-Titians were for Monsieur About his Alcibiades's dog's-tail. He spent one every month. Literary, picturesque, romanesque, historical, agricultural, Greek, and Roman questions were never subjects to him: he considered them merely advertisements to puff the transcendent merits of Edmond About. Before he left "Figaro" he determined to show me what a grateful fellow he was. He made me the mark ...
— The Atlantic Monthly, Volume 14, No. 83, September, 1864 • Various
... me rapprocher de lui. Grce mon imagination romanesque, je m'tais attach plus que personne cet homme dont la vie tait une nigme, et j'en avais fait le hros d'un drame mystrieux. Il m'aimait; du moins, avec moi seul, quittant son ton tranchant et son langage caustique, il causait de diffrents sujets avec abandon ...
— Quatre contes de Prosper Mrime • F. C. L. Van Steenderen
... once ethereal and of the tomb, the solemn cry of sadness and lofty shout of joy, those grandiose hymns of human faith, which seem to well up in the cathedrals, like irresistible geysers, at the very foot of the Romanesque columns. What music, however ample, sorrowful or tender, is worth the "De Profundis" chanted in unison, the solemnity of the "Magnificat," the splendid warmth of the "Lauda Sion," the enthusiasm of the "Salve Regina," the sorrow of the "Miserere," and the "Stabat Mater," the ...
— En Route • J.-K. (Joris-Karl) Huysmans
... mass. It had been the habit of the Byzantines to break up their draperies by a large number of minute folds. Norman and Romanesque sculpture showed much of the same character. Giotto melted all these folds into broad masses of colour; so that his compositions have sometimes almost a Titianesque look in this particular. This innovation was a healthy one, and led to ...
— Giotto and his works in Padua • John Ruskin
... perish if it is not a ghost from the civil wars!" whispered Sir Ralph to Lady Sarah. "Mrs. Angela might well be romanesque and unlike the rest of ...
— London Pride - Or When the World Was Younger • M. E. Braddon
... familiar to us is that of the later Graeco-Roman art. It was a long process which began at least as early as the age of Alexander and continued until the fall of the Western Roman Empire and afterwards, until, indeed, the decadent classical art was utterly supplanted by the art which we call Romanesque and Byzantine, and which seems to us now at its best to be as great as any ...
— Progress and History • Various
... on the plan of the Roman basilica, or court of justice, and wherever the Church of Rome spread, this method of construction went with her. The oldest style of church-building—that which used to be called Saxon, and is now sometimes termed Norman, and sometimes Romanesque—degenerated directly from the architecture of Rome. There are ecclesiastical buildings in France and Italy, of which it might fairly be debated, from their style, whether they were built by the latest of the classical, or the earliest of the Gothic architects. The little ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... come out to us for lodging.' She let the keys drop out of her hands. It was not wonderful if she was amazed. All day long she followed me about, her very mouth open with wonder. 'Madame Martin, that understands itself,' she would say. 'She is romanesque—she has imagination—but Madame, Madame has bon sens—who would have believed it of Madame?' Leontine had been my femme de menage long before there was a Madame Martin, when my son was young; and ...
— A Beleaguered City • Mrs. Oliphant
... reproach when he saw to what a condition the poor youth was reduced. As four stout men-at-arms took up the litter, the old woman, coming forth to her threshold, uttered something which his knowledge of the Romanesque tongues of Southern France enabled him to interpret into a vindication of her character, and a request for a reward for her care of ...
— The Lances of Lynwood • Charlotte M. Yonge
... of provincial indifference. Some knowing persons at Nevers declared that Jan Diaz was making fun of the new school, just then bringing out its eccentric verse, full of vitality and imagery, and of brilliant effects produced by defying the Muse under pretext of adapting German, English, and Romanesque mannerisms. ...
— The Muse of the Department • Honore de Balzac
... monastic body. Of these the larger part have been altered and spoiled during the seventeenth or eighteenth centuries, when, after the expulsion of the Spaniards, the country began again to grow rich from trade with the recovered colony of Brazil. Still enough remains to show that these old romanesque churches differed in no very striking way from the general romanesque introduced into Northern Spain from France, except that as a rule they were smaller and ruder, and were ...
— Portuguese Architecture • Walter Crum Watson
... up, hot and breathless, through olive and pine, from the Viale at Florence to the antique Cyclopean walls of Etruscan Faesulae, you wonder to yourself, like our American friend, as you pant on the terrace of the Romanesque cathedral, what on earth they could ever have wanted to build a town ...
— Science in Arcady • Grant Allen
... went on to Michaelsburg, an extremely curious place. In the centre of a lovely valley rises a conical rock of gneiss, protruding to the height of 200 feet or more. This is crowned by the ruins of a Romanesque church. There are, I believe, only two other specimens of this kind of architecture in the country. The time of the building of Michaelsburg is stated to be between 1173 and 1223. Before the use of artillery ...
— Round About the Carpathians • Andrew F. Crosse
... impressions its magnificence creates upon the mind of the general visitor, it now affords a rich treat to all who delight to trace the boundary lines of ecclesiastical architecture, as they approach or recede from the present time. First, there is the Norman or Romanesque of the period of its erection, of which the crypt and part of the central transept are specimens; secondly, the First Pointed or Early English, as seen in the eastern transept; thirdly, the Middle Pointed or Decorated, as in the tower, guesten hall, and refectory; and, fourthly, the ...
— Handbook to the Severn Valley Railway - Illustrative and Descriptive of Places along the Line from - Worcester to Shrewsbury • J. Randall
... this painting calls attention to the fact that the columns and arches of the picturesque ruin belong to a much later period in history than the birth of Christ. Durer was not acquainted with any earlier style of architecture than the Romanesque and therefore he used it here. "The ruin serves as a stable. A roof of board is built out in front of the side-room which shelters the ox and ass, and under this lean-to lies the new born babe surrounded by angels who express their childish ...
— Pictures Every Child Should Know • Dolores Bacon
... (with a laugh). Not its errors—because in those days unclean minds brought to birth a great deal that was unclean. (Seriously.) But what is it, when all is said and done, but a violent protest on the part of the Teutonic people against the Romanesque spirit and school—a remarkable school, but not ours. To us it seems a barren, merely intellectual school—a mere mass of formulas which led to a precocious development of the mind. And that was the spirit it bred—critical and barren. But these schools of thought ...
— Three Dramas - The Editor—The Bankrupt—The King • Bjornstjerne M. Bjornson
... This is the gas plant, Daddy dear. The Gothic building on your left is the gymnasium, and the Tudor Romanesque beside it ...
— Daddy-Long-Legs • Jean Webster
... admitted by a lay-brother dressed in the beautiful white habit, caught about the waist by a leathern girdle from which a rosary hangs. Upon his feet are rough shoes and his head is shorn but he greets you with a smile of welcome and leads you into a large quadrangle, where before you is the great Romanesque church with a chapel upon one side and the refectory upon the other, and all about are cloisters. Here over the entrance to the church is a statue of St Hugh. Within, the church is divided by a screen into two parts, the choir for the Fathers, ...
— England of My Heart—Spring • Edward Hutton |
