"Titian" Quotes from Famous Books
 ... had made the Descoings pose for his magnificent painting of a young courtesan taken by an old woman to a Doge of Venice. This picture, one of the masterpieces of modern painting, was mistaken by Gros himself for a Titian, and it paved the way for the recognition which the younger artists gave to Joseph's talent in ...
— The Celibates - Includes: Pierrette, The Vicar of Tours, and The Two Brothers • Honore de Balzac
... still face to face with the shaggy forces of unsubdued Nature, and we have our Theseuses and Perseuses, though they may be named Israel Putnam and Daniel Boone. It is nothing against us that we are a commercial people. Athens was a trading community; Dante and Titian were the growth of great marts, and England was already commercial when ...
— The Function Of The Poet And Other Essays • James Russell Lowell
... was so kind as to paint the swans—I need not say how. But the rest of the picture was such a perplexity to me that I could think of nothing better than to send for Mr. Laroy Sunderland to call one day when I was out, and knock up Raphael to draw the princess, and Salvator Rosa, the clouds, and Titian to see to the sky and light. When I came in again, the completed whole met me as a ...
— The Continental Monthly, Vol. 6, No 3, September 1864 - Devoted To Literature And National Policy • Various
... arrested by a beautiful girl stationed in one of the private boxes. She was the most perfect blonde I had ever seen. Her hair was a glossy auburn, and shaded a face that might have served for the model of Titian's Venus. Her features were regular, her eyes a deep blue, shaded by long eyelashes which gave a dreamy expression to her lovely countenance. Her lips were full and sensuous; a lovely carnation hue, evidently nature's ...
— The Life and Amours of the Beautiful, Gay and Dashing Kate Percival - The Belle of the Delaware • Kate Percival
... comprehend the whole. God has endowed you with wonderful talent. The fruit and flowers in that foreground must have cost you much labor, for indeed you seem to have faithfully followed the injunction of Titian, 'Study the effect of light and shade on a bunch of grapes.' That luscious amber cluster lying near the poppies is tantalizingly suggestive of Rhineland, and of the vines that garland the ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... still stands out in the Roman panorama as one of exceptional brilliancy. There was a galaxy of artists,—Story, who had already won fame on two continents; William Page, who believed he had discovered the secret of Titian's coloring; Crawford, and "young Leighton," as Mrs. Browning called the future president of the Royal Academy; Gibson, and his brilliant pupil, Harriet Hosmer; Fisher, who painted a portrait of Browning, and also of Penini, for his own use to exhibit in London. ...
— The Brownings - Their Life and Art • Lilian Whiting
... dropped her pencil in the course of her work, the highly-born pupil, by force of example, if for no other reason, would immediately have risen and picked it up, though she might not have made the speech about a Titian being worthy to be served by a Caesar. In fact Rose was in danger of being killed with kindness. Soon she was conscious of something choking, crushing, dwarfing in this artificial system. This was made more conspicuous to her by the choice of art subjects for the girls' study. ...
— A Houseful of Girls • Sarah Tytler
... The American Publishing Company, refers to the frontpiece, which, from time to time, has caused question as to its origin. To Bliss he says: "It is a thing which I manufactured by pasting a popular comic picture into the middle of a celebrated Biblical one—shall attribute it to Titian. It needs to be engraved ...
— Innocents abroad • Mark Twain
... to soothe your vision, Fatigued with these hereditary glories, There rose a Carlo Dolce or a Titian, Or wilder group of savage Salvatore's; Here danced Albano's boys, and here the sea shone In Vernet's ocean lights; and there the stories Of martyrs awed, as Spagnoletto tainted His brush with all the blood of ...
— Don Juan • Lord Byron
... here by Titian. It looks as though it had been left in the smoke house 900 years and overlooked. Titian painted a great deal. You find his works here ever and anon. He must have had all he could do in Italy in an ...
— Remarks • Bill Nye
... frame in wood painted in lapis-lazuli with threads of gold, is therefore the most complete work of this master, whose least carvings now sell for nearly their weight in gold. Hanging over the fire-place, Van Claes the martyr, painted by Titian in his robes as president of the Court of Parchons, still seemed the head of the family, who venerated him as their greatest man. The chimney-piece, originally in stone with a very high mantle-shelf, had been made over in marble during the last century; on it now stood ...
— The Alkahest • Honore de Balzac
... brought for the rooms which were prepared for a royal inmate. The walls of the Emperor's bedchamber were hung in black in token of his deep mourning for his mother, but many pictures from the brush of Titian were hung in that apartment. As Charles lay in bed he could see the famous "Gloria," which represented the emperor and empress of a bygone age in the midst of a throng of angels. He could also join in the chants of the monks without ...
— Heroes of Modern Europe • Alice Birkhead
... customary travellers' pilgrimage to the shrines of Titian and Tintoret. After some hours of absence, he found a letter waiting for him when he got back to the hotel. It was written by his brother Henry, and it recommended him to return to Milan immediately. The proprietor of a French theatre, recently arrived from Venice, was trying to ...
— The Haunted Hotel - A Mystery of Modern Venice • Wilkie Collins
... a grand composition in colossal figures, with a country of extraordinary beauty in the back-ground, is considered as the chef d'oeuvre of TITIAN. It was painted on pannel; but, having undergone the same operation as the Madonna di Foligno, is now placed on canvass, and is in such a state as to claim ...
— Paris As It Was and As It Is • Francis W. Blagdon
... all the world called him a fool; a Michael Angelo, working seven long years decorating the Sistine Chapel with his matchless "Creation" and the "Last Judgment," refusing all remuneration therefor, lest his pencil might catch the taint of avarice; a Titian, spending seven years on the "Last Supper;" a Stephenson, working fifteen years on a locomotive; a Watt, twenty years on a condensing engine; a Lady Franklin, working incessantly for twelve long years to rescue her husband from the polar seas; a Thurlow ...
— How to Succeed - or, Stepping-Stones to Fame and Fortune • Orison Swett Marden
... be told, Fanny Brawne is a fairly good-looking young woman, blue-eyed and long-nosed, her hair arranged with curls and ribbons over her brow: she has a curious but striking resemblance to the draped figure in Titian's "Sacred and Profane Love": and for the rest, she is by no means poetic or sentimental, but a voluminous reader, whose strong point is an extraordinary knowledge of the history of costume. She accepts ...
— A Day with Keats • May (Clarissa Gillington) Byron
... I brought it up from below. For literature I have this small edition of Shakespeare's sonnets, the cream of the whole world's poetry; and when I am tired of looking at the trees and the sky, I look at this, Titian's lovely daughter with her upheld salver of fruit. Is she not beautiful as ...
— Castle Nowhere • Constance Fenimore Woolson
... by the guards; but the men knew him, and the Grande Galerie, despite its treasures, or perhaps because of them, is the least popular part of the Louvre. Artists haunt it; but the Parisian, the provincial, the globe trotter, gape once in their lives at Andrea del Sarto, Titian, Salvator Rosa, Murillo of course, and the rest of the mighty dead, and then ask with a yawn, "Where ...
— A Son of the Immortals • Louis Tracy
... our excellent National Gallery (Edinburgh), a copy of Titian's Ariadne in Naxos is hung immediately above Wilkie's sacred sketch of John Knox administering the Sacrament in ...
— Spare Hours • John Brown
... shadows like an army of giants. Indoors—Oh I must not take my readers indoors, or we shall never get away! Indoors the sunshine is brighter still; for there, in a lofty, lightsome room, sat a damsel fair and arch and piquante, one whom Titian or Velasquez should be born again to paint, leaning over an instrument* as sparkling and fanciful as herself, singing pretty French romances, and Scottish Jacobite songs, and all sorts of graceful and airy ...
— Our Village • Mary Russell Mitford
... that were dead; when immediately I fancied myself standing before a multitude of spectators, and thousands of eyes looking upon me at once: for all before me appeared so like men and women, that I almost forgot they were pictures. Raphael's pictures stood in one row, Titian's in another, Guido Rheni's in a third. One part of the wall was peopled by Hannabal Carrache, another by Correggio, and another by Rubens. To be short, there was not a great master among the dead who had not contributed to the embellishment of this side of the gallery. The ...
— Essays and Tales • Joseph Addison
... conducted by Edwin M. Stanton, previously known at Washington as a patent lawyer, and as having concluded successfully an important California land case for the Government. He had a head which Titian would have loved to paint, so massive were its proportions, and so sweeping were its long locks and beard. He stood like a sturdy sentinel on guard before his client, pleading the "higher law" in justification, and mercilessly attacking the counsel on the other side whenever they sought to introduce ...
— Perley's Reminiscences, Vol. 1-2 - of Sixty Years in the National Metropolis • Benjamin Perley Poore
... old gentleman in a blanket, with a swan's-down tippet for a beard, and a web of cracks all over him like rich pie-crust), to be a fine Guercino. As for Sebastian del Piombo there, you would judge for yourself; if it were not his later manner, the question was, Who was it? Titian, that might or might not be—perhaps he had only touched it. Daniel Doyce said perhaps he hadn't touched it, but Mr Meagles rather declined to overhear ...
— Little Dorrit • Charles Dickens
... strange tints, in a strained design, possessing a wild color and a disordered energy: a picture executed in the painter's second manner when he had been tormented by the necessity of avoiding imitation of Titian. ...
— Against The Grain • Joris-Karl Huysmans
... had just overthrown that iron-bound money-box, called Nucingen, had appeared to him as one of those who are unique in their generation. It is not certain that Titian's mistress, or Leonardo da Vinci's Monna Lisa, or Raphael's Fornarina were as beautiful as this exquisite Esther, in whom not the most practised eye of the most experienced Parisian could have detected the faintest trace of the ordinary courtesan. The ...
— Scenes from a Courtesan's Life • Honore de Balzac
... liking your Paul Veronese (what an impudence to talk so to a man who has just purchased a real Titian!) does not quite disprove my theory. You like the picture because you like the verses you once made upon it: you associate the picture (naturally enough) with them: and so shall I in future, because I like the verses too. But then ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... was! What a broad, white forehead—-what fiercely brilliant black eyes—what perfect regularity and refinement in the other features; with the long, venerable hair, framing them in, as it were, on either side! Poor as I was, I felt that I could have painted his portrait for nothing. Titian, Vandyke, Valasquez—any of the three would have paid him to ...
— After Dark • Wilkie Collins
... some scrupulous folks will be apt to find fault with me for having introduced a gallery of pictures with the same confidence as if I were writing a novel of the present day. Yet this seeming anachronism does not exist. The Moors, though they certainly could not boast of a Rafael or a Titian, had exercised themselves in the art, and, according to some authorities, even excelled in portrait painting. I do not intend to maintain that either the Moorish or Christian artists of the period had arrived at any ...
— Gomez Arias - The Moors of the Alpujarras, A Spanish Historical Romance. • Joaquin Telesforo de Trueba y Cosio
... parts that prophetic genius combines and moulds into a whole. He softened the harsh outlines, mellowed the glaring colours, and harmonised the awkward proportions of mediaeval art. With him, a new epoch commenced, adorned by many illustrious names, from Julio Romano, the poet of painters, to Titian, who clipped his pencil in the rainbow. The Lombard school of Titian was the third of the three first great schools of the Revival, in which taste, emancipated from the darkness of the middle ages, sought inspiration ...
— Chambers's Edinburgh Journal, No. 432 - Volume 17, New Series, April 10, 1852 • Various
... Titian, and engraved and circulated by the geographer, Jomard, resembles closely the portraits of Philip III. The costume is one which ...
— The Life of Christopher Columbus from his own Letters and Journals • Edward Everett Hale
... had laid by enough money for his children and grandchildren. The ministers were both excellent men; but Dr. Leslie was the only man who looked far ahead or saw much or cared much for true success. In Titian's great Venetian picture of the Presentation of the Virgin, while the little maiden goes soberly up the steps of the temple, in the busy crowd beneath only one man is possessed by the thought that something wonderful is happening, and lifts his head, forgetting the ...
— A Country Doctor and Selected Stories and Sketches • Sarah Orne Jewett
... of prosaic fact. It is a common mode of speech to say of an enthusiastic disciple that the spirit of his master possesses him. A receptive student enters into the soul of Plato, or is full of Goethe. We say that Apelles lived again in Titian. Augustine reappeared in Calvin, and Pelagius in Arminius, to fight over the old battle of election and freedom. Luther rose in Ronge. Take these figures literally, construct what they imply into a dogma, and the product is the transmigration of souls. ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... and impressive. The air, indeed, was professional—the most careless glance could detect the soldier. But it seemed the soldier of an elder age or a wilder clime. He recalled to her those heads which she had seen in the Beaufort Gallery and other Collections yet more celebrated—portraits by Titian of those warrior statesman who lived in the old Republics of Italy in a perpetual struggle with their kind—images of dark, resolute, earnest men. Even whatever was intellectual in his countenance spoke, as in those portraits, of a mind ...
— Night and Morning, Complete • Edward Bulwer-Lytton
... preparation—it sees only the result, and this result shows such consummate ease and naturalness—all done without effort—that it exclaims, "A genius—the devil guides his hand!" The remark was made of Titian and his wonderful color effects, and then again of Rembrandt with his mysterious limpid shadows—their competitors could not understand it! And so they disposed of the subject by attributing ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... warm in his lines, and the fragrant air blows cool in his descriptions; we smell the sweets of the bloomy haws, and hear the music of the feathered choir, whenever we take a forest walk with him. The hour of the day is not easier to be discovered from the reflection of the sun in Titian's paintings, than in Chaucer's morning landscapes. . . . His reading was deep and extensive, his judgement sound and discerning. . . In one word, he was a great scholar, a pleasant wit, a candid critic, a sociable companion, ...
— The Canterbury Tales and Other Poems • Geoffrey Chaucer
... of his untaught genius was to them as wondrous and beautiful as if from the pencil of a Raphael or Titian. Every object of his pleasure or regard was treasured as a sacred thing. Even the withered flowers that had bedecked his death-couch were preserved with pious care, and no unloving hand could touch a single article that had once felt the impress of the now palsied fingers. There ...
— The Elm Tree Tales • F. Irene Burge Smith
... Titian was six years old when Raphael was born, and he continued to live and work for fifty-six years after Raphael had ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... conceive beauty to consist in a long, slim, attenuated, almost angular figure; but at the time of the Renaissance the type of the beautiful was very different. Take Rubens, take Titian, take even Raffaelle, and you will see that their women were of robust build. Even their Virgin Marys have a motherly air. To my thinking, moreover, if we reverted to some such natural type of beauty, if women were not encouraged ...
— Fruitfulness - Fecondite • Emile Zola
... colourist, well skilled in perspective, and in the management of light, insomuch that his drawings did not look "like things feigned, but rather as the living reality." Vasari relates that he conducted Titian to see certain works of Peruzzi, of which the illusion was most complete. The greater artist "could by no means be persuaded that they were simply painted, and remained in astonishment, when, on changing his point of view, he perceived that they were so." Dying in 1536, ...
— A Book of the Play - Studies and Illustrations of Histrionic Story, Life, and Character • Dutton Cook
... forget the manners of to-day, and transport ourselves for a moment to the Cathedral of Assisi in the thirteenth century; it is still standing, but the centuries have given to its stones a fine rust of polished bronze, which recalls Venice and Titian's tones of ruddy gold. It was new then, and all sparkling with whiteness, with the fine rosy tinge of the stones of Mount Subasio. It had been built by the people of Assisi a few years before in one of ...
— Life of St. Francis of Assisi • Paul Sabatier
... among its treasures many of the old masters and-when open for exhibition—a bewildering collection of young nurses. The latter are frequently inaccurate in anatomical details, but in point of brilliancy of color they far outshine the best efforts of RUBENS and TITIAN. The flesh tints produced by many of our Fifth Avenue belles infinitely surpass the obsolete tints upon which the great Venetians used ...
— Punchinello, Vol. II., Issue 31, October 29, 1870 • Various
... furniture, and tapestry, may still be met with. Signor Folcioni began by pointing out the merits of his pictures; and after making due allowance for his zeal as amateur and dealer, it was possible to join in some of his eulogiums. A would-be Titian, for instance, bought in Verona from a noble house in ruins, showed Venetian wealth of colour in its gemmy greens and lucid crimsons shining from a background deep and glowing. Then he led us to a walnut-wood bureau ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... confusing the artist and marring the work, until, when each could receive its due, the one corrected the other, and they combined, producing by this marriage of the living reality with the dead but immortal beauty, the great art of Michel Angelo, of Raphael, and of Titian: double like its origin, antique and modern, real ...
— The Contemporary Review, Volume 36, September 1879 • Various
... inspiration of Art. The extreme of this direction we see in the Iconoclasm of the eighth century, but it has never completely died out. Gibbon tells us of a Greek priest who refused to receive some pictures that Titian had painted for him, because they were too real:—"Your scandalous figures," said he, "stand quite out from the canvas; they are as bad as a group of statues." It is a tenderness towards the idea, lest it should be ...
— The Atlantic Monthly, Vol. 13, No. 76, February, 1864 • Various
... youth, even when care oppressed thee, A fair Venetian painting, the blithe work Of a light-beaming Titian, that revealed Pure shining joy ...
— Life Immovable - First Part • Kostes Palamas
... Deserving mention only for its notably negative character. None of the great Venetian painters, Tintoret, Titian, Veronese, Bellini, Giorgione, Bonifazio, ever introduce a ship if they can help it. They delight in ponderous architecture, in grass, flowers, blue mountains, skies, clouds, and gay dresses; nothing comes amiss to them but ships and the sea. When they are ...
— The Harbours of England • John Ruskin
... should be such inconsistency in the decisions of taste; but this title of colourist has been bestowed chiefly upon two painters, who in this very respect of colour were the antipodes to each other, Titian and Rubens. Are there no steady sure principles of colour? If there be, it is impossible that such discordant judgments can be duly ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... to Paris, then to Rome, where he remained upwards of three years, from Rome to Florence and Bologna, and thence home through Venice. His letters to the Burkes, giving an account of Raphael, Michelangelo, Titian and Leonardo da Vinci, show remarkable insight. Barry painted two pictures while abroad, an Adam and Eve, and a Philoctetes, neither of them of any merit. Soon after his return to England in 1771 he produced his picture of Venus, which was compared, though ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... 13th August announces that Venice and Italy have experienced an irreparable loss. The celebrated Barbarigo Gallery, known for ages, comprised amongst other masterpieces seventeen paintings of Titian, the Magdalen, Venus, St. Sebastian; the famous portraits of the Doge Barbarigo, of Philip XIV., &c. After the extinction of the Barbarigo family, Count Nicholas Giustiniani, the brothers Barbaco, and the merchants Benetti, ...
— International Miscellany of Literature, Art and Science, Vol. 1, - No. 3, Oct. 1, 1850 • Various
... you will be the apologist of every infamy that wears a Liberal or Catholic mask. You, too, will speak of the portraits of Vecelli and the Assumption of Allegri, and declare that Democracy refuses to lackey-label these honest citizens as Titian and Correggio. Even that colossal fragment of your ruined honesty that still stupendously dismisses Beethoven as "some rubbish about a piano" will give way to remarks about "a graceful second subject in the relative ...
— Gilbert Keith Chesterton • Maisie Ward
... Deck'd in a kilt, he wields a chieftain's arms: The tuneful piper sounds a martial strain, And Samuel sings, "The King shall have his ain": Two Georges in his loyal zeal are slur'd,[64] A gracious pension only saves the third!— By Nature's gifts ordain'd mankind to rule, He, like a Titian, form'd his brilliant school; And taught congenial spirits to excel, While from his lips impressive wisdom fell. Our boasted GOLDSMITH felt the sovereign sway; From him deriv'd the sweet yet nervous lay. To Fame's proud cliff he bade our Raphael rise; Hence REYNOLDS' pen with ...
— A Poetical Review of the Literary and Moral Character of the late Samuel Johnson (1786) • John Courtenay
... their neighborhoods, living by a little work and by the contemptuous charity of the settlers. In them the proud spirit of their race was broken; they suffered insult and outrage from their conquerors without resisting; a small white Titian might knock a stalwart Indian down with his fist, and the Indian would not attempt to revenge himself. For a while, the settlers feared the lingering red men, but they soon learned to despise them, and it was seldom that they troubled the ...
— Stories Of Ohio - 1897 • William Dean Howells
... fierce tirades against all earthly joys and pastimes, no matter how innocent they were. To resemble the holy Xavier and the sanctified and childlike Alois Gonzago, was his highest ideal. In the extremity of his piety and prudery he slipped into the art-gallery of our eldest brother and destroyed Titian's most splendid paintings and the glorious statues of the olden time. He gloried in this act, and called it a holy offering to virtue. He could not understand that it was vandalism. Our family had serious fears for the intellect of this poor young saint, maddened by the fanaticism ...
— Berlin and Sans-Souci • Louise Muhlbach
... like Titian and Corregio must be served with both hands. I have only one," he said ...
— Tales of Trail and Town • Bret Harte
... reflected in the works of this the greatest of the painters of the age. You understand Raphael, and would give me a different answer from what Velasquez[2.12] did when I asked him not long ago what he thought of Sanzio. 'Titian,' he replied, 'is the greatest painter; Raphael knows nothing about carnation.' This Spaniard, methinks, understands flesh but not criticism; and yet these men in St. Luke elevate him to the clouds because he once painted cherries which the ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... not infallible. But, it is said, unless the Bible is infallible it has no authority. This we deny. Inspiration is not infallibility, but inspiration is authority. The inspired man is always an authority. Phidias and Michael Angelo are authorities in sculpture; Titian and Rafaelle are authorities in painting; Mozart and Beethoven in music; and Paul, ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... but was pleased by the effect of the black—it was just THAT note which brought the rest together. "Ah, one may learn to paint at fifty! There's Titian..." and so, having found the right tint, up he looked and saw to his horror a cloud ...
— Jacob's Room • Virginia Woolf
... the abolition of filth and the maintenance of chastity. To that end it recently broke into one of the famous clubs of the New York jeunesse doree and destroyed a number of irreplaceable art treasures, masterpieces, among them even a Venus by Titian." ...
— Atlantis • Gerhart Hauptmann
... all that I could: the Houses of Parliament, Westminster Hall and Abbey, the Tower and the theatres, the Picture Gallery at Dulwich with Rembrandt's Girl at the Window, the one at Hampton Court, with the portrait of Loyola ascribed to Titian, sailed down the river to Greenwich and lingered in the lovely Gardens at Kew, which gave me a luxuriant impression of English scenery. I also saw the Queen's model farm. Every animal was as splendid a specimen as if it had been intended for an agricultural show, the dairy walls were tiled all ...
— Recollections Of My Childhood And Youth • George Brandes
... spending the previous hour in speculations regarding the very missive that was now placed in her hands. She was a handsome girl, neither blonde nor brunette, with eyes of hazel gray and hair of that color that moderns call Titian red. She took the envelope that her father gave her, and though she wanted intensely to know the contents she hesitated ...
— A Black Adonis • Linn Boyd Porter
... a woman in an ermine wrap, with Titian hair under a jewelled net; and Virginia's eyes were suffused with pleasure as she gazed at her. "I never saw any one so beautiful!" she exclaimed to Oliver, as they stepped out into the hall; but he merely replied indifferently: "Was she? I didn't notice." ...
— Virginia • Ellen Glasgow
... seen a more wonderful face?" asked Mrs. Vanderbridge. "Doesn't he look as if he might have been painted by Titian?" ...
— The Best Short Stories of 1921 and the Yearbook of the American Short Story • Various
... the present, we may trace, step by step, the improvements and variations of public and private buildings. The majestic San Zeno is at the head of the churches: there is nothing but what is ancient, and nothing new or incongruous offends the eye. The Cathedral still preserves one of Titian's most precious works. In the portico are two figures in high relief, of white marble: on the sword of one is the word Durindarda; is this the effigy of Charlemagne's Orlando? The ancient church of San Fermo, restored in 1319, offers some of the ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 399, Supplementary Number • Various
... not only is his style Venetian, but as the gallery there is housed in the shell of an abandoned convent, so his in that of a deserted allegory; and again, as at Venice you swim in a gondola from Gian Bellini to Titian, and from Titian to Tintoret, so in him, where other cheer is wanting, the gentle sway of his measure, like the rhythmical impulse of the oar, floats you lullingly along from picture to picture,"—we are rather reminded of Venetian ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XVII. No. 101. May, 1876. • Various
... a Titian, profusely toothed, muscular, and President of the Hair Dressers' Union of ...
— Police!!! • Robert W. Chambers
... have asked was at his service. But Basterga belonged rather to the fifteenth century, the century of the south, which was expiring, than to the century of the north which was opening. Splendour rather than comfort, the gorgeousness of Venice, of red-haired dames, stiff-clad in Titian velvets, of tables gleaming with silk and gold and ruby glass, rather than the plain homeliness which Geneva shared with the Dutch cities, held his mind. To-night in particular his lip curled as he looked round. To-night in particular ill-pleased and ill-content ...
— The Long Night • Stanley Weyman
... glowing heart of a ruby, her dark beauty well set off by a gown of crimson paduasoy, with rich lace through which the graceful neck and rounded arms gleamed white and soft: it all looked to me like a picture from one of Master Titian's canvases, and I could hardly believe that if I should look through the closely drawn curtains I would see the rough and dirty decks of our barge, and, beyond, the dark forest of the Illinois shore, where even now hostile savages might be lurking, ...
— The Rose of Old St. Louis • Mary Dillon
... into the room. Ruby was certainly the flower of the family—an extremely engaging young person of about ten, whose mischievous golden-brown eyes had long and curling lashes, and whose vivacious face was set off by a thick mane of deepest Titian red. ...
— In Brief Authority • F. Anstey
... at Treviso. Treviso is seventeen miles from Venice. Its cathedral contains a fine Annunciation by Titian which Luigi and his betrothed Chiara had ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... brogue and teased and tormented her for her absolute lack of knowledge. Peg put up with that just as long as she could. Then one day she opened out on them and astonished them. They could not have been more amazed had a bomb exploded in their midst. The little, timid-looking, open-eyed, Titian-haired girl was a veritable virago. She attacked and belittled, and mimicked and berated them. They had talked of her BROGUE! They should listen to their own nasal utterances, that sounded as if they were speaking with their noses and not with their tongues! Even ...
— Peg O' My Heart • J. Hartley Manners
... Gardens were a dream That over Persian roses flew to kiss The curled lashes of Semiramis. Troy never was, nor green Skamander stream. Provence and Troubadour are merest lies, The glorious hair of Venice was a beam Made within Titian's eye. The sunsets seem, The world is very old and nothing is. Be still. Thou foolish thing, thou canst not wake, Nor thy tears wedge thy soldered lids apart, But patter in the darkness of thy heart. Thy brain is plagued. Thou art a frighted owl Blind with the light of life ...
— The Little Book of Modern Verse • Jessie B. Rittenhouse
... Eleanora Ippolita Gonzaga, presided with grace over that brilliant and cultivated Court which Castiglione made famous by his Cortegiano. The Duke and Duchess survive to posterity in two masterpieces of portraiture by the hand of Titian which now adorn the ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... entertain the whole population, and having ideas all his own regarding the advantage of publicity in such matters. Long before Ariosto's marriage, however, in the days of his youth and before he had ever set eyes upon the Titian-haired Alessandra, he fell captive to the charms of Ginevra Lapi, a young girl of Florentine family, who lived at or near Mantua. He met her first at a festa di ballo, we are told, and there he was much impressed with her grace and beauty, ...
— Women of the Romance Countries • John R. Effinger
... puissance, with such majesty as in the gates of Italy; and of all those gates I think there is none to compare with Maloja, none certainly to rival it in abruptness of initiation into the Italian secret. Below Vico Soprano we pass already into the violets and blues of Titian's landscape. Then come the purple boulders among chestnut trees; then the double dolomite-like peak of ...
— New Italian sketches • John Addington Symonds
... aim at learning from his pupils, he hardly can, but the old masters did. See how Giovanni Bellini learned from Titian and Giorgione who both came to him in the same year, as boys, when Bellini was 63 years old. What a day for painting was that! All Bellini's best work was done thenceforward. I know nothing in the history of art so touching as ...
— The Note-Books of Samuel Butler • Samuel Butler
... in prices. A picture is worth only what it will fetch. Let our artists be satisfied with a fair day's wage for a fair day's work, like any other species of craftsman. After all, they were all craftsmen—Michael Angelo, Titian, Donatello, Canova—wall-decorators, door-painters, ceiling-colourers, tomb-builders, stone-masons, working to contract and to measure. When our artists are content with the pay of manual labourers and the ...
— Without Prejudice • Israel Zangwill
... celestial beings of these grave old painters are as different from the fat little pink Cupids or lovely laughing children of Titian and Correggio as are the sermons of President Edwards from the love-songs of Tom Moore. These old seers of the pencil give you grave, radiant beings, strong as man, fine as woman, sweeping downward in lines of floating undulation, and seeming by the ease ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... from Troy (27). Next come the keepers of the sacred books And fate's predictions; who from Almo's brook Bring back Cybebe laved; the augur too Taught to observe sinister flight of birds; And those who serve the banquets to the gods; And Titian brethren; and the priest of Mars, Proud of the buckler that adorns his neck; By him the Flamen, on his noble head The cap of office. While they tread the path That winds around the walls, the aged ...
— Pharsalia; Dramatic Episodes of the Civil Wars • Lucan
... came to Athens with her husband. Some say that Theseus left her sleeping on Naxos among the Cyclades; and that Dionusos the wine-king found her, and took her up into the sky, as you shall see some day in a painting of old Titian's—one of the most glorious pictures upon earth. And some say that Dionusos drove away Theseus, and took Ariadne from him by force: but however that may be, in his haste or in his grief, Theseus forgot to put up the white sail. Now AEgeus his father sat and watched on Sunium day after day, ...
— The Heroes • Charles Kingsley
... and I think the curls much nicer than a boughten switch," said Becky, quite unconscious that her own luxuriant locks were of the true Titian red, and would be ...
— A Garland for Girls • Louisa May Alcott
... the heart of a loving friend. Few men live great and good lives; still fewer can write them; nay, often, when they have been lived and have been written, the world passes by unheeding, as crowds will pass without a glance by the portraits of a Titian or a Van Dyke. Now and then, however, a biography takes root, and then acts, as a lesson, as no other lesson can act. Such biographies have all the importance of an Ecce Homo, showing to the world what man can be, and permanently raising the ideal of human ...
— Chips From A German Workshop. Vol. III. • F. Max Mueller
... it. With a goddess and a nymph to wait upon, heaven knew how many broken dishes he'd have to account for. Never in the park, never after the matinees, never in all wide London, had he seen two such lovely types: Titian and Greuse. ...
— The Voice in the Fog • Harold MacGrath
... approaching truth or approaching unreality—a silent something felt in the truth-of-nature in Turner against the truth-of-art in Botticelli, or in the fine thinking of Ruskin against the fine soundings of Kipling, or in the wide expanse of Titian against the narrow-expanse of Carpaccio, or in some such distinction that Pope sees between what he calls Homer's "invention" and Virgil's "judgment"—apparently an inspired imagination against an artistic ...
— Essays Before a Sonata • Charles Ives
... earth while yet the light that shone in them was crescent. That the world should know Marlowe and Giorgione, Raphael and Mozart, only by the products of their early manhood, is indeed a cause for lamentation, when we remember what the long lives of a Bach and Titian, a Michelangelo and Goethe, held in reserve for their maturity and age. It is of no use to persuade ourselves, as some have done, that we possess the best work of men untimely slain. Had Sophocles been cut off in his prime, before the composition of "Oedipus"; had Handel never ...
— Percy Bysshe Shelley • John Addington Symonds
... We are surrounded with magnificent views of both the lake and the mountains, and can not turn in any direction without being ravished. The house is pretty, and in most respects well and even handsomely furnished; damask curtains, a Titian, a Rembrandt, and a Murillo in the parlor; the floors are waxed and carpetless, to be sure, but Mrs. Buck has given us lots of large pieces of carpeting such as are used in this country to cover the middle ...
— The Life and Letters of Elizabeth Prentiss • George L. Prentiss
... Italian artists were for the most part temperate and moderate men, and lived within their means. Haydon, in his Autobiography, says, "Rafaelle, Michael Angelo, Zeuxis, Apelles, Rubens, Reynolds, Titian, were rich and happy. Why? Because with their genius they combined practical prudence." Haydon himself was an instance of the contrary practice. His life was a prolonged struggle with difficulty and debt. He was no sooner free from one obligation, than ...
— Thrift • Samuel Smiles
... indulge in this poetical strain for another paragraph or two, the enthusiastic writer is recalled to his duties of art-showman, and proceeds to describe in glowing colours all that is contained in the 'priceless casket,' open for his inspection. He lingers lovingly over a large copy of Titian's 'Venus' which, together with other pictures and unfinished sketches, we had brought with us from Italy. He is perfectly enraptured with the charms of the painted goddess, from whom he can scarcely tear himself away ...
— The Pearl of the Antilles, or An Artist in Cuba • Walter Goodman
... gondolas, one may traverse the city without perceiving a sign of life. I went first to the Church of Santa Maria dei Frati, which is fine, old, and adorned with painting and sculpture. At Santa Maria dei Frati Titian was buried. Canova intended a monument for him, but after his death his design was executed and put up in this church, but for him, and not for Titian, the reverse of 'sic vos non vobis.' Here are tombs of several Doges, of Francis Foscari, with a pompous inscription. The body of Carmagnola ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William - IV, Volume 1 (of 3) • Charles C. F. Greville
... led into the picture-gallery by the chancellor (although Duke George cared little about such matters), where there was a costly collection of paintings by Perugino, Raphael, Titian, Bellini, &c.—item, statues, vases, coins, and medals, all of which his Grace had brought lately from Italy. Here also there was a large book, covered with crimson velvet, lying open, in which ...
— Sidonia The Sorceress V2 • William Mienhold
... the sumptuous panelled ceiling adorned with golden roses, the unique spectacle of a richness not to be equalled, was the collection of masterpieces such as no museum could excel. There were works of Raffaelle and Titian, Rembrandt and Rubens, Velasquez and Ribera, famous works which in this unexpected illumination suddenly showed forth, triumphant with youth regained, as if awakened to the immortal life of genius. And, as their Majesties would ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... myself," returned Mr. Trumbull. "I have no less than two hundred volumes in calf, and I flatter myself they are well selected. Also pictures by Murillo, Rubens, Teniers, Titian, Vandyck, and others. I shall be happy to lend you any work you like ...
— Middlemarch • George Eliot
... of Nature! Gentlest of the wise, Most airy of the fanciful, most keen Of satirists!—thy thoughts, like butterflies, Still near the sweetest scented flowers have been With Titian's colors thou canst sunset paint, With Raphael's dignity, celestial love; With Hogarth's pencil, each deceit and feint Of ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... Cleopatra, and Dying Warrior, whose classic outlines (reproduced in the calcined mineral of Lutetia) crown my loaded shelves! Welcome, ye triumphs of pictorial art (repeated by the magic graver) that look down upon me from the walls of my sacred cell! Vesalius, as Titian drew him, high-fronted, still-eyed, thick-bearded, with signet-ring, as beseems a gentleman, with book and carelessly-held eyeglass, marking him a scholar; thou, too, Jan Kuyper, commonly called Jan Praktiseer, old man of a century ...
— Atlantic Monthly Vol. 3, No. 16, February, 1859 • Various
... extravagant lover of good cheer and a resolute drinker. A thousand ridiculous stories are told about the author of one of the finest books in French literature,—"Pantagruel." Aretino, the friend of Titian, and the Voltaire of his century, has, in our day, a reputation the exact opposite of his works and of his character; a reputation which he owes to a grossness of wit in keeping with the writings of his age, when broad farce was held in honor, and queens and ...
— Catherine de' Medici • Honore de Balzac
... man, to be his measure and his norm, whatever I can imagine those mouths speaking may be the nearest I can go to truth.' When I listened they seemed always to speak of one thing only: they, their loves, every incident of their lives, were steeped in the supernatural. Could even Titian's 'Ariosto' that I loved beyond other portraits, have its grave look, as if waiting for some perfect final event, if the painters, before Titian, had not learned portraiture, while painting into the corner of ...
— Four Years • William Butler Yeats
... awkward creature. All things were set; the hour was come, His pallet ready o'er his thumb, My lord appeared; and seated right In proper attitude and light, The painter looked, he sketched the piece, Then dipp'd his pencil, talked of Greece, Of Titian's tints, of Guido's air; 'Those eyes, my lord, the spirit there 40 Might well a Raphael's hand require, To give them all the native fire; The features fraught with sense and wit, You'll grant are very hard to hit; But yet with patience you shall view As much as paint and art can ...
— The Poetical Works of Addison; Gay's Fables; and Somerville's Chase • Joseph Addison, John Gay, William Sommerville
... head."[199] The glowing descriptions of the private apartments of the heroes suit modern palaces better than Greek cottages; while representations of ladies recumbent on their couches are obvious reminiscences of Tintoretto or Titian, whose newly painted works Sidney had admired in Italy. Here is a description of the beautiful Philoclea, resting in her bedroom; it shows unmistakable signs of Sidney's acquaintance with the Italian painters: "She at that time ...
— The English Novel in the Time of Shakespeare • J. J. Jusserand
... is so gray and quiet, that as I now hold it by this Dutch landscape, with the vermilion jacket, you would fancy Hogarth's had no color in it at all, and that the Dutchman was half-way to becoming a Titian; whereas Hogarth's is a consummate piece of the most perfect colorist school, which Titian could not beat, in its way; and the Dutchman could no more paint half an inch of it than he could summon ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... JOHN DE (1499-1546), Italian painter, was born at Calcar, in the duchy of Cleves. He was a disciple of Titian at Venice, and perfected himself by studying Raphael. He imitated those masters so closely as to deceive the most skilful critics. Among his various pieces is a Nativity, representing the angels around the infant Christ, which he arranged so that the light emanated wholly ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... for all she had already passed her twenty-fourth birthday, she was amazingly innocent of those things which are counted as the governing factors of a woman's life. Certainly she knew and loved the Titian hue of her wealth of hair; her mirror was constantly telling her of the hazel depths of her wide, intelligent eyes, with their fringes of dark, curling, Celtic lashes. Then the almost classic moulding of her features. ...
— The Man in the Twilight • Ridgwell Cullum
... Ghiberti is carving the Baptistery doors at the same time that Donatello is rearing his marbles on the bridges of the Arno; and whilst the city of the Medici is staking masterpieces against that of Leo X and Julius II, Titian and Paul Veronese are rendering the home of Doges illustrious. Saint Mark's competes ...
— Bohemians of the Latin Quarter • Henry Murger
... on both sides the Martyrs and Doctors of the Church with open books; behind him all the multitude of the saved; and in the distance the countless host of his enemies—emperors, princes, philosophers, heretics—all vanquished, their idols broken, and their books burned. A great picture of Titian, which is known only as a woodcut, has a good deal in common with this description. The ninth and tenth of Sabellico's thirteen Elegies on the Mother of God contain a minute account of her triumph, richly adorned with allegories, ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt
... man knows only undifferentiated sexuality. He enjoys the nude, and sees no difference between a Venus by Titian and an ordinary photograph of a nude figure; the aesthete, and more especially the artist, can never understand that a work of art may be sensually stimulating. That it may be so will always be bluntly denied by an individual capable of enjoying a beautiful form, but to the ...
— The Evolution of Love • Emil Lucka
... and stout, with a dark complexion, bright black eyes, black and curling hair, aquiline nose, and shoulders broad but a little stooping. His aspect was thoughtful, and his gestures deliberate. Titian, besides painting his portrait, designed that which appeared in the woodcut of the author's own third edition of his poem, which has been copied into Mr. Panizzi's. It has all the look of truth of that great artist's vital hand; but, though there is an expression of the, genial character ...
— Stories from the Italian Poets: With Lives of the Writers, Vol. 2 • Leigh Hunt
... are four points chiefly to be remarked. The first, that in the year 1759 the Italian painters were, in our author's opinion, sunk in the very bathos of insipidity. The second, that the Venetian painters, i.e. Titian, Tintoret, and Veronese, are, in our author's opinion, to be classed with the Dutch; that is to say, are painters in a style "in which the slowest intellect is always sure to succeed best." Thirdly, that painting naturally is not a difficult thing, nor one on which ...
— Selections From the Works of John Ruskin • John Ruskin
... Her hair wasn't even Titian colour now, but a decided bright brown, and the curly roughness seemed just to suit her. Then the freckles were disappearing. He didn't know as freckles spoiled any one's complexion when it had that peachy softness and the kind of creamy look. If her mouth was wide, ...
— A Little Girl of Long Ago • Amanda Millie Douglas
... in their true connection with the history of the state: 1st. Receive the witness of painting. It will be remembered that I put the commencement of the Fall of Venice as far back as 1418. Now, John Bellini was born in 1423, and Titian in 1480. John Bellini, and his brother Gentile, two years older than he, close the line of the sacred painters of Venice. But the most solemn spirit of religious faith animates their works to the last. There is no religion in any work of Titian's: there is not even the smallest evidence of ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... sees men and things, in his own light way, truly; and he describes them simply, honestly, with little careless touches of pathos and humour, while he floods his whole scene with that gorgeous Sicilian air, like one of Titian's pictures; with still sunshine, whispering pines, the lizard sleeping on the wall, and the sunburnt cicala shrieking on the spray, the pears and apples dropping from the orchard bough, the goats clambering from ...
— Alexandria and her Schools • Charles Kingsley
... mouth. She wore an afternoon dress with transparent black sleeves through which her big arms gleamed, pale and smooth. She looked a superb and altogether improper creature, like Lucrezia Borgia or a Titian madonna. She came down and lay among great black and gold satin cushions, and lit a scented cigarette and opened a new French novel. Black and gold was her new scheme for her drawing-room; she had had it done this spring. It had a sort of opulent and ...
— Dangerous Ages • Rose Macaulay
... wanting? This old warrior's head, of true Saxon type, had all the majesty of Michael Angelo; that young figure, all the radiant grace of Correggio; no Rembrandt shewed more severe dignity than yon burnt umber monk in the corner; and Titian never excelled the loveliness of this cobalt virgin in the foreground. Why did it not succeed? The subject, too—the 'Finding of the Body of Harold by Torch-light'—was sacred to all English hearts; and being conceived in an entirely new and original manner, it was ...
— Chambers's Edinburgh Journal, No. 424, New Series, February 14, 1852 • Various
... miniature football field, while their faces betokened blank amazement and intense disgust. Boiled down, the first night's batch of copy consisted of a glowing description of the new censor; this fiend whose weapon was a blue pencil—his glowing red whiskers—his goggle eyes, and his Titian-colored hair. One of ...
— Danger Signals • John A. Hill and Jasper Ewing Brady
... shame to come here and not see the whole place," he remarked. "I wonder if you would excuse me while I drop downstairs to look over things there—perhaps ingratiate myself with that Titian? Tell Miss Kendall about our visit to Langhorne's office while I am ...
— The Ear in the Wall • Arthur B. Reeve
... "Titian the painter lived here, and painted ladies, who sat to him without a bit of garment on, and indeed, my darling, I often think it was more comfortable for the model than for the artist. Even modesty seems too hot a covering ...
— The Shaving of Shagpat • George Meredith
... her name. She is only seventeen years old, but is very beautiful, for she is fair, and her hair is of a true auburn colour, such as the lamented Titian often painted. Indeed, the young lady much resembles that master's "Bella," though younger and thinner. With her is fled also her nurse, a woman called Filippina, of middle age, with grey eyes and greyish hair, once not bad-looking, and whose ...
— Stradella • F(rancis) Marion Crawford
... principles, you know, (How do you make 'em? with your toe?) And the receipts which thence might flow, We could divide between us; Still more attractions to combine, Beside these services of mine, I will throw in a very fine (It would do nicely for a sign) 600 Original Titian's Venus.' Another offered handsome fees If Knott would get Demosthenes (Nay, his mere knuckles, for more ease) To rap a few short sentences; Or if, for want of proper keys, His Greek might make confusion, Then just to get a rap from Burke, To recommend ...
— The Complete Poetical Works of James Russell Lowell • James Lowell
... parables," he said, "no time for anything. If I could be guaranteed to live to ninety-nine, like Titian—he had a chance. Look at that poor fellow who was killed the other day! All that struggle, and then—just at ...
— Forsyte Saga • John Galsworthy
... venerable hacienda of Chillo, where Humboldt and Bonpland resided for some time. It is owned by the Aguirres, who are grand-nephews of Don Carlos Montufar, the companion of the famous travelers. The hacienda contains two valuable paintings—an original "Crucifixion" by Titian, and a portrait of the great German from life, as he appeared in 1803. This latter relic interested us exceedingly, and, through the kindness of Sr. Aguirre, we were allowed to photograph it. It represents Humboldt in his prime, a traveler on the Andes, ...
— The Andes and the Amazon - Across the Continent of South America • James Orton
... speak to Mr. Pickup," said Dick, familiarly throwing open a door, and pushing me into a kind of gallery beyond. I found myself quite alone, surrounded by modern-antique pictures of all schools and sizes, of all degrees of dirt and dullness, with all the names of all the famous Old Masters, from Titian to Teniers, inscribed on their frames. A "pearly little gem," by Claude, with a ticket marked "Sold" stuck into the frame, particularly attracted my attention. It was Dick's last ten-pound job; and it did credit to the youthful master's abilities ...
— A Rogue's Life • Wilkie Collins
... clothes), for which, nevertheless, I expect to be much exclaimed against, as our actresses have always thought proper to dress her in white satin. I have arrayed her in black (the only habit of the noble Venetian ladies) and gold, in a dress that looks like one of Titian's pictures. ...
— Records of Later Life • Frances Anne Kemble
... handmaid was as lean as her mistress was stout. Her hair was magnificent in quality and quantity, but, alas! was of the unpopular tint called red; not auburn, or copper hued, or the famous Titian color, but a blazing, fiery red, which made it look like a comic wig. Her face was pale and freckled, her eyes black—in strange contrast to her hair, and her mouth large, but garnished with an excellent ...
— The Silent House • Fergus Hume
... reach the staircase). Now just look at this Titian, Mr. PODBURY! RUSKIN particularly mentions it. Do note the mean and petty folds of the drapery, and compare them with those in ...
— Punch, Or The London Charivari, Volume 102, January 16, 1892 • Various
... those, yet living or of earlier day, Mantegna, Leonardo, Gian Belline, The Dossi, and, skilled to carve or to pourtray, Michael, less man than angel and divine, Bastiano, Raphael, Titian, who (as they Urbino and Venice) makes Cadoro shine; With more, whose works resemble what he hear And credit ...
— Orlando Furioso • Lodovico Ariosto
... in a picture. Titian's Queen of Cyprus, or any party of that kind; but for flesh and blood I like humility—a woman who knows she is human, and not infallible, and only just a little better than you or me. When I choose a wife, she ...
— Phantom Fortune, A Novel • M. E. Braddon
... Mr. Oxford kindly and respectfully, putting his hands behind his back. "By the way," he turned with eagerness to Priam, "I presume you have seen the portrait of Ariosto by Titian that they've bought for the National Gallery? What is your opinion of it, maitre?" He stood expectant, ...
— Buried Alive: A Tale of These Days • Arnold Bennett |
